ARTISTIC APPROACH
The mystery on the cycle of life, theology, creation of man and death are central issue
in my work. Aesthetic observation, interpretation and experience fused into a
narrative in search of the true self. These narratives are formed by sequences before
the order was put amalgamated. It should be viewed as a whole as well as in overall
quality.
I like doing activities iteration to get the best quality. Therefore, the techniques of
printmaking woodcut seems to be appropriate. Shade, print, cut, and the preparation
process is repeated which really a tedious and laborious task. Personally, it forms the
inner patience and self-motivated. In order to appreciate it, one has to look at the artist
intent and the mystery of the mechanics process.
The symbols appearing in my work is my way of dismantling the questions raised.
Throughout the span of human civilisation around the world, about divinity, about life
as a factor for the strongest philosophical question already untied by human beings
regardless of religious affiliation, race, and nation as this question seems endless.
My desire is to create a situation to draw the audience to come and be part of the work
to see it firsthand rather than through catalog or images. Therefore, I've tried to
manipulate the meaning of 'life' as something moving / not to be a static concept. To
unveil the multiple layers of images woven into my work, audiences will have to
engage with its spatio-temporal element by having a personal encounter with the
piece. The motion concept prompted the audience to move left and right to observe
the whole work. This is critical because the audience will be able to ensure that this
work is not just alive but is actually living amongst them. It epitomised great
interaction.