^(St^(l/
CATALOG
OF
Rare
Old
Violas
Violins
Violoncellos
and
ALSO
BOWS
OF
MAKES
RARE
COLLECTION
hyon
OF
Healy
"
CHICAGO
28th
The
Edition
October,
"
btring
"
been
pobikbed
191
in
1I90
^'
'
'
{I
"
Copyright.
1917
by
LYON
"
HEALY
OUCAOO
The
FArraoEM
Chicago
Compaht
Foreword
AN
the
THIS,
Cellos,
Violas,
by
the
great
Our
Violin
of
Bows,
late
factor
should
be
the
best
violin
occupies
forms
the
and
stage
as
the
of
the
well
the
favorite
of
should
be
supplying
department
the
country.
which
the
other
instrument
solo
of
of
portion
large
bition
am-
commercially.
and
around
principal
instrument
this
life of
musical
orchestra,
being
as
the
in
position
it
by
in
musically
the
was
that
America
offered
its class,
in
value
it
and
1888,
instruments
Centuries.
house),
violin
every
of
grouped,
are
concert
that
unique
in
Violins,
Old
of
19th
and
development
so
foundation
the
instruments
musical
possible
i8th
of
(founder
Rare
collection
noteworthy
17th,
of
Catalog
our
inaugurated
J. Healy
quality,
of
the
was
the
in
highest
our
of
makers
P.
of
It
offer
we
Department
violins
The
etc.,
violin
the
leading
Edition
Twenty-eighth
our
people.
It
any
follows,
contemplating
one
instrument
very
in
his
because
importance
playing.
The
of
violin
kind
late
it
had
sooner
Thomas
used
player
before
his
be
to
to
younger
later,
say
owning
he
is
that
days,
progresses
he
of
itself
reflects
''could
after
to
good
appreciated
this
students
or
used
in
of
comes
important
most
necessity
violin
To
invariably,
Theodore
soloist
quality
is
quality
violin
every
cultivated.
are
The
purchase.
to
of
question
Musical
studies.
faculties
musical
obvious
becomes
far
the
that
therefore,
as
the
supreme
in
the
tell
the
hearing
him
4]
play
few
the
by
that
If the
of the
there
tone
of that
improved
of which
are
is
the
one
violinists
concert
of
selection
the
us
in
those
the
of
for many
less
has
years
best
individual
no
make
one
of
the
them
"
than
^it would
"
the
very
the
might
that
"
yet
musical
the
possesses
the
by
stock
world
some
prices, made
call the
to
attention
of
for
the
afforded
now
had
such
extraordinary
care
in
of
point
large number
preservation
Lyon
application of
these
in
the
world
time,
to
in the
of
Lyon
"
by
than
Healy
principles
of the
While
one
famous
more
Healy collection,
judge willing to
comprehensive
offers
"
number
today.
exhibit
competent
any
so
exercised
of
genuineness
time
found
be
makers,
medium
at
attractive
equally interesting
an
bringing together
contained
are
of
prices.
the
violins
from
best
it
work,
concert
Italian
and
never
Constant
may,
investigation
representative of
and
conditioned
instruments
student
non-elastic,
number
wish
We
better
are
in
resulted
his
and
color
great
violins
moderate
at
fortunate,
firms
European
two
the
have
everywhere.
accepted
his
tone
possessed
although
and
in
feature
War.
We
violins
our
used
hard, stiff
exceptional opportunities
violins
selection,
in
unusual
added
our
choicest, purest,
or
the
had
used
of
work
European
concert
houses
is
violins
to
to
he
quality;
an
excellent
instruments.
fine
magnificent
Owing
the
An
of
tone
beautiful
contains
of
quality of
been
same
of
the
artist.
truly remarkable.
possible largely by
had
lack
year
large number
violin
instrument
true
interestingspecimens
and
of
the
this
the
the
on
the
that
identifies
Collection
Our
took
by
remained
always
that
meant
instrument
player
mature
feelingwhich
sure
Violins
of
index
was
much
very
By this he
measures."
artist
days.
be
Old
Rare
in ail classes
and
so
entirely
of violins.
Old
Rare
Our
be
shall
who
in
unique
from
buys
which,
aim
constant
far
as
Stradivarius
point
it
wish
We
call
sold
Stradivarius
Without
of
regulation
for
measure,
is
do
fact
fine
the
matter
that
means
often
its
without
had
the difference
many
which
the
repair
We
violins
best
be
must
from
the
the
in
violins
of
source
failure
and
joy
success
"
and
in
large
afford.
because
they
strongly the
too
pleasure
between
finer
careful
collection
our
of
Even
all
"
given,
emphasize
cannot
which
adjustment, disappointment
and
is
between
credit
is desirous
value.
experience
by purchasers
importance.
who
correctly adjusted.
its
at
years
violin
to
adjustment
it is
one
expensive
most
establishment.
our
unless
never
this fact
to
instrument
an
is
overlooked
artistic
it
properly
and
satisfaction
leaving
us
instrument
an
proper
artistic
that
end
interest
deep
receiving
the
to
before
have
We
of
is certain
instrument
an
the
by
usually
forever.
dissatisfaction
satisfaction.
and
We
London,
in
sound
violins,
too
follows; with
It
not
lost.
understand
not
receives
adjustment
qualities being
It
us
receive
as
of
feature
offered
the
to
intending purchaser
attention
special
by
will
he
value,
desirable
as
the
to
where
money
to
violin
every
a
his
spending
is
violin
old
price shall
class, is
This
and
and
modest
in its
at
Guarnerius.
or
worth
of musical
and
goes
[5
in
that,
old violin
an
us
as
is
Violins
call
especial attention
quality.
reputation
which
adequate
in
we
famous
This
Obviously,
like
which
Bows,
is
not
to
are
of
approached
of
descriptions of
this
the
violin
by
of
W.
".
They
are
very
line
introducing.
now
firm
catalog
complete
makers
any
other
and
bow
European
size, it is impossible
various
instruments
to
listed,
Hill
"
Sons,
exceptional
makers
has
house.
give anything
and
we
there-
6]
fore
that
suggest
information
be
Old
Rare
those
interested
desired.
promptly
Also
Violins
write
when
us,
give
examination
for
opportunity
an
will
we
Sincerely
yours,
LYON
We
have
Cellos,
Basses
"
Violas,
should
It
or
be
will
trial
and
for.
arranged
Note:
further
any
the
will
which
of
possession
of
catalog
accessories,
and
in
attractive
most
"
Violins,
modern
be
sent
tion.
applica-
on
of
teacher
every
HEALY.
violin
the
cello.
Conditions
Prices
Easy
years,
in
quoted
of
terms
be
may
this
catalog
net.
are
extending
payment,
by
arranged
over
responsible
of
period
from
and
persons,
two
three
to
is
correspondence
invited.
We
take
allowances
instruments
possible.
for
exchangeable
time
within
be
accepted
any
time,
in
one
by
year
us
if returned
at
of
from
full
to
equal
date
of
sale.
in
good
in
if
it
Any
exchange
condition.
the
make
from
purchased
value,
price paid,
us
and
payment
instrument
Any
another
part
for
this
liberal
violin,
better
viola
is
catalog
unsatisfactory,
proves
old
most
or
cello
instrument,
any
will
at
Rare
Antonius
of
soog.
what
is known
his
holes
the
in
only
fortunate
of
work
is shown
varnish.
as
fine
To
in
this
has
the
wood
this
to
power
its
in
carry
was
violin
traordinary
ex-
maker
concert
hall.
is
observation.
excels
It
Such
was
instrument
our
tone.
and
there
ever
this
instrument.
of
richness
if
under
come
he
workmanship
in
used
ever
of
tone
the
and
can,
is
Henry
This
4913*
beginning
ot
IV,
King
of
1595.
violin
thirty-five
his
France
Nearly
fifty
Nicola
years
great
were
treasures.
their
years
Amati
to
in
among
voice
sesses,
pos-
(Plate
I.)
pass
Navarre,
to
were
had
in
not
before
1595
back
1540,
was
the
this
yet
been
Joseph
first
born,
Guarnerius
of
violin
the
by
the
and
birth
one
would
very
which
for
made
master
Amati,
Heironimus
and
before
the
to
instrument,
completed
Antonius
elapse
almost
"
after
years
Brescia
time,
far
very
Fifty-five
and
of
Cremona,
Stradivarius.
reaches
violin
appeared
of
Cremona,
Amati,
history.
record
any
builders
world
that
his
in
find
years.
the
selection,
wood
of
quality
Hieronimus
and
Number
in
other
none
the
marvellous
solidity
in
of
to
the
credited
those
skill
scroll, sound
which
be
to
employed
expects
one
in
as
the
" 14,000
Antonius
there
the
in
as
Price:
that
selection
adept
an
is
the
representative
spruce
made
and
wood
of
as
time
violins
spruce,
his
Stradivarius
any
this
at
use
of
was
say
is due
Stradivaris
to
in
largely
as
should
as
able
such
wonderful
the
To
art.
apex
very
it he
In
cutting
are
characterizes
Stradivarius
We
one.
workmanship
varieties
many
the
and
the
at
thoroughly
master's
great
varnish,
of
which
almost
this
made
was
It is
period.
of
and
be
1717
Stradivarius
by
Stradivarius.
to
power
are
"Golden"
details
enough
There
the
wood
other
and
violin
specimen
beautiful
most
This
as
characteristic
and
Cremona,
Stradivarius,
Number
Violins
Old
of
Antonius
hundred
give
and
to
the
8]
The
violin
was
reached
Paris
of
This
in
operatic
an
occupied
it
So
his
beginning
the
thirteen
was
and
that
was
of
exception
when
they
Francois
de
the
of Queen
court
of his many
one
of
music
and
This
violin
music
chef
on
for
of
of
repairs. (See
has
is in
It
Louis
taking
and
upper
King
it
III
of
state
for
French
song
music
for
France,
the
with
one
Revolution,
loving cavalier,
Ambassador
later
and
him
show
in his
had
the
of
Versailles.
suite
When
time.
his time
^probably as
"
to
to
have
to
his
chestra,
or-
own
engaged
not
the cultivation
to
Latin
IV.)
and
the
king
his
inscription by J.
in
the
Gand,
giftof
possession of
the
in
written
ink
in
Probably
the
pupil
young
fourteen
back
of
lower
is
France
Cartier,
B.
the
of Nicholas
other
no
violin
for
family
of
back
his
to
violin^
Lupot,
in existence
wonderful
very
an
tone,
of
instrument
length of body
with
and
the
grace
of
Navarre,
reads
The
inscriptionwithin
Latin
is
very
full
width
usual
and
markable
re-
bouts.
beautifully decorated
and
It
in
inches
has
and
quality.
and
translated,
most
the
he devoted
preservation
volume
The
of
the
to
XVIII,
Plates
fine
alike
of
court,
memoirs
have
to
in
interesting history.
more
the
was
His
it remained
and
"
hands
according
years,
occasion
of
France,
musicians
his
into
favorite
d'orchestre
the
and
first time
voice
arts.
passed
hundred
two
music
IGng
on
IV
London.
at
best
attack
of
by the
until
Henry
military campaigns
other
loving
of
of the
composed
of
court
Elizabeth,
lover
the
in
the
the
service.
possession
Marshal
Bassompierre,
passionate
lost
or
Cremona.
in
for
appear
had
reports
Amati
accompany
particular violin,
of the
the courtiers
Among
been
this
to
was
to
Italy, and
brothers
ordered
was
the
in
destroyed
were
were
remained
They
part
used
of violins
set
the
position in church
unique
very
of
violin
Violins
in
popularity
work
before
years
Violins
attain
to
remarkable
score.
chapel.
known
in
Old
Rare
"Henry
IV, by
distinguished pupils of
the
the
violin
maker.
the
sides
bear
God, King
states
of
coat
that
the
arms
was
Henry
IV,
inscription which
of France
it
of
and
decorated
Navarre."
by the
Antonr-s
Stradivarii's
Cremona,
Number
soog"
1717
Descriptionon
page
Old
Rare
This
instrument
of
Hawley,
Mr.
Hartford,
Mr.
Pitkin, whose
by
R.
the
D.
It
is
Hawkins
impossible
with
the added
It is
old
rare
will
as
Number
from
pattern
who
Mr.
879.
colleague,
Amati,
chased
pur-
now
in
the
of the
concert
the
somber
all
tone
of
quality
their
of
wine
to
richness
of Cremona.
violins
compared
for
of
quartet
or
is of
photograph,
very
use.
the
richest
color.
choicest
III
Back
selection.
sides
and
are
IV.)
and
rich
later
one
the
red
an
is
model,
no
that
It
varnish.
in
this
that
corners
time
the
are
beauty
and
wood
very
fine
state
brilliancy.
exactly
measurements.
effective
solo
particular quality,
as
It
what
and
of
grand
possesses
doubt
exceptionally
requires
at
and
grace
in
this
master
period,
holes, edges
of
1698
arching is
Nicola
different
more
delicate
more
of
of
was
nounced.
proin
Amati
acter,
charin
his
violins.
quality, which
is
of any
large instrument,
noticeable
It
the
be
the
brown
of the
work
sound
reminding
adopted
of
recently
was
it has
Brescia,
power
Cremona,
us,
The
that
The
is of
Without
quality
from
seen
(Plates II,
4481,
character
with
of
may
and
golden
Stradivari
It is
it
medium
12,000.
Antonius
grand
until
violins.
of which
be
rare
especiallyhandsome.
Price:
and
richness
works,
volume
throughout
wood
life-longfriend
extraordinary
bright soprano
color
It has
of
description and
in
Nicola
among
the
and
the
tone,
varnish,
The
unique
characterizes
vintage.
The
is
richness
quaint
Street, London,
"Mori"
celebrated
the
describe
to
It
usually
the
D.
R.
collection.
this instrument.
which
the
his
to
late
through
it
it remained
property
together with
us,
it
by the
States
secured
Wardour
sell
to
[9
United
who
Sons,
himself
permitted
Albert
"
the
to
Connecticut,
of Hart
George Hart,
Hawley
brought
was
Violins
is of
tone
very
Stradivarius
instrument,
many
preservation
do.
which
and
is
covered
especially
ing
bright, scintillat-
sought
especially for
when
an
he
artist
o]
It
commonly
not
of his
Those
1697,
inches, while
fourteen
are
inches
eighth
in
of
for
to
selection
This
This
is
unusual
example
without
We
Price:
can
and
are
and
one-
of
high
in
With
has
of instruments
class
point
of
wood
these
to
respect
having
as
better
used
family.
with
back
similar
in
in
fact
The
and
in
this
piece
one
the
to
of the
the
of
curly
celebrated
is in his
scroll
perfectly that
selection
rare
importance
and
and
desired.
the
matches
sides
work
Collection.
Hawley
the
to
more
Guadagnini
world
considered
description,very
choicest
his
be
be
of
name
violin
far
are
Bapdste.
large size,
good
of the
hand
finest
back.
of
The
Johannes
seen.
has
of
crack
not
Antonius
the
of
tone
first class.
blemish,
or
superlative quality
very
it
recommend
It
is in
unusual
highly.
too
in
and
power.
violin
of preservation,
perfect state
a
It is
of this type
and
(Plate V.)
^,500
Sanctus
Seraphin,
Number
has
is fourteen
master
is due
of
to
must
member
of the
of the
be
nothing
Lorenzo
is of
instrument
age.
leaves
other
instrument
concert
It
an
wood
to
1690,
and
Alumnus
The
Joannes
and
171
is of spruce
Baptiste
Halier
the
in
This
Lorenzo
any
of
the
and
bearing it.
handsomest
Stradivarius
The
Baptiste.
by
instrument
of the
some
of this celebrated
high position
violin
is
than
judgment
style
Joannes
features,
important
maple
son,
varnish
and
of
years
made
1688
1686,
Placentiae,
Violins
very
out
violin
years
inches.
The
any
turned
This
his
itself
is attached
the
StradiTarins
1740.
5037.
those
earned
one-half
period
in
the
Guadagnini,
Stradivarius,
than
of
this
length.
Laurentius
Number
at
made
many
and
Violins
that
known
largest violins.
fourteen
top
Old
Ra"b
4710.
been
Venice,
This
pronounced
violin
by
1745
has
many
been
known
authorities
to
us
the
for
sixteen
finest
years.
example
of
Old
Rare
Seraphin's
which
As
spoken
this
example
of violin
is of the
voice
is
patches,
is
Antonius
full.
done
at
It is very
average
of
case
of violins
this great
The
masterpiece*
is without
is of
varnish
Its
brilliancy. Its
and
in wood,
strong
by the
comparison.
beyond
power
of
violins
several
cracks^
lovely light
full of life.
and
of
scroll
is in
exceptionally low
the
bring
of
maple
the
is
the
much
very
of
spruce,
finest
master's
of
the
and
wood
sides,
The
where
see
The
entirely
is of
top
back
beautiful
fits
scroll.
and
to
was
and
this violin
grain.
even
Because
back, which
top,
Were
selection, having
finest
general use.
higher price.
straight
quality, rich
it is difficult
of its back.
reason
choicest
for
of
specimen
exquisite piece of
an
in character
by
the
figure. The
general style
Stradivarius
quality
fine
piece
with
is of
tone
excellent
An
ideal instrument
an
an
of its charm
would
Its
by Vuillaume,
well
purely
lost any
original it
at
1717
Vuillaume.
by
period.
way
date
early
is
Price:
the
it is offered
remarkably
it has
back
It is in every
an
tone
of
work
of its back
tionally
excep-
is
one
figure. The
style.
$SyS^^
Ruggieri
Francesco
Number
high place
best
of
the
This
in
violins
the
estimation
4948.
very
and
the
of unusual
Cremona,
With
4483.
Stradivari's
to
the
description.
Stradivarius,
Number
Its
listed
it is beautiful
and
lustrous,
have
$6,000
Price:
in
of any
color, unusually
orange
in
workmanship
perfect.
we
superior to
very
quality
blemishes
or
catalog
especially true
sweetest
physical condition
this
being
as
makers;
an
and
In
known.
have
we
same
work
[i i
Violins
Cremonese
eye,
but
violin
flat,on
of this
instruments.
their
is
one
lines which
quality of
of
Not
give
grace
and
lovers.
only
is of the
Ruggieri's
have
peerless maker
of violin
tone
1671
Grand
are
They
they
greatest
Pattern.
of
flexibility
are
among
extremely
the
pleasing
beauty.
The
tone.
held
always
model
is broad
Rare
^]
The
a
is formed
back
broadish
being
by
in
strong
Violins
piece of
one
figure extending
quality for
finest
Old
handsome
very
The
its width.
across
tone.
The
instrument
is in
wood,
and
is covered
with
is of spruce,
top
of
perfect state
of
the
preservation,
lustrous, plum-red-colored
varnish.
Price:
^4,500
Sanctus
Number
478$.
the
he
tone
Germans
the
selection,
is of
He
the
the
is in
tone
and
extraordinary
brilliancyand
of very
is of
top
is of
varnish
Price:
in
handsome
of
spruce
beautiful
golden
Filius
4624.
makers,
and
world.
his
in
violin
In
beautiful
none
always
every
brown
of
state
The
among
his
wood
His
maker.
which
by
the
to
of
its
tone
is formed
back
is matched
known
It
preservation.
quality
The
power.
by
the
sides.
The
maker.
(Plate VI.)
color.
very
Next
Joseph
to
regarded
as
the
artist in every
He
way.
of
may
excels
is of full
instrument
This
preservation, and
be
said
to
(Plate VII.)
l4,ooo
be
del
of the
greatest
example
every
Guarnerius
Cremona,
Andreas,
choice
thoroughly representative in
Price:
in
appearance.
selection
rich
Guarnerius,
Number
tone
possible
curly maple,
choicest
and
work,
to
violin
makers.
carrying
the
the
The
work.
^4,500
Joseph
state
Italian
finest
in
fortunate
importance
the
both
his
most
by
used
Venetian's
high
Italian
the
was
greatest
best
stood
even
superb violin,
pieces
two
The
of
instrument
This
a
item
an
this great
artistry of
among
French.
or
of
always
the
wood,
equals,
is among
varnish
is
his
few
has
has
Seraphin
of
selection
1744
superb example
of Sanctus
name
Venice,
Seraphin,
Gesu,
Joseph,
His
beauty
large size.
possesses
master's
work
and
respect.
name.
in the
1710
of this great
tone
son
style
of Andreas,
shows
that
of his varnish
It is flat in
of
exceptionally mellow,
great
even
and
he
is in
beauty
and
for
was
usually
a
real
selection.
wood
model,
is
an
excellent
power.
Cremonese
Its
ment.
instru-
Old
Rare
Guarnerius
Joseph
Number
it has
and
recently
connoisseur.
It
Joseph's work,
The
is
best
tone
the
468J.
property
his
presented by
is
It
this
the
for many
us
well
finest
who
in the
of
Its
players.
flexible
and
played
voice
a
great
for it.
always
it.
upon
rivals
respect
has
It
the
has
and
ever
latter
violin
is asked
type
has
years,
known
which
price
country.
most
fine
from
low
artist
and
was
shop
pupil
the
time
Price:
of the
Duke
of
of
some
is its great
asset
large robust
very
E.
of
late
Ruggeri's
a
Stradivarius
possesses
of the
fine
and
to
whom,
of
tone
It
is
his
boy, it
Amatise
in
preservation.
at
was
the
bench
acter,
char-
Ruggeri
in
Amati's
apprenticeship.
beauty;
rare
when
purely
of
working
was
erly
Form-
Coburg.
Victoria.
state
serving
was
Duke
Queen
work.
very
of
late
Edinburgh,
the
Amati
1667
Brescia,
collection
in
and
Nicolas
volume,
in
the
grandmother,
instrument
The
From
size,
of
at
large
Ruggeri,
example
rare
medium
and
it is rich
mellow,
and
sympathetic.
"3,ooo
4786.
Number
This
is
The
of
one
GofFriller's
lady requiring
tone
back
subtle, rich,
his instruments
made
always
and
is in
violin
superb quality.
one
1696
Venice,
Goffriller,
Matteo
The
to
string, a big D,
Baptiste
Number
of
in
to
"3,ooo
Giovanni
for
of
every
Guarnerius
the
tone
varnish
and
appeals immensely
the
on
Price:
of
works
this
and
in wood
beauty
from
be surmised
by
known
representative example
possesses
been
1740
possession
our
means
no
highly regarded
very
It is
into
by
may
as
has
instrument
come
violin, however,
been
the
This
[13
Cremona,
Gesu,
del
4524.
Violins
mellow
favorites
smaller
easy
It
piece of handsome
to
quality
violin
with
sized
yet
GoflFriller's
An
ideal
possessing
splendid
curly maple;
has
tone
connoisseurs.
violins.
play,
is in
of
state
the
sides
of
are
instrument
large
volume
preservation.
of the
same
4]
material.
of
The
ruby
B.
those
he
was
of
Price:
epochs, usually
of very
wood
is
as
pure
varnish
The
selection.
is
It is
in the
the
preservation
for
beautiful
so
this time
At
therefrom
derived
tone
violin.
This
is covered
and
ment
instru-
with
dark,
artist.
concert
not
tone.
Guadagnini
instrument
an
in
fine
and
texture,
of
period, while
extremely
are
heard
state
varnish.
red
soft
ever
excellent
an
$3,000
Francesco
Gobetti
49S3'
of violin
making.
selection
and
"Golden"
His
of
violin
This
very
in wood
being strong
Price:
of
one
instruments,
the
with
violin
for
famous
been
1727
was
rank
varnish,
period.
always
solo
Venice,
Gobetti,
Number
high
has
the
best
that
cracks
to
or
the
of
German
School
workmanship,
in Venice
made
were
and
tone
is in
It
order.
point
known
its beautiful
of
greatest
from
been
free from
and
the
for many
us
rich
wood
in that
of
is
It
appearance.
perfect state
It
years.
preservation,
blemishes.
$3,000
GlOFREDUS
CaPPA,
His
Cremona.
It has
distinctions
in
in
supply
It is
of
an
could
been
finest
excellent
the
ideal
not
mistaken
large tone
possesses
wood,
is
work
have
is the
This
Cappa
been
always
1635
SaLUZZI,
4668.
Number
One
choicest
violins of this
other
and
brownish
175
Guadagnini's
using
sweet
as
Turin,
4950.
is in
the
color.
red
GuADAGNiNi,
as
has
of
spruce
Violins
l3,ooo
Number
is
is of
top
rich
very
Price:
J.
Old
Rare
Nicolas
was
well
so
properly
example
of
known
for that
of
mellow,
tender
preservation,
instrument
because
more
of Amati
not
frequently
so
until
violins
Cappa's
original varnish,
scarcelyhave
and
in
contemporary
recent
with.
met
when
years
the
noted.
which
solo
chief
Amati's
quality.
is covered
and
is of
of
the
that
It is strong
with
lustrous
power
delightfulinstrument
have
we
and
abundant
brown
vigor
for quartet
healthy
and
very
orange
It
seen.
of
or
color.
its
home
tone.
use.
6]
Carlo
Venice,
Tononi,
Number
which
46gg,
have
This
many
quality.
is
of
of the
are
wood
same
grain.
of
well
owned
for
instrument
back.
is in
is
in
its
general
curly
The
exquisite
handsome
very
the
It
and
tone
striking
very
match
very
been
work
connoisseur.
our
piece of
one
and
The
by
being
from
us
it had
volume
is of
back
to
where
ample
of Tononi's
specimens
came
purchased
was
The
choice, straight,even
very
It
Switzerland,
it
varnish.
the sides
maple;
hands.
our
Geneva,
choicest
extraordinarily handsome,
and
appearance
of the
one
instrument
concert
It
is
where
and
years
delightful
in
Violins
1720
through
passed
collection
known
of
Old
Rare
is of
top
fine
very
state
preservation.
Price:
$ 1,500
Nicolas
Number
Nicolas
Gagliano
teachers,
S. E.
is
handsome,
Price:
\he
was
and
was
of
one
the
Jacobson, from
is
and
of
delightful tone
foremost
effective
deep
whom
concert
fine
it.
appearance.
violin
greatest
It has
brilliant
very
varnish
The
stage.
violin
This
makers.
Chicago's
secured
we
the
on
of
one
1735
and
Neapolitan
of
prized possession
highly
Naples,
Alessandro,
instrument
An
4700.
formerly
tone
Filius
Gagliano,
is very
red.
orange
$ 1,500
Carlo
Ferdinando
Number
This
42^5.
into
passed
Landolphus,
the
violin
possession of
Milano,
first
a
well
into
came
known
1752
possession
our
and
amateur
at
in
It
1892.
his death
last
year
very
he
repurchased by
was
celebrated
exhibited
honors.
the
and
quite
flat.
rather
a
rich
is strong
The
than
orange
Ausstellung
it is in
and
back
its
of Vienna,
dealer
Musik
Physically,
wood,
is of
at
violin
very
beauty.
color.
it
Carl
in
from
came
Zach,
in
every
way.
plain maple,
The
The
top
is
and
in
Vienna,
perfect preservation,
healthy
is of
red
Originally
us.
The
cracks,
model
exceptionally
instrument
off
possesses
is broad
The
tone
high
is thick
collection
1892, carrying
no
of
collection
in the
was
has
selected
the
in
and
ities
qualvarnish
of
extra-
AnTON'IU.S
and
Cremons,
Number
^giji
"
1595
HlERONIMlS
"
The
Descriptionon
AmATI
Henry
pages
I\'
7, S and
i)
Old
Rare
richness
ordinary
highly
we
Price:
Francesco
his
day.
His
of
their
and
selection,
superb
on
broad
is covered
with
the
as
and
rich
This
than
more
of
wood
varnish.
red
orange
possesses
high reputation
lines, with
prominent
most
workmanship.
Stradivarius
tone
Gragnani,
Number
lines
brilliant
of
broadish
is
the
is
It
usual
on
fine
choicest
splendid
carrying
power.
1783
Fine
tone.
The
spruce.
initials of the
Price:
Paolo
brownish
the
under
tail button
center,
the
edges.
is of
top
yellow
the
It is
the
on
two
having
The
grain
with
stamped
shoulder
wood
straight,even
color.
and
of
button.
Paolo
of whom
of
the
far
the
most
18th
as
match.
maker
in Milano
has
The
very
top
an
in
along
Amati
the
time
at
excellent
family of violin
Grancino
working
worked
six
or
Paolo
century.
finish, and
violin
five
were
of the
founder
the
was
there
prominent
enjoyed then,
1673
Milano,
4755*
end
to
toward
The
back.
is formed
back
at
broad
large pattern,
1,200
Number
This
the
is of
maker
Grancino,
makers,
of
that
varnish
The
preservation.
of
handsome
very
sides
the
Liburni,
An
4315*
and
pieces
sides
always enjoyed
quality
tone
the
was
$1,500
Antonius
the
and
1833
Pressenda
maker,
have
instruments
instrument,
Price:
violin
It is built
example.
Turin,
Pressenda,
As
4794.
account
in
violin
exquisite solo
an
$1,500
Number
solo
It is
power.
it.
recommend
Johannes
in
carrying
and
[17
Violins
Milano
as
lines.
and
reputation
late
He
as
the
by
was
his instruments
for tone,
manship,
work-
material.
handsome
is of
spruce
back
of
of
beautiful
medium
curly maple,
width
of
grain.
with
The
is of
varnish
quality
Price:
and
The
of the
sides.
is of
tone
Price:
of Michel
son
varnish
The
Its
piece
one
is
of
is of
magnificent
is
tone
Angelo Bergonzi,
handsome
very
color
healthy,
and
is
of
son
It is well
maple,
and
full,and
large,round,
broad.
large and
rich red
is strong,
instrument
violin.
the
was
is in
back
The
remains.
built
matched
by
plentifulsupply
serviceable
very
brilliant.
very
1 1,200
Giovanni
except
violin
wood
He
dealers.
and
1703
by this
Violins
4952.
among
different
a
Rome,
Taningardi,
Number
maker
are
of wood,
ideal solo
an
Price:
Paris,
Number
Price:
4907*
top,
that
colored
varnish.
It is well
tone.
will stand
any
This
violin
Has
preserved.
amount
of hard
varnish.
Back,
work.
instrument.
1793
model.
Stradivarius
of medium
grain
Dark
red
Splendid
spruce.
state
of
flamed
preservation.
Cremona.
Grancino,
Number
varnish,
type
known,
1,000
Giovanni
healthy
is little
1,000
Pique,
maple;
is of
and
he
and
rare
in the
worked
plenty
Price:
The
1755
of this instrument
pattern
The
concert
Zosimo
jg6o.
tone.
that
Cremona,
Bergonzi^
Carlo.
It is
color.
red
orange
power.
Number
has
rich^ deep
Violins
|i^200
ZosiMO
for
Old
Rare
i8]
4949-
condition.
and
I900
possesses
Excellent
example
It is strong
a
tone
in
that
of
wood,
is
Giovanni's
covered
large and
work
with
brilliant.
and
in
originalorange
fine,
red
Old
Rare
Number
crack
4g62.
for
Price:
All
general
beautiful
Price:
Udine,
Reddish
brilliant
strong,
tone.
Well
1724
varnish.
brown
home
ideal
An
spruce.
quality.
flamed
Back,
instrument,
maple;
possessing
top,
of
tone
preserved.
I750
About
Type,
Amati
Number
for
is of the
brownish
yellow
maker
Cappa.
Price:
I700
Gasparo
da
Number
match
The
This
The
broad
maple, which,
It is
responsive
noble; the
I650
upper
desired
attributes
in
which
all
The
old, is
violin
for
instrument
strings brilliant
back
the
and
in
lower
of
ideal
ment
instru-
rare
is of
the celebrated
or
of
public.
strings
inventor
made
by him
and
listed
is of
large,
preservation
work
flexible.
was
here
professionaland
by performers
positions.
of
state
has
not
The
to
tone
varnish
discoveror
of
is known
It
an
The
attribute
the
was
splendid
It is
hand.
we
possesses
wood
1580
master
tone.
while
small
About
1540.
year
violin
scroll
and
celebrated
It is in
large,
back.
back
first violin
the
about
player
with
The
workmanship.
power
Brescia,
flat pattern.
the
the
or
This
quality.
ample
for
shade.
4gig"
wonderfully
Italian
with
Salo,
violin.
appeared
broad,
choicest
lady's use
of Italian
splendid example
"
combined
sweetness,
the
1670-80
4709
throughout
Price:
Very
use.
4^26.
straight grain
and
varnish.
original
Goffriller,
Number
all
its
without
instrument,
Italian
healthy, old
|8oo
Franciscus
1740
good, sound,
break.
or
Ideal
of
Milano,
Testore,
Paolo
[19
Violins
and
possesses
beautiful, close
of
da
Salo.
are
grain
sides
player,having
concert
The
The
tone
is very
especiallydeep
even
and
Camillus
Camilli,
Number
power.
Italian
model
is built
the
model,
is formed
by
orange
is
and
Price:
tone
pieces
two
of the
an
The
varnish
is in the
finest
In
instrument
is
back
The
front
The
is all
state
The
superb.
violin.
curly maple.
selection.
instrument
is
This
playing
easy
handsome
very
varnish
upon.
many
excellent.
always
the
and
as
ample
of
is of
of
original and
of
preservation,
recommended.
Naples,
Excellent
^goS.
throughout.
Back,
Price:
1759
of this maker's
example
plain maple;
rich
Beautiful
straight grain
top,
Choice
work.
wood
Well
spruce.
served.
pre-
tone.
|6oo
PiETRO
AND
Number
Francesco
It is in
one
finds
an
abundance
an
perfect state
most
Price:
of
instrument
of wood
large, robust
very
Mantegazza,
excellent
An
4905.
makers.
and
tone,
desirable
and
the
work
of
preservation
^in
fact,
of
specimen
of
"
in
its age
is sound
such
and
About
Milano,
most
serviceable
1750
these
celebrated
it is seldom
It
satisfactory condition.
strong
in
every
that
particular.
It has
for
all around
has
will
use.
I500
Paris,
Aldric,
Number
splendid
Price:
of
The
Gagliano,
Number
prove
for tone,
is
that
I650
Joseph
selection
wishing
choicest
color.
so
their
all
with
combined
sweetness
always be depended
for anyone
individuality
an
beautifully finished
wood
lines
best
have
maker
exquisite
not
the
may
ideal
highly
very
the
along
of small
rich
but
makers,
consequence,
spruce
is
workmanship
other
this
of
tone
Violins
1739
of
Violins
possess
The
Italian
Mantua,
4751*
They
own.
Old
Rare
20]
4692.
condition.
I450
18
10
Broad,
Big,
flat
brilliant
Stradivarius
tone.
Fine
pattern.
concert
Excellent
violin.
wood,
Leopold
Renaudin,
Number
back.
It possesses
Price:
^400
Jean
Robert
Number
of
Price:
Chibon,
varnish.
quality.
1784
Stradivarius
Large
color
rich, reddish
and
curly maple
One-piece
pattern.
top,
spruce
Paris,
Broad
preservation.
1782
of fine
tone
strong
VioliKs
Stradivarius
grain
even
4780.
model.
Pale
varnish.
brown
Fine
tone.
I400
Franciscus
Joannes
Number
Celoniatus,
flamed
Price:
^400
Marcus
maple;
Stainer,
Number
sides.
and
model.
Very
varnish.
colored
red
Well
spruce.
varnish.
brown
Light
preserved.
1650-1660
developed
Orange
model.
high
grain
Kufstein,
Well
5003.
wide
top,
1737
medium
Small,
^gio.
Back,
back
Paris,
Broad
4777.
Straight
state
Old
Rare
22]
handsome
Handsome
curly maple
scroll.
Brilliant
Viennese
School.
tone.
Price:
^375
Michael
Andreas
Number
His
482^.
model
is in
Price:
is medium
splendid
was
high;
one
of the
his varnish
condition
and
has
rich
best
very
of
brownish
large
brilliant
the
color.
This
ment
instru-
tone.
I350
Leopold
Widhalm,
Number
spruce;
Partl
1746
Vienna,
Partl,
4450.
Nurnberg,
High
model.
ample
power.
Price:
I350
Fine
1797
Red
state
brown
of
varnish.
preservation.
tone
of
Old
Rare
HiERONYMUS
d'AvI,
Number
BrESCIA,
Medium
4645.
maple,
Price:
I350
LUDOVICUS
Number
red
varnish.
Back,
makers.
Very
curly
condition.
763
best
of the
old
French
varnish.
brown
Strong,
brilliant
some
handtone.
preservation.
Price:
I350
Stadelman,
Joseph
Number
School.
match
the
the
and
tone
Price:
is of
varnish
in
The
the
yellow
grain
brown
Viennese
handsome,
figure. The
of choicest
spruce
This
color.
the
is very
beautiful
of
period
throughout
with
is of medium
rich
best
wood
pieces
two
top
a
of
specimen
violin
sides
selection,
has
splendid
quality.
I350
Richard
Duke,
Number
Price:
London,
Duke
5002.
varnish.
Brown
1755
was
Flamed
of the
one
back
maple
and
of British
celebrated
most
sides.
Excellent
makers.
preservation.
I350
Anselmo
Venice,
Bellosius,
Number
4828.
small
hand.
deep
reddish
Price:
The
1803
size.
good
being
back.
of fine
fine
is of
back
the
Vienna,
A
47^5Model
of
that
ideal
An
Small
flat
for
instrument
model.
varnish.
brown
1760
a
Handsome
Large
lady
tone
having
anyone
throughout.
wood
mellow
or
of
fine
carrying
Rich,
power.
I325
Thomas
Perry,
Number
state
Reddish
throughout.
wood
Fine
of the
One
4999^
Brown
Good
spruce.
PaRIS,
[23
CeNTURY
I7TH
high type.
grain
GUERSAN,
Violins
of
4842.
Street,
Anglesea
A
very
preservation.
The
fine
specimen
wood
of
back
Dublin,
1794
of his work,
and
sides
in the
and
is
of
very
the
finest
choicest
24]
description used
bears
of
I300
John
Furber,
grain
Medium
spruce;
back,
Price:
I275
Jean
Robert
grain spruce,
grain.
even
Strong,
It
robust,
handsome
high
the back
and
of great
Well
curly maple.
Paris,
varnish.
red
Top, select,
preserved.
1783
Red
pattern.
of flamed
Excellent
maple.
carrying
brilliancy and
color.
brown
The
top
is
condition
and
Back,
plain
power.
I250
J. BoQUAY,
Paris,
Number
maple;
171 5
Medium
4540.
wide
top,
Price:
grain
high
spruce.
model.
Fine
state
varnish.
Brown
of
preservation.
I250
Petrus
Mantegatia,
Johannes
4648.
Number
Medium
high
Madeolani,
model.
very
sweet,
sympathetic
1777
Light
Good
eye
Possesses
varnish.
brown
state
of
Back,
preservation.
tone.
I250
Heyman,
Joseph
Number
4856.
Handsome
brilliant
Price:
varnish.
Dark
high pattern.
Medium
4i8y.
possessing tone
Price:
of fine,
18 13
Chibon,
Number
bird's
brown
Rich,
474.
London,
4423.
Number
Price:
is of spruce
top
tone.
Price:
of fine
maker,
Violins
the
and
by Perry,
number
healthy
even
Old
Rare
tone.
%*iKp
Fecit
Broad,
wood,
Amsterdam,
Stradivari
with
18 15
pattern.
rich, reddish
Very
brown
beautiful
varnish.
ship.
workman-
Powerful,
of back
Interior
of
Henry
showing
Note"
In
order
negativeand
Plate
III
to
insert
sc
IV
Latin
Amati
Violin, number
4913,
inscription
readable
n
it
that the
was
necessary
camera
did
not
to
retouch
the
reproduce them.
Old
Rare
Zenkatto,
PiETRo
Excellent
4836.
Number
condition,
Price:
Treviso,
in
strong
686
model.
and
wood,
[25
Violins
Work
with
covered
style of Brescia.
the
in
rich, brownish
Fine
varnish.
red
I250
Jerome
5006.
Number
wood
Nantes,
Lete,
flat, Stradivarius
broad,
Large,
lustrous, reddish
and
Price:
1834
varnish.
brown
model.
Handsome
brilliant, strong
Very
tone.
I250
Mathias
Lauten
Greisser,
Geigenmacher,
ukd
Innsbruck,
1760-70
Number
of
maple
Rich
having
reddish
has
and
Price:
brown
broadish
is
figure. Top
varnish.
This
beautiful
instrument
of
fine
is
Excellent
tone.
one-piece
Handsome
pattern.
even-grain
in
fine
solo
back
spruce.
preservation,
instrument.
I250
Thir,
Number
sides
Price:
4930.
to
Stainer,
Number
grain
Price:
match;
Vienna,
Flat
1781
Red
model.
top,
brown
straight grain
varnish.
spruce.
Back,
Splendid
flamed
state
of
maple,
vation.
preser-
I250
Joseph
48^1.
spruce.
Good
Mitten
Medium
state
1789
wald,
high
of
model.
Back,
preservation.
I250
Thomas
Smith,
Hautboy,
AND
Number
4630.
London,
I235
Label
1759.
Piccadilly,
Large model;
perfect preservation.
Price:
flat
broad,
large, mellow,
Mathias
with
Fine,
4838.
Reads:
"At
the
Harp
London"
fine
wood
selection; brownish
color
nish;
var-
26]
Paulus
Joseph
Number
with
Christi^
4837.
is of
top
finest
state
Price:
1734
of
pattern
medium
slightlyfigured maple,
selection,
Has
for
the
and
of
tone
high
sides
and
instrument
great
development,
of similar
is in
very
brilliancy.
and
power
figure.
the
professional musician.
%^^^
time.
Karner,
4776.
Medium
Price:
Mittenwald,
Karner
was
Wood
color.
brown
one
model.
high
reddish
Strong
1795
of
the
of
excellent
best
brilliant
makers
Tyrolean
Varnish
selection.
of
his
of
tone.
I225
WiLHELM
brown
Price:
Violins
4843.
fine instrument
dark
CaSSELL,
DORING,
Number
of
broad
varnish.
of
I761
this
maker
powerful,
in
Sound
pattern.
Has
are
This
rare.
wood
and
is
covered
particularly
with
rich,
tone.
resonant
%tik^
James
4782.
reddish
Price:
color
i8ii
Stradivarius
varnish.
Beautiful
model.
Sweet,
rich
wood
in
top
and
back.
tone.
%ii$
Mathias
Hornsteiner,
Number
477^.
Tone
Price:
London,
Brown,
Number
of
Flat
Mittenwald,
model.
quality
sweet
1781
Excellent
and
ample
Reddish
condition.
brown
nish.
var-
power.
I225
Mathias
Neuner,
Number
3755*
Excellent
Price:
broad
of choice
instrument
Number
Pale
Violins
Muenchek,
preservation.
Bartholemew
dark
of
spruce
of
excellent
Large,
back
one-piece
The
An
Old
Rare
|2oo
Mittenwald,
Medium
tone.
high
1750
model.
Orange
red
color.
Good
dition.
con-
Gregori
Ferdinand
Number
Price:
maple;
Price:
broad
Good
excellentlymade.
pattern,
reddish
dark
1752
brown
varnish.
in
wood
Strong, robust
tone.
1870-80
Guarnerius
^goi.
top,
wide
Neuner,
Number
Reddish
Price:
grain
Red
model.
Good
spruce.
Mittenwald,
state
varnish.
brown
of
curly
Back,
preservation.
brown
18 15
Excellent
jooj.
of
example
Large, brilliant
varnish.
Neuner's
Excellent
tone.
Flat
work.
state
model.
of
ervation.
pres-
I185
Mirecourt,
Breton,
Back,
flamed
Price:
I175
maple; top,
Georgius
Johannes
Number
4864.
with
covered
and
Price:
has
fine
grain
Staufer,
An
of
model
excellent
rich,
mellow
flat type.
Good
spruce.
Brown
of
state
varnish.
preservation.
1837
instrument,
exceptionally fine
an
the
well
of choice
made,
It is in
varnish.
materials,
perfect preservation,
tone.
I175
Zacharias
Fischer,
Number
sides.
1801
Stradivarius
4560.
Number
4747^
Splendid
tone.
Price:
Augsburg,
|2oo
F.
and
Violins
|2oo
Number
F.
Good
48^0.
Broison,
J.
Wenger,
preservation, with
fine
Old
Rare
28]
I175
Wurtzburg,
Stradivarius
condition.
1735
model.
Yellowish
Handsome
brown
wood
varnish.
in
Strong
back
and
brilliant
Old
Rare
Michael
Mittenwald.
Boller,
Number
Medium
J008.
back.
piece
[29
Violins
Straight^
high
grain
even
Dark
model.
spruce
varnish.
brown
top.
Brilliant
Dark
red
One
Excellent
tone.
condition.
Price:
I165
Jose
del
Hierro,
Number
Medium
4485.
maple,
with
Price:
I150
Jacob
sides
Price:
18
Stradivarius
4666.
curly
tone.
condition
and
Top, straight
tone.
10
model.
Brilliant
back.
varnish
Red
of
splendid quality.
tone.
J 150
Perry,
Number
4841.
instruments,
many
violin
This
healthy
Price:
and
rich,
1770
Perry
the greatest
by
was
himself
while
is suitable
amber
brown
in
and
he
for
of Irish violin
conjunction
living in
was
solo
and
with
Thomas
Kilkenny.
orchestra
He
makers.
work.
made
Wilkinson.
It has
It
strong,
is covered
varnish.
I150
Antonio
Marchi,
Number
maple;
Dublin,
made
was
tone,
very
Price:
Back,
varnish.
Brown
Fine
maple.
London,
curly maple
Thomas
with
model.
high
flamed
Fendt,
Bernhard
Handsome
and
'
^150
Number
condition
varnish.
1652
Medium
back,
spruce;
Price:
model.
Good
London,
4465.
Number
1896
high
match.
to
Rayman,
grain
Madrid,
top,
J 150
4882.
Modena,
Flat
model.
1840
Brownish
spruce.
Good
red
varnish.
condition.
Back,
flamed
3o]
Old
Rare
Marchetti
Abonddio,
varnish.
Price:
182030
4S/J.
Italian
Excellent
tone.
Number
Violins
work.
broad
Large,
pattern.
Yellowish
brown
varnish.
some
Hand-
J 150
1780-90
486/.
Number
Large,
flat pattern,
vigorous
Price:
and
Price:
P.
Nurnberg,
Rare
4^2.
match.
to
Possesses
large,
make.
750-1
Very
760
mellow,
sweet
tone.
Handsome
varnish.
J 150
MicHELOT,
Number
Price:
Reddish
pattern.
brown
varnish.
tone.
Lille,
Deleplanque,
Number
brilliant
Flat
4^57*
Fine
tone.
model.
1760-70
Excellent
wood
varnish.
and
Large,
condition.
I150
P.
JOHANN
SCHORN,
Number
SaLZBURG,
brown
Dark
4983.
Strong
Price:
1769
Stradivarius
Broad
J 150
Gerard
Price:
Paris,
5001.
Large, strong
I715
varnish.
Excellent
wood.
Fine
dition.
con-
tone.
I150
Heinrich
Frantz
Number
4877.
curly maple,
Price:
sides
tone.
Wagner,
Number
J.
with
golden ycUow
J 150
Benedict
wood
back,
with
^150
with
Sternberg,
Stradivarius
sides
to
match;
Limburg,
model.
top,
Dark
medium
18
10
red
fine
brown
grain
varnish.
spruce.
Back,
Old
Rare
Graingeot,
French,
Number
of
state
with
back,
maple
Price:
Work,
Price:
Medium
high
straight grain
top,
"
Number
grain
even
model.
Splendid
spruce.
varnish.
brown
Red
Back,
condition.
Good
spruce.
Price:
London,
Broderip,
Good
48 11.
quality. Light
model.
Excellent
yellowish
brown
1780
wood
selection.
of
Tone
sweet
varnish.
I145
Paris
Perrin,
Number
4807.
Price:
flat model.
Broad,
color
Orange
varnish.
Strong
Excellent
workmanship
and
rials.
mate-
tone.
%\/f"
English
Number
Sweet
Work
4814,
Broad
flat model.
Fine
Excellent
appearance.
materials.
tone.
Price:
"I35
Good
Old
Number
an
German
4872.
period
Price:
Top,
I150
Longman
Has
match.
to
Curly
1770-80
4911.
plain maple;
of
sides
varnish.
brown
Dark
J 150
Number
Old
model.
preservation.
German
S.
1780-90
Stradivarius
4^02.
[31
Violins
of
This
1820-30.
excellent
^135
Work
tone.
is
an
Stradivari
Dark
excellent
model,
reddish
specimen
of
German
good wood,
brown
varnish.
violin
making
splendid preservation.
French
Old
Work,
Number
color
wood
selection.
Orange
tone.
1780-90
Price:
Flat
4653.
medium
grain
Dark
model.
Well
spruce.
brown
varnish.
Back,
curly maple;
preserved.
$125
Riger,
Joseph
Number
Price:
Mittenwald,
Flat
48JO.
1824
model.
red
Orange
varnish.
$125
Good
German
Old
Number
Price:
Work,
Flat
4979*
840-50
Brownish
model.
red
varnish.
Good
condition.
$125
Falaise,
Paris,
Number
4S35-
maple; top,
close
Price:
1804
Deep,
grain
high
model.
Orange
varnish.
Back,
flamed
spruce.
$125
Leblanc,
Number
maple;
Price:
Mirecourt,
AiNi,
4538.
top, fine
Flat
grain
1789
Brownish
model.
spruce.
Well
red
varnish.
Back,
plain
preserved.
$125
French,
Number
maple;
Price:
Splendid
$130
Number
Old
model.
flat
robust
Strong,
German,
top,
Violins
1809
Broad
4810.
varnish.
Price:
Old
Old
Rare
32]
top,
$125
Mirecourt
4554*
wide
Flat
grain
School,
model.
spruce.
18
Orange
Good
state
10
yellow
of
varnish.
preservation.
Back,
flamed
Inside
Inscription
Latin
Lyon
IN
4913,
Back
of
Healy's
"
Henry
IV
ber
Violin, Num-
Amati
Collection,
Translation
with
CLiumru
c^TS-Cctr^er
rx^ucjcy//^
tandem
Coni^m^^^t^'
Cau^^cu
Pro
henrici
Made
for
ygar
1595
in the
Amati
1595
_
Primatii
Pinxerunt
Decorated
by
Obtinuit
his
alumni
Marescalcus
Acquired by
hundred
Tandem
Marshal
J. B.
requisivit
Primus
Eventuallyit
causa
Lupot
Plate
Domus
familyit was
servavit
kept for
two
Sacrario
Regisludovici
XVIII
et
ejusdem
Gand
he
was
B.
Cartier
the
Nicolai
alumnum
from
the
chapel of
Louis
violinist
principal
LuPot
Parisiis
restaufactoris,
commisit
it
to
the (violin)maker
IV
by J.
Academie
delivered
same
Cartier
obtained
was
ad Carolum
randi
bis centum
Violinista
XVIII, of whose
The
Bassompierrecujusannos
in whose
Bassompierre,
years
Acad-ie
idem
distinguished
pupils
most
Charles
at
(Francois)Gand
Paris,for the purpose
the
of
pupil of
repair
Nicolas
Old
Rare
34]
Violins
i
Michael
Boller,
Number
spruce.
Price:
H.
Flat
4225.
Back,
Mittenwald,
Light
model.
flamed
Good
maple.
brown
varnish.
condition.
Top^ straightgrain
Fine
tone.
$125
J. DiLANNOY,
Number
Dark
1765
Good
481J.
varnish.
brown
Price:
Lisle,
1778
French
old
Good
Flat
make.
model.
Good
wood.
tone.
%\i^
17CO-1710
Number
color
Price:
4815.
varnish.
Number
$125
Good
Old
sweet,
4820.
brown
Price:
mellow
in back
wood
and
ish
Brown-
top.
tone.
flat pattern.
condition.
Excellent
Brilliant
tone.
Work
Medium
varnish.
high
model.
sympathetic
Sweet,
Excellent
wood.
Fine
condition.
tone.
$125
Pairot,
Mirecourt
Number
condition.
Price:
Broad,
French
Number
478^.
Deep
Broad
reddish
Stradivarius
brown
model.
Excellent
wood.
Fine
varnish.
J 125
Theodore
Lotz,
Number
varnish.
Price:
Vftry
Excellent
Work
^Sig.
Price:
Dark
model.
^125
English
Old
High
J 125
4799*
Presburg,
Medium
1725
high
model.
Fine
condition.
Brownish
red
Old
Rare
Numher
Price:
Paris,
Price:
varnish.
Brown
model.
Good
tion.
preserva-
tone.
J 125
Glass,
August
handsome
Price:
1830
4976.
Number
Splendid
Fine
wood.
Brownish
specimen.
red
varnish.
Very
tone.
$125
Francois
Stradivarius
4909.
straight grain
Price:
Paris
Richard,
Number
Good
spruce.
Red
model.
varnish.
Back,
plain maple;
condition.
J115
Nicolas
Morlot,
4806.
Number
Price:
18
10
Stradivarius
Broad
Mirecourt,
Claudot,
Number
grain
Mirecourt,
model.
Reddish
brown
varnish.
100
Charles
4380.
spruce;
Broad
type.
back, handsome
1807
brown
Dark
maple.
Fine
state
varnish.
of
Top,
straight
preservation.
%\oo
Mittenwald
Work,
Number
Price:
One-piece
171 8
Stradivarius
4977-
Strong, brilliant
top,
varnish.
brown
condition.
Excellent
curly maple.
Carbey,
Number
Price:
Reddish
J125
Guillaume
top,
1801
flat model.
Broad,
4800.
of flamed
back
Rothenbach,
Staub,
Joseph
[35
Violins
fine
4608.
grain
%\qo
Flat
spruce.
1850-60
model.
Well
Red.
brown
preserved.
varnish.
Back,
plain maple;
HoPF,
Klingekthal^
Number
4616.
straightgrain
"ric":
1760.70
Yellow
varnish.
Well
spruce.
Andreas
Number
Back,
maple,
with
slight flame;
t"^,
preserved.
Price:
Vienna,
Partl,
^66.
Flat
robust
figured. Strong
Excellent
model.
wood
varnish.
Brown
tone.
1741
"ioo
German
Number
Price:
Work,
4997*
1800-10
Maggini
Good
model.
Fme
tone.
condition.
$100
German
Old
Violins
%\oo
Michael
Old
Old
Rare
36]
Number
Work
Guarnerius
4g86.
model.
Brownish
red
varnish.
varnish.
Back,
flamed
Good
condition.
Price:
$100
Gebruder
Number
4904.
straight grain
top,
Price:
maple;
top,
Brown
maple;
4881.
Fussen,
Maldoner,
Medium
high
straight grain
spruce.
model.
Good
1776
Brown
varnish.
Back,
flamed
condition.
"ioo
Italian
Number
Price:
model.
"
spruce.
Stephanus
Number
Old
Flat
18
"ioo
JoANN
Price:
Schoenbach,
Placht,
$95
Work,
4662.
Flat
1720-30
model.
Sweet
mellow
tone.
Dark
brown
varnish.
Old
Rare
Number
Price:
4809.
Strong
%%^
Fine
Old
Number
^85
Good
Old
4823.
Large Stradivari
Saxon
Work,
Work,
1830-40
model.
Good
wood
in
good condition.
kade
about
1840
1840-50.
German
Number
4987.
Work
Stamped
''Hopf.**
Brown
varnish.
Good
condition.
^85
Mirecourt
Perrin,
Number
4914*
Stradivarius
model.
Dark
red
varnish.
^85
German
Work,
Number
medium
4922.
grain
1800-10
Flat
spruce.
model.
Well
Yellow
varnish.
Back,
curly maple;
preserved.
^85
German
Work,
Number
Price:
French,
4998.
Price:
Price:
Old
^85
Number
Price:
tone.
4991-
Saxon
Price:
Good
tone.
Frice
Old
model.
Flat
Mirecourt,
Number
Price:
1790-1800
^90
Salzard,
N.
Work,
English
Old
37]
Violins
$7$
4301.
1840-50
Flat
model.
Brown
varnish.
Good
condition.
top,
Old
Rare
38]
Violins
(
German
Work,
Number
1820-30
Medium
4599*
grain
model.
Light
Good
spruce.
brown
varnish.
Back,
condition.
$75
Simon
Neukjrchen,
Voigt,
Number
Price:
Good
4804.
1760
condition.
varnish.
Brown
^75
German
Work,
Number
maple;
Price:
1840-50
Stradi
4S79'
top,
fine
grain
varius
model.
spruce.
Red
brown
varnish.
Back,
flamed
condition.
Good
frj^
Hoyer,
Andreas
Number
Good
high
Klingenthal,
Flat
4812.
178
Excellent
model.
wood
selection.
Brown
varnish.
lone.
Price:
^75
German
Old
Work,
Number
excellentlymade.
Brown
varnish.
Made
4753.
About
1840
Stradivarius
Reddish
model.
brown
varnish.
$7$
GOTTHARD
EbNER,
Number
tone.
Price:
model,
J75
French
Price:
Flat
4756.
Number
Price:
Work
J75
4827.
RaTISBON,
Good
old
German
I78O-9O
work
in excellent
condition.
Strong
Old
Rare
Old
Saxon,
Number
Price:
1820-30
Handsome
4871.
varnish.
Good
and
Price:
Flat
4928.
Work,
Number
maple;
Price:
brown
Red
model.
Good
condition.
model.
Yellow
spruce.
varnish.
Back,
4887.
top,
Large
straight grain
WORK,
Flat
48^2.
straight grain
Price:
varnish.
Back,
Good
spruce.
rather
plain
condition.
183O-4O
model.
Red
shaded
Red
brown
varnish.
Back,
flamed
maple
Back,
flamed
maple.
spruce.
J75
German
Work,
Number
48pj.
1850-60
Flat
model.
varnish.
condition.
$7^
German
Number
Work,
4pp6.
1800-10
Medium
high
model.
fq^
Tyrolean
Number
Price:
maple;
$7$
Number
Old
flamed
1800-10
MiTTENWALD
Price:
brown
fq^
Saxon
Old
Golden
1820-30
straight grain
top,
Price:
sides.
tone.
strong
Work,
Number
Good
back
one-piece
^75
German
top,
[39
Violins
J75
Work,
4^6^.
made
Excellent
about
1820-30
condition.
Sweet
tone.
4o]
Made
in
Saxony^
Number
healthy
Price:
Work,
Dark
brown
varnish.
"
1840-50
Work
4993
Small
model.
"
^65
1840
Stradivarius
4978.
model.
Brownish
red
varnish.
^65
Saxon
Work,
Number
Price:
model.
^65
Number
Well
varnish.
1840-50
Work,
about
Price:
brown
4994*
Number
Made
Dark
$65
Saxon
Price:
Flat
Work,
4995
Number
Old
model.
$65
Saxon
Price:
high
1760-70
Work,
4664.
Number
Old
Long, medium
$65
Saxon
Price:
1820-30
46^.
Number
Old
pattern.
^65
Saxon
Price:
flat
Broad,
tone.
Number
Old
Violins
1810-20
4837*
German
Price:
Old
Rare
4899.
preserved.
^65
1740-50
Flat
model.
Yellow
varnish.
Back,
plain maple.
Old
Rarb
Work
German
Number
48^4.
Saxon
Number
Work,
NfADE
1810-20
Hopf.
work.
Saxon
1810-20.
Flat
model.
Brown
red
varnish.
Good
con/lition.
IN
Saxony
About
1830-40
4792.
Price:
"6o
Good
Old
Saxon
Number
478^.
Work
Dark
brown
varnish.
Strong
tone.
$60
HoPF,
1850-60
Number
4915.
grain
spruce.
Price:
|6o
Violin,
Number
by
4982.
Brown
varnish.
Neuner,
Stradivarius
Work,
Number
%$$
4984.
Back,
Mittenwald,
model.
$60
German
Price:
flamed
1830-40
4582.
Number
Price:
Back,
$60
HoPF,
Old
Work,
486^,
Number
Price:
varnish.
Brown
$60
German
Price:
model.
high
$65
HoPF,
Price:
Medium
condition.
Good
maple.
Price:
[41
Violins
1800-10
Seven-eighths
size.
flamed
made
Brownish
maple;
about
red
top,
1850
varnish.
straight
German
Old
Price:
Violins
Work
Number
brown
Dark
4802.
varnish.
J50
Saxon
Work,
Number
Price:
Old
Old
Rare
42]
1840-50
Medium
45gi^
high
model.
Light
brown
varnish.
$50
German
Work
Number
Price:
4678.
Good
condition.
$50
.
Good
Old
Number
Price:
German
1840-50
4^80
$50
German
Old
Work,
Number
Price:
Make,
4^81.
Dark
800
790-1
varnish.
brown
$50
German
Work,
Number
Good
1840-50
Fl^^
48gs*
model.
varnish.
Orange
Back,
flamed
condition.
Price:
Old
%^o
German
Number
Price
made
about
1850
4^85.
1^50
Tyrolean
Work,
Number
Price:
Work,
$50
4826.
1850-60
Stradivarius
model.
Dark
brown
varnish.
maple.
Old
Rare
SMALL
^Any
toward
violin
Georgio
instrument
Bairhof,
^Number
brown
SIZE
under
full-size
by
us
be
can
full
exchanged
will
price
be
at
time
any
allowed.
1762
size.
Three-quarters
flamed
Back,
[43
VIOLINS
the
and
Naples,
48^8.
varnish.
Violins
high
Medium
medium
maple; top,
model.
grain
Orange
Well
spruce.
preserved.
Price:
$100
Andreas
Kempter,
^Number
4832.
of 8
to
value
same
Prict:
at
varnish.
German
This
rare.
exchangeable
in
returned
Old
good
for
is
instrument
a
in
work
larger size
half-size
for
suitable
instrument
of the
good condition.
1880-90
One-half
48^7.
small
flame
Medium
size.
maple;
top,
high
fine
grain
model.
Light
brown
Back,
flamed
spruce.
$75
Work,
^Number
1780-90
4903.
top,
Medium
straightgrain
high
varnish.
model.
Brown
Good
condition.
spruce.
$75
German
Work,
^Number
varnish.
Price:
are
is
time, if
any
Back,
German
Price:
and
of
example
violins
years,
Work,
^Number
maple;
10
1767
$75
German
Price:
fine
These
instrument.
child
Dillingen,
4885.
Back,
$75
1780-90
Three-quarters
plain maple;
top,
size.
Medium
straight grain
high
spruce.
model.
Good
Brown
condition.
44]
Excellent
Old
^Number
Price:
4840.
Mittenwald
Violins
Work,
Three-quarter
1780-90
size.
$50
German
Work,
^Number
plain
Back,
Price:
4884.
maple.
1810-20
Three-quarters
Good
size.
Flat
model.
Brown
varnish.
condition.
$50
German
Work,
^Number
condition.
Price:
Old
Rare
^50
492^.
1780-90
Three-quarters
size.
Orange
yellow
varnish.
Good
Ou
Rare
Antonius
Number
the
who
sold
connoisseur
at
in
the
that
time
is of
model
and
medium
is of
color.
possesses
collector.
amateur.
several
of
quartet
At
his
and
of
Our
years
ago,
fine instruments
the
death
viola
again
selection.
choicest
the
The
The
top
of
of
tone
of
is in
instrument
large
The
spruce
is of
back
grain.
fine
splendid
sympathetic
very
outline.
graceful
The
pieces
two
The
of
state
varnish
tion,
preserva-
quality.
An
ideal
Medium
model.
Orange
back
of rather
the
and
spruce
Excellent
Vienna,
top
is of
1730
varnish.
red
The
plain maple.
Splendid
state
tone.
$200
D'Amour
Viola
Number
period
very
a
461^.
of
This
mellow,
excellent
an
It is in
rich, sympathetic
plentiful supply
$200
is
1670-80.
Price:
collection
our
complete
Stadelmann,
J46y.
preservation.
and
and
amateur
cian,
musi-
Aylesford's grandson.
beautifully developed
amber
grain
Price:
of
is very
Achaleus
Number
the
to
Italian
$3,000
Daniel
of
American
an
Lord
for
it
celebrated
England
to
instrument.
quartet
Price:
disposed
of
curly maple.
dark
of
brought
was
enthusiastic
an
elder, from
instrument
1619
possession.
our
handsome
of
century
the
specimen
by Giordini,
Aylesford,
the
we
throughout
wood
i8th
by Hill,
possession
The
magnificent
Lord
to
secured
into
came
it
purchased
was
and
of the
end
Cremona,
Amati,
This
255^.
toward
It
Hieronimus
and
Violas
remains.
at
the
center.
splendid
The
back
The
of
state
The
tone.
of
specimen
top
Tyrolian
preservation
varnish
is flat
old
and
is of
rich
formed
is of spruce
and
possesses
brown
by
of
work
two
of medium
color
pieces
grain.
JoHANN
flamed
Work,
WALD
Number
spruce;
Price:
I85
Top,
wide
grain
preserved.
Number
high
Red
brown
varnish, straight
preserved.
1800
model.
Flat
3613.
model.
Well
Mirecourt,
Cabasse,
Orange
varnish.
Good
condition
and
tone.
$80
German,
Number
1840-50
Medium
3457
grain
Price:
varnish.
red
1740-50
Medium
4370.
grain
even
1750
"ioo
Mitten
Old
Orange
Well
maple.
Violas
Neukirchen,
model.
High
4400.
back,
spruce;
Price:
Schoenfelder,
Adam
Number
Price:
Old
Rare
46]
"
back
and
spruce,
high
of
model.
Dark
brown
varnish.
Top,
of
curly maple.
I75
German
Work,
Number
1800-10
4382.
Stradivarius
model.
Yellow
brown
varnish.
Good
condition.
Price:
$50
French,
Old
Number
1730-40
3833.
Medium
Saxon
Work
high
model.
Dark
brown
condition.
Price:
$50
Good
Old
Number
Price:
$50
483^.
Medium
size.
Strong, rugged
tone.
varnish.
Fine
48]
Violoncellos
the
always
This
never
all its
check
at
Price:
$3,000
Francesco
one
one
top,
of
from
sides
or
dents
acci-
its maker
of
with
top
being
carrying
great
quartet
home
or
of
exception
back
of rich
It
preservation.
the
in the
have
we
"
or
dark
color.
orange
and
power
It is
sides.
makes
an
playing.
1695
Violoncellos
of Cremonese
those
makers
of
exceedingly high.
fine.
healthy
and
the
the
cracks
no
of
tone
work,
is built
The
in
varnish
Cremona,
rank
to
and
the
of
work
exceptional state
an
holes,
concert
Among
wont
quality.
is strong
Price:
for
is very
was
back,
top,
of the
cracks
no
mellow
grand
instrument
Ru^eri
is in
instrument,
Ruggeri
This
and
has
the
is
bags there
in
carried.
specimen
of the
42^6.
Francesco
the
"
carried
usually
are
in either
fine
Ruggeri,
Number
on
broad
The
back
It
use.
lines.
is of
is of
rich
cut
ruby
red
the
on
that
tone
selection, especially
wood
maple
possesses
varnish
The
slab, such
is notable
The
color.
as
instrument
in wood.
$2,500
Giovanni
Baptista
Number
4707.
is of great
tone
unusually
plain
in
Grancino,
This
is the
richness,
effective.
The
work
it is
varnish
characteristic
splendid
$2,000
concert
of
the
instrument.
1686
Milano,
of
deep
in
is dark
appearance,
Price:
are
handsome
possesses
It is
instruments
originalwood,
instrument
Its
break
is
they
As
finer
ideal
in
of
Violoncello
very
It
the
seen
small
violins.
likelihood
while
has
than
dangers
greater
period
the
great
color, very
soft
one
red
of
and
place
and
The
in color.
quality.
Italian
It
in
has
which
masters.
flexible, and
wood,
a
very
it
was
although
antique
made.
Sanctus
Seraphin
Venice,
Number
4^8^-
"
1744
Descriptionon
page
I2
[49
Violoncellos
Baptiste
Jean
Number
Vuillaume,
belonged
to
is
best
working
which
have
broad
Stradivarius
of
when
period
the
been
he
lines,
of
tone
he
the
made
of
envy
the
This
Vuillaume's
to
instruments
It
exceptionally
front
is built
on
rich
lustrous
some.
hand-
is very
resiliency.
and
power
of
years.
makers.
and
formerly
order
wonderful
back, sides,
tremendous
many
belongs
It
modern
with
to
for
those
producing
in
work
artistry.
is covered
wood
Vuillaume's
intact
kept
French
and
and
The
a
which
was
was
marvel
varnish.
red
$1,600
Claude
Pierray,
Number
In
who
Boquay,
School,
with
raAk
is because
American
the
are
the
their
best
Good
superior
the
With
The
work.
model
the
and
materials
large resonant
J
is
the
year
their
of
second
by
is
and
such
year
work
familiar
to
now
as
and
French
makers.
known
these
as
recognized
are
Italian
well
not
the
of
class
names
becoming
are
Pierray
members
third
and
there
Claude
to
the
those
and
American
being
far
instruments.
of the
scroll this is
large and
used
of
prominent
most
others,
and
Italian
exception
instruments
is known
work
examples
ordinary
to
two
of
public. However,
buyers.
1720
the
France
Castagneri, Guersan,
Price:
About
Paris,
470J.
Jacques
of
which
and
of
example
instruments
striking example
It possesses
This
of
gentleman
cello
Price:
notable
quartet
Cincinnati
orange
This
4185.
1869
Paris,
broad;
fine
it is in
throughout
are
an
of
example
of Claude
excellent
very
fine
state
Pierray's
of preservation
quality.
It
has
tone.
1,200
Leopold
Widhalm,
Number
model.
50H.
Rosy
violin
for
Price:
%\fyoo
an
Nurnbero,
red
artist.
splendid specimen
varnish.
1760
about
Excellent
of
the
celebrated
condition.
Large
maker.
tone.
Large
Superb
Violoncellos
5o]
Giuseppe
Gagliano,
Number
4716.
deep
orange
Excellent
Price:
"
is
color.
It possesses
and
all around
business
Botzen,
Albani,
of
state
The
varnish
very
noteworthy.
robust
powerful
very
out,
through-
fine
tone.
instrument.
medium
of
instrument
It
orchestras.
1715
Flat
model.
Back
grain
spruce.
This
4888.
straight,
of
leading member
tone
possesses
of
handsome
cello
for
was
of the
one
curly maple;
foremost
of remarkable
American
richness
the
years
many
of
top
solo
symphony
depth.
and
J750
Postacchini,
Andreas
484^.
Number
the
which
top,
is in
wood
1,000
Number
is
model
instrument
brown
orchestra
Joseph
Price:
the
handsome
pattern,
This
in
cracks
no
reddish
dark
varnish.
red
1785
Stradivarius
Broad
preservation, has
is of
Naples,
back
of
slightlyupward
The
spruce.
of
splendid example
graceful in
flat;very
being
1827
the
toward
is of
preservation, having
The
pieces,joined
two
varnish
outline.
no
edges.
a
The
is of
red
orange
in
Strong
with
center
top
of
work
this
is of the
wood
the
at
rich, deep
breaks.
Italian
wood,
choicest
selection,
figure extending
straight grain
fine, even,
It is in first class
color.
and
The
period.
has
of
tone
rare
richness.
Price:
J650
496J.
Number
broad
a
is
tone
grain
of
rare
^650
Medium
top;
spruce
beauty
especiallywell
Price:
Gagliano,
Antonius
Joseph
and
adapted
Naples,
high
reddish
power.
to
the
1771
model.
brown
Handsome
varnish.
It is in
use
maple
This
perfect state
back
instrument
of
and
sides;
possesses
preservation,
of professionalcellists.
and
[51
Violoncellos
Joseph
Gaoliano,
Number
4964.
sides;
and
Price:
1790
varnish;
brownish
model;
top.
spruce
Naples,
back
plain maple
tone.
^650
Sebastian
Kloz,
Number
4955^
Kloz
family.
the
flat
Broad
grain
even
Nicolai,
filius
handsome,
in
original.
It
Mittenwald,
fine
back
in
is
The
1801
example
model
of the
is of
perfect condition,
later
choicest
very
color, entirely
solo
excellent
an
of
makers
selection;
light brownish
is
and
of the
one
of the
is flat; wood
sides; varnish
and
of
work
or
concert
instrument.
Price:
"6oo
Andreas
Castaoneri,
Number
This
His
instrument
cellos
rank
has
wood
of
of fine
tone
Price:
5000.
Middle
it bears.
brown
has
home
excellent
large,sonorous,
possesses
of
state
orange
brown
clear-
preservation.
of
probably
the
splendid
a
i8th
wood
large, brilliant
Benjamin
by
century.
Full
throughout;
full
tone.
size.
excellent
It is
whose
Banks,
an
Flat
model.
condition.
excellent
initials
Rich
This
solo, quartet,
"6oo
French
4996.
Number
Price:
an
and
rich
instrument.
Old
back
Made
part
varnish;
instrument
Fine
It is in
of connoisseurs.
in the estimation
character;
makers
London
Number
Price:
quality.
shaded,
French
the great
J600
Longman,
or
and
beautiful
of
one
was
especiallyhigh
varnish, beautifullyworn
cut
1779
Castagneri
Andreas
4959.
of his time.
Pariggi,
and
sides.
J450
Work,
Maggini
First
class
1780-1790
model.
condition.
Large pattern.
Very handsome
Strong, brilliant
tone.
wood,
5^1
Violoncellos
George
Joannes
Number
Price:
^400
Jean
Carol
the
4951
grain
Price:
brilliant
Price:
ear.
1747
colored
varnish;
straight,
excellent
an
of
state
Large,
preservation.
1815
Flat
of
varnish
fine
Plain
model.
brownish
back
maple
color.
sides; broad
and
Excellent
grain
condition.
Large
tone.
$400
Nicolas
Bertrand,
Good
large
Price:
Paris,
780-1790
Stradivarious
4706.
Number
model.
brownish
Dark,
varnish.
red
tone.
J250
Samuel
Gilks,
18 15
size
Three-quarter
increased
time,
i8th
ideal
an
Small
age.
full
and
desired.
This
5010.
of the
be
by
the
old
and
made,
were
makers
are
for them
demand
modern
exceedingly
becoming
has
enormously.
^Number
part
cellos
few
Comparatively
rare.
Price:
is
tone.
500J.
top;
spruce
great
the
pleasing to
Brownish
model.
It is in
top.
Gilks,
Number
of
is
tone
instrument
This
preservation.
brownish
dark
^400
Samuel
will
its
as
rich,
wood;
"
spruce
brilliant, sweet
handsome
Mittenwald,
Amati
1785
about
first class
well
as
eye,
Kloz,
Number
even
full tone;
Large
pleasing to
most
Vienna,
Splendid model;
4924.
varnish.
red
Thir,
century.
size
old
price
satisfaction.
will
small
splendid
It has
for any
instrument
Thus,
J250
is
cellos
be
little instrument,
large, beautiful,
very
player
young
purchased
allowed,
instrument
on
is
of
an
us
full
between
may
size
economy,
in
made
be
old
as
brilliant
12
middle
the
tone,
16
and
exchanged
instrument,
well
as
at
and
years
any
when
affording
The
VIOLIN
HE
of
extent
being
stick
to
it
been
known
(born
and
tension
by
of
bow
the
without
the
the
today,
Theodore
late
in
was,
musicians,
modem
of
one
October
on
19,
of
died
first
of
means
is
bow
realized
by
13),
few
been
was
years
developed
the
to
made
give
to
orchestra
symphony
for
players,
most
Francois
by
developed
as
modern
had
17
bow
screw.
fully
not
bow.
it had
attempt
assume
The
1653, died
(born
1770),
to
century.
double-bass
modern
the
he^n
not
i8th
the
example
169a,
later,
greatest
in
1903,
Francois
Tourte,
and
with
all
its
instruments
music
of
would
today
about
the
who
Tourte,
would
it
and
have
not
the
have
nuances
Tourte
been
has
bow
and
bow
developed
on
as
Beethoven
over
wrote
follows:
appealed
which
invented
chestra
Or-
known,
which
tone
"
Symphony
Collection,
Hawley
invented
and
Chicago
country
created
who
shading
and
this
conductors
letter
Stradivarius
these
the
the
the
of
founder
Thomas,
particular,
orchestra
Without
lines
for
the
like
did
today
developed.
and
"It
of
that
say
is
The
us
known
beginning
lighter
made
importance
safe
as
is
the
time
variety
The
is
Tartini's
during
the
about
until
affair, something
clumsy
later
it
as
used
as
BOW
form
its present
Bow
Violin
to
the
made
possible.
"
century
altogether different
Francois
Guarnerius
Tourte
were
was
to
the
to
the
violin,
violin
and
bow
even
what
more,
Stradivarius
for
he
found
and
Joseph
the
bow
as
Bows
Violin
by
and
Salo
da
Caspar
of careful
years
No
shape.
violin^
in
an
it
state,
its present
perfect
to
than
existed
relationship ever
undeveloped
that
of
violin
bow.
and
Tourte
Francois
He
worked
bows,
life.
well
as
of
violinists
and
to
secret
ever
flexible
Paris
which
than
tone
it retained
have
years,
owing
always
number
keenest
of
endeavor
makers
to
find
to
good
as
Tourte
ever,
bow
for
since,
competition
for
draws
^500
recent
time.
from
and
has
other
as
good
yet
other
mediaeval
be
in
Paris
The
by
which
and
more
of
him
and
with
bow
his
richer
great
the
makers
remains
match
it is
specimens.
reason
of
recent
until
for fine
Tourte
larger
in
value
efforts
to
of Francois
and
copying
countries,
violin
and
distinction
bows
in
paid
the
able
frog
larger
making,
all of them
been
the
high prices
1,000
had
make.
rapidly risen
notwithstanding
yet
one
to
Tourte,
Holland,
no
bow
created
was
followed
his secret,
violin
scarcity, have
as
draws
other
any
comparatively
much
who
of
center
comparatively
great
as
of
bow
bow
has
which
of construction
method
which
affair
and
and
prominent
making
arched
long
violins
proportion, invented
Tourte
of bow
rebec, viol,
invented
relate,
the
of
other
and
1836.
of his
last
student
short
the
in
died
and
to
violinists,
system
its present
commanded
England, Germany,
supreme,
to
also
bow
of
time
world
their
that
uncommon
The
up
to
the
possible with
the
became
Tourte
not
is
of
Paris
almost
was
greatest
found
it
marvelous
a
who
developed
the
lengthened
remained
has
from
down
instruments,
screw,
the
He
equalled.
handed
been
of
in
1747
year
Stradivarius,
by Viotti,
one
as
did
as
Aided
in the
been
never
born
was
his bench,
at
useful
and
of
the
experiment finallydeveloped
intimate
more
found
Maggini
and
[55
today
skill.
tone
than
other
any
Bows
Violin
56]
it is this
and
Tourte's
made
The
reputation
bows
following
what
are
their
ease
of
playing
that
has
it is.
especially choice
examples
of
their
makers'
work:
Francois
Tourte,
Paris,
Jj6,
Number
1812
stick, chocolate
Octagonal
pearl inlaid
trimmed,
About
button.
Paris,
About
superb specimen
magnificent playing
qualities.
Price:
tyjS
Francois
Tourte,
Number
mountings.
Price:
10
stick, chocolate
playing
frog, silver
stick.
^350
Tourte,
Number
Price:
Paris,
Octagonal
337.
mounted.
fine
18
10
playing stick,
excellent
color, ebony
frog,
silver
condition.
^325
Francois
Tourte
Number
Stick
jo6.
lengthened
Price:
Octagonal
at
the
stick, chocolate
bottom,
color, gold
frog.
mounted
$300
Tourte
Aine
Number
tortoise
Price:
fine
Very
Francois
The
Round
J j^.
18
Octagonal
334.
shell
finest
bow
$285
stick, deep
this maker
that
with
we
red
gold
have
ever
color, full
trimmed
seen.
Tourte
button,
Perfect
length,
gold
tip.
condition.
Joseph
Gi'arneriiis,
Cremona,
Number
^624"
Fir.ius
Andreas
1710
Description on
page
12
Bows
Violin
TouRTE
Ain"
Number
encircled
in
of
One
J14.
stick, chocolate
N.
chocolate
color,
round
stick, gold
Paris
Pecatte,
Number
F,
specimen^
^225
Dominique
Price:
fine
Very
j/5.
mounted
Price:
[57
the
choicest
specimens
we
shell
tortoise
have
with
frog
Round
seen.
pearl
eye
gold.
|2oo
Paris
VoiRiN,
Number
medium
Very
J2'/,
color,
extraordinary
stick, gold
round
playing qualities,
fine
specimen,
frog.
mounted
Price:
F.
N.
%iS^
Voirin,
Number
Paris
J02.
mountings,
tortoise
shell
frog.
Price:
F.
N.
$150
Voirin,
Number
Paris
jo^.
Exceptional specimen,
originalgold mountings,
Price:
frog
with
gold
chocolate
encircled
color,
pearl
eye.
AiNE
Number
326.
button.
Very
Price:
shell
stick, black
$150
TouRTE
at
tortoise
round
^125
Octagonal stick,
handsome
dark
specimen.
chocolate
color,
stick
lengthened
58]
Henri,
Paris
Number
Price:
F.
N.
30J.
ji
F.
VoiRiN,
Number
mounted.
Chocolate
color,
stick, silver
round
mounted
frog.
Paris
J08.
Chocolate
color, ebony
frog.
sgy.
London
Very
Handsomely
fine
round
stick, chocolate
engraved.
^85
Work
Number
Old
I.
Tubbs,
mounting.
Price:
color, silver
J90
Number
Paris
Chocolate
London
J90
Price:
mounted.
"ioo
Price:
James
stick, originalfrog,gold
round
Paris
VoiRiN,
Number
Price:
color,
^125
DoDD,
N.
Chocolate
317.
Number
Price:
Bows
Violin
2p6.
Round
2p^.
Very
stick, chocolate
color,
fine
playing qualities.
I75
French
Number
Price:
$75
fine old
French
copy
of Tourte.
Chocolate
color.
Violin
6o]
London
J. Tubes,
Number
18$,
Price:
$65
Jean
Baptiste
Number
^65
Jean
Baptiste
Number
240.
212.
playing
26y.
Round
Light
stick.
chocolate
color.
Silver
Round,
light brown
mountings.
stick.
Voirin,
Octagonal
Paris
stick.
Chocolate
color.
Original frog.
|6o
Paris
Vuillaume,
2g2.
Round
stick, chocolate
color.
$60
Dominique
Number
Price:
Paris
color.
bow.
Number
Price:
Chocolate
Vuillaume,
Francois
Number
B.
color.
"6o
Nicolas
J.
Chocolate
Paris
stick.
Round
stick.
Paris
Number
Price:
octagonal
^65
Vuillaume,
Price:
Handsome
Vuillaume,
187.
Price:
Price:
Bows
$60
Pecatte
2pj.
Round
stick,
dark
color,
fine
playing
stick.
Fine
[6
Bows
Violin
French
Old
Number
Price:
Fine
312.
French,
old
dark
"6o
Paris
LupoT,
Number
Ji8.
Light
colored
chocolate
stick, original
frog,
silver
trimmed.
"6o
Price:
Copy
TouRTE
Number
J2j.
Fine
old
copy
of
Tourte.
Round
bow.
Price:
J.
B.
%So
VuiLLAUME,
Number
Price:
J.
B.
325.
Dark
chocolate
color.
"6o
VuiLLAUME
Number
Price:
Paris
Round
J2I.
stick,
dark
color, originalmountings.
%6o
EURY
Number
Price:
jj
Octagonal,
chocolate
colored
stick.
%6o
Hermin
Prill
Number
28g.
Price:
^55
Jean
Baptiste
Number
Price:
I.
$55
242.
Round
stick,
Vuillaume,
Round
stick.
very
strong,
original mountings.
Paris
Chocolate
color.
Silver
trimmed
frog.
62]
Violin
Paris
Adam,
206.
Number
Price:
Dark
brown
red
stick.
%$o
Leipzig
Bausch,
Number
Good
Price:
I50
Copy
of
Number
Price:
Chocolate
color.
Original
mountings.
bow.
Tourte,
Made
280.
Octagonal
chocolate
Dark
stick.
Round
232.
playing
Old
Bows
color.
About
Fine
1860-65
stick.
Ebony
frog,
pure
silver
mounted.
bow.
playing
$50
French
Number
Price:
J04.
Silver
jog.
Round
mounted.
^50
SUESS
Number
Price:
F.
Jig.
Brown
VoiRiN,
Paris.
stick, dark
color, with
originalfrog and
mountings.
IJ5.
Excellent
round
red
stick.
I45
Paris
AIRE,
Number
Price:
frog.
^50
Number
Price:
mounted
Leipzig
Number
N.
stick, silver
$50
Bausch,
Price:
chocolate
I45
207.
Round,
chocolate
colored
stick.
Good
playing
bow.
Number
Price:
J.
London
Tubes,
James
[63
Bows
Violin
Fine
320.
specimen,
silver
trimmings,
good
condition.
^45
VUILLAUME
B.
Number
Price:
Original mountings.
3^0.
$45
Paris
Simon,
Number
Price:
Brown
332.
stick,
chocolate
color, originalmountings.
^45
French
Old
Number
jio.
old
Fine
French
stick, black
chocolate
color, silver
trimmings.
Price:
J.
B.
$40
VuiLLAUME
Number
Price:
DoDD,
2gi.
2^5.
^40
Jean
Eury,
Number
stick, chocolate
Paris,
24,'/.
About
Round
color.
1820
stick, dark
color, ebony
frog,pure
silver
button.
I40
Paris
Maire,
Number
Price:
Round
London
Price:
Price:
stick, originalfrog.
^40
Number
silver
Round
^40
208,
Round,
chocolate
colored
stick.
Rather
heavy.
trimmed,
64]
Violin
French
Old
Number
Price:
2y6.
Price:
chocolate
Dark
ji J.
Price
2go.
color.
color.
Number
^35
Work
Paris
Henri^
2g8.
Octagonal
frog, pearl
stick, ebony
inlaid
button.
%2p
English
Number
Stick
2gg.
J2g.
Fine
playing qualities.
$30
French
Old
Number
Price:
old
French
stick.
Number
N.
288.
Round
stick, chocolate
274.
Round
stick, chocolate
color, originalmountings.
^75
VOIRIN
Number
specimen.
Price:
BOWS
London
Dodd,
Price:
Octagonal.
$30
CELLO
F.
chocolate
Paris
VuiLLAUME,
Number
Price:
Dark
^35
B.
Old
stick.
Copy
Number
Price:
Round
J40
TouRTE
J.
Bows
$75
color, originalmountings.
Fine
G:447
Plate
VIII
6:438
Gi4_i6
G1434
GJ432
G2664
Grii;:
G1387
ARTISTIC
VIOLIN,
VIOLONCELLO
Made
of
make
own
E.
Wm.
Messrs.
violins
bow
violin
As
preeminent.
bows
these
Hill
is
of
Hill
them.
with
manufacture
able
of
the
them
To
large
of
principal
the
best
finest
conditions,
in
result
aged
any
cannot
is
be
is
an
seasoned
well
made
bows
absolute
ten
of
very
by
the
finest
the
and
natural
line
wood
in
of
the
bows
of
before
matter
which
of
cost.
them
Per-
ough
thor-
procure;
which
to
avail-
always
to
of
wood
processes,
skill
in
started
procurable.
difficult
bows
exist
possession by
Pernambuco
of
these
bows
These
use.
workmanship,
have
come
from
Tourte.
fact
the
exceptional
Francois
in
is
is the
the
regardless
were
of
hands
which
they
bows
feature
choicest
that
made,
Tourte's
requisite
years,
with
known
the
be
possibly
of
conditions
fact
is the
important
of
violin
production
since
maker
It
for
these
quality
the
in
use
preeminence
important
Francois
very
stock
of
could
of
examples
combined
the
that
bows
Another
and
is
made
the
in
are
The
make.
several
to
them
their
absolutely
as
artistic
the
day
for
agents
recognized
are
by
appointed
accredited
the
of
more
other
any
One
seasoning
are
of
and
Sons
of
been
have
we
their
"
artists
great
is due
"
that
Hill
Messrs.
the
than
suitable
nambuco
bows.
London
SONS,
"
London,
Sons,
models.
as
and
of
fully recognized
players
Messrs.
Sons,
makers,
celebrated
HILL
announcing
"
Among
BOWS
E.
in
pleasure
take
W.
by
AND
VIOLA
same
that
two
shop
articles
side
by
radically different
side.
Every
detail
in
quality
receives
Bows
Violin
minutest
tance,
The
following
London,
bows
from
with
mounted
Price:
Same
sides,
screw.
bows
the
shade.
head
of the
line,
G1447,
but
bows
No.
as
with
gold tip.
one
out
Pearl
grip
silver
and
Pernambuco
work
ingenuity
producing
and
power
pearl dot
with
these
sticks
of Francois
stick.
case-
Sterling silver
into
goes
of
best
tip
wrapping.
of Pernambuco
the
slide and
screw
of hundreds
possible tone
skill and
quality. Octagonal
Sterling
thumb
counterparts
are
is suitable.
Tourte.
the
are
sticks.
They
very
best
produce.
can
Ebony
frog.
Octagonal
plate
and
large tone
^40
drawing
Pearl
shaped
tip.
of
finest
Pernambuco,
G1444.
representative
Price:
materials,
$S5
Number
slide.
only
greatest
modern
Price:
Sons,
and
gold
trimmed.
carefullyselected
most
that
means
that
VII
illustration
finest
very
circle.
silver
Whalebone
have
Plate
in solid
Sterling silver
inlaid
in
set
hardened
These
trimmed
Pernambuco,
G1447.
Frog of tortoise-shell.
This
of
"
I75
Number
in
Hill
quality
cheapest
durable.
very
Bows
Violin
description and
frog
ebony
the
to
are
of Messrs.
shops
The
illustrations,see
For
and
impor-
Hill's
G1448.
the
of small
matters
steel
price according
Number
in
the
and
workmanship
in
considered
hardened
case
all made
are
differ
and
often
screws^
especiallymade
are
near
The
attention.
[67
the
dot
power.
artistic
It is
of
button.
thumb
Whalebone
most
in side
silver
in silver
frog, set
grip
and
This
an
and
artist's
Pearl
Silver
screw.
workmanship
intended
circle.
wrapping.
for
Medium
stick.
Case-hardened
modern
bow
Round
quality.
bow
possesses
use.
is
Violin
68]
Number
Frice:
but
G1444,
octagonal stick.
%\o
Number
dot
silver
button
set
with
pearl
Silver
eye.
bow
for artists'
color.
dot
tip plate.
in
set
thumb
Silver
slide.
piece
mounted.
shaped
Octagonal
hardened
Case
ring.
Exquisite
quality.
frog.
Pearl
ebony
Leather
fine
Ebony
circle.
silver
in
side,
and
exceptionally
chestnut
Dark
in
Pearl
Price:
Pernambuco,
G14J8.
workmanship.
and
screw
This
grip.
is
use.
Pernambuco,
G1436.
color.
chestnut
Octagonal
silver
shaped
screw
eye.
model.
with
button
screw
and
fine
extra
frog, Dodd
Ebony
Case-hardened
and
Pearl
slide.
pearl
dot
Silver
set
in
which
draws
large
Dark
trimmed.
ebony
Silver
one
stick.
Round
quality.
ring.
playing
tone.
%%o
Number
dark
ebony
and
excellent
Pernambuco,
G1434.
Medium
color.
Ebony
Full
frog.
quality.
lined.
head
plate
Silver
and
Round
button
tip.
stick.
with
Leather
pearl
thumb
piece.
Price:
^15
Number
color.
silver
Price:
$2^
Number
dot
No.
description as
Same
G1445.
Bows
G1432.
Ebony
Fine
frog.
tip plate.
quality.
silver
German
Excellent
playing
Pernambuco
Round
trimmed.
Peari
stick.
slide.
Medium
German
bow.
%\o
Number
frog.
Full
Price:
%%
G1430.
lined.
Round
German
Pernambuco
silver
stick.
mounting.
Medium
color.
Ebony
Bows
Violin
Hill's
Number
shade; ebony
medium
with
hardened
case
Price:
Dodd
model,
Price:
G2660.
German
shaped
in end
pearl dot
wrapping;
shade;
by
surrounded
German
silver bow
with
pearl
dot
chestnut
stick, dark
slide with
pearl
octagonal
ring.
by ebony
surrounded
color, ebony
in side,
dot
2.50
color; ebony
(For illustration
Plate
see
quality;
trimmed;
stick;
round
pearl
slide
and
hardened
case
choicest
very
frog, sterlingsilver
in side surrounded
sterling silver;
Bows
Violoncello
Pernambuco,
Gijg2.
dark
pearl dot
screw;
bow
and
tip.
VIII.)
t^S
Number
Pernambuco,
Gij8g.
frog; silver
with
grip;silver
ferrule
pearl dot
tip.
Bow
set
of
and
in
fine
extra
quality; medium
reddish
color;
silver
end, surrounded
by ebony ring;
leather
thumb
$2S
Number
G/j8/.
Pernambuco,
fine
octagonal
German
ebony ring.
Price:
screw
VIII.)
silver
and
round
pearl
mounted;
button
screw
medium
ebony
button
stick; medium
quality;round
whalebone
screw;
Pernambuco,
silver
Number
Price:
Plate
see
pearl
and
bow.
Hill's
button
slide
pearl
stick;
round
"25
Number
ebony
trimmed;
with
button
screw
tip;magnificent playing
Price:
quality;
circle; sterlingsilver
trimmed
silver
hardened
fine
Pernambuco,
of
silver
(For illustration
screw.
G2662*
frog,
ebony
Price:
inlaid
by
fine
"35
Number
frog,
Extra
sterlingsilver
frog,
in side, surrounded
dot
Bows
Viola
Pernambuco.
G2664.
[69
"I5
silver
button
(For illustration
sides; German
on
and
see
quality; round
pearl
Plate
dot
VIII.)
stick; dark
silver
set
ferrule
in end
rich color;
and
surrounded
lining;
by
Violin
Violoncello
and
Repairing
he
jL
make
can
good
This
is
valuable
treatment
loss
fire
entrust
our
clients.
our
These
for
many
purchased,
are
require complete
the
to
old
finest
those
The
The
of
valuable
list includes
given
an
us
some
experience
truthfully
say,
results
obtained.
be
without
butchered
is safe
It
ruined
and
than
repairers
is
most
before
of
which
by
to
the
for
that
say
unskilful
by
other
any
agency,
part,
in
has
boasting,
be
that
effect
in
the
nowhere
condition,
This
by
us
violins.
old
and
applies
thousands,
well
as
through
passed
violins
on
sale.
sent
we
to
as
fifty dollars.
have
celebrated
its
for
for
America
of
buyers
that
only
those
unrepaired
an
offered
sold
of
in
superior
none
artists
speak
to
extensive
worth
is
such
very
would
most
of
not
being
in
there
which
hands
Cremona,
specimens
which
the
to
been
the
of the
than
instruments,
rebuilding
Saxony,
been
years
for
Many
arts.
experience
necessary
distinct.
and
repairers
It
masterpieces
old
most
of
valuable
own
fine
very
accident.
and
corps
the
the
instruments.
so-called
London.
or
have
We
of
of
one
have
few
have
hands
by
Paris, Berlin
can
old
is
violins
by itself, separate
the
maintain
We
old
Cremonas
at
including
valuable
branch
fine
violins^ but
new
of
repair
proper
more
of
restoration
the
in
work
else
in
existence.
we
do,
America
shop.
our
This
and
can
we
has
can
similar
Repairing
furnish
We
which
Those
purpose.
setting forth
letter
There
are
For
is
repairing violins
worth
the
the
to
sent
the
condition,
of
lack
worthless.
purposes,
of
cost
not
condition
the
many
played.
found
are
of the
free estimates
[71
very
often
valuable
to
violinist
which
previously
skill of
the
how
bring
to
Violins
almost
so
to
such
was
to
as
to
retain
splinters,but
it would
broken,
have
will
violin
be
very
in
song
new
neck
have
cannot
practical
become
and
evenness
satisfactorily. The
and
has
become,
joy
"
commercial
then
power,
the
through
those
to
accidents, sometimes
If
is
the
due
not
to
skill of the
had
out
the
very
Cost
one,
not
who
know
and
grafted
in
the
gone,
that
of
they
their
repairer who
they
same
violin
to
much
better
still.
better
are
having
is able
to
adjust
be
may
been
procure
before
it
Repairing
of
has
fact
the
reduced
literally
far
too
happens
old
artistically
repaired, it
been
never
following:
all
and
They
owners.
It often
tone.
turned
old
musical
object
restorable.
Estimating
If
for
are,
closets,
possibilities.
Obviously, if he had
results.
they
readily
of life and
broken
their
to
bow
inanimate
an
are
however,
which,
ever,
broken
been
splinters,often
repaired
than
was
its manifold
have
which
because
little,
then
They
the
to
repairer,possessed
forth
and
have
their
of
idea
"knows."
who
they respond
brilliancy,and
violin
the
beyond
away
With
idle in garrets
regulation they
proper
or
owner.
lying
worth
are
returned,
are
expense
in for that
sent
This,
head,
as
rule, includes
regraduadon
of
top
the
and
Repairing
72]
back,
bass-bar,
new
linings,blocks, regluing of
new
Often
strings,etc.
bridge, tailpiece,
sound-holes
anywhere
of
the
rebuilt
from
varnish
and
^25.00
responsibilityof restoring
old
ordinarily good
The
the
better
that
the
the
on
have
is far
Cremona
fingerboard,
to
be
replaced,
expense
character
value
and
and
care
where
than
greater
be
may
the
fine
edges
so
depending
"
time
and
instrument,
retouched;
^75.00
to
and
corners
all cracks,
an
is concerned.
violin
better
violin, the
be
must
the
adjustment
to
get
mensurate
com-
results.
Cost
Where
entailed
only
for
repairs and
satisfactoryin
instead
^5
much
to
is from
violin
It is
not
question
If the
own
does
it
of the
bar
first bar
expense
bass-bars.
in
which
bar
our
the expense
necessary,
up.
at
difference
great
are
^15
in another
put
we
is
in your
harm.
adjustments
adjustment
there
put
minor
and
its results,
right. Obviously
someone
bar
new
Repairing
of
You
is
until
it is
may
pay
good whatever,
no
being
not
new^
but
have
been
but
of its
being rigtu.
This
also
applies to
through
this
department
deficient
in tone,
will be
repaired
Work
Our
All
the
tone
in the
indicating that
free
other
of
charge
adjustments
is
Fully
of old
past
Italian
five years,
their bars
for the
as
Guaranteed
may
are
violins
bar, post,
be
which
found
lightor
etc.
otherwise
become
faulty,
charges being
necessary.
sold
made
Repairing
74]
Bow
Violin
Repairing
Rehaiiing
I0.75
silver
Pure
Other
wrapping
silvered
Leather
i.oo
wrappings
.50
wrapping
New
ivory
New
frog
tip
.35
made
.75
r
and
repair
1.50
to
"
I
Violoncello
Grafting
in
neck
scroll, including
7.50
Repairing
fingerboard
^30
00
.
New
scroll
and
including
neck,
fingerboard
28
00
.
Set
of
new
Fingerboard,
Bridge
fitted
pegs,
best
ebony,
3.00
bridge
and
adjustment
10.00
fitted
50
2
.
20.00
Bass-bar
and
adjustment
"
up
p^-holes
Bushing
Gluing
5.00
cracks
Rehairing
cello
bow
.75
Double-Bass
Rehairing
'u^
Bow
Repairing
^i.oo
Fox
Brand
Covered
Symphonic
Unqualifiedly
Our
string
held, for
maker
Philadelphia
manufacturer
achieved
international
an
After
the
other
exclusively.
have
been
that
Fox
silver
or
Italian
which
these
strings
is spun
of
is the
on
to
the
consequent
wound
gut,
also
as
manner
H-
4201
Covered
with
silver
Covered
with
silver
5202.
Covered
with
5204.
Covered
with
6220.
Covered
with
which
the
5208.
the
plated
plated
from
gut
on
the
finest
selected
and
sterling
copper,
absolutely free
only
climatic
from
special feature
strings
not
Healy
manufacture
finest
plated
guaranteed.
which
as
are
ventive
pre-
changes.
pSSpiw
wire, double
wire, triplewound,
wound
I0.32
silk
undercover
^.2
polished
silver wire, triplewound,
polished, silk undercover
gold wire, triplewound,
polished, silk undercover
pure
pure
with
with
wound,
AND
silver
pure
silver
pure
silk
wire, triplewound,
AND
"75
1.00
2.00
STRINGS
wire, triplewound,
of
listed.
so
absolute
an
STRINGS
copper
VIOLONCELLO
undercover
.
polished,silk
undercover
1.25
i
.50
STRINGS
silver
silk undercover
4215.
string,covered
string,covered
with
with
silver
silk undercover
1.25
5212.
string, covered
with
silk undercover
3.00
5216.
string,covered
with
silk undercover
3.50
421
1.
Our
them
copper
pure
string,covered
string,covered
make
acts
the
strings perfectly
the
silver
and
of
"
catalog.
stated, with
to
Lyon
of
wound
from
made
is used
wire,
protects
VIOLA
5206.
are
soloists.
passing
for
methods
only
known
his work
and
Strings absolutely
the
and
as
VIOLIN
4200^.
in
well
time
artists
manufacture
Brand
unreservedly
are
No.
to
during
listed in this
Strings
before
gut
and
notice,
our
in such
they
rattling, but
best
instruments
silk undercover,
the
world's
the Fox
Wound
gold wire,
pure
rattling, against
This
rare
Symphonic
specially prepared
the
improvements
which
deceased),
him
with
position
same
(now
with
many
old
Best
with
pronounce
brought
the
on
time
now
we
the
employer,
arranged
we
that
and
use
Brand
former
hands,
been
ever
for
reputation
his
Since
made
have
adapted
of
death
into
business
dealer
and
fVorld's
the
years,
many
Strings
catalog of choice
accessories
of
the
better
pure
pure
wire, triplewound,
plated copper
wire, triplewound,
plated copper
silver wire, polished,triplewound,
silver wire, polished,double
wound,
modern
class
sent
on
request.
Basses
1.00
and
The
This
lover, whether
amateur
and
reproductions,
of which
it
which
general
Milan
natural
the
Jamowick,
of
Mr.
The
of
is
Hartford,
It
is
bound
printed
color
The
After
edition
Prices:
have
act
20
been
an
interesting
in
Brescia^
many
Ger-
in
career
pictures in
their
the
well
as
the
of
Hawley
mens
speci-
others.
and
Rc^eri
famous
as
Twelve
Joseph,
King
Collection,
and
taken
as
by
boards
of soft
egg-shell paper,
initials in red.
gray
in
c9lor
beautiful
It contains
full
in
or
old-style
105
pages^
engravings.
is limited
this edition
plates
should
plates and
its
as
was
is included.
in
on
who
etc.,
in the
Conn.,
brated
cele-
information
most
life-like
with
Maggini,
violins
in
well
as
the
of
arching, sides,
handsomely
desired.
as
the
of
development
Stradivarius,
Healy
of the
Pitkin,
book
cloth,
the
show
its
and
centers,
back
and
the
and
measurements
H.
A.
front
Earl
plates
of
of the
Thomas,
throughout
is embellished
Bergonzi, Guadagnini,
halftone
table
the
of
violin
Italian
book
The
France.
colors
other
and
the
of
birth
the
Theodore
late
It is written
of violins.
strain, covering
and
by the
introductory
an
lover
Cremona,
marvelously
colors,
because
music
every
of the
natural
and
principallydeals,
library of
account
on
their
in
the
in
it contains.
It contains
enthusiastic
be
professional,both
or
beautiful
violins
in
should
luxe
de
Lover
Violin
the
BooK/or
volume
handsome
accurate
Collection
Hawley
to
is exhausted
destroyed;
2,000
copies,
it will be
therefore,
small
number
impossible
anyone
to
remaining
obtain
desiring to
unsold.
possess
the
as
more,
a
copy
promptly.
In
Board
In
Full
Binding,
Cloth
Cloth
Back,
in Case
^5
00
7.50