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The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
B. You can inspire interest with an opinion that goes against established fact, but
doing this for the sake of arousing interest is silly.
C. Believe in your opinion.
1.
Argue it after youve examined the alternatives.
Chapter One Notes
What Is An Essay?
An essay is the written expression of the authors opinion. (13)
Every essay expresses a personal opinion.
An essay does not just record facts or recount experiences; it registers the authors opinion of
these facts and experiences.
Subjects for Essays
You must know enough about the subject of your essay in order to have an opinion on it.
Specialized knowledge for an essay topic is necessary and can be achieved through research.
The essay based on specialized knowledge is easier to write then the essay based on a familiar
idea.
Your essay must begin with an opinion.
What Is An Opinion And How Do You Reach It?
Opinion: A belief not based on absolute certainty or positive knowledge but on what seems true,
valid, or probable to ones own mind; what one thinks; judgment.
The failure to distinguish from fact and opinion is the most common error amongst student
writers.
Facts must be converted into opinions, and those opinions that seem like facts should be avoided.
(For example: Friendship is an important human relationship.)
Ask yourself questions to find your opinion.
What Makes An Opinion Interesting?
Your own enthusiasm for a subject heightens the interest.
If a substantial number of people disagree with your opinion your essay will excite interest.
No argument -- no essay.
Examining The Opposition
Consider both sides of an argument
Be aware of every argument that might be used against your viewpoint
Every opinion you are considering as a potential essay topic, then, should be checked against
these questions: Can a valid argument be made against it? Can I defend it logically against this
argument?
Believe What You Say
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The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
The basic structure of an essay has three parts: an introduction, a body, and a conclusion.
o Think of yourself as a builder, and think of your essay as a structure.
o Remember that this structure never changes; only the details differ from essay to essay.
The Introduction
x One paragraph is usually sufficient to introduce an essay.
x The function of the introductory paragraph is simply to introduce the subject and come to the
point.
o Think of a triangle resting on one point.
x The introduction paragraph should open with a broad, general statement related to the thesis and
then gradually narrow to a single point- the thesis itself. Sentence by sentence it closes in on the
thesis.
x To find a general statement for the first sentence of your essay, begin your thinking about an
opening statement with one major element in your thesis (usually a noun) and make an
observation about it that any reader will find acceptable.
o General rule: your opening statement will relate to your thesis but will not take a position
on it. Then, by a process of qualifying, comparing, illustrating, and gradually limiting the
subject, you quietly remove the major obstacles to discussion and get to the point.
x To not get bogged down by the introduction paragraph before you even begin writing your essay,
the best policy is to get something down on paper, some general statement leading to your thesis,
and then go back to it later, revising and rewriting as needed.
The Big Middle Section
x The number of paragraphs in the middle section depends entirely upon how many points you
want to cover and how thoroughly you want to cover them.
x Whether your middle section is short or long, it is here that the real power of your essay resides.
For the middle section is your argument.
x Refer to your full thesis. You only need three general rules to guide you:
o Make the necessary concessions to the opposition as soon as possible.
Each concession opens a paragraph, but the paragraph then moves immediately
into a pro argument that carries far more weight than the concession.
o Devote at least one paragraph to every major pro argument in your full thesis statement.
o Save your best argument for last.
The middle section of your essay should always move toward its most telling
paragraph.
The Conclusion
x The structure of the conclusion is exactly the reverse of the structure underlying your
introduction, which began with a broad general statement and narrowed to its point, or thesis.
x Your conclusion begins with the thesis and widens gradually toward a final broad statement.
x To get your conclusion started, simply repeat your thesis sentence, vary the wording, and add any
appropriate words or phrases to tie it in properly with the paragraph that preceded it.
x From this point you will begin to broaden toward your final sentence.
o You can make a still stronger connection with your introduction by picking up any
significant word or phrase in it and working it into your conclusion.
x In tying in the middle section of your essay to your conclusion, try to leave your reader with a
series of pictures in his mind rather than a series of blunt and graceless declarations made by
attempting to list your main points.
o Dont be flatly repetitive, and dont make lists.
o Remind your reader. Then move outward with a statement that relates your thesis to a
broader background, so that he can see it in a last long perspective.
The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
Chapter Five: First Steps Toward Style
Style in writing is like style in anything elsesome special quality that commands interest or
gives pleasure, something that makes you sit up and take notice.
Style is perhaps best defined as this ability to do something difficult as though it were easy.
One characteristic of a good style is the ability to pack as much meaning as possible, without
loss of clarity, into as few words as possible.
No matter what you have to say, you can learn to say it well. And that is style.
-A strong thesis and impressive organization mean little if you cannot effectively get your ideas
across through word choice and sentence structure.
-Language and sentences that are easy to understand will help keep your audience alert and
interested.
-Even if you do not consider yourself a natural-born or particularly gifted writer, style is something
that can be learned. Control over words is a technique acquired through practice and selfdiscipline.
The Two Commandments of Style
1. Do not use the first person
2. Do not use the word there-ever.
First Commandment:
-Opinions are typically more powerful when you remove statements such as I believe or I
think. Removing unnecessary Is helps reduce passive voice and makes for a stronger
argument overall.
-All opinions expressed in a piece of work are, by default, the opinions of the author. If you didnt
believe it to be true, you wouldnt have said it-so why repeat yourself?
-Try restructuring thoughts to reflect third-person views: Go from You cant help liking this book
to This book is irresistible.
-Doing these things allows you to create more direct statements which are also shorter in length.
Second Commandment:
-Although there is a perfectly acceptable word and can be used, you must be careful not to
choose it too frequently. There often adds unnecessary clutter to sentences and takes away
from their strength.
-Often, replacing the phrase there was or there is can make a huge difference in a
sentence. Go from There was a fight to A fight broke out.
The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
-Use active verbs! Weak verbs do not add meaning to sentences and express no motion or life.
-These two commandments are not meant to be followed forever, but should be used to help
establish good writing habits. Once you learn how to control your style and sentence structure,
these rules can be broken and their forbidden phrases used---sparingly.
The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
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Each of your major points is likely to need considerably more discussion than one paragraph can
handle
To it is nearly impossible to state major argument in one paragraph because it is your major
argument
One major point can therefore multiply into several paragraphs, each with its own small point
Length of Paragraphs
x
x
x
x
x
Since it is impossible to predetermine the length of your paragraphs, it depends on what you want
to say and how you want to say it
Single sentences or phrases are fragments and not really attention-getters. While they can be
effective, it depends upon their contrast with the fully developed paragraphs around them
Try for a paragraph six or seven sentences long with a total of 100-125 words
The length forces you to think long
Its easier to shrink a paragraph than expand it
Figure 7 represents the block structures major characteristics: solid, self-contained, and fully
developed
Although each block is a single point, each are relates to each other and explain or illustrate some
part of the thesis
Like the essay itself, every paragraph has three parts: a beginning, a middle, and an end
The beginning: the topic sentence. This is an announcement of the particular point. Whats it
about?
The middle: several sentences that explain topic sentence. This illustrates your point.
The ending: the concluding sentence. The act of filling out the middle drives you to a close.
Picture-Frame Paragraphs
x
x
x
x
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In addition
And
In fact
Still
Assuredly
Indeed
But
It is true that
Therefore
Certainly
Moreover
Thus
Clearly, then
Nevertheless
To be sure
Consequently
No doubt
True
Even so
Nobody denies
Undoubtedly
Furthermore
Obviously
Unquestionable
Granted
Of course
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The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
Chapter 8:
Lifeless verbs prevent addition of detail and suspense
What It Is, and How to Beat It
- Active voice: direct, vigorous, strong, demonstrates action
Ex: John drove the car.
Subject = John creates action
- Passive: unconscious, subject being acted upon
Ex: The car was driven by John.
Subject = Car has something done to it
Adrift in Nobody-Land
- Anonymity Who acts? Passive lacks human involvement; may be added at the end of a sentence, but
neither the verb or the live body create action.
Ex: The room was cleaned by Mary.
- Complete passivity is unnatural; it offends some basic sense of life in all of us, some insistent demand
for human statement and identity. (Pg. 96)
- Solution: subtract two-part verbs followed by by. Changes the subject of the sentence and the action.
Ex: Mary cleaned the room.
Making the Subject Perform
- Subject change is not always a solution. Two-part verbs without by are equally dangerous of passive
voice, and adding a body to create a switch is impractical.
Ex: Thunder was heard in the mountains.
DO NOT: Many people heard thunder in the mountains.
- Identify most important subject of the sentence and have it act.
Ex: Thunder growled in the mountains.
The more precise verb used to describe what kind of action thunder makes, the more vivid and real it
becomes.
- The reader identifies thunder as something that he hears himself, rather than something heard by another
and recorded.
The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
-Audio active (subjects creating sound) and visual verbs (creating imagery) supply new information.
Passive: The car was driven down Main Street.
Weak active: The car went down Main Street.
Active: The car careened down Main Street.
The car rattled down Main Street.
Make your subject do something.
Why Passive Voice at All?
- Passive provides limited functions. Active verbs may be too lively to identify true meaning of a
sentence. Passive provides clarity.
- Passive is tempting: easier and sounds pretty.
- Passive creates useful, impersonal tone for violence, disaster, and accident. The subject is involuntarily
being acted upon.
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Purpose- adds new interest, new tone, new and unexpected grace, instant style
Deals with grammatical structure
Look for a common denominator- the repetition of some element in the sentence
Ex: If we are to survive, if we are to have even the hope of surviving, we must end the
nuclear race.
The Lively Art of Writing AP Student Notes, AP English Lit and Comp, Mr. Spencer P. Woods
In this example, the repetition is an if clause, this structure lends grace to logic
The common denominator is NOT the repetition of an idea, it is the repetition of
structure
Balance is inherent in parallelism
You can place whole sentences or whole paragraphs in parallel position
The smaller parallels- exceedingly important because the big parallels need solid
support.
**Whenever a sentence contains two or more similar elements, these elements must be
kept parallel, no matter how small they are**
Ex: In a series of nouns, each item must be a noun.
Not: She liked ball games, hikes, and going to picnics.
Instead: She liked ball games, hikes, and picnics.
Pairs are balanced on either side of and, but, and or, keep them equal
Ex: He was an expert driver and could also repair cars.
The trickiest parallels are either/or, neither/nor, not only/but also and first/second/third.
Not: Either Im always in debt or in trouble.
Instead: Either Im always in debt or Im always in trouble.
Not: She is the kind of woman who will neither change her mind nor her hair style.
Instead: She is the kind of woman who will change neither her mind nor her hair style.
If you repeat an article or a preposition once, repeat it every timeor not at all.
Ex: A house, a yard, a garden, and a pool OR A house, yard, garden, and pool.
Summary:
- Parallels are simple logic
- Subtler and more complex parallels are the real challenge
- They can make a startling improvement in your writing
- Its all about control, keep all elements of equal value parallel, whether they are big or
small
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