The Sicilian
with
1
e4 c5
...
1trb6
lbf3 lbc6
&
1
e4 c5
lbf3 e6
d4 cxd4 4 l2Jxd4 b6
Zoran S. Ilic
B.
T.
Batsford Ltd.,
London
ISBN 0 7 1 34 8238 9
Dedication
This book is dedicated to the memory ofmy mother, Ruza !lie
Contents
Bibliography
Symbols
Introduction
Main System:
1 e4 c5 2 ttlf3 ttlc6 3 d4 cxd4 4ttlxd4 ftb6
Part One:
White Reinforces the Centre by 7 Ad3
1.
2.
3.
4.
5.
6.
10
17
30
44
53
60
Part Two:
White Reinforces The Centre By 7 Ae3
7. White Plays 8 f4
8. White Plays 8 a3
9. White Castles Queenside
65
71
75
Part Three:
Early Deviations in the 2 10c6, 4 ... lrb6 Line
..
90
l OO
103
Contents/Bibliography
Kveinys Variation
Part Four:
1 e4 cS 2 lOO e6 3 d4 cxd4 4 l0xd4 1tb6
13.
14.
15.
16.
108
117
124
1 30
135
139
Index of Variations
1 42
Bibliography
The following were the sources most frequently consulted:
Informator 1-71
New in Chess Yearbooks 1-46
Encyclopedia of Chess Openings- ECO (l", 2"d and 3n1 editions)
Beating The Sicilian by John Nunn & Joe Gallagher (3nl ed.) - BTSJ
Various Chess Databases
Various Chess Magazines:
e Inside Chess
e New in Chess
e Europe Echecs
e Chess in the USSR
e Shakhmatny Byulleten
e Shakhmaty Riga
e Jaque
Symbols
+
++
#
!!
;t
:j:
+
+-+
00
?
??
!?
?!
1-0
0-1
Yz-Yz
Ch
OL
z
IZ
Ct
Wch
Cht
Echt
Wcht
Mem.
s/f
Jr
worn
rpd
corr.
sim
(n)
(D)
Check
Double Check
Mate
Good move
Excellent move
Slight advantage to White
Slight advantage to Black
Clear advantage to White
Clear advantage to Black
Winning advantage to White
Winning advantage to Black
Unclear position
Bad move
Blunder
Interesting move
Dubious move
White wins
Black wins
Draw
Championship
Olympiad
Zonal
lnterzonal
Candidates event
World championship
Team championship
European team championship
World team championship
Memorial tournament
Semifinal
Junior event
Women's event
Rapid game
Correspondence game
Simultaneous display game
nth match game
Diagram follows
Introduction
Introduction 7
8 Introduction
Introduction 9
Ge neral Remarks
a nd 9 a4
c5
1
e4
c6
2
f3
cxd4
3 d4
1'fb6
4 xd4
f6
5
b3
e6
6 c3
a6 (D)
7 Ad3
This is the obligatory move in the
line - Black must play .. . a6 sooner
or later. Otherwise:
a) Some players, such as the great
advocate of this line, the grandmas
ter Vladimir Akopian, prefer 7...Ae7,
avoiding any weakening of the b6
square in the early stages of the game.
Perhaps this is a more precise move
order, but it is not inadvisable to avoid
or postpone .. . a6 for a long time. In
that case White can eventually uti
lise the unprotected b5 square. One
example which illustrates this is the
game Wedberg-Cabrilo, Kladovo
1 980: 7 . . . d6 8 0-0 e7 9 a4 0-0 1 0
e3 f!ic7 1 1 f4 b6 1 2 g4 lUd7 1 3 g5
g6 14 f5 .l:e8 15 b5 lUde5 1 6 lU d4
d7 1 7 fxe6 fxe6 1 8 .i.xc6 .:Uxc6
19 lUdb5 and White had the edge.
b) Another idea, to react immedi
ately in the centre, is premature. Af
ter 7. . . d5 8 exdS exd5 9 0-0 1i.e7 I 0
.i.g5 .i.e6 1 1 a4, White h a s a
...
...
...
...
11
b6
11
.i.e3
12
en
0-0 (D)
12
The alternative 1 2 b7 has
mainly a transpositional character.
Two examples in which the main line
was avoided are presented below:
a) 13 l:tael CDb4 I 4 ctJd4 ( 1 4
'ifh3 transposes into the main line)
I 4 . . . 0-0 I S hi ctJd7! I 6 \Wg3 .i.f6
I 7 CDdi .l:.ae8 1 8 t2J f2 'ti'd8! and
Black' s position is slightly prefer
able, Vogt-Lukov, Cienfuegos 1 983.
The manoeuvre ... tl:ld7, ... f6 and
. . . .l:.ae8 employed in this game is
worthy remembering. This is a use
ful plan in many positions from the
4 . . . 'i!Yb6 system.
b) 13 tlg3 h5?! ( 1 3 .. . 0-0 is more
reliable) 1 4 .l:.ae i ctJg4 1 5 .i.c1 "il'd8
1 6 l:te2 t2Ja5 1 7 h3 t2Jxb3 I 8 cxb3
ctJf6 1 9 e5 h4 20 1Vg7 .l:.g8 21 exf6
Morales-J.Armas, Sagua la Grande
1989.
13 l:tae1
The attempt to immediately exploit
the absence of Black's bishop from the
a8-h I diagonal is impatient and wrong,
as these alternatives demonstrate:
a) 13 e5? dxe5 1 4 fxe5 t2Jxe5 ! 1 5
'ifxa8 .i.b7 1 6 'ii' a7 t2Jeg4! 1 7 .i.f4
...
14 lbxc6 'ir'xc6 1 5 cl b7 16 b4
0-0 1 7 !tf2 with a spatial advantage
for White, Pupo-Urday, Havana
1 992.
0-0 (D)
11
It used to be considered that in this
type of position one should not hurry
to castle because White achieves the
initiative with the aggressive g2-g4
etc., but more recent games confirm
that Black's position is very tough
and full of defensive potential. In fact,
in this particular position Black
doesn't have much choice but to cas
tle. Unlike the Sozin line (1 e4 c5 2
lbf3 lLlc6 3 d4 cxd4 4 lbxd4 lbf6 5
lbc3 d6 6 c4 'iYb6 7 lLlb3 e6 8 0-0
a6 9 .te3 'ir'c7 10 f4 e7 1 1 d3
b5 12 'iVf3 0-0), here Black is a tempo
down because the move ... b5 hasn't
...
12
/l)d4
The white knight usually comes
back to the centre only after Black
has played . . . ltJb4. When Black' s
knight is still on c6 Black has the
opportunity to simplify matters.
12
/l)xd4
b5
12 Wh1
As already observed in a similar
position, it is unwise to play the
move 12 ... '0b4 before White has
played l:ae l . However, Kreiman
Yermolinsky, USA eh 1 994, con
cluded 1 3 l:tacl d7 1 4 a3 il:lxd3
1 5 cxd3 'ii'd 8 I 6il:ld4 c6 1 7 'ii'g3
h8 1 8 l:tc2 Y2-Y2.
13 a3
Of course, this move is not com
pulsory, but it sets a hidden trap for
Black.
It is inadvisable to play 13 1Vh3
before Black has played ... b7, as
was shown by the game Britton-Con
quest, Guernsey 1 99 1 , where after
1 3 ... b4 14ll:le2 e5 1 5 f5 d5 1 6il:ld2
l:td8 1 7ll:lg3il:ld4 1 8 xd4 dxe4 1 9
.i.xe4 ll:lxe4 2 0 lUdxe4 .!:lxd4 Black
stood better.
b4
13
Introducing a risky adventure
which Black can avoid by playing
13 ... l:tb8 or 1 3 .. . .tb7. For example:
a) 13 ... I:Ib8!7 14 ifh3 l:td8 1 5
il:ld4? ll:lxd4 1 6 e5 (1 6 xd4 e5-+)
20
l0g6
Not 20 ... Axc5 2 1 lLlxc5 .i..c6 be
cause of 22 lt:lxe6, winning a pawn.
However, 20 ... 1:tfe8 is better than the
text.
21
Axe7
l0xe7
22
tOes
The alternative is 22 l0a5 l:rab8
23 lt:lxb7 l:xb7 24 b3 .
22
Ac6
23 l:txf6!
With this exchange sacrifice,
White revives the attack: 23 ... gxf6 24
ttJ 5e4 Axe4 2 5 lt:lxe4 l:t fd8 26
l2Jxf6+ Wg7 27 lLlh5+ Wf8 28 'ifg4
with a superior position for White,
B2:
18
.d6! ? (D)
1 2 l:lael
After this, the most frequently
played continuation, Black is at the
crossroads:
C l : 1 2 . .. l:tb8
C2: 1 2 . ..l?Jb4
C3: 1 2 . .. b5
The main and most consistent con
tinuation, played in many games, is
1 2 ...b5 (C3). Since some new games
and analyses favour White after his
most direct approach with 1 3 e5 ! ,
Black has to pay more attention to
the alternatives Cl and C2 which pre
vent it.
Another possible way to avoid
White's e4-e5 advance is the continu
ation 1 2 /0d7. After 1 3 Wg3 (For
1 3 g4 see Chapter 3, line B) Black
played superficially in the game Solo
mon-Davidovi6, Sydney 1 990, where
...
Cl:
12
Black avoids the threat e4-e5, by
removing the rook from the a8-h 1
diagonal. Still, this is in a way a waste
of time. The rook move has more
sense if White has already played a3,
which is not the case here. Now I
think the most promising continua
tion is 13 g4 (compare Chapter 3,
page 39). In practice 1 3 g3 was
played in two games.
13
1tg3
d7! (D)
C2:
12
b4 (D)
This is a quite playable continua
tion and a reasonable alternative if
Black wants to avoid 1 2 ... b5 1 3 e5 ! .
The drawback i s that i t allows the
quick recentralisation of the b3knight. However, in practice White
has not played convincing examples
either after this or other alternatives,
so after 12 b4 it is difficult to
determine the main line.
...
12
b5 (D)
C3 1 :
13
Whl
b7
Instead 13 b4 14 lL\d1 b7 1 5
ii. f2 a5 1 6 h3 g6 1 7lLie3 l:tfe8 1 8
..th4 with chances for both sides, was
played in Jones-Suzuki, Novi Sad OL
1 990. It is more in the spirit of the
line is to refrain from ...b5-b4. The
better plan is to post the knight on
the b4 square with the idea of con
trolling White's very strong light
squared bishop.
b4
14
1rh3
14 ... b4? 15 e5 ! dxe5 16 fxe5 l2Jxe5
1 7 f4 lLixd3 1 8 .1i.xc7 lLlxe 1 19
.l:l:.xe1 bxc3 20 bxc3 Savanovic
Djukic, Kladovo 1 994.
15
itld4 (D)
...
...
...
...
..
C32 :
13 a 3
Ab7 (D)
13 ...Db8, retaining the bishop on
the c8-h3 diagonal, is. another possi
ble plan. For example, 1 4 'f!Vg3 b4
1 5 axb4 l:.xb4 ( 1 S ... 'Llxb4!?) 1 6 d2
l:td8 1 7 e5 d.xe5 1 8 fxeS l:.xd3 1 9
cxd3 l:.xb3 20 exf6 cS+ 2 1 hi
'ixg3 22 hxg3 with better chances
for White, Fogarasi-Bech Hansen,
Budapest 1 992.
14 fi'h3
Or 14 Wh1l:He8 ( 1 4... l:.ac8 1 S g4
b4 1 5 axb4 'Llxb4 1 6 gS ctJd7 1 7 ctJd4
ctJcS=) 1 5 'i!Vh3 l:.ad8 16 ctJd4 'Llxd4
1 7 xd4 ctJd7 ( 1 7 ... eS !?) 1 8 eS and:
a) After 1 8...g6!? White's attempt
to attack at once with 1 9 f5? ! ( 1 9
exd6) 1 9 . . . exf5 20 l:.xf5 collapsed
after 20 . . . 'LlxeS 2 1 l:.exe5? (21 xeS
dxe5 22 l:.fxe5 c6) 2 l . . .d.xe5 22
xeS l:. xd3 ! 23 cxd3 W c8 0- 1 ,
Christian-Liicke, Hamburg 1 990.
b) 18.. f81 9 fS d.xe5 (19 ... exfS !?)
20 xeS 'flcs 21 f6 gxf6 22 xf6
xf6 23 l:.xf6 figS 24 l:.efl l:.d4 25
l:.xt7 l:.h4 26 l:.xf8+ l:xf8 27 'il!Vxe6+
r3;g7 28 Wd7+ g8 29 'ife6+ Yz-Y2
Somlai-Liicke, Budapest 1 99 1 .
14
b4
14 ... Dad8 1 S g4 h6 1 6 g5 ctJh7
1 7 g6 was dubious for Black in
Myrvold-Razuvaev, Gausdal 1 993,
but 14...Dfe8 is interesting: 1 5 f5 ( 1 5
e 5 dxe5 1 6 fxe5 'Ll x e S 1 7 .i.f4
'ifb6+!) 1 5 . . .exf5 1 6 'ixf5 'Lle5 1 7
h 3 l:tac8 1 8 .i.d4 d8 1 9CLld2 'id7
20 'ii'f4 'ife6 with an unclear posi
tion, Thipsay-Vasiukov, Delhi 1 987.
In case White played 'Oth 1 instead of
lhe 1 , then, in playing ...b4, Black
has to take into account the possible
central break e4-eS, which was dis
cussed earlier.
axb4
15
The game Kupreichik-Tal, Sochi
1 970, was also interesting. The same
position arose with a different move
order where White was a tempo up,
that is, the move 'lt>h 1 was already
played. There followed an unex.
C33:
13 1lg3
The transfer of the queen to h3 is a
much more usual option but the alter
native '1Wg3 should also be seriously
considered. In both cases, regardless of
whether the queen is on g3 or h3,
White's plan to organise the attack is
based on the timely e4-e5.
a) 13 Wh8 I4 h i b7 1 5 tLld4
( 1 5 e5? dxe5 1 6 fxe5 'i!Wxe5 ! 1 7 f4
'Wh5 1 8 Ae2 '1Wg6 :::;: ) 1 5 ... .l:lae8!? 1 6
tt:Jxc6 .i.xc6 1 7 e 5 tt:Jd7 1 8 'iih3 g6
19 Ad4! (19 exd6 1Wxd6=) 19 . . . dxe5
20 fxe5 c5 2 1 xc5 lZJxc5 22 'ifh6
and, according to Nadanian, White
has a small edge (Muhametov
Nadanian, Czestochowa 1991).
b) 13 b4 1 4 tLldi a5 15 tt:Jt2 a4
16 tLld4 tt:Jxd4 1 7 .txd4 e5 1 8 fxe5
tt:Jh5 19 'iff3 dxe5 20 1Wxh5 exd4 2 1
e5 g 6 2 2 'ife2 Yz- Yz Y .Griinfeld
Grivas, Novi Sad OL 1 990.
...
C34:
13
1th3
White plays this regardless of the
fact that the black bishop is still on
the c8-h3 diagonal.
a) Among several ways to parry
the e4-e5 threat, I consider the flex
ible 13 ... b4 is best.
b) In the game Waitzkin-Olesen,
New York 1 993, Black treated the
variation poorly and it was convinc
ingly shown that the plan of pushing
the queenside pawns ( ... b4, ... a5) is
slow in this particular position. White
achieved a clear advantage after
13 ...1ld8 14 g4 b4?! 1 5 'Lle2 tLld7
1 6 g5 a5 1 7 'Llg3 a4 1 8 tLld2 g6 1 9
l:te2 Jl. f8 2 0 f5.
c) For the forcing variation 13 ... e5
1 4 f5 'Llb4 1 5 g4 d5 1 6 g5 the criti
cal move is 16 ... d4! ? since the alter
native 16 ...xe4 1 7 'Llxd5 tLlxd5 1 8
.i.xe4 is favourable for White. In the
game Payen-Wauters, Cannes 1 989,
followed 1 8 ... lLlxe3 19 l:txe3 .i.xg5
20 l:tg3 .i.f6 21 '4Wg2! 'iYa7+ 22 c;i;>h1
l:tb8 23 l'hg7+ c;i;>h8 24 .l:r.xh7+
xh7 25 'ifh3+ 1 -0.
C35:
13
e5! (D)
The most challenging continua
tion, which is the main line recom
mended for White against the 2 ...
lLlc6, 4 ... 'i!Vb6 system b y Nunn &
Gallagher in BTSJ. Therefore your
opponents are most likely to be aware
of the possibility!
This central breakthrough used to
be regarded as a premature reaction,
IV
15 aS lLlxa5 1 6 V!Wxa8 b7
( 1 6 ... b4? ! 1 7 lLle4 'Wic7 1 8 'i!Va7 .i.b7
1 9 i.t2! 'Wic6 20 'iVe3! lLlc5 2 1 'i!Wh3
tuxd3 22 cxd3 :1: ) 1 7 'Wia7 b4 ! 1 8
...
31
...
A:
12 g4
Editor's Note: As this is one of
the options GMs Nunn and Gallagher
give for White in their popular book
Beating The Sicilian J, players of the
black side need to be attentive to the
Now:
b 1 ) 14 lrh3 is imprecise. White
loses a tempo, because he will later
play 'YWh5 anyway. For example,
b4!?
12
d7
13
gS
14
lrhS
g6
15
1Wh6
l:te8 (D)
This is one of the typical positions
for the 1 2 g4 variation. Instead of
1 5 ... .:e8, it's probably better to play
lS...bS and after 1 6 .l:tf3 to transpose
into the main line (A23 below) with
the radical 1 6... f5.
After 15 ... lle8 both the attack and
12
bS (D)
Preference should be given to this
continuation.
13
g5
13 ffh3! ? is a cunning move with
which the talented Bojan Knezevic
scored two effective victories against
renowned grandmasters. The fact that
Knezevic has the variation 4 . .. 'ib6
in his repertoire as Black leads to the
conclusion that the continuation 1 3
fVh3 i s the result of his home analy
ses and should not be underestimated.
White threatens to play g4-g5 after
e4-e5 and thereby eliminate the de
fence of the h7-square.
Black has to be very cautious:
a) 13 . b4? is a mistake because
White obtains a winning attack by
force after 1 4 e5 ! , e.g. 1 4.. . dxe5 1 5
g 5 lLlh5 1 6 ..txh7+ 'ifr>xh7 1 7 fVh5+
g8 1 8 l:!.f3 ..txg5 19 fxg5 lLle7 20
'Lle4 f5 21 gxf6 4Jf5 22 l:!.h3 1 -0 B.
Knezevic-Kurajica, Zaragoza 1 996.
This is an instructive example which
shows that the d3-bishop must always
be kept under control.
b) With the continuation 13...g6,
which in a radical way eliminates the
threats to the h7-square, Black was
not successful either in the game B.
Knezevic-Barlov, Yugoslavia eh,
..
33
...
A21:
14
15
.x::lf3 (D)
.x::le8
Now:
a) 15 b4 1 6 .il.d4 (With the
idea 1 6 ... g6? 1 7 'trxh7+ ! ) 1 6 ... e5 1 7
fxe5 lUxe5 1 8 AxeS g6 1 9 l:txfl
'it'a7+ 20 .i.d4 gxh5 \12-\12 Schiifer
Liicke, Munster 1 992.
b) 1 5 ... .ab7 16 l:th3 liJf8 1 7 l:tfl
b4 1 8 liJd1 g6 1 9 'i:Vh4 ( 1 9 'ffh6)
19 ... a5 20 f5 exf5 2 1 exf5 lt:Je5 22
...
35
...
A22:
g6
14
1 5 'ffh6 (D)
In the case of the straightforward
attack 15 'ffh4 .l:.e8 1 6 :n h5 1 7
4Je2 .i. f8 1 8 4Jg3 .i.g7 1 9 4Jxh5
gxh5 20 'it'xh5 4Jf8 2 1 c3 .l:.e7 22
l:g3 .i.b7 Black had sufficient de
fensive resources in the game David
B. Knezevic, France 1 997.
Now:
a) 19 ...Ag7 when:
a 1) 20 itlg3 a5 2 1 l:!.fl a4 22 liJd2
liJc5 when unclear complications
arose after the direct attack 23 liJxh5
gxh5 24 'i!Vxh5 in Schurade-Borriss,
East Germany 1 989. The game con
tinued 24 . . . liJxd3 25 cxd3 l2Jd4 26
e 5 ! ? (26 'Ot>h 1 ) 26 . . . liJf5 27 liJe4
lUxe3 (Interesting is 27 ... b7 28
lbf6+ 'Ot>f8 29 llc1 'i!Vd8) 28 CUf6+
'Ot>ffl 29 'ifh8+ xh8 30 l:!.xh8+ <J;;g7
31 l:!.xe8 b7? (The decisive mis
take: after 3 l ...'it>g6 32 f5+ 'ifi>xg5 33
l:tg8+ h6 White would have noth
ing better than perpetual check) 32
l:txa8 'Ot>g6 33 f5+ and White won.
a2) 20 Dn Axb2? 2 1 f5 exf5
22 liJf4 liJe7 23 exf5 liJf8 24 liJxh5
37
A23:
itlb4
14
This is the introductory move for
a defensive system that essentially
differs from the two previously ex
amined ones. The standard move
. .. lll b4, as in many other positions, is
useful here too. The knight controls
the d5 square and, if necessary, can
eliminate White ' s light-squared
bishop. The control of the d5-square
will enable Black to take a radical
action on the kingside with . . . f7-f5,
with which he parries White's threats
along the h-file. This theme gives the
variation a completely independent
character.
15 :o
BTSJ says that 15 f5!?, to fore
stall Black's planned reaction, de
serves consideration.
g6
15
15 lle8 transposes into the game
Schiifer-Liicke, given above in A2 l .
1 6 .h6
f5!
17 exf5 (D)
Less enterprising is 17 gxf6 l:txf6
1 8 l:g3 ( 1 8 tlJd4 g5 !) 1 8 ... t2Jf8 1 9
t2Jd4 ( 1 9 e5?! dxe5 2 0 fxe5 l: f7 2 1
.i.e4 .i.b7 ) 1 9 . . tlJxd3 ( l 9.. . e5? 20
tLlf5 ) 20 cxd3 .i.d7! with a satis
factory position for Black, Bellia
Grivas, Vinkovci 1 989.
..
w
B
exf5
17
18 l:th3
It should be noticed that in this
l i n e B l a c k sti l l hasn ' t p l a y e d
. . . .i.b7. Is the reduced control o f
the d5-square significant, that is,
can White utilise this square in a
concrete way?
A brief analysis shows that Black
has a satisfactory defence in all lines.
For instance: 1 8 d4 tlJc5, or 18 a3
12 llael
Everything in this section needs to
be compared with line C in Chapter
2, where Black' s alternative 1 2'h
moves and White's alternative 1 3'h
moves are analysed.
12
b5
Nunn points out that 12 .../Qd7
may be best, when if 1 3 g4 (avoiding
the transpositions discussed in Chap
ter 2) 1 3 ... b5 1 4 g5 Ab7 we reach
line B l l below. We shall see there
some improvements for Black on the
lines given in BTSJ.
13
g4 (D)
This is aggressive but perhaps
not as dangerous as 13 e5 (Chapter
2, line C35) which is Nunn's rec
ommendation.
We see that this variation differs
from the previous one because the
moves .:tae 1 and (usually) ... Ab7
have been interpolated. It's difficult
to say for which side it is the more
favourable.
39
B1:
Ab7
13
This is the main continuation.
d7
14
g5
15
Ylh5 (DJ
1 5 Ylh3 c auses Black fewer
problems. After the correct 1 5 . . .
CZJ b4 there are several examples
from tournament practice where, as
a rule, there arose very complex
positions with m utual chances.
Black achieved satisfactory results.
a) 16 a3 is not in the spirit of the
sharp g2-g4 system. White's attack
loses its intensity. For example,
16 ... lbxd3 17 cxd3 ctJc5 18 CZJc 1 d5
1 9 exd5 l:ad8! (With the pawn sac
rifice Black achieves excellent play
along the diagonal a8-h 1 ) 20 d4 ctJa4
21 4Jxa4 bxa4 22 dxe6 'i!Vc6 23 ext7+
%1xt7 24 lbd3 i..xg5 ! 25 ctJe5 'it'h 1 +
26 <itt2 'We4 27 4Jxt7 h4+! 28
We2 't!Vc2+ 29 j.d2 Wxf7 0- 1 Rose
Liicke, Germany 1 992.
b) 16 d4 l:lae8 1 7 1:10 i.. d8 (An
interesting defensive set-up for
Black.) 1 8 'ii'h4 g6 1 9 l:!.h3 h5 20
j.e2 Wg7 2 1 f5 .l:!:h8 22 a3 (22 f6+ ! ?
Wh7 2 3 j.xh5? g8) 2 2... lbc6 23
l:fl lbde5 oo Bemdt-Grivas, Dort
mund 1 992.
c) 16 f5 exf5 17 exf5 lbxd3 1 8 cxd3
( 1 8 g6 ctJf6 ! eo ) 1 8 .. J:!.ae8! and now:
c 1 ) The direct advance 19 f6 fa
vours Black after 1 9 . . .gxf6! 20 gxf6
.ixf6! 21 l:txf6 lZJxf6 22 'llg 3+ h8
23 i..d4 :xel+ 24 flxe1 l:lg8+, while
19 g6 leads to perpetual check in the
case of l 9...hxg6 (1 9. . . lbf6!?) 20 fxg6
fxg6 21 'i!t'e6+ <1r>h7 22 1Wh3+.
41
B12:
l:lfe8
15
g6
16 l:lf3
17
flh6
Ats
18 flh4
In the variation A22 we have this
position without the moves .l:.ae 1 and
... ..tb7.
18
b4
18 ... Ag7! ? is an alternative.
h5
19 l:lh3
20 gxh6
xd3
b4
21
cxd3
22
d1
l:lac8 (D)
Worthy of consideration is 22...
ffc2! ? 23 l0f2 h7.
w
w
d7
13
This continuation deserves respect.
14
g5 (D)
19 llh3
20 f5
This is a committal move but it's
di fficult to find any other way to
strengthen the pressure against the
black king. In the case of 20 /Odl,
with the idea lLlf2-g4, Black would
react with 20 . .. f5 !?.
exf5
20
21
exf5
tOes (D)
Black has managed to achieve the
optimal defensive set-up.
Yagupov-Kharitonov is a signifi
cant game for the whole variation 1 2
l:be I , 1 3 g4. In the further course of
the game Black unexpectedly quickly
achieved counterplay and won the
game.
From the diagram, there followed
22 e4 .txf5! 23 ..txf5 gxf5 24 lt:ld5
lt:lg6 25 ..,h5 l:te5 26 Wf3 lt:le6 27
l:th5 f4 28 ..tf2 lt:lxg5 29 ..,d3 Wd7
30 l:txe5 ..,g4+ 3 1 fl dxe5 32 lLlc7
43
. . .
. . .
White Plays d2 45
A:
b5
12
1te2
13 a3
The most often played continua
tion. White secures the knight' s po
sition on c3, but in a way this move
will also help B l ack to obtain
counterplay on the queenside more
easily. The point is that the bishop's
presence on d2 won't prevent Black
from playing .. . b5-b4 later.
The al ternative where White
doesn' t commit himself with the a
pawn is perhaps better and should
also be seriously considered. If the
knight is chased away from the c3
square with the ... b4 move, it will play
an active role either on the kingside
or in the centre, moving via d1 to the
f2 or e3 squares. The examples in
which White immediately played 13
ae1 are given below:
a) 13 ... d7 1 4 l:tf3 g6 ( 1 4 ... l:te8)
15 'YWf2 b7 16 .l:.h3 l2Jb4 17 a3
l2Jd3 18 cd3 l2Jc5? ! ( 1 8 . . . .i.f6 ! ) 19
l2Jd4 j,f6 20 f5 'i!Ve7 21 .i.h6 l:tfe8
22 :tfl exf5 23 l2Jxf5 Vujakovic
Djukic, Zlatibor 1 989.
b) 13 ...b7 14 e5 dxe5 1 5 fxe5
l2Jd7 16 f4 l2Jb4 17 l2Je4 l2J xd3 1 8
cxd3 'li!Vb6 1 9 .Ae3 YWd 8 2 0 .i.d4
8:
1 2 o
A more active continuation. Playing 'Wh3 or 1i'g3 later, White can
create some real threats sooner than
in the case of 12 'ife2.
13
a3
.i.b7
Now we have a further divergence.
White can play:
B 1 1 : 1 4 l:.!.ae 1 or
B 1 2: 14 'flfh3
but in both cases Black achieves
good play.
Bl l :
14 l::lael
b4
There is no reason to postpone this
move, although it is possible to play
it a move later after 14 ... g6 1 5 'ilh3.
In M.Cid-Panno, Femeda Cup 1 99 1 ,
Black obtained very good game after
1 5 ... b4 1 6 CLJd1 ( 1 6 axb4) 1 6 . . . bxa3
1 7 bxa3 a5 1 8 a4 ( 1 8 f5) 1 8 ... lLlb4
1 9 CLJc3 d5 20 exd5 lLlxd3 21 'f!Vxd3
lLlxd5.
15 axb4
lC!xb4
16 lClb5
Or 16 lCld4 lLlxd3 17 cxd3 %labS
1 8 'iWg3?! 'i/b6 19 lll ce2 't\Yxb2 20
.i.c3 'ii' b6 + Zvara-Vokac, Prague
1 994.
48 White Plays d2
16
axb5
lla2
17
Axb4
More logical than 17 ...l:la4 18 c3
l:ta2 although Black was successful
with this move order too in the game
Arnason-Gostisa, Belgrade 1 988, af
ter 1 9 l:te2 ( 1 9 Aa3 d5 !?) 1 9 ... e5 20
fxe5 dxe5 21 il.xe7 'ifxe7 22 xb5
(22 b 1 ) 22 . .. tt:Jxe4 23 Itxe4 l:hb2
24 .i.. c4 Wa3 25 lLJcl? (25 'f!Ve3=)
25 . . . l:t b 1 26 d3 l:txcl 27 l:h4
l:xfl + 28 '@'xfl g6 and Black real
ised his material advantage.
e5
18 1Vh3
b4
19
il.c3
llxb2
20
Axb4
dxeS
fxeS
21
flxe7
22
Axe7
with an equal game, Kl undt
Cabrilo, Germany 1 992.
Bl2:
14
flh3 (D)
B 1 2 1 : 1 4 . .. l:tad8 and
B 1 22: 1 4 . .. b4.
B121 :
llad8
14
b4
15 llae1
Probably the only satisfactory re
ply. That the superficial treatment of
the position leads to a quick catas
trophe is shown by the following two
examples:
a) 15 ...1lfe8 1 6 l2Je2 f8 1 7
l2Jed4 l2Jxd4? 1 8 a5+- Thipsay
Grivas, Manila OL 1 992.
b) 15 ...1ld7?! 1 6 l2Jd5! exd5 1 7
exd5 lLlb8 1 8 .!.c3 h 6 ( 1 8 . . . g 6 1 9
l:xe7 ! ) 1 9 l:txe7 ( 1 9 l2Jd4!?) 1 9 ...
l2Jxd5 ( 1 9 . . J:f.xe7 20 xf6 gxf6 21
f5+-) 20 xg7 ! with a winning
attack, Geenen-Goossens, Belgium
1 992.
The original version of the lL\d5
sacrifice was seen in the game Tal
Zaichik, Tbilisi 1 988. A completely
different move order gave a similar
position: 1 e4 c5 2 lL\f3 d6 3 d4 cd4
4 l2Jd4 l2Jf6 5 l2Jc3 e6 6 f4 a6 7 1Vf3
1Vb6 8 a3 lLl c6 9 l2J b3 'WIc7 1 0 .i.. d3
e7 1 1 d2 0-0 1 2 0-0 b5 1 3 l:ae l .
Now instead o f the logical move
13 ...Ab7, which, after 14 Wh 1 b4,
would transpose into the game
Arnason-Gostisa, Belgrade 1 9 88
mentioned above, Black played the
over-ambitious 13 ... b4?! . Unexpect
edly there followed 1 4 l2Jd5 ! (The
straightforward 1 4 axb4 doesn't give
an advantage after 14 ... l2Jxb4 1 5 'Llb5
{ 1 5 e5?! l2Jxd3 1 6 exf6? l2Jxe1 + }
White Plays d2 49
17
b5
17 e5 lLlxd3 1 8 exf6 lLlxe 1 1 9 fxe7
.i.xg2+ 20 'iVxg2 lLlxg2 2 1 exf8+
l:txf8 22 'itxg2 is better for Black.
axbS
17
18 Jlxb4
e5
We have the same position as in
Variation A with the difference that
the moves 'it'h3 and . . . l:!.ad8 have
been played.
B122:
14
b4! (D)
This is the most consistent move,
...
axb4
15
The fol lowing continuations,
which avoid the quick elimination of
his strong light-squared bishop, are a
better choice for White:
a) 15 e2 bxa3 16 bxa3 e5 1 7
lLlg3 ..tc8 1 8 f5 a 5 1 9 lLlh5 a4 20
lbc 1 GLld4 oo Cam i l l eri-Grivas,
Zouberi Z 1 993.
b) 15 d1 bxa3 16 %ha3 ! aS (It
is important to eliminate the light
squared bishop. Weaker is 16 ... d5 1 7
e 5 lLle4 1 8 .l:ta4 ) 1 7 ..tc3 Aa6 1 8
lLle3 Axd3 1 9 cxd3 l:tfb8 20 lLlg4
lLlxg4 (20 ... 'iid 8!?) 21 1Vxg4 i.f8 22
f5 e5 23 GLld2 d5 24 exd5 Axa3 25
bxa3 GLld4 26 f6 with a dangerous ini
tiative for the exchange sacrifice,
ZeiCic-Nadanian, Cannes 1 997.
15
lLlxb4
eS
16
The most challenging continua
tion. However, in this line, where
White has played h i and ..td2, the
forcing complications that arise after
13 l:tael
This continuation poses more
problems for Black. Now Black can
go on:
821 : 1 3 .. . .i..b7 or
822: 1 3 . . . b4.
B21:
13
14
ffh3 (lJ)
Ab7
White Plays d2 51
.1xe5 1 9 l:.xf6 Black has at his disposal the well-known 1 9 ... l:.xd3 ! .
The alternative i s 14 ...g6, after
which 1 5 e5 - played in the game
Klundt-Mainka, Germany 1 990 led to forced play where Black had
enough resources to defend his posi
tion. There followed 1 5 . . . dxe5 1 6
fxe5 'Lld7 1 7 .i.f4 'Llcxe5 1 8 'ifg3
.1d6 1 9 .1xb5 axb5 20 'Llxb5 'it'b6
2 1 'Llxd6 W'xd6 22 .1xe5 'Llxe5 23
'it'xe5 'iVxe5 24 .:txe5 .:txa2 with an
equal game.
15 f5! ? is probably a more prom
ising reply to 14 ... g6.
w
b4
15 a4
According to Gufeld, the opening
of the position with 15 ... bxa4 is a
better alternative.
16
l0d1
d5
This is the consistent follow-up to
the previous move. The knight is de
centralised, so White' s control of the
central squares is weakened.
17
e5
l0e4
18
l0e3!
The idea behind this move is to
52 White Plays d2
15 c4 (D)
Moving the c-pawn is the best
plan for White. With it he either
achieves a considerable spatial ad
vantage or underlines the exposed
position of Black 's pawns on the
queenside. This way of playing is
also seen in the fol lowing two ex
amples:
a) 1 5 e5 lt:ld5 16 c4! bxc3 1 7
lt:lxc3 ;t Matulovi c - Marti novi c,
Smederevska Palanka 1982. This is
the line recommended for White in
ECO.
b) 15 c3 a4 (Better is 1 5 . . . bxc3)
16 lt:ld4 lt:lxd4? (Black completely
lost his sense of danger and very soon
was exposed to an irresistible attack.)
17 cxd4 d5 1 8 e5 CUd7 19 f5 ..ta6 20
f6 gxf6 2 1 xh7+! 1 -0 Saltaev
Grivas, Komotini 1 993.
15
bxc3
a4
16 Axc3
/Qxd4
17
/Qd4
18 Axd4
Aa6
19 /Qc3
'ffb 7
Y2- Yz Z.Aimasi-Grivas, K6pavogur
1 994.
White Plays g 5
(1 e4 c5 2 f3 c6 3 d4 cxd4 4
xd4 1!fb6 5 b3 f6 6 c3 e6 7
Ad3 a6 8 0-0 Ae7)
9 Ags
In this variation, the threat e4-e5
is emphasised in a similar way to the
variation where White develops the
bishop on d2. The active position of
the white bishop on the g5-square
brings more aggression into the po
sition and there are frequent instances
of sharp tactical battles that started
in the early phase of the game.
One of the features that disting
uishes this variation from others is
the possibility for Black to play the
provocative . . .h7-h6. Both sides have
to take this possibility seriously into
account. Although I am not in favour
of generalisations, I think that Black,
in principle, should avoid this move
unless it brings him some concrete
advantage. Certainly, each position
requires a careful approach and pre
cise calculation, because even a slight
imprecision can be costly.
d6 (D)
9
9 h6 I 0 ..te3 would favour White
because Black has weakened his
kingside too early. The move ... h6 is
more reasonable when White has al
ready played f2-f4.
The diagram position, as ex...
54 White Play5 g5
..
..
A:
0-0 (D)
10
It should be emphasised that in
practice this position often arises via
the move order from the Richter
Rauzer Sicilian: 1 e4 cS 2 ltJf3 d6 3
d4 cxd4 4 ltJxd4 ltJf6 S ltJc3 ltJc6 6
gS 't!Yb6 7 ltJb3 e6 8 j.d3 j.e7 9
0-0 0-0 1 0 Wh1 a6.
h6
f4
11
This leads to massive complica
tions where both sides have to play
very precisely.
56 White Plays g5
10
'llc7 (D)
Now that the white king has taken
a tempo to prepare f2-f4, the queen
has done her job on b6.
f4
11
1 1 a4 b6 1 2 f4 ..tb7?! (It's inad
visable to abandon the control of the
e6 point quickly. Better is 1 2 ... 0-0)
1 3 f5 4Je5 14 CUd4 Kindermann-
White Plays g5 57
...
58 White Plays g5
...
...
d) 13 Ab7 1 4 'tWo ( 1 4 a3 b4 1 5
axb4 tt:Jxb4 1 6 l:tal h6 1 7 xf6
.i.xf6 1 8 tLla5 Jlab8! 19 tt:Jxb7 l:lxb7
20 tLld1 tLlxd3 21 'ifxd3 .axb2 22
:txa6 l:.c8 and Black had a minimally
better endgame, G.Kuzmin-Kurajica,
Lyon 1 994) 14 ... tLlb4 1 5 'i!Vh3 tt:Jxd3
16 cxd3 l:.ac8 1 7 tLld4 tLle8 1 8 il..xe7
'flxe7 1 9 a3 l:tc5 20 f5 il.. c8 with a
more passive but solid position for
Black, Yudasin-Smirin, Moscow
1 994. In these two high-level exam...
. .
Jtb4 Variation
7. .. b4
Variation 61
8
Axc3
In the case of 8... 0-0, White can
62
7. .. _j,b4
Variation
...
...
...
7.
11
'ifhs
This is the most frequently played
continuation.
f6
11
A playable but weaker plan was
s e e n in the game I . Gurevich
Yermolinsky, New York 1 99 3 ,
where after l l . e S 1 2 c4 d6 1 3
llad 1 'ii' c 7 1 4 f4 White had the
more promising play.
12
Ae3
'irc7
13
f4 (D)
..
. b4 Van'ation 63
a) 13 ... 'Lle7 1 4 f5 e5 1 5 c4 b6 1 6
64
7. .
b4 Van'ation
B:
11
e5!
This is an unpleasant possibility
for Black, preventing him from con
structing a defensive set-up with ...f6,
. . . ltJe7 etc.
I consider this to be the most test
ing continuation for Black, who now
faces the dilemma:
a) to open the position after ll f5
( I l .. .f6 1 2 'i!Yh5) 1 2 exf6 gxf6, or
b) to sacrifice the exchange with
l l laxe5 (D).
The second alternative was seen
in two games . In Matulovic-P .
Kovacevic, Belgrade 1 989, after
I 2 1&.e7 lLl f6 1 3 ..txf8 (Even bet
ter is 1 3 1&.c5 ! 'ikc6 { 1 3 . . . 'ifc7 1 4
..td6+-} 1 4 ..txf8 c;;txf8) 1 3 . . . Wxf8
14 c4 d6 1 5 'ikd2 a5 1 6 a4 flc7 1 7
l:tfd 1 b6 1 8 ..te2 White had an ad
vantage although Black had good
...
...
chances to hold on .
In Totsky-V.Karasev, Povedniki
1 992, Black also did not achieve
complete equality after 14 e2 (In
stead of 14 c4 above) 14 ... fic7 1 5
'iVd4 b6 1 6 f4 lLlc6 1 7 'iVd3 .!tb7
1 8 CiJd4 ltJe7 19 CiJb5 'ii'c 5+ 20
'i!Vd4 'tlfc6 21 An 'ikxb5 22 j,xb7
:ct.b8 23 ..te4.
From these two examples, we see
that Black does not have an easy
game after the exchange sacrifice
1 1 ... lLlxe5. As for the other option
- the possibility 1 l . . . f5 1 2 exf6
gxf6 - although this original posi
tion requires a practical test in or
der for the final evaluation to be
given, at first sight White's chances
here too are a bit better.
7 White Plays 8 f4
. .
66 White Plays 8 f4
A:
AM (D)
. .
...
. .
. . .
White Plays 8 [4 67
...
68 White Plays 8 f4
White Plays 8 f4 69
d6
8
A more passive continuation that
leads to a complex battle where White
soon achieves a significant spatial
advantage on the kingside.
9
g4! (D)
...
...
..
70 White Plays 8 f4
a) 11 Wd2 b5 1 2 0-0-0 ( 1 2 h4
lLlb6 13 W/t2 b8 14 d3 lLlc4 1 5
0-0-0 lLlxe3 1 6 Wlxe3 :;l;; Kovalev
Giffard, Clichy 1 99 1 ) 12 ... .te7 1 3 h4
ICicS?! 14 .tg2 b4 1 5 ftJe2 lLlxb3+? !
1 6 cxb3 ! lL\d4 1 7 b 1 ttJxe2 1 8
W/xe2 0-0 1 9 W/t2 Kudrin-Gufeld,
Palma de Mallorca 1 989. The move
. . . ftJc5 has more sense when White
develops his bishop on the d3 square,
so better is 13 ... 1Cib6 or 13 ...Ab7.
b) 11 g2 1i.e7 ( l l . . .b5 12 0-0
itJb6 1 3 W/e2 and now instead of
1 3 . . . e 7 ? ! 1 4 a4 P e t k e v i c
Budovsk i s , U S S R 1 9 7 5 , B l ack
should have played 13 . . . lLlc4) 1 2
h 4 ( 1 2 0- 0 ! ? ) 1 2 . . . b 5 1 3 Wle2
itJb6 ! = Yurtaev-Gufeld, Helsinki
1 992.
c) 11 Wf3 b5 12 Wif2!? (An inter
e sting manoeuvre that prevents
... lLlb6) 12 . . . 1i.b7 1 3 ..tg2 e7 14
0-0-0 0-0-0 !? 1 5 b1 b8 1 6 h4
J:tc8 17 .l:.he 1 a8 ( l 7 ... l:the8!?) 1 8
J!d2 l:thd8 with a complex game in
which the chances are approximately
equal, Kudrin-Gufeld, Las Vegas
1 997.
White Plays 8 a3
1 e4 c5 2 f3 c6 3 d4 cxd4 4
xd4 lrb6 5 b3 f6 6 c3 e6 7
il.e3 flc7
8
a3 (D)
1 0 g4
The most ambitious move. Now
Black has different, equally playable,
continuations. It is a matter of taste
whether to play this position with or
without ... h6.
72 White Plays 8 aJ
1 0 'Wf3
i1..e7
This position can also arise from
the Scheveningen: 1 e4 c5 2 li.Jf3 d6
3 d4 cxd4 4 li.Jxd4 li.Jf6 5 li.Jc3 a6 6
f4 e6 7 'iff3 'ff b6 8 a3 li.Jc6 9 ll:lb3
ii.e7 10 .i.e3 f4c7.
11
g4 (D)
Instead of this sharp advance, the
more peaceful 11 iJ..d 3 is also possi
ble, but after 1 1 ...0-0 1 2 0-0 b5 it
transposes into the classical line
b5!
10 i1..e 2
11
0-0
i1..e7 (D)
This i s more precise than 1 1
iJ.. b 7, which leaves the e6-spot un
defended too early. In principle,
this move should be played only
when White plays AD. Janosevic
Korchnoi, Belgrade 1 964, took a
sharp course, where after 1 2 f5 exfS
1 3 a4 b4 1 4 ll:ldS ll:lxd5 1 5 exdS
ll:le5 1 6 l:!.xf4 White had the better
chances.
The next diagram has all the char
acteristics of a classic Scheveningen.
..
White Plays 8 aJ 73
...
...
74 White Plays g aJ
D:
10 Ad3
This continuation offers transpo
sition into the variations with 7 .i.d3
discussed earlier.
b5
10
u
ffo
After 1 1...Ae7 1 2 0-0 0-0 we
again have transposition into the clas
sical line with the a2-a3 move, which
was dealt with in Chapter Two (page
1 9). Here we consider only examples
which avoid that transposition.
11
Ab7
a) ll b8!? 12 0-0 b4 1 3 ll:le2
( 1 3 ll:lb1 ) 1 3 ... e5 ( 1 3 .. . bxa3) 14 a4!
ll:la5 15 ll:lxa5 Wixa5 1 6 ll:lc1 Wic7
17 a5 ::!; Marjanovic-Kurajica, Yugo
slavia 1 979.
b) l l Ae7 12 g4 (For 1 2 0-0
and 1 3 g4 s e e Chapter Three)
1 2 . . . .li.b7 1 3 g5 t:U d7 1 4 h3
t:Uc5?! ( 1 4 ... 0-0) 1 5 t:Uxc5 dxc5 1 6
g6 with an advantage for White,
S chulz-Plachetka, Copenhagen
1 988.
Ae7 (D)
12 0-0
The move order with 8 a3 ena
bles Black to avoid the main line
where he, instead of . . . J.b7, has
...
. . .
...
...
10 g4!? (D)
As Nunn and Gallaghcr point out
in BTSJ, this move is also playable
immediately, reserving the decision
about the placement of the queen.
B:
10 We2
e7
In the game Bologan-Kurajica,
Las Palmas 1 993, Black developed
his light-squared bishop on the d7square, but this is inadvisable. More
common and sounder is to use that
square for manoeuvring the knight to
the queenside by . . . li:Jd7 -c5 (or -b6).
The game continued: 10...b5 1 1 0-00 b4 12 'lfo>b 1 .td7 1 3 l::t c l ! e5 1 4
h 3 e7 1 5 g4 exf4 1 6 .txf4 .i.e6 1 7
ttJd4 0-0 1 8 g5 ttJd7 1 9 l2Jd5 (Pre
mature; 1 9 a3 ! would give White the
advantage.) 1 9 .. . Ji.xd5 20 exd5 l:tfe8
2 1 nhe 1 g6 22 .te4 li:Jb6 with a com
plex game.
After 1 0 . .. b5 1 1 0-0-0 a possible
plan is 11 ... .t:lb8 1 2 Wb1 ttJd7 1 3 g4
lbb6 14 'fVt2 lt:Ja4 1 5 lt:Je2 and now
Black should have continued 15 ...
e7, instead of 1 5 .. g6 1 6 lt:Jed4
.i.g7 1 7 lt:Jxc6 'f!Vxc6 1 8 i.d4 e5 1 9
.i.a7 l:ta8 2 0 f5 with an advantage to
White, as in the game Palac- B .
Knezevic, Cannes 1 996.
11
0-0-0
b5 (D)
This line is very similar to the
Sozin where White plays 6 .i.c4, so
.
77
..
Now:
c3 1 ) 15 Ilhgl ..te6?! ( 1 5 ... exf4 16
xf4 ..tg4 ! ) 1 6 g4 exf4 1 7 ..txf4
l2Jd7 1 8 l2Jd5 ! and Black encountered
serious problems, Kuczynski-Kozul,
Novi Sad OL 1 990.
c32) Or 15 Ithn ..te6? ! (Better
is 1 5 . . . exf4) 1 6 f5 ..tc4 1 7 g4 d5 1 8
79
Dubai OL 1 98 6 ) 1 5 . . . ttJc5 ! ? 1 6
xb5+ axb5 1 7 1Wxb5+ ttJc6 1 8
tt:Jxc5 dxc5 1 9 xc5 0-0 20 xe7
1Wxe7 2 1 e5 l:tab8 22 l:td6 .i.a8 23
'id3 Wia7 24 l:Id 1 Wia3 25 b3 ttJb4
26 Wid2 e4 2 7 l:I c 1 l:Ibc8 0- 1
Leyva-Vera, Las Tunas eh 1996.
After this survey of the Sozin
move order, w e re turn to the
4 ... 'ib6 line .
12
g4
Another idea is to play in the cen
tre: 12 label ti:Jd7?! 1 3 'Lld5! exd5
( B l ack i s also in trouble after
14 . . . ti:Jb4 15 d4) 1 4 exd5 ti:Jde5 1 5
dxc6 .i.g4 1 6 Wi f2 tt:Jxc6 1 7 l:Id2
Velimirovic-V.Dam\janovic, Bel
grade 1 99 3 . H owever, if White
doesn't play g2-g4, then Black has
no reason to hurry with . . . ti:Jd7. Bet
ter is 12 ...0-0.
l0d7!
12
A flexible move order which can
easily confuse White. A superficial
treatment of this dynamic position
was seen in the game Abramovic
B . D am ljanovic, Belgrade 1 984,
where after 12 b4 13 tt:Ja4 l:Ib8 1 4
b1 g6?! 1 5 l:tg1 ..td7 1 6 Wif2 .i.d8
1 7 g5 ttJh5 1 8 e5! dxe5 1 9 ttJc5 ..t.c8
20 fxe5 0-0 2 1 .txa6 White had a
clear advantage.
13
Wbl (D)
A precise move order. Consider
ably weaker is 13 g5?! 'Llb4 ! , after
which Black accomplished two goals
- exchanging White's light-squared
bishop while forcing him to recap
ture with a piece, and starting the
queenside pawn storm.
..
13
Ab7
In the earlier examples (Sozin
move order) Black was a tempo up,
as he had already played this move.
The question is whether this is of cru
cial importance. Namely, when Black
plays . . . .i.b7, his alternative plan
. . . I:I.b8 followed by . . . ti:Jd7-b6-a4,
which looked rather attractive, is less
81
C:
. .
Jl.e7
10 lff3
Or 10 ... b5 1 1 0--0--0 (According
to BTSJ, 1 1 g4 is also possible)
1 l . . . b7 1 2 b 1 lZ:laS 1 3 'Oxa5
'i!r'xa5 14 g4 0-0-0 1 5 g5 COd7 16 a3
b8 17 'it'f2 Ae7 18 Ad4 e5 19 fxe5
dxe5 20 .ta7+ aS 21 COdS King
Wirthensohn, Bern 1 988.
11
g4
This direct thrust is one of the rec
ommendations for White in BTSJ. Of
course 11 0-0 transposes to Chapter 2.
The immediate g2-g4 is more pre
cise than 1 1 0-0-0 b5 1 2 g4, as in that
case after 12... b4 1 3 ..t>b1 ( 1 3 g5
lUxd3+! 14 lhd3 lZ:ld7 or 14 cxd3
b4 ! ? seems to be fine for Black)
Black can react in the centre with
1 3 . d5 ! (D)
..
b5
11
The most consistent. Black did not
have success with the alternatives in
practice:
a) 1 1 ...0-0 12 g5 lLld7 13 0-0-0 b5
14 e5! dxe5 1 5 .te4 .tb7 16 f5 ! (By
playing the instructive advance e4e5 and f4-f5 at the right time, White
gets the important e4-outpost for his
pieces) 16 ... g6 1 7 f6 .tb4 18 h4 1:tfc8
1 9 h5 CLlf8 20 hxg6 fxg6 2 1 lLld5 !
exd5 22 .txd5 'ofr>h8 23 f7 "ii'd6 24
.l:.xh7+! lLlxh7 25 .l:. h 1 g7 26
.l:.xh7+ f8 27 'ii' f6 1 -0 Hellers
Djukic, Malmo 1 988.
b) 11 . .h6 12 0-0-0 b5 13 l:hg1
CLld7 14 'it'f2! and now it is hard for
Black to redeploy the knight on d7.
For example, 14 ... l:b8 1 5 'ofr>b l lLlb6?
1 6 .txb5 axb5 1 7 lLlxb5 d8 1 8
lLlxd6+ .txd6 1 9 e5) 1 4 . . . .tb7 1 5
'ofr> b 1 %1 c 8 (As Nunn says, Black
should play the standard 15 . .. lLlb4;
1 5 . . ..tf6? is careless because of 1 6
e5 ! dxe5 1 7 .txb5 ! 0-0 { 17 . .. axb5 1 8
lLlxb5 'ti'b8 1 9 'it'd2!+- } 1 8 g5 hxg5
and now instead of20 lLle4?! , Estrin
I.Kopilov, Omsk 1 973, White could
have developed an irresistible attack
after 20 "ii'h 4! axb5 2 1 .l:.g3) 1 6 h4
lLla5 1 7 g5 hxg5 1 8 hxg5 b4 1 9 lLla4
lLlc4 20 g6 lLlxe3 2 1 gxfl+ 'it>xfl 22
'it'xe3 .tf6 (22 ... .tc6 23 'it'd4) 23
e5 ! dxe5 24 .tc4 l:thd8 (24 ...lLlf8 25
lLlac5 wins) 25 l:txd7+! l: xd7 26
lLlac5 l:d5 27 "it'h3 1Vb6 28 .txd5
.txd5 29 fxe5 .te7 30 1Vh5+ 'lt>g8
3 1 'it'g6 .tf8 32 CLld7 1 -0, Tiviakov
Yuanning Rong, Singapore 1 990. A
nice achievement by Tiviakov.
.
83
84
..
13
/l)b4 (D)
85
...
...
..
87
...
...
...
...
13
/l:}b6
This is the best alternative to the
main continuation 1 3 ... lt:lb4.
14 Wb1 (D)
89
g3 (D)
10
bxc3
xe4
This move leads to sharp compli
cations in which White does not hesi
tate to sacrifice pawns to get the
initiative. Simpler is 10 ... 0-0, which
after 1 1 exd5 tt:lxd5 transposed into
the variation I 0 exd5 (A2).
11
c4!
Risky is 11 Axe4 dxe4 1 2 'Wg4
..i.d7 1 3 'ii'xg7 0-0-0 with the idea
. . . tt:le5-0, but 1 1 1l'g4 is worthy of
consideration. The game A.Ivanov
Gufeld, USSR 1 983, had an exciting
course: 1 I . . ..i.d7 ( I l . . . g6 ! ?) 1 2
xg7 0-0-0 1 3 c4 l:thg8 1 4 'ii'b2 ( 1 4
'ii'h6 oo ) 1 4. . . tt:lxg3 1 5 hxg3 %hg3 1 6
e3 l:.xg2+! 1 7 Wxg2 d4! with a
dangerous attack.
0-0
11
Or ll /t)e7 1 2 cxd5 exd5 1 3 c4
..i.e6 1 4 ..i.e3 with compensation,
D .Pavlovic-Djukic, Svrljig 1 994.
12 Jte3
1Wd8
/t)f6
13 lle1
1 4 cxd5
/t)xd5
l:le8
15
Acs
/t)b6
16 c4
e5
17
1fc2
18 l:::ta d1
and White had a very active posi
tion in Cam pora-Akopian, D o s
Hermanas 1 992.
.
...
A2:
10 exd5
/t)xd5
0-0
bxc3
11
11 ... /t)xc3 1 2 'ifg4 is out of the
question.
1 2 c4
/t)de7
c5
13
ffa6! (D)
B:
7
'ff e2 (D)
An unpleasant continuation :
..
...
B1:
9
.ae7
This older continuation is playable
15
d2
c7
More precise is 15 ... J:lac8.
Ae5
16 g3
1 7 xe5
White also achieved a small ad
vantage in Klinger-Wirthensohn,
Graz 1 984, after 17 Ag2 lhc8 1 8
.i. xe5 'tixe5 ( 1 8. . . lt.Jxe5 1 9 'iii b 1
lt.J c 4 20 1lld3 ;t ) 1 9 lt.Jd4! ;t .
17
1rxe5
18 .S.b5
l:lac8
19 Dhe1
f6
Ag4
20
Wb1
21
J:lct
l:lfd8
bxc6
22
Axc6
23 .b4
The control of c5 and the possi
bility of making a blockade on the
dark squares are the factors that en
sure a small positional advantage for
White, P . Cramling-Wirthensohn,
Zurich 1 984. Still, there remains the
impression that with precise play
Black can hold the balance.
B2:
Axc3
9
This, the most challenging con
tinuation, is relatively unexplored. It
leads to a more complex game than
9 . . . J&.e7.
e5
10 Axc3
11
0-0-0 (D)
The diagram shows one of the
critical positions for the whole sys
tem with 7 1lfe2. Although at first
sight it doesn't look it, the position is
full of dynamics and hidden tactical
possibilities. Black's basic idea is to
free himself from the pressure along
..
C:
7
ilg5 (D)
ile7
7
If Black doesn't want to play the
Rauzer Sicilian type of position, he
has a fine alternative in 7. Ab4. For
example: 8 xf6 gxf6 and now:
a) 9 1ff3 e7 1 0 ..te2 (The
greedy policy is unjustifiable: 1 0
'f!Vg3 d6 1 1 'illg7? ! lt f8 1 2 'ifxh7
.i.d7 13 0-0-0 0-0-0 14 'it'h6 'it'xt2 +
Grabics-Kerek, Hungary 1 994)
1 0 .. . d6 1 1 0-0 d7 12 'i!fh5 0-0-0 1 3
a4 l:.dg8 with a balanced position,
Novak-Papacek, Karvina 1989.
b) Or 9 Vd2 a6 10 a3 (White
achieves nothing after 1 0 'fih6
xc3+ 1 1 bxc3 'ii?e7 12 V/iig7 V/ii d 8)
e7 1 1 0-0-0 d6 1 2 f4 .i.d7 1 3 e2
h5 14 l:.hfl 0-0-0 1 5 l:.f3 .:dg8 with
equal play, Milosevic-Karpman, Beta
Crkva 1 989.
8 1td2
Instead 8 _ad3 transposes into the
9 g5 line (Chapter 5) and this is
the most often played plan in prac
tice. 8 Ae2 has its independent char
acter: 8 .. . a6 (8 .. .h6?! 9 ..te3 'Wic7 1 0
f4 d6 1 1 0-0 a6 1 2 a4 Genin-Reshko,
Leningrad 1 967) 9 0-0 d6 (9 ... W/c7
1 0 f4 h6?! { 1 0 ... d6} 1 1 xf6 gxf6
..
. . .
D:
B
a3 (D)
Dl:
a6
Imprecise.
8 .i.f4! (D)
A strong move. White threatens 9
eS and prevents Black from playing
the logical continuations 9 ... e7,
9. . . d6 and 9... flc7.
In practice after 8 .i.f4 Black has
had problems:
a) 8 dS?! 9 exdS t0xd5 10 lDxdS
exdS 1 1 "fkxdS .i.e6 12 'ife4 0-0-0
13 .i.e3 "fkc7 14 c4 .i.xc4 1 5 _.xc4
b8 1 6 0-0 and Black didn't have
adequate c ompensation, Zakic..
D2:
7
.i.e7 (D)
This continuation is also inad
visable.
8
.i.f4!
D3:
7
d6
This continuation is better than the
previous two. Some examples are
given below where the transition into
6
7
8
0-0
c4 (D)
e6
e7
...
...
B:
d5
6
7 exd5
itlxd5
8 0-0 (D)
This is the basic position for the
6 . . . d5 continuation. 8 .axh7?! l:txh7
9 Wixd5 e5 is not advisable for White.
e5!?
8
At first sight this active move ap
pears risky but practice has shown
...
...
.i.e3 (D)
b5 (D)
B 1 : 5 ... a6 and
B2: 5 ... lt:\f6.
Bl:
5
a6
6 .i.e3
White achieves less with 6 5c3
e6 7 d3, for example:
a) 7 . 'flc7 8 0-0 b5 9 a3 lLlf6 1 0
g5 $.e7 1 1 lt:\d2 l:b8 1 2 'ire2 d6
1 3 f4 h6 oo Danilovic-B.Knezevic,
Budva 1 996.
b) 7...f6 8 0-0 ii.e7 9 lt:\d2 0-0
1 0 h1 d5 1 1 exd5 exd5 1 2 lt:\b3
.l:td8 13 f4 !il..g4= Dvoirys-Lastin,
Russia Cup semifinal, Perm 1 997.
After 6 e3 Black has the options:
B 1 1 : 6 . . . 'li'a5+ and
B12: 6... 'ifd8 ! .
.
Bl l :
6
Vas+
An enterprising but dubious con
tinuation. The exposed queen will
help White to accelerate his devel
opment.
7 5c3
e6
Or 7 f6 8 lt:\d2 b5 9 lt:\b3 'filc7
1 0 e2 e6 1 1 a3 ..tb7 1 2 0-0 d6 1 3
f4 $.e7 1 4 !il.. f3 0-0 oo Sanchez
Schreiber, Zaragoza 1 994.
8 d2
Or:
a) 8 .i.d3 b5 9 lt:\d2 Wlc7 (9... b4
1 0 a4! xc3 1 1 axb5 ! ..txd2+ 1 2
xd2 Yudasin) 1 0 0-0 lLlf6 1 1 f4
b4? (1 L.d6 ) 1 2 lt:\a4 l:tb8 1 3 '*ie2!
'f/a5?! (Better is 1 3 ... a5) 14 lt:\c4
'ifxa4 1 5 b3 'ifb5 1 6 lt:\d6+ and
Black doesn't have enough compen...
105
'C'fd8!
6
7 5c3
Others:
a) Interesting and original play was
seen in the game I .Gurevich-J.
Polgar, New York 1 992, where there
followed: 7 5a3 b5 8 c4 b4 9 lUc2
lUf6 1 0 lUd2 il.b7 1 1 f4 d6 1 2 'ifn
g6 1 3 0-0-0 g7 1 4 e5 dxe5 1 5 fxe5
CLJd7 16 e6 fxe6 with a complicated
game.
b) The second alternative is 7
d4. Now, depending on Black's
reaction, different types of Sicilian
position can arise. The most ener
getic, quick reaction in the centre with
7 ... e5 gave Black a solid play in two
games following 8 CLJf3 lUf6:
b1) 9 c3 b4 10 il.c4 0-0 1 1
'li'd.3 d5 ! ? ( 1 1 ... i..xc3+!? 1 2 bxc3 d6)
1 2 i.. xd5 CLJxd5 1 3 'fixd5 xc3+ 1 4
bxc3 i..e6 1 5 xd8 lHxd8 1 6 0-0
l:lac8 -, Micic-Z.Ilic, Novi Becej
1 994.
b2) 9 .i.c4 'fia5+ 1 0 lUbd2 CLJxe4
107
1
2
3
4
c5
e6
cxd4
'ffb6 (D)
e4
f3
d4
xd4
/()f6
5
In practice this position can arise
from the move order 1 e4 c5 2 tt::l f3
e6 3 d4 cxd4 4 tt::lxd4 tt::l f6 5 tt::l c3
b6.
6 e5! (D)
White has no reason to refuse this
109
9 'Llrs
The sharpest continuation, that
leads to wild positions, where the
positions of both kings get unavoid
ably compromised.
9
1rxb2
9 .i.xe3? 1 0 'Lld6+ transposes
into the 9 'Llb5 0-0 -'.xe3? line given
above.
10 Ad3! (D)
...
111
A2:
9 Ae2
The most solid continuation that
gives White a permanent advantage
without great risk. White calmly com
pletes his development while on the
other hand, Black will not be able to
Ac5
5
This seems to be more reason
able than 5 ... co f6 . Now White is at
a crossroads:
B l : 6 e3
is for those who like original and
wild positions, while the alternative
B2: 6 COa4 has more of a positional
nature.
B1:
7
8
db5
fxe3 (D)
Axe3
6 Ae3
c6 (D)
Note that 6 ...ffxb2? loses by force
after 7 codb5 xe3 (7 . 'ilb4 8 .: b 1
and 7 ... b4 8 d2 lose as well.) 8
. .
Not 8 . a 6 9 ctJ d 6+ e 7 1 0
'Wd2 ! ( 1 0 ctJc4 'Wc7 1 1 "i!Yg4 ctJ f6
1 2 "i!Yf4 'ii x f4 1 3 exf4 b5 1 4 ctJb6
l:[b8 1 5 lL\xc8+ hxc8= Hoynck
van Papendrecht-Galje, corr. 1 997)
10 ... ctJf6 1 1 0-0-0 'fkc7 12 'it'f2! ctJe5
1 3 "i!Yg3 ctJg6 14 e5 ctJe8 1 5 .i..e2
Tosic-Milovanovic, Cetinje 1 996.
Since IM Miroslav Tosic has dem
onstrated a convincing plan for White
to achieve an advantage in the case
of 8 . . . a6, Black has no better choice
than to enter the uncertain complica
tions that arise after the text move.
9 .a.e2
Wf8!
Black loses after 9 .1!rf4? 10 l:tfl
'fi'xh2 1 1 ctJd6+ d8 12 liJxf7+ or
9 tfb6 1 0 \!Yd6 ! 1 -0 Segovia
H.Martin, corr. 1 986
10 U.n
Although two examples from
Basman's practice are very old, they
unmistakably show the intricacy of
the complications that inevitably
anse.
a) 10 .. ftlf6 1 1 'ifd6+ 'ifii> g8 1 2
:xf6! gxf6 1 3 .l:td1 h5 1 4 l:td3 'iVc l +
1 5 f2 h 4 1 6 ctJc7 ctJe5 ! 1 7 lLlxa8
'YWf4+ 1 8 'ifii>g 1 ctJxd3 1 9 'ifxd3 b6
20 'ifc4 Ab7 2 1 lLlc7 'iWe3+ 22 fl
'tlif4+ 23 Wg1 'it'e3+ Yz-Yz Hartston
Basman, Hastings 1 973.
b) 10 ttlge7 1 1 a4 ctJg6 1 2 l:!.f2
ctJge5 13 fl h5 14 h3 h4 15 l:ta3
c5 16 a5 l:th6 oo Hartston-Basman,
England 1 974.
.
..
...
B12:
113
ttlcb5 (D)
7
ltlf6
a) The alternative 7 ... a6 is unsat
isfactory. According to Velicka and
Didisko, all possible variations after
8 ctJxc6 give advantage to White. For
example:
a 1 ) 8.. .xc6 9 kxc5 'fi'xc5 1 0
ctJd6+ ;
a2) 8 .a.xe3 9 ctJd6+ Wf8 1 0 fxe3
\!Yxe3+ 1 1 ile2 bxc6 1 2 ctJxc8 llxc8
1 3 'fi'xd7 ;
a3) 8 .. axb5 9 ctJd4 ;!; .
b) It is necessary to check in prac
tice the continuation 7 ...d5!?. The
move seems to be quite playable. For
instance, White's attempt to directly
refute this ambitious plan with 8
lLlxe6 is unsuccessful, as is shown
by the variation 8 ... .txe6 9 .txc5
xc5 10 ctJc7+ We7 1 1 lLlxa8 ctJf6
1 2 exd5 ( l l ctJc7 'i!Va5+) 12 ... ctJxd5.
8 ftlxc6!
.a.xe3
9 fxe3
Stronger than 9 ttld6+ 'ifii> f8 I 0
fxe3 because in that case Black can
play 1 0 ... 'ifxe3+. In the game Rogulj
Sale, Zagreb 1 996, after 1 1 .te2 bxc6
1 2 l: fl We7 1 3 ctJc4 'it'c5 ( 1 3 . . .
xe4 !?) 1 4 e5 lL\ d5 1 5 'fkd2 f6 1 6
.
...
7 a4
In practice this continuation has
been the least problematic for Black.
1ta5+
7
8 c3
.a.xd4
xd4
9 .a.xd4
eS (D)
10 xd4
8
9
f6
cS (D)
B2:
6 a4
VaS+
c3
7
xd4
8 1'lxd4
Compared to variation B 1 , here
White's dark-squared bishop is not
exchanged, which is better for him.
115
1 0 . . . b6 1 1 b4 ( 1 1 'Llb3 'Llxe4)
1 1 . ..'Llxb4 12 'Llb3 'Llc2+ 1 3 'Otd1
'Llxe4 14 'Llxa5 (Both 14 'ii'f4 'i!fxc3
and 1 4 'ii' d3 'Llxal ! are also bad for
White) 1 4 . . . 'Llxd6 1 5 'iti>xc2 bxa5
Black was clearly better.
0-0
10
11
.ae2 (D)
This is more precise than 1 1 l0b3
when:
a) ll tfc7 ( l l .. .'it'h5 is also in
ferior to line b) 1 2 ..te2 d5 1 3 exd5
'2Jxd5 14 'if g3 e5? ( 1 4 ... 'i!fxg3 1 5
hxg3 ;!; ) 1 5 ..th6 f5 1 6 ..tc4 l:td8 1 7
l:tdl h8 1 8 .i.xg7+ 'ii'xg7 1 9 l:txd5
l:txd5 20 ..txd5 Ninov-Kirov, Bul
garia 1 995.
b) lt. .'8a4! 12 ..td3 (12 'Llc5=)
12 . . .b6 1 3 0-0 ..ta6 1 4 ..txa6 'i!fxa6
1 5 l:te1 d5 1 6 e5?! ( 1 6 exd5 'Llxd5
17 'ffe2) 16 . .. 'Lld7 when Black has a
typical French Defence type position,
with the light-squared bishops ex
changed, and he is doing fine: 1 7
'ifg 3 h8 1 8 'Lld4 l:lac8 1 9 '2Jxc6
l:.xc6 with a better game for Black,
Topalov-Short, Novgorod 1 997.
After 1 1 .i.e2 Black has two dif
ferent ways to complete the develop
ment of his queenside. The second
of these, characterised by a quick ac
tion in the centre, is a more reliable
way of playing for Black.
a) l l b6 12 'Llb3 'i!Va4 1 3 '2Jd2
'Lle5 ( 1 3 . . . d5 ! ? is possible, but
13 ... ..ta6? loses a piece after 14 b3
...
'it'a5 15 b4 a4 16 ..td1 b5 1 7 a4
'ti'd3 1 8 b5 'l!\Yxe3+ 19 fxe3 i.b7 20
bxc6 ..txc6 2 1 ..tf3+- Coleman
Emms, Monarch Assurance 1 997) 1 4
0-0 ..ta6 1 5 b 3 'l!\Ya5 1 6 c4 b5 1 7 ..tb2
bxc4 1 8 ..tc3 c7 1 9 l:tac 1 l:tfc8 20
h3 d6 2 1 .i.xe5 dxe5 22 ..txc4 ;!;
Dvoirys-Sale, Berlin 1 995.
b) 1 1 . \'Wb6 (Threatening 12 . . .
d6 with the win o f the e4-pawn)
1 2 f3 d5 1 3 0-0 ( 1 3 e5? 'Llxe5)
l3 ... e5 14 exd5 '2Jxd5 15 f2 f5
1 6 ..tc4. This position was met
twice in Kveinys' practice. Both
times he had a slightly inferior but
playable position:
b1) 16...l:Ld8 1 7 ..tg5 f6 18 l:tad1
'Lle7 19 .i.c1 'i!fc6 20 ..tb3 b6 2 1
'Lle4 Dvoiri s-Kveinys, Katowice
1 992.
b2) 16 t0ce7 1 7 ..tb3 l:tfd8 1 8
l::t e 1 Wic7 1 9 'Lle4 ;!; / oo Sznapik
Kveinys, Manila OL 1 992.
Black's way of playing in the sec
ond example is better.
..
...
1 4 White Plays 5 b3
1
2
3
4
5
e4
iOn
d4
l0xd4
i0b3 (D)
cS
e6
cxd4
'ffb6
..
A:
f6
5
6 cJ
6 e5!? is intriguing but unfortu
nately there are no examples from
practice. The following analysis is by
Martens - 6 ... e4 7 .i.e3 1Wc7 8
'iVd4 f5 9 0 llJc6 1 0 'iVc4 d5 1 1 'j!fe2
'ifxe5 1 2 fxe4 d4 with the assessment
that Black has compensation for the
sacrificed piece. This is neither suf
ficient nor reliable for making a con
crete evaluation of the variation. I
think that 6... d5 is better than the
extravagant 6 ... llJe4.
Ab4
6
d5 (D)
1
AdJ
B:
'ff c7 (D)
. .
g3 (DJ
B2:
6 c4
This continuation, with which
White gains space in the centre, has
a sound positional basis. It is GM
Nunn & Gallagher's principal recom
mendation for White against the
Kveinys Variation in BTSJ.
l0f6 {D)
6
7 l0c3
White has no reason to avoid the
... .i.b4 pin.
Instead 7 Ad3 avoids the pin but
allows Black to equalise with a quick
7 ... d5 (line 'b3 '). The alternative to
this is the Hedgehog set-up as seen
in notes 'b1 ' and 'h2 ' .
b1) 7 l0c6 8 'Llc3 lt:le5 9 0-0 a6
...
...
..
f6
6 Ad3
6 ... a6 7 i.e3 lLlf6 8 f4 d6 9 c4 b6
1 0 lLlc3 J;.e7 1 1 0-0 lLlbd7 1 2 'ii'f3
b7 1 3 l:tae1 g6 1 4 f2 0-0 1 S h4
:ae8 with a complex game, Olivier
Giffard, Cannes 1 996.
0-0
7
7 ltlc3 a6 transposes into the 6
lLlc3 line while the original 7 .aS 8
a4 b6 9 e3 lLlc6 1 0 0-0 did not
achieve equality in the game Nataf
M.Ivanov, Enghien 1 997. Also pos
sible is 7 ltlc6 with transposition to
Part One after 8 0-0 a6.
Editor 's Note: Pulkis-Kveinys,
6'h Baltic Sea corr. tch 1 993, went
7 f4 dS ! ? 8 eS lLl fd7 9 0-() lLlc6 1 0
'Ll 1 d2 b6 1 1 ll:Jf3 lLJcS 1 2 ll:Jxc5
ii.xc5+ ( 1 2 . . . bxc5 ! ?) 13 rj;h 1 .i.b7
1 4 c3 0-0-0 1 S b4 e7 16 a4 f6
1 7 'if e2 fxeS 1 8 fxeS :df8 1 9 aS
and White 's attack was very strong.
dS (D)
7
Variations where White delays the
lLlc3 move offer Black, almost as a
rule, the possibility of reacting in the
centre with ... dS and equalising with
relatively few problems. If Black
wants to avoid simplification, he al-
..
..
..
.. .... .
..- ..-
'- - --
-
lii;'lfrir
'
,
i d
dxe4
8 lllc3
9 fllxe4
ltlbd7!
9 ltlxe4 10 xe4 'Lld7 is slightly
inferior:
a) 1 1 ltld4 a6 1 2 e2 (White
played a weaker plan in the game
Dobrovolsky-Kveinys, Rimavska
Sobota 1 990, where after 12 b3 lLlf6
1 3 'Yi'd3 d6 1 4 lLlf3 lLJxe4 1 S xe4
ii.d7 1 6 h3 J;.c6 Black solved all his
problems.) 12 ... lLlf6 1 3 ii.f3 ii.d6 1 4
h 3 0-0 1 S ii.gS ;!; Lukin-Kveinys,
Beside 1 99 1 .
b) 1 1 d4 J;.d6 1 2 'iVxg7 ii.xh2+
1 3 Wh 1 i.e5 1 4 h6 oo Torok
Kveinys, Budapest 1 992.
1 0 1tf3
Or 1 0 ill xf6+ lLlxf6 1 1 ii.bS+
..
c3
Jld3 (D)
a6
/t)bd7
9
Other options are:
a) 9 ..Ae7 1 0 'ti'f3 lLlc6 1 1 d2
lZJ b4 1 2 .l:. ae 1 (Frolov- Kandza,
Katowice 1 993) transposes into the
2 . . . lZJc6 line.
b) 9 . b5? is bad because White
gains a dangerous advantage with a
quick action in the centre, as can be
seen from the course of the game
Zezulkin-Bereziuk, Czech Republic
1 997. There followed 1 0 e5! iZJfd7
1 1 exd6 xd6 1 2 e3 ! J.e7 (Def
ending against the 1 3 .ixb5 threat)
1 3 f5 lLlf6 1 4 fxe6 .txe6 1 5 'tff3
lLlc6 1 6 lLld4 l:c8 1 7 lZJxe6 fxe6 1 8
\'f'h3 lZJe5 1 9 'tlfxe6 lZJxd3 2 0 l:hf6
gxf6 2 1 lLld5 and White won.
c) 9 b6 is more cautious, but 1 0
e5 lLlfd7 1 1 exd6 .i.xd6 12 lLle4 e7
1 3 'iff3 lZJc6 14 it.d2 Kindermann
Hillarp Persson, Reykj avik 1 998,
looks dangerous for Black.
10
a4
10 1Vn b6 o o .. b5) 1 1 ..td2 ..tb7
1 2 l:.ae1 g6 ( 1 2 ... ..i.e7) 1 3 'ii'h 3 ..tg7
1 4 lZJd4 0-0 1 5 ltlf3 'tlfc5+ 1 6 'Oth 1
'tfh5 1 7 'it'g3 l:.ac8 1 8 lLlg5 .l:.c5 1 9
..i.e2 'tlfh6 2 0 'tfd3 Hector-Hillarp
Persson, Reykjavik 1 997.
b6
10
11
'fle2
Probably 1 1 n. with the idea
'W'h3 or 'it'g3, is more dangerous for
Black.
Ab7
11
Ae7
12 Ad2
13 l:Xael (D)
A very similar position is seen in
Chapter 1 5 with the difference that
...
...
1 5 Enhanced Kveinys
Variation
A:
8 Ae3
From the theoretical point of view,
White' s early commitment of his
dark-squared bishop in this variation
favours Black.
8
Ab7 (D)
Now:
a) After 9 f4 li:lf6 White has prob
lems with the e4-point:
B:
d6
8 f4
Black postpones the development
of the c8-bishop for a while, with the
idea of preventing possible pressure
on e6.
9 ffn
d7
10 0-0
gf6
It is too early to play 10... .ab7 in
view of 1 1 'ifh3, followed by 1 2 f5.
11
Ad2
After 11 Whl i.b7 we reach, via
a different move order, Svidler
Kasparov, Gennany (rpd) 1998. That
game is interesting because the World
Champion applied the idea of a
fianchetto of the dark-squared bishop.
After 1 2 a3 g6! ? 1 3 'i!Vh3 g7 1 4 fS
gxf5 1 5 exf5 e5, a highly complex
position arose, with mutual chances.
b4! ? (D)
11
w
8 0-0
.i.b7
Black did not manage to equalise
with the direct 8 b4 in the game
Stefansson-S.Atalik, Reykjavik 1 994,
where after 9 etJe2 'Llf6 1 0 .i.f4! ( 1 0
...
...
1 2 a3
The types of position that arise
when White plays a3 or a4 are fun
damentally different. The choice is a
matter of taste, though I think that it
is more unpleasant for Black when
White disrupts the queenside by play
ing a4. In the following example we
see once again a position where the
knights were exchanged after a4 was
played: 12 Wh1 e7 1 3 a4 b4 1 4
lUa2 lUeS 1 S lUxc5 dxcS 1 6 c 3 c4
1 7 xc4 lUxe4 1 8 e1 bxc3 1 9
lUxc3 lUd6 20 d3 Moberg
M.Ivanov, Gausdal 1 99S.
12
e7
13
Uae1
e5 (D)
Here too - as in the variation B4
at the end of the previous chapter,
where instead of a3, ... bS, the moves
were a4, ..b6 (see the diagram on page
1 23) - it is better for Black to react
with 1 3 ...eS and not to allow e4-e5 .
.
1 6 Various Deviations o n
White 's Fifth M ove
A:
5 c3
A modest continuation that won't
find many followers.
5
a6
With the direct 5 ... 10c6 6 tll d2
tt:lxd4 Black had problems in the
game Dvoirys-N everov, Russia
1 997, where after 7 tt:lc4 'iVc6 8
'iVxd4 tt:lf6 9 e5 Ac5 1 0 tt:l d6+
.i.xd6 1 1 exd6 0-0 12 .i.f4 tt:ld5
13 .i.g3 b5 14 .i.e2 .i.b7 1 5 .i.f3
White was clearly better.
6 .i.e2
With these examples:
a) 6 'ffc7 7 f4 .i.c5 (7 ... d6) 8 0-0
d6 9 'ith1 tt:lf6 1 0 .i.f3 0-0 1 1 'f!Ve 1
e5 12 tt:lb3 .i.a7 1 3 'fi'g3 l!Jbd7 1 4
l!Ja3 b5 1 5 fxe5 dxe5 16 .i.h6 l!Je8
17 tt:lc2 .i.b7 1 8 l:tae1 'it>h8 19 .i.e3
- Short-Khalifman, Piirnu 1996.
b) In this variation Black can also
build a favourable, flexible Hedge...
C:
iLeJ!? (D)
B:
5
IOaJ ! ?
With this original attempt to uti
lise the exposed position of the black
queen, White had a small advantage
in the game Dvoirys-Agrest, Cattolica
I 994. There followed 5 ... a6 6 l0c4
'ftlc7 7 a4 d6 8 a5 l0d7 9 d3 'Llgf6
I O 0-0 e7 1 1 hi 0-0 I 2 g5 b5
I J axb6 t0xb6 I 4 'Lla5 ;!; . In the case
of 5 iLxa3 Dvoirys gives the fol
lowing variation that is favourable for
White: 6 bxa3 ctJf6 7 'i\Vd3 0-0 8 .te2
'Llc6 9 'Llb5 d5 I O exd5 exd5 I I
Ab2! 'Lle4 I 2 0-0 .te6 1 3 l:.abi a6
I 4 t0d4 t0xd4 I 5 .txd4 'fkc7 I 6
a4 ;!; .
His assessment of this variation is
not disputable but let's mention that
Black has a couple of promising di
vergences. The first is the interpolated
check 5 ... iLb4+!? with the idea of
closing the ai -h8 diagonal after 6 c3
.txa3.
The second option is 5 ... Axa3
6 bxa3 l0 f6 7 'i\Vd3 and now 7 ... a6
8 Ae2 0-0 with the idea . . . d6 and
. . . l0bd7 . The drawback of the sec
ond variation is the weakness of the
d6 pawn, but at first glance it seems
that Black arrives in time with an
adequate defence.
..
1Jxb2
5
The most challenging and consist
ent continuation.
6
d2 (D)
a6
6
Black has to cover the b5 square.
6 c6? is a direct mistake, as
shown by the game Fontaine-Giffard.,
France 1 997, where after 7 'bb5 'i!Ve5
8 f4 'ifbS 9 lbc4 'Llf6 1 0 Gbcd6+
..1xd6 1 1 Gbxd6+ f8 12 e5 'bd5 1 3
c5 g8 1 4 h5 g6 1 5 'iVh6 c7
1 6 'be4 White won the game.
7 ..t.d3
7 c4? doesn't work because of
7 . . . Wc3+, while after 7 c3 Black
plays 7 ... Gbc6 and one can't see a
forcing variation for White to exploit
the queen's position on b2.
1fc3
7
8 0-0
For the sacrificed pawn, White has
an advantage in development.
We see that practical experience
with 5 ... 'i!t'xb2 is very limited. More
examples and a detailed analysis are
of essential importance for the assess
ment of the continuation 5 e3.
C2:
5
..t.c5 (D)
In practice this position can also
arise from the move order that is char
acteristic of the Basman Variation: 1
e4 c5 2 Gbf3 e6 3 d4 cxd4 4 Gbxd4
c5 5 e3 'iVb6.
Black's problem here is that White
does not have to go on with 6 lbc3,
which was analysed earlier on page
1 12, as he has the strong 6 c3 ! which
enables him to carry out the manoeu
vre 'bd2-c4.
...
6 c3!
Another possibility, 6 a3, also
should not be underestimated, e.g.
6 ... d5 7 c3 when:
a) 7 e5 (An ambitious continua...
...
..
...
D:
5 /(lb5
A rather uninvestigated continua
tion that deserves attention..
5
Jlc5
The strongest. 5 ...a6 6 ...i e 3 is fa
vourable for White. Black has weak
ened the d6-square so he doesn't have
G uide To Transpositions,
ECO and N I C codes
This short section o f the book
shows how the author's analytical
structure of the early Sicilian . 'it'b6
variations relates to the well-known
opening codes used in Infonnatorand
the Encyclopaedia ofChess Opemngs
(ECO). Also, for those who are used
to the New In Chess (NIC) classifi
cation system, the keys for the corre
sponding variations are given in
parallel, referring to the version
NICKey 4.2.
The main purpose of this brief
guide is to orient readers with respect
to the early move orders that typi
cally lead to the systems discussed
in this book. Many other later trans
positions and analogous positions are
discussed in the main part of the text.
The author advises Black to em
ploy the move order 1 e4 c5 2 llJf3
/Qc6 3 d4 cxd4 4 lLlxd4 b6 (TJ)
..
T2
B
T1
w
T5
w
137
be actual transpositions.
The above position, for example,
is classified in ECO as B82. Possible
routes to it are many - including 1
e4 c5 2 ctJf3 d6 3 d4 cxd4 4 'Llxd4
ctJf6 5 'Llc3 a6 6 f4 e6 7 'iWf3 'iib6 8
a3 'Llc6 9 'Llb3 .te7 I 0 .te3 'ilc7
1 1 g4 - and it is discussed in Chap
ter 8, B under 2 ctJf3 tl:lc6 3 d4 cxd4
4 'Llxd4 b6 5 'Llb3 'Llf6 6 'Llc3 e6
7 j.,e3 'f!lc7 8 a3 a6 9 f4 d6 1 0 'ii f3
iLe7 I I g4. Other lines in this book
can arise via 8 b3 in this Schev
eningen sequence (882/I 7- I 9) for
which see Chapter 9.
Many similar examples are noted
in the text, including several where
Black is a tempo down if he reaches
it via 4 . 'ifb6 because in the Sozin
(B57), for example, White loses time
and returns the tempo by playing
c4-d3.
Part Four of the book deals with
variations having a different ECO
classification. The Kveinys Variation
arising via 1 e4 c5 2 'Llf3 e6 3 d4
cxd4 4 'Llxd4 Wb6 is classified as
B40/6 (p246 in ECO J) and SI
41.04.05, where 5 b3 and various
. .
...
...
. ..
...
...
...
...
..
I ndex of Variations
Main System (Parts 1-3):
1 e4 c5 2 f3 c6 3 d4 cxd4 4
xd4 1Jb6
5
b3
Part Three:
Chapter 1 2. Deviations on White's
Fifth Move
103
103
A: 5 Ji.e3 (5 l2Jxc6)
B: 5 l2Jb5 104
B l : 5 . .a6 6 Ji.e3
104
104
B 1 1 : 6 . . 11fa5+
B 1 2: 6 ... 11fd8
105
B2: 5 ... l2Jf6 (6 lLl 1 c3)
106
f6
5
6 c3
9 a3) 92
94
95
e6 (D)
90
A 1 : 1 0 bxc3
92
A2: 1 0 exd5
92
B: 7 "ti'e2 (7 . . . .tb4 8 Ad2 0-0
B 1 : 9 ... .te7
B2: 9 ... Axc3
C: 7 .tg5 96
D: 7 a3 97
Part One:
7 Jld3
a6
A: 1 1 "ti'h5 63
B: 1 1 e5
64
8 0-0
8 Ae3 1!t'c7 see Part Two.
8
Jle7
8 . . . 1!Vc7 (8 ... d6)
9
9 a4
11
.*.e3
12
Chapter 4.
44
9 h l d6 1 0 f4 "ti'c7
1 1 Ad2 o-o
44
A: 1 2 1We2 45
B: 1 2 "ti'f3 b5 46
B l : 1 3 a3 b7 47
B l l : 1 4 l:lae1 47
B 1 2: 1 4 'it'h3 48
B2: 1 3 l:.ael
50
B21 : 1 3 . . . b7
B22: 1 3 . .. b4 52
50
Chapter 5.
53
9 g5 d6
1 0 'it'e2 53
1 0 a4
54
A: 1 0 'ifi>h l 0-0 55
B: 1 0 'ifi>h l Wc7 56
1Wc7
9
d6
10
f4
11
en
Others: 1 7, 30
0-0
11
12
Aael
12 a4 (by transposition) 15
1 2 a3 without g4 19
with g4
31
Chapter 2. 17
1 2 ttJd4 19
1 2 'ifi>h l 20
Chapter 3. 30
31
1 2 g4
A l : 1 2. . . '2Jb4 32
A2: 1 2 .. . b5
( 1 3 g5 ttJd7 14 'it'h5) 32
A21 : 1 4 .. . l:teS
34
A22: 1 4 ... g6 35
37
A23 : 1 4 . .. '2Jb4
b5?! (D)
12
1 2 . . . '2Jd7
22
C l : 1 2 . . . l:lb8 23
C2: 1 2 . . . '2Jb4 23
13 g4
Others, Chapter 2 25-28
13
Jlb7
1 3 .. . ttJd7 42
14 g5
15
1Wh5
B l : 1 5 .. . '2Jb4 41
B2: 1 5 .. . l:lfe8 42
Part Two:
7
Jle3
Chapter 7.
66
8 f4
A: 8 . .. b4 66
B: 8 . . d6 69
d7
flc7 (D)
Chapter 8.
8 a3 a6 9 f4 d6
A: 1 0 g4 71
72
B: I 0 '@'f3
C: 1 0 e2
72
D: 1 0 d3
74
71
Chapter 9.
White Castles Queenside
8 d3 a6 9 f4 d6 75
A: 1 0 g4 75
B : 1 0 'We2 76
C: 1 0 '1Wf3 ( 1 0 .. . e7 1 1 g4 b5
1 2 g5 ttJd7 1 3 0-0-0) 82
C l : 1 3 . . . '2Jb4 85
C2: 1 3 .. . '2Jb6 88
Part Four:
Kveinys Variation
1 e4 c5 2 lQn e6 3 d4 cxd4 4
lQxd4 Wb6
B: 5 lba3 131
C: 5 e3 131
C l : 5 . . . xb2 132
C2: 5 . . . c5
132
D: 5 lt::l b5
133
5
flc7
5 ... lt::l f6 118
5 ... a6
119
6 lQc3
6 g3
119
6 c4
120
6 d3 121
6
a6
7 Ad3
b5 (D)
7 . . . lt::l f6 122
...
...
lQb3
Chapter 13.
White Plays 5 lQc3 108
A: 5 ... lt::l f6 6 e5 c5 7 e3 lt::l d5 8
lt::lxd5 exd5 109
A l : 9 lt::l f5 110
A2: 9 .i.e2 111
B: 5 ... c5
112
B l : 6 Ae3 lt::l c6
112
B 1 1 : 7 lt::l db5 112
B l 2: 7 l2Jcb5 113
B l 3 : 7 l2Ja4 114
B2: 6 lt::la4 115
Chapter 16:
Various Deviations after
2 ...e6, 4...tlb6
130
A: 5 c3 130