The Magic Square of Three Crystal

1
CJ""l1e~Bic Square of

C)'"l1rce Crysta(

CJ3'}:

Arto EJuftal1,i CJlehlO © 1996

© 1997

The Magic Square of Three Crystal

2

First Edition 1996 First Revision 1997 Second Revision 1997 Third Revision 1997

ISBN 1~876406-00-3

Published and Printed by

qonkt

84 Hemphill Ave. Mount Pritchard NSW2170

All Artwork by Arto Heino

Print number .....

The Author takesno responsibility for any inaccuracies, or errors that may have been :incurred during writing.

Thls book was written as an Artistic endeavor not as a text book, or story.


3

Contents

page

Introduction

5

Magic.Square of Three Go lden Triangle

7

10

Fibonacci Numbers

15

Musical Interlude

29 45

Bifurcation

Convergence. ofIQ:e.aS

52

Index.

The Magie SqUctfrC o.fThreeCr)lStal

81

4

This book is dedicated to those that seek knowl'edge and' truth without hindrance from conventions.


5

qniroauctlon

The inner ear is in vibration with the. universal flux. of an organic ether, or life force, as it is a product of a high evolution in natures' cyclotronic processors. The content of this book is a Poetic andAYtisticendeavor to find a higher meaning to simpler forms. The mathematics of what I have written is only a pathway I chose so a clearer understanding can be gained. The numeric forms I have found are only due to others who have shown a dearer way through the forest. The work of Nicola Tesla, Bruce Cathie, Robert Adams, John Searl, Victor Shauberger, Kepler, Einstein, Wilhelm Reich, Hans Coler, Harold Aspen.Otis T Carr, Leonardo Da Vinci, Poussin, Pythagoras, Euclid, Euler, Hans' Alfven and Buckminster Faller.

The dynamics of a system requires that each part play its role, as the only true system in nature is an .open system, this means hyperbolic correlation "s to parts of the larger system, whi oh could be called links. The linking must be on a exponential scale so as to satisfy an inverse relationship between its unit values. The writing of this work will hopefully part a new understanding or at least the idea of a convergence of properties, that unite rather than destroy, giving us a better appreciation of our surrounding universe.

The Magic Square ofThre;e Cry$taf

6

ASYQIf See

you Xhink and Feel

Asyou Think you Feel andSee

ASyQU Feel

you See and Think

s&ra=&ra:S a-:scr

The Magic Square a/Three Crystal

7

The Natural path f€)f anything by a Least Action Principle is a cycloidal line, one which balances between different potentials, and in the process create a higher order, being the Equilibrium function of Nature. As it begins it will encounter Harmonic Affinity with its surroundings and with a unit' number affinity. The least action principle is not only at work in nature-but must be also: seen to beat work in the mechanisms of the, magic squares, this lays the ground for a couple of number se-ries that are naturally occurring, and self replicate as each type of magicsquare transforms and grows larger.

The Magic Square ofIhree Crystal

8

I 1

8 I 1 I 6

··· .. ··· .. · .. ··· .... ·r .. ···' .. ······ .. · .. 1"' ...... ·· .. · .... · .. ·

a . 5 J 7 ,

! j

.. ···· .. ·· ····-r .. · .. "' j"''',....· ····_ .. ·i

4 i 9 I 2

i I

Balanced

I . 7

1 I 4 j ,

...... ··· .. · .. _···t .. ··_···· .. ·· .. · .. ··:j- .. · .... ··· .... · .. _·

2 I s 1 8

.. "_····· .. ·· .. + .. ······· .. · .. ····j··,· ...... ····,, ......

3 I , I 9

i :

Magir Square Number Placement

'Unbalanced

Center Value := 5 Pair Balance ;:: 10 Line Vahle"" 15

Options = 8

N'!nnb,.~Jr orLin!!!:s Of Length Three == 8i Area of Square = 9

Comer Values = 20 Perimeter of Square;:: 12 Total Value == 45 Numb.er of Lines of Length. Two == 16 Number of Lines Of Length One == 24 Line Number Options

The first magic square is, the square of 3, 9 parts acting in harmony to give you a balance of number lines equal to 15. The pair that enclose the base level zero foundation crystal form is Three and Five, being the fifth and sixth of the Fibonacci series (0, I, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233,377,610,987, 1597). All Magic squares start there number-trail at Zero, same as the Fibonacci number do.

The product of these numbers are fifteen (3 * 5), this is extra ordinary if you consider that the line number value of the next higher square is fifteen, which is the base that we will study, The fifteenth Fibonacci number is 610, which I will show later as the turning point fer the 11 series before reversal.

The Addition of3and 5, again show that it is self-referencing, the number of line number options is also 8. This again demonstrates continuance, Eight numbers surrounding only one, which happens to be a five on the next level of square 3. The largest value number is 8 in the base zero square. The number of possible reflections and inversions of the square 3 are also 8.

The lengthof the traveling line from 1 to 9 is sqrt(5)*4 + sqrt(2)*2 + 2 = 13.772699 (reJerEarth Res) Th~ Magic Square of Ihree Crystal

~-------------------

Fibonacci
0 0
1
:2 1
3 2
4 }
:S 5
6 8
7 13
8 21
9 34
10 55
1.1 89
12- ]44 9

Base Zero square

First Level

7 0 5 = 12
2 4 6
3 8 1 8 1 6 ~15
3 5 7
4 9 2 = 36

= 45

q

line value sqr 3; level 3 line value sqr 4, level 1 line value sqr 5, level 0

_)""*7 ( . )

. Er~i11es

2 * 17 5 * 11

The two numbers that should be considered as base properties are Twelve and Thirty-six, as this is the line value ah(i totals of'the Base level 0 square for all the square three. numbers, this cannot be used as part of the building process .. Therefore its numbers become the either the degrees of a circle or divisionary factor with parts of the square 3 systems and can be utilized more clearly as a foundation stone. The Druids of yor made the circle of stone to imply the importance they held about its divisions. Just to add a note, the earth spins 15 degrees every 1101,.11", 15 is also the line

number for base 1 sqr 3. .

There are, many types of Magic square three, the tractional, the whole number addition, the whole number multiple, 3 set groups. and each has its inverse operation depending where you start.

Ordered

Level I

4 7 258 3 .6 9

Level 2

258 369 4 7 10

Addition

Nlultiple

Fractional

8 "1 6 8 6 2 1.6875
-,. 5 7 3 5 7 1,25 1.5625 1.875
j
4 9 2 4 9 :2 1.4375 2.1.25 1.125 9 2 7 16 2 12 2.25 1125 1.8984375
4 6 8 6 10 i4 1.40625 1.7578125 2.10917S
5 10 --, 8 18 4 1.6171875 2.390625 1.265625
_) As this is about affinity with a phi ratio universeand itsharmonic number order, we cannot continue until we add another level to 'this 'most intricate puzzle, The Pentagon shape has as its cofounder the PHI Ratio of 1,618034 : 1 and Phi 0_618034: 1 also as a conjunct 2.618034. These nu mbers are the divisions ofthe sides of the larger Triangle in the pentagon with finding.the Genter

of equilibrium, .,

PHI Phi

=(Sqrt(5)-1 )/2 ""PHI- "

= 1 ! PHI

10

Looking at the diagram you cart easily see that the original Pentagon and its five divisions are of72' degrees each, making five triangles of 72, 54, 54 angles each ( reduced number = 9). It can be made also into a larger sizeof Jfi, 72; 72 triangle; which is the one with themostnumber affinity.

A

The Golden Triangle

a= 36 ,degrees b;; 72 degrees e = 12 degrees

Fe : BF =: 1 : 11 Phi AE:EB=2:Phi

CD: DA= 1 t P1rl

CD : DF ='= 1 : 'Sqrt (PhiA2 + 2 )

. .

C~ : ED= 1 : Sqrt (PhiA2. + 2)

ABC : ABD: DBC = PhiAl: Phi : 1

36 = 36 = Total value of Square. Base level

72 * 2 = 144 = The Twelfth Position in the Fibonacci series 3.6 * 4 ;= 144 = The Harmonic number of Light

Go£Aen Section

The Golden Section is the geometric proportion in which a line is divided so that the ratio of the length of the longer line segment to the length oftbe entire line is equal to the ratio of the. length of the shorter line segment to the length of the longer line segment.

A. __ ~ C~. ~~ __ ~B

A golden section is created by the point C on line segment AB if

AC/AB

=

CB/AC

The Magie Square of Three. Crystal

11

This ratio ha$ the numerical value 0.618034, which can be derived as follows:

If AB

and the length of AC

x

then AC/AB becomes x/l

CB/AC

(1 - x)/x.

Multiplying both sides of this equation by x gives

2

x = l-~

therefore

x?+x-l 0

This equation can he solved by using the quadratic formula, which yields the equation,

x (-1+SQlt(5)/2 O.61S(}3J9 ....

-.- 2 * sitl(18deg) 0.618034

Phi + 1 11 Phi

The properties of-the golden section helped the followers of Greek mathematician and philosopher Pythagoras to discover incommensurable lines, which are the geometric equivalents of irrational numbers. The letter phi is also the-e" letter of the Greek alphabet.

Since antiquity many artists, philosophers, andmathematicians have been kept intellectually alert by the golden section, which Renaissance writers called the divine proportion. A rectangle with sides j n this ratio exhib its a harmonious beauty, as noted by generations of artists.

As natural movement exhibits a spiraling.action, we need to explore how we construct a spiral forms, By using the Pythagoras theorem and a series of exchanges between the base and the hypotenuse we can make the spiral grow,

XA AB BX BC ex CD XD DE XE EF XF FG XG

=

1

'1 sqrt(2) 1

sqrt( 3 ) 1

sq!1( 4 ) 1

sqtt( 5 ) 1

sqit{6 ), 1

sqrt( 7 )

= 1.414213562373

= 1.732050807569

=2

= 2.2360679775

= 2.449489742783

= 2:645751311065

TIre Aft/g;ic Square ofThree Ci:vs/a/

.. ----

---------

Areas of triangles

Form

number

ABX = 1*1/2 Bex = sqrt(2)! 2 CDX == sqrt(3)/2 DEX = sqrt(4)/2 EFX = sqrt(5)12 FOX = sqrt(6)!2

12

ratio to 9

accumulated

=0.5

= 0.7071067811865 ::::; 0.86602540'37844

=}

= 1.11803398875 = 1.224744871392

=1:18 =0.5

=1 : 12 .. 72792206136 = 1.207106781187 =1 : 10'39230'484541 = 2.073132184971 =1 ; 9 = 3.073132184971 =1 : 8.049844718999 = 4.191166173721 =1 : 7.:34846922835 = 5.4159110'45112

Angles

BAX =90 AXB =45 XBA =45

CBX =90

BXC = arcsine(lIsqr(3» XCB = arcsine(sqrt(2)/sqrt(3)

DCX =90

eXD = arcsine( 1/sqrt(4» XDC ::::; arcsine(sqrt{3)/sqrt(4»

EDX =90

DXE = arcsine(l/sqrt(5» XED = arcsine(sqtt(4)1sqrt(5»

FEX =90

EXF = arcsine(l!sqrt(6»

XFE = arcsine(sqrt(5)/sqrt(6»

GFX =90'

FXG = arcsine(lIsqrt(7» xay = arcsine(sqrt(6)/sqU(7»

HGX =90

GXH = arcsine(l/sqrt(8» XHG == atcsine(sqrt(7)/sqrt(8»

IHX =90

fIXI = .arcsine(lisqrt(9»

XIH = arcsine(sqrt(8)1sqrt(9»

= arcsine(O'.5773502691896) = 35.26438968275 =arcsine(O'.8164965809277) = 54.73561031725

=arcsinet 0.5) = 30 = arcsine(0.8660254037844) = 60

=arcsine(O'.4472135955) = 26.5650511770'8 = arcsine(O.8944271909999) = 63.43494882292

= arcsine(0.4082482904639) = 24.09484255211 = arcsine(O.91287O'9291753) = 65.90515744789

= arcsine(0.3779644730092) = 22.20'76542986 = arcsine(O.9258200997726) = 67.7923457014

= arcsine(O.35355339O'5933)= 20.70481105464 = arcsine(O'.9354143466935) = 69.29518894536

=arcsine(0.3333333333333) = 19.47122063449 = arcsine(O.9428O'90415821) = 70.52877936551

The Magic Square q! Three Crystal

13

The external angles are also an interesting series;
Difference Ratio Increase Ratio from 135
ABC 135 1: 1 1:1
BCD = 144.7356103173 9.7356103173 J: 1.07211563198 1: 1.072115631
CDE 150 5.2643896827 1; 1.036372456448 1: 1.111111111
DEF = 153.4349488229 3.4349488229 1: 1.022899658819 1: 1.136555176
EFG 155.9051574479 2.470208625 1 ~ 1.01609938703 I: 1.154853018
FGH = 157.7923457014 1.8871882535 1: 1.012104719846 1: 1.168832190
GHI 159.29518"89454 1.502843244 1: 1.009524183428 I: 1.179964362
HIJ = 160.528J793655 1.2335904201 1: 1 . .007744053215 1: 1.1891 02069
11K = 161.5650511771 1.03627181158 1: 1.006461544748 1: 1.196778156 The Magic Square.ofThree Cry~tal

14

The Spiral can also be mapped in differeru ways.

3 to 6in 9 Circles

3 with 5 gives 8 Arms,

The inclusion of a table for the Fibonacci series is a must if you are going to start to co-ordinate your number forms.


15

a:-ibbonaci fN!t mbers

1 + -I = 0 As you can see by this sequence the addition of

1 + 0 = 1 numbersin abasic pattern. 1 have deliberately

o + I = 1 started on the zero to show that it has an important

+ 1 = 2 relevance later on. 1+2=3.

2 + :] = 5

3 + 5 = 8

F * n= F * n - 2 + F '" n - 1 F = Fibonacci number

II = ordinalnumber ( a number indicating position in a series e.g., second, fifth etc. )

Starting from 1 every "n" term is divisible by C .

n F C

1

2 1
3 2 2
4 3 1 3
'5 5 5
6 8 2
7 13 13
8 21 l 3
9 34 1 2
10 55 1 5
11 89 8-9
12 144 2'
24 36
13 '233.- '1 233
14 377 1 13
15 610 1 2
16 987 1 ",.
J
17 1597 I 1567
18 2584 1 2
136 1.52
19 4181 I 37
20 6765; 1 3'
205 451
21 10946 1 2
22 17711 1 89
23 28657 I 28657
24. 46}68 1 2:
16· 18
48 56
138 144
322 336
828 966
2576 2898 --.~--

4 8
7 2.1
17 34
'I 1 55
., 4 6 8 9 12 16 IS.
.)
48 72 144 29 377
5 10 61 122 '305
7 21 47 141 329 610 987

4 8
323 646
113 4181
5 11
615 1353
13 26
199 ] 7711 17 .. 19 1292' 2584

34

76

38

68

15 ., . ., 41 55 123 165
,)'_,
2255 6765
421 842 5473 10946 '" 4 6 7 8 9 i2 14
_)
21 23 24 28 32 36 42 46
63 69 72 84 92 96 112 126
161 16S 184 2D7 224 252 276 28S
368 414 483 504 552 644 672 736
100g 1104 '1288 1449 1656 1932 20'16 2208
3312 1864 5796 6624 7728 11592 15456 23184
The Magic Square of Three Crysta] 16

Having observed this sequence, [ have concluded that the n position 1, II, 13, 17, 23 are primes and the maximum number of divisors always reach a peak at intervals of 12.

Reduced number sequence = from 1 1.1.,2.3.5~8,4.3,7,1 ,8,9,8,8,7,6,4,1,5,6,2,8,1,9

1 57842 = 1I7numbers = 0.142851142857 1 8 1 8 1. 8 = repetition of pairs

24875 1 = reverse 117 numbers

3 3 9 6 6 9 = multiple of 3

11485 =1&5reversed

2 1 3 8 6 = 2 & 4 same sequence 3 2 7 7 2 = palindromic

4 3 1 6 8 = 4 & 2 same sequence

5 584 1 = add = 18 multiply = 160

6 8 9 1 9 "" palindromic around 1 891989198 etc

Alternate reduced numbers 1 , 2 > 5 , 4 , 7 , 8 ,.8 , 7 • 4 • 5 • 2 e. 1 are also palindromic.

As you move up the series the ratio between each number becomes closer to PHI (1.618034) and alternates between higher and lower ratios.

FmONACCI SERIES 64 STEPS

o 1

3 5

21 34

144 233.

987 1597

6765 10946

46368 75025

317811 51A229

2178309 3524578

14930352 24157816

102334152 165580128

701408640 1134903040

4807526400 7778741248

32951275$20 53316284416 225851408384 365435256832 1548008554496 2504730345472

1

8

55

377

2584

17711

121393

832040 5702.887 39088168 267914272 1836311680 12586267648 86267559936 591286632448 4052138899968

2

13

89

610

4181

286.57

19641.8 1346269 9227465 63245984 433494400 2971214848 20365008896 139583848448 956721922048 6557469245440

RATIOBETWE,EN CONSECUTIVE STEPS

o 1.666666666666667 1.61904761904 76 I 9 1.618055555555556 1.618034447821682 1.618033998521803 1.6J8033988957902 L6J_8033988754322 ] .618033988749989 1.618033921772239 1.61 8033909148922 1.6180340] 7944233

1 1.6

1.6J 764705·8823529· 1.618025751072961 1.618033813400125 1.61t033985017358 1.618033988670443 1.618033988748204 1.618033988749859 1.618034014333084 U)'18033970839786 1.61803397759865

2

1.625 1.61818·181818 I 818 1.618037135278515 1.618034055727554 ] .618033990175597 1.618033988780243 1.618033988750541 1.618033988749909 ] .618033978977986 1.618033995590948 1.618034062714234

The Magic Square qf Three Crystal

1.5 1.615384615384615 1.617977528089888 1.618032786885246 1.618033963166706 1.618033988205325 1.618033988138303 1.618033988749648 1.61803398874989 1.618033992482432. 1.618033912318129 1.618033-9J 74] 8011

17

As you can see, the PHI ratio is never quite reached but alternates around the figure.

With reduced numbers:

o 2 3 4 5 6 7 '89 .1 0 11 12 13 14 IS I 6 " ..

o 1 23581321345589144233377610987

o 1 1 2 3 5 8. 4 3 7 1 8 9 '"8 8 7 6: ...

Reduced square form:
0 :1 8 0 3 3 9' 0 5 1 7 6
1 3 4 '1 5 7 8 1 8 8 6 2
1 5 3 1 8 -8 1 4 9 4 8
2 4 8 7 2 3 8 I
.. 7 8 5 9
c'" 1 have also observed that the.center square ofthe odd numbered form has a reduced number divisible by 3. There are a great many relationships to be found in this form.

AU good artists and naturalists make observations when looking-at nature, and consequentially note numerical consistencies. like the Fibonacci numbers and the PHI ratio, ..

The center spiraling of the daisy flower has two opposing spiral forms one with 34 convolutions going anti clockwise and one with 2'1 going clockwise. The pine cone has 8 + 13, pineapple has 8 + 5 and the horns of sheep etc .. , also have these numeric ratios.

Another €lxample is when you alloy Iron &. Nickel in 5 to 3 ratio you will have only l! I a the expansion when heated than eitherwill individually.

The 0(1111)10n formulas lor deriving PHI is :

( sqrt(5) + 1 ) / 2 = PHI 2 t ( sqrt(5) - 1 ) = Phi

I have derived a formula jor choosing any number that can produce PHI:

( sqrt( ]]2 + { 2 * 11 J * 2 ) + n ) / ( 2 * n) = PHl

The resultant is the 36 step ratio ortlle Fibonacci series:

9227465 I 5702887

= 1.61803398874989

Inverse reduced number Inverse reduced number .

Step I = 37 / 35 Step 2 = 8 / 1

<= 1.0'571429 (refer to musical ratio)

=== 8 ( 8 surrounding 1)

. The klagic Square of Three Crystal

r-- --

--_

18

At this point we must knowhow our square 3 will grow as a whole

Base number Line number Total

o 12 36

1 15 45

2 18 54

3 21 63

4 24 72

5 27 81

6 30 90

7 33 99

8 36 108

9 39 117

10 42 126

11 4S IJS

1248 144

Balance Pair Corner values

8 16

10 20

12 24

i4 28 (note Ts)

16 32

18 36

20 40

22 44 (note 11 's)

24 48

26 52

28 56

30 60; (note 15's)

32 64

The Twelfth position again is, occupied by 144, note that eleven has a line number of 45 which is the total for the square level one.

705 246 381

507 + 111 = 618 ~ill'

618 + 111 = 927 2 6

729 = 36 3 8 1

705 2 46 381

618034,572 (5n=J43*4)

816 35'7 492

Top three numbers = 618 618934,572

618034 the replacement of 9 . with a zero is due to the way the numbers increase by 9 0+9=9

618034,572

6108934,572

618034 this time the ten also isreplaced by the 1,10 - 9 = 1 618034,572

6108934 " 5711

The 11 becomes the 2

927 468 5 103

103 8 5 7 9 6 114

1149 6 810 7 125

618034,572 61089124,5711

The 12 becomes the 3

05 + 11 16 + 11 27+ 11 38 + 11

= 16 = 42 = 27 = 33

= 38 = 6.1644142 = 1.438731Q

=49 =72' .

Try to split the numeric forms so they are in accord to number 6 hann.on

6 digits division/multipl add/sub

618034 2.24732281489 893043

275009 343025

275.009= 215.99156 '" 4/1t in nautical feet Rl =(215.99156* 40« 3.2398)/ (2'" 1t)

= 42.442246 mtrs

C = 299792500 m/s

q = 1.602E-19 C

me = 9.11 e- 31 kg

B= O~ 0000402 T esla

Earth's Magnetic Field density

R2 = Cyclotron Radius

R2 = C Ie q* B ) / me ) = 42.442246 mtrs

Note that 215.99156 relates to 216 as a number 6 harmony.

The Magic Square oj Three Crystal

.-------- - - --

19,

r will list the 9 number transformations of the magic square three:

Adding nine to the base number sequence'

Reduced Number
6 15 24 33 42 6
1 10 19 38 47 1
8 17 26 35 44 8
0 9 18 27 36 9
.... 12 21 30 39 ..,
_) .J
4 13 22 ~l 40 4
5 14 23 32 41 5
7 16 25 34 43 7
2 II 20 29 38 2 The base number and the reduced numbersare the same value, excluding the zero which becomes 9 as (he continuing reduced number

The number 572 is a. harmonic number of 143, the quarter value donates a maximum of the compression of a longitudinal wave if you relate Velocity with C'arrd then this number becomes the Wavelength L

Frequency

The velocity of' light -

C! ( 143 *4 ) 29079254.0 m/s

C/572

618034 units/s =

CIL C

This ratio is l: 485,0745104638, which is a B note Harmonic, or call be takenas the leading tone when resolving in the I1111sicClL key ore. The frequency ofC = 256 constitutes the correct form, when looking at the wavelengths of living strucnucs. This number is also related to 486/2 = 243. This correlation becomes more apparent whenyou realize theP wave oscillation of the SUI') is 160 minutes ami the rotational spin of the sun is 27 days. The value 10. J 25 also relates to magnetic

alloy ratios. .

27 * 24 * 60 27 * 60

38880 minutes 1620

38880 I 160 1620/160

a= 60 b= 6.0 c. = 60

A=6 B=6 C=6

B

l: ? F

_.... (_... - .. ..,

H - A - B/2 =.,2,:

Area = rr * Bll. =j2.43

The Magic Square of Tltsee Cryste!

243 10.125

H

Sqr3

51.85

sqrt(18)

3 1.9095866394: 2.4282753413 2.8542111227

20

Below is the traditional w0' to design (1 pyramid wilh these parameters

This is the polefoce acuon» of C! Adaf1ls}./()tfJr .

\

\

\

"'"

Study the fonn ofthis diagram, it can also be interpreted as the crossing of pole faces ofa rotor with the stator. When working out the timing pulse for the Adams motor the same diagram can be used. relating the geometric position with that of time.

If I substitute. C = 618034 units per time unit as Velocity the we have:

F

=C/L

1080.479020979 144 * 7.5

=

618034/572 =

.:::::

The number 1080 is a Harmonic of270 which is C# in musical terms ..

1080/486 = 2.22222222 =

1/0.45

Not forgetting the unified vector geometry number for the amount of points is.4862 .As this relationship shows, the numbers will have harmonic forms.

The value of F now becomes the diagonal of a square pyramid with these' dimensions:

Great Pyramid

Phi Slope Length

No Fraction.

Angle of side Diagonal Base side Height

Slope Face Slope Edge

=51.85 degrees

= 1 080.479020979 =764.0140426641 =486.3170027363 =618.4121534199 =726.8857928481

51.85

1080 763.6753236815 486.1013983217 618,1379857689 7265635343522

51.82245693863 dg 1080.479020979 764.0140426641 485.8360431349 618.034 726.5640986885

The Slope Face becomes 1.5* 1.618034 when measuring using the square scale.


.... ..ui~

21

51.85 51.82245693863

=

51 51 = 51 degrees 51 minutes = (3000/60) + (11.1/60) 51 49 20 50 41 55 28 37 40 41 5 16 48

=

as a sexadecimal Degree scale
sin 38.15 = 0.6177223704604 a
sin 51.85 = 0.7863962570058 ~ b
sin 90 = 1 = c
Base Side / 2 = 382.007021332 = BC
a/BC 0.001617044546214 x
l/x = 618.4121534199 = AC
b/x = 486.3170027363 AB The dimensions here listed look very much like the figures quoted for the Great Pyramid of Giza in Egypt. The indications are that the oscillation between B to C# with the median being C, is instituted with its numeric framework.

The Magic Square ofThree Crystal

22

Angte«

Al A2 D

76.3 96.06 71565

(Square 3 angle of base to apex)

If you consider the shape as a side view of double conical gyroscope with its axis in line with AzB of the darker triangle, rotation can be now effective in either CB or Be direction. At the point Ai of the lighter triangle you place a polar device that can be oscillated with the required frequency, that we previously figured.

If'you also let naturalprecessive movements to accumulate in an angular rotation. the switching of a harmonically aligned commutator will be the pattern for the exchange energy involved.


23

•... ' ..

. "

'I.~' .........

- .. ' "

e..

1 •• ,', I

" ,.!.

...... ,

, '

'_, .

The visual difference when two squares are compared is the fact that the four pairs of numbers that surround the center number areincrements of eleven, starting from a, base value as shown in thefigure(05, 16,38,27) if incremented it shows 16,27,38,49, now with the last value the 4 is put into the center, the 9 can't be accommodated in the base level, so must be made to increase the total value by just that amount, 36 + 9 = 45 .


24
Multiples of Eleven Beginning at Base level 0
Ba,se l1's Pair Redueed numbers Reduced number only 1,10'$
0. 0.5 0,5 5 5 5
1 16 1,6 7 7 7
2 27 2, 7 9 9 9
3 38 3,8 11 2 2 2
5 49 4,9 13 4 4 4
'6 60 5, 10. 15 6 6 6
7 71 6,11 17 8 8 8 (note sqr 4 relationship)
8 82 7, 12 19 10. 1 1 1
9 93 8, 13 21 3 3 3
10. 104 9, 14 23 5 5 4
11 115 10.15 25 7 7 6
12 126 11,16 27 9 9 8
13 137 12,17 29 11 2 2 1
14 148 13,18 31 4 4 3
15 159 14,19 33 6 6 5
16 170 15,20 35 8 8 7 The Reduced numbers from the addition of pairs and the Reduced number from base 11 are exactly the same, the sequence shows a odd number and a even number set.

As there are, pairs of numbers, then how do you accommodate the left, side multiples of ten, easy, take the first pair that must be resolved 5, 10 then as you are increasing the right side value by a multiple of ten, you give value to the left side

5 ,10 50.,10.

60., 0

6, 0. 60.=50.+10.

Look at the combination of harmonic values

5 + 10. = 15 = Line number value for Square level 1 60. /4 = 15

The next number that encounters a transforrnation is 10.4 ( note, number of elements)

9 ,14 90.,14 100, 4 10. , 4

10.4 = 90. + 14

The amazing selfreferencing takes place with the number five as a pivotal role in all the transformations. For example number 10.4, the components added 1 + 0. + 4 = 5, using reduced numbers in this way you have a very efficient system When dealing with a self referencing logic.


25

,6

CVector~attonsh{p

4 4

2

2

8

6

Differential Vector Summing

9-5 + 5-1 8-5 + 5-2 7-2+7-6

==

=

=

4

4

8

4

4

8

VI = sqrt« 4-2i + (12-6)2)

8 6 4

The relationship between the internal values and the resultant balance in vectors, also shows the diagonals are not equally balanced. The combined diagonal vectors is sqrt( 40), aiming down. This arrangement regardless of the size of the square, is always imbalanced in one direction, to me this denotes a fundamental activity of an arrangement that has a inherent gravitational direction.

The system involves 4 left/right, 8 down/up"6 and 2 diagonals. The number reads 4862, the Unified Vector Geometry number for the quantity of points.

This brings about my reference on the Gravity Constant

SI CGS

G = 6.672E-l1 =6.672E-8

C = 299792540 m/s =2997925.4 cm/s

G = 1 I ( 50 '" C ) = 1 I ( 5, * C)

Universal Constant of Gravity the. Velocity of Light

True Ratio of G

therefore using CGS

1/5 = 0'" C = 0.2 = 9/45 ;:; 3/15 = 9'" 0.0222222 = 3 '" 0.0666666

9 '" ( 1 I 45 ) 3 '" ( 1 115 )

01 = 1145
02 = 1115
Cl = 9
C2 = 3 The Magic Square ofThree Crystal

26

As the total value of a base 1 square 3 is 45 then e-ach number represents a quantity, the equation is demanding nine parts of the total to be a harmonic. ratio, so you can now see a correlation with the number pairs of that add to 9.

Pairs of9
0 J 2 3 4 5 6 7 8 9 10
° 9 9 9 9 9 9 9 9 9 18
1,8 1,8 10,8 10,.8 10,8 10,8 10,8 10,8 10,8 10,17 10,17
2,7 2,7 2,7 11,7 11,7 11,7 11,7 11,7 11,16 11,16 11,16
3,6 3,6 3,6 3,6 12,6 12,6 12,6 12,15 12,15 12,15 12,15
4,5 4,5 4,5 4,5 4,5 13,5 13,14 13,14 13,14 13,14 13,14 Looking at this table you can see the gravity function begins at the first level being 1145 = 1 = G, this looks more like the true situation regarding the way masses react with each other. The smaller mass is always attracted to a larger mass, 1 grows to 10 then to 19 by a circular action within the magic square, in a cycle of 10, before repeating.

Al A6

The diagram can help show :you that a mass within a hollow body has no gravity;

g=G *ml d2 = °

F = ml *' m2' I G * d1


Circumference of Large Circle = Cirl :::;: 10.634723

Circumference of Small Circle = Cir2 :::;: 3.544907701806

Cir2 • 3 :::;: Cirl

Perimeter of square / Cirl :::;: 1.128379167096

As you can see the center area is 5 units of 45 total and the outside ring is divided into proportional areas, numbering 40 (4 sets of 1 O).

Area of Whole circle = 9

Radius :::;: Rl :::;: sqrt( .9 / n)

Inner circle area :::;: .9 OIl, 5 I 45

Radius :::;: R2 :::;: sqrtf lin )

Outer- ring area :::;: 9 * 40 /45

Each segment area = 8 / 40

Angle of segment :::;: 360 /40

length of segment arm :::;: Rl - R2

27

;:::; sqrt(2.86478.8975654 ) =1

:::;: 0.5641895835478 =8

=0.2

=9

=1.128379167096 :::;: cube root (1.436696977003)

= 1.692'568750643

The lengths of each line set; Base length AIA6 :::;:

A2A7 = A3A8 = A4A9 ;:::;

AlAS = A2A9 :::;:

A3A4 :::;:

A6A7 =

AIA9 :::;:

CIA.9 :::;:

CIAI :::;:

A3A7 :::;:

C3A7 :::;:

C3A3 :::;:

Center to base 1.6875

1.44:31

1.6458

1.2871

0..2656 1.7688 0.7902 2.1984

1.9898 0.5296 1.046 1.5368

1.3693 1.6717 1.6097 1.5081

3.2195457 2.8618183 0.35772729

•

:::;: 8 * 3.2195457 /9

:::;: 3.2195457 / 9

3.33333 2.3148148 1.018518518518

:::;: 3.3333 I 1.44 == 27.5 127

Angles ofall cross pairs = 45 degrees Reduced number 9

Outside angle :::;: 13 5 degrees Reduced number 9

Now if you treat the circle as a sphere with 3 pairs of solid angle cones, and the area of the formed hemispheres at each end of the cone, and give them a mass which only a depth and a density are required working out as;

Area of sphere surface = 4 oil pi *1 :::;: 36 (baseleveltdtilJ)

Areal = Art :::;: 4 * pi * ~ I ratiol = 36 / ratio!

Area2 :::;: Ar2 :::;: 4 * pi * r I ratio2 = 36 I ratio2

Amass 1 = Arl * thickness" density

Amass2 = Ar2 ill thickness * density

Where the thickness and density are both uniform

ArllRI :::;:A2/R2

Arl * R2 =A2 *Rl

Amass 1 IAII == Amass2 I Ar2


28

The cancellations of the masses and the distances by the inverse square law will give you zero gravity. The illustration canalso be seen as a Toroid transformer with each segment being looked as a single winding, the transformer equations can he put to use in this situation.

The density could be the line va1ue of the square J being 15, this seems the most likely form it could take, and the thickness as a single unit value.

Fraction of total Ratios between steps Decrease in ratios
1/45 * 45 = 1 011 = 0 = 0
1/45 >10 54 = 1.2 111.2 0.83333333 = 1.2
1/45 * 63 = 1.4 1.2/1.4 = 0.85714286 = ] .1666666
1/45 >to 72 = 1.6 1.4/1.6 = 0'.875 - 1.1428571
1/45 * 81 = 1.8 1.6/1.8 = 0.88888888 = 1.125
1/45 * 90 = 2 1.8/2 = 0.9 = 1.11 n111
1/ 45 * 99 = 2.2 2/2.2 = 0~90909090 = 1.1
1 /45 * 108 = 2.4 2.2/2.4 = 0.91666666 = 1.0909090 This particular line of thinking has not been fully explored, notwithstanding some new revelation as to its true nature. This illustration below can, with deeper understanding can be the true model for matter.

In silicate structures an oxygen atom that is bonded between two silicon atoms represents a comer shared between 2 Tetrahedra, is called a bridging oxygen. The unshared tetrahedral comers are called non-bridging Oxygen's. In the Si-O groups the percentage of oxygen atoms that are bridging oxygen's is zero for isolated Tetrahedra.

Single 0

Double Tetrahedra 14.3

Single Chains 33.3

Rings 33.3

Double Chains 45.5

Sheets 60

Frame Works 100

The Magic Square o/Three Crystal

29

s\\'USiCAf Cfntep[uae

The Natural progression of harmonious sound is, not one of continuous increase without limits; there is basically four forms it can take:

1. Harmonic

2. Octaves

3. Modal

4. Chromatic

These have the basic. interval sequences, and algorithms that can derive a multitude of scalar and chordal forms. I will only cover: some of the harmonic category due to the massive amount of data.


3.0

Clfarmonic

Every musical sound has as its components firstly, the harmonic content, which changes the Timbre of the sound, and provides us with the most exquisite instrumental tones that can literally make us laugh or cry. 'This is the first order magic squares I will show.

E

G

Ali C

D

E

E

G

C C G C E (j Ali C D .E 'F

o A All B C

1 1 2 3 4 ! ti, 7 a ~ 10 n 11.
1 ( 2 s 4 S 6 7 8 9 10 II 12
l 2 4 6 8 10 12 14 ]6 18 20 22 24
3 J 6 9 ]2 'LS IS ~I 24 27 :jO 3.3 3<'i
'4 4 8 12 16 20 24 28 3~ 36 40 44 4.8
5 S 10 ]5 20 2S 30 35 80 4S 50 ". 60
6 ;> '12 18 24 30 3<'i 4,2 48 54 60 Ii6 72
-; ., 1.4 21 28 3S 42 49 56 63 79 77 84
,8 8 16 24 32 4li 48 56 64 72 80 ~8 96
9 9 18 27 36 45 54 es 72 81 90 99 [\IS
19 )0 20 30 40 SO 60 70 80 90 100 liD 120
11 II 22 .3 44 SS 66 1? 88 99 110 121 132
11. 12 2~ 36 48 60 72 84 !IIi lOS 120 132 144
II 13 26 39 $2 65 78 91 1(14 117 ,130 143 156
14 14 28 42 56 70 84 98 112 126 140 1-'4 168
15 IS 30 45 60 ~ 9(l lOS 120 J3S uo 16s 1,80
., 16 32 48 64 80 96 Li2 128 1411 160 176 192 8 I j 6
3 ! s 7
4 I 9 I 2 '15

15

IS

IS
U
15
15
15 45
30
30
30
30
30 90
4S
45
45
45
45 13S
6(J
60
60
60
60 ]80
75.
15
1S
7S
15 ,225 16 2 12
6 10 14
B 18 4 30

30

24 l I 18
9 15 I 21
12 21 L 6 4S

45

45

32 4 24
12 20 28
16 36 8 60

60

40 5 30
15 25 3S
20 45 10 75

.. -

I 12 8 13
IS I 6 10 3
H I 7 11 2
4 I 9 S 16 34

2 2~ 16 26
30 12 20 6
28 H 22 4
B 18 to 32 68

68

68

34
34
34
34
34
34 136
68
68
68
611.
68
68 272
102
102
102
102
102
102 408
,136,
136
116
136
J36 68

3 36 24 39
4S: 18 30 9
42 21 33 6
12' 27 ts 48 102 102 102 102

4 48 32 52
60 24 40 12
~-.
:i6 28 44 ,8
16, 36 20 (i4 136 136 136 136 136 544

~ 60 411 65
75 30 so 1"15
70 lS 55 10
20 4S 2S 80 lW 1m 1m 1m


170
170
110
]70
170
110 680 48 I 4 ~
18 I 30 42
I --:--
24 54 12 90

90

so
90
90
90
90 270
lQ5
LOS
lO5
105
His 315
120
1:\0
)20
120
12() 3W
jJS
135
135
1~5
135 405
15.0
ISll
I so
ISQ
150 450 :
165
165
InS
HiS
165 ~9)'
180
180
180
1.80
180 54() 56

21

7 35

42

2K

63

14

105

105

105

64 8 I 4~
-
24 40 56
32 72 I 16 120

120

120

72 9 54
27 45 63
36 81 18
1"~5' 135 I3S R(l 10 60
30 I so 70
40' ,lJt) 20
ISO 150 J5t) 88 II 66
j] 55 77
-
44 99 22 165

165

165

96 1:2 72
36 &1 84
4~ 103 24
lKO 180 180 31

204 204 21)4 ,204 204 816
238
7 84 56 9J 238
105 ~2 10 21 238
98 49 I 77 14 218
28 63' I 3S 112 2,38 I> 72 48 78
-
90 36 GO 18
,_
84 42 6G 1.2
-
24 I 54 30 % 23,8

2]8 952
272
272
272
272.
ni
21'2 m88
3116
3.06
306
306
~1l6 23S

8 96 64 ]04
12iJ' 48 30 24
112 S6 KR 16
3-'> 72 '40 "128 212

272

212

306

3.116

122'~

9 108 r: 117
~
135 54 90 27
-
126 63 99 18
-
36 Rl 45 144 306

306

.340 340 34(1, 14() 340 1%0
3:74
11 132 88 143 374
165 'no 110, 33 374
154 77 121 22' 374
44 99 S5 176 374
:>74 374 374 .374 374 14%
408'
12 144 % l56 408
'I---
180 n .120 3(,' 408
~ -
168, 84 132 124 408
48 108, .00 19;2 408
4011 40S 408 41lS 408 L6n 10 120 80 130
150' 60 nJo 3D
140 70 nO I 20
-
40 90 50 I 1(,0 340 3 .. 0 340 34D 340

The Magic Square ofThree Crystal

'Uoo....., &. TnmJ.um

1,2i1 1 IS 90
45 1 75 105
60 I 1-35 30 225 22S 225
360 1 4S 2'7Q
13~ 1 22.1 31~
19) 1 40S ~
675 67~ 6(5' 225
225
225
22'5
225 675
675
675
615
675
675 ~ 51Q
15 i IJ!O IW' 19:1 ~10
-
225 90 150 '45 5W
210, 105 165, 30 510
1-
60 135 n 240 510 519 sio 'SIO 510

510 ,~
1:BO
1530
153()
1530
1530 1:530 .1.530 IS3Q 153Q 15,30 6120, 4624 4624, 4624 4624, 4624' 18496
91'J 2210
2SS 300 IS I 110 225 m 578 816 34 271 510 2210
l~ 75 I~, 1 210 24() 975 182 1'?ll 2:lS 476 544 2110
6Q 90 ~~ I 300 330 975 ---;36- 204 442 680 748 221'0
1:!0 lao 28,5 31!1 45 975 340 409 646 7.14 102 22LO
165 270 375 I 30 13S 975 374 612 850 68 306 U(O
975 975 9"(S 975 975 975 4875 2210 221(1 '2210 2210 2210 2210 11050
2925 SS4Q
765 1080 '~ I 360 67, 2m 23J2 :\264 1:l6 1083 204Q 8840
IJ}3s ~ 315 1 630 720 292S 3US 6M 952 1904 2[% 8840
~ 27<l 585 I 900 99:l 292S ~ 816 176l!' '2120 7$2 8840
'450 540 ass ~ !3~ 2925 1360' 1632 2584 ~6 408 8S4O
495 810. ll:tl lIlI 495 7,925 1496 2448 3400 272 12<4 8S4(J
ms 292S ~ 2925 2925c 2~ 140~ 884() 8840 8840 ~840 8840 884() 4;1~ 45 540 i 3'60 5RS
f---- 2'lO I
67'S 43lJ 135
630 315 1 495 90
180 405 I Z;!,!I 720 32

Unc.....,&T~.1IIII

272 1 34 2ii4
102 1 17<l, 238
136 ! 306 68 510
~lU
HQ
510
5[0 lS3~
2040
2Q4()
2P4O
2(J4()'
204Q 6120
115c6
llS6
1156'
11!l6
1156 510' 5[0 510

The most obvious fact is the harmonic table is the same as a multiplication table and the increase in number is exponential. The fundamental frequency r have chosen as one, will help you plan the foundation for your numeric linkage within the Energy struc-ture. The careful study of these tables can help youunderstand that each component in a system has its place when it is considered and designed in the correct proportion.

mas 1 136 I 8[6
408 I 080 1 952
I
544 [224 1 272 1ll4O 2040 2040

In the frequencies that we hear in the range of the middle C at 256 Hz, there are many harmonic components in a higher frequency that we don't bear, This limitation is because we are band-width dependent and have limits to our receiving devices. The.human ear has a range from. about 30 Hz to 20000 Hz, ultrasonic devices Can easily be made to pulse at 1 Megahertz. The, most useful is a. transducer, which can have multiple energy transformations simultaneously, or sequenced as required by the design or idea.

34 401! 2721 442
510 204 340i Wi
476 238 374 I 68
136 306 I~ 544 1l~6 1156, 11:56 1lS6 use 4624

136 ]632 1()~H 1768
Z040 816 t3Q(l 408
1904 Q52 1496 272
S44 1224 680 21'76, The Magic Square o.t Three Crystal

33

The diagram below illustrates a pulse coil that can also acts like a electron pump. by utilizing the magnostrictive properties of Iron and Nickel acting on aPiezo Electric material ( crystals, ceramics). The main thrust of this is, if you make a .design from the tables shown here, you will begin to see the prospects of achievable results, such as this simple device, which could be used as a stator in a Adams Motor Generator as its main pulsing coil.

24mJ1i.
16_
12J11Jtl
ID_ ., This is only one type of design that can be employed as a transducer, the incorporation of many other outside stimuli with this coil can also be harnessed, if considered by the design parameters ..


34

The next listing is the 11 sequence with all the other sequences blocked in, so you can study the fundamental actions with a magic sqr 3 numeric layout. Remember that Pascal's triangle can also be built from a multiple of 11 'so

Po!itioa

Nine Grouped Symmetry

Elevea S~nCDce

-4 -50

·3 -39

-2 .28

-1 ·17

llloclB of Ten

OddlEven i's ,10',

60 5
71
82
93
104
115 5
12 126. 126
13 137 137
14 148 148
15 159, 159
16 170 170 4
17 181 181
18 192 192
19 203 2113
20 214 214 6
21 225 22j
21 236. 236
23 247 247
24 258 258
25 269 269
26 280 280 3
27 291 291
2.8 302 3.02
29 313 313 7
30 324 324
31 335 335
32 346 346
33 357 357
34 368 368
35 379 379
36 390 390 1
37 401 401
38 412 4U II
39 423 423
40 434 434
41 445 44~
42 456 456
43 467 467
44 478 478
45 4$9 489
46 500 500
'47 511 Sll 9
48 522 522
49 533 533
50 544 544
51 555 555
52 566 566
53 S77 577
54 588 588
55 ~99 $99
56 610 610 The Magic Square of Three Crystal

® ®
® ~ G)
8) @ 6
" .L
(i) 5 (j)
4
... .. 15

.L U

® @ 6
3 5 7
4 ®' ~' "'I' ' <'

This set of squares has the 11 sequencetl 's.! 0' s), broken down with the odd/even sequence grouping(sets of 9), creating a stable equilibriumas it counts down the paired numbers.

® (!) @
@ ® G)
0 ® 0 This same group can be reduced to a set of 6eql,lilibrium states and will show extraordinary patterns when mapped onto the hexagonal dypyramid.

The square illustrates how the center 5 works to keep. the, numbers balanced, as you can see the diagonals or the center are equal to 5, and 4 pairs of numbers help make 3,4,Q;7. The 1 and 2 are singular with the remaining 3 adding to the balanced number 8,9.

The Harmonic 9 sets will show mostof the numbers that you v vill encounter in a sqr 3 dissection.

Funduuental

» i 1 J. • 5 6 7 ~ 9 10 11 11
1 11 18 ZI :16 45 54 6~ 72 81 90 99 109
2 18 36 54 72, 'XI. lOR 126 144 162 1.80 19S 216
j .27 54 81 lOS 135 162 189 216 243 270 197 324
.. 36' 72 108 144 180 216 2~2 288 324, 360 396 4,31
5 45 90 L15 18,0 221l 2·70 315 '~ 405 450 495 s4li
Ii 54 108 161 lI6 270 324 378 412 48Ii S40 ~94' 643
, $ 126 189 2.52 315 378 441 51)4 567 650 693 736
8 72 J44 216 2g8 360 432 504 STh Q<18 P.fJ 7'J2 804
9 HI 162 243 324 405 >$86, 567 643 729 810 891 vn
10 91} 180 270 360 450 540 1530' 7'$) ~lQ ;<;1)0 990 1080
11 99 198 297 3% 495 594 69), m 89i 990 1089 USB
12 108 216 324 432 540 6<18 7~6 lI64 vn IOSO 1188 1296
13 U7 234 351 4611 585 702 819 936 1053 1170 1281 1404
14 126 252 378 ~4 6.30 756, 8.82 1008 1134 1260 )386 1512
15 135 270 40S 54ll 675 HI0 94) lOS\) 1215 B~ 1485 1620
11) 144 288 43.2 576 720 864 1008 1l~2 12% 1440 1584 1728 Harmcnios_ ofEaOO ihrmonil.l

c

c

G

c

E

c C

G

c E G Ail C o e F G A IVi; 13 C

72 9 S4
1:7 4.5 03
36 81 IS 135

135

13S
135
i3S
13'
13' 4O~
270
270
270
2(Q
270 810
405
40'
405
405
405 1215
5M)
~4i.l
'40
540
540 .1620
675
615
675
~7S
675 2\)25
81G
RIO
~J9
gIG
RIU 2430 144 I 18 108
54 ! W 126
721 162 36 270

270

270

216 'Z7' 162
81 i35 189
lOS 243 54 40S

405

288 36 216
!tI8 186 252
144 324 '12 541l

360 45 270
13' m 315
189 405 91)
67S 615 67~ 432 S4 ' 324

162 'POi -378

l16411611iiir-

810

810

SIO

36

G-

c

D

E

G

9 108 I 72 n7
B5 54 so I Z'I
126 Q 99 .. ~
ss 81 4$ 3'06
306
3()6
306
306
306 1~4
612
612
612
612
612 306

306

IS I 216 144 234
2101 108 186 54
252 I 126 198 36
1 _._- I-----
72 162 00 288 612

612

6J;l

612

612 24M!

27 1 324 216 3H
4(l5 16'2 27Q 81
378 189 297 54
108 'I-----
243 13' 432 9U 918 SUB 918 918

91g 918 918 918 918 3672
1224
36 432 283 468 f224'
54(1 216 J6(J J08 1224
~ 252 ,,96 72 1224
144 324 :180 576 1224
1224 1224 1224 1224 1224 4896
1530
45 S40 360 585 15.30
675 270 450 135 1£30
63i1 J]j 4% 9U lSJO
180 40S W 7W 15.30
1,5)0 1530 1530 1530 1530 6120
1836-
54 648 432 702 18]6'
8JO 324 540 J62 1~31i
7.56 378 j9~ 108 U3.6
2jli 48;6 270 8M 1836
1836 183.6 J836 .18.]6 .18]6 7kJ4. The Magic Square Of Three Crystal

5i)4 63 ·378:

IS:) 315 441,

~-~~7-~

945

ICOO Il:,1;() I COO 1000

216 J8) 504

2$R --'64!i--' -t--I"'-4<\'--I

1215 1215 1215 1215

324

1:::15 1215 1215

so

j1j{' 13c'iO 1350

148~ 4455

1-297_, _t-4_95_- ---I- 0lJ

3% S91 198

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U''l' 'ROll & TOI,~ .....

,6£15 &J7$ c,'f75 6']15

'1f"N'J 135 I sm

4Q'; '675 ,I 94S

1-5<[J-_' -t-1-21-,s.T 2!lJ

32-l0 4<15 2ot1l1

1215 20'-5 2~S

16;!O 3;)45 810

37

2142

~l? 2,142

]'iiI 2142

126 2142

;6.) 7:'iJ 5(~

(.145 37S 6))

gg;J 441 W3

352 55/'315 rr.o~ 2142

21422142 2142 2142 2142 8568

72 I!&t 1® 4.P-

lu::m SOl

1SS 648'

244~

jXi 935 2448

ro 216 2448

7'11 144 ' 2448

g8J 11~2 2448

2448 2448 2448 2448 2448 gm

,--"....-'T""-'"I"'" .... ""I 2%4 l-_gl--t_9",7l,--' +--648::-:. ,~ 2754

1215 486 810 243 2754

llJ4 561 891 1(>2 2754

~3;;;2.;.4 ..... ..;7E_;;. ,;,'; ..... .;.iJU5;;. ..... ..;1,;;;!S(\.;;.- ... ·~754

2754 27-'4 1754 ~754 2754 11016

_SO_, __ 1~ 'I_TJJ-,-+_1_1.1_b~ I-l~j~_°-t-_~~'~t-~_'_1_2~1

i26.): 6_1I)!:&O,

810

450, 144'.), '3():X)

_Hi;,

~ I18N 7W 12137 i'<:6

14~5 S~ ~;.ro' YI 33&,

.is&i. (D_I 1(1l'.) 198 3:JtXi

891

3,166 :i$6 33(:':; 3.)(6 3Y.6 I Jl1(\4,'

2448 :li:.h I 1836

~ 1530' 2142

1224 27ii4 1'6'12

4~) 45':IJ 4m

91)2 1224 I 7;>44

3(072, 6120 i 8'O.~

4h'% 11016 .~ '2;;S-

lWJ 1838) 1 Klff)

TheMagic Square of Three Crystal

3D:>J J{J:i(l 31Xi) 3IX:O

4$1) 1J7IlJ

J1;,1(O l&lW j~ lltldl

13110 13170 1377~ 13770 13770 55080
8775
2295 3240 !3S ]080 202.5 8775
JW~ 675 9~5 1:&91) 2t(;(j 8775
540 nil 1755 2100 2970 ~71~
1350 1620 2565 2835 405 8775
US5 2430 33H 270 12]5 8775
ans 8775 8775 8775 8775 "775 43875
26J25.
6885 9720 1 405 .3240 6lm. ~325
11315 2025 I n~5 5670 6480 ~32S
1(,20 2430 I n6S 8100 8910 ;!6313
4,QSO 486(1 t 7695 8505 1215 26~2'
4455 7290 I. ]Q12S.! 810 3645 26J~5
~!l.32~ 26325 26325 26315 26325 26325 .I:?I62S ps ]G20 i 1080 1155
202:5 no I 13;Q 405
1890 945 I 1485 270
540 1.215 675' 2160 4590 4590 4599 ~590 4590 1836\1

459,0 4,s90 4590 4590 4590

38
10404
306 1 3672 244S i 3978 10404
459() t 18:l6 3060 I 918 U)4(14
~2H4 I 2142' 3366 t 612 J(l404
1214 i 2154 1,530 1 4896 10404
lD40~ 10404 1.0404' I040~ 1040:1 41616
41.616
1224 14688 9792 1.15912 41616
,18360 I 7344 U240 I 3612 4161.6
_~_+ 8~6t. 13~64 ! 2448 41616
11016 6120 ! 19584 0I16.i6
41.(,.16 41616 41616· 41616 4,1616 1664M
1.9890
520~' t 7344 3i16 I 2448 1 4590 19890
I'
1(,lBg I 15>0" 2142 J 4~R4 I 4%% 19800
1224 i836 3978 6tW. I 6732 19890
3060 I 3672 5314 6.426 I 918 i9S90
3366 I SS08 76;0 612 I 1754 19890
19890 19890 19890 19890 19890 19890 99450
7.9560
2QWK 29376 il24 I 9792 I 18360 79560
28152 6120 8568 t 17136 19584 79j60
4896 7344' 15912 , i44g0 26'n8 79560
12240 14688 23256 I 25704, 36'12 79560
13464 2203.2 3()6r){) .1 2448 ,11016 7~560
79560 79~6a 19560 7956() ,7956lJ 79:560 )911100 W5 4860 I 3240 5265
(i075 2430 I wso 1215
,56'10 2835 t 4455 R10
16'20 3645 1 2025 6480 13770 13770 13770 13170 nno

These tables should help you to find re-occurring numeric patterns) note that the totals of each square three has either a 5 or a a are at the ones column. Another amazing fact is; that every number in these columns becomes a' reduced number of 9. The appearance of both an equilibrium condition and a pattern must now be the criteria to further unify these different approaches to the same problem) it is only by visually following certain conditions that numbers can be mapped onto grids for geometric analysis.

If you treat each number as a volumetric increase in the direction of the page then it simplifies the problem of ratios and balance accordingly to the mass density of your basic units. To be positive about this, the magic square balance sheet must be unified before any results in harmonic energy transformations can take place. Having only shown 3,4) 5 magic squares so far the other fonn that will playa role is the magic square of 6, which I will explain in another chapter.

Now the linkage between the numbers 0)3,5,8',9, 10; 11,12,,15 is somewhat clearer, again what's must be made clearer is 2,. 4~ 6, 7, 13, lA, The linkage between 4 and 6 is very obvious, look at the their position in the levell, it Jays diagonally across the center skipping the addition of the center 5, making it act as a pairto add to 10. The pairing tens or other number pairing occur around the perimeter of every layer in a magic square system, they also move in a perfect square spiral towards the center. The other way the pairs display pattern .is when their opposite pair doesn't add to the equations of the Pairing numbers and balance by compensating with a setof fOUT. Note the fact we are dealing with 4 units acting as a unity such as nature does. The exploration of this 4 set numbers will be covered by studying magic squares 4,8, 12, 16,20 or any that are divisible by four. The other even numbers 6,10, 14, 18; 22 are used as combinations with odd square numbers and divisible by 4 sets. The even number set that doesn't divide by 4 is the Same number set as electron shells around atoms.

The Magic .Sqziare a/Three Crystal

39

Here ate the equations to workout the numeric conditions of the magic squares to any size:

Sv

(Sv -1 ) = V

n

n2

Ii + 1 +V * 2

( n3 + n ) 12 + V * n (n4 _ n2 )/2 + V * n2 2*n+2

2 * (n2 + 1 ) * V * 2

=Start value of the lowest number used in a magic sqr eg.base 1=1 =Positionaladjustment for scale length e.g. sqr 3 base 1 is 0 =Which Magic square number you will use e.g., sqr 3

=The quantity of squares in a magic square e.g., sqr 3 has 9 =Pairing of the orbital numbers e.g., sqr 3 base 1 is 10

=Line number value of square e.g. " sqr 3 base 1 is 15

=Total value of the square e.g. sqr 3 base 1 is 45

=The number of options for Iine numbers e.g. sqr 3 base 1 is 8 =The four comer values e.g. sqr 3 base 1 is 20

The 'constant of 2 is present in all of the equations, this alone shows the pairing nature of magic square balance. There are a few more reasons to choose a 6, 4 correlation, that as either 8 parts acting on an rearrangement of the same 8 parts due toa numeric affinity of rotations , 8 * 8 = 64 or as the value of the Ethers impedance which is 6.4e-16 kg mtr3 m/s. The fact that 64 Hz = Low C, and that there is 64 condon sets in the genetic code or maybe if we just divide 6/4 we will certainly be surprised here as the result equals 1.5. The greater assured. affinity is with the step-wise nature of the number sequence in the squares, traveling across the center of the square will balance both sides. This particular idea occurred when I was working on musical scale equilibrium, below is the working for this square set.


A~J5 B=JS C=j2

D=J4.S

a = 7l.56SOSl b = 71.565051

e = 36.869898

Options = 8

i

32 16 I 27

. I

............ _ !. _ j ,. .

I I

20 ! 25 I 30

I .

·· .... ··· .... ···· .. ·t ...... ···· .... ·· .... 'I· .. · .... ·_·· .. ·· ..

23 i 34 I 18

i. I

A Major Scale

A B C#D E F#O#

A Major Chord A C# E

(; 9 3

40

Frequ.endes of Musical Scales Oruy Whole Tone Numbers

Perimeter of Triangle = :5.88634% Area = 1.5

Ratio = 9 11.5=6

7515= IS

JiiS=15

Line Value ~otal Value 8 "'15

1

•

A Major AHminor
= 75 ~·90
= Z2S = 270
=600 = 720 Shifted Frequency Scale Foons

i C CiA

··_· .. · .. · .. · .. ·· .. ·j· .... · .. __ · .... ·t· ........ ·· .. · ....

E lG#i lJ

I I

· .... , .... ,· ...... · .. ·!··· .. ··-··· .. ·· .... ·t .. ··_ .. _ .. · .. ····

i .

F# I C# I D

A Melodic Minor Scale Ascendinl

ABCDEF#G#

D# IF i c

. I i

I i

.. .. · ...... ··- .. t- .... ··· .... ·_ .. t .. ··· .. · .. ·_· .... ·

i J

G#I BID

--~T-;-r;;-

. I

A Harmonic _Dr scale

ABCDEFG#·

L. I

37 ! 21 I 32

· .... ·· .... , .... · .. ·~· .. · .. ·· .... · .... -·l· .. ·· .. ·· ...... _ ....

25 I 30 i 35

; I

" •.• M .;...· ~ •• l\_ •••••• ~ _ ••• ,

28 I 39 I 23

I I

A Melodic Minor Scale Ascending

AB C D E F#G#

The appreciation of a harmonic and melodic status to these arrangements, would be quite rewarding for those who have musical composition skills. The rich vein of artistic composition based on magic square forms can now be seen related to many other types of designs. looking at sqr 3, it can incorporate an incredible amount of information in only 9 numbers.

The Magic Square of Three Cryetal

41

32 Balanced Transformations

-r;;7~E

I'#,c#1 D

. ,.. . I

: I

AnUllor

c :/Pj,'iA

,"';;;F~"r B

_.t _ ._, _J.

F# r c# CD !

AmlllQt

c .(':

Cttm1nOI'

j)·!Vfajor

, cj
C A-
1--
E Gft-:· -R
ft', EMI~jllr

C~(; )if ·"····· .. ,··i···,->i'l"" .. "·, E!,9#rl'l

'F4q.~(-~

1'# l1W10l-

,.~.,. J. ~'!~~0

;;I~

c

c

- - ---'_---!i..., ._-" ... ' i-,,'-'~·"--·

~L~J,:1 ~',~'

, !

r :

:'l'!'r'~"

-t +

~#i C# r D

I i

" l L :"JA

.h~'. ~_:., -_,1.:' . ." ... ," ,-- . _",,'.- _I_",. __ ..• _

.! 9#,'1 "6

'/

.. ;t ... _. .'"

"#\01') D

F# Imlf dllii

cl4' A

-"'''-i-I''''" .~

Eid-tt n

1 I ,

F# i d~ D

A

-;t~1&-

" "_c! ".:,~, L". ,.",.:'"

I '

F# c#ln

." -'>--h"~l-- ~1-':"'''i"'P;'''''":''''''-'~

1,'# ! CTt- i D

C Aug E ,Aug G# Aug

,

······T·- ..... "r

F;i;i! C,# I" D i

C," C A

i

il~~

cic,A

r.--,,~"".~_u,'_'_\, .. aiV·;·"~--"'--~

E. i_~~7

1 ~- r

F# '« ))

,

C [ c , ,A..

-"J~n~

F#.] C)'t n

,

42

Look at that 32 sets of triads , 96 single numbers, 96/64 = I.S. Noting that there is two pairs of triads at opposite poles therefore there is 16 sets of pairs working together. Here is the numeric list for the set of triads in order:

A C#E ACE

B F#D C E G# C#E G# D F# A E G# B F# A C# F# A C G# B D

27,34,20 27, 16,20 30,23,18 16,20,25 34,20,25 18,23,27 20,25,30 23,27,34 23,27, 16 25,30,18

=

=

81 63 71 61 79 68 75 84 66 73

=

=

=

=

=

=

=

=

=

Reduced numbers 9

9

8

7

7

5

3

Chord symbols A

Am

Bm

CAug

C#m

D

E

F#m F#Halfdim G#Half dim

3 3 1

The Ten chords that are shown are used in music for modulation and highly melodic passages. The chords A and E are what they call in classical music a fifth apart" and they are very concordant when sounded together or in a sequence. The Cycle of Fifths and its inverse the cycle of Fourths are natural ways of resolving harmonies, if you have built accordingly to the harmonic series and the magic squares you will make any device sing in tune with itself

The clear idea of a system that begins its oscillatory journey from a foundation mono-chord, must be upper most on the designers criteria.

C G D A

16 24 18 27

E B F#

20 30 23

256 384 288 432

320 480 368

C# G#

34 25

D# A# F
37 29 21
592 464 336 544 400

The higher set of numbers is 16 harmonics above the base of 16. The number 16 was the first base pair when we went through the eleven building sequence,

dl = half step diminished
M2 = Whole step Major second
m3 = Whole step +half step minor third
Notes in theelevensequence.
16 27 38 49 60 71 82 93 104 115 126
C A A# G# B D F F# G# A#' C
:r:n3 d1 M2 m3 rn.6 m3 dl M2 M2 M2 dl
137 148 159 170 179 190 201 212 223 234 245 256
C# D# E F F# G G# A A A# B C
M2 dl dl dl dl dl d1 dO.5 d1 dl dl How simple to see this list grow rapidly to divisions between notes, beginning when the separation between consecutive notes equals.eleven, This range of numbers is the close to the actual musical scales used by all the .instruments during Mozart's day .. Remember the actual Chromatic Intervalratio is 21\(1112) == ] .05946.


Qrfte C-yde oj CFiJtFis ~f1ttinB C[ockwise

F#

D# F 1-»

: .,1.,

., "" ~ of-:::~) .. __ .t.._. '" ., ..

G1tr"n' l/ D

r---~--+--'\_~' ! .. " ..... ,_.j]., .. ", .. , .... ,

C !: C· ,t ""'./! F#

" ' /.~ ~ [ ..

·,········_+~·:;;x~-"h: ··;r/_+---,-_ .....

E~ Gfl-l B ........... ·>~>~, ......... /it"· .... ·· .. ·

F# "'C#: D

Another level of complexity bas shown itself when the two related squares arc joined by the shift of value 23, 25,27 to 28, 30, 32 beingonlya value of2 'separating the next number.

222 I 222 = '13

the next number after 8 in the Fibonacci series

The shi It of A from 27 to a sharper 28 is a micro tonal adjustment, which can normally constitute a sense of feeling when heard and the ear responds more cycloidal y from the tonal shift. If the transition time is too quick and the ear wasn't prepared then that will normally be heard asa noise. Adding 27 and 28 will give us a Fibbonacinumber 55.

Looking at the large triangle j-oining D#, F# being of value when added,

23 +37+23 = S3.

With 83 surrounding 55 what becomes the. difference 28, is a tendency for modulation from the, starting 27.

The self-replicating patterns' are fractal in nature, by listing the ratios between each note and develop the magic square for it then maybe we will See if the Feigenbaum number appears.

The Magic Square of'[hree Crystal

44

4.6875

2 1 1.6875
._
1.25 1.5625 1.875
_._
1.4375 2.125 1.125 4.6875

4.6875

4_6875

4.6875 4 . .6875 4.6875

4.6875 14.0625

The Feigenbaum constant has the value of 4.6692016 , so we must rework the equation of

growth so we can find the values for population and values [or environment..

'Bifurcation

(in Latin means fork)

If we choose a basic model for growth it will be a factor of2 e.g ..

=3

!Zi5 § ~ .. g]) c::: 4 Quantity of each generation = 7 Accumulative population

=] =}

~ g]) =2

if a = 2 and x = 1 as it starts x~ax

therefore if let to continue: xO = 1 xl = 2 x2 = 4 x3 = 8 x4 = 16

x5= 32 x6 = 64 x7 = 128 x8= 256 x9 = 512

As you can see this can grow very fast at only 9 generations it has increased by 512%. If1et to continue, generation 19 would be a whopping 524288% increase, this is obviously too great an increase for any environment. Restricted growth can easily be accommodated by including a boundary for maximum values.

The model for restricted growth relies on. the Malthusian factor .a, which can be interpreted as the degree of fertili tY of the insect population, a decreases as the number x increases. As there are x insects, n -x is a measure of the space, nature permits for population growth.

The value n is the environment factor, as this is about. sqr 3 this will be 45 .

If n == 45 then 0 > x> 45_

The Magic Squareql Three crystal

45

In this equation' we replace a with a( n - x). The model then becomes x -+ax( n - x) -Using indices the equation becomes: x:n + 1 = axn( -n - xn). If it is written in a computer language such as basic, the equation becomes:

X=9

A = 0.0333333 N=45

PRINT X

FOR Z = 1 TO 23 X=A*X*(N-X) PRINT X

NEXTZ

population fertility

( Total Number of Squares )

( = 1130 = 1/( 15 + 1S), refer diagonals)

environment

(TOlal Value of'.sqr 3 )

initial population

consequential populations

a - 0,033333 n =45 .t = 9
xO = _9 xl 10.8
x2 12.312 x3 13.415'16
x4 14.12385 x5 }.4.SJ634
.i:6 14.76101 »t 14.8786
x8 14.93881 .1(;9 ]4.96928
x10 14.98461 xlI 14.9923,·
x12 14.99615 xl3 14.99807
.\:14 14.99904 xIS. 14.99952
x16 14.99976 x17 14.99988
x18 14.99994 x19 14.99997
x20 = 14,99999 x21 14.99999
x22 15 ,x23 15 This set of tables show you that an equilibrium has been reached by the 221ld generation, starting with a 9 set reaching 15 by 11 *2, does show you a simple numeric relationship between these values, The numbers move in a curved, non-linear fashion.

The complete set of tables within a reasonable accuracy, are compiled so you can find the numeric patterns of diminishing and stable single numbers, 2,4,8 or more set 'number oscillations, and the final Chaos of numbers.


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uOlLd" '-4'1.A.7iii'l1 Ii- '7~ 1 ... 730'5 t~,I\I,m~ 19 ~'_lId09;' Il"72:u6~ 14 -I!.f.ifii)50l, 1fiM24666 it~,~~~ 2Q ~,miL~j !t2.,SO<i9(~ :t.l,.,m6il4 26~ • .l,5H"i~ 28l'.~7~~ 3OU4,41:l1 32 .~m;l :w f!!41~~2 )6":"'54)~

46

FI'JlTILITY i'-~5 11.:5~ 3J2A~ • 22,17'168 '~,7~ Sl'Zl,7'i'}"n H-,'12:rrrn.,7 uxsmn 15·:is..177?7· 1;7~Zl..rm? (9-'12;,77177_ 2l,ll;'J777"] 23'J:V77T'n

:i5tA:t!7*;

'1..' 223m7 Z9 'l')._Im·'J ai "Zl_:1Trn B'ZJ,7m7 ~S·~22'.1T.rfj

1(I!R1T,LITY 0,1146 ll{.~~~ 3n.'JZ~ ~"2J.:~6 ~.-;D_lOOIJl'i '9n,'Z&'J;!I~

'1=~'.~:6 L3'!D:·2~ [.5"%U~ L,.n.·~ti!l85 bl23,:11i1"ifUi ·~J.237f.(lR6 -~n .. ;u.a.;6 2~·-p26(Jll6 :~1·p',~6 ~'~j~~ 3.l'·13~~ :l.l:l3~ 3.'i-',~:3:~

FERTlLITY '0.947 i l.f:zm:. 3::D.~ !n.7'.134;j 1-!D .. 'l'm~ ""',12$ LL.2],723:W L3,·Jj,;m:!I .,1~,.Z".1p3? t1'~ .. 7.2339 'l!ll,,'ij.J2319 21 :2l.11'Ln aa -. :D.'1:z3:Uo .z,"i' ,*,_,n;u, _T.r·:D,7l339 ~ 23.12339 ~i'n;11tI9: ~,~,,~lY {l.:$"1.;l,1'D:tP

1IEJ(TILlt'r, (tfHa

1 1~'~5L~'~ 1,:;M.2r.U :!I 24';~6!i'8J 1 U.l661-4 9':M.l66(t 1,,,.1""' 1:l"24.l~ l~ '24'.lo!i6ti'li5 i1·::M,.J6666 Ii ~j6l56~ 'n~·.J~II, 2l.'UJ6ti66 ,.'1A,l';«;G .:;rl'-~.I::li6fii'i' '~~;L~(i

3J ~j4.IIS66.s ::il·1I.lti6Ih;: :l~'''.~10566

Returning briefly to a different set of para mete IS.

xO = 0..001

xl = O.0016~83

x2 = 0..0.02882207

x3 = O.Od488S63

.x4= 0..008264993

x5 = 0.01393436

x24 =0.4117646

x= 0,001

1< as 2

a = 1.7

(note 16944 harmonic)

{41 ltiS61

2 ~J',s~~- 4 ZZ.181h I} 1!J:77iFl: 8,~7m·1· LO#'-im~.

12 !1:'), __ 7r.m 1~ 2;2,77777 16 ~,:7"7711 i3~~~",i :00 'i2-:m1" Z! 'J?i_.77777· 201- ''B,7T17'7

~.i2·tm;' 28 22:T77T! 30.:22.7777"1 :U''Zl_7'1,n'l

:~,:~;,.

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:::':'~.J~~

~2.t,:~t;(:JlIIi

~·li,~~ ..

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FERTILITY O,06't

" !;,,1~~

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FERTlLITY IU6i1 1-22:(13.1'99 j~'24)r:i'~1~ !I'~~~:I94~' ~rZ_6lLSl -;'2:S,~,l4d 1I. 25:~ 1~~'6' L'3',~:5':9918:9 L5:i<;osm 17 '16.100n 19'26,B16~ '~l 2fi~154S.i @,::26:.I720E: '1S 2IS.1849.2 :!.1·~.1.94Si! 29:26·,.~17,fj 31~1~ 33, 26;:1.1128 )S.026:2.14:!JoS·

'Flm'rrUTY 0:0119, 1,2'l-'$. )·Z>$-:ZiWd S2HJ6'l1 7'R8011S.'2'

9i4.t~i.l

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iE-RT!LIIT 6,1;17

t ;n,I;7!m l:~:7ii: ,,)3,911)52' 7 l3,s-',11l:5l ~-2l,'il94(f~-

1l24,~ 'n,'24;rK,i~' n.24'.1XI6!i6 1124,'00701 19 U,~07U " ,:t.l:Qom, 2l,2Um<i 2S .. :00727 21, ZA ,W,'i7 '09, .... ooi2? n ~,OOI'2'i as 24,007:27 3,·Zt·c~0727

_";f)3I;%,.. ~Hd!i5 Q~!3:1262] :!II ~2'.92)92 ·11]H,771Il .1~ 3:l,~S06"l l'4'~32.:5527 1-6··)2,'171.3] 18 :U,ilO~1 ~ n'!~l4 2:~'~'W'.A:; 20'1 !-2,U177 2G,:l2,~ :2:!,;n.'in,sa 30' _:J2,~~13l J;!,l2,I14<1 34'J:lI)jI,n~ 3.\}~<l,665,

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(nOte 1703 harmonic)

Cathie matter wavele.ngth)

The Magic Square of Threl! Crystal

FERTIIATY O.OOS

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FERTILITY' 0,006

1.1.9.4.1(

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FERT ILIT'i 0.007

Il:·lt'il!

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FERTILlT'\" 0.008

1 :z.~91

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'Z O.:!0Z2{JH ~o.O~"Jo 6 (i;OOi6',l1l6 , 0.1>'0019L6 IO.'I.~~·-o~ I~ UilSE-,(Jd 147.(2)£01)'. l6 !o.~ I:r£{t!l II 3.,~1I~,E-'ltl '~·l.g,76:E.I~ ZZ 2.097E'·1 a Z4'1.hm.1l U 1.J14f.~14 ,2_13.:l2:l.E:·16 'J) '!'·,9~1.E·i? 3Z .... JI'l',E·U 34 3.J4'l'~:·I; 36 ~.l!)'lIt·2.C-

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19,8m714 e.c.nesess I! 0.OL.:I]1 ... ·1 ~' 0.00(1'61 10. O~1~06 LZ J.119E:O~ H-1,D.:JZF.-06 HI.'i.2:I!IE·(l" It 6, 7~~E,Q~ ~Ii' 8 l.~~F)d'~ l~ 1,IJ.lE-09

2 .. L~l~ti'IO .'l.6l.!n'!!E·lI 18. 2,4Il'if:'.,I~ ;'pO·J .. z.17E .. Il :lol 4.IIII:IE·14 3.4 5.4CJE:·U J6 7;OOlE.~6

FERT.ILI.TV 0.0:7

L 1.7"IK'IOl J 1l.;4lJ9~:O: 511: .. 2J9U' 7 a.lJOZ1J, 91taMon 11 ,lI..OlJ4~6 \31.00I:U7 15 ?.91M49 17',T:97,H:rI I~ '.9'19

21 '~.96.a.tW n MC6J~6 25 '.9530" 111:96U.!3 Z9 ?.96l1.!9 ~'l .? ~~6i4~~ 3l'1,'~6Jlm M '.'96..11:011

FERTILITY O.0l8

L 9.07.~(j'OI J.,.9.U1\11S .'i.9/UOIH t P.z.4!;11593 ~·9J!4!lil.l4 119:2'1,"1,(6 13 9.2;1'9,176 H !U'IIl~.161 I,' 9.~,~_n! 19 !):.2~'~',1 '21 9.2~.HO 13 jlo.21.~il1J 'l5 9.21j_~.sa: '2._7 9:~f,.~6J 19 9.2iF • .'lI!.\ :11 9.2""~92 _Jj S!.lM"ID4 ::U9.'l8.s'1

!'ERTIl..ITY 11.029 1-9.396001 :J. 9.9':'\JOZI ~ lQ:.llll i 7. l~j'I(j1il 9ID,;(415'21 1110.4817(5 1:l10.'OOlj. 1.5 IO·.~1)917 17 1ti..~1~3,~ 1,9 JO,~U36' :Zl IO.~Jjj.~:'I ~.IO"',I6:' zj IO . .!17(JJ ·21' 10.:117'1'.1 Z'9 10 .• 1112 "tiL IO .. ~ 1122 JJ 10 . .'511.1.) ~5 10.:'117'24

FERTii,J.TY O.OJ 19.7100a1 J IO.H\~6 ~·II~U!i_i ,'lIA'H" 9 11 . .1&.161 Illl:eooil 1311.6..'101 Ii 11,6605 17 11.6(..tGa III 11.66.flr n 11.6661. ~J IL«oG<17 !jll.cS6659 nll~ ~~ 11.~tJi) ")fll.(i(i(i_(,{; ,)J.I,I.(.GliIS' ')':;11,t;(iG6'

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1l .. 9 .. Zl.~1ll l4 9:28..~~01 ltj 9.'28.1ti lJI 9.2K!!,~~J JO !;o:2lt'16'-' :D' 9;·ZIt'l6P9 ]4' 9.28~'1)'1 ~ 9.~&.~'12

19'.'OIHl .. ,I" 10,C'I9985 6 1~,:1OS'6 i.lO.d~.16 10 10,~6' 13 12. JO."9'J2-1 14 ID.~D~6.1 115 lo,hl6J ,.~.JiUI~.53 zn 10,~1.I93 tll~:~Hi61 2~ JO.;1169-1 :zi5 IO.~1'1 2G lD,.!l1li JO lO,~li,2.L ::u '.IO,~,I' 2J ),1 I o~ s ! "1'2,4 J6 ID.'.H7,;:J

~ 'IQ.:Z81M -1'11.0)9('11 6 'Ii,;!Ii9jj 8'1'1 ,~"l67 10 n,61~'~11 I ~ '11.'64~Z~ 1~.lI.6.··H' 161h(o(,;l.(i6 1.8'1 1 ,f6,I.'J' .ig ll .. fI6.'9.5 n 11666:)1 ~'I'II~~I M •. II:6&S62 ~I' 11.f.{,&_~ J(J·II.~ J211·q...-'i{i7 14 11.(.6667 lCj·II . .fof.ll$6"

47

~'~:RTlLJTV O.o.l9

1 1:!-,87~99 J hrro~O-I ~·J.f,;~~.L'4 7 .Hd!1!l~ 9.14.:!91'1l4 II l ... ~lilt)· I:) ~.~Qill 1$,lA~QI~ l' 1~~9.11tl 19 lli.,~91 11:]' 11 1 •. ~9HG 231 .... '9,{1.1 'lj: :Z".:'I91J) 27 :l-4~~!11~. 7? 14";~91iO -3.Li'4,39.J'io· 33 :I.;;,i9Jit] , 35 14.!!llll.

II"I:RTll.J.l"V· 0.05 116.l~ :3 l!,17~ZI. .5 ~iJJI8Q'1I 7. 1~ ,001 12 9 2~.001;106 1114.~99 13·l~.\~ I~ '24,99999 ,17 14.9'i9w 19'1!l~jo} lll~:~' n 24.5I'JIXl9 2J 24.99999' 2:"lA.c~ ~~~ .. ~ :)1 24;999:'19' 3.11"~~· 'l.~l"~

FEIHI(.ITV 0.051

1 115.~23W J l.!l.7(1.1JII _, l~·i.ilO] ~ .. 1.~-.39'.ij6. 9 Z.~:39l~ 11'~.:'I9l:16 1:l25'.~JU U 2~<3911.5 17~.:.w.zH 19 2~.:Wl-L!i 1L 1."-39115 '2:)-' il.:Wll.s 1;; ~.)9JU 17' ,2.,t;,3911.5 1:9 l!i~39.H5 :!U 2!.:.wi"LS :l)2.!.:!l91:L' 3,S:z.t,;mI5

FER'rILITY 0:052

" 16.s.ii799

'l.26.~ISL S:l.'i_.W-,1 12.5:77:)'53 91..;'.70n:z II 1S.i692' 1325.769:f.1 15.~.769n " t~.1{N2'l l~ :i~'.Wi~l '2L 1.~:,.769U· l.J'%j.7692'l l.'i 7J.'69tl -1) iJ.~6922 ~ :2!I.j69~2 J1"2!I.7~i2 JllJ:10922 ]!I,l!I:i"69i2

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(fERTIL1TY U.II7.1 l_.Zl:ooJ~. 3 'Zl.L4(i[)3. s 'Zl.L41l"l ? 'Zl .. L_iZ06 \l'n.L72~8. U'lJ.l.729J 13 n.l1293 .L.'l-13.L12!il 11 %:!.In.9l', .19 ':.D.L;t'~!1J 21 ZJ.l·1.29J 2~~ Z).L72·!lo~ :.!$n.11'2~J <!1'D.L72Sil 291l.Ln9l J!, 23.L:':.!V ... · 'J) '2:.1.1"293 J.!I ZI.Ltlvj

I'ERTlL.lTY 0.072 1'23'.32799 J 22s.J~61 .!I "Z:2AlI~ .? zZ.-"j·iJl~.: ·!l·Zl:ml1 ·u "Z~.4:Nl" l')'lZ.CSln n "Z~,.4JSl17 l? 2';Z.-'1::KIJ':r ,J,92.2-.oo9,1'-: ~1 22 .. 4:KIn lJ. 2Z.~:N17 2~ lVIJ!il17 2' 22."!IJ~]1 ~~ 2·2.4'l~ n 3J'l:Z.OIll1 :H'2~:4Jnr :"'22.-4]917

FERTILITY 0.073

I ll.UIW l2l.;Q.1l1i' !l-2US,H) ?2UP.nr 9'2U'~9'

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The ratio efconsecutive steps for period doubling is a constant 4"<5692016., s, , this particular number 'is known as F eigenbaum's number (F). F'isa'lJ.t,-iversal (Jo'nfstant, like~1t or e~ and is found in many experiments when phase transition is noted. The behavior of Helium neat: 'ahsolutezero'is an example of'thisFeigenbaum's number occurs whenever- there is period doubling. The period doubling phenomenon in 'the' model x -+ axe n - '.:\\' ) is :sttnilar to a binary -based fractal withascale factor roughly equal to Feigenbaum's number ..

• ~. t : • ' ; I _ . "'., • \ I ,

In balancing a system we can create a .sel f-sustai ned engine, a natural numbering system that

must by its application be the similar as what occurs in nature. The main numeric-branch contains many harmonic nodes that mesh and expand in hyperbolic curves around it, visible only as-the' degree' ef'accuracy is Increasedand tneMep functlons arereduced. So it will look more like 11 number tree, with' su stai ned growth patterns branching in harmonic affinity, with an increase inlongitudinat pressure through the s·ystem (number increase). It'will be due to concordant balancing of input, growth, and outputin the reaction tcl'tllie envircnrnent' The other constants must also be included in the totality of any system that has growth at its foundation. ("IT , e , cD ).

The Mngj« Sq.lWI1l! o/n1l-ee Crystal

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The study of colloidal forms, will reveal to you that scale is they key to volumetric harmony that-nature has made .. by it constant reaction to the environment. Small plankton ate of millions in variety but are scaled correctly to meet its needs, the similarity between plankton and crystals is by all means an expression of natures economy. As two different forms mesh, one very fluid and the other very stiff and formed, they play the game of-viscosity and adhesion, while absorbing chemicals from the environment and converting its constitutes to a non toxic form, with a constant environmental background pressure surging around it.

sqrt ( 14.0625 )

=3_75

= 15/4

This value must be relating to a root system and its division of the number 15 into 4 equal parts sitting at the base. The calculated Earth frequency is approx. 7.5 Hz in the cavity between the ionosphere and the ground. The human alpha wave frequency is at 8 Hz • this difference between the two must be harmonic,


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FERT IUTY O.ro~

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Y ,i~:6_~Jll -ir ·1.~:6~)~H

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1,5 4 0.5 9 11.5

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2' 15:1!'T.)_:l: ,I" i'li,19J6Ii ~'. l_k_6J')~'l ~ (~,.ti·~~,~ ic 'lil_!1Ji,~~~ _L~- I H,611'1i~ ~Ul.:l:ii-I! ~'6' 181';;~~' 1~,:'llbfil!'ll uv 111:<1_842 H L8.'oSJi;I:V

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2 4.5 7 ·9.S

·12

49

FE~T.ILlIl; ,?~~~~w j ,i1';:17;~,~' 51'1:'::1675::1 ': 1.7 418(l~ 9'21,"1'17! ~ II 'l7_'~~3~~ 1:"I-l1::~I_~,',22 IJ_:1:1_"'_~_~(1:1 'L" 1:7-"I~6al· L9·,11· .. ~;.i:I" 11 ;·27_:1.~I'l.l-2 ~11'17 ./136'1.1 25·27 .. J.!:6lJ ~:l- 27~""Mj_J. ""Z9 'l1,lj~6l'~ ,lL':i7.-:15f11::l 'J) li\·I.~;'j 1 ·JS'11 .. 1561l

FERT([;ITI unss

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:t! 2.'i.,~~!;~~ "JIi ~f~;:_~,~_Il)

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t'l'lR;r I LI TY 0:06

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2 ~9.ia:.l11lI'l9.O;fi&1I6 if ~,~·.6'!1!1,:I-K f-~6jl~~;\ t'(j' 'i(~l,:~'i)j ~ J -l-~ ,.I ,~.s? H -i:-Jl·.:;1~~69 ~tl'ilj.:)'.jjS. {i;:~·'-:~LI]H.l6 2o'_iK.':.lj:;~~ ~:!- ~K:,U~J~I 2:~ lli·.J1393 If,' ,~n·,~'l~",:2. il,: }Ii.~)~:~,~ :\O.!.It;\~n:\9 J,~'ZJl;_Jn3~ ,\~.lfJ'])~ _'l6 ;l~1,:m~1

FElRnui'v O~079

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.1f~::RnLlT't 0:08

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:\ flu&~~( ,!. l·,·,-:!-1<.O~7· -. 1}.,~~o~_7:· ~ lKa&-19L II nrsree II:~ 1;~~,:P6~ I,'!' .((}:-cb~0~ I~; l~~'if~} • .;I9. 19'1..';;;':('9;: zi .iA::.;or~ D J.~~ irJ~~I-4 L~ .2--i:9r!(l~17,' 17 W@j42, 'lfJ H.?M2i 3i l~;:~J.I(i oW 1~>4:'!,9,93' 'M BC9~191

Fimi"-II.ITY IUlS2 I ir?;-~i.62 ~I l~;~!'F

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:-'j jrllrl:192 D 4l)~~~~!-*, l..~ ::.~ j_~"985 Ij: 41~~~Y:~U~ <i9 ~~,.~.·o;-I, :11 ~~",t()):): :.Q :!o~,:.'oI'HI" :l~ ~:,~~l:;~:z~i

11

12

-'~ :!oYL:i!36::11 '1·3ii·.~'s6;

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:u!,39,99JH' :lS'36 «i5,'R ~ 19.Jt~l i:z 3':-~~:S6~·. :1~ 39'.9'1JU, :\5,'36:-11558

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',':.4 ~_~}Ml ~ri ,·IO,~.!U,l~:

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"18 .'1O.-1.5.6'~" ]O'~' .. ::]l.316 Jl.;KI.~2,17 '''1 ;\7,O_l.-I.IS,· ~)('; -1O:1L1',1U

:2. 1)0,1 ,,~!ll ;.1. 'l;~,9:Wi:l-2 t.'.;IL,PP~ s Jl','!!i:)~*,' lq ·.II,.~~I:J U ~Pilt~J.3Y, 1.4 i4.Q2111, Hi 12,_Jli~nj l~·n·.QiIiii5'·

~o ~,~\7~~

l2 Z.iJ,~d~:>.e-· N L:.'UKI!'9 ~1ii"2J.{i%.9~~ ~.Il- U"I·\6'1:\ .~!J ~2c::ii~.~~, jl J2:i6':U'l .14 'ILR1{tU, .iij"&_-1!_~J~;\t"

Ju

10

}()' 30

·150'

8 I

10.5

115

l5 7

30·

3.

2.':;

4.5

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3:0

·8.e5

3.0

30

30

10

The occurrenceof 12 was a suprise, note the Genter 6; refer to Internal sequencetable which has -6 at zero start position. The s.qt 3 centre is 5, the magicsquare of 5 has 25 squares.

If We start at 3 .75 we will have evened out a 1 ist ofthe Schumann frequencies:

3.75 18.75 33.75 48.7-5

7.5 22 .. 5 37.5 52 .. 5

11.25 2.6;2~ 41.25 56.25

15 30 45 60

117~~

~--~--~--~--~

3D 411.7.5 f2n

45

15 31. 7;~ 1 ~lS 60 1275 ]Q75 12.75 121~ 127.5 117,;>

510

FERTILITY 41.017

J :"'.~~Il

11 1 •• 'I7ZZ6"1

'7 D.76D9f'14 !.l' O.4j2:N63· n O_i1~8~~

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_FEIqlLITY MIS 13..1l3:2

:; 1cd616it !i L'5~.!ii!ii 71..(J7.45.7'-' 90.6752'l2l H QA31.~~ 1l~.~08 I50.18Q3eiSL 110.11":'~a4· I!I Q,,01:(I11.79 2:1 11;f:L"S~Jlt;u D (]·.Q328SIi4 ~(J.02IS2a6 j,7(J.IH4Un II '.00 .... ' 3J O,OO6M!L4 :!oJ- (1,0039811 :)H.OO"'"<

FERIllJTV 11.019

I U56OO1 J)M13e6. :5 :2,21.07A2 'llA?5l!jI 'IOl~~ JI 0.1114933 13 f>.50508S3 IS O.3liJ61IS 11 ~~~.040I,;ze:: lSI ~.la82$j 21 OJ3&;18.7 Zl '.O'Hlli 2$Om~D'1:4 rl O.OS2'1IJ't2 2SlM)W23 II,Mw)~8

~~'~;~~:2~

t'J<8UIJTY M2 1'.48

3 l.99I534 ! ~73}m " 1.97299J ~ 1.it7D40J II I.mlol 1.3 0.8'481)89 1:5 D.67~7115 11 n,D 161~p LU e:'12i~8~ 2LIJ..31~';l 'U 0 .. 2,76009 '230.1102'14 'J:!O.I~ 19 O.l~Jo>II ~~l·Ij;,\l'JotO:;6 330.11898116 350.,::)'7)05

a<'.i7m ... UrllliSj 61.0L:n67 ·8 Q.512'3lJ-7 19,O~149~ 12 0.131>2105 14 Q,lOSI!ilI2 16 O:G64Q.MS 18(J.03131l~ :m (U.l2,1~.8,i l;2,(I:OlmSl 24 {l,0014126 2fj (l,0043718 28 O,OOlS~~ YJ·O:OOI45't.i9 32'0.000876 :M ~.ooO~'126 36,0.00113

2-4.UI70l '4~.21tt'~. 6');]6,~A-3 Ii f).849@11 LO O.~J970"1i 12 0.l4S86~ l.i ~.nlf8§.5 16 O.l~:5SIZS L80.<t9.-I5!13lli :2(11l.06~' '22 0.1)4060"1 240.t)'..6~ U 0.01174291 :28 0:01.1"21' j) 0.i)07#;9 32 ~,OIl<~W 34 0.0032244 J(j O.OOZll~l

2 "SIJ,U

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24.99Ji13 + 3.~7·~,.'j'~

I'; ~,:uaHH~ 8 (,691811 ·IDJ,2aIl"12.1 120.?a134JI , .. O.763-370'l 16·(t~Hi lEI: 0,"129557. ~ (1,375442 .~ O,Z9'/3'" ~ ~t2;1I<t08l) ~ 0.(9,J9]06. 2S·O.U42tl 3011.1';141'2012 ~2 ,(1.16001'5.1 :M 1l.0M6701! 3f. (I.l1fi!lJ21l

F,~Rl'11.I'[Y ».039 112..~~

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FERl'ILU'Y 0.04 ·.11'2.516

) l'!I.9&20!Ilo ~ !!l.';tJI.1

7 t~.9Yr6, !.Il!lllm· n 19J,!'J991" 13 19-.99!t~' 13~~ ~719.m:-.51 JP JIl:9W99 lll~:9m9 lJ 19:9999~ ~19,.9~!o' 2i l.9.9999.P 2919999911 '31, HI~~~p 1..'" ~)i1!'9IW " 19:~9999·

FERTILITV 0;041 111:284 :i1,'j',,'U16 5.111.57187 7,~.(i1i~ ,.;e,-om 1.1 ae . .6\W1$ 1320.1509'75 L.J20,6($7:5 11l0,6097:t ~~':m,6M!i 2L 2O..Ii00'15 ~ :1£1:.609,5 :alD.liO'Y1S~ 2{M097's 29 20.60!riS :3L ;H!Ji(l5l7:; as 20.60'11' 35·20.6W'i"S

FERTILITY 0.1142

1 iJ:AO$ 320.:l8S179 :S·2J.J71U r·11.ISIW'1 , 'Z~ .19("14'7 J.l !l1..19047 1l2L.19011 'l21J!>(I41. J,.? 21,1'illM7 ~'9·;Z1.1~,1 ~.~ 21,j~1 +.!21.1~1 1S 2U'iJ047 11 '2U9G4'7 19-:2U'J)47. J~ 21'.190.17 33 21.1904'7 :3.S 21.J!ilN?

2. 155"9J 'LiR-'.~

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50

u;RIUITY 0.061 1,1:9.'];;':wtI

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IER'llUTY Il.~ 120.73598' 126,30772

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FERnLITY 1i.1IV3 J2<I~2

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FDUILll'V 0.084

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FERTILITY 0.085

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J] Y.,l,;!Ya...4!2 lJ40.M.r.U ~~3$.W'3

FERTILITY 9.086

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The first generation of all the different fertility rates' have a definite harmonic sequence, they might even directly relate to a lot of Bruce Cathie's harmonic equations. The first contraction of the variable numbers occurs at 0.027777 fertility which is the reciprocal of 36. The second contraction is at 0.055555 Q! II 18 .. The idea of a wave formation is taking place, the lower fertility rates show a small oscillationat the beginning, then quickly damp out to a stable number. Only when you reach around 0.03 that you start to have continuous oscillations between 2 numbers. there are few interesting values I will list, so we can the study its actions relating to its reciprocal.

0.021333 = 1146.875

0.027777 = 1/ 36

0.046296296 = 1/21.6

0.055555 = 1 / 18

0.066666 = 1/15

0.071111 = 11 14.0625

0.075 = 1 / 13.3333

population stop dying

the population reach a nodal point minor node

another node

the splitting of' groups ofvalues intersection of2 value streams another splitting into further groups


- - _._----------

51
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52

30 3.75 22.5
11.25 18.75 26.25
15 33.75 7.5 56.25 56.25 56.25

56.25

56.25

56.25

56.25

56.25 168.75

The number total 168.75 if you divide by 36 your result is 4.6875

3.75 45 30 48.75
56.25 22.5 37.5 11.25
52.5 26.25 41.25 7.5
15 33.75 18.75 60 127.5 127.5 127.5 127.5

127.5

127.5

127.5

127.5

127.5

127.5 510

Looking at the Magic square of 4 base 3.75 you have as the largest number of 60 which is the frequency of the AC current insisted by Tesla as the most efficient. The total value is very close to the musical C note being 512. The slight variations in the exact number and a derived number can be but another variable in the system, such as the changes in frequency due to heat( or Ether .density),

Another approach to the problem of'finding geometric solutions to numeric problems is to remap the magic square of three onto to a geometrical figure. By all the suggestions here, and the need for a shift to be taking place, the best starting position is the golden triangle. The difference in degree values of the triangle found in the magic square of 3 arid the pentagonal triangle is;

36.86988768 - 36

=

0.86988768 = 1/1.1495737 = 1/53 + 143.69671


9

8

53

10

1

2

3

6

4

5

A rotational effect towards the viewer will easily account for the difference between the magic square triangle and the golden triangle.

The first view is the basic hexagon which nature uses with vigor in most of its constructions, as a spin of 18 degrees will give you all the necessary angles. There are only 6 unique views out of a possible 1 0 rotations, making 4 repeats that are inverted.

The fourth step will give our magic square of three triangle while the fifth step will give us our golden triangle. 2nd = 10th, 3rd = 9th, 4th = 8th; 5th = 7th, while the 1 st and 6th are unique.

The number 5 is placed in the center of this crystal construction, being a derivative of the pentagon number, it must surely hold a prime place inall harmonic geometry. .

Looking at nested magic squares the possibility of a combination of a 4 set ( of a sqr 4 type) equa1ing 20 might mean that a sqr 3 is lurking within its borders as the 4 corner values are the most likely link. Checking through my tables shows no such possibility as. the increments offset by 2 keep it out of step with the corner links.

The action within a magic square can be analyzed when plotting the activities of2 Barium Ions caught in an electrical trap, by varying the strength of the energy used for the trap, it has been observed that at one frequency the system would freeze. It would be said the ions Crystallized, so they would hover next to each other cata.tonically.

the Magic Square of Three Crystal

54

H

6rl1e ~ace .7'\"fJ[e 5Pt'~ection

The area of the square ABeD is 1 .. 5 times larger than figure AECF, another sign of consistency in numbering. Square CDAB CEAF CKLE JGHI CPRQ

Area

9

6

6.5 11.077223 9.46316

Perimeter

12

10.198038 10.198038 13.313089 12.61754669086

Ratios of area 1:1

1 : 12/18 1 : 13/18

1 : 1.2308026

1 : 1.051462224238

Ratios of perimeter 1:1

1: 1.133115333333 1: 1.133115333333 1: 1.479232111111 1: 1.401949632318

The CRAP square and the CKLE parallelogram, share the same perimeter making the transformation to a shear square, The difference in area indicate a ratio decrease by 1118 which in decimal equals 0.0555555, again the reoccurring set of 5 'so The ratio of 6.5 I 6 is 1.08333333 which can beexpressed as the phi root of 1.64.

6.5/6 = 1.08333333

1.64 = 1.08333333 6.180403641

7.5/6.944444 = 1.08 5

=

41125 1.469328077

=

which is the area of the pentagonal triangle with a side of sqrt(5)

= 1.46946313


55

1.08009875865 1.474

=

16.17/11

F eigenbaurn constant 4.6692016

4.66948881

1.47 ==

=

Noticing that the perimeter of the CPRQ is 12 plus Phi and the ratio of areas with ratio very dose to the chromatic musical interval ratio 1.05946.

Length» AD LK GH

AC

FE

CP

SR

SP

3

2.5495095 3.3282723 4.2426407 2.8284271 3.154386672715 2.551952425056 1.85410196625

sqrt( 6.5 )

sqrt(11.077396) = 36.8686(1/3) angle at A Major apex =36.869898 sqrt( 18)

sqrt;( 8 )

The ratio CPI SR = PHl/2 ,now relates to the golden triangle.

Angles ECM FAG FAE SPR PSR CPR PRQ

1 L30993247 11.309734 22.619864948 22.619864 67.380135 67.379522' 54

36

108

72

3.6 * pi 7.2*pi

sqrt( 4540)

=18 * pi/5 =18 * pil2.S

There is no need to try to relate the angles, of the last 4 measurements as they relate directly to the golden triangle. Just adding a interesting fact about 9's like the Residual Electrical Capacity of a Quartz Crystal is 1/9, what it is in the air, This diagram below illustrates a circular natural movement, which can be seen in the sqr 3 arrangement.


56

r

~sonClnt Geometry

Studying the diagram above you can see how the pentagon and its. golden triangle fits into a square grid, having now more possibilities such as a sqr 3, 4, 5, and 6 existing within its. boundaries. The differences between 36 degrees and 36.8698 is where you will find a wealth of harmonie information as listed below,

Square 3

A B C

Area Arearatio Area diff

Pentagonal Triangle

sqrt(2) sqrt(2)*1.5 sqrt(5)

1.414213562 2.121320344 2.236067977

sqrt(2) 1.378517524 1.381966011

2.176250899 sqrt(2)* 1.5 2.12662702

2.288245611 2.230488207 sqrt(5)_

1.538841769 1.462138634 1.46946313 1.025894512 1.025894512 1.02078097 0.038841769 0.Q37861366 0.003053687

1.5 1

1.5 -+

21 dimensional quantities (reduced number is 3 )

A 1.3786 B 2.0678 C 2.1797

1.3820 2,0732 2.1854

1.4106 2.1160 2.2305

1;4176 2.1266 2.2416

1.4142 2.1213 2.2361

1.4472 2.1708 2.2882

1.4506 2.1762 2.2939


57

This gives us a table of seven unique magic square triangles that are incremented as such;

A drffcrcllce B C Ratios Areas
1.378517524 '2.067776284 2.179627583 1.42523'2922
1.38 i9660.11 Q.003448487 2~072949014 2.18508012 1.002501591 1.43237254
1.410684607 0.028718596 2.116D26908 2.230488207 1.020780971 1.492521294
1.414213562 0.003528955 2.121320341 2.236067976 1.002501591 1.5
1.41775.1 348 0.003537786 2.12662802 2.241651706 l.002501592 1.507514162
1.447213597 0.029462249 2,170820393 2.2'8'8245611 1.02078097 1.570$20394
1.450833934 0.003620338 2.176250899 2.293969867 1.002501592 1.578689326 The. other 3 unique cases are for golden triangle;

A difference B C Ratios AJ'eHs
1.378517524 2.120.20344 2.23048$207 1.462138634
1.3819660] 1 0.003448488 2 . .12662702 2.236067977 1.002501591 1.469463129
1.4142J3562 0.032247551. 2.176250899 2.288245611 1.023334547 1.53884]768 ams 36.86988768 apt 36
bms 71.56505116 bpt 72
ems 71.56505116 ept 72 The total number of triangles that ape in this operation is ten, surprising enough the areas. show some tangible evidence for a oscillatory pat tern .. The fact being if we see that the area of 1.5 as a central node the on one side you have a decrease in ratio the same as the increase on the other side of precise IX 1.025892512 , making a gap of about 0.0767 and jusH€! be asymmetrical, there is a node just 0.03 less than 1.5, this almost shows an orbital arrangement with the values listed. When you take the difference of area from either side and divide the result by 2 you come very close to the 1.5 mark. (exactly 2.0258945 )

If you noted the ratio sequence with the value 1.002501591 then you are very already seeing the sequences. You must remember that A is related to C by the ratio 1.6'18034.

CIA 1.618033989

The base ratios are all related to the area ofthe magic sqrof 3 level 1 that being 9, lets us look at another golden triangle that fits into this scheme. The tow quantity is 3 and it~ area is 3 in this case this is the square of the numberof total squares, saying this we must now work out the values for a golden triangle with' the area of 3 .

A

1.97459777 B

3.038593525

C

'3 .'194966306

Now if you multiply A dimension by 1.25. YOLI have

A

2.468247213 B

3.798241906

c

3.993707883

This will gi ve YOLI an area of 4.6875 which is a ratio of 1.92: 1 to the larger magic square, the area IS now the same as the line number values of the ratios in the Musical key of A sqr of 3.


~--

58'

This type ,of approach acts as an elliptical function by returning the ratio values from one system to another, and retain the self similarity with respect to its use of ratios. The idea of resonance of geometric forms is what can be concluded from some of these triangles.

The magic square triangle also lends itself to the 4.6875 area;

A

2.5

B

3.75

c

3.952847072

The area shades in the magic square triangle come to 4.21875 area while the remaining outside areas come to 0.46875.

15.796782 1.9745978 11.847587
--
5.9237933 9.8729889 13.822184
. ~-.~ .- .
7.8983911 17.77138 3.9491955 29.61897 29.61897

29.61897

29.61897

29.618967 29.618967 29.618967

29.61897 88.8569

The 4 and 6 positien, 7.8983911 and 11.847587 could also translate to the natural frequencies of the Earth, this particular square form could be rounded to a whole number even equence,2,4,6,8.1O, etc. giving you a total of 90, and, now with the musical form ratios.


------

59

3.9491955 1.9745978 3.3321337
2.4682472 3;085309 3.7023708
2.8384843 4.1960203 2.2214225 9.255927 9.255927 9.255927 9.255927

9.255927 9.255927 9.255927

9.255927 27.76778

The total value is between 27 and 28, suggesting another correlation. The position where 6 is at the base levell, the value is 3.3 3 213 3 7 the numeric consonance between these numbers suggest a correlation.

27.76778/3.3321337 =

=

8.33333 4515.4

8.33333 '" 1.777777 53 / 8'.3333333 16/8.333333

=

1 /0.12

=

50/6

4.6875 15 1.92

=

=

=

being the ratio of 9 14.6875

This last figure suggests an increase dealing with-the value 16, either as the 11 sequence or a proportional area ratio.

The Value 1.92 is also the value for the pressure of the Ether, 1. 92 e-7pa.

Looking at the ratios of a Sphere with a radius the same as a diagonal of a Square 3 area of 9 This value equates to the square root of 18.

Radius 4.24264068~ Volume />faa
Volume Area Rllllo to Sphere Ratio to Sphere' Faces lEdges Points Edge x Edgey !Ratio type
Sphere 319.8875715 226.1946711 1.0000000 1.0000000 .1 0 0
Cube 117.5755077 144.0000000 2.7206990 1.5707963 6 12 8 4.8989795 4.8989795
~Square~fl 114.5512986 120.$307436 2.7925268 1.8766554 5 8 5 7.3484692 5.1961524
iSqtAUe Dyp~arriid 101.8233765 124.7076581 3.1415927 1.8137994 8 12 6 6.0000000
Cylinder 169.6460033 169.6460033 1.8856181 1)333333 3 2 0 6.0000000
Double Cone 1599437858 159.9437858 2.0000000 1.4142136 2 1 2 6,0000000
Cone 89.9683795 127.2345025 3.555SS56 1.7777778 2 I 1 7.3484692 6.3639610
Tetrahedron 30.4374358 .62.3538291 10.5096754 3:6275987 4 6 4 6.0000000 5.1961524
Double Tetrahedron 66.1362231 104.5705503 4.8391983 2.1630820 6 9 S 7.3484692 6.0000000
Dble Star Tetrahedron 74.5284512 93.5307436 4.2921653 204183992 24 24 8 6.0000000 5.1961S14
Booky Ball (approx) 24~.OOOOOOO 190.9188295 1.3164098 1.1847688 32 90 60 1.6215651
lscQhedron 165.3405576 155.884S'n7. 1.9347193 1.4510395 20 30 12 4,2426407 3.6742346
Dodecahedron 152.9602306 :171.3611437 2.0913120 1.3199881 J2 30 20 2.8386838 4.8927600
Ellipsoid Flat 188.4293334 }.6976527 1 0 0 2
Ellipsoid 125;6195556 2.5464791 1 0 0 3
Ellipsoid 942146667 3.3953055 1 0 0 4
Ellipsoid 75.3717334 4.2441318 1 0 0 5
Ellipsoid Tall 94.2146667 3.3953055 1 0 o 2
Ellipsoid 41.8731852 7.6394373 1 0 0 3
Ellipsoid 23.5536667 13.5812218 1 0 0 4
EIUpsotd 15.0743467 21.220659] 1 0 0 5
~ggForm I 0 0 The Magic Square of Three Crystal

60

A couple of the most notable references must be made; being the volume of a cylinder and double cone has the same value as its surface area. The number 144 turns up as the measuring stick by which hartnonics are related. This list is incomplete, and can easily be finished, if you need to correlate more ratios than have so far been shown .. This is the working out of the surface area of the square dypyramid:

Area = 'sqrt( (r2 *2 ) - ( sqrt( r2 * 2 ) I 2 i) * sqrt( r2 * 2 ) ! 2 * 23

Note the use of 2 throughout this equation, If the radius becomes half of the value listed then the area of the cube is 36. The area of the sphere divided by 18 and multiplied by Pi becomes 4, this. by all means is another re-ason to explore the magic square 4 numbers.

The reference to edge x the 6 value shows that the square dypyramid, the cylinder and the double cone are related, these forms are the most widely used jn machinery. The construction of a magic square will shed more light into these solid forms.

The square dypyramid fits with a square 3, by each face being equal to a value in a magic square 3 and the S at the center plane which all the other numbers touch, just as in the square 3 form.

The Magic Square ofThf:ee Crystal

Volume = Sphere V nlume ! PI

61

FaEBS = 8

Edges = 12 Point~ = 6

Area of Outside Surfaxe = Radius of Sphere 112 A Sqreot 0(48

The Cube could also be a referencing system, if each comer becomes the outside 8, and the 5 is at the center, much like a body centered atomic construction (e.g., Fe).

The treatment ofa square pyramid, with its 8 edges as the numbers surrounding the center 5 of the magic sqr 3 is another approach that would surely extend this manuscript beyond its present form. The other possibility is looking at the crystal t chose earlier, the hexagonal dypyrarnid ..

The crystal structure of Quartz is commonly a hexagonal dypyramid, and displays a 6-fold symmetry, usually found as high temperature or low temperature formations.


I

7

3

9

6

8 .

4

62

1

7

2

8

2 8

3

6

2

8

4

4

The suggestion of a prime action that is always taking place, call it ethericifyou wish, can be seen in the action with its numbers. To see what is happening with the placement of these lines on the edges of the crystal form we must draw the same musical chords as shown in the 32

transformations on this set of diagrams. The set of 11 sequence also. makes a dual 6,9 balance set of linear pictograms,

I should also mention the 12 classes of Crystal based on point symmetry, or in other words there is only 32 ways of arranging objects about a point in space. In the writings of the Vimanika Shastra, the flying Vimana aircraft employed a 32 part system in building the Ancient Flying Discs, the frequency of 32 Hz is also the musical note of low C.


63

Growth is what a crystal does most efficiently. when given the correct environment and a raw diet of generic compounds.

! ,I

/

i

/

There are other geometry's that are involved in magic squares, take for example, the Unified Vector Geometry, which was used by Buckminster Fuller when he built his geodesic domes earlier this century.(1930'.s).

This Picture is the layout for one half of a Buckyball.

The Magic Square of'Ihree Crystal

64

Figure x

When comparing you must find correlation's with parts of the system. Note must be taken on the interactions between different geometry's and their respective harmonic regimes. As we can see that the odd number squares are related directly to odd numbered polygons. We are still pursuing the 4 to 5 to 6 movement, so I have added the. hexagon to figure y.

Figure y


65

Scaling becomes an important process ofthis type of geometry The triangle that can contain the square of 3 has increased in ratio by n/2.trom the previous triangle with the smaller side being equal to 3.

,
Figure Figure
x y
Side ,Length ratio multiple Length
A 1.5 -, *2 3
B 3 *2 6
C, . sqrt(_12) *2 sqrt ( 45 ) ratio multiple * 21n *21][

* 21n

Figure

z Length

4.5

9

sqrt( 810! 4) = lQ1.25 sqrt( 4.6875 * ~.16 / 4 )

sqn] 4,6875 >I< 0.54 )

Well the number 101.25 is after all the product of 4,6875 and 21.6) 4 with a ratio that includes PI, the latter being a harmonic number much investigated by Bruce Cathie. Here again we can see. a numeric growth factor affecting a sexadecimal spherical number, As Bruce points out the volume of the Barth and atmosphere in nautical units is a 216 harmonicnumber.

,',

The Magic Square a/Three Crystal

66

The number 6 is at the base of this harmonic.showing as 63 and becoming 6/4 = 1.5. The numberlOL25 also relates to the base number for molecular weights of Magnetic alloys as shown by the late Professor Harold Aspen.

Figure z

The triangle of 30,60,90 degree angles, is one of the most common triangles used when designing and working out problems regarding 3 phase.circuits etc.

The 45 intersections and the 16 lines of this triangle can be mapped on a globe, to reveal 106 minorgreat circles, 15 major great circles, 62 grid points, 48.00' minor points, 120 (30,60,90) triangles.

The total of 4862 points and 121 great circles houses all 5 platonic solids, this alone should reveal some interesting number correlation's as previous stated.

121 4862

=

11*11

45 '" 108.04444 == 6 * 810.33333

4,6875 *8.1033333

442 = 1 + 21 2

= 9 '" 540.22222

4862/11

=

= 144 '" 3 . .0694444

There's no doubt about these numbers having harmonic affinity with the magic square set The Magic Square of Three C,ystal

---------

-- ._--

67

The Mandela Coil

I

/

I .I

1 /

All measurements. above are in 11"1111

Turns Coil 1 216 Coi12 432

CoiJ 3 165.4168

Wire Thickness = 0.5 mm

The application of ideas must include a variable direction so as to work into natures own etheric web, This jn turn, will accomplish a form of welding of concepts, forging a cycloidal path theft replicates the fractal divisions of our labor.

This diagram is of a plan view of a set of Tesla coils which was designed to resonate harmonically with all its components in a particular measured set of units, The frequency I chose was 216000 Hz as the base unit with 648000 Hz being its orbitally paired set, being a 3r~ harmonic. This arrangement as seen also included a 12 star WOi.Jl1d coil, this helped increase the inductance to the correct harmonic value, with the harmonically wired 4 stage stepped' resonant Tesla coil. The Voltage out put is also in the-harmonic domain, 648000 volts. The coil wire length is 347.2222 mtrs , which is the reciprocal of 0,02;88, a light .harmonic factor, in grid measurement (nautical mile = 6000 units of gnd foot) it becomes 1125 grid ft. The weight of copper in the coil is 0.618 kg which is the number of Phi.

144000/ 128 =1] 25

6000/i28 =46,875

1125./ 46.815 =24

=144000 r6000

The action taking place for balancing is an orbital motion, as parts ate moving in different directions adjusting the balance, just .as all the odd number magic squares do.


L

Odd nUll1ber orbital to the Right one step Even number orbital to the Left one step

68

AU odd number squares exhibit this form of rotation, 3,5,7,9,11,13,15,17,19,21,23,25 ... ".

An observable concurrence is the square of the center number 5 equals the 12th position of odd number squares. The action can be viewed as, a rotor with the same polarity at each arm! this is much like Robert Adams magnetic rotor.

The 2 circles could also be viewed as simultaneous equations on a x/y grid: 4x2+ 4y= 36

9x2+ 9l= 36

Seeing the magic square of 3 as a calculating tool can be most rewarding. The placing of the orbitals now focus on the first 3 numbers then starting again at the 3rd another set of 3. You create the same as a inverse pair of operations starting at 9 and working back The structure if extended can reveal some interesting ideas regarding cyclic operations in galaxy formation.

4+3=9

6-5=1 Sulrtr- a <tion pair

Addilio .. pair

DiYioioil triac!

(l*l)'l=iI

(!H-1)1'fl =2


69

Al Bl
4 7
2 5 8 3 5 7
3 , , 4 9 2
A2 B2
8 1 ,
2 5 8 3 5 7
3 , 9 9 2 This form shows the rotary nature of a sqr 3 when switched, either as a balanced or unbalanced square. The sequence consists simply of Al,Bl,A2,B2,A3,B3, ... etc. have noted the length of the line traveled is sqrt(5)*4 + 4.

1 6 827
J~~
7 695
.J,
9 2 143 This form shows the harmonic numbers moving in a wave. pattern. Line length = sqrt(5) '" 3 + 5

827 = 695 = 143 =

(14.378804'" 2 i 1/0.0014388489

Center of light harmonic ( Cathie)

Here is another way to form a square 3, thus

C+B C+A-B C-A

C-A-B C C+A"+'B

The values to use to make a base 1 sqr 3 are:

A =
B
C = 1 3 5

C+A

C .. A+B C .. B


70

Different values can bring surprising results

1,6,10

16 5 9

2,6,10
16 2
6 10
,8 18
3,6,12
18 3
9 12
9 21 3 10 17

11 15 4

Grouping of 3 sets

3,4,5 9,10,11 15,16,17

line = 30

total = 90

12 14 4

2,4,6,8,10,12,14,16,18

Even number set

line =30

total = 90

15 15 6

3,6,9 9,12,)5 15,18,21

Groupings of 3 set

line = 36

total = 108

This last set is a linking amongst the paired sets, notice how all the columns has a reduced number pattern 9,3,6. The total is certainly a Phi related degree number.


71

14389

This set of triangles, again show some of the numbers we met along the way, note the balanced forms. 137 also can refer-to the fine structure constant As you can.see these numbers are not just random occurrences but show up consistently through out these equations.


72

",ODD'IEVEN,

" ,

PAIRS-OF 10

,. . .

The amazing way how only 9 numbers can be organized, and still reveal new patterns and numeric harmony, is surely an indication of Natures economy,

, Ti 'orZr ' " -

E'field

. ;:;: "\'"

, • • I' .,' '.~ '.

~~))

.';; .:

.," .' "

.: " .. ' .. ,,; ~

TIw Magic Square of Three Crys.tat

..-- -

co croci t1 of.o ou I~a in a0\\..cd1 urn

Material

Velocity m/s

Density kgimJ

BlIll,M odulust Pa )

A.lr( 25 deg)

346.0-0

UbOO

1.40~+05

Air (20 deg)

344.ob

1.2050

1.40E+05

/IiI' (0 deg)

331.30

1.2930

1.42E+05

Aluminium

5100.ob

2700,0000

7.00E+10

AIllil1l0l1V

34~3.80

6615.0000

7.'8013+10

Bismuth

2746.70

9411.000.0 .

7.10E+10

Brass

.1461.70

8595.0000

1.0"3E+ II

Bronze

}51.3 .00

8913.0000

1.10E+ll

Cobalt

4865.50

g913 .. 0000

2.11E.+11

Constantin

4375.40

8880.0000

1.70E+ 11

Copper

3619.60

893p.OOOO

I.17E+l1

Earth

3896.00

5521.0000

8.381<)+],0

Ether (Jil?:hlmediullI

299792540.00

2.137E-24

1.92.£-07

GlilSS

470.0.00

J6UO.DOOO

5.8,OE+IO

GiJld

202'3.50

19293.0,60(1

7.90E+IO

Helium

972.00

0..1790

1.69E+05

Hydrogen

1267.00

0.0890

1.43E+05

Iridium

4834.3,0

22421.0000

5.24E+ll

/1'011 cast

4453.70

7058.0000

1.40E+ 11

Iron pure

5061.70

7806 . .00.00

2.00E+]J

lron wrought

4990.30

7750.0000

1 .. 93E+ll

Lead

1230.00

113GO.OOOO

1.70E+l0

Magnesiunt

S01.2.tW

1744.0000

4.40E+1O

'\de rcury

1452.00

13540.0000

2:83'E+ 10

l'v'ickle

48J 5.00

8885.0000

2.06E+]]

Nobium

3470.20

8553.0000

1.03E+1]

Phosphor Bronze

3399.40

891).0.000

1.03E+] ]

Platin i IlI1J

2663.60

21424.0000

1.52E+U

Silver

2688.00

I 05,1 8.60(JO

7.60EHO

Sleet

513(}.00

78000t)00

2.00E+lJ

Tantalum

3346.60

166Q7.000C:)

1.8GE+l1

Till

7197,.0000

4.IOE+ 10

Titanium

49]7.50

4512.0000

l.LOE+11

4240.90

19182.obob

3.45E+ll

Vanadiuns

4520.50

6117.0000

1.25E+Il

Wtuer

1450.00

1000.0000

2.10E+I0

Zinc

3652.20

7197.0000 '

9.6()E+1O

:Z/ rcon i 111I1.

3809.50

6477.0000

9.40E+l0 ,

I = sound intensity

A= amplitude of sound pressure

d = density of medium

v = velocity of sound

U = bulk modulus

1 =A2/(2*d*vj

V = sqr( U I d)

2 W/m

01 N I III

kg 1m3. fills GN/n/ W 1m2

Ill! S

The need to work out your material lengths harmonically is to first match your materials with their acoustic wavelengths, so a natural Sense of order IS achieved without cost. The frequency matching can beof harmonic proportions so different materials. can be used together. The. atomic scale matching can now be a little easier without tile need to consider the variable lengths that constitute a general approach to design.

The Jingle Square of Three Crystal

74

The choice depends on the need to incorporate a particular action within the device, to make matters simpler I will start with the most basic materials.

Density Velocity

Bulk Modulus

Copper 8930 3619_16 1.11£+ 11

Iron 7806 5061.7 2,00E+11

Nickel 8885 4815 2_06E+l1

FI

Velocity / Wavelength 97340.385 Hz

= 8192 * 11.88237121582

11.87 is a natural Electrical frequency of the Earth

8192 = 256 * 32

Find a pivotal relationship between all three values, use Phi to find if they are aligned:

VI =

V2 =

V3

3619.16 4'815 5061.7

3620.3856=2560 * sqrt( 2) 3620 = 572'" 0.618034 * 10.24

5062,9343= 8192 * 0.618034.

V3/V2 = V2/Vl= V3/Vl=

1.051235721703 1..330419213298 1.398584201859

Wave length = V31F1 = wI V2JFl ;;:;: w2 VIIFI "" ",,3

;;:;:0.052mtrs = 0,026. =0.0495 mtrs = 0.0247 =0_0372mtrs ;;:;: 0.0186

The wave length becomes half due to the way acoustic waves internally reflect at the mid point of the Energy cycle. being longitudinal they will exhibit a bi PQ1a.r pair balance when in a standing wave structure. This means that the compression wave and' the expansion wave are at a zero node at either end. refer to the magic squares to see the same action occurring. Once accomplished the average change in displacement becomes zero, this is a preferred state of nature as less effort is needed to sustain resonance.

w2 / w3;;:;: 1.051235721703 = 69.3815576324 /66 w2 / w1 ;;:;: 1.330419213298= 143.6852750362/108 w3 / wl = 1.398584201859 ~ 1/0_715

== 143/136

~ 2/1.43

Look at this close reference

13 '" 1.3986014

=

18.181818

Dl 7809

D2 8885

03 = 8930


75

D3 / D2 == 1.0050647 D2 / Dl = 1.1377897 D3! Dl = 1.1435523

D3-n2 = 45 D2-Dl = 10.76 D3-Dl = 1121

Pal =
Pa2 =
Pa3 = 1.17E+11 2.o.OE+l1 2.0.6E+l1

Pa3 / Pa2 = 1.03

Pa2 / Pal = 1.70.940.17 Pa3 I Pal = 1.7606838

Pa3 - Pa2 = 0.'.06 Pa2 - Pal = o.~83 Pa3 - Pal = 0..89

So it the ratio of the lengths and velocities between Iron and Nickel is 'R ratio of 1: 1.0.51. then wouldn't We try to bring this ratio a little closer to 1 : 1.05946, which is the ratio that spawns our chromatic musical scale. Once accomplished you can increase the length by this same ratio so either piece of material can be longer or shorter. The use of this ratio can bring these materials in concord to each others Harmonies, just as the Xylophone when struck with 3 sticks

Now there is another way of tackling the, answer, make all the pieces the same length.( 0..026 * 2 mtrs)

Fl =VlIwl = 69599.231 Hz C#
F2 =V2/wl = 92596.154 Hz F#
F3 =V3/wl = 97340..385 Hz G
F2lFI = 1.330.4192 ratio of a 300
F3/F2 = 1.0.512357 ratio of a 1st
F31 FI = 1.38985842 ratio of sharp 4th The key of D Major looks a possibility

D

E

F# '"

G

'"

A

B

C# ( actual octave lower) '"

It looks like Copper needs to be realigned if ",e are going to use it as part of the sequencing vibrations.

Concentrating on the Iron, Nickel combination we can. safely place a lower frequency instigator.

D ='12466.555 Hz

If we change the copper length now to match this lower frequency ~ then we will have a form of harmonic mass frequencyexchange.

wl = 0.0.49942487

As these notes do not constitute a single harmonious chord, I would suggest a series arrangement with the copper being the center sandwich, thus separating the two single interval gaps.


76

The only dimension that I have mentioned has been the Length, the other 2 can be the same or a musical ratio difference. So any small changes in any of these ratios will affect all subsequent operations. The idea is to use the tables to recognize harmonic relationships, and to define your numeric parameters of your materials before you cutany lengths.

The use of resonant equations is of prior commitment while working on any harmonic system

fe = 11 (2 * 1t * sqrt( L * C ) ) fm = 1 I (2 * 1(; * sqrt( k I III ) )

fa = 1 / (2 * 1(; * sqrt( Ma * Ca ) )

Electrical Mass Acoustic,

The volumetric approach can now take. form, with the problem of mass density being resolved. The simple equations presented here can be a beginning to a long list of investigations.


77

The description of the ether as a gaseous medium, is by all accounts the same as the one Nicola Tesla describes many times in his writings and actually gives some formal understanding to the reader. To quote Tesla "The Ether would weigh H20'h of a pound ifthe volume is, the same as the Earth :,~:."

Tesla.also describes ion another statement the velocity and density us compared to sound. "If light travels 900000.tilries/a.)'tei' than sound, then the density must be that of the Ether itself"

Lets look at the mathematics of this description:

Constants to use:

One kilogram One pound

Gravity acceleration Earth radius

=:tZ05 lb.

"" ().45351474 kg

= 9.81 mtrs Isec2

=0' Co

= 6378000 mtrs

Earth volume =vL= 4 * IT *' r3! 3 = 1.0'826975£+21 cubic mtrs

1/201b_ = 0.022675737 kg weight

Mass 1I20lb = m = kg wt I g =2.3138SE-3 kg

Velocity of sound = vl = 344 mtrs per sec @20 deg G ~ 346 @25 deg c

Velocity of light = C = 2997925'0'0 mtrs per second

Density of air = d 1 = 1 .205 = kg / mtr'

Pressure of air 1 atmosphere = pa 1 = 101320 = Pascals

Permittivity of Vacuum = eO = 8. 854·e-12= farad! mtr

Relative permitivity of vac = er = 1 = farad! rntr

Permeability of a vacuum = uO = 4E'-7 * ~ = 1.25663 708E-6 henry! mtrs

Relative penn of vacuum = ur = 1 = henry / mtrs

Time = t = seconds

Distance =d = mtrs

Frequency = 11 t = f = hertz

Inductance = L = henrys

Cq_pacity= c. = farads

Inductive Reactance = )CL = 2 * n: * f * L

Capactive Reactance = XC ;= 1 / ( 2 * re. * f * c J

E = energy in joules

EL = Elasticity for solids

K = Bulk modulus of'rnediurn , measure of how hard it is to compress the substance

K= change in pressure / volumetric strain

Pa = Pressure in Pascals for gases

EL =K =Pa

k = Laplace constant, ratio of specific heats, constant pressure to constant volume

T = Tern peratu 1'0,. Kelvin

Change in volume! original volume = change in pressure / bulk modulus

The Mog«: ;Square ofThre« Crystal

78

Velocity of the medium can be determined by a few equations

c c c c c c c

= frequency'" wavelength = impedance I density

= sqt(Pa/D) =sqr(k*Pa)/D)

~ sqr( k • Pa '" T )

±: 1 I sqr( uO >Ii ur '" eO '" er ) =sqr( E / m)

;:;f*L =ZOID

for ideal ga~ ( ether) for gases

for gases

Maxwell

Einstein

Density

= mass I volume

= impedance / velocity = impedance I velocity

=m/VL =Zl/C =ZO/C

= 1.2566E .. 6

= 2.137E-24 kg mtr3

Impedance = velocity '" density = C I D

= pressure I velocity = Pa / C

== sqti( R2 lie (XL .. XC)2)

= sqr( ( uo '" ur ) I ( eo *er » =

= 1).0/ C

== 6.4Ew16 kg mtr3 mls

=376.74

Pressure

= density '" velocity 2

= impedance iIc velocity = impedance '" velocity

=0'" C2 = ZI '* C =ZO*C = 1 I eO

= 1.I294E+ 11

= 1.92E .. 7 pascals

therefore if

1 I sqr(uO '" ur * eO .. er )= sqr( Pa / D )

also

C =Zl/D

1 = Pa I (D '" uO ., ur * eO .. er )

D =Pa/(uO*ur*eO"'er)

D I Pa = 1 / ( uO '" ur oJ< .eO '" er)

ifur =1 and er = 1 as for a vacuum state

D/Pa

= 1 I (uO * eO ')

if DIPa

= 2.137E-24 / 1.92E-7

= 8.9845E+ 16

and if

11 (uO*eO)

= 8.98458+ 16

also e/v!

= 871489.8255

= ratio of sound to the Ether

So we now have the hydraulic equivalent of the Ether.

The. MagiC Square of Three Crystal

---- -

=D =D =uO

=Z1 =Zl =ZO =ZO =ZO

=Pa =Pa =Pa2 =Pa2

79

This form of the Ether can now be plugged into many different problems and provide answers

to many unusual effects that have proliferated in the sciences for nearly a hundred years. Hans Alfven, has basically verified all of Tesla's understandings of the origins of cosmic particles and the function of resonant plasmoids in space.

Critical velocity of a plasma Vion

Vion2

1836

Vion * 6

= Max velocity of electron I 1836 = 163289.76 mtrs sec

= 161803.4

= C 11836

= velocity of ions ( He+) = 297071042.411836

= Proton mass 1 Electron mass = mp I me

= 980000 = Resonant velocity in a plasmoids

Einstein's equations tried to deny the existence of the Ether and we still arrived at the nuclear bomb, via some great men like Enrico Fermi, but the problems were mathematically complex and difficult to grasp. Tesla' s original single element disintegration bulb was the first step in the design link to a thermo-nuclear detonation device. As nature can reveal its hidden secrets, it can also lead men to false analogies about what they experience. Some analogies will function others never seem to fit but the overall conclusion seems to be that nature is inherently simple in all its workings. Is the mathematics of nature different to the equations that we use to try to describe it, in some cases the mathematics are very accurate but the way the equations are described can only be understood by a mathematician not by anything else in nature. The numbers might be correct, the sums may add up but the true nature is never revealed, could the real reason be that we use a set of rules with numbers and another set that deals with its representation,

Just adding to finalize this work I have some equations that relate to the polarization of the dielectric medium. what is needed is a full working out, with your parameters and a suggestion to know why does a capacitor stay charged when in a vacuum, while the currently held view is that electronic polarization is because of the displacement of the atomic nuclei. My thoughts are that a vortex of Ether is created between the plates, the Ether trying to balance the charged elements, and this exchange can in the right conditions increase its energy flow. One condition is the external stimuli is a radiant energy source in the correct frequency range (Gap distance ).

CDie(ectric 9?o[ari£ation

Utilizing Clansius-Mosoui Law you can determine the:

molecular polarization (P)

ofa substance whose molecular weight is (M)

and whose density is (D)

and dielectric constant ( er)

is given by this law:

P

= ( ( er - 1 ) 1 ( er + 2 ) ) I« MID

Lets look at the Dielectric Constant in terms of the

(F) (e) (r)

force

between two electric charges separated by a distance

in a vacuum is given by:

F


80

In any other medium this relationship. becomes:

F

F

F F"'er*r er

n therefore n

e2

e

= e4 I ( er * r2 ) =rn " a

-= D * VL * «( f * d ) / t )

? = e·-

= ,e2 ! ( F >I< r2 )

= ,e2 I (m * a >I< r2 )

= e2 I ( D * VL * ( ( f * d ) It) * r )

= sqr( er ) = refractive index for most dielectrics

= sqt ( e2 ! ( D * VL * ( ( f *: d ) It) * r2 ) ) = m *' a" er * r2

=D*VL*a.*er*1'

=sqr ( D * VL * ( ( f * d ) ! t ) * er * l) = each electric charge

Where (er) is the dielectric constant of the medium, The dielectric constant is a measure ofthe polarity of the medium. With this last statement I add that the medium firstly would be the Ether and all matter that exists would have polarity because of it.

I hope you have enjoyed this journey as much as I have in writing it.

The Magic Square of Three Crystal.

81
qndex
A ~ Cl'{y;meric (forms
Adams, Robert 20,33,68 Malthusian 44
A1fven, Hans 79 Magnostricfi ve 33 101.25 66
A Major 40 Modal 29 10.125 19
A Minor 40 Music 29 1.05946 4_2,55,75
108 45,54,55;70
en CJ't 1080 20.55
121 66
Barium 53 Nicola Tesla 52,61,71 137 71,72
Bridging Oxygen 28 Nickel 17,33 1.40625 9
Bruce, Cathie . 46,65,69 14.0625 44,50
Buckminsterfuller.63 0 1.43 28
Oxygen 28 143 19,69
C 1.4375 9,44,67
Cathie, Bruce 50,65 9? 1.44 27
Cube 61 144 10.20,59;60,66
Palindromic 16 15 8,18,30,40
Cone 59 Pentagon 10
Codon 16 18,19,24,34,59
39 Phi, PHI 17 1618034
9,10,-57
Plasma 28,79 18 19.36,50,55
en Piezo 33 1836 36,79
Dypyramid 59 Pythagoras 11 1.92 57,59,77
Dielectric 77,78,79,80 Pyramid 20~21 216 65,66,67
24~ 19
CE Cf{_ 256 19,42,44;74
Ellipsoid 59 Renaissance 11 27 19,36,59
Environment 44 Residual Cap. 55 32 42,62,74
Equilateral Tr. 19 Rotation 53,68 36 9,10,15,27,60
36.869 40,55
Ether 39,59,77,18,80 3.75 52,~8
S 45 8,9~36,59,6S
Oi Shear 54 4.6692016 47,55
Feigenbaum 43,44,45,47 Silicon 28 4.~875 44,58,59,65,66
Fertility 44 Square 11 39 486 19,20
Fibonacci 8,15,16,43 Square. 4 30,36,49,52,71 4862 20,25,66
Fifths Cycle 42,43 Square 5 32,38 0.5 12,34
51.85 21
G &r 54 36,55
572 19,74
Genetic 39 Tesla, Nicola 52,67,77 55 15,16,30,43
Gravity 2S Tetrahedra 28,59 60 24,28,30,34,52
Golden Triangle 10.53,55 Toroid 28 64 1839
"
Galaxy 68 618 67
Gyroscope 22_ CO 618034 9,10,11,18,19
Unified V.G, 20,25,63 648 46,67
CJI 72 10,57
827 69
Harmonic 30,36 CO 8.33333 28,59
Helium 47 Vector' 25 8.88888 28
Vimana 62 972 36,73
q
Iseohedron 59
.~
Kepler 5
The- Magic. Square of Three Crystal 82

Thank you./ot' your support in buying this Mff!.nllSQript as this m(;(Y allow me tb further the§e stiJdfes and make . practicalq( qll th(lt hAksil'! natures paitemed: domain, .... A:1'W

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