family life coexist with the freedom to choose and accept diversity in relation to
domestic, sexual and kinship relations. After the introduction, the author presents
several situations and facts which she considers are the causes of the decline of
feminism in the last twenty five years, each one developed in a different section. Finally,
all these ideas are showed in the last point where the author relates them to Bridget
Jones, the main female character of Bridget Joness Diary by Helen Fielding (1996)
which was brought to the big screen in 2001.
This last point acts as a conclusion itself, showing the reader how all these feminist
theories discussed previously can be applied in a real example. The author concludes
that the way people understand feminist and post-feminist ideas are a contradiction, or
are combined in a very struggling way. The double entanglement the author mentions is
clear in Bridget Joness character: she wants to be an independent, sophisticated,
modern woman but she also wants to get a husband and a family with traditional values.
This re-invented feminism is a well-regulated liberty that is defined by the same
young women who want to liberate from the manhandling their predecessors have been
subjected, but also want to find a good catch to avoid loneliness in the future.
Bibliography
McRobbie, A. (2004) Post-Feminism and Popular Culture, Routledge:
Taylor & Francis Group, Feminist Media Studies Vol.3, No. 3