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Ouroboros - 2012 - Earth Changes

9. December 2016, 16/12

2012 - Earth Changes

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Ouroboros is an ancient alchemy symbol depicting a snake or dragon

(DNA) swallowing its own tail, constantly creating itself and forming a
circle. It is the Wheel of Time - The Alchemy Wheel - "12 Around 1" (*) to
manifest grid programs that give the illusion of linear time allowing souls to
experience emotions.
(*) Reality begins as a source of sound, light and color, resembling a
pulsating orb which is a consciousness program through which 12
spiraling cones burst forth to create endless grid programs. "Cones" link
with "horns" or creational harmonics and other "horn" references found in
mythology, especially those linked to gods and angels. It all began with a
tone and so it shall end.
Souls sparks of light spiral out from the central source, randomly moving into the grids to
consciously experience programs simultaneously. This movement of souls resembles spiraling
galaxies linked with creation through the eye, the lens of time, projected illusion through the looking
glass, Eye of God, etc. Ouroboros is associated with Alchemy, Gnosticism and Hermeticism. It
represents the cyclical nature of things, eternal return, and other things perceived as cycles that
begin anew as soon as they end. In some representations the serpent is shown as half light and half
dark, echoing symbols such as the Yin Yang, which illustrates the dual nature of all things, but more
importantly, that these opposites are not in conflict.
Origins of the Ouroboros The serpent or dragon eating its own tail has survived from antiquity and
can be traced back to Ancient Egypt, circa 1600 B.C.E. From there it passed to Phoenicia and then
to the Greek philosophers, who gave it the name Ouroboros ("the tail-devourer").
Norse Mythology - the serpent Jormungand, one of the 3 children of Loki - the Trickster who grew
so large that it could encircle the world and grasp its tail in its teeth.
"The trickster is an alchemist, a magician, creating realities in the duality of time and illusion. The
trickster deity breaks the rules of the gods or nature, sometimes maliciously (for example, Loki) but
usually with ultimately positive effects. Often, the rule-breaking takes the form of tricks or thievery.
Tricksters can be cunning or foolish or both; they are often very funny even when considered
sacred or performing important cultural tasks. In many cultures, (as may be seen in Greek, Norse or
Slavic folktales, along with Native American/First Nations lore), the trickster and the culture hero are
often combined. To illustrate: Prometheus, in Greek mythology, stole fire from the gods to give it to
humans. He is more of a culture hero than a trickster. In many Native American and First Nations
mythologies, the coyote (Southwestern United States) or raven (Pacific Northwest and coastal
British Columbia) stole fire from the gods (stars or sun) and are more tricksters than culture heroes.
This is primarily because of other stories involving these spirits: Prometheus was a Titan, whereas
coyote and raven are usually seen as jokesters and pranksters. Frequently the Trickster figure
exhibits gender variability, changing gender roles and engaging in same-sex practices. Such figures
appear in Native American and First Nations mythologies, where they are said to have a two-spirit
nature. Loki, the Norse trickster, also exhibits gender variability, in one case even becoming
pregnant; interestingly, he shares the ability to change genders with Odin, who despite being
nominally the chief Norse deity also possesses many characteristics of the Trickster. The Trickster

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is an example of a Jungian Archetype. The Fool survives in modern playing cards as the Joker. In
modern literature the trickster survivors as a character archetype, not necessarily supernatural or
divine, therefore better described as a stock character."
Hindu Mythology - the dragon circling the tortoise which supports the four elephants that carry the
world. The serpent or dragon also appears in Aztec, Chinese, and Native American mythology.
Christians adopted the Ouroboros as a symbol of the limited confines of this world (that there is an
"outside" being implied by the demarcation of an inside), and the self-consuming transitory nature
of a mere this-worldly existence following in the footsteps of the Preacher in Ecclesiastes. It could
very well be used to symbolize the closed-system model of the universe of some physicists even
Symbology Behind the Ouroboros The ouroboros has several meanings
interwoven into it. Foremost is the symbolism of the serpent biting, devouring,
eating its own tail. This symbolizes the cyclic Nature of the Universe: creation
out of destruction, Life out of Death. The ouroboros eats its own tail to sustain
its life, in an eternal cycle of renewal. In the above drawing, from a book by an
early Alchemist, Cleopatra, the black half symbolizes the Night, Earth, and the
destructive force of nature, yin. the light half represents Day, Heaven, the
generative, creative force, yang.
Alchemy Alchemically, the ouroboros is also used as a purifying glyph.
Ouroboros was and is the name for the Great World Serpent, encircling the
Earth. The word Ouroboros is really a term that describes a similar symbol
which has been cross-pollinated from many different cultures. Its symbolic
connotation from this owes to the returning cyclical nature of the seasons; the
oscillations of the night sky; self-fecundation; disintegration and re-integration; truth and cognition
complete; the Androgyny; the primeval waters; the potential before the spark of creation; the
undifferentiated; the Totality; primordial unity; self-sufficiency, and the idea of the beginning and the
end as being a continuous unending principle. Ouroboros represents the conflict of life as well in
that life comes out of life and death. 'My end is my beginning.' In a sense life feeds off itself, thus
there are good and bad connotations which can be drawn. It is a single image with the entire actions
of a life cycle - it begets, weds, impregnates, and slays itself, but in a cyclical sense, rather than
linear. Thus, it fashions our lives to a totality more towards what it may really be - a series of
movements which repeat. "As Above, So Below" - we are born from nature, and we mirror it,
because it is what man wholly is a part of. It is this symbolic rendition of the eternal principles that
are presented in the Emerald Tablets of Thoth.
Born from this symbolic notion, there are many different cultures which share this great dragonserpent symbol (the serpent Jormungandr, from the myth of Yggdrasil, is just one). There are some
cultures that see the image as not being beneficial, but evil - like Satan. These more specific reinterpretations will be spoken of later. It is of interest to mention that a symbol such as that of the
Ouroboros is something which Carl Jung refers to as an archetype, it seems to makes its way into
our conscious mind time and time again in varying forms. The 19th century German chemist named
Kekule dreamed of a snake with its tail in its mouth one day after dosing off. He had been
researching the molecular structure of benzene, and was at a stop point in his work until after
waking up he interpreted the dream to mean that the structure was a closed carbon ring. This was
the breakthrough he needed.

"All Is One!" Cries This Ouroboros From Alexandrian Egypt.

There is another mention of the Ouroboros laying at the edge of "the sea which surrounds the
world," called Pontus. The Ouroboros encircles the Universe; everything known and unknown is
encompassed in its embracing coils, supporting and maintaining the earthly balance. It injects life
into death and death into budding life. Its form suggests immobility with its locked jaws upon itself,

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yet at the same time it pushes the insistent message of

perpetual movement through its twined coils. The first
clues to this symbol go back as far as 1600-1700 BC in
Egypt. Through the years the serpent moved on to the
Phoenicians and the Greeks - who were what gave it the
name "Ouroboros." The Greek translation means, "tail

"The Serpent Ouroboros" from Ancient Egypt.

Papyrus of Dama Heroub Egypt, 21st Dynasty

The zodiac as a tail-eating snake (Ouroboros)
symbolizes the eternity of Time and the boundary of
the universe. Below it, the double lion Routi
('Yesterday and Tomorrow'), the agency of
resurrection, supporting the newborn Sun God. It has
a strong relation to what is known as the Androgyny.
The androgyny is the united male and female
principles together. This is the prime primordial end to
human endeavor, the reunion which births totality and
creation. It is not unlike the idea of androgyny, which
is a duality complete. "A return to wholeness."

Seven-segmented Aztec Ouroboros.

This is an Aztec Ouroboros (with proportions that

even Hermes would have found pleasing) originally
from: Project Ouroboros at the University of
Minnesota, which has a large and diverse selection of
these impressive archetypes. The following

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commentary from this source links with what has already been
said and also adds further points of interest: This symbol
appears principally among the Gnostics and is depicted as a
dragon, snake or serpent biting its own tail. In the broadest
sense, it is symbolic of time and the continuity of life. It
sometimes bears the caption Hen to pan - 'The One, the All', as in
the Codex Marcianus, for instance, of the 2nd century A.D. It has
also been explained as the union between the chthonian
principle as represented by the serpent and the celestial
principal as signified by the bird (a synthesis which can also be
applied to the dragon). Ruland contends this proves that it is a
variant of the symbol for Mercury - the duplex god. In some
versions of the Ouroboros, the body is half light and half dark,
alluding in this way to the successive counterbalancing of
opposing principles as illustrated in the Chinese Yin-Yang
symbol for instance. Evola asserts that it represents the dissolution of the body, or the universal
serpent which (to quote the Gnostic saying) 'passes through all things'. Poison, the viper and the
universal solvent are all symbols of the undifferentiated-of the 'unchanging law' which moves
through all things, linking them by a common bond. Both the dragon and the bull are symbolic
antagonists of the solar hero. The Ouroboros biting its own tail is symbolic of self-fecundation, or
the primitive idea of a self-sufficient Nature - a Nature, that is which, la Nietzsche, continually
returns, within a cyclic pattern, to its own beginning. There is a Venetian manuscript on alchemy
which depicts the Ouroboros with its body half-black (symbolizing earth and night) and half-white
(denoting heaven and light). As a symbol of the eternal unity of all things, the cycle of birth and
death from which the alchemist sought release and liberation, it was familiar to the
alchemist/physician Sir Thomas Browne. In his A letter to a friend, a medical treatise full of casehistories and witty speculations upon the human condition, he wrote of it:
[...] that the first day should make the last, that the Tail of the Snake should return into its
Mouth precisely at that time, and they should wind up upon the day of their Nativity, is indeed a
remarkable Coincidence.
Carl Jung Swiss psychologist Carl Gustav Jung saw the ouroboros as an archetype and the basic
mandala of alchemy. Jung defined the relationship of the ouroboros to alchemy:
The alchemists, who in their own way knew more about the nature of the individuation process
than we moderns do, expressed this paradox through the symbol of the ouroboros, the snake
that eats its own tail. In the age-old image of the ouroboros lies the thought of devouring
oneself and turning oneself into a circulatory process, for it was clear to the more astute
alchemists that the prima materia of the art was man himself. The ouroboros is a dramatic
symbol for the integration and assimilation of the opposite, i.e. of the shadow. This 'feed-back'
process is at the same time a symbol of immortality, since it is said of the ouroboros that he
slays himself and brings himself to life, fertilizes himself and gives birth to himself. He
symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes
the secret of the prima materia which [...] unquestionably stems from man's unconscious'.
(Collected Works, Vol. 14 para.513)

Celestial Symbology:
The Ouroboros is believed to have been inspired by the Milky Way as some ancient texts refer to a
serpent of light residing in the heavens.

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Sagittarius - The Archer is in the heart of

the summer Milky Way.
The Milky Way (a translation of the Latin
Via Lactea, in turn derived from the
Greek Galaxia Kuklos) is the galaxy in
which the Earth is found. When viewed
from the Earth and its environs, it
appears in the night sky as a hazy band
of white light (hence "milky") across the
celestial sphere, formed by stars within
the disc of its namesake galaxy. It is
also simply known as the Galaxy, as the
Earth's solar system is a part of it. The
Milky Way appears brightest in the
direction of Sagittarius, where the
galactic center lies. Relative to the
celestial equator, the Milky Way passes
as far north as the constellation of
Cassiopeia and as far south as the
constellation of Crux. This reflects the
fact that the Earth's equatorial plane is
highly inclined to the galactic plane, as
is the ecliptic (the plane in which the
Earth and the other significant planets
orbit the Sun). The fact that the Milky
Way divides the night sky into two
roughly equal hemispheres reflects the
fact that the solar system lies close to
the galactic plane. To put the Milky Way
into perspective, if you made it 130 km
(80 mi) in diameter, our solar system
would only be 2 mm (0.08 in) in diameter.
Also, if a beam of light were to be shot
around the Milky Way, it would take
almost 250,000 years to complete its

The Milky Way Galaxy is the inspiration for the symbol of the
Ouroboros. Myth refers to a serpent of light residing in the heavens.
The Milky Way is this serpent, and viewed at galactic central point
near Sagittarius, this serpent eats its own tail. The Milky Way galaxy
keeps a great time cycle that ends in catastrophic change. The sign
of the Suntelia Aion is the sun rising out of the mouth of the
ouroboros, which will occur on the solstice December 21, 2012
which links with the Mayan Calendar as a symbolic date the
evolution of consciosness in the alchmey of time. This also goes to
Quetzcoatl and accelerating Earth changes in the Ring Of Fire.
The Greeks called this time End of the Age the Suntelia Aion. Ancient historians and especially

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Plato referred to a cycle of catastrophe at the

End of the Age. The AION was symbolized by
the Ouroboros.

The galactic center of our Milky Way Galaxy

is 26 degrees 54 minutes Sagittarius. It
approaches 27 degrees 0 minutes in the year
2010. In the year 2012 the galactic center is
27 degrees and 1 minute. 27+1=10=1+0=1 =
New Beginnings

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Missing Plug-in

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