Hanson
Diane Birch
Straight No Chaser
West Coast Songwriters
But July is not a time for relaxing, it’s a time for doing: working
in the garden, cutting the grass, maintaining the pool, going to
the beach, writing a new song.
Ever!
The rules are simple, before Labor Day 2010 you must write
AND demo AND submit a brand new song to Songwriter’s
Monthly. You can email it or send a link to where it’s posted, but
it has to be done BEFORE Labor Day. And it has to be something
that was written after July 2010! The contest is open to
amateurs AND professionals, no one will be excluded.
Allen (a1foster@aol.com)
Editor’s Notes (Addendum!)
This issue grew like a beast and I (almost) lost control. Okay,
maybe I did loose control, just a little. You wouldn’t believe the
amount of material I had to cut! Please forgive any and all typos
that you might find this month. We actually used a couple of
proofreaders, but the sheer volume of material contained within
these virtual pages and the quick turnaround probably means a
few typos slipped by. Also, please do not feel like you have to
read the entire issue in one sitting! Feel free to come back often
(or download). The main reason for this addendum is to slip in a
condensed Table Of Contents so you know exactly what’s in
these pages and where it can be found. So, without further
rambling . . .
Table Of Contents
Songwriting Contest - 2 A Rocket To The Moon: “Like
Alyse Black: Hold Onto This - 4 We Used To” - 38
Diane Birch: “Magic View” - 5 Hanson: In The Moment - 39
Cathy Wagner: The Music Philadelphia Songwriters
Festival Experience - 12 Project: Contest Winners - 47
Michelle Lewis: Broken - 14 Camera Can’t Lie: Video - 48
Anya Marina: Slow & Steady Jordan Tyler & The Northern
Seduction, Phase II - 16 Lights: Pardon Me - 49
True Stories: Confessions Of A Vegas With Randolph: Vegas
Pop Star - 18 With Randolph - 50
Ian Crombie: West Coast David Fiorenza: Creative
Songwriters - 19 Destruction - 52
Christina Aguilera: Bionic - 26 Mountain Stage NewSong
Alexandra Patsavas: Eclipse Contest - 53
Soundtrack - 28 Heidi McKee: Difference - 54
Nadia Ali: Fantasy - 30 Blackhart Strangelove: Don’t
Zara Taylor: Found - 30 Set Yourself On Fire - 56
Straight No Chaser: A Kimberley Locke:
Cappella Summer - 31 “Strobelight” - 57
Dr. Demento: Update - 38 Back Issues - 58
www.myspace.com/alyseblack
Alyse Black
HOLD ONTO THIS
Alyse Black has an almost mystical
beauty to her voice. Her phrasing curls
seductively and trails off like a wisp of
lover’s breath on a winter night while
her pure and delicate tones enchant
with the prowess of a skilled
sorceress.
“Willowing” is one of the most intense songs on the album. Black’s purring
melody writhes within an exotic, swirling musical elixir as she sings about
being caught “willowing.”
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Diane
Birch
“Magic
View”
Songwriter’s Monthly - July ’10, #126 http://www.scribd.com/SongwritersMonthly
Diane Birch is a gifted
writer and performer
who has a penchant
for drenching her Brill
Building gems in a
soulful gospel elixir.
Her debut album
entitled B IBLE B ELT
came out a little over a
year ago and
Songwriter’s Monthly
caught up with this
intriguing and
occasionally offbeat
personality during her
first headlining tour.
“This is really nice,” Diane replied when Birch is a lean, almost lanky, young
asked how it felt to be headlining a woman who carries herself with a
tour. “I mean, the main thing is it’s a curious grace. She is elegant and
lot more fun seeing people actually presents herself with the poise of a
responding to my music as opposed to bygone era, but when she moves, she
trying to convince people who don’t exhibits the cool and rhythmic swagger
know your music at all. It’s a lot of fun, of a seasoned jazz player. She is not
it’s a lot more freeing and I can do my adverse to thinking of herself as an “old
own thing.” soul.” In fact, Diane eagerly shares the
fact that she used
to believe she was
“I was into actually from a
vampires and so I different century.
used to go out at
“I was a Goth and
night and—” I was kind of
convinced I was
from the 18th
century. I was into
vampires and so I
used to go out at
night and—”
“There’s a lot of
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consistencies and
Songwriter’s Monthly - July ’10, #126 http://www.scribd.com/SongwritersMonthly
Cathy
Wagner
The Music Festival Experience
I think everyone agrees with me when I in Chicago, it no longer matters where
say that summer is great. The in the country you’re located – there
weather ’s nice, there’s an extra will always be a festival nearby for your
something in the air that brightens viewing pleasure. This seriously excites
everyone’s days just a little bit, there’s me. I’ve been to my fair share of
a hint more time for some R&R, etc. festivals over the years, but there are
Simply put, there’s always something definitely still a few that I am aching to
fun to do, and as far as music is attend (and with more and more
concerned, summer is my favorite time popping up every year, I don’t see that
of year because of its amazing music changing anytime soon). For example,
festivals. the line-up for the Outside Lands
Festival in San Francisco blows my
It seems to me that in recent years, m i n d e v e r y y e a r, a s w e l l a s
music festivals have been gaining Bumbershoot in Seattle.
popularity around the country. Between
Coachella in Southern California, to The greatest thing about music festivals
Bonnaroo in Tennessee, to Lollapalooza is the ability to see so many performers
After less than a moment, Michelle recalled, “It's funny, I just realized
that I wrote that song when I was on the road, completely alone, in an
empty, dark house.”
However, as moving as the first two tracks are, it’s the third song which is
sprinkled with such imagery and detail that it’s impossible not to find
yourself forming an emotional
bond with the title character.
Anya
Marina by Cathy Wagner
“Anya Marina’s latest album, SLOW & Cathy Wagner: What pushed you to
STEADY SEDUCTION, PHASE II, is a make the switch from being a DJ to
tightly honed collection of winking pop focusing on performing?
gems and slyly sexy rock and roll that
showcases this newcomer’s deft Anya Marina: It was a really gradual
melodic sensibility and wryly process, it was definitely not an
humorous lyrical point of view.” overnight thing. I had been doing both
and balancing both for a really long
Suburban Roads Magazine, Editor, time, and then I did what I always do
Cathy Wagner, had a chance to talk whenever I'm faced with a challenge
with Anya. In this crossover feature, like that: I waited until the absolute
Songwriter’s Monthly is running an last moment, to where I was just
excerpt which focuses on a key point about to have a nervous breakdown
in Anya’s career that led her to making because I couldn't juggle anymore. I
a vital change in her life that allowed said to myself, "Okay, something's
her to focus on her music. gotta get cut out." I was waiting for
C : Wo u l d y o u e v e r
consider going back into
DJing again?
?
What you are about to read is a true
account, only the names have been
omitted to protect the parties
involved . . .
“I remember the first time I wrote with [Hit Songwriter] — she wrote
[Mega-Pop Star's] [Number 1 Song] . . . And I remember the first time I
wrote with her for my major label debut, she literally was like, ‘Bring your
diary, I want to read it.’ I was like, ‘What?!’ But she just said, ‘Oh, shut up
and bring it, I’m not going to tell anybody what’s in it.’ She went through
my notebook and she just pulled material from that.”
“There’s
nobody doing
the level of
events that we
are doing . . .”
organization, the Silvershers moved to
go work for Disney where they wrote
music for such programs as
DuckTales, The Little Mermaid,
Winnie The Pooh, and VeggieTales.
grab sandwiches so
that they’ll have
lunch, too. Nothing is
beneath me as far as
I’m concerned.” After
a moment’s re-
flection, Ian seemed
t o r e a l i z e , “ Yo u
know, I p rob ab l y
have the most
amount of con-
nections that
probably anybody
could ever have and
yet I don’t take
advantage of them
because it’s not
Martin Atkins Seminar something that I feel
comfortable doing.”
“ B e s i d e s ,
desperate is ugly.
People can get
really desperate
about songwriting
and it just brings
out a different
person. Our thing
is to relax, enjoy
and talk. You don’t
“The beauty of our conference,” Ian even have to talk about songwriting,
stated, “is it’s up close and personal. just talk to the guests as if they are
You’re not scrambling to try and meet someone you’re just meeting. And it
everyone, you actually sit down and eat doesn’t even have to be about
with the same people who are listening songwriting! But it will come around to
to your songs and giving seminars, it’s songwriting because that’s what you
very grassroots in that respect. We’ve do, that’s the connection between both
had some amazing guests over the of you, just don’t force it.”
years: Lamont Dozier, Mike Reid, Allen
Shamblin and all these incredible “We’ll have around 50 guests for that
songwriters. We used to separate the event,” Crombie informed. “We fly
“It ’s a lot of
work. As soon as
one conference
ends, we start
working on the
one for the
following year
because it takes
that long to set
all of these Songwriters Panel
things up.”
Christina Aguilera
BIONIC
RCA Records
Notice: This album
contains adult content.
T h e c l a s s y, i n s p i r i n g a n d
chillingly beautiful, “Lift Me Up,”
is a definite high point on the
record. A magical swirl of
organic techno supports
Aguilera’s unparalleled vocals.
There is a superhuman
confidence in tracks like “Prima
Donna,” “My Girls,” and “Vanity.”
H o w e v e r, d e s p i t e t h e
overwhelming and, at times,
rather graphic sexuality that is
Muse
Fo r m o r e i n f o r m a t i o n a n d
goodies (such as videos,
featured artists, news, tweets,
etc.) concerning THE TWILIGHT
SAGA: ECLIPSE soundtrack, be
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A Cappella
Summer
Songwriter’s Monthly - July ’10, #126 http://www.scribd.com/SongwritersMonthly
Back in April of 2010, Songwriter’s After a brief anecdote of literally
Monthly was invited to a rather making Straight No Chaser sing for
spectacular press conference/private their supper, Jay handed the mic back
concert at Harrah’s Resort in Atlantic to David.
City, New Jersey. The event featured
the ten-man a cappella band known as “A little bit of background before we
Straight No Chaser. Following are bring these guys out. As Jay
e xc e r p t s a n d a c c o u n t s t h a t w i l l mentioned, they came together in 1996
hopefully not only offer you a look into at Indiana University. They formed an a
the a cappella phenomenon known as cappella group, ten guys. In 1999,
Straight No Chaser, but will also give faced with the prospect of graduation,
you an idea of what the actual event they put in place a system to choose
was like. Enjoy! their successors.
They graduated and
The afternoon began “I put the file went on their way.
with David Spatz, In 2006 they were
host of the Emmy online and I let invited to return to
Award-winning Indiana University
series Curtain Call, the guys see it and for a reunion of the
taking the stage at
Harrah’s lavish
the next thing you original ensemble
and they did. Well
concert venue. David know we have right around that
informed the same time,
attendees that 2010 eleven million somebody found a
i s H a r ra h ’s 3 0 t h
anniversary and to
views on it.” clip of theirs from a
1998 concert and
help celebrate they put it up on
would be featuring a very special youtube . . . You know the expression
production show. “A show like this has going viral? That’s just what that video
never been done before on a long term did! They were offered a recording
basis in Atlantic City,” David explained, contract. They are just waiting for their
“It’s very unique.” third album called WITH A TWIST to
drop on April 13th. Then they are going
Spatz introduced Jay Snowden, senior out on a 54 city, 60 day tour in April
vice president and general manager for and May before they come here and
Harrah's Resort and Showboat Casino- open an 8 week run, on July 2nd.
Hotel. “When the concept first crossed Ladies and gentlemen for their preview
my desk as a ten-person a cappella of their debut in Atlantic City, would
show, I had to be sold, right?” Jay you please welcome, Atco/Atlantic
admitted. “So I jumped online and I did recording artists Straight No Chaser!”
the youtube, I did a little research on
these guys and found out not only do Straight No Chaser took the stage and
they have great voices, but these guys performed a series of astounding
have a great story!” covers that included “Signed, Sealed,
Songwriter’s Monthly - July ’10, #126 http://www.scribd.com/SongwritersMonthly
Delivered I’m Yours,” ”I’m Yours/ Host: I’m sure you didn’t expect it to
Somewhere Over The Rainbow” and go viral, how did people find out about
“ U n d e r T h e B r i d g e .” A f t e r t h e it? Was it your core fans, from ’96?
thunderous applause died down, the
band introduced themselves and the
press conference portion of the “The name No
program began.
Chaser originally
*** came from a
David Spatz, Host: Here’s how the Thelonious Monk
press conference portion is going to
work: I’ll start off by asking a question,
jazz song . . .”
we’ll open it up to the media here,
we’ve also got Miranda Harper of Dan SNC: I got phone calls from Crain’s
Klores Communications over there on Chicago Business, Wall Street Journal,
the laptop — she’ll be taking the all wanting to interview me and ask
questions from the internet. You guys me, how did you do it? I said I didn’t
ready to rock and roll, here? do anything, there was no story . . . of
course none of them wanted to have
Straight No Chaser: Absolutely! the interview.
Host: Let me ask you this question, Host: Questions from our friends in the
you got back together in 2006 for a media here in the concert venue? Do
reunion of the original Straight No we have any questions?
Chaser, someone put that video up on
youtube . . . how much would you say Media: Where did the name come from
that your success since 2006 has been and does it have an affirmation of your
a product of the internet? sexual preference?
SNC: How about 100%! It was Randy SNC: Way to come right out of the gate
[Stine] who really put the video online, with that one!
so we’re going to let him answer the
question . . . SNC: Welcome To Atlantic City, we’ll be
working here all summer!
Randy from SNC: Yeah, originally I
just put that up. I mean, we had these SNC: Wow, uhm . .
old betamax video tapes of our concert
we’d done, none of us had ever seen it, SNC: The name Straight No Chaser
none of us had a betamax player, so I originally came from a Thelonious Monk
had it transfered and I put the file jazz song . . . I don’t know where your
online and I let the guys see it and the head was at, but we’re all musicians up
next thing you know we have eleven here . . . it just happened to work in
million views on it. college and it kind of went with our
Songwriter’s Monthly - July ’10, #126 http://www.scribd.com/SongwritersMonthly
philosophy. We all kind of got into a guys hanging out there, doing what we
cappella because Dan [Ponce] promised did. They are all 18 and 19 years old,
we’d meet girls . . . so we’re still we went our separate ways, put this to
waiting for that. bed for the most part. In 2007, we got
a call from the CEO from Atlantic
Host: Miranda, question from the Records and here we are today singing
internet? at Atlantic City.
Media: Among the ten of you is there SNC: We call them alliances [laughing].
anybody who takes the lead or is it all
indians and no chiefs? SNC: if something goes wrong in the
group, we have a general rule to blame
SNC: Why didn’t she say all chiefs? Randy.
SNC: We have a couple main directors Internet: David, I have another great
in the group, Dan’s our music director question here and this is from Ryan and
as well as Walter Chase as well as Ryan he said, “You guys are really funny,
[Ahlwardt] . . . whosever arrangement would you ever consider doing a
it is takes the helm, takes the lead. We television series? Something like Glee?
all consider ourselves chiefs, but we
should be more indians. SNC: Hey ABC, CBS, NBC . . . hi!!!
Songwriter’s Monthly - July ’10, #126 http://www.scribd.com/SongwritersMonthly
SNC: We all started in a choir called SNC: We’re so excited to be here and
The Singing Hoosiers at Indianan we want to take the opportunity to
University and we happen to know, thank Jay and his staff for treating us
actually, that Glee was created by an like kings. You’re gonna get a great
alumni . . . if you’re out there. show. You know, when you hear “a
cappella,” a lot of people might think
Media: So, when a contract was put in Barbershop Quartet, maybe some
front of you to be in residency here at people think Boyz II Men, some Doo
t he ama z i n g H a r ra h ’s Re s o r t al l Wo p , b u t w e ’ r e g o i n g t o b r i n g
summer . . . with everything that they something that people have never seen
have to offer, was this an exciting before to this show, this summer it’s
moment for you guys?! I know that going to be great!
signing with Atlantic was a very exciting
moment also, but how does this SNC: We’re working on our Jersey
categorize? Shore nicknames as we speak.
SNC: It was an easy decision. Atlantic Host: We’ll take one last question.
City: we got the beach, a little bit of
gambling, a great theater and we get to Internet: I have a question from
do whatever songs we want? That’s a Megan in Rhode Island and she wanted
no-brainer. to know if you guys had any advice for
people who wanted to start
their own a cappella group
or for singing in general.
***
Straight No Chaser
wrapped up the event with
a rousing rendition of “Hi-
De-Ho.”
Demented News
Despite the fact that he’s leaving radio, the demented
Doctor recently sent an uplifting message to Songwriter’s
Monthly: “The radio show is winding down, but we continue
on the internet, as we have for several years. A new show
is posted every Saturday at: www.drdemento.com
Stay deeeeeeeeeeeeeeeeeeeemented!
-Dr Demento”
Photo:Mark Takeuchi, Courtesy Rhino Records, Inc.
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In The
If you’re a fan,
you don’t just
Moment
like Hanson’s music, you admire and this celebratory record.
a c c u r a t e
description of
Taylor continued,
“The last two
albums have been
a little more rock/
pop, a little
straighter, so we
really kind of had a
hankering for more
pocket, more R&B.”
“It’s a call to
action, to sort of
find your color, so
to speak, to not be
afraid to pursue
what’s going on in
just felt like we just needed to take it a
whole other step further and so all
the moment.”
those icons and everything else you see Acknowledgement: Songwriter’s
on the website, that’s stuff that Taylor, Monthly would like to thank Gina Miller
Zac or I actually drew. I think that the for her help in writing this article.
art and the music reflect a similar kind
of feeling of spontaneity and
honesty and also a little bit of
playfulness, but in some cases a
little bit of edginess.”
www.myspace.com/
www.myspace.com/ryantennismusic thefleetingends
www.myspace.com/
johnnymiles1 www.taniaalexandra.com
Camera Can’t Lie formed while its three members — Eric Arjes, Kyle Lindsay
and Josh Bendell — were in high school. Hailing from a small Midwestern
town, the band navigated towards music, joining the school symphony, jazz
ensembles and chorus. Despite their classical training, Camera Can’t Lie’s
biggest musical inspiration came from ’90s radio.
The band is currently on tour throughout the entire summer. To find out when
they will be near you, check out: http://cameracantlie.com
Take the blazing title track, “Pardon Me.” It scorches a fierce and fiery
path from the speakers directly to your eardrums. “Lyrically, it's a song
about the power of music,” Tyler noted. “a challenge to the over-
saturated, over-stimulated, and dangerously safe condition of music in
our present time.”
But that’s only part of it. This flexible ensemble can also tone it down to a
Brian Wilson-esque moment or kick back with a magnificent power ballad.
The aforementioned Wilson
moment arrives on a track
called “Ladybird” which Tyler
stated “is conceptually an
invocation to a creative muse. I
wanted to include an invocation
www.jonathantylermusic.com
Aylestock, David Purol and Brock buoyant “Happy.” These guys have
Harris, the group focused on a real skill when it comes to
melodic rock songs John and Eric delivering an uplifting and truly
had always wanted to record. satisfying chorus.
One of the standout songs is the The most impressive aspect of the
s i n g l e -w o r t hy, i n f e c t i o u s a n d album, is the epic “Longplay.” John
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Heidi McKee
DIFFERENCE
Heidi McKee’s album, DIFFERENCE,
opens with a tense, staccato strum
that echos the stress of typical day-
to-day pressures. Her sweet vocals
quickly join in, resting lightly atop
the guitar like a silk ribbon. By the
time the chorus hits, the song has
blossomed into a gloriously uplifting
proclamation of comfort.
“I am a black belt with United Karate and our instructor Mr. Ben Kiker had
lost his daughter Kerri Kiker in a tragic car accident,” Heidi informed when
asked about the title
track. “We are very close
to this family and they
are amazing people.
During Kerri's funeral Mr.
Ben Kiker stood up
during this tragic time
and used it for God’s
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“I perform at contemporary
services, but I also perform in the
secular market, as well,” she
pointed out. “My music is more
spiritual and uplifting so its really
being embraced outside of the
standard Christian market.”
of being chased . . . or
stalked.
www.blackhartstrangelove.com
“Strobelight” exhibits
Locke’s impressive ability to
flit playfully about an
www.kimberleylockeofficial.com
with next!
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