In Hanover Rubinstein met Brahms and Grimm, and renewed his acquain-
tance with Joachim. Of the three of them, Rubinstein told Liszt, it was he
[Joachim] who interested me most; he produced the impression of a lay brother
in a monastery who knows that he still has the choice between the monastery
and the secular world, and has not yet resolved which it is to be. As far as Brahms
is concerned, I cannot dene precisely the impression he produced on me; for
the salon he is not sufciently gracious, for the concert hall he is not sufciently
ery, for the elds he is not simple enough, and for the town he is insufciently
versatile. I have little faith in such natures. Grimm appeared to me like an un-
nished sketch of Schumann.82
From Hanover, Rubinstein traveled rst to Brunswick and then to Cologne,
where he visited Ferdinand Hiller, Kapellmeister of the city, and the pianist and
music editor Hans Bischoff. Hiller is very courteous to me, he informed Liszt,
although he does not yet know what opinion he should have about me as a
composer. Bischoff and his cohorts are exact copies of what you will nd in any
town where there are musiciansthat is, so to speak, an urban, musical Cer-
berus: you risk being devoured as you enter, and you can rest assured that you
will not be spared as you leave, even if you have managed to atter Satan (the
audience) and the other evil spirits (the musicians).83 From Cologne Rubin-
stein proceeded to Bonn, Coblenz, Mainz, and then Stuttgart, where he re-
mained for almost three months.
Foreign Tour 67