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JoeRizal:thepoetrofpatriotim
By: Mario Guaria III - @inquirerdotnet PhilippineDailInquirer/0236AMJune19,2014
There was a bookstore in the Spanish city of Sevilla that sold an anthology
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of poems considered the best in the Spanish language. Among the works LikePage 3.2Mlikes
contained in its pages was the poem of Jose Rizal written on the eve of his
execution on Dec. 30, 1896. For one reason or another, Rizal did not put a 179friendslikethis
title to that poem. His biographers would now let us know it by the name
Mi Ultimo Adios. The Spanish editors of the book called it Despedida.
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But the prosaic title given to the poem could not hide the lofty flights of
lyricism in its stanzas. Rizal was given to rhythmic lines. In his Mi Ultimo
Adios, he wrote: Adios Patria adorada, region del sol querida, perla del mar TRNDING
del oriente, nuestro perdido Eden. In his Me Piden Versos written in NWINFO
Duterte defends Cam after
Madrid in 1882, he mused: piden que pulse la lira, ha tiempo callada y rota,
airport scene
si ya no arranco una nota, ni mi musa ya me inspira. Ever the romantic, he MARCH12,2017
sang to his beloved Josephine: Josefina, Josefina, si tu suerte te encamina, en NWINFO
Killers robbed me of the
Japon China o Shanghai, no te olvides, que en estas playas, late por ti un
chance to know my son
corazon. MARCH12,2017
PORT
Rizal did not appear to have started writing in Spanish. Among his first No contest: Pacquiao a willing
poems was the well-known Sa Aking Mga Kabata written in Tagalog when victim
MARCH11,2017
he was eight years old, where he articulated his now famous aphorism: Ang
NWINFO
hindi magmahal sa kanyang salita mahigit sa hayop at malansang isda. But Sandra Cam who? Airport
his genius could not be confined to parochial boundaries. He went on to workers bear brunt of VIP
wannabes ire
master not only Spanish but other languages as well. He was the linguist MARCH11,2017
non
pareil. He was known
to have spoken a total of 18 foreign languages. In NWINFO
Tourism employees file
a little more than a year in Germany he learned to speak in German, complaint against Cesar
delivering a lecture in that language his Tagalische Verskunst before the Montano
MARCH12,2017
Anthropological Society of Berlin in 1887.
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It was the year when Rizal, 26, ADVRTIMNT GretchenRobi
published his first novel, Noli Me breakupamutual
decision
Tangere, in Spanish. At an age
http://opinion.inquirer.net/75728/joserizalthepoetryofpatriotism 1/8
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Tangere, in Spanish. At an age
when college students were12,still
2017struggling through 24 units of Spanish, he
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had written a literary masterpiece, a stinging social commentary in the
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Dutertesnext
movesonAquinos,
tradition of Stowes Uncle Toms Cabin, showing the parallel between the PeoplePower
enslaved Negroes of America and the lot of the Filipinos under colonial
Spain. In a sense, the Noli was the mature stirrings of a soul that was
nourished since early years in love of country and steeled by the personal Recommendedby
The idea of patriotism was already dominant in Rizals early works. His
prize-winning poems were written when he was a student at the University
of Santo Tomas. In A La Juventud Filipina, he exhorted the Filipino youth
to rise from lethargy and let their genius untie the chains that bound them.
He soon reeled from the evils that he saw inflicted on his countrymen by
the mores of colonial rule. In 1882, he left for Spain to continue his studies
and broaden his social and political perspectives. He was then 21. He was
terribly homesick but, his nationalism aroused, he stayed on, rejuvenating
the Filipino expatriates in Madrid. He wrote El Amor Patrio for the first
bilingual newspaper in the Philippines showing the sensitivity that only a
man pining for his faraway home could feel.
Even in prose, he was the bard soaring on wings of poetic eloquence, as one
of his biographers wrote. His toast to Luna and Hidalgo for their
achievement in the fine arts may be considered one of his finest public
deliveries in defense of the genius of the Filipino race. In Germany, four
years later, he saw the wonderful flowers of Heidelberg. Ever lonely for
home, he addressed these blooms in his A Las Flores De HeidelbergId a
mi patria, id extranjeros flares, sembradas del viajero en el camino, y bajo
su azul cielo, que guarda mis amores, contad del peregrino, la fe que alienta
por su patrio suelo.
After the Noli, Rizal completed only one more novel, El Filibusterismo,
which continued the saga of Crisostomo Ibarra in the person of the
enigmatic revolutionary Simoun. Probably the most dramatic passage in the
work was when the Filipino priest Padre Florentino confronted the dying
Simoun. The colloquy that followed was soul-wrenching. The priest looked
at the prostrate figure and murmured: Donde esta lajuventud que ha de
consagrar sus rosadas horas, sus ilusiones y entusiasmo al bien de patria?
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A few more notable poems came out of his facile pen. It was his Himno A
Talisay, written in Dapitan in 1895, that became one of the pieces of
evidence against him in his trial a year later. Here he wrote of the talisay
tree whose leafy growth symbolized the transformation of the youth into
mighty souls in small bodiesalma grande en un cuerpo chiquitowho
can guard the rights of their families.
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Adios, Sa Aking Mga Kabata
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It was not so much that Rizal underrated Filipino's capacity to run the country themselves
as the need to have the rallying symbol to embody the aspirations of the people now
struggling to know their true historical destiny as if one goes through severe identity crisis
that a great correction must be instituted immediately. Right now, with Rizal as the
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