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English

• Interview of Professor Adolfo Giuliani to Aristotelis Triantis

• Hello mr Giuliani tell us a little about Esasperatismo, when you thought to create this artistic
movement and why?

The Esasperatismo Movement was born in May 2000 and it has not only an artistic sense, but even a
cultural one. Born to ask you to reflect upon the several aggravations of the world, in various areas of daily
living, such as the raped nature, mismanaged progress and no longer usable art. We daily live in a mood of
impatience, discomfort and concern: this is the Esasperatismo.

• The object of bin it' kinda weird when it is be a symbol of artistic expression, how are inspired you
this as a symbol of Esasperatismo?

The Bin has become the Movement symbol because it is a container that represents, for the use we make
of it since it was born and its history of Via Salvator Rosa in Naples, the human suffering and the Earth
itself, but it’s also the symbol of human hope of improving his condition.

• The Naples the city in which you live they have a strong element of social struggles and demands
in the historical past, you have been somewhat affect this cultural background to your decision to
create this movement?, and if so, tell us about it.

The background of Naples has only partially affected, as the Movement denounces a sick world and it’s not
tied to historical and cultural facts of Naples.

• In the manifesto of Esaperatismo seeing strong element of suspense, this anxiety now specific is
very timely and has many negative faces as is the economic, ecological, psychological distress and
uncertainty, and failure to hope and goal. How can an art movement to influence or better to assist
in resolving such issues, do you believe this is possible? Can the artwork at times of sterility to
have proposal?

Of course art is not enough: all cultural forces must apply to reverse this process. Art is surely a vehicle of
information and quick communication but also, for its own nature, a privileged kind of expression. The
solutions are well-known, we must regain the lost values.

• Until now Esasperatismo has ten years life tell us about this journey, and what it be as positive or
negative messages you have received in this your endeavour.

We got a strong support from intellectuals, but very weak support from the mass media and institutions. We
have no economic strength for a greater disclosure, we can’t do more than we actually do. With our limited
financial means we organize exhibitions and conferences.

• In this World the conditions of life are constantly changing, how you see the future and the future
of Art in an increasingly changing World?

We hope at first that there can be a future without reaching a point of no return... We hope that the
important people of the Earth can repent to save the fate of the planet and preserve life for future
generations. The future of art is bond to the whole system: should life and Earth survive, the art will
continue to play its aesthetic role together with changes, otherwise there will be no future, even for art.

For more information and details visit the website www.esasperatismo.org