As stated in Kaufman (2013), the notion that mental illness and creativity are linked is
so prominent in the public consciousness that it is rarely challenged (para. 1). The purpose of
this paper is to understand the correlation between creativity and mental illness and how they
influence each other in order to understand the motives and factors of creative outlets and
careers. A person does not need to be creative to be mentally ill, but there is an indirect
relationship between the two. The difficulty in this subject is identifying that indirect connection.
It is elementary to assume depression can cause someone to be creative, or even that creativity
can cause depression. The reality of this relationship is so much more complex. My findings
have shown that the relationship between creativity and mental illness draw from the same
influences throughout each of the three levels of creativity: eminent, professional, and every day
creativity.
accept the findings. This paper relies on seven online academic journals, five online articles and
four personal interviews to support the thesis. The four personal interviews were of two male and
two females 20 to 26 year olds that identified as either creative or not creative, and if they had a
diagnosed mental illness(es) or not. Using a variety of sources has lead the research closer to the
truth behind the connection between creativity and mental illness. With that being said, this paper
does not identify as an end-all in the research and encourages further exploration into this
complex relationship.
Defining creativity and mental illness is the other critical measurement to understand.
Because of the wide range of creative ability, this paper breaks down creativity into three levels
and identifies how it relates to specific mental illnesses. Depression, anxiety, schizophrenia and
Creativity and Mental Illness 3
bipolar disorder are the most commonly mentioned illnesses, but others are also mentioned in the
research. The identification of creative levels was started as an organic thought, but was
Historically, there is support to a positive relationship between mental illness and early
admired artists. Eminent creatives such as poet T.S. Eliot, composer Irving Berlin, painter
Georgia OKeefe, writer Virginia Woolf, and artist Vincent van Gogh are all commonly
I am unable to describe exactly what is the matter with me. Now and then there
emptiness and fatigue in the head at times I have attacks of melancholy and of
Realizing Van Goghs struggles with mental illness supports that this issue has previously
been identified. It is not to say that all early artists were mentally ill, but the ones who were
mentally ill cannot be ignored. Relating mental illness to creatives such as Van Gogh and
OKeefe supports the idea that eminent creatives manage depression, anxiety, schizophrenia and
other mental illnesses in a variety of ways through creative outlets and medications. It also shows
there is a significant relationship between mental illness and how it affects a creative person.
Some of these artist suffered and dealt with their mental illness, and for others the mental illness
particularly wide-ranging and unfocused. Defining creativity was integral in finding focused data
to support the thesis. As described earlier, creatives include painters, musicians, writers, and
Creativity and Mental Illness 4
poets. But, creativity does not stop there. Researchers have divided up the levels of creativity
into three sections. A person with the highest level of creativity is considered an eminent creative
or Big-c (Kyaga, Landen, Boman, Hultman, Langstrom, Lichtenstein, 2013, p. 88). Eminent
creatives are people widely known for their creativity. Many modern famous creatives would fall
under the category of Big-C. Examples of this include writer J.K. Rowling, street artist Banksy,
The term Pro-c is identified as the second level of creativity for individuals who are
professional creators, but have not reached eminent status (Kyaga, Landen, Boman, Hultman,
Langstrom, Lichtenstein, 2013, p. 88). This can describe artist that show in small galleries,
musicians with a smaller fan base or even poets and writers that are not widely known. Pro-c is
focused on individuals concentrating all their efforts on their craft and are making a living off of
their work.
Jacob Derwin, a musician who does not suffer from a mental illness, argues that everyone
is creative. If there was a script for life, and everything was written out the way it was supposed
November 2, 2016). Derwin concludes there is no said script, and everything we do requires a
little creativity. Derwin was unknowingly describing the final level of creativity: Little-c. This
term describes the everyday creative person. An example of this could be the super-parent who
can effectively organized schedules. This person is not creative in a normal understanding, but
rather their creativity is necessary to complete everyday tasks. According to Runco (2009), it is
original and effective, and thus creative, but with local rather than expert standards (p. 3). The
most important part of an everyday creative is that being creative is personal, and not for an
audience.
Creativity and Mental Illness 5
Mikey Weitzenhoffer, a musician who has been diagnosed with depression from the age
of 12 and began taking medication within this past year, defines creativity as being able to
develop innovative content and ideas while maintaining individuality (personal communication,
November 3, 2016). Defining creativity can be complex because of the levels of creativity, but
Mentally ill people see the world differently. They are more critical of the world
around them, whereas other people who are content with their lives just drift past
and are just happy. There is nothing for [happy people] to stop and question and
wonder about. Thats a big thing with creativity: the question Why? I think you
have to ask Why? in order to be creative, and people who are mentally ill ask it
all the time. Why the fuck is this happening to me? is the biggest one.
The same idea of both creatives and those mentally ill constantly asking questions was
mentioned in another interview with Sarah Andrews, a creative who wants to pursue writing and
was diagnosed with her first mental illness in the 7th grade. In a conversation about her mental
illness, Andrews was reminded of a conversation she recently had with a customer of hers. The
man she was speaking to told her she was smart and aware. He continued to say that happiness is
a choice and sometimes when you are the qualities he described her as, you are not as happy. The
significance of this story is that there is a common theme found throughout the research that
creatives relate being aware and asking questions to a symptom of being mentally ill.
Andrews was exposed to certain life experiences she described as dark and believes
these lead to her depression, anxiety, attention deficit hyperactivity disorder(ADHD) and (most
2016). Andrews mental illnesses also stem from a family history of bipolar disorder and
schizophrenia. Professor of Psychiatry, Dr. Arnold Ludwigs findings showed there was a higher
prevalence of mental illness in people pursuing creative outlets (as cited in Sussman, 2007, p.
22). This statement supports my thesis, but it is not the only research that has come to the same
conclusion. My findings have shown that research relating depression and anxiety to creativity is
more evident. Andrews is an example of other mental illnesses such as schizophrenia, bipolar
disorder and personality disorders that still make appearances in the data. Scientists in Iceland
report that genetic factors that raise the risk of bipolar disorder and schizophrenia are found more
components of someone at risk of depression are, tendency to worry a lot, have low self-esteem,
are perfectionists, are sensitive to personal criticism, or are self-critical and negative, according
to beyondblue.org (para. 4). These qualities were apparent in all of the interviews conducted for
photographers and authors, were 8% more likely to live with bipolar disorder.
Writers were a staggering 121% more likely to suffer from the condition, and
nearly 50% more likely to commit suicide that the general population (as cited in
and Weiss found that those scoring high in schizotypy showed a similar pattern of brain
activations during creative thinking as the highly creative participants (as stated in Kaufman,
Creativity and Mental Illness 7
2013, para. 5). Again, this further supports that the connection between creativity and mental
illness is not causative by nature but rather derived from the same qualities. In a study conducted
by Shelley Carson, it was seven times more likely for the most successful eminent creative
Harvard undergraduate students to have a reduced latent inhibition. As stated in Kaufman (2013),
a reduced latent inhibition means we can see something as completely unique, even if weve
been previously exposed to it many times (para. 17). A reduced latent inhibition is a quality that
most creatives have. It is seeing an everyday, normal object and thinking of how it can be
Dealing with mental illness is an important part to managing creativity. Loss of creative
drive as a result of certain drugs can affect productivity levels. Finding the right medication can
be a cure to the effects depression and other mental illnesses have on a creatives output.
Weitzenhoffer said his depression hindered his creative output. Once he decided to get
medication, he began to accomplish much more creatively. I desire more now, and I feel more,
ways, all art is feeling. Since I was 12 years old and depressed, I did not feel anything.
Andrews uses Adderall to manage her ADHD and experiences a negative reaction to her
creative output. Adderall makes me hyper-focused and makes me want to work on things in a
numerical, logistic and strategic perspective, not through creativity, she said (personal
communication, November 14, 2016). Andrews was recently prescribed an antipsychotic for her
borderline personality disorder but fears the effect it will have on her. As stated previously, there
is a delicate balance that needs to be found between mentally ill creatives and their medication.
This is a trend not only with pro-cs like Weitzenhoffer and little-cs like Andrews, but
eminent creatives such as producer and writer Judd Apatow. So many good things have
Creativity and Mental Illness 8
happened to me because of how unhealthy Ive been mentally, Apatow said. Its unfair to [my
family] that this thing I do that is a result of me being in pain is now going so well its trying to
pull me away from them (as cited by Eby, n.d. para. 5). For Apatow, the way he manages the
effects of mental illness is through producing and writing. This outlet and coping mechanism has
pushed him towards his eminent fame, but still has a negative effective on his personal life.
With a topic so extensively personal and emotional, there is some opposition as to the
actual relationship between creatives and their mental illnesses. According to Kyaga, Landen,
Boman, Hultman, Langstrom, and Lichtenstein (2013), people with creative careers actually
anxiety disorders, alcohol abuse, drug abuse, autism, ADHD, or of committing suicide (para. 1).
It is important to mention these findings were specific to Sweden and part of a prospective
population study. The only positive relationship this study found was a connection between the
As research uncovers the ways in which creativity can emerge from illness, it also
reveals the relation between lack of creativity and illness. Both topics are
politically charged. Some commentators do not want to infer that illness can cause
creativity because they consider creativity part of the full expression of human
health. Conversely, clinicians may not want to treat loss of creativity as a medical
This research attempts to explain a topic that is sensitive and deeply personal. The Kyaga
research as well as Flahertys and the other sources proves the complexity between these two
topics. Both the topic of creativity and mental illness can be so broad, yet very specific and
Creativity and Mental Illness 9
personal. There is a reason why multiple people, including another interviewee Hana Barkowitz,
said they think sometimes the most fucked up people are the most creative, (personal
communication, November 16, 2016). Barkowitz would be considered a little-c but does not
The research has led me to the conclusion that there is a relationship between mental
illness and creativity, however, mental illness does not cause creativity or vice versa. The link
between mental illness and creativity is that the qualities that may cause mental illness, are the
same qualities that cause a person to be creative. Creatives are divergent thinkers. They see
something not only as it is, but how it could be. Creatives see a problem and think of how to
fix it or how to express the emotion behind the issue. This is the quality that links mental illness
to creativity. As stated by Christensen (2013), psychologist agree that depression (and other
mental illnesses) is higher in those who ruminate on their thoughts (para. 13). Christensen
further explains that when creatives internally obsess and consider alternatives to reality, they go
into deeper stages of their depression (para. 21). The offset to this is that after the deep dive into
This was further validated when Weitzenhoffer said, From personal experience with
creative people and understanding mental illness from a personal struggle, [a creatives] brain
works more than other peoples and that is why they are ill, (personal communication,
November 3, 2016). This idea of creatives ruminating on specific experiences is more than
theory. It is proved through pro-c Weitzenhoffer, little-c Andrews, and many other creatives.
Depression does not cause creativity, but the qualities of a creative can lead to depression.
The personal factors that cause depression, anxiety, and even suicide, are parallel to the factors
that cause creativity. Some social and personality factors of mental illnesses, such as depression
Creativity and Mental Illness 10
and anxiety, stem from seeing a problem and feeling compelled to solve it. This is the same idea
that causes someone to be creative. It is critical to continue to research and gain a better
understanding of creativity and mental illness to help them manage their illness. Clinical and
healthiest inclinations, and one of our greatest attributes (Eby, para. 9). Protecting creatives and
those mentally ill can only provide benefit to our society. Creativity is a gift and mental illness
should not to be taken lightly. When it is preventing people from living their true lives, we must
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