English 90 is designed as an introduction to the art and craft of writing fiction. We will begin the
quarter by reading, analyzing, and reverse engineering contemporary short stories to understand
how they work in terms of language, structure, point of view, character, etc., and explore how we
can bring those craft elements to bear on our own work. We will work on short writing
assignments and in-class exercises inspired by and in reaction to these readings. In the second
half of the quarter, we will turn to your fiction. Each student will turn in a 10-20 page short story
for discussion in a class workshop. Along the way, each student will select a short story to
present to the class and write a critical paper on.
The only prerequisite for this course is one section of PWR. Students are encouraged to take
risks with their work, to experiment with style and genre, and are expected to treat the work of
their peers with respect and generosity.
Required Materials:
-Course Reader: available at CopyAmerica, 344 S. California Avenue, Palo Alto, CA 94306
(650) 566-0344. Note: a representative from CopyAmerica will bring the course reader in during
the second week of class. You will be able to buy it from them directly.
-A notebook for in-class writing assignments
-Please budget for printing and photocopying. All students are required to bring in copies of a
story for the class workshop.
Recommended Reading:
-The Modern Library Writers Workshop: A Guide to the Craft of Fiction by Stephen Koch. We
wont have enough time to discuss this in class, but Koch provides an excellent primer on the art
of fiction. I highly recommend reading it.
Requirements:
Class Participation: 45%
An active and engaged classroom is essential to the success of this course. Your participation
grade will be determined by your contributions to classroom environment in discussions,
workshop, small-group work, etc.
Included in this grade are your workshop letters. When you workshop your short story, you will
receive thoughtful, constructive response letters from your peers. In turn, you are expected to
write thoughtful, constructive response letters to your peers when they workshop their stories.
Each letter should be no shorter than three-quarters of a page, single spaced, and should focus on
where the story succeeds as well as where it can be improved (well talk more about what makes
a good response letter before the first workshop). Please bring in two copies, one for the
workshopee and one for me.
Creative Work: 30%
This grade is based on the story submitted for workshop, a full and substantive revision, and
short writing assignments. On the final day of class you will hand in a portfolio consisting of
both the workshopped story with my comments and a revised draft. I suggest that you turn in a
photocopy of the workshopped story and keep the original for your records.
Attendance Policy:
Students with more than two absences will see their final grade reduced one letter for every
additional absence. If you miss class, its your responsibility to find out what you missed. Make
life easier on yourselves and dont miss class. Excessive tardiness and early departures will be
treated as absences at my discretion. If there is a true emergency, you must contact me via email
before class.
Classroom Behavior:
Each student is entitled to respect and has the responsibility to treat others respectfully. Abusive
or derogatory language will not be tolerated. If you need to use the restroom, there is no need to
ask permission; just leave quietly. All cell phones should be silenced and put away for the
entirety of class (this includes texting). Well be doing a fair amount of in-class writing
assignments and you should feel free to bring your laptops to class.
Academic Honesty:
All submitted work must be written this quarter, by you, for this class. Students are expected to
abide by the Stanford Student Honor Code: