Full Lab
SHOOTING
& More
NIKON
TIPS
Sunlit
D750
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Portraits,
Exposures
P.79
HOW TO CAPTURE
WILDLIFE
NIGHT
OF THE
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POPULAR PHOTOGRAPHY DECEMBER 2014 IN THIS ISSUE 2014 POP AWARDS r TESTS: NIKON D750 & PANASONIC LUMIX FZ1000 r CAPTURING NOCTURNAL ANIMALS r SECRETS OF PHOTO ASSISTANTS r SUNLIT PORTRAIT TIPS r HOW TO SHOOT A DOUBLE EXPOSURE
100 Million Is Only the Beginning.
After 75 years of passion, dedication and innovation, Canon is proud to celebrate the
creation of the 100 millionth EF lens*. From our humble beginnings many decades ago,
it has always been our goal to provide you with the tools you need to capture still and
moving images worthy of your creativity and imagination. And even after all these years,
we are still honored and inspired every time we see what you capture and create with our lenses.
Thank you, and heres to another 75 years of your incredible images.
* Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.
2014 Canon U.S.A., Inc. All rights reserved. Canon, EOS and EF Lens are registered trademarks of Canon Inc. in the United States.
glassrst.usa.canon.com
HOW TO MAKE GREAT PICTURES DECEMBER 2014 VOLUME 78, NO. 12
PHOTOGRAPHYS
OUTSTANDING
55
Gear that
PRODUCTS
Shines
From cameras and
lenses to lights, bags,
and beyond, these photo
products are the best of
the best for 2014. One or
more of them could change
your life. By Philip Ryan
48 NIGHT VISIONS
This wildlife photographer
specializes in bats, owls,
snakes, and other sometimes
creepy creatures of the night.
They may seem scary, but these
animalsand her portraitsare
hauntingly beautiful, too.
By Traer Scott
66 TRICKS
OF THE TRADE
Six past and present assistants to
todays top photographers share
lessons they could have learned
only on the job. Some of their
insights may surprise you.
By Peter Kolonia
POPPHOTO.COM DECEMBER 2014 POPULAR PHOTOGRAPHY 5
26 79
Strong, Durable, Affordable
40
New NEXT 38 TRAVELING
PHOTOGRAPHER Discover
6 Carbon Fiber Tripods 15 WE WANT THIS Samsungs NX1 what makes each Hawaiian island more
APS-C compact knocks em out at 15 fps. photogenic than the next.
16 JUST OUT A stabilized ultrawide 40 LIGHTING Try this tip for making
New SRL - Speed Release Lock from Tamron, a new GoPro with 4K video, beautiful blue eyes even bluer.
Photoshop Elements, and more.
PREVIOUS PAGE: BRIAN KLUTCH (CAMERA); TRAER SCOTT (COUGAR); JOSH GRUBBS (FOOD); J. BRYCE BORDENKECHER (MODEL); DORON GILD (ENVIRONMENTAL PORTRAIT).
42 SOFTWARE WORKSHOP
20 ROUNDUP Yes, its time to Discover the processing power of Phase
upgrade: the latest and greatest in Ones Capture One RAW converter.
COVER: BRIAN KLUTCH (CAMERAS); TRAER SCOTT (COUGAR). THIS PAGE: HEATHER COLLINS (SHORELINE); MAJA TOPCAGIC (PORTRAIT); BRIAN KLUTCH (CAMERA).
memory-card readers.
46 YOU CAN DO IT Get creative
SHARE
with this technique for multiple exposures.
624 CFL
634 CFL 25 PHOTO CHALLENGE
Our winner worked backwards:
LAB
First he found a setting, then he went in 79 DSLR TEST Nikon D750
search of a subject. This new full-framer aims squarely at
New 8X Interlaced CF Canons 5D Mark III, but is it up to the task?
26 MENTOR SERIES She knew
86 SUPERZOOM TEST
she had a classic seascape, but how to crop
it? Mentors share their wisdom. Panasonic FZ1000 With a 1-inch sensor
and massive zoom range, could this
superzoom be the one for you?
27 YOUR TURN Alternative portrait
views, more advice for renters, and a tip for
bargain shooting.
94 LENS TEST Fujifilm XF
18135mm f/3.55.6 R LM OIS WR
A weather-resistant wide-angle zoom.
28 YOUR BEST SHOT
723 CFL This months winners revel in the majesty
724 CFL and mystery of great buildings.
96 LENS TEST Samsung
1650mm f/22.8 ED OIS
HOW
Class-leading image stabilization. Nice!
POPULAR PHOTOGRAPHY (ISSN 1542-0337) (USPS 504-890), December 2014, Volume 78, Issue 12,
is published monthly by Bonnier Corporation, 2 Park Ave., New York, NY 10016. Periodicals postage
823 CFL paid at New York, NY and additional mailing offices. Authorized periodicals postage by the Post Office
824 CFL Department, Ottawa, Canada, and for payment in cash. POSTMASTER: Send address changes to Popular
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Available in Stores Now .com/cs to manage your account 24/7.
Exclusive Distribution By:
WWW.KENKOTOKINAUSA.COM 6 POPULAR PHOTOGRAPHY DECEMBER 2014 POPPHOTO.COM
7 7R 7S
sony.com/sonyalpha #sonyalpha
2014 Sony Electronics Inc. The Sony logo is a trademark of Sony Corporation. All rights reserved.
Reproduction in whole or in part without written permission is prohibited. All other trademarks are
trademarks of their respective owners.
You find your footing on unstable ground.
Finish strong.
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POPULAR PHOTOGRAPHY 13
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that Canon means business
with its new PowerShot G7 X
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zoom for ILCs zoom (24100mm equivalent), a
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28
CONVERSATION, INSPIRATION, CONTESTS, AND YOUR QUESTIONS ANSWERED
PHOTO CHALLENGE
GREEN DAY
A photographer works backwards
to win our full-length portrait challenge
LONDON-BASED art director Peter subject, he says. A Saturday Zelewski used after a few frames requested she
Zelewski found his background morning shoot time made for a Leica M-E cross her legs and put her hands
and 50mm
before seeking out a subject for the right lighting conditions and f/1.4 Leica where they felt comfortable. Im-
this full-length portrait. A narrow a relatively empty park. Summilux lens mediately this seemed to work,
pathway and heavy foliage drew Zelewski found his portrait (1/4000 sec at he says. I could see a connection
f/1.4, ISO 200).
him to shoot in Tavistock Square. subject, Jasmine, at a nearby cof- See peter between all the lines of the trees,
PETER ZELEWSKI
If I placed my subject in the fee shop. He positioned Jasmine zelewskiphoto the pathway, and her tall, angular
center of the frame, the diverging in the middle of the path and graphy.com. frame. Jeanette D. Moses
lines from the trees and pathway
would really draw focus on my In Shore Lines (p. 26), Heather Collins uses diagonal lines in her composition to
move viewers eyes through the frame. Send us your best photo exploiting the power
of leading lines by Dec. 31 and you could win $100. Enter at PopPhoto.com/contests.
POPPHOTO.COM 25
SHARE * MENTOR SERIES
COAST WITH THE MOST Collins captured this scene along the Point Lobos coastline near Carmel-by-
the-Sea, CA. The April 2013 trek also featured surfers, monasteries, and Big Sur.
Portrait Tips
Your article Five WaystoFlatter
REGARDING Bargains of the
Anyone (September 2014) addressed Year (September), Ive gone
a very useful topic and presented back to film for several reasons:
some good tips. However, it also unemployment, the high costs HOW TO CONTACT US
presented as right some opinions of digital, cheaper used 35mm Address your questions or comments on editorial content to
Popular Photography, 2 Park Avenue, New York, NY 10016;
equipment, and $10 processing email, PopPhoto@bonniercorp.com. Published letters may
about basic issues that are more with disc [included].A used Nikon
be edited for length and clarity. We regret that we cannot
answer all letters. Editorial contributions sent by mail must
matters of taste and style. N80 and 2450mm AF lens is my
include return postage and will be handled with reasonable
care; however, we assume no responsibility for return or
safety of photographs, disks, or manuscripts.
Camera at chest height, and pointed level, setup for under $80 including
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at 800-876-6636, or email us at PPHcustserv@cdsfulfillment.
or no distortion,but I thoughtthepoint cameras are out there, too, at com. Please allow at least 8 weeks for a change of address;
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little. Likewise, an 85mm lens on a 35mm workmanship and lasting
REPRINTS AND EPRINTS
film or full-frame camera (or 5560mm lens (40 years) quality. T. Lee Keene For Reprints, email reprints@bonniercorp.com.
on an APS-C sensor) isaclassic for portraits, Charlotte, NC
and certainly better than a
35mm lens. But many might
have thoughtthe[half-length]
portrait would have been
more flattering with a 135mm
lens (or 8590mm lens on an
B+W
APS-C sensor)which is also a IMPROVE YOUR IMAGE
classicand a camera position WITH A B+W POLARIZER
somewhat farther away.
Dave Redmann Schneider B+W filters deliver
New Orleans, LA the best in every image and B+W
Polarizers are a perfect example.
Discover why they are the choice
RENTING EQUIPMENT (Renting of top photographers worldwide
101, September) can be a
great thing. You will learn Made of superior,
each companys policies when
you rent from them, but one
thing you needtoknow before
you rent was not mentioned
inthearticle. Before your first
rental, some companies may
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This involves a few phone
calls, and it may require more
than one business day. Be
suretoallow enough lead time
for this before you schedule your
Without B+W Polarizer With B+W Polarizer
first rental with a company.
Sam Feinstein
Bridgeton, NJ
POPULAR PHOTOGRAPHY 27
SHARE * YOUR BEST SHOT
Construction Sight
Want to
enter?
Get the
rules and
upload your
images at
PopPhoto
.com/
This months winners trained their lenses on architecture contests.
64+,4
64+,4
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The revolutionary, light and portable Olympus OM-D series does more than just capture amazing photos, it lets you tell
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POPULAR PHOTOGRAPHY 31
HOW
TRY YOUR HAND AT INCREDIBLE ISLANDS AND AMAZING EYES
38 40
MEET PHASE ONES CAPTURE ONE
42
FIND NEW USES FOR OLD SLIDES
CREATIVE THINKING
fantastical, photorealistic images about a place. quantzphoto and Quantz imagined the pachy-
.com.
stems from a childhood trip Visiting a zoo with his daughter, derms hitting the showers after
to Yellowstone National Park. he was struck by the fact that a hard days work. An elephant
His pictures didnt capture his he could smell the elephants locker roomsomething you
to put the roadside sign on the the eye away from the
top of the building. splashing tail. Total fix time?
It takes a lot of hours, says Fifteen minutes.
Quantz, who prides himself on Wesley Fulghum
taking pictures that tell stories.
Its like the piano: If you practice
enough, eventually you hear a
piece of music and you can bang PHOTO GLOSSARY DEPTH OF FIELD
it out on the keyboard without OUR ONLINE EDITOR, Stan Horaczek, tweeted last October that after reading hundreds of
really thinking. I use the camera PopPhoto.com posts, he observed that depth of field could be one of the most misunderstood
terms in photography. People use it interchangeably for anything related to focus, he says: blur,
as a tool and then hammer [the sharpness, bokeh, or depth of focusa completely different animal. For photographic purposes,
idea] out on a computer. depth of field is the area within an image that appears sharp. The shallow depth of field typical
Looking at his final product, of images shot at large apertures with tele or macro lenses is often measured in incheseven
you can hear the disco synes- fractions of an inchfrom the near to far points of acceptably sharp focus. Conversely, the sharp
distances associated with the great depth of field typical of images made at small apertures with
thesia of elephants working...at wide-angle lenses can be measured in miles. Dont infer, however, that wide-angle lenses give
the car wash, yeah. Paging Rose greater depth of field than tele lenses. For an explanation of why they dont, see Dan Richards
Royce! Laurence Chen treatment of the subject in Whats up with...Depth of Field on PopPhoto.com.
Ricoh Imaging Americas Corporation 2014 | us.ricoh-imaging.com | ricoh-imaging.ca | photography: Kate Turning
HOW * TRAVELING PHOTOGRAPHER
Island
Hopping
Get a taste of overlook at mile marker 82 along Ian Lindsey
hiked two miles
waterfalls and offers classic views
Hawaiis wild side Highway 19 if you cant make the of lava shore meeting turquoise
across a lava
relatively easy hike to the beach. field in the dark seas. In winter, massive waves
AN ARCHIPELAGO of eight major Aaron Feinberg, who moved to for this photo of come crashing ashore, making for
islands and myriad islets and Kauai in 2007, loves Princeville molten rock from drama, he says. Looking west, you
the Big Island
atolls, the Aloha State spans some the coast surrounding Queens merging with have iconic coastline with Mount
1,500 miles. We asked local pros Bath, a rugged rock-edged pool the sea. He used Makana (Bali Hai) in the distance.
for their best nature-shooting sites continuously refreshed with sea a Canon EOS The surf near Queens Bath can be
5D Mark II and
from Hawaii (the Big Island) in the water. The trail leading to the 1635mm f/2.8L dangerous at timestake warning
south to Kauai in the north. shore takes you past several pretty II Canon EF lens. signs seriously. Jeff Wignall
Photographer Ian Lindsey, born
and raised on Hawaii, says one of
his favorite Big Island spots is the
Pololu Valley. The beach at its base
ISLAND TEMPTATIONS and snorkeling adventuresall gear is included, and
Adventures await, ranging from underwater cameras are rentable. One option is a
is particularly pretty at sunrise. moderately challenging to Hey dude, six-hour trek to the extinct volcano of Molokini, home
Its a steep 15-minute hike down this is extreme! These suggestions to 250 fish species and 38 types of coral.
span the state from south to north. OKALAUPAPA NATIONAL HISTORICAL PARK
to the bottom, but a safe shoot and
OHAWAII VOLCANOES NATIONAL PARK Molokai; nps.gov/kala/index.htm This corner
IAN LINDSEY, IANLINDSEYPHOTOGRAPHY.COM
worth the effort, he says. Its good 30 miles southwest of Hilo, Hawaii; nps.gov/ of the north shore of Molokai is remote but
in December and January because havo/index.htm This 333,000-acre park is home to geographically spectacular and worth the trek.
the sun rises further south, so you Mauna Loa, the largest active volcano in the world Reservations and permits through Damien Tours
(dormant since 1984) and Kilauea, which produces (8085676171) are required.
can get the valley wall nicely lit.
up to 650,000 cubic yards of lava per day. Easily OJACK HARTER HELICOPTERS 4231 Ahukini
Lindsey also suggests looking accessible by car, the park holds 150 miles of hiking Rd., Lihue, Kauai; helicopters-kauai.com Harters
for Hawaiian green sea turtles, trails and an 11-mile, self-guided Crater Rim Drive. provides doors-optional 60- and 90-minute flights
which, while listed as endangered, OPACIFIC WHALE FOUNDATION TOURS in four-passenger helicopters. Highlights include
are easy to spot. A good place to 300 Maalaea Road, Wailuku, Maui; pacificwhale Waimea Canyon, Mt. Waialeales ancient volcano,
.org This nonprofit oceanographic organization and Wailua Falls. Helicopters shake, but shutter
find them is on the beach in Kiholo
offers numerous dolphin, whale-watching, rafting, speeds of 1/1000 sec will keep the scenes sharp.
Bay, he says. Theres a scenic
16-300mm
F/3.5-6.3 Di II VC PZD MACRO
The 16mm wide-angle revolution.
Setting a new standard in high-power zoom lenses.
;OPZL_[YHVYKPUHY`^VYSKZYZ[1 18.8x zoom comes with Vibration
Compensation and high-speed Piezo Drive autofocusing, making the
Tamron 16-300mm Di II VC PZD Macro a lens you can rely on for crisp,
detailed wide-angle to long-telephoto shots.
Model B016
For Canon, Nikon and Sony* mounts
*Sony mount without VC
1
As of March 2014 Source: Tamron
www.tamron-usa.com
HOW * LIGHTING MAKING THE EYES POP
SIMPLE COMPLEX
Blue B A
for You C
a circular silver lam reflector. of the day that you photograph, also block direct sunlight, allowing
An assistant aimed it toward says Topcagic' . Go for the most you to shoot on sunny as well as
her models face, where it gave beautiful light. Sunrise or sunset overcast days. Peter Kolonia
Capture One
Quick Start You dont have to be a growing in popularity. Despite
a slight learning curve, the
With an
interface
QUICK TIP
Not Only
for RAW
pro to use this robust application is easy to use you can To view JPEG files, go to View >
customize, Global Filters and make sure
RAW processor whether youre processing Capture One Always Hide JPEG Files is
RAW files or tweaking JPEGs. appeals to unchecked. To edit JPEG files,
enthusiasts
ORIGINALLY INVENTED to pair Combined with the Capture go to Capture One Preferences >
and pros
with medium-format camera Pilot and Camera Control apps, alike. Image and check the box to
backs for tethered capture Capture One is especially adept Enable JPEG Editing.
and RAW processing, Phase at tethered shooting (though
THEANO NIKITAS
Ones Capture One, now in thats a topic for another purchasing. Heres a quick
version 8, has evolved into Software Workshop). A 60- tutorial on the basics that will
an excellent imaging editor day free trial provides plenty get you started.
and asset manager. And it is of time to check it out before Theano Nikitas
Step 1
Customize Your
Workspace
Put the most-used tools at
your fingertips by creating
individual workspaces
tailored to a given task.
Click on View to access
a dropdown menu and
choose the changes you
want to implement. Move
browser and tool positions
on the screen; customize
the toolbar; add, delete, or
drag-and-drop tool tabs in
the order you wish them to
appear. Save your custom
layout via Window >
Workspace > Save Workspace.
Step 2
Import Images
Capture One offers two import
types: Catalog and Sessions.
Catalog works best for large
collections; Sessions is limited to 2
a specific group, and better for
tethered capture. To import into a
new Catalog, create one under the
File menu. Then click the Import
Images button, choose where to
store them, and click Import All.
When done, choose the Library
Tool tab to start rating images.
Step 3
Assess Sharpness
To find the sharp areas of any
image, use the Focus Mask tool.
Click on the Focus Mask icon (on
the upper right). Youll see a Focus
Mask appear in both the selected
image and the thumbnails, so you
can quickly assess a number of
photos. Adjust the Mask by going
to Capture One > Preferences >
Focus. Click again on the Focus
Mask icon to turn it off.
Step 5
Control Color
The powerful Color Editor allows you
to target adjustments to certain colors 5
or color ranges. To find it, go to Color
Tool Tab > Color Editor > Basic. Choose
the color picker (lower right of the color
wheel) and click on a specific color in
the image to select it. Then select
View Selected Color Rangethe
unselected areas of the image
will change to black and white
and fine-tune the color range
by moving the dots on the color
wheel. Use the slider bars to
adjust various parameters until
you get the look you want. In this
image, I intensified the yellows
in the models dress, but you can
also home in on skin tones.
Final Step
Export Images
When finished, select the images to
export, then go to File > Export Images.
Select Originals to export the RAW files
only (with or without adjustments) or
Variants to export processed images
as other file types. Fill in the fields for
file format, quality, and ICC profile to
apply. Or simply click the Open With
dropdown menu to open the files in
another application.
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HOW * YOU CAN DO IT
Sliding
Home
A project that turns Carasella
combined a
Fast forward to the spring Carasella starts with a slide
after her challenge: Matthew duplicator. A duper is a hollow
old slides into new art defocused
Carasella, a New York City event tube that threads onto a macro
flower and
IN HER February 2014 Editors forest for photographer, invited us to visit lens. At the opposite end is a
Letter, Miriam Leuchter challenged this fiery his newly launched website slide carriage and a translucent
multiple
readers to invent ways to give exposure. (matthewcarasella.com). Among filter. In normal use, you drop a
MATTHEW CARASELLA
second lives to the hordes of slides its projects was one he calls slide in the carrier, aim the tubes
that many film-era shooters cant Photo Jar pictures, for which he filtered end at a light source, and
seem to toss. Loaded into carousels uses an uncommon technique for then take a picture of the slide to
and tucked away in closets, many creating multiple exposures thats duplicate it.
of these images are beautiful. based on, yes, exposed slides. In Carasellas hands, a duper
Step 2
Find the slides. Dont have your
own slides to use? You can still do
this. Carasella purchases many
slides at online auction sites, where
collections of up to 600 can be had
for as little as $20.
C Step 3
Pick the right slides. Carasella
picks slides for graphic structure
and says the best will include large
areas of bright white highlights. In
the composite, the scene or object
that youre photographing will
appear only in those white areas.
Black areas, like the tree trunks
here, will mask the background.
Step 4
Make your exposures. Carasella
To create the photo, looks for background subjects with
Carasella used a Nikon brilliant color. He finds a good
D700 (now D750, A),
a 60mm f/2.8G Nikon background and then switches out
macro lens (B), and a the slides until he gets a match that
duper like the Bower works. Finding that synergy requires
Slide Duplicator (C).
experimentation and can involve
flipping the slides orientation.
becomes an instrument for His shot above is a mash-up For me,
capturing creative abstractions. He
tweaks the system by removing
of a slide of a winter scene taken
decades ago and a lantana flower
the hardest
thing is de-
ciding what
Step 5
the dupers filter so that when he that Carasella recently found in should be in Fix it in post production.
mounts the slide in the carrier his mothers yard. In the capture, focus and Carasella typically crops his
what out of
and looks through the cameras he decided to throw both of the focus, says multiple exposures in software,
viewfinder, he sees two images: the images out of focus. Carasella. applies some sharpening, and
mounted slide and the real world Could this technique renew tweaks color and contrast. I keep
beyond. He then fires the camera your interest in those carousels of working until I get an image I like,
to create a multiple exposure that film-era slides? You bet! he says. It usually doesnt take all
combines old and new. Peter Kolonia that long.
JUDGES REVIEW: Peering into the eyes of this powerful Osprey we can almost feel the creatures will
to survive. With a massive six foot wing span the raptor presses forward under a dramatic sky. Clutched securely in razor
sharp talons, the sh may very well be needed to sustain its young. With this capture, the photographer has done more
than just freeze a moment in time. It is rather, a riveting story of life in the wild. Chris Corradino NYIP Mentor
Learn how to take photos like this with an online photography course from the New York Institute
of Photography. Get your free course catalog at www.nyip.edu/pop or call 1-800-583-1736.
Introducing the Cactus V6!
The WORLDS FIRST wireless manual trigger
that controls the power output of
Canon, Nikon, and Pentax ashes
ALL AT THE SAME TIME.
Now controls Olympus & Panasonic ashes too!
*Cactus V6 can be triggered by any camera with a standard hot-shoe or PC sync-port via an
optional PC-cable. It also works with recent Sony camera models with an MI hot-shoe.
Text by Philip Ryan
Photos by Brian Klutch
PHOTOGRAPHYS
OUTSTANDING
PRODUCTS
TOUGH GUY
Nikon D4s
As great as mirrorless cameras have
become, most pros still rely on high-end DSLRs
when they go out to capture the images and
video that are their livelihood. Nikons D4s boasts
STURDY STYLE
Fujifilm X-T1
Anyone who knows the joy of classic
camera controlsreal shutter speed
dials, an aperture ring on the lensis
bound to spend some quality time ogling
one of Fujifilms X-series ILCs. The X-T1 is
the fanciest of the bunch, with a rugged
build, beautifully detailed and large EVF,
and a top burst speed of 8 fps. A tilting
YAY 4K
LCD screen helps with framing when
not using the EVF. Plus, thanks to the
cameras built-in Wi-Fi, you can control
Panasonic
the X-T1 with your smartphone. Lumix GH4
$1,299, street, body only; Want to record 4K 30 fps video
fujifilmusa.com to an SD card? Panasonics GH4
became the first camera to let you
SENSITIVE SOUL
do that, or output to an external
Sony A7s recorder, and it does so at an
affordable price. Shooters looking
After packing its A7R and A7 cameras for HD video can choose between
with 36.3MP and 24MP sensors, IPB and ALL-I compression at a
respectively, Sony dialed down variety of bit rates. Meanwhile,
the pixel count to 12.2MP in the still photographers get a highly
A7s. Why? To allow unprecedented customizable, rugged camera
low-light performance. With a top body that can shoot bursts of up to
sensitivity of ISO 409,600, the A7s 7.5 fps with full AF and metering.
can make remarkably clean images Noise is well controlled up to ISO
when set upwards of ISO 25,600. 6400. $1,698, street, body only;
Itll also let you record 4K video to shop.panasonic.com
an external recorder through the
cameras HDMI output. $2,498,
street, body only; store.sony.com
56
BIG DEAL DUST BE GONE
Pentax 645Z
choose what you think youll need. You can
also add an optional tripod and hydration Hoya EVO
When we saw that CMOS sensors were system. The bag can accommodate up to a Antistatic lters
coming to medium-format digital cameras, 17-inch laptop, has a front compartment for Repulsion is hot in filters these days. After
we knew that those large-sensored cameras your phone, chargers, batteries, and other all, theres no end to the things we dont
were about to get a lot more versatile. We items, and has a harness system with a want stuck to the front of our lenses. Hoyas
didnt expect the Pentax 645Z to cost less padded waist belt. $199 (backpack), $70 latest repel dust, dirt, water, and scratches.
than $9,000, though. That price, along with (small photo module), $90 (medium Though they are thin, they have front threads
video capture, higher sensitivity than youll photo module), $40 (tripod/hydration so you can stack filters or other threaded
find in any other medium-format digital, a system); guragear.com accessories as needed. Available in three
tilting screen, and compatibility with a large varieties: protector, UV, and circular polarizer.
array of legacy glass, makes the 645Z a GOING MOBILE Sizes 37mm to 82mm. $42170, street
truly unique camera. $8,497, street, body
only; us.ricoh-imaging.com Abobe Photoshop (depending on type); hoyafilter.com
RayFlash Universal
RingFlash Adapter
We loved the original RayFlash, which was a cost-effective way
to get circular catchlights in portraits. But its mounting method
meant you might have to get a new one if you got a new hot-shoe
PHOTOGRAPHYS
OUTSTANDING flash, certainly if you switched camera brands. The new Universal
PRODUCTS RingFlash adapter uses a spring-loaded mechanism to hold the
RayFlash 2 to your hot-shoe-mounted light. As before, the light is
then channeled down and around your lens for a perfect fashion-
like look. $140, street; ray-flash.com
THIRD-PARTY THUNDER
Metz Mecablitz
64 AF-1
One of the most feature-packed third-
party flash units currently available,
this German-made strobe is fully TTL
compatible with nearly all camera brands.
A guide number of 141 feet (ISO 100,
50mm) and a color LCD touchscreen set
this flash apart from the pack, as does
its 12200mm zoom range. A USB port
allows for firmware updates, and a PC port
means it will play nice with radio triggers.
$450, street; metz.de/en
Mylio
An OLED control panel lets you input custom
user profiles and change firing modes NIGHTTIME NIKKOR
Nikon
between first- and second-curtain syncing. How often have you told a friend about an
$1,050, street; elinchrom.com amazing image you recently made, but
SUPER SUPERZOOM
couldnt show it because it was stuck on a 58MM f/1.4G
device at home? Mylio, a computer program Among the sharpest lenses weve ever tested,
Tamron 16300MM and app, ends that frustration while also
helping back up your images. When you
this full-frame Nikkor is a great option for
shooters who use both full-frame and DX
f/3.56.3 DiII import, it automatically copies photos to your bodies; when mounted on a DX body it has an
VC PZD Macro backup device and sends previews to your equivalent field of view of 87mm. While there
This 18.8X superzoom provides a full-frame smartphone and tablets. Not only will you not was slightly more distortion present than we
equivalent of 24.8465mm while checking need to back up images when you get home expected and AF proved somewhat slow, the
in at 1.28 pounds. Its able to focus as close from a trip; youll also always have all of your AF was pleasingly silent. Video shooters should
as 12.93 inches and boasts a maximum images with you wherever you go. Pricing not appreciate the well-damped manual focusing
magnification of 1:2.3 at 300mm. In macro available at press time; mylio.com ring. $1,697, street; nikonusa.com
Thule Covert
Rolltop Backpack
This daypack-style camera bag has plenty of room in its
top compartment for days worth of clothing and personal
items. Below that, theres space to house a DSLR with a
PHOTOGRAPHYS
lens attached plus a couple of other lenses and a flash. OUTSTANDING
The padded camera pod is removable in case you want to PRODUCTS
(gasp!) leave your camera at home and use the Covert as
a general-purpose bag. Plus, its laptop compartment
can hold a 15-inch MacBook Pro and an iPad.
$200, street; thule.com
JOIN THE MENTOR SERIES FOR A WORKSHOP IN GRAND TETON NATIONAL PARK
Rising more than a mile above the Snake River Valley, the sheer scale of the glasslike surface of the Snake River. Photograph the iconic barns
the Teton Range instills in the beholder a sense of breathless wonder and homesteads at Mormon Row and views of the Cathedral Group
and exploration. Join us June 25-28, 2015 with Nikon professional of peaks from the Chapel of the Transguration. We will be on the
photographers Layne Kennedy, Michael Clark and Bob Smith in lookout for moose, elk, deer, eagles and American bison at Jenny Lake,
Jackson Hole, Wyoming, for a workshop focused on nature and and beavers tending their dams at Oxbow Bend.
landscape photography set amidst the great beauty of Grand Teton
National Park. A visit to a local ranch will provide an exclusive opportunity to
photograph y shermen and ranchers with their horses and other
Highlights of the workshop will include sunrise shoots at Glacier livestock, as well as cowboys in their typical gear. Experience the quiet
View Turnout and Schwabachers Landing, where you will witness beauty and history of one of our nations most cherished national parks
the mountain peaks and early morning light perfectly reected in and emblems of the American Frontier.
workshop fee: $1,525 Includes snacks and water on the bus, transportation to each shooting location, park permit and entrance fees, in-field
instruction, presentations, and digital review sessions.
GRAND TETONS JUNE 25-28, 2015
Weston Rieckenberg
still photographer Ive worked umbrellastools great for, assistant to advertising and edito-
with uses grid reflectors aimed say, location portraits, says rial pros and now a professional
through diffusion materials like Cavanaugh. But lighting reflec- photographer for Seminole State
Lee 216R or Plexiglas. tive products with grid spots and College in Sanford, Florida. Dont
The setup creates a much Plexiglas creates a beautiful gra- wrap them from your elbow to the
more controlled soft light than dation across an objects surfaces palm of your hand. It can damage
cord tension and creates loops ISO 200. mints, energy bars, and more. camera settings from a previous
that lay flat next to each other. To that list, Brzezinki adds, I shoot or a lunch order. He also
If youve done it right, the always have something to take brings a first aid kit and gaffers
cord loops will not push against notes with. It helps me remember tapeoften called gaff tape or
You can accurately evaluate an object, for example, theyll each with a Canon securing light stands, but it would
image much more quickly, he want different intensities of EOS D Mark have been crazy to lug our studio
III and 50mm
says. Compositional and techni- light for proper exposure. With sandbags cross-country. Instead,
f/1.2L Canon
cal errors jump out at you seen strobes, expose for the white USM lens. we would buy gallons of water in
large. Its something you find in object first, then dial up your each city and bungee-cord them to
CLOCKWISE FROM TOP: TED CAVANAUGH (CHARD); ERIC JUKELEVICS (CAVANAUGH PORTRAIT); MARY NEWMAN (SELF PORTRAIT)
day that you shoot. After youve
established yourself, your studio
will start generating regular rev-
enue. Its a poor business model to
keep a studio if you arent profit-
ing every month from it, he says.
Ive learned that you have to
watch your overhead, says Josh
Grubbs, another Minneapolis-
based assistant. Buying new gear
all the light stands. says, Another great travel trick CHARD can be very tempting, but its not
To save both space is to use black wrap instead of
FEELINGS always the answer. When start-
Ted Cavanaugh
and time, Newman flags to block or direct light. One shot these ing out, money is probably better
roll of black wrap is a lot smaller Swiss chard spent on testing other ways for
than several flags, and its just as leaves for producing killer final images. Hes
MARY NEWMAN effective as black foam core. You a personal learned to hire a team whose indi-
At first I thought can also bend it around a reflec-
project
vidual skills can step in where hes
focused on
that working for any tor to form a snoot of almost any the graphic lacking. Props, rented locations,
photographer was diameter, she adds. qualities of and high-end talent can help
good, as long as you food. He used you get established more effec-
worked, but when youre Business Lessons a Nikon D800, tively than new gear. Cameras
50mm f/1.8G
While assisting Toledano on his and lenses can be borrowed or
employed by a photog- conceptual shoots, Doron Gild
Nikkor, and
rented, Grubbs says. Once youve
exposed for
rapher whose aesthetic learned how to speak to clients. 1/125 sec at established yourself, you can think
speaks to you, it doesnt Beyond skill and craft, managing f/11, ISO 50. about dashing off to the camera
feel like work. and navigating through individual stores, says Grubbs.
86
TEST: FUJIFILM XF 18135MM
94
96
DSLR TEST
HOT
SHOT
Nikons got just what
youve been waiting for
A LOT HAS happened in the
camera world during the
six years since Nikon
released the D700.
Megapixel counts now
top 36MP, Wi-Fi is a
fixture in many cameras
(though too few DSLRs),
and HD video capture is
now a basic feature in
any camera. Nikon ticked
the video and resolution
boxes with the D810 and
D800 before it. Until now,
though, Nikon hasnt
had a DSLR that can
NIKON
D750
24.3MP
full-frame
CMOS sensor
1920x1080p60
video capture
6.5 fps bursts
3.2-inch,
BRIAN KLUTCH
1.23-million-
dot LCD screen
$2,297 street,
body only
WHATS NOT
RAW burst buffer could be larger
WHO ITS FOR
Nikon shooters who want low noise in a
reasonably affordable full-frame body
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TEST RESULTS
LAB * DSLR TEST NIKON D750 IMAGE QUALITY ISO 503200
but remained impressive, serving ISO 51,200 and its top setting While Nikon EXCELLENT
often leaves
up 2100 lines at the cameras of ISO 102,400. Furthermore, wireless POOR EXCELLENT
top sensitivity of ISO 51,200. the Nikon proved cleaner at its commander
lowest ISOs when compared mode out RESOLUTION ISO 50
By comparison, the 5D Mark III
of less
showed 2520 lines at ISO 12,800 to the Canon. From ISO 1600 expensive 2875 EXCELLENT
and 1910 lines at ISO 51,200. through ISO 12,800, however, the cameras, we 1500 2000 2500 3000 3500 4000
In our Noise test the D750 Canon beats the Nikon on noise. were glad to POOR EXCELLENT
see that the
fared well, though it couldnt At all other sensitivity settings D750 can COLOR ACCURACY
match the Canons stellar result. the Nikon edges it out. wirelessly
The D750 kept noise to a Low or Both of these cameras easily control EXCELLENT 6.7
accessory
better rating from ISO 50 through earned Excellent ratings in our flashes HIGH EXCELLENT
ISO 3200, while the 5D Mark III Color Accuracy test. The Nikon through
its built-in NOISE AT ISO
maintained a Low or better rating D750 scored an average Delta E
pop-up flash.
up to ISO 12,800. Worth noting, of 6.7 in this test, while the 5D EXTREMELY LOW 0.6 50
though, is that the D750 never Mark III got a 6.9.
EXTREMELY LOW 0.7 100
ventured into Unacceptable The D750 performed well in
territory in our ratings. Even at our autofocus test too, though EXTREMELY LOW 0.7 200
ISO 51,200 the D750 scored a it lagged slightly behind the 5D
EXTREMELY LOW 0.8 400
Moderate rating. The 5D Mark III Mark III by about a tenth of a
got Unacceptable ratings at both second in the brightest portions
EXTREMELY LOW 1.1 800
HIGHLIGHT/SHADOW DETAIL
EXTREMELY HIGH
CONTRAST
VERY HIGH
AF SPEED
1.18
1.29
FE
LIM
2. Broaden Your View
R
70% 3.
4.
Show What No One Has Shown
Set the Scene, Get Close
11
OR off Wildlife
ER
Steve Winter and Joel Sartore
D ER
B
5. Understand the Animal
BY D E C E M 6. Use All the Tools
7. Make a Difference
8. Go Back, Get It Right
Landscape and Nature
Jim Richardson and Michael Yamashita
9. The Joys of Nature
10. Exploring Landscapes
11. Guide the Eye
12. Moment in Landscape
People in Their Environments
Jodi Cobb and Ira Block
13. Gaining Trust
14. Uncover the Human Condition
15. Build Relationships
16. Use the Background
Color and Light
Michael Melford and Annie Griffiths
17. Good, Bad, and Magic Light
18. Wait and Work the Shot
19. Compose with Color
20. Write with Light
Storytelling
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LAB * SUPERZOOM TEST
BIG ZOOMER
PANASONIC LUMIX FZ1000 AMATEUR PRO
THE PANASONIC
LUMIX FZ1000
PROVES THAT SOME
In the Lab
The Panasonic FZ1000 earned
our second-highest rating of
Extremely High in image quality
at ISO 80400. At ISO 80 it scored a
total of 2420 lines of resolution, a
hair under the 2500-line cut off for
Excellent, the top rating.
We have not run the RX10
PANASONIC LUMIX FZ1000
WHATS HOT
Extremely High Image Quality to ISO
400, 4K video direct to memory card
WHATS NOT
Plastic body
WHO ITS FOR
Travel photographers, videographers
42 W 18TH ST NYC
800.223.2500
adorama.com
LAB * SUPERZOOM TEST PANASONIC LUMIX FZ1000
Noise stayed Low or better (zoom or focus). The barrel also VERY LOW 1.2 400
up to ISO 1600 (it remained at contains a Power OIS switch.
Extremely Low to ISO 200 and The camera body offers five VERY LOW 1.2 800
was Very Low at ISO 400 and customizable buttons, two on top
LOW 1.8 1600
HIGHLIGHT/SHADOW DETAIL
HIGH
CONTRAST
HIGH
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90 POPULAR PHOTOGRAPHY DECEMBER 2014 POPPHOTO.COM
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The SoundLink Color Bluetooth speaker is engineered to deliver
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LAB * SUPERZOOM TEST
PANASONIC LUMIX FZ1000
jack, and features such as zebra
stripes to monitor highlights and
focus peaking. AVCHD capture is
also an option, though not in 4K.
You can pull 8MP stills from
the 4K video capture at 50 fps.
The only thing missing on the
video side is an Auto ISO setting,
which we would love to see in a
future firmware update.
In terms of speed, the FZ1000
can capture full-res bursts at up
to 12 fps7 fps with Continuous
AF engaged. The RX10 maxes out
at a 10 fps burst. The Continuous
AF during burst was very accu-
rate, though we only tested it in
outdoor lighting conditions.
Panasonic cameras have
gotten much better at handling
white balance in mixed light.
The FZ1000 uses a 1,728-zone
system, vastly better than the
companys old 144-zone system.
The difference is noticeable
we shot in quite a few scenarios
where daylight was mixed
U.S. POSTAL SERVICE STATEMENT OF OWNERSHIP, with indoor lighting, and the
MANAGEMENT, AND CIRCULATION FZ1000 handled all those scenes
(Required by 39 USC 3685) remarkably. We were also
especially fond of Silent Mode,
1. Publication Title: Popular Photography; 2. Publication No. 1542-0337; 3. Filing Date: which actually does what it
10/01/14; 4. Issue Frequency: Monthly; 5. No. of Issues Published Annually: 12; 6. Annual
says its going to do. The shutter
Subscription Price: $14.00; 7. Complete Mailing Address of Known Office of Publication:
Bonnier Corporation, 2 Park Avenue, New York, NY 10016; 8. Complete Mailing Address of was rendered inaudiblegreat
Headquarters or General Business Office of Publisher: Bonnier Corporation, 2 Park Avenue, for shooting candids.
New York, NY 10016; 9. Full Names and Complete Mailing Addresses of Publisher, Editor, and
Managing Editor: Publisher: Greg Gatto, Bonnier Corporation, 2 Park Avenue, New York, NY Bottom Line
10016; Editor: Miriam Leuchter, Bonnier Corporation, 2 Park Avenue, New York, NY 10016;
This is a lightweight, feature-
Managing Editor: None. , 2 Park Avenue, New York, NY 10016. 10. Owner: Bonnier Corporation,
460 N. Orlando Ave., Suite 200, Winter Park, Orange County, Florida 32789; 11. Known packed camera that can easily
Bondholders, Mortgagees, and Other Securities: None; 12. Tax Status (for completion by split its time between video and
nonprofit organizations authorized to mail at nonprofit rates): Has Not Changed During still capture. The plastic body does
Preceding 12 Months; 13. Publication Title: Popular Photography; 14. Issue Date for Circulation leave something to be desiredif
Data Below: September 2014; 15a. Total Number of Copies: 343,579 (September 2014: its build quality youre after, the
343,627); b. Paid Circulation: (1) Mailed Outside-County Paid Subscriptions Stated on PS Form
3541: 288,772 (September 2014: 285,064); (3) Paid Distribution Outside the Mails Including
RX10 may be a better option, but
Sales Through Dealers and Carriers, Street Vendors, Counter Sales, and Other Paid Distribution its hard to shake the appeal of the
Outside USPS: 9,435 (September 2014: 8,835), c. Total Paid Distribution: 298,207 (September FZ1000s features and test results.
2014: 293,899); d. Free or Nominal Rate Distribution: (1) Free or Nominal Rate Outside-County Fast maximum aperture, mas-
Copies Included on PS Form 3541: 7,777 (September 2014: 12,798); (3) Free or Nominal Rate sive zoom range, a decent-size
Copies Mailed at Other Classes Through the USPS: 102 (September 2014: 0); e. Total Free or
sensor, Extremely High image
Nominal Rate Distribution: 7,879 (September 2014: 12,798); f. Total Distribution: 306,086
(September 2014: 306,697); g. Copies not Distributed: 37,493 (September 2014: 36,930); h. quality to ISO 400, and 4K video
Total: 343,579 (September 2014: 343,627); i. Percent Paid: 97.43% (September 2014: 95.83%). capture, all in one unit, for under
PS FORM 3526: a: Requested and Paid Electronic Copies: 44,708, (September 2014: 40,167); $1K? Seems like a solid buy.
b. total Requested and Paid Print copies & Paid Electronic copies: 342,915, (September 2014: Dan Bracaglia
334,066); c. Total Print Distribution & Paid Electronic copies: 350,794, (September 2014:
346,864); d. Percent Paid and/or Requested Circulation: 97.8%, (September 2014: 96.3%).
92 POPULAR PHOTOGRAPHY DECEMBER 2014
LAB * LENS TEST
SHOOT WET
FUJIFILM XF 18135MM F/3.55.6 R LM OIS WR
2.97 in.
6.20 in.
at 70mm and 135mm (0.02%).
ZOOM Compared to similar wide zooms
WEATHER--SEALED lenses are from Nikon (18140mm f/3.55.6
3.87 in.
invaluable, and the Fujifilm XF VR), Pentax (18135mm f/3.55.6 0.83 in.
18135mm f/3.55.6 R LM OIS WR WR) and Canon (18135mm
is as close to everything-resistant f/3.55.6 IS), this Fujifilm lens had
as they come. With a field of view the least amount of distortion.
equivalent to a 27206mm It beat out the pack in our light
full-frame lens, it features 20 falloff test too, vignetting only
separate seals, internal focusing, at 18mm and gone by f/5.6, and
and a one-way air vent to keep the was on par in close focusing to
elements out and glass protected. the Canon and Nikon, at 16.25
The metal lens body is solid inches. The Pentax close focuses
in hand, though the lens is not to 11.78 inches.
particularly heavy. The zoom ring With maximum magnification
is rubberized and the focus ring ratios of 1:17.32 at 18mm,1:5.03 at
is metal; the aperture ring has a 70mm, and 1:3.26 at 135mm, the
A toggle
disappointingly plastic feel to it. Fujifilm beat out the competition on the lens stabilization, besting the rest. The
When zoomed out to 18mm the at 135mm and was on par at barrel lets Nikon came in second with 3 stops.
lens is about 4 inches in length; the other tested focal lengths. It users switch This is a sophisticated, well-built
between
at 135mm, 6.2 inches. Despite its scored an average of 3.33 stops of manual and
lens. Yes, it is about $300 more
external zooming, lens creep was automatic than comparable lenses from other
never an issue for us. aperture manufacturers, but it is optically
In the field, the lens performed control. on par or better in all departments;
well. We used it on an X-T1 and SPECIFICATIONS plus, it is weather sealed. If a
found the lenss build quality to be 18135MM (18.54139.64mm tested), versatile companion to your XT-1 is
on par with the camera. Autofocus f/3.5-5.6 (f/3.475.71 tested), 16 elements what you seek, this may be a match
in 12 groups. Focus ring turns 160 degrees.
was snappy at the wider focal made in heaven.
Zoom ring turns 90 degrees. Focal length
lengths. It did slow down consider- marked at 18-, 23-, 35-, 55-, 70-, and 135mm. Dan Bracaglia and Julia Silber
ably when zoomed in, especially DIAGONAL VIEW ANGLE: 7612 degrees
past 100mm, but that is common WEIGHT: 1.13 lbs Filter size: 67mm
for lenses in this class. MOUNTS: Fujifilm Fujinon X
On our optical bench, the INCLUDED: Lenshood
18135 scored SQF numbers that STREET PRICE: $899
WEBSITE: fujifilmusa.com
put it in Excellent territory at all
tested focal lengths (18, 70, and
135mm). In our DxO analyzer 5.3
TEST RESULTS
DISTORTION: At 18mm, 0.25% (Slight) 18
distortion test, the Fujifilm also barrel; at 70mm, 0.02% (Imperceptible) MM
did quite well. It showed Slight pincushion; at 135mm, 0.02%
FUJIFILM XF 18135MM F/3.55.6 R LM OIS WR (Imperceptible) pincushion
WHATS HOT LIGHT FALLOFF: At 18mm, gone by f/5.6;
at 70mm, none; at 135mm, none 70
Excellent Image stabilization, optics MM
WHATS NOT
CLOSE-FOCUSING
DISTANCE: 16.25 inches
Pricey, cheap-feeling aperture ring
DAN BRACAGLIA
WIDE, FAST
SAMSUNG 1650MM F/22.8 ED OIS S LENS
3.18 in.
0.57 in.
A SNAZZY Pentax 1650mm f/2.8; all
3.79 in.
of these lenses churned out
COMPANION
comparable SQF numbers.
TO THE NX1 The Samsung also tested well
SAMSUNG CONTINUES to build out in DxO Analyzer 5.3, with only
4.82 in.
a lens arsenal for its NX system, Visible barrel distortion at 16mm
and the 1650mm f/22.8 ED OIS (0.41%) and Imperceptible
is the first in the high-end S-series pincushioning at 35mm and
line. With an equivalent focal 50mm (0.07% and 0.09%). This is
length of a 2477mm, this lens again on par with the rest. 1.03 in.
offers a pro-level build quality In our light falloff test the lens
with a fast maximum aperture. really began to shine, besting
In hand, it is fairly hefty, the others at all focal lengths
weighing in at 1.43 pounds. and displaying vignetting only
The body is made of metal at 16mm, gone by f/2.5. Its
and the front element takes maximum magnification ratio
a 72mm filter. When zoomed at 16mm was 1:10.4, at 35mm,
out to 16mm, the lens is just 1:5.23, and at 50mm 1:4.44 the Sigma offered 1.75 (the Nikon
under 4 inches in length, and at solid numbers, and you guessed While this and Pentax have no built-in IS).
50mm, 5 inches. The zoom ring it, on par with the rest. is the first This lens is well built and
lens in
is rubberized and well-sized; It gave us a total of 2.75 stops optically on par with or better
Samsungs
the focus ring turns in both of shutter speed advantage, new high- than comparable glass. Plus,
directions past infinity. while the Tamron offered 2 and end S-series, it maintains f/2 to 18mm, hits
We used it on an NX20 and the company f/2.2 at 20mm, f/2.5 at 24mm,
has also
found it to be a bit too big for and f/2.8 at 35mm. That alone is
announced
the camera, though on an NX1 a 50150mm pretty impressive. Add in class-
it should feel about right. In SPECIFICATIONS f/2.8 that
should be
leading image stabilization, and
the field, the lens suffered from 1650MM (17.1149.99mm tested), you have a winner.
f/22.8 (f/2.122.99 tested), 18 elements in in stores
zoom creep from time to time. as you read Dan Bracaglia and Julia Silber
The AF proved extremely fast 12 groups. Focus ring turns 90 degrees.
this issue.
Zoom ring turns 80 degrees. Focal length
and quiet. The focus ring is well
marked at 16-, 20-, 24-, 28-, 35-, and 50mm.
damped and turns smoothly. DIAGONAL VIEW ANGLE: 8231 degrees
In the lab, the Samsung scored WEIGHT: 1.43 lbs Filter size: 72mm
Excellent SQF ratings at all MOUNTS: Samsung NX
tested focal lengths (16, 35, and INCLUDED: Lenshood
50mm). This category of lenses STREET PRICE: $1,133
is known for testing well. We WEBSITE: samsung.com
compared the Samsung to the
Nikon 1750mm f/2.8G, Sigma
TEST RESULTS 16
MM
DISTORTION: At 16mm, 0.41% (Visible)
1750mm f/2.8 OS, Tamron barrel; at 35mm, 0.07% (Imperceptible)
1750mm f/2.8 VC, and APS pincushion; at 50mm, 0.09% (Imperceptible)
SAMSUNG 16-50MM F/2-2.8 ED OIS S LENS pincushion
WHATS HOT LIGHT FALLOFF: At 16mm, gone by f/2.5; 35
MM
Class-leading IS at 35mm, none; at 50mm, none
WHATS NOT CLOSE-FOCUSING
Heavy, slight lens creep DISTANCE: 10.66 inches
DAN BRACAGLIA
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1 J4 Mirrorless System Camera
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Black or Silver #NICPA*.....................1,099.95 16 Mega
Pixels #SODSCRX100M3 20 Mega
Pixels
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available CT-3481 Load Max.
Model Ball Head Capacity Height Folded Weight SKU # Price
AT-3421
CT-3561 Anodized Aluminum Tripods
AT-3421 & 59" & $159.95
$199.95
& $249.95
$289.95
$299.95
BandH.com/catalog
212-444-6633 6x Carbon Fiber Tripods
CT-3431 & & $399.95
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CT-3461 & & $479.95
CT-3481 & & $499.95
CT-3521 & & $379.95
CT-3531 & & $399.95
CT-3551 & & $469.95
Page 6 CT-3561 & & $349.95
CT-3581 & & $369.95
#"55&3: t"DDFQUTMJUIJVNJPOCBUUFSJFT
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lighting equipment and accessories
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The Professionals Source
t"MUFSOBUFTIVUUFSSFMFBTF Whether it's fashion, wedding or portrait
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NBJOBOETVC photography, the best way to achieve
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PSJFOUBUJPO Over 300,000 products,
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PHOTOGRAPHY ACCESSORIES IM-CZ Canon Flash Cable #IMCZ.....$39.95 LiteTrek 4.0 Flash Tube #IMFTFH .....$79.95
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FILTERS in stock
122014
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Dream City
This wonderful picture of New York
Citys East River won Arthur M.
Rapoport of Bridgeton, New Jersey,
the second prize in color ($1,000
savings bond), proving that its the
photographers eye that makes
the picturethe photo came to
Put On a Happy Face won a prize (a $50 U.S. savings be simply because Rapoport liked
If you cant find a subject, why
not try yourself? The jester on
our cover was a costumed self-
60
YEARS
bond) in our annual photo contest.
Portrait
to take pictures. He used a Leica
IIIf with a 50mm f/3.5 Elmar lens,
loaded with Kodachrome film.
portrait of London photographer AGO This appealing portrait of Jan took A Weston meter provided the
Percival C. Poynter. He used a Challenging second prize in black-and-white exposure reading. Harold Martin
self-timer with his Microcord (a readers to ($1,000 savings bond) in this years
British-made TLR) and 75mm Find the contest. Lies
Flash, we
f/3.5 Ross Xpres lens. He took showed six Wiegman of New
the exposure on 120 Daylight photos and York City shot
Ferraniacolor film with the help (85 pages the photo with an
later) lighting
of a Weston meter. Proving that diagrams for Exakta II 35mm
imagination can pay, the photo each. SLR and a 58mm
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Wide Angle Lens All for $229 650-1300mm F8-16
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NEW FLASHES
50mm T2.1 Xenon FF Lens 16M19.95 DF 183 AF.44.95 NEW SIGMA LENSES for Listing is very partial.
75mm T2.1 Xenon FF Lens DF 283 AF89.95 285HV...87.00 MINOLTA MAXXUM & Bronica S2A, EC...... Call Bronica GSI...............399.50 Canon 24mm F1.4 ........989.00 Olympus XA........79.99
100mm T2.1 Xenon FF Lens DF 293 AF89.95 DF 383 AF124.95 SONY ALPHA FILM & Bronica ETR...........99.95 Bronica SQ camera.....199.99 Minolta 160.......69.99
385 HV.........149.95 DF 483 AF159.95 Canon 50mm F1.4 ..........79.50
DIGITAL CAMERAS Canon A2E .............79.99 Canon 1V....................499.99 Minolta 70........49.99
Canon 85mm F1.2 .....1,299.00
Canon Elan.....49.99 Canon 1X......................69.99
LENSES
24-70mm F3.5-5.6 AF ASPHERICAL..........129.99 Canon 300mm F2.8 ...2,199.00 Canon 120.........79.99
28-105mm F3.8-5.6 AF UC III COMPACT ...99.99 Canon rebel 2000......89.99 Canon Elan....................69.99 Canon 105.........49.99
28-200mm F3.8-5.6 AF COMPACT................99.99 Canon 16-35mm F2.8 ...889.00
Canon F1...............119.99 Canon VT....................299.99 Leica minilux.....199.99
35-135mm F4-5.6 AF UC COMPACT............79.99 Canon 24-105mm F4 ....789.00
Canon rebel XT.....299.99 Canon XTi .................399.99 Contax T2.........199.99
Canon 28-300mm F3.5 ...1,299
We Offer MORE THAN 1,000 DIFFERENT Contax G2.............699.99 Contax N1...........349.99
Canon 70-200mm F2.8 ...1,199
Yashica T4.........99.99
Exakta RTL................149.99 Nikon lite touch...49.99
LENSES at LOW DISCOUNT PRICES!!! Headquaters Contax RTS III........699.99
Fuji Digital S3....299.95 Canon 100-400mm F4.5 ....1,199
Konica 120.........49.99
C a non, Cosina , Niko n, Penta x , Olympus, Le ic a, Sony, Minolt a, * Large selsctions of new Exakta VX..............99.99
Fuji S5 digital.......599.95
Exakta VX 1000......129.50 Canon 430EX ...............129.00 Nikonos II.........99.99
V i vitar, Schneider, M a miy a , Ha s selblad, Rode nst oc k, Zeiss, e t c . and used Rollei and Rolleiflex Hasselblad 503CW.....499.95 Canon 580EX................269.00 Olympus 140........49.99
Hasselblad 500C..149.99
cameras,lenses and accessories Retina Reflex ................99.99 Canon 24-70mm F2.8 ...899.95 Pentax 115.........59.99
4.5mm F2.8..........838.95 50mm F1.4..........358.95 LENSES FOR MOST MANUAL at discount prices!!!!! Kodak Retina IIIc...99.95 Leica IIIG....................699.99 50mm F1.4 Zeiss Planar...209.00 Minox GT...........199.99
Leica IF.................499.99
8mm F3.5.............828.95 50mm F2.8..........234.95 & AUTOFOCUS AF CAMERAS CALL William 1-800-221-2253 Leica IIIF...............299.99
Leica M3.....................499.99
Leica R8......................749.99
80-200mm F4 sonnar.....199.00 Rollei 35..........129.99
Hasselblad 150mm F4 ..299.00 Canon rebel X.......49.99
10mm F2.8...........598.95 70mm F2.8..........468.95 8mm F3.5.............199.99 14mm F2.8..........349.99 Special Prices on Leica R3................199.99 Minolta X700................99.99
24mm F2.8.............79.95 135mm F3.5..........29.95 Leica 35mm F2 Summicron M...899 Minota 7000.........39.99
15mm F2.8...........568.95 105mm F2.8........458.95 Mamiya 110mm RZ lens...229.99 Leica 50mm F2 Summicron M...399
19mm F2.8...........178.95 150mm F2.8.......688.95 28mm F2.8.............49.95 135mm F2.8..........49.95 Rollei 6000 Series Mamiya RB67.......199.99
Minolta XTi............59.95 Maxxum HTsi...........69.99
Petri V.............79.99
20mm F1.8...........588.95 35mm F2.8.............39.95 200mm F3.5..........79.95 Leica 135mm F4.5 Hektor Screw..129 Exa.................69.99
180mm F2.8.......1488.95 Maxxum 7000.........49.95 Maxxum 5000...............39.95
24mm F1.8...........498.95 50mm F1.8.............69.95 300mm F5.6..........99.95 Adapters Lenses Leica 50mm F2 Summicron R..349.50 Praktica TL.........69.99
28mm F1.8...........308.95
300mm F2.8.......2998.95
500mm F4.5.......4598.95
50mm F1.4...........189.95 400mm F6.3..........99.95
85mm F1.4...........308.95 500mm F8.............99.95
NOVOFLEX CALL
Accessories.................. Maxxum 9000.........69.95
Maxxum 5D..........199.95
Maxxum 700I.............119.95
Maxxum 7D................299.99
Mamiya 55mm F2.8 ........99.00 Ricoh XRP...........99.99
30mm F1.4...........278.95 Mamiya 180mm F4.5....149.00 Canon canonet.......49.99
10-20mm F4-5.6....478.95 100mm F3.5.........119.95 500mm F6.3........124.95 Nikkormat FTN.......99.95 Nikkormat FT2...........119.94
30 mm F2.8174.95 Minolta 50mm F1.7.........19.00 Canon dial..........49.99
10-20mm F3.5........548.95 800mm F8............219.95 1000mm F11.......799.95 Nikon F...................99.99 Nikon F2.....................119.99
35mm F1.4.848.95 Cambron, Gossen, Kenko, Sekonic, Minolta, Pentax, Minolta 80-200mm F4.5..69.00 Canon P............239.99
500mm 1000mm combination.........................129.95 Nikon F100.................199.99
10-20mm F4.398.95 Polaris, Shepard, Soligor, Spectra, Wein, Etc. - CALL Nikon FA..............169.99 Minolta 5400HS...............79.00 Hasselblad x-pan...999.99
60mm F2.8...........278.95 19-35mm F3.5-4.5....149.95 28-80mm F3.5-5.6...79.95 Nikon FM10...............129.99
400mm F5.6.299.95 17-70mm F2.8-4.5...458.95 Nikon F3...............129.99
Nikon D40..................199.99 Maxxum 50mm F1.7 .......69.95 Mamiya 500 DTL......79.99
18-35mm F1.8.748.95 28-105mm Zoom...99.95 28-210mm F3.5-5.6...99.95 Ansmann, BRNO, Canon, Nikon F5...............349.99 Leica c-lux.........299.99
85mm F1.4...........848.95 28-300mm F4-6.3..169.95 35-105mm Zoom.....119.95 Cambron, Elinchrome, Gary Fong, Metz, Minolta, Nikon N55....................66.99 Nikon 50mm F1.4............69.00
18-200mm F3.5-5.6..238.95 Nikon D200..........499.99 Leica C1........... 199.99
800mm F5.6.......6698.95 70-210mm Zoom...79.95 75-150mm F3.5.......49.95 Multiblitz, Nikon, Novacon, Norman,Novatron, Nikon N8008................79.95 Nikon 18-200mm F3.5..349.00
18-250mm F3.5-5.6.358.95 75-300mm F4.5 Macro Zoom Lens..................89.95 Olympus, Pentax, Photogenic, Quantum, Sigma, Nikon N90..............99.99 Mamiya 7............699.99
12-24mm F4.5-5.6..748.95 Nikonos II.....................79.95 Nikon 80-200mm F2.8 ......399
24-70mm F2.8.....798.95 Nikonos V.............179.99 Mamiya 645E.........199.99
18-50mm F2.8-4........188.95 100-300mm F5.6-6.7....99.95 100-500mm F5.6-8...395.95 Stroboframe,Stratos, Smithvictor, Olympus OM4............179.99 Nikon SB600 ................269.00
17-50mm F2.8
18-50mm F2.8............375.95
EX DCOS HSM..548.95
650-1300mm F8 Long Zoom Lens...................249.95 Sunpak, Sony, Vivitar, Etc.
1000-4000mm zoom.........................................349.95
CALL Olympus OM1........99.99
Pentax K1000..........99.99
Pentax 80-160mm645zoom.229.99 Nikon SB900 ................349.00
Pentax 120mm 645macro..399.99 Olympus 50mm F1.8 Zuiko...39.00
Mamiya C220..........99.99
Yashicamat..........129.99
8-16mm F4.5-5.6 DC...618.95 28-70mm F2.8.....318.95
1.4X Teleconverter..............................................99.95 Pentax LX...................299.99 Minolta 70...........59.99
28-70mm F2.8-4....88.95 28-300mm F3.5-6.3...234.95 Braun, Canon, Epson, GEPE, Kodak Carousel & Pentax 645.............249.99 Olympus 70-210mm F4.5.......99.00
2X Teleconverter......29.95 3X Converter...69.95 Rollei 35M..................119.99 Minolta 9Xi..........149.99
28-200mm F3.5-5.6...174.95 50-150mm F2.8....698.95 Ektagraphic,Kaiser, Panasonic, Optoma, Sanyo, Rolleicord V..........149.99 Olympus 50mm F1.4.......99.95 Kodak C800............49.99
35-135mm F4-5.6...99.95 1.5X Teleconverter...69.95 1.7X.Converter..99.95 Sharp, Telex, Da-Lite Screens, Topcon super RE249.99 Rolleiflex F3.5............499.99 Panasonic 14-50mm F2.8....479.00
50-150mm F2.8968.95
55-200mm F4-5.6...124.95 0.42X Fisheye Lens............................................39.95 Slide Mounts,Vue-all Etc. CALL Voigtlander Bessa...599.99 Topcon UNI..................79.95
Pentax 28-80mm F3.5.....39.00
Samsung 170...........69.99
Pentax auto 110.......69.99
50-200mm F4-5.6.148.95 70-300 F4-5.6......138.95 0.45X Wide Angle Lens.....................................39.95 Vitomatic II..................99.95
Voigtlander Bessamatic...129.99 Pentax 35-80mm F4........44.00 Nikon F100............169.99
50-500mm F4-6.3...948.95 70-300mmDGOS.248.95 Beseler, Durst, Fujimoto, KAISER, LPL, Yashica FX3............69.99
Vittesa......................99.95
Sigma 70mm F2.8.........379.00 Olympus IS.............79.99
70-200mm F2.8....888.95 100-300mm F4-5.6...99.95 Yashica FR1..................69.95
14mm F2.8...........989.99 90mm F2.8..........348.95 Omega, Etc. Enlarging Lenses & Darkroom Zeiss Contarex.........299.99 Zeiss Icarex................149.99 Sony 16-80mm F3.5......499.00 Miranda FV.............99.99
70-300 F4-5.6 APO...188.95 120-300mm F2.8...2698.95 28mm F2.5.............99.99 180mm F3.5........628.95 Accessories. Large selection of papers available Canon 5D.....999.00 Sony 55-200mm F4.........99.00 Pentax PZ1.............109.99
Nikon 35TI.....369.50
70-200/2.8OS..1148.95 150-500mm F5-6.3...948.95 24mm F2.5.............79.95 500mm F8...........198.95
100-300mm F4....1098.95 120-400 F4.5-5.6...938.95
(Kodak, Ilford, Fuji, Forte, Etc.) CALL Canon 40D.299.00
Contax Aria299.95
Nikon FM 3A.399.00
Nikon F4.299.00
Vivitar 500mm F8 ..........69.00 Contax IIa.............139.99
11-18mm F4.5-5.6...434.95 10-24mm F3.5-4.5...429.95 Exakta 66....999.99
Vivitar 283 Flash..................29.95 Contarex...............249.99
200-500mm F2.8 APO EX DG...................25998.95 Nikon D300........699.00
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RIDE ON
I WAS SHOOTING at Canadas
Banff National Park for a few
Brian Donovan catches rail
cars snaking across Canada
of trains as they funneled
past. They arrived unpredict-
I estimated 2 to 3 seconds to
blend the cargo containers
days in February 2013 and ably and few were photoge- together and get some trans-
really wanted to try to cap- nic. This train came during lucency. I stacked the 2- and
ture a winter railroad scene the only time I saw blue sky. 3-stop ND filters I had with
while I was there. So I went The red stood out, creating me, then quickly dropped the
to a spot known as Morants an interesting contrast to this ISO and stopped down the
Curve and sat in the snow winter scene. After getting lens. Its apt title: Snake on a
shooting various perspectives an initial shot of the engine, Train. As told to Meg Ryan
BRIAN DONOVAN
1
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are trademarks of SD-3C, LLC. All other trademarks are the property of their respective owners. 2014 SanDisk Corporation. All rights reserved.
BONA-FIDE.
The lens for the high mega-pixel era.
NN'%()4.
Case, hood (LH830-02) included.
USA 4 Year Service Protection
4*(."64#%PDL
Update, adjust & personalize. Customization
never thought possible. Sold separately.
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