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American Journal of Sociology
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Rethinking Subculture: An Interactionist Analysis1
Subculture, despite the term's wide usage in sociology, has not proved
to be a very satisfactory explanatory concept. Several problems in
previous subculture research are discussed: (1) the confusion between
subculture and subsociety, (2) the lack of a meaningful referent for
subculture, (3) the homogeneity and stasis associated with the con-
cept, and (4) the emphasis on defining subcultures in terms of values
and central themes. It is argued that for the subculture construct to
be of maximal usefulness it needs to be linked to processes of inter-
action. Subculture is reconceptualized in terms of cultural spread oc-
curring through an interlocking group network characterized by mul-
tiple group membership, weak ties, structural roles conducive to in-
formation spread between groups, and media diffusion. Identification
with the referent group serves to motivate the potential member to
adopt the artifacts, behaviors, norms, and values characteristic of the
subculture. Youth subcultures are presented as illustrations of how
these processes operate.
1 Requests for reprints should be addressed to Gary Alan Fine, Department of Sociology,
University of Minnesota, Minneapolis, Minnesota 55455. The authors would like to thank
Howard S. Becker, Carl J. Couch, Victor W. Marshall, and Gregory P. Stone for their
comments on earlier drafts of this paper. A previous version was presented at the annual
Symposium of the Society for the Study of Symbolic Interaction, Columbia, South
Carolina, March 1978.
2 The concept of subculture, though not the term itself, can be traced to the research
of Frederic Thrasher on Chicago gangs ([1927] 1963). Thrasher claimed that delinquent
gangs had traditions w-hich emerged from environmental contingencies and effectively
served to separate members from others outside the gang milieu. Sutherland (1939) and
Hollingshead (1939) both discussed behavior systems-patterns of behavior common
among particular social groups.
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American Journal of Sociology
3 For example, Matza (1964, p. 19), a critic of the traditional subculture approach, has
argued that explanations based on the motivating impact of the deviant subculture on
the individual and group have been the most common explanations of delinquency.
4 Kroeber and Parsons (1958) emphasized differences between the culture and the social
structure of a group. Clarke (1974) argues for a distinction between subculture and
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Rethinking Subculture
The confusion between these terms arises when it is assumed that the
person can "enter into" a subculture. This issue has no practical import for
societies that are physically or behaviorally isolated and thereby cut off
from other informational systems. However, in a mass, heterogeneous so-
ciety, where studies of subculture are conducted, it is difficult to delineate
a community on the basis of either an isolated structure or particular infor-
mation which is unavailable to individuals outside the social structure. The
problem is that the structural network and the population with access to
this "subcultural," variant information may not be coterminous. Thus, all
members of the age category 13-21 might, according to a "structural" con-
ceptualization, be considered part of the youth subculture. However, it is
clear that many of the persons within that age cohort do not share common
cultural values and behaviors (e.g., Bernard 1961; Matza 1961; Watten-
berg 1974; Yankelovich 1974); in addition, there are others outside this
age range who share "youthful" values (Berger 1963), even though they
may have few interactional ties with youth. The same can be said of crim-
inal subcultures, and Barth (1969) has cogently pointed to the permeability
of ethnic boundaries.
Since there is or can be a difference in "membership" between a subso-
ciety as defined purely structurally and those who adopt the values and
behavior of a subculture, we need to distinguish between subculture and
subsociety.
Referent
substructure, regarding the former as an organized set of social meanings. We are not
suggesting a dichotomy in which subculture refers to "ideas" and social structure to
"behavior." For our purposes, culture refers to ideas (values, norms) and practices (be-
havior of some group of persons (Becker et al. 1961). Our point is similar to Arnold's
(1970, p. 114): "While subcultures grow out of the interaction of groups of people,
they are not themselves those groups. . . ." (Also see Gordon 1964; Yinger 1977.)
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American Journal of Sociology
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Rethinking Subculture
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American Journal of Sociology
5 Subcultures vary in the degree to which they change. Some of the more "traditional"
ones (e.g., ethnic, occupational, regional) remain fairly stable over time.
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Rethinking Subculture
RECONCEPTUALIZATION OF SUBCULTURE
Thus far we have argued that subculture has been conceptualized in ways
that reify subcultural transmission and change. We propose that the recon-
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American Journal of Sociology
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Rethinking Subculture
However, the cultural content may become defined and transformed through
negotiation by small groups within the network.
Subcultures, then, are conceived of as emanating from group cultures.
Cultural forms are created through the individual or collective manipulation
of symbols. From its point of creation, the cultural form is communicated
to others, and diffused outward from the individual's own interaction part-
ners. The transmission of culture is therefore a product of interaction. The
diffusion may remain quite limited unless the information reaches wider
audiences via the mass media. After the original spread through the mass
media, additional diffusion will occur through interpersonal channels or
repeated media communication (Katz and Lazarsfeld 1955). While media
diffusion can result in widespread knowledge, one must not equate the
extent of information spread with method of transmission. Much that is
communicated by the mass media is not transmitted or used by audiences.
Furthermore, many cultural items never transmitted by the media are
known throughout an extensive network (Fine 1978). Youth cultures offer
excellent examples of subcultures which provide a set of communication
channels external to the media. Much material which is common knowledge
among young people-dirty jokes, sexual lore, aggressive humor, drug lore,
pranks, and teases-is not communicated by the adult-controlled media.
The Opies (Opie and Opie 1959), for example, have noted the speed at
which some childlore can spread among far distant communities. What is
perhaps most notable about these communication channels is the fact that
most adults remain blissfully unaware of their "squalid" contents. They
are specialized information conduits, which may define the referent bounda-
ries associated with a particular youth culture.
The suggestion that subcultural traditions derive from group cultures
also supports Mannheim's (1952, p. 307) explanation of the formation of
youth cultures. He argued that youth cultures originate in concrete groups
("generational units") of young people who create new perspectives and
develop distinctive cultural patterns which are subsequently diffused to
others.
The subculture construct serves as a gloss for communication that occurs
within interlocking groups and for knowledge and behaviors shared by
these groups. The extent of the subculture consists in the boundaries of
knowledge within the social network. As Shibutani (1955, p. 566) notes,
"Culture areas are coterminous with communication channels." Since it is
impossible to accept the thesis of the polygenesis of complex cultural items,
an approach long discounted in folklore scholarship (Brunvand 1968; Dor-
son 1972), the presence of a cultural element in several groups indicates
that communication has occurred among them. We now turn to a discussion
of the variety of communication interlocks which make subcultures possible.
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American Journal of Sociology
Weak Ties
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Rethinking Subculture
Structural Roles
Media Diffusion
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American Journal of Sociology
in the formulation of subcultural elements. For example, the 1976 film Tke
Bad News Bears became a salient element of the culture of many Little
League baseball teams. In an earlier period, the films of James Dean had a
significant impact on youth styles, and the Beatles, Elvis Presley, and Frank
Sinatra influenced young people who never met them. Popular television
programs such as "Happy Days," "Batman," and "Amos 'n' Andy" have
had similar effects. Media productions, as well as concerts, stage produc-
tions, and other events, are not viewed by a random sample of the popu-
lation. Instead attendance results from prior interest, and interest contours
may serve as the boundaries of the subcultural referent and may (as in the
case of certain youth subsocieties) be consistent with demographic lines.
This form of cultural transmission should not be seen as purely mechanis-
tic and abstracted from interaction (Freidson 1953). Fine (1977) has
argued that popular culture products are created in group interaction, re-
quire group facilitation for their transmission, and frequently are viewed
by interacting groups. Further, group members take the raw materials pro-
vided by their culture heroes and fashion them to fit the needs of the group.
Thus, even a communication form seemingly far removed from face-to-face
interaction-the mass media-is grounded in the same set of basic inter-
actional criteria as the other forms mentioned above.
These four types of cultural interlocks illustrate the range of transmission
systems possible. Because the messages of the mass media neither reach
everyone nor cover all content areas, interpersonal diffusion is essential for
the propagation of a subcultural element. Since the density of interpersonal
communication channels is greater within the subcultural segment, infor-
mation is transmitted primarily to its members. However, mere knowledge
of a cultural item does not ensure that it is part of an individual's cultural
system. Some measure of identification with the group associated with this
knowledge is necessary for the acceptance and usage of the cultural form.
IDENTIFICATION
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Rethinking Subculture
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American Journal of Sociology
extends beyond the interacting group, members are more likely to be recep-
tive to the incorporation of nonlocalized cultural traditions.
Both individual and subcultural variables may predispose individuals
toward giving the group its degree of centrality. Thus, group or subcultural
identification may be a function of individual differences, background char-
acteristics, or latent culture. More important for a sociological analysis is
that identification with the subsociety or the interacting group may be
influenced by structural conditions. It is a mundane, but critical, point that
subcultural identification is possible only if the individual has the oppor-
tunity to interact with others who identify with the population segment and
gain cultural information from them. Organizations vary in the degree to
which they are part of an extended vertical pattern (i.e., affiliated with
nonlocal organizations-for example, Young Democrats or Young Life) or
horizontal pattern (affiliation with other local organizations on the same
level, for example, sports squads or high school newspapers that are part of
local school press associations) (Warren 1972). These extraorganizational
patterns are likely to promote identification that is oriented to the popula-
tion segment and the subculture shared by these interacting groups. Mem-
bers of organizations characterized by more constricted horizontal and ver-
tical patterns (such as gangs and friendship cliques) are likely to identify
more strongly with the local group than with a larger population.
COMMUNITY RESPONSE
The presentation of subculture as static often ignores the fact that cultural
content and identification change through direct or indirect contact with
outsiders. Although group members construct their behaviors, norms, and
identities, public identification and treatment of particular interacting
groups or subcultural segments sometimes affect the subcultural content of
the interlocking group network. Artifacts, for example, may become central
to a group's sense of identity through emphasis by outsiders. Catch phrases
can result from media descriptions, such as the Hell's Angels' positive use
of the term "one percenter" after being labeled the 1 % who cause all the
trouble (Thompson 1967). Media emphasis on the hair style of the Beatles
aided its adoption by youth (and its emergence as a symbol of youthful-
ness) during the mid-sixties. However, we are not suggesting that media
portrayals produce predictable changes in subculture content or in identifi-
cation. Individuals have the option of rejecting or accepting the public
definition. The point is that widespread portrayals of certain groups are
likely to be reacted to in some way by members. For groups whose actions
are "countercultural," media messages condemning the behavior may acti-
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Rethinking Subculture
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American Journal of Sociology
RESEARCH APPLICATIONS
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Rethinking Subculture
CONCLUSION
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American Journal of Sociology
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