Not long before his death, Chesterton remarked that having littered
the world with thousands of essays for a living, he might naturally be
inclined to let the account of his own life stray into a sort of essay.
Given the vivid and multitudinous nature of existence, it could seem
natural to approach life through the medium of impressions, attempting
to catch its particular aspects without offering a general interpretation.
Nevertheless, he quickly added, his own life was not an essay but a
story (Autobiography, 55-6) 1. To be more specific, it was a police
novel in which the odd incidents, sights, sounds, or fragments of conver-
sation in the first chapters (the curates start of recognition, the cocka-
toos scream in the night, the burnt blotting-paper or the hasty avoidance
of the subject of onions (Autobiography, 56) ) were all to have a precise
meaning when the mystery was explained at the end. Although he set the
fragments of his first memories at the beginning of his account without
discussion of anything which they foreshadow Chesterton was convinced
that there were themes, coherent strands of narrative in his life and even-
tual satisfactory solution to the problems it had raised.
Beneath all its many pleasant anecdotes, the Autobiography was in-
tended to be the account of a spiritual quest and of its fulfilment. In this
respect, Chestertons book resembles many others in which the discovery
269
The Chesterton Review
270
The Young Chesterton and a History of his Time
271
The Chesterton Review
272
The Young Chesterton and a History of his Time
273
The Chesterton Review
274
The Young Chesterton and a History of his Time
275
The Chesterton Review
276
The Young Chesterton and a History of his Time
a dirty house to the strange stilted rituals of Manchu China in which horri-
ble cruelties were performed to the accompaniment of arcane formulae.
The woman in the case he referred to was not arrested for cruelty to
children since hers were well and happy but for being the wrong sort of
unfit person or, in Chestertons view, merely for being ill and poor.
(Recent British cases, in which women, subsequently found to have
been innocent, have been imprisoned for murdering their children on the
basis of expert medical opinion, suggests the issues that alarmed
Chesterton are far from dead. Perhaps the doubtful psychological condi-
tion of Mnchausens Syndrome by proxy should be placed among the
terminologies invented by Dr. Warner in Manalive.)
Searle confirms other and happier impressions of the world Chester-
ton engaged with at the age of thirty. Many of those familiar with Edwar-
dian popular literature will have been struck by its air of high spirits,
cheerful readiness to embrace new ideas and alternative possibilities, its
love of fun, jokes and adventure. It is interesting then, to note that the
late Victorian and Edwardian population really did differ from that of
later decades in its youthfulness (Searle, 45). In the early twentieth cen-
tury, only one in 13.5 people was aged sixty or over. In age-distribution
late Victorian England more resembled a third world country such as
Egypt than it does a modern European state.
Such an age-balance would be bound to influence the spirit and
temper of a society. A youthful country might well be rebellious, at times
irreverent and rowdily disrespectful of the attitudes of the generation or
two before, seeing its elders as stuffy, pompous and boring. In his descrip-
tion of several significant incidents, Searle captures something of this
spirit. The young women involved in the Match Girls Strike of 1888,
one of the landmarks in the growth of Trade Union power, marched out of
the factory partly out of indignation at having a shilling compulsorily
deducted from their wages as a contribution to a statue of Gladstone
(Searle, 185). Whatever other factors led to the strike, high-spirited irrev-
erence played its part. One recalls Mr. Pooters bewilderment in The
Diary of a Nobody at his son Lupin finding Mr. Gladstone funny and
refusing to say why.
The fact that they were writing in and for a society in which the
young predominated does not explain Shaw, Wells and Chesterton but
it is a factor in the response to their work. Shaw parodying the pompous
Victorian agnostic as Roebuck Ramsden in Man and Superman. Wells
277
The Chesterton Review
portraying the mean streets and stuffy attitudes of Mr. Pollys Fishbourne,
or Chesterton imitating the scholarship of The Hibbert Journal in The
Flying Inn or dismissing the mediocrity of late Victorian journals in The
Victorian Age in Literature are all speaking to a young society impatient
of one long afternoon in a rich house on a rainy day. 3 The youthfulness
of the world in which Chesterton grew up might explain a notable ideal-
ism and generosity of spirit in the atmosphere of the time. As Searle
points out, many of the social reforms of the Edwardian age grew out of
straightforward compassion rather than considerations of political advan-
tage. What prompted the Old Age Pensions Act of 1908, for instance, was
simple humanitarianism without ulterior motives: After all, no one stood
in fear of the elderly poor or saw them as a decisive factor in military or
industrial efficiency (Searle, 371).
One characteristic note of Chesterton at thirty is an expression, in a
particular engaging form, of a reaction the young often have to their
elders. Young people dislike being fed a diet of weary inevitability; of
being told that an (often bleak and limited) way of looking at the world is
all there is; that science or history, heredity or economics mean that some
state of affairs is natural and inevitable and that, when they have grown
up enough, they will shed their illusions about any possible alternative.
Of course, it is appropriate to consider the young Chestertons quarrels
with Social Darwinism, with Nihilism and Pessimism, or with determinist
theories of criminology in intellectual terms. He opposed them, in specific
detail, as wrong philosophies. But, it is worth remarking, that these wrong
philosophies were being, in many cases, handed on by a somewhat stale
older generation. Many years later, Chesterton recalled a brief argument
he had with Thomas Hardy while both of them were waiting in a pub-
lishers office. Chesterton was impatient with the older mans remark that
life, with all its pain and pleasure, was not worthwhile and that non-
existence would be better. Apart from their intellectual weakness, Hardys
dismal utterances affronted the natural (and healthy) instincts of youth:
Honestly, if I had been quite simply a crude young man and nothing else,
I should have thought his whole argument either superficial or silly
(Autobiography, 262).
Given the youthfulness, energy and high spirits, the improvements in
health and education, the rise in real wages and the increasing compassion
and humanity of the Britain Chesterton knew as a boy and young man,
one is bound to ask the reasons for an undeniable malaise in 1890s and
278
The Young Chesterton and a History of his Time
279
The Chesterton Review
280
The Young Chesterton and a History of his Time
281
The Chesterton Review
Neither in his youth nor in later life did Chesterton share the view
that in order to be true history had to be undramatic. He did not agree
with the notion that events were propelled by level-headed, moderate and
rationally self-interested people, acting in response to long-standing facts
and within the framework of existing institutions. At thirty, Chesterton
was convinced, as he remarked in The Napoleon of Notting Hill (1904),
that human beings have never from the beginning of the world done
what the wise men have seen as inevitable. 5 He was aware that the pre-
ponderate forces and established institutions of a society might be chal-
lenged or subverted by changes of belief and alterations in the spiritual
climate whose stray indications the sensible official mind had overlooked.
Speaking later of the course of the First World War, Chesterton noted
with approval an article in which his friend Belloc had reconstructed the
mind of a Byzantine bureaucrat at the beginning of the sixth century,
exploring the balance of forces and the possible areas of conflict in the
world: He noted how such a man might think he had accounted for all
the possibilities, the danger of a religious split between East and West, the
danger of barbarian raids on Gaul or Britain, the situation in Africa or
Spain, and so on; and then say he had in his hand all the material for
change. At that moment, far away in a little village of Arabia, Mahoret
was eighteen years old (Autobiography, 239).
282
The Young Chesterton and a History of his Time
283
The Chesterton Review
ephemeral to the academic mind, but it is often in such material that the
first echoes of the future begin to sound. One of the most outstanding
studies of the history of ideas, Paul Hazards The European Mind 1680 to
1715 shows how the stability of the classical edifice, the ideal of im-
mutable perfection embodied in the France of Louis XIV, was under-
mined from within, long before change appeared overtly in the French
Enlightenment. Much of the evidence for this movement of mind and
spirit is to be found in the work of figures little known in their own day,
eccentric, transient and seemingly marginal. Hazards seminal investiga-
tion should warn us not to concentrate too exclusively of the large scale
financial, political or institutional facts of a society at a given time. Idle
conversation, gossip, day-dreams, stray comments on the passing show
and proposals of odd but interesting intellectuals are worth recording
too.
Searle tells us that despite some doubts among the intelligentsia, the
doctrinal challenge to Christianity in 1886 was . . . weak (Searle, 535)
and that Sunday School membership embraced some eighty per cent of
the five to fourteen age group by 1906. It may be time that a certain
watering down of religious practice took place as churches sought
popularity by making their peace with an increasingly secular society
(Searle, 538). This did not represent an erosion of traditional religious
beliefs. Chestertons various vantage points exposed him to influences
which made him aware of much that Searles statistics do not quantify.
An examination of Chestertons early journalism in the context of other
contributions to The Daily News reveals something of the moral climate
his writings were intended to challenge. Through the pages of this mass
circulation newspaper blew the breezes of new thought, the speculations
and topics of conversation which worked towards moral or intellectual
change. The material which appeared in The Daily News alongside
Chestertons early articles testified to the retention of Victorian manner-
isms, propriety and verbal conventions together with a fundamental moral
uncertainty. In one issue one might encounter an article deploring the
prevalence of slang or incorrect spelling and a favourable review of a
book suggesting that the unfit should be painlessly exterminated. The
same contributor might attack the habit of cigarette-smoking and, then, a
few weeks later, proclaim that truth was relative, and perhaps unimpor-
tant, since the purpose of nature as revealed by evolution, was not the dis-
covery of truth but the maintenance of life. As the present writer has
284
The Young Chesterton and a History of his Time
285
The Chesterton Review
286
The Young Chesterton and a History of his Time
(1909): Masterman was correct in his belief that rural society was in
crisis (Searle, 88). Changes, catastrophic for many communities, were
altering the economic balance of the country, as British farming was
undercut by cheap American grain: Between 1870 and 1911, some
2,500,00 acres in Great Britain went out of cereal production and, in some
counties such as Suffolk, large tracts of what had been farmland were
converted to field sports. For thousands of individuals, this meant the
loss of familiar localities and loved scenes, the erasing of memories, folk-
tales, songs and games, of the whole of an ancient culture which had
given their lives identity and meaning. It was in these years that Cecil
Sharp was collecting the English ballads and folk-songs, often from the
oldest inhabitant of a village, in a race against time, before they perished
from memory. Searles statistics will also recall the fields in which the
young Jude stands in Hardys Jude the Obscure, empty but haunted by the
labour, games, songs and courtships of a lost population.
This late nineteenth-century flight from the land destroyed whole
classes of cottagers, small traders and middlemen who often owning their
own homes or businesses, possessed a certain economic or social indepen-
dence. The changes recorded in A New England? or in Rider Haggards
poignant Rural England (1902) left only great landowners and landless
labourers in the English countryside.
Various factors blunted the effect of the huge inequalities of wealth
and of the loss by many of the rural poor of their homes and indepen-
dence. The rise in real wages and the availability of work in the towns,
long-standing habits of deference and the culture of respectability and,
after 1908, National Insurance and the beginning of the Welfare State.
Chesterton did not view the last development favourably. For him, the
conversion of the mass of the population into wage-earners who accepted
their status in exchange for the minimal security given by the Dole
represented a loss of human dignity, of freedom and the values of private
life and of opportunities for significant choice by individuals, families and
small communities.
There are some analogies between the spiritual awakening which the
young Chesterton experienced in the later 1890s and his finding, at the
same time, of a distinctive political position. In both cases he discovered,
or was dragged towards, beliefs which were set quite apart from the
powerful and opposing ideologies, the alternatives which seemed to many
to cover all the ground of the debate. To an intellectual young man the
287
The Chesterton Review
288
The Young Chesterton and a History of his Time
the British governments and ruling class were not aligned with the
nations most significant economic and social forces: Contemporaries
puzzled over a state of affairs in which government seemed to be so out of
kilter with the countrys economic base (Searle, 131). (No more than a
handful of businessmen ever forced their way into the Cabinets of the
period. Working class figures in Parliaments or governments were virtu-
ally unknown. There was no disposition to reverse this situation: Indeed
the aristocratic flavour of the Cabinet actually grew more pronounced
during the 1890s, tempered only by the presence of a disproportionate
number of lawyers (Searle, 130). Snobbery coloured the choice of fig-
ures for high office. From 1868 to 1905, the Foreign secretary was always
a peer. When asked to accept a commoner, Edward VII was inclined to
refuse since he sincerely (but incorrectly) assumed that Noble rank was
required for the post.
Government by a narrow elite did not, of course, prevent its individ-
ual members from being figures of stature and ability. One could not say
that Salisbury, Balfour, Rosebery or Asquith lacked talent. They were all
highly cultured men who spoke and wrote with distinction. However, the
fact that Britain was being governed at the end of the nineteenth century
by a ruling class based on landed wealth and the ancient professions
(Searle, 132) almost inevitably produced government by coterie. Britain
was ruled by groups connected by blood or marriage or by having gone to
the same schools and universities. Whatever their nominal party alle-
giances, they often shared the same values and attitudes. Searles account
lends credence to Hilaire Bellocs and Cecil Chestertons The Party Sys-
tem (1911). G.K. Chesterton came to agree with his brothers and his
friends suggestion that debates in Parliament were performances or dra-
matic entertainments by people whose factitious passions, assumed for the
occasion, could not disguise the fact that they were often relatives or long-
standing friends frequenting the same clubs, dinner tables and country-
house parties. In any case, real decisions were taken by small groups who
surrounded the party-leaders. The young Gilbert Chesterton saw it as im-
peratively necessary to end what Gladstone in 1890 had called a disjunc-
tion between a nominal democracy with a popular basis and a hierarchy
of classes and establishments savouring in part of feudal times and princi-
ples (Searle, 129).
This discord between rulers and rulers may have had another more
insidious result. It might, in part, explain the pessimism figures like Salis-
289
The Chesterton Review
bury and Rosebery invariably displayed in private and, at times. gave way
to in public. Out of sympathy with the aspirations of many of those whose
votes they needed, thery were compelled to manage the electorate rather
than expressing its wishes. Having bitterly opposed Disraelis granting of
the vote to working class householders in 1867, Salisbury remained con-
vinced that the widened electorate were a gullible, violently aggressive
mass, beyond the reach of moral or civilised values. The best that could
be done was, temporarily, to beguile and circumvent them. Since, in such
a situation, any change was bound to be for the worse, the less change of
any kind the better. Given that a long-standing Prime Minister held such
views, one could understand Chestertons complaint of a coincident col-
lapse of both religious and political idealism producing a curious cold air
of emptiness.
In spite of its deliberately unsensational tone, Searles excellent study
of the years between 1886 and 1918 awakens us to the complexities of the
world in which the young Chesterton grew up and began his journalistic
career. The energies and aspirations of a healthier, better-paid and better-
educated population were partly directed, partly frustrated by a ruling
elite, many of whom were out of sympathy with those to whom they had
reluctantly conceded a measure of power. A more literate and predomi-
nantly younger people, impatient of the stuffiness and proprieties of their
elders, were on the verge of exposure to disturbing, and sometimes
amoral, philosophies decked out in the formulae of science and philoso-
phy. One might say that Chesterton needed his time, that his curiosity had
high spirits, talent for surprising his readers, his ability to render the
familiar fresh and delightful and to make religious conviction joyful and
challenging were exactly what a particular audience appreciated. Perhaps
his early success cannot be divorced from its social, moral and religious
context. Whatever the truth of this proposition, however, it is certain,
given their problems, hopes and dangers, that his times needed Chester-
ton.
1 G.K. Chesterton, The Autobiography of G.K. Chesterton, (1936 rept. San Fran-
cisco: Ignatius Press, 1988), p. 55. Subsequent references in parenthesis are to this vol-
ume.
2 G.R. Searle, A New England? Peace and War 1886-1918, (Oxford: Clarendon
Press, 2004), p. 99. Subsequent references in parenthesis are to this volume.
3 G.K. Chesterton, Heretics, (1905 rept. in Heretics, Orthodoxy, Blatchford Con-
troversies, San Francisco: Ignatius Press, 1986), p. 193.
4 G.K. Chesterton, The Victorian Age in Literature, (1913 rept. London: Oxford
University Press, 1966), p. 98.
290
The Young Chesterton and a History of his Time
5 G.K. Chesterton, The London Illustrated News, February 10, 1906 rept. The
London Illustrated News 1905-1907 (San Francisco: Ignatius Press, 1986), pp. 122-
123.
6 G.K. Chesterton, The Napoleon of Notting Hill, (1904 rept. The Napoleon of
Notting Hill and Others, San Francisco: Ignatius Press, 1991), p. 220.
7 John Coates, Chesterton and the Edwardian Cultural Crisis, (Hull: Hull Univer-
sity Press, 1984), pp. 79-80.
8 G.K. Chesterton, The Flying Inn, (1914 rept. Harmondsworth: Penguin, 1958),
p. 94.
291