XII
Source: The Musical Times and Singing Class Circular, Vol. 6, No. 122 (Apr. 15, 1854), pp.
19-22
Published by: Musical Times Publications Ltd.
Stable URL: http://www.jstor.org/stable/3370483
Accessed: 19-06-2017 05:48 UTC
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Musical Times and Singing Class Circular
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THE MUSICAL TIMES. 19
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22
22 THE MUSICAL THE MUSICAL TIMES.
TIMES.
the
a composition so strongly marked by its age as s
this. We are carried back to the time of Artax-
depr
erxes and Dr. Arne, in a symphony ending with
sione
this formula of notes-the old and approved
not
method of coming to a cadence:-
close
whic
to hear:
Ob. 1.
Vio. limo Vio. 1.
Ob. 2, xb- --
It is seldom that Mozart has such th
vioe.
VioleI-.. I2. , - swer for. Then, as if some friendly b
and patron of his was to be present
formance of the Mass, Mozart provid
Fagotti.
Bassi.
to remind him of the musical charms o
a passage of Rosalia:-
Tu solus sane - - tus
1:n'
ovrallo. * " o. a - % - .I r ,- I
Alto.
Tenor. - I , N J.N I
Bass. -@ - I _ 0_-
Tu so - lus
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