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The Holland Festival in Amsterdam is celebrating its 70th anniversary. It has showcased leading opera, theatre, dance and film. This year's dance program includes Het Nationale Ballet performing Alexei Ratmansky's "Shostakovich Trilogy" as well as works by choreographers Boris Charmatz and Alain Platel. The festival also features diverse international performances in theatre and dance.
The Holland Festival in Amsterdam is celebrating its 70th anniversary. It has showcased leading opera, theatre, dance and film. This year's dance program includes Het Nationale Ballet performing Alexei Ratmansky's "Shostakovich Trilogy" as well as works by choreographers Boris Charmatz and Alain Platel. The festival also features diverse international performances in theatre and dance.
The Holland Festival in Amsterdam is celebrating its 70th anniversary. It has showcased leading opera, theatre, dance and film. This year's dance program includes Het Nationale Ballet performing Alexei Ratmansky's "Shostakovich Trilogy" as well as works by choreographers Boris Charmatz and Alain Platel. The festival also features diverse international performances in theatre and dance.
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Holland, 70 years of festival!
The Holland Festival is a big cultural event in the city of Amsterdam and has now reached its 70th anniversary; in the course of the years it has showcased leading names in opera, theatre, dance and international films. It is, together with the Festival dAvignon and the Edinburgh In- ternational Festival (both also founded in 1947), the oldest festival of its kind in Europe. The salient dance event at the forthcoming edition in June will be its home company Het Nationale Ballet in Alexei Ratmanskys Shostakovich Tril- ogy, a full-evening programme to music by the Russian composer which Ratmansky created in 2013 for American Ballet Theatre and which will be performed in Amsterdam for the first time in Europe. The Festivals offerings are ec- lectic and include highly diverse shows by dancemakers such as Boris Charmatz or Alain Platel as well as, in the theatre section, by di- rectors who are often associated with dance; this year, for example, there will be a physical theatre creation by Greek Dimitris Papaioannou.
Emanuel Gat Dance: Sunny, c. Emanuel Gat (ph. D. Lothert)
Het Nationale Ballet, Amsterdam: Preljocaj from New York to Shostakovich Trilogy, c. Alexei Ratmansky Sanchis to four pieces from Coltranes 1964 (ph. P. Ramone) album A Supreme Love which is considered a Montpellier magnum opus of jazz music. Other leading The opening of MontpellierDanse artists on the current dance and performance (in Montpellier, in the south of art scene, such as Jrme Bel, will be at the France) on 23 June has been en- Festival, together with newer names (See trusted to Angelin Preljocaj and his Calendar for details). Aix-en-Provence-based company and to two works commissioned by New York City Ballet: Spectral Evidence (2013, music by John Cage) and the Ballet Preljocaj: Spectral Evidence, more famous La Stravaganza (1997, c. Angelin Preljocaj (ph. J.-C. Carbonne) that couples Vivaldi with contempo- rary American scores). This festi- val, which is one of the most impor- tant summer platforms for French and international dance, continues through to 7 July with a rich and varied programme. In particular, mark your calendars for the following: the Lyon Opera Ballet in Lucinda Childs legendary Dance and in an Emanuel Gat programme; Het Nationale Bal- let of Amsterdam in two pro- grammes of works by Hans van Manen, the troupes resident chore- ographer and doyen of European mod- ern ballet; Steven Cohen; Mathilde Monnier; the Marie Chouinard Com- pany, with Chouinards study on walking (Soft virtuosity, still humid, on the edge). Of note is also the festi- vals film section which will be screen- ing documentaries on, or films of works by, not only the featured cho- reographer (e.g. Van Manen), but also others especially Merce Cunningham (including a series of films made by Charles Atlas).