Contour: Intro arpeggiated rising and falling accompaniment in lower strings is mirrored
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by harp. This gradually changes to only ascending contour. Arpeggios begin low with each
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successive arpeggio beginning higher and reaching higher. This occurs over a melody that has
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Tonality: Major, though ambiguous in opening arpeggiated chords. Not clearly major through
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Register: Begins fairly low and ascends to higher registers though never really uncomfortably
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so.
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Range: Large in all instruments. From extreme low to fairly high over multiple octaves.
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Sections have quite limited range, for example chromatic rising and falling contour passages
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Intervals: Scalic main melody. Often repeated notes within the scale mr rd dt,. Chromatic
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notes often used as passing or auxiliary notes and are part of smooth scalic movement.
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Arpeggiated intervals not uncommon in accompanying lines and chromatic scale in slow
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moving strings.
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accompaniment contrasts with rapidly ascending and descending arpeggios of harp and
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strings in introduction. Bass seems rather static once main melody begins but outlines
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chordal notes often through chromatic movement. Parallel movement in thirds between first
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scalic passage.
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Phrases: Short two bar phrases with a break in introduction with a sense that these are
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extending as the piece progresses. Later, there is no break resulting in longer phrases.
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Even phrases in the main melody are extended through the use of ritardando near the end.
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