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STAR MOTHER

TABLE OF «DNTEN'I5
Prologue P 1.

Star Mother, The kit OesctipUon p 2.


Assembly Instructions p 3.

A look Inside Star Mother p 4.


(A Rich Geometricel Appreciation)

The Shape SignifiCMce of Genetic Metenal As A Wave


Path For-Frequency Si~ture, And An Introduction To
The Frequency Signature Identity of Cell Metebolism,
Emotion Mld L2Il9UGge. (Illustrated)
l
p 16.
(Uses til appreci8tion of nested geometry to
understood wave energetics leaping scales:
cen, emotion, l~ge, plenet.... shepeJ

p41.

Taldno Comfort in the Role of Mind Among 'Neves p 41.

The "Matter' of Vision p43.

Crystal Slructtre: Key to An Instrument Thnt Heals p SO.

To Be Cryst1l1 Clear, Techno-logos p 52,

Intention ~ Imt}9inlltiOfl, A Biophysict.ll AntIlysis P 60.

Kundalini, A De~r Biological Underst.and1ng p63.


'.
Collective Conscious, A Mind Being Bom Invites Us p 69.

PostcMpt & Notes About the Author p70.


-
PROlOGUE

These Mshltpely" pages ~re assembled in sections to DCcompJish


sey~l purposes:

1. Gui de to Assembl y of the Star Mother)


SecredGeometry model.

2. To present II sequence of suggestion ~nd vision for


appreCi8ting the rich order in nested 30 geometry.

3. To offer you the insjghtfully iHustrDted '·Shape


Si9nificmceri. P~per applying geometrice1 nesting to
h

'eve energetics in genetics, emotion, languege l lJfld


planet structure.

4. To share a unique collection of monologues relating crystrl1


structure to mind, healing functioo l ecstDCY J Dnd other
deeply signific~nt ereDS.

5. Gentle cOrmlentary on perceived invitctions to the birth


of a collectively conscious mind.

.~ followed by personal notes on the euthor.

Our work onW'8ve nestingl coherence; the body, and hel!lling, has
developed into IS research project supported at Millard Fillmore
Hospital & Crystal Hill Farm. Essentiany, we are hypothesizing
that coherence (resonfmce orderliness) between helJrt and brain
- 8S C bi,ofeedb8Ck learned skil1- improve mettJbolic AND
IMI1lJt£ orderliness. We htWe excellent tools with which to do
this Work, more info liS it unfolds.

This book is presented hlrnbly with the sincere wish thet you
win find it JOYful to visuelize DOd le~m
f
8bout rMtters nest,
from the inside out. If you tmve ideas ttbout how to m3ke
mcteritJl like this more ~c~stble to inquisitive minds, do
conUJct me. Sincerely, In Service.... DtJn Winter
S TAR

.. 0 THE R

A KIT TO CONSTRUCT A POWERFULLY INSPIRING GEODESIC


AN GEOMETRIC ARRAY CALLED
.* THE LESSER MAlE <THEOSOPHY>
*' STAR *' f10THER
* GUARDIAN ANGELS NEST
CONTAINING
TETRADRON
CUBE
PENTAGONAt.-OOOECHEDRON
ICOSAHEDRON
ION TO DurER eoLO DODeCAHEDRON

ILLUSTRATING IN;CIPLE DNA ..

EVERY IS BOLDEN MEAN RATIO, TO ADJACENT EDGES,


EXCEPT WITHIN THE IS SQUARE ROOT TWO. (THE TETRAHEDRA
ARE FORMED 8Y ALL THE CUBE DIAGONALS.)

236 COLOR KEYED RODS, 90 PRECISION RUBBER SLEEVE f'!Oi!l.lN~~Cl·0RB


I aNS t AND J NTERPRET I VE SUGGEST I ONS I NCLUIJED ..

THIS PROFOUND GEOMETRIC, GENERAeLE ENTIRELY FRQM MEAN


, IS RICHLY DESCRIBED IN:
UTHE MATHEMATICS OF THE COSMIC HIND" PLUMMER
THEOSOPHICAL PUS.
LIFEI THE WAY OF .....H' ... -. ..
FROM CRVSTAL HILL
.. ONE CRYSTALS DANCE II BOOK
ON CRYSTALLI METAPHOR
AND HEAllNG PROCESS

A RICH AND REWARDING i'!.Cl.l::~C'MDI Y AND IONAL FOR


TEACHING SIMPLE AND DIMENSIONAL RELATIONSHIPS •.•
FOR YOUNG AND OLD.

- "
I..

THE STAR MOTHER


(A HOME FOR GUARDIAN ANoELS)
FROM
CRYSTAL FA.RM
94n SANDROClC lID
EDEN. NY 140';7

INTRODUCTION:
IV"""'!lOtllanks You have to nest attention in a
nutrIent rich place: the heart of dimenSlonal geometry. you may
soon diSCOver, it the potential to really your capactty to hold
vislon in order. more clearly you are able imaglne order. in 11 nest
which between dimension& the finer will your ability to Wfave
light jnto focus we physicists matter.

Thus. one purpose of this is t.o by doing and natures most


elegant of into a which order from one
to another. RATiO is the key, Later in the ten. after the assembly
instrudJons. we will apply this principle to one biology's
pathways for storing memories: genetics.

the richness this is definltely a lasting meditative moment


for the maturest m..ind, is also intended for children I have had one of
the most rewarding times this as a group project in a
klndergarden AU that 1s required is a planning. and a careful
diviSion little Jobs. It Is prObably if assemble it once fIrSt
yourself. little people. this model called A GUAlIDLA..N ANGELS NEST.
might begin by that pretty ordiUneas of our
dreams and memor'es, nearest to us if weave them the finest
to Uve

build your STAR MOTHER. will probably Wish to handy:


a small wire ((or cutting outer wood stit:;ks
tD exact lengths).
contact or (optionall
3
42 2" sticlcs (12 for octahedron.
for inner dodecahedron)

24 yellow 8tid:.s (tetrahedra)

72 red 3~ sticks (12 for cube, fJlJ for dodea\ stellations)

Y/J blue i)' sticks (icosahedron)

f::/IJ yellow tl sticka (icosa steUations)


Y/J gold wooden approl ':I sticks (outer dOOecbedron)

36 r; connectors

6 sleeve connectors

6 6. connectors

20 short sticks appro.'! Slt:r (for connecting thru


.... 1'1'\h.Q... sleeve """""',..........

BUILDING YOUR NEST-


HOME FOR POLYGONS AND l"U'II ..... J.:.J..A:}

(ANGUS).

This kit very easy to build. and can comfortably completed in an bour
or two. However it recommended that you proceed at a pace,
savoring the experience: ten that would~ enjoy dre.amlng about
what might fit in your new

to see that are not holding your

Use 12 of the 2" green sticks and the 6 eight-sleeve connectors to build
An (octa-(), hedra-faces) a tour sided pyramid
on top AND on bottom.

Use only every other connector sleeve on the eight-sleeve connectors so


L

that only tour of the eight aleevea are filled. Th18 will leave you room to
add the tetrahedra later.
Checl:: the pldUre.

Notice that your octah.edron has ~ faces. s1I vertices (tips), 12 edges. AND 3
ms ot symmetry (3 nice pairs of places where you am spin it between
your fingers). Think about what must be the shape of an e1ectro~ shell
which supports 3 pairs of electrons: two d1rections of spin are possible at
each spin axis.

Now use 24 yellow 2" sticks to complete two tetrahedron. A tetrahedron is


like a three sided pyrarn1d with four (tetra-4.hedra-faces) surfaces.
Accomplish this at this point by very simply installing one 2· yellow Stick
into each of the now empty sleeves at the tips (not the center holes) of
your green octahedron (6 sleeves times -4 empty connectors each=241
You are effectively building a little tetrahedron onto each of the eight faces
of the original octahedron. complete each up by placing a siI sleeve
connector at the top of each of the eight groups of three. Again use only
alternate 8leeves in the sil sleeve connectors. so that every other hole is
left empty.

It is very helpful once you have reached this point to f£el your model until
you can see 0 little tetrahedron on the SUrfaces of th.e octahedron. See also
how those yellow ntUe tetrahedron taken as a group make two larger
tetrahedron stuck "head to head" (as ifseelng each other 1n a mirror), thus
nesting nicely the central green octahedron. (Interdigitated tetrahedra).

Your 6 tips are now in position to make a cube. Connect the empty sleeves
with 12 of the Y red sticks to complete your cube. Notice that. draWing all
the diagonall1nes on the cube foces. would complete the tetrahedra

Nen use 0 small wooden sticks (about '51~. long) to double up the
connectors at the cube tips. Do this by placlng one end of each little stick
5
~ or an empty ~d:
the cent.t:r holt! ocJ1.fted.or..and the
through 'the tenter hole of a cube tip connector. Thus you are p1ac.ing
an empty sleeve connector direCtly an top of tip of the SUde
the connectors snug together In center or the short little Btlcks. {This
your to &eed growth a pentagonal dodecahedron
~""""n,n.n it}.

Now use 2 new 6 connectors a little


frame that looks this:

You might think frame a& a gabled root to put on one face of
cube. Now build more little sets untll have 8il
ready. one for each of the Again leave other !ll.tPtPvP
of the connectors empty.

Now put one (gabled roof) onto each face. again using only
other !l:IOD'lro. on the new sleeve ........ 1.,.." ......."' .......... you on top of
cube
ALro as you the HtUe rrames on of the
sides so that every THREE side of the roof. touches around
cube edge an adjacent TWO "legged side. that the you
are creating the are aU pentagonaL 5 slded" you proceed
around cube, putting Uttle frames check to that you
create -4 or 6 s1ded new surfaOOs.

portion completes your Lnner pentagonal. dodecahredron {do""2.


deca"'-l0s, hedra-faces, 2110&=20 Your completed
Eo
dodecahedron should look like this:

Dodecahedron: 1.2 faces. 20 vertices (tlps). '9b edges.


Your green pentagonal dodecahedron should have '5 empty sleeves on each
face. hopefully you used every other sleeve on all the SiI sleeve connectors
you buUt it With.

Your model approximates natures' perfect nesting of the cube Inside a


dodecahedron, See if you can Visualize how your same dodecahedron eQuid
hold a total of ) cubes exactly as it does your red one, In natures perfect
model of thiS. if the dodecahedron's edge were 1,000. then the cube's edge
would be 1.6 UL a very mag.ital ratio.

If you were to place five cubes inside your dodecahedron instead of the
one red one. they would be arranged Uke this:

(The angle at which the cube must be tUted to 'Wratchet" into the

7
dodecahedron is very stgnmcant)

Nett prepare for the next. phase of growth of your crystal model by taking
the 12 remaintng '516" short sticks and place 3 of the fivHleeve
connectors thru their center hole onto each little stide. Thus you will have
12 little assemblies With 3 rive sleeve connectors pushed tightly together
thru their center holes in the middle of the short sticks.

Now, tak1ng your dodecahedron back in hand. place a five sIded pyramid
like stellation on each face by placing a S red stick in each of the 12
groups of five empty sleeves. {60 total J red sticksl Use your prepared '5
sleeve connector groups. one on each tip of the 12 groups, but PLACE iHE .
RED snCKS INTO mE CENTER SID' OF FIVE SLEEVES. So that at each. new '5
sided tip you have a five sleeve connector tuuy used, with 1 empty
five-sleeve connector JUST INSIDE the red tips. 8Ild one pointing outward.

We will call the twelve sets of 3 five sleeve connectors, an INNER group. a
MIDDLE group. and an outer group. So now the MIDDLE group of nve sleeve
connectors is all fliled with the tips of the stellations from your
dodecahedron. (Arrange the inner empty '5-sleeves. one sticking out
between evf?ry pair of red 3" legs.)

Next. make an icosahedron by placing Y/J blue .,a connectors between ALL
the empty fiVe-sleeve connectors in the INNER group. So your blue tips WiU
all end up UNDERNFAm your red tips. Work slowly and gently: use a little
glue jt you need to. When you are done. your blue Icosahedron should look
Hke this. depending on from what perspective you view it

Icosahedron: 20 faces. 12 verti{:es(Upsl Y/J edges.


(a kind of mirror image of the dodecahedron).
s
Next stellate every race or your icosahedron by building a three &1ded
pyramid onto every face. Do ,this by using the fib yellow ti sticks. 3 stiCks
onto each race. Urnes 20 races • {JIJ. Notice that you Will fill all the sleeves
in the outer group of five sleeve connectors. At the 20 new tips you create.
use every other sleeve of the laet 20 8ll~eeve connectora

Notice tbat this is Uk.e eltending every iC088hedron edge straight out to
complete golden mean (1.616J triangles. This is also emctly wbat you dId
when you &te11ated the dodecahedron eatUet.

Lastly. you will use the Y/J gold wooden atlcks to complete the outer
dodecahedron. In nature. these lengths would be e.mctly the same 88 the ~.
yellow stiCks. but we have made them a little eJtra long. 80 that you can
easily trim them to length to make up for sllgbt dit'terences in the way the
connectors go together. Use your small Wire cutters to carefully trim each
wooden 8tlck to the right length to Just nicely fit betWeen all the remaining
sleeves on the 20 tips: to make the ramiliar 'j aided tacea or the outer
4)
dodealhed.ron. Th1!; 1IGme shape _ the inner (neeted) peen ckidee:obcdroo.
like thJa:

Or tum it to see this:

Remember l18 you trim approI 1- off the gold stlcks to leave enough to go
all the way into each connector at both ends. Do them one at a time. caretul
not to torcetbe tipS too much. get your lengtba JU1t rJght, 10 that your
model will not keep popping apart trom unreaolved tens1ona.
(PsyChological adVice). Use glue Where needed. fast setting contact cement
works belt.

Then re1al and bre8the. does your new crystal creates a field by ita
otdetllne8s? _ an aura? Does your attention ptedplt8te the growth or a
tIekI around the cryata1?

10
A Look Inside Ou ... StClr' Mother
Remember when you learned how to draw a. five pointed 5tol.... by
starting at • point and moving your pencil to fiv~ alternate
pOint ••• without 1 ifting your p@tlcil? (Something 1 ike Betsy Ross
making the star$ for the fir.t fla.g.)
HC)ther natura s magic has i t th.t the edges o.f the p&!akson
I

that five pointed st.r are exactly 1.6180339 ••• ti~s as lon~ .~
the edge. of the centlltl" pentagram. This number is sometimliS
called the GOLDEN MEAN because it is such a ..avical ... atio.
If you connect the centerpoints of a pentagram, the new
pentAgram inside will have edges .6180339 ••. times a$ long as the
o ... iginal. This ratio will be repeated •• many tlaeii as you draw
another" pentagram inside your "nest".
If we lined up th~ ed~e lengths you would draw by nesting
pentagrams th~ numbe ... set would look like thi~:

2.618033969 •••
1 .618033989 ~ ••
1..000000000
.618033'9 99 •••
v
v

This set of numbliitrs c:ontinues infinitely in both di ... ections.


Moving upwards in the sequence:

* any member of the $Qquence ttme5


1 .619033999 4 •• equ.l $ th~ next member.
AND
* the sum of any two adjacwnt member. equals
the next mamber.

ALSO
1.618033989 ••• = 7/5 * pile (e is the base of
the natu ... al logs)
Another piece of the magic here i . that neated pentagrams
make nested spirals. That is if you curve connect tn. outside
edge from end to center: and then the edge of the next 5maller
penta9rall'l touching that pOint from that end to its center •••
and so on. (It's eASier to do it than to read about it.) •••
The result 1s a spiral.
In fact if you curve c::cnnect all thv pOints in you ... star nest
in this mann~r, you will ha.v. ten of thestt perfect spirals ,o f the
"GQ1 dltn tiean II •
You can create exactly this same spiral by tracing the
outside points o.f "Golden Mean" rectangles (spiraling squares) •••
0... by tracinv the outside points of Neolde-n Mean II triangles
(5pi ... aling triangles).

11
Next, in order to help us to see how stars are made let/s try
to make thi!! .~t of vi'Sions three dh••nsion&l
See a cube wi th edg" ) erlgth 1.0000(' •
Suppose you wi shed to taake Ita. ho\ ,';;e •••
You pl ace on its top sur-files iii. five 1 ine gabled roof. <That
i!l. a r"egul ar slAnted roof but wi t.) the two rooi= ends a 1 so
51 .:;ntad.) Per-hap5i you dec ide that in crder' to make your roof
slant just the right amount i you will ~ake .11 five .dges of the
gabl ed roof exactl y .618033989 •••,
Next you place that SAmlt roof on the five other surf.c.. of
the cube. Doing it in such. way that every three tiided roof
5urfacQI on one cube roof 11i ii\dj~c.nt t.o .. two s"1ded gable end of
the !"oaf next to it.
Presto! You have . .de iii. pentagonal dodecahedron.<That js a
nifty shape, even .all iil.round. made of nought but pflntagr,,5.)
Now turn ill 1 twelve penttilgraml5 that make up the surf.ce of
your dodecahedron, into stars by extending e4ilch edge by 1.00000 •
Making twelve stars onto the dodec:ah.dr"on iiurf~ces is just like
placing .-;. five sided pyr<Jmid 00 each !Surface. Now connect the
twelv. peaks with lines 1.618033989 •••
Thi§!; is an icosahliildron ••• 12 peaks, 20 faces;
Thi~ rnirrOl". the dodecahedron •.• 12 filces, 20 peaks.
Extend the unit edge star lines connecting the dadec:ah.clron
to the icosahedron, .. nd you will cent inue mak 10g till ternatel y
dodecahedra and icosahedra •• ainfinitely ••• every surface is stars
within stars ••• every edCie in continuous "Golden" ratiO.
THE NAGIC OF nus MIRROR IS THAT THE LIGHT WHICH DANCES
THROUGH IT IS ALWAYS REWOVEN TO EVER MORE HARMONY AS SEED,
DANCING IN AND OUT OF THE ILLUSIONS OF SEGREGATION OF HOMENTUM
CALLED MATTER~ TOWARD MINn.
Some further interpretive suggestions for Star Nother:
SEE STARS WITHIN STARS ON THE TWELVE EXTENDED PLANES OF THE INI'tER
DODECAHEDRON ....
HOW DID BETSY ROSS MAKE OUR FLAG'S STAR FIVE SIDED?
IF A CUBE EDGE WERE 1.000 LENGTH, ITS DODECAHEDRON EDGE WOULD BE
RATIOS. THE PROORESSION BETWEEN DODECAHEDRON, CUBE, AND
ICOSAHEDRON CAN CONTINUE IN('JARD AND OUTWARDL. Y IN THIS NEST
INFINITELY ••• ALL L.INKED BY NESTED SPIRALS OF THE GOLDEN MEAN:
.618033989 ••• DODECAHEDRON EDGE
1 .. 0000 CUBE EDGE
1.6180339B9 ••• ICOSAHEDRON EDGE
2.618033989 •••
INFINITE PROGRESSION EVERY PAIR IS RATIO: 1.618033999,
EVERY NUMBER THE SUM OF THE PREVIOUS TWO:
PERFECT ARITHMETIC AND GEOMETRIC PROPORTION.

YOUR NEST CONTAINS EVERY REGULAR PLATONIC SOLID IN AN ARCHTYPAL


NEST. CONSIDER TOTAL ANGULAR RELATIONSHIP AS A MEASURE OF TIME.

12
-
WHEN THE PROGRESSlON WE KNOW AS TIME GENERATES THE WAVE NODAl.
ARRAY WE KNOW AS MATTER ••• ANGLE BECOMES A MEASURE OF DURATION OF
TIME. TOTAL ANGULAR MEASURE IN POLYGONAL SOLIDS HAS BEEN RELATED
TO ELECTRON SHELL STRUCTURE A.N[I EVEN CELESTIAL MECHANICS
(NOTABLY PRECESSION).
. .e espec:ially "M.. thematic:s of Cosmic Mind"
Plummer
theosoph1c pub. wheaton 111.
THR£E DlMENSIONS ARE SO CONVENIENT ••.
THE STAR MOTHER IN 3D;
ROTAT ION OF REBULAR POL YHEDRA,. " BETT I NG THE PO I NT (S) •.•
A SH1PU:: EXPRESSION OF THE THREE Dlt1ENSIONAL RECTINLINEAR
COORDINATE POINTS OF THE LESSER MAZE (STAR MOTHER"> IN
X,Y, AND Z COORDINATES:
FIRST ESTABLISH ONLY ONE CONSTANT: 1.612033989. • • <THE GOLDEN
MEAN)
THEN NOTE, THE POWERS OF THIS CONSTANT (CALLED PHI, PRONOUNCED
FIE) =

-1 <POWER)
PHI"'" ::; .618033969 ....
o
PHI"" "'" 1 .000
1
PHI'" - 1 .618033989 •••
2
f'H I ,...

NOTE THAT THIS PROGRESSION PROCEEDS INFINITELY IN BOTH DIRECTION,


AND NOTE THAT IN ADDITION TO EACH ELEMENT TIMES PHI EQUALLING THE
NEXT ELEMENT, EACH ELEMENT PLUS THE PRECEDING ELEMENT EQUALS THE
FOLLOWING ELEMENT. THIS IS WHAT IS HEANTWHEN THIS GOLDEN MEAN
PROGRESSION IS DESCRIBED AS THE ONLY PROGRESSION WHICH IS BOTH
ARITHMETIC AND GEOMETRIC.
NOW, SIMPLY ALLOW US TO SUBSTITUTE A SHORTHAND NOTATION WHEN WE
WISH TO USE ANY OF THE NUMBERS IN THIS PROGRESSION, INSTEAD OF
WRITING PHI TO PARTICULAR POWER, WE WILL SIMPLY AGREE THAT PHI IS
THE BASE OF THE LOG (LOGARHYTHMIC) NOTATION WE WILL USE AND WRITE
THE POWER ONLY IN PARENTHESIS. THUS WE WILL CALL 1.618 ••• WHICH
IS PHI TO THE ONE POWER SIMPLY (1). .618 ••• WHICH IS PHI TO
THE MINUS ONE POWER SIMPLY (-1). ETC.
NOTE THAT (0) WILL MEAN PHI TO THE ZERO POWER= 1 f
WHILE 0 WITHOUT PARENTHESIS WILL MEAN SU1PLY O.
NOTE THAT (-1) WOULD MEAN PHI TO THE MINUS ONE POWER=.bI80339
WHILE -(1) WOULD MEAN -(PHI TO THE ONE POWER)= -1 .~lB033989

13
NOW LOOKING AT THE STAR MOTHER (LESSER MAZE) WHICH CONTAINS EVERY
REGULAR POLYGON, WE WILL CALL THE CUBES EDGE LENGTH EQUAl. TO 2
IN OUR X,Y,Z COORDINATE SYSTEM.
THEN THE X,Y,Z COORDINATES OF THE POLYHEDRA ARE:
++++++++++++++++++++++++++++++++++
PHI LOG (POWER) NOTATION I NUMERIC E·QUtVALENT
OCTAHEDRON () t (0), 0 / 0,1 ,0
( I NS I DE T HE CUBE) : (0) , 0, 0 / 1 to, 0
O. -{O),O / 0t-1,O
-(0),0,0 / -1.0,0
0, 0, (0) / 0,0,1
0, O,-(0) I 0.0,-1

CUBE (0), (0), (0) / lt 1 ,1


(INCLUDES THE TWO (0) , - (0), (0) /1,-1,1
TETRAHEDRA NESTED - (0) t - (0) , (0) J -1,-1,1
IN THE CUBE) - (0) , (0), (0) I -1,1,1
(0), (0) , - (0) / 1,1,-1
(0) ,-(0) ,-(0) /1,-1,-1
- (0) , - (0) , - (0) I -1,-1,-1
-CO), (0) , - (0) , / -1,1,-1
--------... --- - ------------, -------~----------------
PENTAGONAL DOtlECAHEORON -TWENTY VERTICES, TWELVE FAC£S-
(A SIMPLE FIVE STEP NUTATION OF THE CUBE •••.
THEREFORE INCLUDE THE ABOVE EIGHT POINTS AS PART OF THE
20 DODECAHEDRON VERTICES, AND SIMPLY ADD THE F'OLLOWINB
12 POINTS;)
- ( - 1 ) , (1) ,0 I -.618 , 1.b18 , 0
1 .. 618
,• °-.619
(-1) , <t) ,0 / .018
(1),0,(-1) I 1.618 , 0 ~618
(1) ,0,-(-1) I 1.618 , 0 t
- ( - 1 ) ,-(1) to / -.618 , -1.b18 , 0
,0
(-1) , - (l) I .618 , -1 .. 618 , 0
-U),O,(-l) I -l.blS , 0 , .618
-(0,0,-(-1) / -1.618 f 0 -.018
0,(-1) ,(1) / 0 .blB 1.blS
0,-<-1>,(1) / 0 , -.618 , 1.6tS
0,<-1> ,-(1) I 0 , .618 , -1.618
0,-(-1) ,-H) / 0 , -.61B , -1.b1S

ICOSAHEDRON -TWELVE VERtICES, TWENTY FACES--


(EACH OF THE ABOVE DODECAHEDRON (30)EDGE LENGTHS WERE EXTENDED
STRAIGHT OUT BOTH ENDS BY RATIO 1.61B, PRODUCING THE ICOSAHEDRON,
EDGE LENGTH SAME AS EXTENSION LENGTH, AGAIN 30 EDGES>
(THIS FIGURE IS SIMPLY THREE PLANE PERPENDICULAR-
GOLDEN MEAN RECTANGLES)
(2),0, (1) J 2.618, 0 , 1.0.18
(2),0,-(0 J 2.618, 0 , -1.618
-(2), 0, (1)
-(2), 0 -(1)
/
/
-2 .. 618,
-2.618. 0
° 1.61S
, -1.618
-(1), (2),0 / -1.618, 2.619 t 0
(1), (2),0 / 1.618, 2.618 , 0
-(1),-(2>,0 / -1.618 , -2.618 , 0

14
(1) .-(2) J 0 I 1.619 , -2.618 o
O~ (1). (2) J o 1.019 2.618
0,-<1>. (2) / o , -1.618 2.618
0, (1) ,-(2) / o 1.618 -2.618
0,-(1) ,-(2) / o 1 -1.618 , -2.618

NOTE HOW SIMPLE IT IS TO CONTINUE INFINITELY .•.


SII'tPLY EXTEND EVERY ICOSAHEDRON EDGE LENGTH STRAIGHT OUT BY RATIO
GOLDEN MEAN, TO MAKE ANOTHER DODECAHEDRON, THEN EXTEND THE
DODECAHEDRON EDGES STRAIGHT AGAIN TO MAKE ANOTHER ICOSAHEDRON,
ALTERNATING INFINITELy .••••••.•
EACH SUCCEEDING DODECAHEDRON OR ICOSAHEDRON CAN BE PLOTTED SIMPLY
BY ADDING TWO to THE LOG PHI, (GOLDEN MEAN POWER) TO EACH
COORDINATE OF THE SAME POLYHEDRON INSIDE IT!
Use vision to under5tand thlt physical (phi cyC:le> significance of
this. The diatil.nca. from every node to ~ve"'y axis of symmetry, and
to the core" is always a power of tha BOLDEN MEAN. S_ 12 golden
mean, spiral cones, in this required pyramid like an9ular
relation. making our STAR MOTHER, and indirectly the dod~ahedra
of DNA. SRe concentric sphere. as wave bubbles. The wave length
must divide evenly into the RADIUS as a power of the gold~n mean.
This fulfills the requirement that waves colliding toward ~
center of gravity (mass) 1 in 'torde ... " to cons.erve momentulR (order,
memory, mind), must not interfere with each other. The harmonica
(su. and difference heterodynes) of waves in ratio: GOLDEN MEAN,
ma.ke ONLY constructive interferenclt as they ne&t this way. HENCE,
THE STAR-MOTHER MODEL, AND DNA.

15
THE SHAPE SIGNjFICANCE OF GENETIC MATERIAL
AS AWAVE PATH FOR FREQUENCY SIGNATURE,
AND AN INTRODUCTION TO THE FREQUENCY SIGNATURE
IDENTITY OF CELL METABOLISM, EMOTION. AND LANGUAGE;
W1TH ULTIMATE KEYS TO THE
UNFOLDING GEOMETRY OF R-E' ~rI~ -c tA ' lJ":' E~ ' X T E o' N 'S 'I
. ... ' -' . " .11' -,' .. ". '.~. _ ~ •
o -j{: '0
- '.
:r
THE PLANET TECHTONIC GRID. b.Uc.l .xten..lon 01 dodecah~l'oo
(or Icou.h.d,r'on) .. lou& the u:I.
p~rp'cndl(;~r to &Xl; of rotati,o n ,
BY can'd.£lQ. double h.llx,.lmilar to
lb. ttrllctJ.,;. ' oC ~ ~':,A mo_l~w..

OAN'h'lNTER .~c;ti 'nW:nti.~4ad Nl'n'.


CRYSTAL HILL FARM "~.

9411 SANDROCK RD
EDEN,NY14057

ON
3129187

J'otatinl-'(&QQec.h.-di~n fOhn' dec.lon ,


.with 10 Nl'n./ch'cwntcunc.-In eacb
:turD a Divino Proportionprolr ••• lDn*
~Y.rtical bicremut of tllri\ : , ~i'
.~rh:ont~1 ~,I'lcltm..ni. of turn • 3 '
t-adiua of ~1'1\ ,
iNTRODUCTION

TheSe notes are developed to open t~ proyokilg avenues between


the often InIUllVefy rec09'lZed ernottonal stmtrate C'I clStrase, and the
more oIoquenJy knoWn resonance mechanics of 9«te and cell lie.
In order to easily follow the Ideas presented, conslderthat:

1. The unmea ft$ld kIe~1y d ratU'e, embcaced by aU wts<km tradllons and


the apprortate dream Of ~C5I means that our tabIt ~ narnin9 It*lg5
never cOtJd destnbe ~e; ONLY SHAPE_. rts()OO(b.

2. The light w<mb WOY80 waves ,of atomsiceIsIWOrds are eflYecoped,


seeded and pregnant wIh resonance/presence otm~et1Iort

1.7
SPIRAL EXTENSION OF HELIX

u81ng'the Golden Rectangle as


geometrIc basts of a spital.
Sequences the ratio: 1.61M33909
Golden Mean ( ~ ) (phil
in perfect length progression as <J>
in perfect area progression as ~2
inPen'ed. volume progres&ion 89413
CONSERVED RATIO. CONSERVED MOMENTUM.
CONSERVED IN-FORM-ATION. CONSERVED MIND.

IN THIS IMAGE. THE DMNE PROPORTION. OOLDEN


MEAN PROORFS90N OCClTRS IN mE INCREASE
OR DECREASE IN SUE OF UNITS- THE 1.61<%?3.3909
RELATIONS IN DIMENSIONS OF VERTICAL WRN.
HORIZONTAl 'FURN. AND RADIUS.

VERTICAL 'ltJRNS XIV = VIZ • GOLDEN MEAN

., HORIZONTAL ruRNS ABIBC • BelCD • roWEr; MEAN


.'
; RADIUS OF TURNS ONOB:: OBIOC • OOJ..DEN MEAN
io
l
• • '- • '
.
.
- •

-- - -.. . ~ .- '
RATIO OF THE SQUARES LINS· ~ ,
·
RATIO OF TIlE SQU~ AREAS • ~2 •. ·
~ ,

." :'~

RATIO OF THE CUBES VOLUMES· ~3 . •


~ ____
~~~ __ ~~====----~~~~~1D

- .....
.. ' .
N. ftr5I, In prirK;iple, tile unl verse toot 5hapo;word has It ttat. consJstod
of &vetytNng that could be named.
The baCkground of these notes Is our nee<I to gain persped1Ve lnto the
more specmc mechanICs or ttte reatlons betWeen «noUora1 patterns and
disease patterns. A5 we approach this problem, we are at once faced wlh
thfs vast chasn of dlferenceln SCAlE, betWeen cellJar and genetic lie,
versus the relatIVe enormly of rracro-giandWar (chakJa) and whoM
organlSYl shapes otEMOTIONAL Ire. Celsand genes are tiny and VISUally
untouched by the messes we USfSdlt(ttmt (t as tunan emotion.
WIh this Cllemna of dlference of scale in mind, we need a tadder, an
h"Iage, a wratchetJng more-4han--S)ft'\boIc stalrway...& yeIow bride roa<L.
to conned theactl¥e bioenergetics of ceD with wtaofe.-body.
Fortunatety we tRye a metaphor fran the ptry3kaJ (phH:yde)
QlsCIplIneS; In quartz crystal, or musde tissue.... eJedrkaJ presstl'e wayes
and sound pressure waves tOUCh eae" other ACROSS GREAT
DISTANCES OFSCAl..E. This pleZoelectr1cly Is acc~ by the waye
guide nat'" or a helical stUWay Of nodes. Tho node IS a regIOn ct
c«npre~ waYe Yelocly YaftesdlredJywlh the denstty (ccmpresslon) of
.s medkln. The travel ot a wave is blocked or tnled (enveloped) from
certain d1rectIOns or propagation by eam node. WAVE BERGY IN A t-ELIX
FOLLOWS THE LINES OF lEAST REsaSTANCEByTt.JRNNGAROlNJA
RIGHT -ANGLE TO flOW ALONG Ttf: COMPRESSED CO~T AT AH
-
ACCELERATED VElOCITY. Energy tncreasts by the square Of Yelocity.
Wive Ier9h Is a tundlOn ('/ veIOCly. BECAUSE n'E WAVElENGTHS
THAT CARRY THE ...{~graYlt)fpowderlSOUnd) ... Cf-W.jQE AT THE
NODES, Tl-E.H(MgNIgra~pow<I&rtsound)_.SETTlES llERE. The wave
m«nentun nows from the MU:A of the quadrants Into the UNES f:t 1M
nodes.
THE rELlX IS A NATURAL. SELECTION AMONG WAVES TO BUILD A
STAJFNlAY BET'NEEN FREQUENCIES, whether pleZoeIectrkJaystal,
genetic, or glandul'artchakra.

19
"'ETEOFGOIT
"VESICA"

,
\,

\ \\
\.
\.
\
\\

---
-nvo PENTAGONs-'
ADETAOD)OOMPUlJIl GlNEltATED MODEL OF DN A
SEBNFKOMABOV&
(DOte .......... oftW'o~lc,...,. ,.
IJm~UMr.;: "'"W!i WY\W "."HJ;!;UKAlL..

lMtd .. fooW.lt doem't kDnv wheCher lte ___ . . . . . Del OIl •


w.,
DIiDIr ..... - or an lnflnlte tube. It III Ioob the . . . 110m up there. FIm"
k ftncIe 1tI into the neet. there to dIIcov.. the perfect PI.- to rUe the
beterodyaecblldreo of u,ht. without iDterfennee.

TEN SPIRALS OF THE GOLDEN MEAN.


Aperftd oatof~
~:01:,.~Whlch tem;t. u,btoatof the fat lane.
Ntxt,wt ccme to the probl«n that natll'e seems to have trted herS6I to
a very PARTtCUI.AR helcal form to acc«nplsh this connectednesS
betWeen gene wOl1d to c&tl wortdJ to otand world. aearty there IS S«nethIng
energ~1\I'tdtOrra1 and necessary to INS fonn, for example DNA.
A5 ylsl)te by the ..muons attached, DNA seen trom abOve ts a ~
ten s6de(J deCagon. Threecanensiona~thtS means that there are ten nJngS
to Is ladder, per helical rotation. The <Jecagram In DNA IS fOImtd by ttt6
srnpIe superpOSItiOn Of two penlagratnS~ ThIS Is exact~ me perfect chBds
way of dertmg the GOLDEN MEAN ratio ot edge ~, (smpty <hw one
penlagram touchi\g the edge celiers Clanother' & you hive l)
As per the cover lusbatioe\ DNA js vtsuatt deStrlbed by extending a .
pemagoral dod6cahedron heICaIy. Note hOW I weaves pertectJyarooodaD
thm perfect pr~sslonS • I ti-. .-", (GOLDEN MEAN, SQUARED, &.
CUBED) ~,area, and vOlUne.
Then, note the SPUW.. OF EXTENSION OF HELIX (Spiraling Squires
! ~) ~!19n: ~ fht Gomtt'YI1KY orratJo j}pr~ oI~,
area, and vOU'ne ernbIactd spRIS of tht 00lden mean. TEN Of TI-ESE
SPIRAlS OF TtE GOLDEN MEAN, PERFECTlY SPACED AT TtE 36
DEGREE ROTATION OF Tt-E DNA L.AOOER RUNGS t PERFECtlY
MIKES IN 20 1lE IESTED PENTAGFWAS, AND IN 3D, THE
WRATCHETED DOOECAtt:DRA CALLED DNA..
Ctea~ there ts some elegant function acc«npl~stted bythewe;nlng Of
al this essence of ge<rnetry INO gene stuff. YIrtj thfs ratfo??????
CONid6r the Golden mean for a mcment as a chid ftamJng to add
cokmns ~ f\f.ITlbers....... lefs see...
liS an infinite 3enos...

.61a03~~...

1.000
1.618033989...
2.618033989__
The series worts When you add each adjacen pair to mate the toUortmg,
'this IS cahdan arltmottc pt'ogNSsIon. The series abo worts when you
muIUpty any nunber In the !«Ies by 1.61803~ to get the next one. This
Is caJed a geometnc progression. This GOLDEN haJmonIc ser1tS Is the
geunetnc wtferses ortJ home tor this kind of ele9ance.

Now recall that a~ two waves meet at a node (focus of (~)


they genetate' cnldren or heterodynes. TheSe are Sh"4>tI wave sets Whose
wave ~ are the addition Of, and mJltJpkatiOn fA tho wave ~9 ct .
their parents. Thus I would, appear that as a wave modlanIC ~¥tee tor
~ wavts fA ,. «em Ie~ together wIhout ftgNilg, the GOlDEN
MEAN lSa perfect gateway between Ie~ (SCAL.e~

TNs bmgs us perhapS to OW'rnt due aboUt hedlg. We see that the
neeessary process ¥iNch brIngS order to the ne!l1S focus. The mechanism
WhIch produces the phase coupIIngJ allgrrnent and nanol MIedIon ct
constn.JdJve ~efferonce tr<m de$tIUdIve Wer1«WtCe" Is focus. NOTE tho
NODE is the FOCAl potntj tne press,," lheret-.ns the . . Into the
envelope of stapt called bIoHogos. Fr<m fOCUS, as ... pt1S'n to railboW.
order replcates and lives, CIsorder IS saF deSb'Uctl¥e. Please hold Dis
tdea for below we need to ,~the role of FOCUS WhICh aIOWS
immOtogk:aIldetdy to radiate WIt. coherent orderfrorn gland.

In SlI'I'miry , we have lOoked at harmonIC ratios " geOetlC rtritet1lL We


Jearn that by conserving voQne along a waye pathWay.
~,area, and
nature haS con,ervod in-fomration.We note thlt FORM b tho onty
I'MthanIsn for storing and (onY~ WonnatloMnlnd In a unlyerse of one
sUbStance.

Next, we need to use ttw foundation of un<IenQndng to gain ~ght Into


the tmtng and structumg mechantsns d eel metabOlSn We WI briefly
outline a resonance theOry or cancer, as a bI1dge to our resonance model cA
24
emotion, and ftnatty to atttrnpt a btoenergeUc approach to the AJOS
syndrcme.

conceptual toot we wtH need to bUId our model IS the


Another Slgnmcanl
phySkal ~ caled FOtRER tlanstorm. ThtS Is Y'rfIY another word
tor FREQUENCY SIGNA.TURE,or SPECTRUW ANAL.YSiS. What needs
efl1)hitsts here Is that this prildpfe stlt~!tat EVERY shape Inlle WlIvefSe
Is ccrnpr1Sed ota~ togetherstnple slnewaves. SO THAT INADOITION
TO OUR TeET THAT THE lNVERSE HAS ON..YONE SUBSTANCE, ~
ARE NOW ADDING THAT THE LNVERSE HAS O~Y ONE WAVE SHAPE.
TNngs are reatly getti\O rather Sh1pIe don' you thilt?

It ts comtorttng wtten we t~ of holography anclfts -evel)Where at once-


phenomenon trlat ccmplex shapesOt~e UghI wa¥e envelopes) contain an
lnftnIe nest Of smple sne waves. tt~s a good way tor things to stay
connected.

The next Idea we need Is to lmderstand that IDENTITY arises When ,a wave
stores enough orderto retain (ttat IS remember) Its shape. It letaly SINE.S
its name. Hence Oll" concept rrequency Signature.

Two exartl*s:

1. Three ropes, OM of WOOl, one of nylon, one of cotton aro fused together
end to end. A sHp knot lS passed along from OM to the next.
a: what Is the ~ knot? (not WOOl or ~on or cotton Is It?)
b: what does I remember?
c: doeS It have a name?

The relationShIp 01 the slip mot to the rope (A WAVE GlIDEJ A


F~gUiNCY ilQ~TURe, AN ENVELOPE, A SHAPE, A t.fORPHrC
RESO~) IS the sarM as the reraUooshlp of btoIogyto light. __
Lots of re-rnern-bertng to do.
2. (Second eanpte). A Singer mones a vowol sound several octaves
apart. You r$C~e ~ WhICh vowel she is stngIng, de!ple "" great
dlference In frtqUenCy. 'wtfJ?
How?
A FREQt.eICY SlGNATt.A:. ~ ENVElOPE, A SHAPE, A MORPHC
RESOtWCE_.._ IDENTITY.
Vowel tones are reeogntzed ~dIe" of the frequency at which they are
entoned bealUM the RATIO ~ the length of their ENVB.OPE to their
carnerwa" (The length tithe oral caYly..tnyetopeN as f3Uo to the carner
from the Yocal chOrds), Is ftxed, al'Chtypal. gotden. NoCtce hOW you cOUld
draw the cavity ofyrM rncxih as a ported envelope shapeI stapi"Ig tho ~
otthe shorter carn.rwa,es frCfn the vocal ChOr4S, i'lto longer 9IYELOPES.
say -aD"-, say "oooootf, What Changed, ca¥ly Of vocal chOrdS? I

enyelope or can1er?

So the iangUa9' of recognIIOn means frtquen(y plc:t\KtS tJaMeend scaleS


(In music ~. -eralt/, In.noaon too) by usi'ag the ~ttat b ratio.

Nt h'Bge ~ ctange the \ftverse, as a seed an fnm ~ atomtcs to


lNergitadles. Scale Is proteiN, ratio Is saCI'M The archeted\n d What )s
etched In Crystal at ftrst seems powerfUl When you carve cIIe9 from stones;
but thesamo arthetedtXe etChe<lIn crystal ., MORE powerfUl when ,carved
In the computer chip.

Letus decide gently on me quesUon (, I \lINch erffOWeB WNm, .he long


waves Ofernolionorthe shortwaves otthegene.

26
apo.ct~; Horpbi~ Rooonanco of Primal So\Bll:l.,.
CNat$d by your
A fey Simple examples of the shape /rlOuth.
enveloping sound.
(From Kac Computer) KacAd10s speeCh lab at crystal Hill)
1. Yod He (promuced hay) Vau Be • orlg1ns or !alweh.
~tlce the ·Y· Shape at the MTOY tor the f1rst yoo.
See the large ·0· shape in the frequency breakdown above
that f1rst Yoe!.
Notice the -V- sblpe in the 3rd envelope (Yeu) points the
0pposi te way as the ·Y·. FHl the difference in the shape
of your mouth as you say ·Y-ah anct ·V·au. Can you co.nne<:t
shape to metm1rg?

<t, ........
.~ ~
•• J

.: -~
l;.fi • i}'
.

~

....
.". -".-----......,,---~t-. .". . "~--". ~"JM"_ ~-
'"I
.. .. "-..

Z7 ~ e ... "
l,IHEN THE CUBE IS TI LlED A·T THE CRITrCAL ANGLE OF P~SE SHIFT.
SIMILAR 10 THE PLANETS ANGLE. OF TILT. THEN SPU.UNG IT WITH 5
STOPS OR WRATCHET PO INTS ALONG THE WAY. PROOUCES TH 1S IN'llER
TRACING OF A DODECAHEORA: A GOLDEN FLClNER UNFOlDS. GENESIS FOR
CELL. PERS~. PIP-NET.
29
We Wi Mtd two mort pi1ndpIM In ordlfto continUe:
1.
AI bordng In the ~ Is the PHASE lOOONG (That is, c~t and
~tonal ~) r:I wayes (or the cnIdren fA waveS) rncmng In
opposng CIrtcUons.
2.
irH'On'n-aUon content. dendy, and tMrefore potential to envelope
ordlflnN InCrease WlhfreqUen(y, speed, am rotation.
Rotation among waves Is what prOductS OMeIope, thus anOther axis ct spin
ts aIw'ays another Ie'ltl of tannonlC superposition; ftgwaUYtfythe ~ of
God reaching into gene.

I'*xt a bdef development Of our resonance aM freqUency Signature modet


as appIM to eel rnetaboIIm to lusbate a br1dgt betwMn cane« and
emoUon.

In the We tI tho etl, juSt ICe a (~$r, or a Io,er. TIMING Is e,~


DId you eYer pause to Wonder how thouSandS ~ SUI) celdar organelles (lte
mlod\ondr'IaJ ~ etc.) ShoIJd be able to know just when and
Where to *rtthe dlnce leading to DNApr~ and WI TOSlSIM80SlS
(~)? Ifs sort of Ice the questk)n Of hO¥I does 1M blRJ mow hO¥I to ny
In the , •• wlhcMJ constinIy looting over Is shOUIder..~the ftsh In the school.
wei. we night begin to anS¥ler ttiS· quesuon by 'stilt, What dO each of the
~ have In corrrnon that could lint UWIn we. their feIOWs? How
about, the SHAPE d theW chemIStry. Awave ttcmet1y of fteld effedS tould
be qui. adeqUade to resonance tey tr1ggerJ tme, and cflore09'aph tree
dlnee of eel <IYtSon.

F\Ittter, we cOWd W\derstand the passage of energoUe eurrencythrougta


the eel as a chid tlnkUng the paN>. Each elf.lrnent of fOod Is .~
30
enveloped by the bottd tengU't (THAT IS WAVE LENGTH) which
charaderlZes IS Ch«nIstIy. The passage Of manentlm (ATPlADP) etc.
through the hdWays that are orderty <btrWIons cI Charge In the coIbaU
IOEHl'IRED by wave length (FREQUENCY StGM'.11..RE} You could
~rh .thot the major storehoUses fOr tnergyWlhln the ttl chemI9tIy
as a kWI Of tnergy pooIldeOtIIe<I by I, note. It . . JO>f'J Of ,PU'N music
while MASSAGING the envelopeS Of IIgN toward thennertrequenctes Of the
geneUc pe.tfWIay. The celsdectston or Wh6re to focus the m<tntntunQf .s
IghtIWe Is h rwneI ~Iy and semel. GeneVIc mattitit coram and
emas some fI the htgheSl 1teqUend65 ... 1M eel GenetiC material is the
str.M In the cell most susceptl)le to tMectJwragnetic resonance. ThIs IS the
edoptasnlc eros of 1M eel. Mttaboisn as a Wf"tOIo Is oeare<I to weaVing
a.nd massaging order from low frequencies to high, rood to gene. Low
frequendes feed the ttarnes of JoYelrtproduction wttIch Is emanatton or hAgtl
frequency.

Dt.mg dMSIon the emisSIon or ,.. frequency UlraYlol8t . . I.M


ulrasonlcs tsctarader1stlc otthe 1Iekfgecmeter choreographilg the dance.
This model suggests IOothO at these spectraJ emIsstons for ~tUTe,
ratio.. and tdentI'k:atIon of healN'ttsease; tater to deVelop a model tor
seIectiY~'MdIng the ctI at this level. d. the work ot'.-.-.em ReIch on the
Orgone, and 1he wort Of Ra)tnOnd RO')Cll Ale (The Rlemtcrosc:ope) to
soIettiYoly destroy m.J invOlVement by crltcat froqUencyRf scanring.

In ,the canctr cell the natural progresSIOn of ..... erottc ~ frequency


prodUCts tI metlbotsm toward other eels and SOCilladMy Is blOCked. In
one sense the toncJancy to cancer In cells Is MEASURED by CONTN;T
InttIbIion. ThUs 1rnI6CI to orlf lnIemal creative OlJIets, the eel (U'te chIkt)
beC<.me9 promiscuous... the ont,'way 0Yt Is sex.
In the heridt¥ ceO, the appropriate Wpotmg rAthe best nedars oftM eels
magnetic drCUIatory syst«n t pour Into the tra~tIonal ChaS'n ltat Is
goneUc repkaUon 0rfI In concord WIt. the SOCial n&eds or .5 no~ors.
Obviously to dtseo¥er What II the ehoreographef r:A the choice ~ tr.e eel
When to polr Is lOve nto more feMS, we need to lOOk at Whit tis eels 10
31
IIrgtr aylttrns In fM*ll1. Larger t)Wms Ite ttnues and ;andS mean
10nger wa'lt ~: a amncy for organIZIng metaboIsm based on a
dIf'tnnI SCALE. (SUZanne tangerJA~ lna New Key).

we are now approaChIng h crux d our pap«. ¥/here In the bOdy dOtS the
pamge occ\J'ft'(m the emotion tolhe cen?

Ben BentOY In -stating The v.td PendUkn'r ('D\«ton) rntas\nd the


~ acoustic (LONG WAVE)coupUng Ytf'hICh ocand betNeen tM
gIIndlar ca¥lles rAthe bOdy CIUnng reIUatI«t. He fc'.amd that the gIIndutU
resonance cayan In the body btOln to flIldkln .e a 'elY orgariled
cascade COkmn Of staged tooed monatcrt. The vem1de cady d the
btartl for eXlil'nple, did not oNy ling acouatkaly .xa~ ae a ptryskaIy
ObedIent -can d peaches", It was also explclly phiM eMaNd WIh the
kMtr freqUendes of the heart . The heart ber had fOt.M a resonance of
reaxatton, dklent to Is tensiOn ~., strung ~_ at It were.. artery to
'ein.

Wt taf' 1\Ithtrand sincellarntd that un phenOmenon Of tow hquency


coherence In the body Is ENTIClNGlYUod to many thIngS-
1. Phase ~ fnthe brain, Alpha, Ttttta, cross ~ EEG
COherenet COfretated explclby WIt1 the Yooa Skktis (MIU research),
eorretatedwlh psi ph6n(menon and much more.
2. Phue ·ontrarrnent to the Sctunan loW freqUtncy resor&nCe or tM
pIrInet: ~ cord to ptanetarynindlmpt......
3. ProdUdIOn ~nets r.lnewonal syndV'ony, a progrealCn or ~
maeroceuar9'«l'aetry In the brail,~
a. Acousk rrassagefsoftenlnt the concentne gIiInds to the cady,
pieZoeiedrkaIytl1gge~ psychoadWe hoImoraI setnlIon and
1M nat\ni htgh (ecstacy).
b. Acoustic (sonic) dlOr'eOgraphy knotNn to atC«lltfor super. .
~lnmetalc crystalS, here predMlIydesa1beS the
IX:m as lmoy" IF. Joyacrossthat dekat.~fnm
IqUldto aystal CIystiIs can SNYerWltl a ccndudlYe fr8qU8ncy
') <',
• ..lL..
wattrS eaMOl Bllani bela eoncNdmomentu'n best When they
are locked together.
t. The tnlnsrraeroceNar pr~ssIon ~ argo ~
crysfaIZIng net, of geometry, alow • to aswne amia'oWaveand
Nghertrequency, waye guldtanlennae f\l\ction, slnlarto that
deSCJI)ed by PhIlp calahan ... -Tt.ring nto Naue- for Ned
aMennae stapes.

In sa.mnary, the low fr6queney tong wave mglngs1n the body, are the
arranger of ~ nke things. Many ~ these evOUlona.rl)' usetU prodUcts
of ELF (ExUa-lo--Frequency) fteld coherence kl the boctJl lnterestfn9JY
act~1y .prodUce eouplng wRhVERY ~ trequency ftekIs (GO<I). ThiS
brings us to ow next rnpOf1ant pf'1r\dple:

liN TtE lRl80ROTIC SERPENT EATING ITS TAIL OF Tt£ CONllMJ1.J.4


OF FREQUENCIES FROM INFINITaY lOW TO INFINTElY HGH, tho
wave which Is per1edty desatt>ed as e,~. at onee, N«'J perfeCtly
motIonIess.... IS EXACTLY TIE ~E WAVE AT T1'£ lOW EN) OF
STtlU'ESS, AS AT Ttt: HGH ENl OF IN=INTE MOllON. That IS where
the serpent eats Is 1a1, and hoW OIIl.1WeI"Se feeds lset end to end (¥elY
much ~ the spaR gap ca~ bIok>gy).

PertBps this alseerns 'l:e a tort'SOUS and ~ ~e to


~ emotion, buI we are on the threshold of real un<JerstancIng.

The speed ~ response or the GSR (GaJvan6C Stil R"slstance) to changeS


il kieraI fJInOtIon, otves us s«ne idea of the responsllYly of the boctj as a
eondudhty net to the focus of mind In tact haYfn9 MOaS\nd the
condudhty paltYNays etedrtcaltj descf'l)ed by 1Jadlton as ae~e
mertcIans, we see that the bOdy Is exactty' an eIedr1caI pr8SSln nest tor
"*'<1 The shapes of the ~ pathS In the bOctJ are constaNty
responcIIng tnstanttyto the Shapes of our-FEELINGS-.
wei, INS is nice to say that «nOtiOns have eIedrtcaI power On graduate
sehoOt we dlererGted -IDENTlRfO. fear YS. anger pIYySIOIogk:atf...
BUT we need I clue to lnterpfttln9 the stapeS of their IaDNOC IS teerag,
"orderto use them eonsclousely.

And fOr ttat f t wi to SeNlcs, W tnt, two senlencM bact we


(<<M
amost t~ OYer another USW f\I\damen1al prIncfAe of the '-"terse,
andwe ShOtId be expldl abOW I:

EVERY SYSTBA YHCH STANDS AS WAVE, OR LIVES IN THE


lNYERSE (al ottM ~I fOrces) and IndUdIng W not ~
~, CAN BE ENT1RElYOESCRIBElWI SUAUZEDtiO:RSTOOO AS
A GEO METRY OF PRESSUR E. ThIs"ad)fa'ntC,~,
langtage rt comnon denUnilator which wi dow us to ~M vastly
dtsparate phencmenon wIhIn one context otrMdanisn and floW.

OK, now we are ready to loot at the eVOlved tarq,age caIed tunan
ernouon, ~lnretaUonto ctIkIar~s.
We have seen that emotIonS haye amat1c etedr1caJ pcNtef, BUT YttiAT IS
Tl-EIR LANGUi;GE, and hOw does their power get rio the eel?

Mamed CIyneS~ bfant roosIdan, has mtaSW'6<I r. hIS ma~ent boOt:


-SENTlCS, TtE TOUCH OF 11£ BAOTlONS', the FAEQlENCY
SlGNAoTURES ottunan «notion. He hasaccompllSMd thIS replCab~, and
dra'natIcaIy WIh cornrMer averaging, and cr<m c~1 dlrtrentatlOn.
Yttat.1\e meastred was the spectral ccmpIexionJ the SIW'E,« a nnoen
muscle PRfsstR on a stnple transducer IN RESPONSE TO E)plICIT
BAOnONAllhtAGERY. We can team frun tNs wort that emotions do
haYe ~t1.ft just Ike genes and words, and thei' IangtaQe Is as
~ as a Whale sono. HiS replICable. tl Is subtId tofreqUen(y
analySIs, and Is keyles In PtAT10 and ENVELOPE.

frrsgMle the dlrerence In feeing betwMn the OKhestrar condUCtors ann


motion as harbinger rA feeing, to the arm motion t:lIoV8 or anger. we feet
'l :t
whits enYeIoped or woven i\ the caress fA OW" lofer.. the mgIng muscles
are canters d ~ by shape. Tal eN.. or the sacred Dance, move this
blood of feeing consdOusIy; exactly lite the cel moves Is nagnoUc bloOd
by cI'I.ncmg In S)'nChrony. The InIIate mom tiS netd fA fedng beyond the
~by coherenCe dtocus; order can lVe Whemertocus is strong. ThIS Is
the -.renee betW6en saJ'GUOn and damnaUon.

Now at last wecan knOW hOW 1M .~ otthe ftetd etred that is


ernoUoNIeeIng canpenebate tnt eel wal The same ratio (Signat\n) that
aIoWSa wave nest to stand ;'Is wat between frequendes,aIows I to baa
teyil a IOct When . . .eMs aoe&ttnilUOrl ~ (mOrpNc) morance.

The c.. walls h enveiope. CeIuIar ~ artexplclly modeled as


wave nests In -strudurat StlbIIIyano MorphOgeneSiS" by Rene ThCtn. S6e
also -On Growth and FoIm -: [fArcy ThOmpson, and of C<USe '\.aw5 of
Fomf: G.Spencer8rown.

Another mportanl SW'ce: -The Minct' d The Cell, or The Wiled nuatlon
of 0 .... SpecIes" by SatpremJnstl\ie for E.OUIoniaJy Research, NY.

Penebatlng erwe40pt means that 1M necessary key Of ratk> of eat'IW waV$


to envelOpe has I>een tumed. In the cell tNs tranSiatts to a ~utar ratio
betNeen1he genettcmatertaJ oftflO Irnadertothe fteJd1hat Is the long wave
of the eel wal EVERY 8MRtEAflIMIT genetates identity. This Is the rMd
Of ..... eel. The ¥iNS lS the poser ottM qudIonto U\e"cel: DO YOU KNOW
YOLR NN.tE? (Your shIlp', your name ts one and the svne, • Is the
remembJance ·ctthe pa~« yow- sonic•.) When the ~ <Ies, he Jeayes
~s In tM sands of light, baling clou<b fA rJ«Y, a path up the ladder.
Mernoty mgIng In the w-elYerso, orthe celf, IS KEYS ot resonance ~
(raliled tdenIIy) rnassa~ssaglng ~ the path of frequency. The eel
has no ~I detenst against rwneItssnesSi fonnlessnessl
deca)f death, LN..ESS • tas been InFORMED byh bodywho I is.

IWJ fnmwhence r. the bOdy dOes the radiatIOn of I AM Idertly ar1Se, so


v _
The ~t mtd'1InlIm IS W a doat, a veNele, a ~. for 1M
~tocU9, heartfeI (~« CI gravttywNch.~ the sparkS trcm the
cernl ftIme (preswe) il tht nrst place. n1$ abSOUety sIgnIIC:ant ttal the
~I nexus Is U\e th)fnUs WhIch Is like Shield 10 heart.

so What are the ~I and emotional correlates to .AJOS. Fear IS


resi!JQhCt to fbNI heatl dtstructIYe Intetterencel death. J(jj Is
~ecstaqfconstrucUYe lnterferenCe,..-, lie.
OntNs spedNn Of emotion, where does AIDS Ie?

N. every level, '¥elY disease produ(es S)mptOMS which are presSt.n keyed .
to and indicatIVe of their ernouonal roots. AIDS cells are punct16&d rafts,
~ Yktrns WIh the Wild (el bkrUgM) blown ~ «their SillS. The eelS
prWotogoto SeItd which ..... upon which. WI feed IS raped.

let us loot at the psycJle d the NOS "vIcth'r. The feeing of YlctintZation
and IleIpfessness In Itori ~ the onsIa~ ~ drirl alk: world, IS FOlNO TO
PRECEDE the onset otthe <bease. Fear IS the mind tiler.

In order for' AMness to radiate frcm th6 core r:A U'1e b~, the center d
gravly, the heart /th)mUs. conscIoUsness must knoW of and accept the
ftpe and PO~ or Its service. This means (oncret~, tho Nnazlng
Graee glts of the experience of EMPO'WERMENT. TNs is a gift sparked
betWeen people When the real)' of love ernbracts tile fullneSS or .s vtal
ftUds (Hgh Frequenc)lPotency Erotic st\m). ~ lOve as «npty, and the
predOUs fluids are poured out In wa!te and abandon, then there Is not
~ nectar d coherent61 aceunutlted *'
essencesl awegates of
the best ot eel MetlbolsrrL. to remember WftJ this not-S&-WhoIe spirt
separated from the name In the ftrst ptace.lIT'r'nooOIogtcafty thIS means ttrat
the eels are told by the core glands that there is not ~ hlgh
~coherence to rnessagMnassage 1M erwelopes of the eels Ino
the lOCked crystaline safety net of t1'\etr resonant tore of ~1Iy. Their
tlan1efIenvetope ~ tor high trequency~. begird to accept
loW ~de vllal tnIIatJons. When «nOtionS are not wei organtzed, lCeys
aren' passed wei to the eel.. so the eell must broaden IS accepted spedraJ
bandwtclh fA aGnitOd sIgnatUre! (dJ eyenu,,_. the seW dOeS1'l'
JDENTIFYthe not-sel.

So ye$, yes... aI INS IdeaUon about AIDS, What dO we hav. here aboUt
precIIdIOnS, and theI4lpyfor an:

PreddIon: stnce OW' bOdy ts the habI fA OlI'U'tOUgNs and fMIngs.wttICh we .


wear, ant therapy for AIDS (and cancer) wtlIch does not adG'oss tho
emottonat~ 'habI ~ ~1ho <lSea5e, wtI not be e«edt¥e or
la9tJn9.

Pn4dIon: AIDS and the tf¥nUS h'rrulo-c~x wi be IderdIId In ther


(onnodJon by frequenCy Signable, at the le¥eI of RF (Radlo--Frtquency)
and ~ for the gene and genelgIand connection. Further the (ell
mernbfane rnemoty anddedslon matrIg process (sellnot seI) wi be

Therapy tor AIDS:

The ~DS -vsctrTr should be ftrSt aSked to CII.~ mediate on the


rea~seisentcetor corOlued We. Irs nwne and shape must be
gra<lally W deal1y artkuate<t ThIs may take place uftnately 0Itj In the
«rfOWef'Ing presence or ooeondltonaJ lOVe (hlman or ottMMwlse).
Alematety the dedSon to <Ie eNd be rradlt and respected from equal
depth.

'Mecltattons on the core kJentIy of ones betnO can evolVe taNard cOherence
beS In the presence «the dasstc splrttual procM6&s:
..oxeelence of nwtiOnl
..,·xce.era of hablat-nat\nJ fIDoral\nl bUIIdIng-nat\Ia ecoIogj.
(d Geanancy, Feng StauI)
To am.. at tM tondUStOn to be rnpternefied til ones otandS, thattre
shoWd be conti\ued, req\ires iltinIte encowter wIh beingness worthy of
being S«Yed. The same cascade harmonics WhIch Ink eel genetICs to
«noOons tarrnontcs.. aro those WhICh weave on up thr~ tho ~graI
to 01.1' colecttvt"*'<t .HI. ThiS IS the U'nbIcaI cord to nectar to nou1sh
~torms Of cell'e.

~T OOESALl THS SAY MOUT THE CONECTION OF Ttt: HlJMAN


BAOnON.'lAB.D TO Ttt: PLNET GRiMAIN)?

The .. ttnateni'ig ~DS epkiemk Is ,r1cttJapproprtate and S)mbok.ltnw .


leads us to leram exa~ 1M med'anlsn by WhIch the kteI dy of cOlodtve
mind tswoven wnong us. CohtrtnCe Is the lOVIng order bywNch Iderdy IS
assembled. COnnedtng kjetdy learning frc.rn AIDS to GAIA mother plane(
birth as seIfItnowtng, teaches us 01.1' next ~ ~:

COt-£RENCE AT.f.Hf LEVEl IS COHERENCE AT EVERY LEVEl. That Is


to say that an erwetope of coherence, or lNemaJ (1omg?) COheSIVeness, Is
... nlOClat~ and necessartt propagated trom Is bI1h ckmail to every
dornak'L Not ONJ IS a coherenco enyelOpe by h Internal order, abie toMOYO
be1Wten frequencieS wIhoti memory loss; lmust.

III example of thiS transference of mcmemrn between scaleS ts the way


1M coherent ~ c<MJf,)tes wIh tho col\erenct oUhe pIane(. We tave used
thIS research 'paper asa fOwl(Rtlon for an expennertaJ study at Millard
.....-.ore HospIal Sleep Research cner, &.alo. Thet'e we are In the
process of ~ ttat thIS S9lIk3M coherenee WIhIn tho body can be
. . . . using hiumonIc tMofeedback. Wt are ust.t B<G (heart) and eeG
(bnm). Sin(. tne ELF (Extra-La-Frequency) leraue shows that the
ptanelsmagnetk resonance dr3rnatlCaJlyarrects moocs and learning, we are
f\rther ~ thit philse coupfilg WIh these wei descrtbed
(~) ELF fteIds ot tho ptanet wfiI entance the beneftctal etrtds
taugN. We shaI adcl1he necctssaty feedback tMn to teach COherenCe to
the planets -neartberaf. ThIs Is the begJnnlng of OW' leamtng tMt coIIedlYe
32
mind needs the ,erItcaI pa~ of gecmetric coherence Into ,he bIoftekIs of the
body.

MatnKtUlr goc:metrtc arrays CRYSTALUZlNG ~ tho bnm ~ EEG


c~, are exact¥those being woven NT"~ by the t..tn<Ua1ions of
the planets teehlonlC grIdS. O~ ptanetuy gr1d hltmonlcs anCIlty IRes are
dan~ toward"*' alWft-- tor ptanetuy~. The sptcllcs Of the
Change In relatIVe axis between rtAaUonat and magr.otJc poles are
pr~ InclcatIYe Of the t.J'tI()ktIng tWIll· MatCh« ariglt -The ChrIst
kagltf, of ptanetary birth.

The dtKOYOf}' of ~ IvJng boctJ ~ on the IInd,anG thei'


~ (ct-a..oves8O<t/ Norman 0 Brown, DJbIinsbOctilnJoyce,and
the seven HIS 01 R«ne, etc.) hOlds deep dUeS to What Is ·.bg to'Mlrd
8etNehem to be boot il OW' planet. Leamhg emotional toher'enc. As 0tI'
i'lt0f6')ral wayot embra~ this mr.cHIeh ptanetaryme1abolsn.

The ~ct tantNare WIh specttaI ~ ~, we are


buldlng IS not required for you to trythts ctarve building toctnqut_

You pkk yow beSt t».y, aner"PS best sIeef>, an"'~best mtal, and your
beSlioV., and yotI'" best. snower, In your beSt resting paceI at the best ttne,
wIh tMmost cp.iet, and yow'taqtJ pile. Of powerwel ... rmd, and you dO
thts._

You Ie tact If), wIh yow neck not Cr\l'tched ~, ano yotr aImS and hands
not tOUChIng "fOAl ~, wit. 'fO'S head kl the best drtction 1or)VS ptaCt
(North or East), and you breath& your best breathes, and you <Jo 'PI beSt
relaxaUon toctnqut._. and your brerath begins to settle tCMard perfect
dari\ped sine waye st1IneSL. and you teet 'PI ~ begin to ChiIJVe.~ and •
tilgIes ancIlches... Nt£) YOU DO NOT t.tOVE.• and the charge bUIds and
builds. The eels need regeneraUYo capacItY. ctaf9i\g trcm center tU..
breath the gnIo rtr,4JYnn to the Inner words: I AM... and Isten for
InStrudJons from deep InskSe...
:jO
Tht,.,. hind COVtrlUstratlOn (_¥hat~ DodteaMdla),
and a portion cttho spiaIng cubes IUstratiOnare oxcerpted fr<Im
-GEOMETRIC EXTENSIONS Of CONSCIOUSIE8s-
(stucIeS lnArd'tledln) by Anne GrDwoId Tyng; Ifom
the magaztne: ZODIAC " 0 (m1 nIPfInt cId not shOW a dat.~
~ carnetOInt cow1esyof Archlods Henry MClean and
Nader Ardatan (Nader ts the aaAhor of 1M very btaUirut
-sense otUnly, Ole $fJI Tmdllon .. Persian ArchIedUre.)
Tho left hI.nd CO¥« IUstratlOns were prodUCed h«eat Qystaf t-MFann
USing the Mae and .... Mac3d software (3 YWNtS d conctntrk:aIynnt"
~~(ornparedtoONA).

The ~« gentlattd modfA of DNA sttn trun aboYewas exerpted


frern the cOMrotan Old ~ Sdtnttsr rrragazile. Om not 5\l'e)

The computer ~ tor the nested spnis on tM BlOSSOMING GENE


page, and the OF GOD pagel I generated wIh the help of Dr. John
Rktrar<bon on the glaphlcs pIofter at the MIT space lab,

Theotiglnaf context of these notes was traspred by the enttausIasn 01 Dr.


Bruce Middendorf MO,. Dr ursula AnderSOn MD, and Otira Osborn
h«nIopath. tor whose supportand encomagernenll am Yay ~ter.J.

40
WORDSTAR
PULSE, SHIVER •••. SELF ~ • • NO OTHER ....
A COMPRESSIBLE MEOlA, DIFFERENTIATION FROM HOHOBENY.
WHEN I AM EVERYWHERE, 1 AM NQ(W)HERE.
I AM THE SHAPE OF FOCUS. I CAN HOLD AN IEYE WHEN 1 TURN ABOUT A
CENTER OF FOCUS, FEELING A CENTER OF GRAVITY. EODY TO VORTEX •.• A
PATH WITij A HEART; ATTENDING INTENDING TO TURN THE TURN (CROSS
THE T ANti DOT THE EYE)
CATCHING MY SELF BOBBING BACK FROM THE CENTER OF lHE TURN, FROM
VERTEX VORTEX TO TORUS TORAH
(CALLED A FIGURE 8)
SEGREGATION OF MOMENTUM IN FOCUS I CALL; J) (NOT I
EYE) (NOT EYE
HEM> (BRAIN

(L) I T ERA T E WAVE FORM: MAKING A THRESHOLD FOR THE QUANTUM


TO LEAP- THE WAVES CREST IS THE ILLUSION OF SEPARATENESS---
LONGING IS BORN FROM THIS, THE ONLY KIND OF LENGTH.
VORTEX CENTER.... TO AS FAR AS EYE CAN TOUCH, I CALL UNI VERSE;
FROM CENTERTO LIMIT IS OtE: THE BOUNDARY HOLDS HE SO THAT THE
SHAPE OF THE aOUN(O)CE SHAPES ME. THE SIZE OF MY CENTER TO THE
SIZE AND SPEED OF MY BOUND - I WAVE CONSTANTLY TO FINE(D)
STRUCTURE.

TAKING COMFORT IN THE ROLE


Of" MiND AMONG WAVES
TO SA\'" THAT A SUBSTANCE IS COMPRESSIBLE MEANS, AMONG OTHER
THINGS 1 THAT IT CAN STORE MOMENTUM.
NOW STORING MOMENTUM MAY AT FIRST SEEM ,A TRIVIAL TALENT, aUT
LOOKING AT NATURE AND STARS ANO BEAUTIFUL BASIe:S ••• IS IN A SENSE
DIRECTLY POSSIBLE BECAUSE OF THIS TALENT.
OUR WORLD IS CONCEIVED TO US AS BEING ONE OF WAVES. WE ARE: GIVEN
TO SEE THE ATOMIC WORLD AS P,ACKETS AND BUNDLES OF WAVES, LOCKED
IN NEAT GEOMEtRY ••• A PROLONSED EMBRACE OF THE PRINCIPLES OF WAVE
COHERENCE.
>WAVE NATURE REQUIRES COMPRESSIBILITY.
>COMPRESSIBILITY REQUIRES MOMENTUM STORAGE.
)1'10MENTUM STORAGE ALLOWS ORDER TO BE STORED AND RETRIEVED.

41
}A MULTIPLY CONNECTED WAVE SURFACE
ALLOWS FOR HU~TIPLY CONNECTED INFORMATION STORAGE.
>THE TORUS <DOI'II..JT> I S "THE PR I MAL MULT 1PL Y CONI'£CTED WAVE SURFACE.
)THE ATOHIC TABLE IS A POLYGONAL GROUPING OF TOROIDAL VORTICES •.
AND IS ARCHTYPICALLY MULTIPLY CONNECTED.
>THE UNIVERSE IS UNINTERRUPTED AS WAVE SURFACE,
IS MULTIPLY CONNECTED,
AND IS HOLOGRAPHIC.
>THE UNIFIED COMPRESSIBLE MEDIA IS A UNIFIED FIELD.

THE KEY PHYSICAL QUESTION ARISING OUT OF OUR UNDERSTANDING OF


UNIVERSE AS WAVE: NATURE, IS ABOUT THE ROLE OF MIND ·OR
CONSCIOUSNESS AMONG WAVES.
WE HAVE GRASPED THAT THE DIFFERENCES SETWeEN FUNDAMENTAL FORCES
ARE NOT DIFERENCES Of' "SUBSTANCE" BUT OF SCALE. (RATIO AS THE.
SACRED, SCALE AS THE PROFANE> THE PRINCIPLES OF WAVE
INTERFERENCE ARE THE SAME FOR WAVES BETWEEN NERVOUS CELLS AT
THEIR SYNAPSE AS THEY ARE FOR WAVES BETWEEN ELECTRON SHELLS AT
THEIR QUATUM LEVELS. THEY CARRY THE SAI"IE FORCES OF
COMPRESSIBIL.ITYAND INFORMATION STORAGE-- THROUGH THE SAr-1E
HEDIA--, THEY SIMPLY' ACT ON DIFFERENT SCALES.
AT FIRST WE DON'T SEE THAT INFORMATION DANCING AT THE LEVEL OF
THE ELECTRON SHELL, SHARES THE MUS I C OF T~ DANCE BETWEEN
SYNAPSES IN THE NERVOUS SYSTEM. THEIR nSCALESIi ARE VASTLY OUT OF
RANGE OF EACH OTHER.
HERE IS WHERE OUR CHALLENGE TO SEE, MIND AMONG THE WAVES BEeOHES
INTERESTING.
INFORMATION/MOMENTUM/MIND BETS BETWEEN FREQUENCIES WHEN IT LIVES
IN GEOMETRY'S COMFORTING WOMB <l10THER-MATTER-MATER) •
IF YOU PULL A COIL SPRING ON ITS ENDS, IT SHRINKS ONLY SL1GHTL'f
ON ITS SIDES. THUS A SMALL HOVEMENT CAN SE ENERGETICALLY LINKED
TO A GREAT ONE.
THE PIEZOELECTRICITY OF QUARTZ IS ITS ABILITY TO CARRY ENERGY
BETWEEN F~EQUENCIES DOWN ITS SPIRAL (AS AN ASYMMETRIC COIL SPRINoG
OF ELECTRONIC LIFE) .
DNA'S ROL.E IS COIL-SPRUNG LIKEWISE IN ITS ROLE CONNECTING THE
CELL TO THE CHOREOGRAPHIC (AND BELLLIKE) RING OF ITS ETHERIC
BODY.
THE BRAIN ALSO SITS RESONATING ATOP A SERPENTINE COIL OF
GLANDULAR "CHAKRAS". IT IS ACOUSTICAlLY PHASE LOCKED TO THE HEART
DURING ECSTACY. THE PIEZOELECTRIC COUPLING OF THE BRAIN TO THE
DANCE OF THE GLANDS TRIGGERS THE SECRETION OF THE PSYCHO-ACTI\if£

42
HOMONES, THE LIQUID DOPANT TO THE BOOYIS CRYSTALLINE SONG
ELECTRIC .
THE SOUND TO ELECTRIC DANCE OF CONNECTEDNESS THUS BEGINS AS A
PLACE TO TOUCH BETWEEN FREQUENCIES. IN THE BODY THIS PATTERN OF
REACHING TO TOUCH BETWEEN SCALES 'OF PATTERN, IS DESIGNED Ta GO
FAR BEYOND JUST SOUND TOUCHING LIGHT. THIS IS THE AXIS Of' EROS
ACROSS WHICH THE FINGER OF GOD TOUCHES THE MATRIX OF MATTER
THROUGH THE SPARK-GAP THAT IS MAN.. T.-E BRIDGE BETWEEN WORLDS.
WHEN SEEDS OF ORDER ARE PLANTED IN NOURISHING MEDIA, TH£Y CAN
GROW BE YOND THE BOUNDS OF THE I R WOMB. MOMENTUt1' S RUSH TO GROW
ROUND THE VORTEX SEED WITH CENTER OF GRAVITY (13000 HEART), KNOWS
NO BOUNDS.

THE IMPLOSION THAT IS ECSTACY IS THUS GENERATEO AROUND THE SEED


THOUGHT, WHICH IS AT 'ONCE A FEELING, . OF
CONNECTEDNESS ••• LO"vE •..
EVERY BOND I A PHASE LOCK OF UNCONDITIONAL GIVING.
ATTENTION. FOCUS, OR MINDFULNESS. IS THE MED1UM Of' CREATION IN A
MEDIA OF WAVE~ ONLY THE WAVE WHICH CAN STAND AS WAVE, CAN STORE
ITS INFORMATION/MOMENTUM. IN ORDER TO STAND, THE WAVE MUST UNCON-
DITIONALLY SHARE ITS MQKENTUM IN A GEOMETRY/KATRIX/WOMB. IT RE-
QUIRES THE MIRROR OF ITSELF RETURNING BACt< ON ITSELF TO CREATE
THE WAVE NODE WHICH HAS THE ILLUSION o.F S'TABILITY. MOHENTUM IN
SYMMETRICALLY OPPOSING DIRECTIONS CREATES STABILITY/MATTER/MAYA.
IN ORDER TO ENTER THE ROTATIONAL-FEMININE-MATTER, LINEAR-
MASCULINE-ENERGY MUST BE INITIATED IN THE SPIRAL DANCE (PATH) OF
MOMENTUM GIVEN AWAY. TO THE WOMB. THE PATH OF CONSERVATION OF
w

MOMENTUM 8ETWEEN FREGUENCIES ON THE <T)LIGHT-ROPE BETWEEN ENERGY


AND MATTER. LINE AND CIRCLE, IS THE G·OLDEN MEAN SPI.R AL.
FOCUS AND ATTENTION IS THE POWER TO HOLD A WAVE NODE (SEED) FIXED
IN THE FLUX, LIKE CHOOSING THE NOTE(NODE) BY PUTTING A FINGER ON
THE FRET OF THE GUITAR STRING. THE SHAPE OF THE WAVE WHICH IS
GIVEN THE CHANCE TO STAND, IS CHOSEN BY THE PLACE O'1ENT) OF
STILLNESS.

THAT IS THE ROLE OF MIND AMONG WAVES.

THE "MATTER" OF VISION


SENtience, SENSitive, SENeory, SCIENtific ••••
in some way f •• lin9, knowing, and being have thair r"'oot5 in
sensing or seeing.
People are related to words. They both get a ssnse of me«ning
from their family trees. A sense of meaning is a vision of
rl!lat:.ionship. ~ . to a universe or a universe of discour"~".
DlviliiQn means to divhte visions, while UNIverse means to un i te
in 5Iong.

43
Etymology gives us cosmology, and CQ511tOlogy 91ve6 us
etymology; "The Dialectics of Enliqhtenment .. : "Life that Brings
Them Love t and Love that Brings Them Life"4 In a word they are
brought together.
In the beginning was the word. And the word was with God.
And the word was Sod.
Another name for' the cosmos is "everything that can be
named". So we nama some thing_ We embrace th~ relationships which
its being embraces. How much of that being is trapped up and
resonant in our' chosen name? How deeply can we feel when poured
into names for shapes like SELF, WORLD, and GOD?
What is it to say that some words have more "fil'eling" than
others? What is it to say that !Some words and languag~$ are more
~ Isacred" than others?
To womb do we ask these questions.

Mother,what'!I it!l name? What's in a name, I'tothet""?


What name did you know befor~ you knEw your nante? Kother ..
From whence comes the naming of names? Mothetr.
What matters? This Mother: Mater. What's our na- for the +ItOmb
that bears us, 1n whosell'latrix our being and seeing is aborning?
Matter. Mother.

Suppose the waves of nothingne .... and ChAOS ~ inspired to


cross and wed. There is a "Sufi" '-laying about such a lIIarriage:
·'Time Vibrates From Man, Space Emanat,,!! Through Woean". We say
not we-man, but rather womb-rltan. The waves would not. die as they
cross one another, instea.d they give each other in holy
MATRImony, the 9ift of order in space. They c,.....te being from
nothingness. The matter they hold together, beca.es the rhythmn
of vision. They find new 1 He, in a life in ca..on. The "laws" .o f
order in t'ipace, of close packing. of geometry, are not sterile
edict. They are a loving gift from Mother Nature, from the nature
of Mother.
What IS born when you cross time and space? Nhat is born when
you. cross a man and a womblftan? A Moth~r is born: a matrix: on
the cr'oss of time and space.
Time and space have rhythms of their own t but they have no
matrix until thsy cross. Man And woman may have life and rhythm
alone. But when they are inspired to eros» And Ned, their web of
energies embrac:e: then there is Mother. Wherever two or more are
gathered in hl!r name, there she is in the midst o-f them.

The vi~ion of beauty that i$ Mother: "con~cra.tes marriage


and gives it a deeper meaning, a higher beauty-. To be crucified
on across of time and ap!ilC:& holds no deeper taeaning or higher
beauty than to l~arn iilnd embrace the gentle secrets in Mater's
sacred womb:

The "mm-mm" sound: to mmmmake together as In commmmunion,


mlflmmix, mmmmatch, mmmmE"hd, mmmmate: when your lips mmmmeet.
The "aaaah" sound: the first sound, the first 1 ettltr' , tha
primal harmonic, the fundamental resonance fro4ft the root of the
tongue = the alpha of the alphabet, absQlute, all, Allah.
The "Ter" ~ound; to cross as in to turn, to tear. Ther.'!1 a

44
cross in the ':Sound, just like the cross in the T we write, and
the crOS!!i alt TOP of thlit TONGUE when we TALK.
So in MATER is met made the first vibration in
the sign of the cross. what Gad has tned t t 1tit no
man asunder.
Mothel"'hood is.. sacred, a5 her nama is sacl"'ed. The f Os of hltr
1eving embracfIil are the womb our ng. In the 1 ewing fol ds
sacred language in like mannlltr, is embraced the womb of being.
Across the d symbol, in the root'S of language, ses
the l.u'I'lbi 1 ical cord of censciousnes'll..
distance from symbol, to me, as two
from one flesh of is a distance the symbol gives, on 1 in
order that the may made one Though
bri we 1 earn to yearn to be omt.. there is one
there is no distance, but when is distance ther. is 1
Of 1 is lon9in~ born.
When the part in raal i t.o wI'! ich i t
poi , becomes one with symbol. Thu$ is language
in principle holy map and holy city; m of the
sacred.
There # 5, an ident i , a onenelUI betHeen the !Sound the
!!hape of our mouth when we say the word aliviit. In the "aaaah" the
cup of the tongue shapes the of the fruit. The nL'" of live
separates the flesh from th. stem, like the last rmi5-onance L we
make with the end of tht! tongue. The "live" in "Olive" shapeg the
Length of the stem through which life is drawn. The sound
pressure wave creates and coup i 6S matters snaps .as>. wave ..
So ALLAH is the sound of the first a.nd the fast and the first
again. Such are the lil1lits o·f poseable harmonics of tong\.te shape
upon vocal vibrance. ALLAH is t.he wave shape which embraces the
beginning and the end and the inning again. What 1s therllil
serpent eats its tail?
The symbol is the mirror of the shape to which vibrates.
We place our tongue between the roof and floor of our mouths,
thus creating a shape a sQund: a vowel : shaped like
the letters ~

... *
... ****'***************************************************
...
**..***
.. ** *** ****'*
**
* *
**
*
***
*
*'
...
...
*
*
*
**
* *
*
...
..*
*
*'
*
* '* *' * *'
* ** ..*** ** *** *****
******************************************************* ...
The sound embraces the in resonance: a ratio of
UURml!:'lnics, a reol at ionship among vibrat ion. l'lIechanically
1ng the proces$ by which matter is ~ among t.he
waves of spac.~ Such is relati the cosmos
the name, the of God, and WORD ••• Bod.

45
"Speak but the wor-d, and we shall be healed.-

"He has written our name in the Sitars, alongside hi5 own."
The d i stance from the One to the Other, fr-oe subject to
object, is •• from God to man. It is only so close that the
bridge of symbol gives .from6 Hater to Hother to Katter, a higher
order and a deeper meaning. God in man i!5 a haly ac;lRD in the
heart of c·o nac iousoess •
The dawning of symbol and of consciousness 54!P.,...ates self
from other. Longing froln length: the illusion of ~Cll"'ateness.
Doe. it build oil. wall to give a name to & brother'?
Are we something that can love oil. walJ?
A living cell grows a wall in the ocean (p,..iaal soup>. It's
substance is still ocean, but its "cell" wall . . es it a cell.
And the cells soon make eman. And salt water runs ::on his vein$.
With the building of walls a man is born of oc:ean, as the water's
of the womb spill out. Ha-t~r/Wa-ter.
Earth ~an grows 6con to lQarn that he ~st lcve his oceans
like his Mother, 01'" she will no longer nourisn hI __
The 'tselectively" permeoilble ce1l ·wall" ...... 5. an -illusion" of
separateness between the ocean and the ~~. Separ.tene5S 1&
pas5ing -fancy until men the tears of o~ •• n, and oc:e~s the tears
of men, do see that the wall between them was but a gift they
wove as a bond for each other, to learn to love DOe oVlothfi!r. So
the name shape of God man .nd his brother, is a gift they give to
each other •••
From the ocean 0-1 Mother, and the roots o-f onenes\;, men
become the consc:iou_ fruits of tree o<f knowledge of good and
evil • Adam I'fteans Adamic race. leve me.ns sy-.bol. T..-pted by the
serpent of et"'os and the beauty of leve, the Ad . . ic race chooses
thE? nourishment of fruit froen the trail' of knowledge. M." is
forevar condemned to know the difference bl!tween good and evil ~
We "fall" from the tree of innocencfif, to see one AND /I'Iany. leve
is the feminine receptive form ca.lled symbol MIlich builds a wall
around the state of inno~ence. But the wall ~ $y8bol is the
necessary length (the power of abstraction), ...... ich allows us to
see and to c.hoose. To !See IS to choose. At 1 ilst to choo~e to see,
thr-ough the embracing power and wall of symbol, the meaning of
on&neliS that is Mater --- to come home trail inC) clouds of glory.

So this is the way we build a wall 50 ea~ly in the morinQ.


Our Sen!5f!5 evolve from the bottom up: touch, taste, sfJlel 1 1
hearing. and seeing. Nourishment from higher frequen~y, f in.r
vibration, comes "through the wall ll at each step.
As the range of vision increases, the ... lJ bec:omes more
transparent. Th~ bounds of 1""'ri1'!Spons1veness and selectivity widen.
As astronomers choosf:t the eyes of X-rays their universe grows
larger because they can ~~e further. Such fin..,... "VI!S ma.intAin
their coherence, their informatton density in...ave r-slation"hip,
over longer di.tancl!>s, through denser obsta:c;lm». OUr perception
are many ways we astronomers get to
penetrat i.og ~ te' escope, micl""oscope;
Ii..
<$& a. culture moves with them up this ladder o-f senasation. The,...
with resolution more
interpl anetary sattel i te,
biofeedbackl looking Without, looking within. Re-creation for the

46
...

children of Mater is playing with light.


Using hiqher frequency "words'" to nouri9h awareness; our
world grows larger. The bonds between cell wa115 weave ~tronger,
from tissue, to organ, to body, to collective mihd. The horizon
of mind is a IiPsctral window.
Sensual evolution is not the limitation of manhood, it is an
invitation to Godhood.
It would be quite me~n to think we were perfect and had
"topped evolving. We would never see beyond the walls we'vR
built. The reason for building the wall is to learn to take i t
down.
Part of the ever more penetrat ing coherenclt' of pres-em::e of
mind ill. finer awareness inside our body it~fllf.Li!itening among
quieted waves coheres the gross, and tunes the subtle. Emotions
are standing piezoelectric resonance in' p1exi of
nervous/muscular liquid crystal. Crystal is wh9re one spectrum
and dimension of wave field can couple and touch many oth~rs.
SpiritLlal b£ling uses this inntir' coherence for weaving collective
mind among vast and even int.erplanetary bodies.
Thus tlmot ion tat;;;te's and teuches of wave f iel d f inar' even tha,n
X-rays ..... by coupling one orderly crystalline harom;'c t.o many
above. These higher more &th~real planes of standing Wolve J stand
woven around Mater. They're in the same continuous spectrum
though. and it is Mother's nature to put th~m to work in ua to
"unify· har field.
So a friend, • plant, or a planet, does s;hare its feelin9
directly with us. The physic.l media is e.motien~ We have our
bodie!5 "word" for it.
We are choosing new Clnd 01 d names fer our new and 01 d 1 i fin
p~ychok in~h., aura. organa energy, c:hakra, en i. c::hakt i ...
Naming finer presence 15 an important linking of that to the
self- conscious. The name i~ the s;ymbol, building bridgGts for our
conscious focus on this subtler inner life. Only with such
bridges ca.n our a.wareness bring us into harmony with our new
being bodies. Just like a name for a new friend helps us to know
and love hil1l.
"Tuning" your etheric body in order to establ ish coherliloc:e
and con$ciousness i ,n wave form. of higher frequency... ar~ less
elegant words which say. MAKE PEACE AND HARMONY IN THIS WORLD,
AND YOU WILL SEE ANOTHER~
Whatever spiritual heritage we embrace for SYMBOlic food, the
mean i ng is the same. We become trul y c:ons~ i.ous 0" emot i on~ 1
energy. ~Qe1n9 and choosin9 to use it ceherently and lovingly. In
1i0 doing WR are giv1n; a new and healing order to a body of
resonanc& around us. It is call ed the Kes.jahn body, personal
magoet i sm • aura, ha,a 1 i ng presence. 'Many names f org~ one 1 ink to
"presence of mind" which we have around our bein9 wit.h increased
awareness. It is • wave form aborning in oil world of finer
vibration and wider vision.
Increasingly our experience te:-11s u5 that th.~. "bodies u of
re$onance c~n 1 i ve on without th is "Mat (t) fir" body. 'W hat waul t! be
the sense if ~ child ef Mother ceuld never leave the womb.
We are told that when the Mater body IS left behind, a
"Silver Cord" at first conn~cts the material body to the higher

47
one. This. umbil ieal cord of death/birth, is I ike the T of the
cross through TOMb to womb.

Man's emotion in a 1 ife of lIlu~dc, a.re oil5 an Aeol ian harp of


Mater, blowing in the wind of spirit. When the tension and the
wind find a harmonious re5iOn,;ilnCR, the mU5ic blows gently out
beyond the valley and the harp.
We find soul food in the WORD rhythmrHi5 of 5Cripture, iJrt,
music:: and dance, upbraiding the vertigo of 611PM".tlPfless with the
harmony of vision and oneneS5. Th05f!' r'hythmns of vision daily
recreate a t.pe'3try of peace and mind. United by willful
attention to every generou .. thought and pura etIOtioni they weave
silver threads oflightRd being around the loving matrix of
Mater.

Pr~y in tha nam~ of Mothar, to learn the secrets of Hater


from the illumined folds of her form. For the children of light
are the matter of vision. And the beloved WORD of this Mother, is
thE' 9ift of vi'3ion to her children which folds th~ gently hom~
to her. The Mater of Vision.

BIOLOGICAL RE:SONANCE:
LINK OF TISSUE AND ORGAN,
LANGUAGE OF THE DUCTLESS GLANDS AND OF EJ'K)TION ..
Literature abound6 with ~etaphor about the -ringing of the
heart " and thR various puls.ing5 .and throbb in9fi af the throat t
solar plexus, and ~f!X organ~. Our .ubt\ ..... feelings seel1i
int imat.el y wrapped up wi th such "vibrilt ion5- in the human
condition. We find it natural to &xpre!il~ the i~lre5liion of
emotioo in t&rm6 of the varied waves in the body.
Thus let us consider the path of acoustic: .and e'ec:t .... ical w~ve5
among the cavities of the body, with oil view tOMar'd unraveling a
bit of the mechanism of our "erotic psychology. EAotion i~ not
j
,

detached from physiology, it is a dramatic interface to field ~ml


feel int}. It may bE instructiv. and not s1mpl istic to Heave our
vision of ellotion with biological ~tandin9 Naves of light and
oaound. We do not. coll apse the intent ional ity or destroy the
richness of an experience if l'te embrace it by description in
meta.phor which is deep Iilnough in which "to find cur!Selves by
losing Dur!!elve'3 u • _
During deep relaxation the heart beAt settlll'S to a p.rticular
set of harmonics. ...tlich turn out to be tuned to a particula.r
aspect of physiology. The pressure pulse of blood goe!! speeding
down the main aorta toward the dividin9 arch (c:all ed
"bifurcation") above the 1&g,6. At the inverted Y til certain
portion of the momentum of the PU15if wave is rebounded back
toward the heart. DurinQ relaxation t h e tiMing of thlf heArt be..t
wi 11 be such as to exactl y allow this partial r-eturnin9 pressUT'1f
wave back up the aorta., to reinforce and enhance the next b'lat.
It is a5 though the main blood vessel is ill ~uitar string with the
heart and arch as the end nodes of th. standing wavu. Of course
this 1s an exaggeration liinc:e only a small portion of the h ... rts

48
actual pulse momentum returns to enhance the next beat. But t.he
principle is vastly important. The body has chosen the natural
way to optimize its energetics via natures cl~saic storage media:
the standing wave.
The signH icanee of the nab.lra1 resonance of the heart
physiology extends far beyond the chest. The =t·a nding wave along
the main aorta results in a relaxation resonance of the heart
system at around seven cycles per $~cond. This sympathetic
resonance developing in the che$t cavity results in a measureable
shaking of the wholR body., In fact the body can be compared to a
multiply stringed musical instrument "'hos~ key is set by the
heart.
This re~nance in the sound or \icoustic spectrum is
measureable on a sensitive acceler(Jtneter~ We find that the
resonances which develop in the brain c:avity during relaxation
e>:actl y entra.in or phase lock with the acoustics of the heart.
A deta1led description of this phencl'II~n_ iii found in
"Stalking thR Wild Pend~lum" , author: aentov, publ isherl Outten.
In order to understand the el ectrica.l , metabol ic:, .and
emotional significance of thi!S Acoustic resonance entrainment in
the body, it is useful to consider the mechanism ~alled
piezoelectricity.
It is a well known principle 1n crystal I o9raphy , whl!r@in acou~ti<;
or sound fr~qul!ncy pres!Dure waves e>:change energy and coupl E' with
electrical wa.v~s. This phenomenon is made possible by the orderly
matrices of th51 crystal in which the acousti~ waveform c:an macrO-
~oherently overlay the much finer electric.l waveform. The alter-
nate common nodes of the stand ing wave form don' t e>:change much
enll"rgy at onl y one or tl'll'O common pressure points, but becilulie of
the pattern of the matrix, the superimposition o·f disparate but
repetitive node patterns forms a significant field coupl1no along
thE' entire structure of these 1 adders of 1 ife • .•
the p1ez.oel ectric hl!!l IX in quartz crystal,
the helical dance of dna chorQographed cell division,
the hel ical a.cou~tical-el ec:tric~gl andul ar Ilchakra" Qmotional
ladder of the body.
As a geometric archetype,
this is a mechani!Sm of connectedness. It is a sp .. rk gap from
bioilo9Y to collective mind and spiritual presence via field
entrainlllent- •••• increasing in information -(vis;i ,o n) denSity.
and peace.

49
CRY S TAL S T R UC T U RE
THE KEY
TO AN
INS T RUM E N T THAT H E A L S •.•

WE ARE ADVISED TO RECALL THAT OUR NAMES FOR CRYSTAL STRUCTURES


ARE OUR ATTEMPT TO EMBRACE THEIR SHAPE AND QUALITY THROUGH
SYMBOL. IT IS OUR CHALLENGE TO DO MORE THAN LINK A LIST OF
QUALITIES WITH A LIST OF NAMES FOR CRYSTALS. WE SHOULD ASK WHAT
ARCHETYPE OF GEOMETRY AS MOLECULE, PRODUCES A SERVICE FOR CUR
TECHNOLOGY-SPIRITUAL OR ELECTRONIC. IT IS THE GEOf1ETRY OF WAVE
--AS PROTON ,ELECTRON , ,MOLECULE, , ,CRYSTAL-- WHOSE MORPHOLOGY
(SHAPE) DESIGNS A PATH FOR OUR NEEDFUL WINDOWS OF CONDUCTIVITY.
IT IS USEFUL. TO DESCRIBE THE
ATOMS ELECTRICAL FAt1IL't IN TERM'S OF
OUTER ELECTRON SHELL ARRAY.. ELECTRON VALENCY.. BUT MUCH IS TO
BE GAINED IN VISUALIZING THE WAVE SHAPE WHICH THAT IMPLIES. THE
VERY POETIC .AND AT FIRST SEEMINGLY ROMANTIC VISIONS OF ATOMIC
DANCING FROM "OCCULT CHEMISTRY" , CLAIRVOYANT STUDIES BY
LEADBEATER, HAVE SINCE BEEN JUSTIFIED TO SUB-ATOt1IC PHYSICS IN:
"PSI PERCEPTION OF QUARKS" BY PHILLIPS (BOTH THEOSOPHICAL PRESS).
OXYGEN IS DESCRIBED BY LEADBEATER AS HELICAL COIL. OXYGEN HAS A
COLUMNAR A~O CAPTIVATING ROLE AS THE COIL-SPRINS OF LIFE IN
WATER. IN DNA, IN PHOTOSYNTHESIS, iN CELL METABOLISM, IN QUARTZ.
THE QUARTZ CRYSTAL HAS SCRYED THE WITCHCRAFT AND ELECTRONICS OF
OUR WELL TIMED WORLD. QUARTZ S ATOMS, Si02, ARE ARRANGED
I

CUBICALLY .•• AND THE CUBES SEEN HEXAGONALLY FROt1 TI-£IR TIPS t ARE
ARRANGED HELICALLY, SENT IN A SENSE, IN A WIDENING GYRE BY THE
VERY WAVE SHAPE OF OXYGEN ITSELF.
THE FUNCTION OF THE HELIX, AS WAVE-SHAPE MORPHOL06ICAL ARCHETYPE,
IN DNA, IN QUARTZ, IN THE CHAKRAS t IN OXYGEN, IS AS THE
CHOREOGRAPHY OF A RITUAL DANCE WHICH 9RINGS Er1OTl(..., TO LIFE. THE
ROTATION OF SPEED-ELEGANCE-AND INFORMATION DENSITY, IS PERMITTED
TO WRATCHET GRACEFULLY TOUCHING IN TURN THE Rl.NiS OF A JACOBS
LADDER BETWEEN THE LEVELS OF LIFE. THE HELICAL SPRING LIKE
A9SYMMETRY IS THE LINK BETWEEN FREQUENCIES. • SOUND TO
LIGHT .• PIEZO (FIRELIKE) ELECTRIC.
UNDERSTANDING THE HELIX SHAPE AS THE TOUCH TON£JJACOB'S LADDER
WHICH KEE~S WAVES COHERENT IN THEIR EROTIC PASSION TO DANCE
BETWEEN FREQUENCIES IS AS SIMPLE AS RO~LING A CHILDS
SLINKY (SPRINS) DOWN A STAIR. THE MOTION OF THE P1IDDLE IS CARRIED
THROUBH THE STOP POINTS ON THE ENDS. THERE IS A MOMENT WHEN THE
SLINKY IS SITTING STILL ON THE NEXT STEP, YET SOMEHOW IN ITS
COIL, IT IS REMEMBERING ITS PATH. AND CONTINUES PAST THE STILL
POINT KNOWING ALWAYS DIRECTION AND PHASE.
NEXT TAKE YOUR SLINKY COIL AND JUST PULL ON BOTH ENDS. NOTICE
THAT AS YOU P-ULL EV,ENL Y ON iHe: ENDS TO LENGTHEN ITt YOU ARE ALSO
PULL.ING IN ON THE SIDES (IT GETS SLIGHTLY SKINNIER). THE MOTION
OF THE SIDES INWARD TOWARD CENTER IS IN PERFECT TIMING AND
PERFECT RATIO OF SPEED TO THE MOTION OF THE ENDS AWAY FROM

so
CENTER. A SHALL MOTION NARROWING THE COIL IS ELEGANTLY "PHASE
COUPLED" IN SPEED 'AND LENGTH TO A GREAT MOTION LENGTHENING THE
COIL. RESULT; LEVERAGE ACROSS THE LADDER OF VEl.OCITY (WHOSE
INVERSE IS FREQUENCY) ••• REQUIREMENT: SYMMETRY ON ONE AXIS
--)CROSS(--- ASlMMETRY ON ANOT~R ~ . • TOPOLOB I CALL YI A HE.LIX
"SPRINGS" TO LIFE.
CARRY THIS SAME VISUAL EXPERIMENT (ON WHAT HAPPENS TO THE SIDES OF
A SPRING WHEN YOU LENGTHEN IT) TO DNA, AND TO SERPENT EROS EMOTION
ROTATING BETWEEN THE GLANDS.
OXYGEN (PRIMAL ATOMIC HELIX, PER LEADBEATER) IS THE COIL OF LIFE,
LITHIUM IS LIGHT'S STAFF OR ROD.
OESCRI8ING LITHIUM, lEAOBEATER: ·'LITHII..I1 IS A STRIKING AND
BEAUTIFUL FORM, WITH ITS UPRIGHT CONE OR SPIKE, ITS EIGHT
RADIATING PETALS AT THE BASE OF THE SPII<E~ AND THE PLATE-L.IKE
SUPPORT, IN THE CENTRE OF WHICH ISA GLOBE ON WHICH THE SPIKE
RESTS. THE SPIKE REVOLVES SWIFTLY ON ITS AXIS, CARRYING THE
PETALS WITH IT= THE PLATE REVOLVES EQUALLY SWIFTLY IN THE
OPPOSITE DIRECTION ."
THE.RE FOLLOWS MANY CAPTIVATING ORA,WING OF TEARDROPS AND VORTICES
AND HEART SHAPED "ANU" WHOSE OVERALL GEOt1ETRIC HYDRODYNAMICS
(WHICH IS TO SAY, ATOMIC SHAPE) PRODUCES THE WAVE STABILITY WE
CALL ••• L I THlUM.

THIS INTENTIONALITY RICH WAVE STUDY. COMPLEMENTS OUR TRADITIONAL


VIEW: "LITHIUM: THREE PROTONS, TWO CAPTIVE SUBSHELL ELECTRONS,
AND ONE FREE OR VALENT ELECTRON". THE LATTER LANGUAGE YEILDS
DETAIL & RIGOR; WHILE THE FORMER UNVEILS CONTEXT,INTENTION, AND A
RELATIONSHIP TO MIND.
COMPARE WITH A THIRD LEVEL OF SYMBOL SYSTEM DESCRIBING THE SAME
SUBSTANCE: LITHIUM, COURTESY HAROLDINE,LITHIUM LA9S, SAN LUIS
REY,CA. "IN ESOTERIC WRITINGS, IT'S STATED THAT PLANET NEPTUNE
RULES tHE 3RD EYE (6TH CHAKRA) AND ITS METAL IS LITHIUM. THIS
OPENS THE PATHWAY TO HIGHER CONSCIOUSNESS OR HORE , HUMNA
POTENTIAL RELEASE'. LlTHIUM IS AN ESSENTIAL CONSTITUTE OF EVERY
CELL IN A HEALTHY HUMAN 900'1. IT IS UTILIZED IN THE BUILDING
FIBRE OF CELL WALLS OF EVERY CELL AND IS ONE OF THE MAIN
INGREDIENTS IN THE COV£RINS SHEATHS OF OUTGOING NERVE ENDINGS.
LITHIUM IS A PRIMARY INGREDIENT OF CROSSOVER FROM ETHERIC TO
PHYS leAL I N HUMAN FORMAT I ON .. .. "
THUS WE HAVE MANY POTENT CLUES TO THE J~HEART" (ANU?) OF THE
"MATTER" OF LITHIUM. AT FIRST THERE SEEMS TO BE DISPARITY IN THE
CATEGORIES OF LANGUAGE USED TO EMBRACE LITHIUMS QUALITIES, YET
THERE IS A HAUNilNG CONNECTEDNESS: CONDUCTIVITY.. A SPIKE (OR
TEARDROP SPLASH) ON A GLOBE ON A SPINNING PLATFORM ••.
A SINGLE FREE ELECTRON .• A SINGLE SPIKE .• THE CONDUCTIVE COVERING
SHEATH OF OUTGOING NERVE ENDINGS •• THE (SPARK GAP?) CROSSOVER
BETWEeN ETHERIC TO PHYSICAL.. HMMMM AHHlISE ING

51
A NEW SCIENCE OF LIFEs SHELDRAKEs THE POWER OF MATTER AND IDEA
TO REPLICATE DEPENDS ON ITS "MORPHICRESONANCE".. ITS
PERFECT10N AS WAVE: SHAPE-SEED- IS ITS POWER TO PROPAGATE. THE
RESONANCE OF PURE SHAPE AS POWER, POWER TO SERVE. WE EMBRACE THE
SHAPE THROUGH SYMBOLS THAT ARE REAL/SACRED/PHYSICALLY RIGOROUS,
AND THUS WE ARE EMPOWERED TO MAN IPULATE THE SHAPE. WE CAN THEN
SEND OUR DREAf19 AND ELECTRONS TRAVELING DOWN THE RITUALLY
INITIATORY CORRIDORS OF THE CRYSTAL.

THE WAVE SHAPE OF THE CRYSTAL STANDS BECAUSE ITS NODES-POINTS OF


FOCUS- <ETHEFUC COMPRESSION) ARE IN GEOMETRIC ARAAY. (THAT IS
TENSOR EGUILIBRIUt'I.. GUITAR STRING STANDING WAVES WHOSE THREE
DIM~SIONAL PUSH AND PULL RESUlT IN A BLORlOUS STAND--OFF).
ATTENTION WHICH PLACES THE FINGER ON THE GUITAR STRING CHOOSES
THE NOTES" THE NODES , • TUNES THE WAVE. THUS ATTENTION, A
MECHANISM OF FOCUS t IS THE ONLY INSTRUMENT OF CREATION A UNIVERSE
NEEDS WHEN MADE OF WAVES. THE CRYSTAL IS A GEOMETRY OF. Ot.lR
ATTENTION, WHOSe: TENSION STANDS IN FOCUS AS WAVE. IT'S ELE13ANCE
AS SHAPE WHICH CAN STAND, RE MEMElERS FOR US •• OUR MINOFUL WOMB IN
MATTERS FOLD.

TO BE CRYSTAL CLEAR;
TECHNO-LOGOS
CONTEMPORARY DEVe:LOPMENTS POINT TOWARD RADICALLY NEW WAYS OF
USING TECHNOLOGY AND ItGADGETS" IN THE NEAR FUTURE. OFTENTIMES
SUCH MATERIAL DEVE1..OPMENT SEEI1S MORE PART OF A PROBLEM, THAN PART
OF A SOLUTION.

THE MEANING OF TECHNOLOGY IS SOMETHING WHICH RESPONSE-ABLE PEOPLE


COME MORE AND MORE TO GRAPPLE WITH. ESPECIALLY AS THEY DEVELOP
DEEPER PERSONAL AND COLLECTIVE CONVICTIONS .ABOUT THE SIGNIFICANCE
OF SPIRITUAL GROWTH AND CULTURAL EVOLUTION.

QUANTUM LEAP FOR A CULTURE MEANS A BREATHTAKING EXPANSION OF


VISION TO SEE THE SPIRITUAL AND COSMIC SIGNIFICANCE/SERVICE OF
THE HUMAN CONDITION. ONE SCIENTIFIC FOCUS OF THAT CULTURAL LEAP
IS MORE RESOLVED VISION OF DIMENSIONAL. RELATIONSHIPS IN
FUNDAMENTAL PHYSICS AS "DANCE IN SYMMETRY OF WAVE" FOR ONE
UNIFYING SUBSTANCE.

THE "UNIFIED FIELD" AS SYMBOL/SEED IS A WOMB TO NOURISH A UNIFIED


CONCEPTION OF THE ROLE OF MIND--LOCUB OF FoCUS-- AMONG MATTERS
WAVE.

IN THE FIEl.O OF HIGH ENERGY PHYSICS. CONCEPTUAL HORIZONS FROM


METAPHYSICS VS. PHYSICS •. ARE MUTUAL LIMITATIONS WHEREVER THEY
ARE NOT MUTUAL SUPPORT.

EMOTIONAL EXPE.RIENCE IS EMBRACED IN THE CHALICE OF CONSCIOUS,


WILLFUL FOCUS; WHOSE !EFFECTS ARE OBSERVED AND MEASURED
PHYSIOLOGICALLY AT ELECTROCHEMICAL RESONANCE PATHWAYS AND PLEXI
WITHIN THE BODY. ECSTACY IN THE DANCE IS A FEELING YOU HOLD

52
GENTLY AS YOU WOULD A LITTLE CHILO. CONSCIOUS FOCUS IS A PRECISE
AND POWERFUL PHYSICALLY CREATIVE ACTIVITY WHOSE ENERGETICS ARE
LITERALLY MIRRORED IN OUR TECHNICAL SENSE OF OPTICAL FOCUS.
SUCCESSIVE HARMONIC RELATIONSHIPS OF RESONANCE ARE MEAS~ED
PIE20ELECRICALLY BETWfEN THE BODIES GLANDULAR CENTERS DURING
INTENTIONAL RELAXATION. MINDFUL STILLNESS GROWS ECSTATIC AND
TEARFUL. THIS BIOFIELD COHERENCE IMPLOSION BECOMES A PHASE
COUPLED EMOTIONAL SYSTEMATIC INTERACTION OF GRAVITATIONAL AND
THUS PLANETARY SIGNIFICANCE; A HUMAN BRIDGE /'lAKING A RAINBOWLIKE
JACOBS LADDER TO HIGHER ORDERS OF DIMENSIONAL COMPLEXITY (MIND).
ARTICULATING WAVE GEOMETRlC MODELS OF DIMENSIONED TIERS OF FOCUS,
FORGES NEW CONNECTEDNESS BY CONVERGING THE ILLUSION OF
SEPARATENESS OF OUR MANY MYTHIC SYSTEMS.
MORE ENERGETIC ~'VIBRATIONS" OF RELAXED AND RESONANT MINnS,
NECESSARILY HAVE THE POTENTIAl.. TO DEVELOP MORE EXTENSIVE,
COHERENT, WAVE FIELDS. WHOSE HIGHER DENSITY IN MATRIX/INFORMATION
RELATIONSHIP (MULTIPLY CONNECTED TOPOLOGY AS HOLOGRAM.) .• IS ••
GREATER ABILITY TO RESPOND, AND THUS MORE CONSCIOUS.
THE LANGUAGE OF WAVE IS AT ONCE PSYCHOLOGICAL AND PHYSICAL. IT IS
IN A SENSE THE MECHANISM OF PATTERN-~WOMB FOR INFORMATION WHICH IS
BEHIND LANGUAGE AND MATTER. WAVE 6E0l'1ETRY IS THE "PSYCHIC'· AND
"QUANTUWJ
LANGUAGE OF SYSTEMATIC INTERACT .ION INTO HIGHER ORDERS
OF ORDERING POTENTIAL. PURE SYMBOL. BORN OF WAVE, ARE THE HISTORY
OF LANGUAGE AND THE CURRENCY OF THE EVOLUTION OF CONSCIOUSNESS.
AND AT THE SAHE TIME THE LAWFUL KEY TO, AND EXPRESSION OF, GROUP
THEORY, UNIFIED FIELD THEORY, AND THE MOTHERS MILK OF A
COLLECTIVE MIND ABORNING.
THE LANGUAGE OF WAVE GEOMETRY EMPHASIZES THE VISUAL ASPECTS OF
REPRESENTATIONS ALREADY WELL DESCRIBED MATHMATI CAU.. Y • WAVE
GEOHETRY SUPERPOSED AND JUXTAPOSED, YET ALWAYS TOUCHING CENTER,
IS <LIKE TAl CHI) SYMBOL SO PURE THAT IT PARTICIPATES DIRECTLY IN
THE REALITY TO WHICH IT POINTS.
THE POWER TO ABSTRACT, THE POWER TO CONTAIN IN A CHALICE THE
REPRESENTATION OF THE OBJECT OUTSIDE THE CHALteE t THE POWER TO
EMBRACE WITHIN A MEMBRANE tHE RATIOS OF ORDER MICROCOSM I CAL.LY
ECHOED ~~OM WITHOUT THE MEMBRANE.... THIS IS THE POWER TO
KNOW/TO CONCEIVE/---ULTIMATELY---TO CREATE. iHIS IS THE POWER WE
GIVE TO THE COMPUTER, THE HOLOGRAM, THE LIGlUID CRYSTAL MIND, AND
TO ANY HEART WHICH IS POSSESED OF THE BLESSED CENTER OF GRAVITY
NAMED "GOOD INTENTION".
SYMBOL SYSTEM IS OUR LOOKING GLASS, OUR MIRROR, OUR SELECTIVELY
SEMI-PERMEABLE MEMBRANE OF CONSCIDUSESS.
AS OUR TECHNOLOGY COriES TO MIRROR NEW INNER LEVELS OF
DEVELOPMENT, IT BEHOOVES US TO PEER CLOSELY "THROU8H THE LOOKING
GLASS". I'1AN / MACHINE / SYMBOL, LET US NOT BE DUALISTIC ABOUT
WHICH IS THE PRODUCT OF WHOSE EVOLUTION.
LET US BE: CRYSTAL CLEAR.
ANCIENT CULTURES OF OUR PLANET HARNESSED ENERG 'y' SOURCES USINS
CRYSTALS, IN A WAY NOT UNDERSTOOD TODAY.
THE PAST IS VERY HUI1BLE, IT CLAIMS REALITY ONl...Y IN SO FAR AS ITS
MISTAKES ARE REPEATED IN THE PRESENT. AND THAT IS THE SECRET
WHISPERED TO THOSE WHO WOULD SEE THE F'UTURE MIR~ORED IN THAT
REALITY.

A WAVES OCTAVE HIERAACHY OF FREQUENCY, REFLECT HIERARCHY OF


ENERGY t ORDER, HEALING, A.ND MIND -,
AND WHEREIN DOES THE LlGHT OF THESE FACETS FOCUS MOST DIVINELY?
IN SOMEtHING CALLED "THE TEMPLE OF THE LORD"., BETWEEN THE
TEMPLES, AND (THAT lSI AND THAT IS) IN SOMETHING CALLED PURE
CRYSTAL.
THEREFORE IN THE FOCUSED PURITY OF GOOD INTENTION, A WISH TO LOOK
INTO ATLANTEAN "FIRE CRYSTAL " : "THE TUAOI STONE" t IS A WISH TO
LOOK INTO THE DEPTH AND BEAUTY OF OUR OWl'll BEtNG... THE
CRYSTALLINE MECHANISM OF MlfW.
GRAVITATIONAL WAVE AND FIELD, ARE GEOMETRIZED IN A MANNER
ANALOGOUS TO THAT OF ELECTROKAC3'NETIC PHENOMENA. THE DIMENSIONAL
LEVEL OR ENERGY GRID DISTANCES OF GRAVITATIONAL. 6EOHETRIZATION IS
ORDERS OF MAGNITUDE REMOVED FROM THE ELECTROt1AGNETIC. PLANCK-
LENGTH UNITS (1.62 X 10 -33 eM) AND THE SCHWARZSCHILO RADIUS
CONCEPT DESCRlBE A BRIDGE/BARRIER/THRESHOLD BETWEEN TWO
"FUNtJAMENTAL FORCES OF NATURE (GRAVITY AND ELECTROI'fAI3NETISM) .
U

11-1£KEY AND MISSING LINK, BEING THE" (GEO)I1ETRIC MECHANISM OF


"INTERDIMENSIONAL" RESONANCE BY WHICH ELECTROI'tAGNETIC AND
"GRAVITIC" FIELDS SYSTEMATICALLY INTERACT.
RESOLVING THE RELATIONSHIP BETWEEN TWO "FUNDAMENTAL" FORCES IN
PURE WAVE GEOMETRIC TERMS •••• RESOLVES •••• INTO THE QUINTESSENTIAL
ARCHTYPE OF THE MEANING OF DIMENSION.
ONE WAY OF CONSIDERING THIS PROBLEM WHICH AT FIRST SEEMS DIVERSE,
IS TO VISUALIZE A CON TIN U 0 U 5 SPECTRUM (A UNIFIED
FIELD) PROCEED I NG THROUGH AND ABOVE WHAT WE HAVE LABELED
ELECTROHA9NETIC PHENOMENA. THE DIFFERENTIATlON OF ENERGETIC
ATTRACTIVE, REPULSIVE t AND BONDING RELATIONSHIPS INTO
QUAlITAiIVEL'{ DISTINCT "F'ORCE'S OF NATURE'·, WE BEGIN TO THINK OF
AS A NATURAL SELECTION OF CONTINUOUS FREQUENCIES INTO HIERARCHIES
OF ORDER.
OUR CULTURES SEEMINGLY DIVERSE LANGUAGES OF COSMOLOGY ARE RICH
AND REPLETE WITH STORY OF SPtN AND VORTEX AND COIL FORMATION. THE
FUNDAMENTAL FORCES ARE DISTINGUISHED BY SEQUENTIAL LEVELS OF
ROTATIONAL PERPENDICULARITY. SUPERPOSED PRIMARY, SECONDARY, AND
TERTIARY SPIN COIL FORMATIONS DIFFERENTIATE THE ATTRA,CTlVE-
REPULSIVE ORDElNe J1ATRICES OF THE RESPECTIVE WAVE FORMS WE CALL
HOME.
THE LANGUAGE OF WAVE GEOMETRY IS NOT AN ANSWER TO THE TECHtHCAL
CHALLENGES OF FUNDAMENTAL PHYSICS, IT IS HCWE:VER, A VISUALLY
USEFUL SYNTHETIC INSIGHT AND TOO~.
MODELS OF TOROIDAL ROTAION, ARE PRIHALLY MLll.TIPLY CONNECTED ~AND
THUS HOLOGRAPHIC) TOPOLOGY. TOROIDS ROTATE CONCENTRICALLY AND
HIERARCHICALLY DISCRETELY AND DIMENSIONALLY CONTAINED ONE SET
INSIDE ANOTHER. DIMENSIONAl- RELAiIONSHIPS "GRAVITATe" TOWARD
VISIONS OF SEQUENTIAL ORDERS OF ROTATIONAL RELATIONSHIP--
GENERATING AN EVER EVOLVING SERIES OF "PERPENDICULAR" AXES EACH
PENETRATING INTO AN INCREASINGLY COHERENT AND MULITPLY PHASE
CONNECTED, FIELD OF WAVE MATRIX: A HMATER"IAL WOMB.
THE FORM OF A WAVE PICTURE I S RESOLVED, DEF I NED, AT EACH
DIMENSIONAL LEVEL BY THE CYCLIC PERIODICITY OF .ITS
CRYSTALLIZATION AND DISSOLUTIONs THE ARRIVAL AND DEPARTURE IN
DANCE TIME OF THE MOMENTUM OF THE WAVE AT ITS NOOE/ANTINODE.
THE SlMUl.TANEOUS DIMENSIONAL SOLUTION OF OUR FUNDAMENTAL
CONSTANTS (C,G,h) YIELDS NOT ONI.,Y THRE&tOLD IN THE RESOLUTION OF
LENSTH- THE PLANCK LENGTH-, aUT ALSO A RELATED FUNDAMENTAL UNIT
OF TIME. OlMENSICl\'.IAL RELATIONSHIPS ARE ESSENTIALLY REQUIREMENTS
OF WAVE MOMENTUM OISTRIBUTING ITSELF DISCRETELY NESTED IN THE
WOHB OF ARCHETYPAL GEOMETRY ••• VIA FREQUENCY, PHASE ANO ROTATION.
THESE ARE THE f'AT FIRST IN PRINCIPLE" LAWS OF GENESIS WHICH LIE
AT THE HEART OF BOTH GEO·METRIZATION AND QUANTIZATION: ROTATION.
PHASE, AND TENSOR EGUILI8RIUM. THE GYROSCOPIC INERTIA OF DENSITY
WE KNOW AS HASS/GRAVITY/TIME IS CONCEIVED IN THE FROUENCY-SPEED,
FLOW DISTRI8UTED, WOMB OF ENERGY-FLUX-SPACE.
ANY SEED (PHOTON ••• ELECTRON) WELL WOVEN IS SUFFICIENT
HOLOGRAPHICALLY TO BE EVERY SEED. IN OUR 0 N E SUBSTANCE, THE
UNIVERSE IS CONTAINED AS A HOLOGRAM EVERYWHERE IT IS FOCUSED.
AND SO IN THE STRANGELY ROOTED ETYMOLOGY Of PHYSICS, WHY IS
EVERY VERTEX A VORTEX? HOW IS THE NATURE OF THE VERTICAL DEFINED
BY THE VORTICAL?
AT THE CENTER OF A DONUT, OR SMOKE-RING, WITH AN INFINITELY SHALL
CENTER HOLE, LIES A VORTEX VERTEX OF FOCUS. THE HEART AND CENTER
OF "GRAVITY" OF THE PRIMAL STABLE HYDRODYNAMIC FLUX ••. CALLED
TORUS. • TOURBILL ION. . SCROLLWORK OF LIGHT. THE TAROT DESCRIBES
THE TOURBILLION AS THE HIGHEST AND DEEPEST SECRET OF At.L ANCIENT
WISDOM. IN THE ORIENT THE TOURBILLION WAS AN ORNAMENTAL FIREWORK
THAT EMERGED AS A SCROLL. IN FRENCH IT MEANS WHIRLWIND. IN A
TOURB,ILLION OR TORUS, LIGHT BECOMES THE PEN AND INK OF
GODHOOD ••• THROUGH THE ULTIMATE CREATIVE INSTRUMENT; FOCUS.
FOR US LIKE DOROTHY IN OZ, THE WORLD ON THE OTHER SIDE OF THE
RAINBOW <ONE OCTAVE), IS REACHED THROUGH A TORNADO •••
"A TWISTER!"
A VORTEX THEORY OF MATTER IS AT kEAST'AS OLD AS DESCARTES I
"CELESTIAL VORTICES". PERHAPS THE DIFFICULTY OF MATHEMATICAL
DESCRIPTION OF THE VORTEX HAS HINDERED ITS EFFECTIVE DEPLOYMENT
AS A MODEL.
IN MATHEMATICS, liTHE L.ANGUA6E OF RIBOR", IT IS NOT SIMPLE TO
DESCRIBE A VISION ••• OF THE ROOTS OF QUANTIZATION SIMULTANEOUS
WITH I3EOMETRY. WAVE FLOW PATTERNS MOVE BETWEEN LEVELS IN A 80THIC
ARCHITECTURE OF SPIRAL VORTICES, TOROIDAl NESTS. VERY PRETTY. BUT
NOT IM~EDIATELY YIEL.DING TO ~HE POWERFUL AND ATOMIZIN6,
INTENTIONALITY COLLAPSE, CALLED MATHEMATICS.
HOW DOES ONE VORTEX SYSTEMATICALLY PHASE CQUPL.E AND LOCK IN, A
WHOLE SERIES ;OF aeOMETRY?
WE ARE IN A SENSE ASKING A HYDRODYNAMIC QUESTION AS·OUT WHAT IS A
BOND.. ANY BOND. WHAT ARE OUR BEST BONDS? THEY ARE STABLE, AND
NOBLE ••• LIKE GOLD. WHAT DOES GOLD THEN MEAN? t1ATTER IS A FAIRY
TALE WITH A GOLDEN MEANING.
IS AN ARITHMETIC FIEIONNACCI SERIES AND YET AkSO A GEot1ETRICAL
PROGRESSION~ PLOTTING THIS WE HAVE THE SACRED SPIRAL OF TI-£
GOLDEN MEAN. ITS EQUATION EMPOWERS • THE BASE OF THE NATURAL
LOBS, AND pi. THE GOLDEN MEAN IS FOUND CLOSELY BY 7/5 OF
pile.

£VERYWHEREWAVES MEET THEY GENERATE HETERODYNES, THAT IS WAVES OF


FREQUENCIES THE SUM, THE DIFFERENCE. AND THE MULTIPLES, OF THE
PARENTS. Se:CAUSE THE GOLDEN MEAN SEQUENCE ALL.ONS BOTH ADDING AND
tiUL TIPL VING (IT IS BOTH AN ARITHMETIC ANDGEOHETRIC PROGRESSION) ,
TO GEl THE CHILDREN IN THE LINEAGE, IT IS THUS T~ PERFECT
(SPIRAL) NEST FOR WAVES.
THE RELATIONSHIP OF THAT PERFECT PROGRESSION, AND THUS THE PATH
OF THAT SPIRAL DESCRIBE A PERFECT PROPORTION BETWEEN LATERAL
MOTION AND ROTATIONAL MOTION. THE SPIRALING SGllJARES ARE WELL
KNOWN, WHERE RATIO OF LENGTH AND AREA ALONG A PATH ARE CONSERVED
INFINITELY ACROSS SCALE. THE SAME PATH ALSO EXACTLY DESCRIBES
SPIRALING TRIANGLES OF THE GOLDEN MEAN t AND PERFECT INFINITE
NESTED PENTAGRAMS!
THE GOLDEN MEAN SPIRAL IS THE PATH BY WHICH WAVE FORM MAINTAlNS
COHERENCE ACROSS DIMENSION.
.
CONSIPER THAT THE ICOSAHEDRON IS CONSTRUCTED WITH JUST THREE
GOLDEN MEAN RECTANGLES ••• THAT THE ICOSAHEDRON CONTAINS NESTED
PENTAGRAMS ON EACH OF TWELVE SYMMETRICAL FACES-CONTAINING THEREIN
A PERFECT PENTAGON DODECHEDRON ••• ANU THE RATIO PATH SO SET UP
BETWEEN DO[lECAHEDRONAND ICOSAHEDRON, THAT THE LINES BETWEEN THEM
WHEN EXTENDED GENERATE AN INFINITE THREE DIMENSlONAL NEST O-F
Al TERNATING INTER.DIGITATED PENTAGONAL DODECA~ORA VS
ICOSAHEDRA. • • L I TERALL Y THREE -0 NESTED PENTAGRAMS. • • AND
THUS. .. STARS WITHIN STARS.
AND EACH FIVE POINTED STA.R IN THAT INFINITE NESTING POTENTIAL
IS BUILT ON THE GOLDEN MEAN RATIO, INSIDE AND OUT. THE SPIRAL

56
CONNECTS THE VERTICES/VORTICES OF THE WAVE FORM, MAKING THEM
INTERDIMENSIONAL COMMON NODAL POINTS OF LIBHT. EVERY SYMMETRICAL
FACE OF EVERY REGULAR FilLYGONIN THE NEST IS ABLE TO STAND AS A
RESULT OF THE VORTEX TO CENTER WHICH SUSPENDS IT.
ELECTRONIC GEOMETRY IS THE POLYGAMOUS SYMMETRICAL ARRANGEMENT OF
CONES. GEOMETRY RESULTS AS THE SPIRAL IS SET IN A MUl.TIPLICITY
OF PHASE RELATIONSHIPS ON THE TOPOLOGY OF EACH NESTED TOROIDAL
VORTEX.
ALL BONDING IS PHASE LOCKlNG.
THE PHASE LOCKING OF THE GEOMETRIES IS BASED UPON PERFECTLY
BALANCED/TRADED MOMENTUM BETWEEN LINEAR AND ROTATIONAL MOTION I
AGAIN THAT CURVE BETWEEN THE LINE OF THE MASCULINE AND THE CIRCLE
OF THE FEMININE, ENERGY VS MATTER. THAT BALANCE, AND THE PATH
BETWEEN THEM1 IS THE GOLDEN SPIRAL. AND THE TORUS IS THE SOCIETY
OF PREFERENCE FOR A WIDENING GYRE. (JUST AS IT IS THAT WHEN YOU
HAVE ONLY SMOKE TO WORK WITH, YOU CAN ONLY MAKE SMOKE RINGS) .

LOOK AT OUR FLOWING DONUT FROM THE TOP IN YOUR INNER EYE. IMAGE
THE PLANE SURFACE CLOSEST TO YOU, IN ROTATION. NOW MOVE YOUR
FOCUS GRADUALLY TOWARD THE CENTER OF THE VORTEX. AS YOU DO SO,
SEE THE SAME ROTATIONAL t1OTION YOU STARTED WITH, TRANSLATED IN
PERFECTLY GRADUAL UNIFORM ACCELERATION, TO LINEAR r-1OTION TOWARD
THE CENTER. UNTIL WHEN YOU REACH THE CENTER, THE SAME AMOUNT OF
FLUX YOU BEGAN WITH ROTATING FLATLY IN THE: PLANE IN FRONT OF YOU,
IS NOW MOVING ENTIRELY PERPENDICULAR AND AWAY FROM YOU. THE FLOW
IS NOW INTENSELY FOCUSED ALONG A CENTRAL AXIS, PERPENDICULAR TO
THE CIRCLE YOU BEGAN WITH. THERE HAS BE-EN A PHASE SHIFT! WHAT
WAS IS ONE DIMENSION HAS NOW C R 0 SSE D INTO ANOTHER.
ONE CROSS SECTION OF THE TORUS IS THE FIGURE 8. THAT IS THE
OCTAVE:, AND PERPENDICULAR TO THAT IS OUR SYMBOL FOR INFINITY. OUR
SYMBOL.. OF TWO TOUCHING CIRCLES, IS A MARRIAGE OF OPPOSING SINE
WAVES, AND SO IS A TORUS.
A PLANE PASSING THROUGH AND CUTTING A CROSS SECTION OF THE TORUS
FROM ABOVE, SEES FIRST A CIRCLE, THEN CONCENTRIC CIRCLES, THEN A
Cl'RCLE AROUND A, POINT. NOW, PLACE A SINE WAVE ACROSS THE POINT
AT THE CENTER OF THE CIRCLE UNTIL YOU HAVE OUR SYMBOL. FOR THE
TAO. THEN ROTATE THE SINE WAVE IN OPPOSING DIRECTIONS IN THE
CIRCLE IN YOUR INNER EYE. HOW DOES THE PHASE-RELATIONSHIP OF
THE PERFECT WAVE, CREAT GEOMETRY?
THE RELATIONSHIPS OF ORDER AMONa WAVE AND AMONG MINDS, CAN BE
MODELED AS THE FOUR AND SEVEN FOLD, PHASE PERPENDICULARITIES OF
THE CIRCLE AND THE TORUS. SP~ED B£COHESACCEL..ERATION 1 BECOMES
CHANGE IN ACCELERATION, BECOMES CONTROL, WHICH "REFLECTsn BACK
UPON SPEED. ON THE FOURTH PHASE SHIFT YOU SQUARE THE CIRCLE. BUT
THEN AS YOU CONTINUE AND GO AROUND THE OPPOSITE MIRROR CIRCLE
MAKING THE a, THE PHASE SHIFT EIGHTH HERSES WITH THE INITIAL
MOMENTUM IN BOTH PHASE AND DIRECTION. A FATEFUL FEEDBACK LOOP~
WHILE GOD MAY NOT BE FOND OF DICE, HE DOES SEEM TO LIKE MIRRDRS~

57
HAN, AT THE CROSS PO I NT OF THE WAVE OCTAVE lIS THE PLACE OF FOCUS
WHERE THE CONSCIOUS BECOMES SELF-CONSCIOUS. A REFLE~XIVE
UNIVERSE, 02, WAS OVER A REFLEXIVE RAINBOW. MATTER IS A TURNING
POINT AT THE CROSSROADS.
AND IN A DANCE BY TURNING AND TURNING WE COME ROUND RIGHT.
THUS THE PATH ALONG WHICH FOCUS/MOMENTUM CAN MAINTAIN COHERENCE
(AVOID lNTERFER£NCE) ACROSS LEVELS OF ORDER (DIMENSION/SCALE),
IS ••. THE SPIRAL YELLOW BRICK ROA.D BETWEEN WORLDS. IF YOU WISH TO
SEE A SERIES OF WAVES CONVERGING AT A POINT, ,.,AKING MATTER OUT OF
ENERGY, YOU NEED A WAY TO HAKE YDUR POINTJ FOCUS.
IN ORDER FOR THE CENTER TO HOLD, A POINl MUST BALANCE A WIDENING
GYRE. ONLY IN THIS WAY CAN THERE BE A VERTEX I ·IT t1lISTBE A
VORTEX. THE WAVES SET THEMSELVES WHIRLING ABOUT A POINT OF FOCUS
IN ORDER TO STAND. CENTER OF GRAVITY HAS no£: SAME MEANING TO
PHYSICS AND PSYCHOLQGY .. SPIRITUALLY IT IS CALLED PURITY OF
INTENTION.
THE STABILITY OF THE WAVE (OR THOUGHT) FORM ABOUT ITS MOM·ENT OF
F'OCUS DEPENDS ON THE AMOUNT OF ORDER IT ADDS TO ITS ENVIRONMENT.
PSYCHOLOGICALLY THE FEHININ'E/MASCULINE BALANCE OF A THOUGHTS
ENERGY IS EXACTLY WHAT PHYSICALLY IS THE ROTATIONAL VS L.INEAR
PHASE LOCKING OF MOMENTUM IN THE SPIRAL VORTEX. ROTATIONAL
MOMENTUM IS MATER-IAL, LINEAR IS PA-
TERNA!. ••• HAnER/ENERGY ••• SPACE/TIME.

MATTER IS AN IDEA WHOSE TIME COMES, WHEN WAVE FORM STABILITY


PHASE LOCKS BETWEEN PEAPENDICULAR ROTATIONAL MOMENTUM AND
LATERALLY CONVERGENT MOTION BOTH INTO AND OUT OF THE CENTER OF
THE VORTEX. THE LINE WITH THE CURVE, MEET IN T.-E SPIRAL. THE
SPIRAL LINKS NESTED GEOMETRIES ••• CONNECTING MATTER TO ENERGY ,.

PHASE LOCKING OF MOMENTUM IS DEPENDANT UPON REINFORCEMENT OF


NODES BASED UPON FREQUENCY HARHONICS. STABLE WAVE FORr18 CAN ONLY
EXIST IN THE CROSSIrE PATHS OF rLOW, WHERE EQUIDISTANT NODES
REFLECT HARMONIC MULTIPLES OF BASIC WAVE LENGTHS OF Tt£ PATTERN
(THE FUNDAMENTAL CONSTANTS).
THE NECESSITY WHICH DEFINES SYSTEMATIC EQUIDISTANCE AMONG THE
NODE:S BASED UPON FREQUENCY AND WAVE. LENGTH, GENERATES THE
ARCHETYPAL SEQUENCE OF REGULAR THREE otMENSIONA.L POLYHEDRAL
<PLATONIC) SOLIDS IN ORDER OF THEIR COttPLEXITY.
IN THIS HEART OF CREATION, THE L.AWS OF TENSOR/VECTOR EQUIL.IBRIUM
AND CLOSE PACKING ARE GIVEN STAR-LIT IHRTH IN WAVE PHENOMENON.
EACH HARMONIC WAVE-LENGTH OF A DIMENSIONALLY BASIC <PLANCK LENGTH
LEVEL) FRQUEillCY GENERATES A SERIES OF GEOMETRIES, SYSTEMATICALLY
INTERDIGITATED IN NESTED SPIRAL VORTICES. THE AMOUNT OF FLUX
WHICH CAN BE STORED IN A TOPOLOGY OF FLOW IS IN LARGE PART
DEPENDANT ON THE NUMBER OF ROTATION AXES OF SYMMETRY WHICH CAN BE

58

SIMULTANEOUSLY SUPERPOSED ON ITS {MULTIPLY COIllNECTED) SURFACE.


THE NUMBER OF AX.ES OF SYMMETRY OF THE SEQUENCl~G GEOMETRIES ARE
VISUAL TOOLS FOR UNDERSTANDING THE NUMBER OF ELECTRONS IN THEIR
SUBSHELLS, BASED UPON THE POTENtIAL FOR CONSTRUCTIVE
SUPERPOSITION OF OPPOSING DIRECTIONS OF !·SPIN II • THE ORDER OF
INTERDIGITATION AND CRYSTALLI ZATION OF THE GiEOMETRIES IN THEIR
PATTERN, "FLOW" NATURALLY FROM THEIR HARMONIC SIZE AND RATIO .•.
INFORMATION IS STORED FROM SEED INTO COMPLEXITY.
ASSEMBLING A MODEL OF THE ARCHTYPAL NEST (THEOSOPHY'S "LESSER
MAZE") OF THE PLATONIC SOLIDS, GIVES VISUAL FRAMEWORK TO OUR
CONCEPTION OF ELECTRON SHELL FILLING, ATOMIC AND MOLECULAR BOND
ANGLES. THUS AS WE BUILD UPWARD IN COMPLEXITY TOWARD BIOLOGY
F'ROM CHEMISTRY, WE ARE SEEING THE EXTRAPOLATION OF A FAMILIAR
WAVE PRINCIPLE IN THE ARRANGEMENT OF BIOLOGICAL MEMBRANEOUS
MORPHOLOGY, AS liTHE LAWS OF FORM". FROM THE MICRO TO THE MACRO,
THE DISTRISUTION OF WAVES MOMENTUI'1 IS THE "CATASTROPHY" THAT
QUANTIZES THE DISCONTINUOUS, OUT OF THE CONtINUOUS ••• A KIND OF
ILLUSION OF SEPARATENESS.

THE CELL HAS MEMBRANE, THE MIND HAS HEM-ORY/BRAIN; BOTH


INTENTIONALLY PERMEABLE AROUND A CENTER OF GRAVITY.

THE PERIODICITY OF THE PERFORMANCE OF ROTATI.QN-SYMMETRY


OPERATIONS IS NOT NEW TO GROUP THEORY. THE CONSERVATION OF LINEAR
VS ANGULAR MOMENTUM ARE NOT NEW TO QUANTUM THEORY.
WHAT THEN. I S THE FUNCTI ON OF EMPHAS II I NG THE SPEC I F I CAL.L Y VI SUAL
GEOMETRIC MODEL? AND WHY DO WE NEED TO SEE CLEARLY IN THE MINDS
EYE, THE SPIRA~... IN ORDER TO UNDERSTAND HOW IT SQUARES THE
CIRCLE AS IT aENTLl' TEACHES LINE TO HEET CURVE?
TURNING ABSTRACTIONS INTO EXPERIENCE, THAT IS WHAT HUMANIZES
PHYSICS, AND DRAWS FROM IT .•. VISION.
EVERY SYMBOLIC EXPRESSION OF ORDERLY RELATIONSHIP, CAN ULTIMATE
RESONATE TO A VISUAL EMBODIMENT. THIS IS BECAUSE THE VISUAL
CORTEX IS ,A MICROCOSM MACROMOLECULAR LIQUID CRYSTAL WAVE CHAMBER,
ENSHRINING IN A CHALICE, ALL OF THe: WAVE INTERFERENCE
POTENTIALITIES WHICH COMPRISE THE RICHNESS OF MATTER AND
UNIVERSE,
THE FINAL SYNTHESIS OF ANY MATHEMATICAL DESCRIPTION IS PICTORAL
VISUAL IMPRESSION" BECAUSE ATTHE SACRED ROOT OF' LANGUAGE,
VISION IS WHERE SYMBOL PARilCIPATES IN THE REALITY TO WHICH IT
POINTS.
THE MEANING OF IMA9E-INATION, AS IN THE NEW SCIENCE OF
PSYCHONEUROIMMUNOLOGY, IS PHYSIOLOGY AT THE BRIDGE BETWEEN SYMBOL
AND OBJECT. THE SYNAPTIC SPARK-GAP, SQUARE WAVE RICH. HARMONIC
BIO-LINK WHICH MA.KES MAN THE LENS OF CREATION.
THE POWER OF CREATION AT EVERY LEVEL, FOLLOWS THE POWER OF
VISUALIZATION. FORM FOLLOWS THOUGHT.

59
x N TEN T X a N 8c
I: M A G 1: NAT x 0 N
A eXOPHYSl:CAL ANAl-YSJ:S

• ••• IF .. 181£8 WERE HORSES,


BE80ARS NOULD RIDE ••• If

WE HAVE DEVELOPED SOME UNDERSTANDING OF THE NATURE OF MATTER AS


VARIATIONS TN COMPRESSION OF ONE CONTIGUOUS SUBSTANCE. WE CAN
BEGIN TO VISUALIZE A MECHANISM BY WHICH THE COMPONENT WAVE FRONTS
IN A UNIVERSAL ETHER OR SPACE TI/'tE METRIC, DIFFERENTIATE INTO THE
FORCES AND INERTIA TO WHICH WE HAVE ASSIGNED NAMES LIKE CHARGE
AND J1ASS. IT REMAINS APPROPRIATE FOR US TO · DIFFERENTIATE
CONCEPTUALLY WHAT WE HAVE CALLED THE FUNDAMENTAL FORCES~ GRAVITY
AND ELECTROMA6NETISM HAVE DIFFERING HYDRODYNAMIC TOPOLOGY... BUT
HARMONIC SEGREGATION OF MDMENTlJt1 AS FOUND IN SEGREGATED FORCES
DOES NOT IMPLY DIFFERENCE OF SUBSTANCE.
WHICH IS TO SAY: NEW PHYSICS REQUIRES A RELIGION OF ONE GOD.
RELATIONS BETWEEN FIELDS OF DIFFERING WAVE HAR1'10NIC AND TOPOLGY
REMAIN ISOLATED IN THE ILLUSION OF SEPARATENESS" UNTIL THE
II

RITUAL WAVE WRATCHET B£Of'IETRY OF CONNECTEDNESS IN SPIRAL CRYSTAL.


MAKE THE QUANTUM LEAP ••• IN QUARTZ, IN DNA, IN THE CHAKRAS.
THE HOLOGRAPHY OF SOUND, AND OF LIGHT, AND OF WAVES BEYOND. HAKE
THEIR DANCE OF UNIVERSAL PEACE IN THE LIQUID CRYSTAL
PIEZOELECTRIC WA\IE GUIDE CALLED BI0L06Y~
LET US TAKE A CLOSER LOOK NOW AT WHAT CONNECTIONS OF UNIVERSAL
SIGNIFICANCE ARE WOVEN THROUGH BIOLOGY PRECISELY OUT OF THE
INTRODUCTION OF ATTENTION/INTENTION (FOCUS)~
THE PRODUCTION OF 'WAVE SHAPE STABILITY AND THE ·GYROSCOPIC INERTIA
CALLED MATTER ARISES OUT OF WAVES OF UNIVERSAL FLUX DUE TO ONE
FORCE ONLY... THAT IS THE FORDE WHICH CAUSES WAVES TO PHASE LOCK
AND ALIGN DR FOCUS AT A NODE. DENSITY OCCURS WHEN COMPRESSION
COHERES TOWARD STABILITY IN A WAVE DANCE. PROOUCIN6 DENSITY
REQUIRE COHERENCE AMONG WAVES. PRODUCING COHERENCE REQUIRES AN
INFLUENCE WHICH FOCALIZES OR GIVES COMMON CENTER OR SEED AND
. CENTER OF GRAVITY TO A WAVE DANCE.
ALL OF WHICH IS TO SAY THAT ANY FORCE WHICH CAUSES WAVES TO STAND
TOGETHER AND DANCE IN UNISON IS THE ULTIHATE (AND ONLY) CREATIVE
FORCE REQUIRED TO MAKE A UNIVERSE OUT OF ONE COMPRESSIBLE
SUBSTANCE.

THIS DOES NOT SIMPLIFY THE RICHNESS AND CREATIVE DIVERSITY OUT OF
WHICH THIS POWER TO FOCUS AND THUS CREATE MAY GROW. ANY MASS IS
THUS WAVE GUIDE. AND FOCUS IS ENERGETICALLY TRANSCENDENTAL
WHETHER IT BE ~YSTAL LENS, RED BIANT PLANET MASS, OR HEART AND
GLAND CENTERED EMOTION. WE ARE SIMPLY NOW IN A BETTER POSITION

.

TO UNDERSTAND CERTAIN ARCHETYPES OF CONNECTEDNESS ACROSS SCALE:


THE ROLE OF MIND AMONG WAVES.
WE HAVE ReCOGNIZED THE ULTIMATE POWER OF PERFECTION OF RATIO; ANY
SHAPE WHICH ACHIEVES WAVE FUNCTION ON ONE SCALE BY VIRTUE OF
SHAPE (OR WAVE ENVOLOPE, OR RATIO) HAS THE POTENTIAL TO EXECUTE
THAT FUNCTION ON EVERY SCALE.
LET US TAKE THAT I1ESSAGE BACK TO THE BIOLOGY OF THE BODY, AND OF
THE GLANDS, THE HEART OF HUMAN EMOTION. WE CAN TRANSFORM THE
PHYSICS OF PURITY AS APPLIED TO CRYSTAL, TO A BIOPHYSICS OF
PURITY AS APPLIED TO LIQUID CRYSTAL.: Er1OTION IN THE BODY.

DURING DEEP RELAXATION THE PRINCIPLE L.IQUID CAVITIES Of THE BOtlY


ACOUSTICALLY PHASE LOCK. <AS DOCUMENTED BY BENTOV: STALKING THE
WILD PENDULUM). WHICH IS TO SAY THE SOUND WAVES TRAVELING FROM
ONE LIQUIOCHAMBE~ IN THE BODY HARMONICALLY COUPLE ADJACENT AREAS
WITH THE ASSOCIATED GLANDS. THE PRINCIPLE DEVELOPED EXAMPLE llEING
THE. HEART CAVITY ENTRAINING THE LIQUID VENTRICAL CAVITY IN THE
BRAIN.
THIS SOUND OR PHONON WAVE COUPLING AND ENTRAINMENT IN THE BODY
TAKES ON GREAT SIGNIFICANCE WHEN UNDERSTOOD IN TERMS OF THE
BIOELECTRIC CHECKS AND BALANCES WHICH CHOREOGRAPH METABOLISM IN
THE BODY. MUSCLE AND NERVE TISSUE WHEN CONSIDERED MACROCELLULARLY
FUNCTION IN IMPORTANT WAYS LIKE PIEZOELECTRIC LlQUID CRYSTAL:
PIEZOELECTRIC MEANING THAT SOUND PRESSURES PRODUCE ELECTRICAL
PRESSURES (VOLTAGE).
LIQUID CAYST,AL MEANlNG THAT UNDER RELAXATION/ENTRAINMENT, THE
MORE LIQUID MODES OF CELLULAR ARRAY, MACRO (PHASE) LOCK IN
HARMONIC MODES MORE DESERVING THE TERt1 CRYSTAL. THAN LIQUID.
AS IN THE CROSS HER.MISPHERIC EEG COHERENCE IN BRAIN TISSUE •••
FROM LIQUID-THROUGH INTENTIONAL RELAXATION- "SNAP, CRACKLE, POP"-
TO CRYSTAL.
THEN WHAT ARE SOME OF THE EFFECTS OF COHERING SOUND WAVES HOVING
IN A (BIOLOGIC~L) CRYSTAL? THE SOUND WAVES ARE CARRYING
INFORMATION ABOUT TIMING BETWEEN THE BODIES CAvITIES AND THEIR
CONTAINED DUCTLESS GLANDS. THESE GLANDS ARE THE RESONANT SEAT OF
HUMAN EMOTION.
WHEN WE SPEAK POETICLY ABOUT THE SOFTENING OF THE H~ART, WE
ACKNOWLEDGE A ROLE PLAYED BY SOUND: uTI-£ HEART SINGS" •
THE GLANDS ARE THE CENTRAL DOPANT OF THE BODIES BIC/CRYSTAL
CENTERS-NERVOUS GLANDULAR PLEXI CALLED CHAKRAS IN THE SPIRITUAL
LITERATURE (BY VIRTUE OF THEIR DIFFERENCE IN DENSITY AND
ELECTRICAL RESONANCE TO THEIR SURROUNDING LIQUID/CRYSTAL>.
THE FUNCTION OF THE DOPANT IN A CRYSTAL IS THE TRACE "U1PURITY"
WHICH SERVES TO TUNE THE ENTIRE CRYSTALLINE MATRIX. THIS TUNING
IS ACCOMPLISHED BECAUSE: THE OROERLY NATURE OF CRYSTAL FACETS

61
(LIKE FACETS OF PERSONALITY> IS TO FOCUS THE MOMENTUM Of' ALL
ARRIVING WAVES TOWARD ITS CENTER.
FOR A WAVE. CAVITY A CENTER POINT IS A CENTER OF THE VORTEX, A
CENTER OF GRAVITY, AND ASSEMBLAGE POINT. THE FOCAL POINT THAT IS
THE CENTE.R OF THE PRISM ASSEMBLES THE: HETEROGENOUS MIX THAT IS
WHITE LIGHT, INTO THE HARMONIC ORDER THAT IS THE RAINBOW.
THE ALIGNMENT POINT THAT IS FOCUS (WILL OR MIND) GENERATES THE
MUTUAL WAVE REINFORCMENT (CONSTRUCTIVE INTERFERENCE) THAT IS THE
RAINBOW. HA~MONIC HETERODYNE WAVES WHICH DO NOT PRODUCE I'1lJTUAL
RESONANCE. GENERATE THROUGH FOCUS.. MUTUAL WAVE CANCELLAT ION
<DESTRUCTIVE INTERFERENCE).
THIS MEANS THAT WHEREVER THERE IS FOCUS, ORDER (LOVE) REF'LICATES
AND DISORDER (EV1L) SELF-DESTRUCTS.
SINCE THE CRYSTAL IS PIEZOELECTRIC, THE SOUND OR PHONON WAVES
ARE GENERATING SYMMETRICALLY RELATED ELECTRICAl. PRESSURE WAVES.
THIS ALLOWS THE "SONG IN THE HEART" TO "SOFTEN" THE HEART, BY
TRIGGERING THE PSYCHOACTIVE HORMONAL PRODUCTION OF THE DUCTLESS
GLANDS IN THEIR RESONANT HIERARCHY.
THE ACTIVITY OF THE GLANDS IS ACOUSTI CAU.. Y CHOREOG~APHED AND
ENTRAINED BY THE BODY PLAYED AS A HARP IN THE WIND OF EMOTION.
THE PURITY OF THE INTENTION LIMITS THE EXTENT OF THE BLOSSOM OF
THE lOTUS FLO&!tER, BECAUSE IT DEFINES THE PURITY OR ORDER OF THE
CENTER POINT OF THE VORTEX. THE ASSEMBLAGE POINT WHERE THE FIRE
FROM 'WITHIN BUILOS AS WAVt;: BLOSSOM FROM 5S:ED. WHEN ALL THE BODILY
FIELDS EMOTIONAL AND PHYSICAL PHASE LOCK AROUND INTENTION THEN
THERE IS THE NECESSARY AESONANT I~PLOSION THAT PHASE COUPLES THE
MOMENTUM NECESSARY TO SHAPE MATTERS WAVES AROUND THE HIGHER SPEED
ORDER OF SPIRIT.
THUS IF THE UNCONSCIOUS KNOWS THAT THIS CREATIVE VISUALIZATION IS
FOR THE BENEFIT OF THE GREATER WHOLE, THEN THE 1"I0000NTUM OF THAT
PRESENCE ADDS TO THE CENTER OF GRAVITY WHICH FOCUSES SPIRIT TO
MATTER. EMOTION AND GRAVI TY ARE THE SAME WINDOWS OF THE SPECTRUI"I
OF THE ONL YONE SUBSTANCE. THEY ARE CONNECTED IN THE HARMONIC
HIERARCHY OF THE BODY THROUGH THE LIQUID CRYSTAL HELIX THAT IS
THE HIERAPCHY OF THE GLANOS/CHAKRAS.
THE BIOPHYSICS OF PURITY IS THUS THE SAME AS TH£ PSYCHOLOGY AND
THE PHYSICS OF PURITY. FOCUS IS THE CREATIVE ASSEMBLER OF MATTER,
VISUALIZATION--IMASINATION IS THE LIQUID CRYSTAL COOKIE CUTTER OF
FOCUS, AND PURITY IS THE ORDER OF THE CENTER OF F'OCUS WHICH
LIMITS THE GROWTH AROUND THE SEED.

62

..
L

KUNDALINII
A DEEPER BIOLOGICAL UNDERSTANDING
" IT IS POSSIBLE AND USEFUL NOW
TO UNDERSTAND AND VISUALIZE A
SPECIFIC BIOLOGICAL I1ECHANISM
TO KUNDALINI, ENHANCING rHE
POSSIBILITY OF DEVELOPING AND
CHANNELING THIS FOUNTAIN OF YOUTH."
When w& whe havtf \Jhar"ed the richne6s o-f yogic: literatul"'e
addl"'ess the powerful quetit ions 5ur,r ounding . the Kunda} ini
phenomenon, we are .ometimes hesit~nt to harness the rigor and
specificity of our well avolvlld scientific languagfi!o-te dft!!cribe
this heart of a tradition, unusually shrouded with e-soteric:i9m·.
In fact, i f we are te be .. ble to holographicillly call up th.
viSions necessary to IJ\lito.lningfully ham.lis thi5 tremendous bio-
emotive momentum, we specifically nRed all the rigor and clarity
we can get from the operating symbol SY5tvm of the psyche • .
Because the a.m perage and volta91l <1itltral1y in e1ec:tricill terms
ali wall as metaphorically) of the kundalini phenolDena are so
high, the mt~bility and resolution of the ima9& stucture fo~using
the momentum, are prli!cisely the test and limit of the horizon of
effect and usefulness of the ~h.nneled energy •••
"as the playdough mov •• f •• tar, the molded die cutter needs be
sharper and stronger".
"as the riv. r spftads up, the need fol" balance on tn. water
wheel increases".
Disorder,illbalanc:e,rfolsisotilnc:e and heat .re the limitation
for avery power transmission system. The human bio!5ystem and
emotional hierarc:hy are cl assic .and 1 awful in this sense.
What is the 5ubstanc~ of this percieved intense momentum?
Physically, emotionally, spir·itl.1al1y, biolo4ijically, symbolical1y;
the Question deserves coherent answer6 related to all
discip'ines.
Kundalini is initially described as the feeling of extreme
Itel ectric 1 ike ll , erot ic , emot i ve sur4ijes t from the b~l!s.. of the
lipine, through the glandularlchakra centers, through the top of
the head. Th. Itl<.perienc:e for some becomes many-fal d more intense
than ANY other experience of the hum.n condition. It 15
potentially both biologically ecstati~ to the-limit of the human
nervous systems c_pac i ty to sustain ecstacy, and can be physica.l-
ly totally devastating. It is r~lated to the Rxp.rience and
develop"ent of emotive coh.,..ent;e and .llfctric:.l ccnduc:tivity in
the liquid crystal of the body, whose connection to spiritual
prat;t ice,s and glilndul Illr development this. artit:l e wi 11 .ttempt to
address in detail.

Firgt w. wi11 describe mo........pects of the


symptomatology surroundin9 kundalini, and them we Hi 11 attempt to
fascinating
evolve a potent el~tric: .. l and biological model to give
scientifiC context to thtl phenomenon. Lastly we will dra ... some
implications for the immSldiilte role of Kunda' in1 in nourishing
planetary mind.

63
Lee Sanne 11 il ( "Kunda I in i : Psycho. i Ii 01""
Transcendence") ,developed an imp01"tiilnt clue to the leng term
biolagical significance of kundalini, whttn he trcac.od the path of
stimulatiQn of the bodias pleasure center-IS around the soft curves
of the brain, dccording to the perceptual reported travel of t.he
kundalini .ensations. Sy.tematic stimulation of the bodies
plea$ure cent ... " 1s not something mother nature allows to happen
without excellent reason. Days or even wittik. of almoat c;onstant
tears of ec~tacy are known during c.rtain stages of kundalini
development. Although more correctly, the ewperiance of ecatacy
in spiritual work should be $een in th. overall context of the
per~onal growth, a.nd not strictly as an a\;pec:t of kundalini. At
other times an immense firelike column of transfixing heat and
presAure, im~obilizing even the thoughts, are part of th.
phenom·e non. The 1 'iterature repeatedl y d~sc:ribe. dramatic intense
rushinq &liIn .. ations usu~lly moving up the .pinal c:oluflln. The
growing body of reported Qxperience, appa .... antly intimately a pal"'t
of the biological situation of beinC) human, should not be ignored
by biological and phYliical models.
What i5 the b io1 09 ice' mean in9 of eC'5taI;Y? Is i t a
reward/feedback loop provided by collective mind, aimed at
specific useful sQrvice? The term fa.dbeck loop is very
appropriate here, in that the c:urvature of the paths of
stimulation/conductivity in the body arlt RKac:tly th.ts • loop-
feeding back. Each time the flux line of an emotive/elltctrical
field is focused by intentional self referllflce to center point,
the field grOW!i by c:oh4irence implo.ion to its own hf!i&rt. The
notion of "heart" iSl a ric:h topological IftQrpnogenetic metaphor
for the concentric vorticill archlttypeof .very form of energetic:
stabil1 ty. Ra-gard the muscl e l_yers of the heart as they are I the
liquid crystal wave guide5 to the fc(;:al center of gravity ••• of
the pie~o.lactric (ellPctro-sonica11y.<:t1ve) gl.ndular chain.
(Don't let language density disturb you, enjoy whatever images
arise from your own p&yche.)
We are here clo&& to numerous penetrating images from the
realms of crystallography, and interestingly the poetry of
ernot ion. El ectrical purity as L\sed in re-llonant crystal deai9n is
wond~rfully illuminating of the deep meaning of
.motive/lntention~l purity. To conduct _ field with purity and
power (that is absence of destructive resistance/h.at),
electric:ally and spiritually requireB absolute order and
concentrici ty of focus. The eff icient and well- tuned crystal
oscillator require& both purity .nd order. The nervous system has
simil.r requirements, sometime. called one-pOintedness, and
rel.-xed focus, which have real connections to the order 1"elated
to relaxation and c:onductivity in nervous lAnd muscular tissutI!:
I iQuid crystal ..

Emotiv.'y spea.k ing i f intention i . clouded with mixed


MessagGIa from varying de.p tha of the crystal 1 ine psyche t then the
cantef"'3 o-fgravity OF INTENTION are not concentric or coherent •••
The electrically elegant cut crystal i . requirltCl of the same
concentricity of foc:u$ by facet array to produce li9ht focus and

64

.
desireable fire. You st.rt with thr!! purest crysta.l you can find,
you watch the infinite nS6ting of electrical/9ravit~tional
harmonic5 woven into it!S phased bond structure trapped by moment
C)f birth ••• and dope with carefully chosen tuning alilent at focal
center- of molecular stl"'uc:ture- to produce the ultimate instrume:!nt
of conductivity/connectivity on the path from light to matter;
FOCU5 is the only tool required.
Biology and cry!Stal are wave guides for that natural function.

Crystallization or birth are names for the instant that wave


momentum is trapped in a standing wave matrix (or womb).
All bonding is; phaGe lock in9. It hm t ju.t the electron shell
I

which stands and bonds btiitcau1Be of wave momentum phase locked in


opposing directions. Thi5 principlli)' of phase locked opposing wave
momentum applies to atomic, molecular, human, and planetary
bonds. It is the nature of bonding that capture5 and ~tores the
wave envelope whose geometrized momentum produced stability (in
Yogic terms: Shiva). The nature of each standing wave ENVELOPE,
1$ such that the complex harmonic matrix in the ambiant:e of the
field .at the momll'nt of CRYSTALLIZATION, i$
trapped/storad/contained. The result is that thQ
infor"'mation/ord.r which existed, not just in the electrica.l field
at the time, but also the higher frequency
emotional/gravitational field, i~ preserved/contained. Thi~ is
bQcause coupling a standing wave means holding not just the pure
wa.ve "in hand", but al!io the infinite nest cf harmonics contained
in what is called the wave envelope (5imply wave shape or
container). The potential for infin;lt.1y multiply connected
depths of h.rmonic~ is the key to holo9~aphy and thus mind. This
is why the im.. tant of crystal 1 ization is such a profound and
significant mom.nt. Consider the implications for crystal a5
information storage devices (psychometry?), for astrology (moment
of birth), for emotional armoring in the liquid crystal cf the
muscle. Con&ider the CrYBto~ birt.hing potential of the fiery
column of locked 1 ight th~t is ecstacy and Kundalini.

Ecstacy then, is the glandular chain reporting hillppily the


beginning of the completion of its functions the accom?'ish~Rnt
of the necce!lsary frequency cascade to couple light/electricty/
a.nd matter in a single coherent and LIVING bridge. The biological
urge for the collective nervous tissue o-f the human species to
produce that coupling (necessary to the choreo'Qra.phy of all life
in OLlI'" ecosystem,> is reported with tears of Joy. The tea.r!5 are
the physio/ayeo1 of resistanca/disC)rdlfr <t.he death of ever-ything
not eternal) waIPhed from thQ crYIit.iill-ChrY5to& ccnv~rg~nce of all
that is life (eternal).

The onset. of superconductivity in crystal is often described


by phonon (sound like) waves cohering to weave
disorder/resistance/heat into nested order/coolna>!l5/conduc;tivity.
Piezoelectricity is the tiound pre5sure/electrical pressure
coupling which occurs in certilin crystals. The glands themselves
function piezolectrically at the centers of the nervous/endocrine
phnd call9C1 chakriis. Thig meana that they respond electrically
to acoust i c 'y
praSSlUr5PS, .and rEin.pond .acou .. t ic.a 1 to 91 tH:tr i ca 1

65
pressures. They are sonicall y active. (cf: Frequencies heard by
meditatorll, cha.rted in '~Stalking The Wild Pendulum", by Sanlov,
Dutton Pub.) The siginifcanceof this, particularly in the higher
glands (pituU.ry/pineal) is that the coherent sound hierarchy
couplln9 throughout the body durin'i deep rei 8xation (again cf:
low frequency ph ••• lock to the heart, and brain ventr1cal
cavity, Bentov) ••• triggers psycho-active hormonal secretions by
st imul at iog and softanihg the gl andtS. <The "SoftlMl&d" heart?).
The entire nervous cavity then i!l!. trigger.d to the onset of
superconductivity/ecstacy by the psycho active secretion. of
(kundalini) stimulated glands.

The emotional and erotic implications oi the onset of


glandular (super)i;:onductivity connecting the acoustic and ELF
(ElectNJrnac;lnetic Low Frequency Fields) to the high frequency
f tel ds we call gravi ty and .mot ion t ~I". sweep lng t
-The more liquid qualities of the gladul.r plexi stand to
greater rigidity, 1 iterally crystal 1 i2e, around the field
order 0+ the acoustic: (mantra?) ringing field.
-The phonon or pressure sound waves c;:olumnate a matrix of
order around whic::h the IffOlecular plansI' crystallize. The
triggering and altel"nate h.rd.ning/softening and
heilting/cooling of glands and plli"xi (chakras) are externally
perceptible.
-The glandular hierarchy is piezoelectrically stirraulated toward
its higher i!Csttiltic limits of secretion/activity.
-The hormonal activity thus triggered is psychoactive.
-The body biofitilld'e inc:rea~ed coh.rence and implosive focus
couples larger and more planetary fields (collec:tivo mind) •
(Consider the deep symbiotic rel",tiOf1ship between the
natural Schuma.nn ELF field of the planet, And the
frequencies tending to produce elation in humans.)
The glands also function exactly ... the analog Q~ the dopant
in the c~ystal: The crystal's dopant i . the carefully chosen
"for-e:i.gn t • or unique element carefully chosen for planting at the
center of a resonant c.vity, whose own rellonanc;:e cau .. e!S all of
the momentum forced through that cavity center- by tha necessary
process of concentric focus, to be TUNED by its inherent
field/shepe/~requency. Thus a gland .ay in the central brain
cavity is functioning 4!5 the tuner .for that wave guide cavity. It
is not only ptiychoac:tiv~ endocrinologicillly as an acoustically
energi2ed, phtzoelectrically tri9ger.d ductll!'s5. gland, i t is
.imul tane·o usl y psychoact i ve mechanical 1 y as til liqui.d crystill
tuning dopitnt.
THE MAGICAL HELIX •.•
The geoniletric array which allow~ coupling between widely
differing fr.q~.nc:ies, in quartz crystal is symmetry in one axial
plane, coupled with SYSTEMATIC aSBymmetry in another orthagonal
plane. The unique and fa5cinating element of the system of
a~sYlM'letry in t .he long or C axis of quart4 is that it is hel tcal •
(an elongated cube/hex 55piraling of the o><ygenated spine.) The
hel iCity of gerletic material (DNA), AND of the human prilfte
c::hakra/eodoc:rine (Kundal1nl) column, aNt simil.rly of profo!.lnd
I

morphologic significance as wave guide.

Here are a few simple turns of mind to help us dan.:::e the


aimpl ... wonder of the helix together 1 First, while remembering
your childhood Sunday School lesson of Jac:obs Ladder, draw in
your mind a simple long ladder with ten rungs. Now grab one end
mentally .nd twist one full circle. Now pretend you cannot see
the rungs for a moment but only the side rClil~ of the l.adder.
Notice that i f you looked at it from the Bide your would se~ only
the ellPQant double 0ppo$Rd !IOine wave. This has the same
!DtructUl"il1 aignific,ancii .s the standing waV.9 on a guitar string,
or the elactron standing wtive shell stability· when oppo!>ing
directions of spin are present. Also see th.t when one o<f these
complete sine WAves i~ enclosed in a circle (two halves of the
next ljirger _inw wave) Wit have the sy .. bol for the TAO. Here too
are rich madit.tioniii on the symbol of the serp&nt (Kunoalini 1s
often called the "Serp8nt Power"). Altlo sinC:fiI the Kundalin!
gl.andul,ar momentulTI originates in the lower sexual C:li'nterst the
Uroborot ic not ion of the Serpent eatin9 i t$ tai 1, here takes on .
on eve" deeper meaning. (c:f Gurdjieff; "organ Kundabuffer U )

Before putting away your visual ization of the twisbtd Jiildder


helix, take a moment to look at it from above. Ag.in with the
rungs invisible, but the places whQre the rungs touc:hed the side
rails marked t note that from above you see silllf31e n~!Sted
paritagra.fItS nested jn _ double spiral. From i\bova with no
percept ion o'f depth, you m19ht think yeu ware 1 oak ing at nice
planar spirals. You could make this same image by drawing one
pentagram touching the inner center edges of another 1 repeatedly.
Then connect one spiral row of vertices, then all ten. Notice ten
phased spir .. l . of the golden mtran. Each penta- edge to i.ts next
is ratio Golden mejin. Spiral chords, and arcs are the same ratio-
1.618033989. • •• Note the progreKsion: .018 •• , 1.000, 1.618 ••• ,
2.618 ••. , · ••• , is infinite, its Ql!oml'Ptric, logarhythfllic: each
number is 1.618.. times its ne><t, and wilch iii the sum of its two
precedingnumbertl: that is tha me.ning of an a,r"ithflletic and
geometric progessian: a perfect infinite 6eries of all coherent
non-self-destructive heterodynes... (of sum and differencfi
frequenci~1i glHleriilted by each adjacent beating pair, none are
homeless or self cancelling within the nest> a door between
frequencies/dimensions/worlds. Your twisted -ladder seen from
above is nothing more or lRIiG. DNA has ten rungtii per rotation!
The top and bottom of a pentagoniill docdecahedron seen from above
look the same. DNA t:ould b~ said to be a mc:wing, ~pinnin9
dodecahedron. Each nodal point in the array i5 a transformer drop
off point for momentum moving between frequenciEini (worlds or
dimensions> in a disciplined Jacobs Ladder wav. guide.

And DNA i6 the heart of every cell in the body dancing with
the potentiill to ~ner9Y .~~tacy.

Another aspect of the bridge between fields that is th~


het ix I w.ve guide, i'5 the inherent mul t ipl y coupl ed mechan ieal
oscillation of the spring. One way to visu.lize the cap.bility of
this elegant spiral geometry to act as • simple lever coupling

67
on@ axis of leng motion to another axis of ~hort motion, i!i to
consider that pull in9 along distance o.n the ends of .a $prin;,
trlovvd !icmlilone holding the sides of the Itpringinward only a
little. The molecular " ex prtta_i on of thi. h&lica.l spl"1n91 ike
leverage tn quartz is its capabtl ity to turn lIimple mach.nieal
(or acoustic/sound) pr••flur. into ellN:trlc:al pres.ure/voltage.
This principle labe1ad piezoelectricity i • • pro~ound metaphor
for the 1 awful int ..rface of geom:etricall y di lIitant forces" into
cascaded harmonic sysmtems; i t ariees explicity because of the
helical natu,.... of qUartz. The inherent stability of the
piezoelectric principle in crystal oscillators allows us to
chol"'eo9raph the timing of our dance AS cultur& to time/rhythmn
e5tablished only this way. Quart:l timing is the haa.art of the
computer as well all the watch. The magical sta.bility of the
helix, _pring wound in phase, turns out to be the genatic and
glandular dancemaster of biology and ecstacy as wall.
The hel ic ity of genetic material (most 5usept ibl e t"a
r •• onanc:e in the cell).~. choreoor.phs the dance coupling ttl.
information rich biQfi.,d of the c:el1 into its· mc1ecular plane~
via the mitotic ritual. This is accoflilplishad because the
morphol09ic placement of molecular key. in lock!5 required to
complete mito_is, i'5 masterminded by thl'} columnating r •• on.nt
field alignment o~ .activ. Sites, thl"ou9h the wave guide function
o-f the CjJeneti~ material itself. E.sentially DNA/RNA and
microtubules at the cellular level all choose their ollttitude .and
placement for th. mitotic ritual by "ringing true" to their' nodal
arl"ay positions in the dominant fields (including uv, ultrasonic,
and ELF) •

This 9ive. us the background we need to conSider the


profund i ty o~ the hel ix of the chakra/nilrvous-p 1 e>ci system. It
isn't only that " ••• by turning and turnin9 we co .... e round right"
but by t.urning tipfiCif tcall y IN TIME to fit the matrbc of ,t he
crystalline womb. The helix of the 9lands, acousti~ally
establishlis the wratchtttad timing of the turns, and thus th'i
ba!5eline of the h.armonic c ••cad. implosion call.d kundalini. The
tillling of the acoustic; .tanding wave of the heartl aorta. complex
phase COLtplti5 with the naturAl r.50nance of the ventrical cavity
o'f the brain. (SmntoY.) If the heart i'5 in the right pI ace all
else follow.. Th. heart is center of gravityl cent.,.. o.f
intentionl and centtl!!1'" of electrical tuning.
There is one other very powerful a.pect of" the function of
the helix as wave guide, whic:h can be understood by c:onclIPtual
analogy. This i . the notion of the opan space at the center of
the ladder run9 t as a kind of " spark gap" } inear acc.1 erCltor.
Recall tha.t the non - line .. r nature of the peptide bond at the
center of the rungs of the DNA have often been modeled as the
agent of stabi 1 i tyl in5t~bi 1 i ty for a;.1n9. Burning out of spark
points is ci central mlttaphor o.f ilutomotives, Tesla Coill>, Sin",l&!
phase motars, and c:uriously... DNA"? To understand the
Significance o.f the !Spark gap in ell ect,..ical function it is u1i~ful
to consider the rich harmonic: co~pl&xion of the square wave.
Spark 9aps a.re a quantulIl leap type, catastrophic (in the

69

..
L

mathematical sense), suddenly on then off type, electrical


connector which d assicall y produces a square wave (sharp
corners) of conductivity. This is profound for the Tesla coil
feeder circuit, for the nervous synapse, for the DNA l.dd~r rung
center bond, for the beating heart, and for the Corpus Callosum
brain hemisphere spark gap.
Understanding a universe m.de of only one substance is
easi~r when we undQr~tand the Fourier Series principle that every
shape in t.he universe can be made of simple sine waves. Whenever
a spark fire., the presence of the sharp corners on the Wilves of
conductivity contains in spectral an.lytic (Fouri~r An.lysis)
term!5, harmonics hi')h up the ladd.,- of frequencies (thftoretic.a.l1y
infinite). Infinitely high frequencies can cont~in infinite
informat ion densi ty. (More than a metaphor for
mindful nes$/whol ogram) .
The principl~ of th& linliPar ~c:celerator (as used in sub-
atomic fixPQrim&nts;) t is s111li 1 ilr to the si~l f! AC induct,ion motor.
As the Urotor" or wave packet or sub atomic particle anters the
field gap, its arriva.l is carefully timed or pha.sed to c::oordinate
with a field input, or ma9netic kick, which speeds i~
progreasively faster on its way. This principle is also described
for use il.5 a magn~tic launch pad to launch material from the moon
to build space stations. Always in the linmar accelerator, the
firing field coordinate-s with a passin9 packet to catch it just
at th~ right time to spef!'d i t up, OR SLOW IT DOWN~ In clur
biological situation with tha DNA genetic matarial t and chiilkra
column, spark gap cQnterti; infermation i~ sent .and reciaved from
the higher !)peed N rirqu&nc y / i nf or-mat i cn d(;nsi t y rail. 1 ms 1::.11 ed
emotion/gr-avity/col1ective mind, vi. the phase array principle of
the linear accelerat.or. The phase array that is the heli>e, is the
morphology which makes this catch-ball game possible between
biology and its attendant chor&ographing fie!ld~.

The functionof the liquid c~ystal flux gradient at the


helically arranged glandular centers, firing piezoelectrically,
has thus taken on another level of signiflc:ance1 that of t he
fi~ld ef~.ct, linear acce1erator. This mates the speed of our
emotion and thought form t to tho~e of planetary mind, without
destructive interference vi. the in9Qnius body electric wave
guide that IS the human condition.
----.---------- ...... ----'------------------------~--

CLOSING WITH AN OPENING


COLLECTIVE CONSCIOUS, A MIND BEINe BORN, INVITES us •••
moment-one mind.
Our yearnin9 for the ecstasy of intimate cennect@dness has
flowered with symbolic: petals called the phySics of
consciousness, the Y09aand eros of emotion, non-linear gravity
energy ••• the pl anet ~nd its bloodstream ••• Wt!.

Mo~t of us have begun to respond to the harmonics o~ cur inner


voice and deeper selves. Heeding the gentle tingle of our
highest selves we soen 5-oar in our potential for joy-ful and
1 (wing service.

69
We have made quilitt time to hear our inner being. and devlllop a
heart t.o heart relationship with our deepest ael.f .. We often
call the source of our inspiration, intuition or collective
unconscious, or angel... We do well to consider deeply the
matter of th. rea.l root and h ••rt of this always amazing and
usually delightful pervasive intelligence.
OUI'" destiny 1& to encounter our .. mbr ... cin~ collective mind with
incr-Q.asing intiQWlcy .and r ••onanCfi. W.......k.n to a love 1ife, in
which personal 10vII e)(pand$ to planetal""Y love- through this
touching new ;b ody CIT l'Iindful nes.. A new body o.fmind crystal hilts
among us.
A standing wave form whose exc:hangl!!15 of molftentum are per"ec.tly
ba 1 anced and ph •• ed i!il ca 11 ad .. crY5ttall i ntil bond. Tt1 hi way of the
crystal iii love~ the Chryst principle.
w. im~'itine the r&tl1 function of man who'. being is precisely the
embodiment of the Chr-i.t principle. Our collect.ive illagination
weaves in our midst A body of mind who through our til5S&nt aS5UIU!5
a seed role as THE CHRIST.
OUr plan&tary mind nesdingmot" .. subtle - cphe-sive and touching
resonance among human amotion n ... ring synchrony, assembles the
evolved Christ trlan God as a mater-ial focal point - . .ad CrYfit.l,
initiatinfil new connectedness,
new mind, new love.
A new hieraN:hy of order BUpel"'pO$ec:J on tha l1quid cl""ystal
material hol~9ram of planet Earth is the birth of a new ~ind in
which the texture of all of our involved w111. is drtilmatically
cohered and enriched.
To embrace the possibilities of this new mech.nism of telep.thic
connect.-dnasss in one Vlil!lit and ecstat.ic at birth 1 mint!'.. is to
invite CHRIST=The CRYSTALLINE way of ~rowth for hologr.aphic:
mul tidimensional mind •• ~ into your h9art.
The boundlessness of the dl!!9ree of freedom we have to make this
choice to accept the total pre.anCIi our n.w mind, is exactly the
boundlessness ofD"'''' potentiiill to contribute to t.his great. mind
when we ",ake the choice to embrace it.
Gr •• t centers of gravity grow ~rom a good heart. Join One!

P'OSTSCRIPT,
SOME FRIENDLY PERSONAl. NOTES ABOUT THE AUTHOR •••
It is alw~y5 tQmpting to say; "well, I wa$ born at. ~ very ~arly
a.ge.. . U

Actually I spent childhood drawing a. small wagon to the


bookmobile that stopped occasionally in our tiny town. East Eden,
(just East of Eden we like to say). Days at the littl@ woodttn
school house were puntuated with ",ode} roc.kllt fli9nts <ilnd get.ting
the gard~n tractor stuck in the back woods.

70
High school was prassurizing and eye opening in a gevere and all
male, Franciscan Priest kind of environment.
Spending 51.1mmer in E.urope before entering the University of
Detroit" began a pattern for me which lasted many years, of
wandering the 910be on a kind of spiritua1 qURSt.. I looked at
the Seine River in P.ris through the bottom of a 91as$ bottom
boat, and faIt tha softness of the breezes in Lucerne,
Swi tzerl and ••• and wondered about mirac1 e cures and things of the
spirit in Lourdes, at a youno and impre~6ionable age.

In Detroit, I studied electrical engin~aring (which eventually


grew into electrical s~ills which occupy me very productively
now). However I went on to get my d~9r.e in Pliychology. 1
operated the polygraph at a gradUate p s y c h clinic and studied the
physiology 'o f emotion, along with el e(:t rical models of bodi 1 y
energetics. t also became -fascin·a ted with Jung and the origins of
symbol, dream and language, and went on to graduate work on a
vision which fall OW!8 me yet: to describe the c:o'mmon origin~ of
symbol, language, biology, and consciousness in the slimpl_, nece-
ssary, geometric el~g ... nce of standing waves in a uni'fied field.

At around th.t time, 1 b_gan to explore possible way~ to ~erye


and learn from industry. I b~9an in the complex many buttoned
5wit(:hboard/radio phone center of a messy Detroit real estate
firm. Later I became an income tax professional with various
firms. Then I entered quality control in mettalLlr9Y and crystal-
ography at a steel plant. Finally I \It,..
trained in Detroit, Ne-w
Yo'r k and Chicago, as a Systees Ana1yst with IBM. I was particu-
larly involved with their long lines telecommunications n.twork,
and embarked on a series of computer networking e>cperimltnts which
continue today.

IBM was before 9raduata .chool , the dean at University of Detroit


lured me back with scho1arship and intere6t. But it was not long
after going back to university, that contacts I had made while in
Chicago with IBM, le4d me to Clay~ont, a Fourth Way intantional
community in West Vtrgini.a. There I spent a summer learning
sacred 9ymnasticSl, meditation, and various intense exercises
desioned to unfold the "chakra n petals of intli'ntion and emotion
in the body.

Later I moved to a spiritual community in Marshfield Mass.


ostensibly to pursue gradUate independent studies. More
significant1y I became involv~d in the rich intellectual
resources of the Beston community, particularly MIT. A close
friend completing his Phd in physic~ there helped me to under-
stand the computer graphics at the HIT spacelab. That is whera I
first worked out the pentagonal nesting geometry for the golden
spiral c.as.cada which is the centerpiece of the Star Mother kits
and developed cur videotape.

I attended numerous international Physics of Consciousness


symposia T and began years of travel visiting as many scientists

71
and re.ea .... cher-s in the field of conscousness as potallible. I lived
in California for. short while, went to two New Age conf.rence~
in Florenc:e It.ly, then to Findhorn, and l.tar to Egypt and
15real •• l1'I-editated with crac:klin9 intensity on the sliia of
Galilee, felt the pierc:ing Bup.,..conductive chill in the Kings
Chamber of the pyramid, hiked alone looking for lost ",onast.rles
of the Great White Brotherhood in t.he Aodes east of lak. Titicaca
and just gao.rally did what must to carve and mellow the fire
bLU"'nin~ in my Scorpio spirit.

Ik.aring all of thi~ I never quite lost touch with home town and
family. I'I'!) b4ack here nowf busy &c prosp""ous, runnln~ the
te~hnic",l side of the family .1RCtric.l bu.inet.s.

When I calle back, the harmQllioU6 mwmori •• 0-1 the rural homast.ad
1 He of the Gurdjieff com-mun i ty stayed with me, Glnd l.ad Ifte to
acqui .... e thim am~~in9 country place. (and thus we came to •• ~

the story of CRYSTAL HILL FARM


Crystal Hill Farm began late in 1979 when lilY ~randfCithert an
old horse farmer, helped me locate and dream About a lovely
rural property on a high hilltop overlooking LAke Erie in Western
New York. I've had visionta of new for",. 0-1- cOlINRunlty since
t!itudyin9 at the Claymont Gurdjieff estate in West Virginia, oilnd
at Findhorn.
1 bought the driunat1c: and peaceful 14 acrE estate in 1980,
and lots of work and play beQan. The ei9ht bedrooll\ or so, 100 and
SOIll& year old farmhou •• , fe,atures a lI'Iawnificent vi&w of the
surrounding 1 ak6f p1 ain and distant 1 aka, and 1s pract ieall y
surrounded by claSisic wat.rmelon seed .pitting porch.s. The
stairway to the basement is carved inconti9uOUS living bedrock •
• h •• p. Today the beautiful cathedral 11k. 10ft ha& undergone
conversion to enh.ance its use as seminar spA(;e. Already dozens of
barn dancea .and Sufi .piritual sl!f1Iinars have found their home
here, with more planned.
The farm enjoys woods, falls, nature trailB, c:ross country
skiing cut back; a rock lined ".formAln herb .;Jerden, raised bed
kitchen 9ilrdens, and many stages of fruit shrubs and tr.es. A
delightful assortment of tractor. and 1~pl.m&nt. permit f.rmine
beyond the "gent 1 eman" st.ag·e .
The hou611! was vltry confortabl. even bei"or'e eubatantial
redoing and decor-at fng.. It ..,nJoys lit superb farln k i tehen, a wal k
in cooler, a well equipped toolroom, beautiful piano .nd new aos
library.
The electronics room ofier9 computer word pror:essinQ,
graphic5, mod ... , networking, and ",.jar databaseacclt!lsing
capabi 1 i t i . . . The computer &1 BO interface. ·w ith the video
proc.ssing lab. Satellite equipment adds to the hori~on of
inf orm,a t i on gather i n9 potent i a 1 • Shortw,Avlt, pol YQraph • and
9~ometric modeling equipment also array among the tools and tOY5
in the farms el~ctronic womb.
Currently being distributed from here is a videotApe on
Cry.tals, Wave geometry and Healing, .s w.l1 as this marvelous

72
geometric modeling kit, al la Bucky Fuller, building a sacred
polygon nest, called "Star Mother».
From 5tudents doing their agricultural summer cooperative
warl: studies from Alfred University, to Full Moon Meditations,
life at beautiful Crystal Hill has been full and stimulating.
Today a strong core group of friends called the "Network of
Light", founded their publ icaion here, networks ~eminars here at
the farm and elsewhere, is connected to many local dFJveloping
community and spiritu;al group~, dnd networking activities. The
friends share deep interests in areas like bodywork, inner
growth, initiation, new physics, etc.
Usually on a weekend there will be at least a music f9~t,
and/or an impromptu supp~r. Chances are if you stop by, you'll
f~el mOre peaceful for having come .• to Crystal Hill.

For information about presentations to your group on


"A New Spiritual Phi-sics of COnsc:io'-ISil1eSS il you may write to

Crystal Hill Farm


9411 Sandrock
Eden, NY 140'57

or I can be rQached at my office 716 823 1234.

warmly,

Dan Winter

73