SCHOOL F

SOUND ENGINEERING

Recording Arts & Music Technology

 ENGINEERING
DISC
JOCKEY
SOUND
ELECTRONIC
MUSIC
PRODUCTION
CONTENTS
Audiolife
About
Mission
Vision
Why Audiolife?

Infrastructure

Training Module

Examination

Performances , Communication & Events

Career Opportunities

Faculty Profiles

Our Students
Audio Life School of Sound Engineering is a Premier Music Academy located in JP Nagar, the most
happening place in Bengaluru. Audio Life trains aspiring, passionate & dedicated audio personalities
to the industry standards by providing them Electronic sound Education with the latest Industry
Technology. It is the place for people from any stream, old or young, working or studying to pursue a
career in the music industry. We offer education and training in Sound Engineering, Electronic Music
Production and Disc Jockeying which can be taken up as a part-time course or a Full-time course.

OUR MISSION IS TO PROVIDE Vision

 A platform to all the Music aspiring individuals.  Be the No. 1 Sound Engineering
 The best of facilities and exposure. and Music Production Institute in
 Multiple career opportunities in the Music Industry. India.
 Affordable Music Education and training.  Strengthen the respect and status
for Sound Engineers and Music
Producers.

WHY AUDIO LIFE ?

 World class standard equipments & acoustics at our Recording Studio.
 Professional Faculties from the Indian Film Industry & Electronic Dance Music Industry.
 First ever Professional Recording Arts & Music Production School, Partner Institution of Bharathiar
University, Coimbature (Government Recognized).
 Exclusive courses to meet demands of entertainment & studio industry.
 Placements at the right place.
 INFRASTRUCTURE

Equipments
The Studio is well equipped with mastering grade equipments from the likes of Solid State Logic With
MADI Connections to ensure Pristine signal flow throughout the audio chain
Our outboard gear consists of the X rack from Solid State Logic, having the revered SSLE EQ and
Dynamic section.
Our Mixer section consists of 24 Channel Allen and Heath Analog Console and Yamaha O1/V96
Digital Console.
We have High Fidelity Condenser Mics from Rode and AKG. The studio is also equipped with Drum kit
Mics and legendary dynamic mics like Shure SM58 and SM57.
DJ room is highly equipped with Pioneer CDJ850 and CDJ100S Players with DJM700& Vestax
Mixers.

Facilities
The acoustics of this facility are designed by experienced Industry Professionals to ensure smooth
and even frequency response throughout the control room, which also serves well equipped class
room.
Our Recording room is capable of recording an entire drum kit, string sections, instruments and vocals
and is designed with the best acoustic materials and having a lavish space.
The EMP lab, which is specifically tailored to allow students an uninterrupted practice sessions, is
equipped with the latest Macintosh Computers loaded with Industry Standard Softwares and VST
Instruments. All computers are armed with High Quality Sound Interfaces and Modern MIDI
Controllers to ensure the most Productive Sessions. It is also equipped with a Comprehensive Library
Section to keep the students updated about the latest changes and updates in the subject of Sound.

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TRAINING MODULE

SOUND ENGINEERING

1> Sound Theory and Acoustics

Students will get a detailed insight into the various aspects of sound. They will get to know about
Acoustic spaces, the Frequency spectrum ,Reverb calculations, Ear training amongst a host of
important theoretical Sound Engineering Topics.
Study of how to Design acoustic spaces, Decibel theory, Room Modes , Room Reverb Calculations will
be covered in this modules.
Module Length: 20 Lectures

Contents:
· History of sound
· Acoustics& Reverb calculations
· Ear training
· Fletcher Munson Curves
· Decibel Theory
· Cables & Connectors
· Computer Fundamentals
· Basic Electronics

2> Analog and Digital Mixers and Circuit flow

The complete signal flow of analog and Digital Mixers will be Explained with their circuits , A/D and D/A
conversion Schematics , I/P and O/P signal path , inserts , Auxiliary inputs, Pre fader and Post fader and
the Master section.
Students get to Know About various Analog and Digital Mixers and get Practical knowledge of gain
staging and recording through these devices.
Module Length : 6 Lectures

Contents:

· Introduction to the Analog Console

· Complete Analog Circuit & Signal Flow
· Analysis of the Analog Channel Strip
· Concept of Auxiliaries & BUS Outputs
· Introduction to Digital Console
· Understanding the DSP Matrix
· Various outputs sections of Analog & Digital Consoles
 3> Introduction to Software and Processors

This section gives a complete insight into 2 Industry Standard softwares, Protools and Logic Pro.
Every detail from the setting up your sound card , Track Laying, Editing to the arrangement window is
covered.
We then introduce Various Processors and Filters used to shape your sound .Compressors,
Equalisers, Reverbs and Various Modulation effects are covered in full Detail including their circuit
topology and Functions.
Various Preamps and Amps uses in Professional Recording and Their Circuits are Explained
Module Length : 6 Lectures

Contents :
· Introduction to Protools
· Understanding the various Menu’s & IO Settings of Protools
· Analogy of Compressors with their various circuit types
· Editing in Protools
· Practical use of Various Compressors with different Sound Sources
· Analogy of EQ's with their various circuit types
· Practical use of Various EQ's with different Sound Sources
· Introduction to Modulation & Time Variant Processors

4> Recording Arts

Various Mic Techniques and Advanced Stereo Microphone Techniques like X/Y, ORTF,Spaced Mic
Setup, Drum Mics,Vocal Mic Setup , Instruments and Percussion Mic Setup are Practically explained
to the Students Using Industry Standard Mics from the Likes of AKG, RODE , AUDIX and SHURE.
Module Length : 12 Lectures

Contents:

· Setting up Various Instruments for Recording.

· Preamp Settings and optimisation of recording levels
· Recording Vocals and Guitars with Various Mic Placements
· Recording Drums
· Setting up Headphones and Monitor Mixes
· Setting up a session for recording
· Selecting Suitable Configurations of tracks for Recording

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 5> Mixing and Mastering

This Section covers the Detailed Mixing and Mastering Techniques using Industry standard Audio
Plugins and Hardware units from Solid State Logic. Using a Hands on practical Approach, Students are
taught how to shape up a song from scratch and make it a Polished Record.
Detailed concepts of Signal processing , Automation , Side chaining ,Metering , Limiting ,Track Groups ,
Audio Import and Export formats are covered giving the Students a thorough Knowledge of Advanced
Sound Engineering Concepts.
Module Length : 18 Lectures

Contents :

· Setting up a Session for Mixing,

· Organising and Colouring Tracks,
· Editing Tracks
· Advanced Features of DAWS like Elastic Audio ( Protools) and Flex ( Logic X)
· Selecting the Right Processors
· Applying Insert Effects
· Setting up Auxiliary Channels
· Creating and Saving Own User Presets
· Setting up Subgroup and Group Channels
· Applying Hardware Inserts
· Advanced Automation Techniques
· Nominal Mixing Levels and Gain Staging during Mixdown
· Finishing a Mix
· Exporting Options
· Dithering
· Mastering and Finalizing your Production.

6> Music Theory , Midi Programming and Steinberg Cubase

Basic introduction to concepts of Music with an aim to enable the sound Engineer to communicate more
effectively with Musicians. We also cover various techniques of MIDI Music Production and In Cubase
and Logic Pro. Students are also Taught how to synthesize their own sounds using LFO's ADSR and
other components of Synthesizer.

Module Length: 10 Lectures

Contents :
· Introduction
· This covers the introduction to the Softwares,Studio setup, opening & saving projects
· The interface, browsing & auditioning apple loops ( Logic X)
· Using transport controls & locators, navigating/zooming in track area

· Editing and Programming

SOUNDMUSIC
· This section covers Midi Programming, Editing,
·
·
·
ELECTRONIC
Recording pitchbend and modwheel, editing controller data, intro to library
Quantization and groove templates ,Using the drummer ( Logic X ), importing MIDI
Basic Music Theory

· This section Covers Circle of Fifths,

· Instrument Registers, Analysis of musical parts (bass, pads, instruments etc)

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· Staff Notations, Tempo and Time Signatures
 7> Live Sound Reinforcement

Here we deal with Various Aspects of Live sound including, Systems Engineering, Setting up Mics for
a stage, Types of microphones to be used in a Live Performance. Crossover networks, Amplifiers and
Loudspeakers.
We will have Real Time Live Setups organized for Students and Guest Lectures/ Workshops from the
most renowned Live Reinforcement Engineers in the Country!
Module Length : 5 Lectures

Contents :

· Introduction to Amplifiers
· Various types of Cross over Networks
· Analogy of Output Transducers
· Concepts of Line Array Setups
· Exploring the Live Sound Reinforcement Mixer
· Introduction to the Avid Venue Workflow
· Optimized Mic setups for Live Sound
· FOH Mixing Techniques
· Learning feedback Suppression

8> Post Production, Foley and Sound Design

A Film is Not Complete without its Sound Design. In this module we explore various aspects of sound
design including Foley, FX Laying, Dialogue Dubbing & Matching, ADR takes, Combining dialogues,
FX and Background score together to create the complete sound stage of a film.
Module Length : 12 Lectures

Contents :

· Setting up a Video in a DAW

· Setting Up Foley and Sound Fx
· Background Score Layering,
· Sound Design,
· Dialogue Dubbing and ADR Takes.
· Time coding Clips ( Broadcast wav Files )
· Setting up the Film Mix.
· Grouping Dialogues ,Fx and Music Tracks

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 Electronic Music Production (EMP)
1> Introduction to Sound Theory and DAWS:

Students are introduced to the Concepts of Sound Theory.They will be given an understanding of the
Home Studio Setups including selecting the right Equipment.
This Module will also give the students an insight into popular industry standard Music Production
DAW's Logic Pro and Protools.
Module Length: 6 Lectures

Content:

· What is Fundamental of Sound? Different Types of Sound Waves in Digital Domain.

· Studio setup and Gear Requirement for Home Studio
· Introduction to DAW - Logic and Protools.
· Opening & Saving Projects in Logic X and Protools
· The Interface , Browsing and navigation of DAW
· Editing, Arranging, mixing down & exporting mp3 and Wave.

2> Synthesis and Vst Instruments:

Students will be introduced to concepts of Sound Synthesis and Music Sound Design by using
various parameters of a synthesizer.
All Leading Vst Instruments and Plugins from Native Instruments will be covered in this Module.
Module Length: 6 Lectures

Content

· Introduction to Vst and Samplers.

· Introduction to the Synthesizer: Basic controls, filters and envelopes and Oscillators.
· Library and Preset Management Setups.
· Choosing, Analyzing and Shaping Sounds (Bass, Pads and Instruments) etc.
· MIDI FX: Arpeggiator and chord trigger. FX: Reverb Delays Chorus Flanger etc.
· Automation and Placements.

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 3>Midi Concepts, Midi Controllers and Midi Programming:

This Module covers a detailed insight into concepts of MIDI, various Types of Midi Controllers, and Midi
Programming In Logic Pro.
Module Length: 12 Lectures

Content

· Introduction to Midi , Midi Programming, Midi Controllers and Midi mapping

· Rhythm Concepts: Bars, Beats, Tempo, Time Signatures & Counting
· Automation with Midi triggers, Velocity, Pitch bend and Envelopes.
· Midi Sampling, Loops Recording, Midi notes, Quantization and Score.
· Adjusting count-In & metronome; MIDI editing windows: piano roll, score & list

4>Music Theory, Arrangement and Song construction:

This Module covers theoretical concepts of Music, Arrangement of a song,

Beat programming using Native Instruments Machine and Protools, and introduction to various VST
effects.
Module Length: 12 Lectures

Content
· Introduction to Music Theory: Note names, sharps, flats and octaves; major & minor triads
· Arrangement, Scores, cleaning and Layering of tracks in Logic X and protools.
· Drum programming with Ultra Beat Vst in Logic X
· Editing, Leveling, and mixing of Tracks in logic X and protocols
· Adding Fx and Overall Compression to Final Mix
· Mixing and Mastering in DAW
· Export Final Master to Audio Format – Wave

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 Recording arts & Music Technology
1>Protools Introduction and Training :

Students will be Extensively trained with the feature set of Protools Including Tracking, Editing, Midi
Programming , Elastic Time and Pitch , Automation and the Protools Mixer.
Module Length : 12 Lectures

Contents :

· Introduction to Protools Software

· Setting up Various type of tracks
· Track laying & editing
· MIDI Programming & Protools Instruments
· Working with Elastic time and Pitch
· Exploring automation techniques
· Working with the Protools Mixer Environment

2>Logic Pro Introduction and Training :

Students will be Extensively trained with the feature set of Logic Pro Including Tracking, Editing, Midi
Programming , Flex Time and Pitch , Automation and the Logic Pro Mixer.
Module Length : 12 Lectures

Contents :

· Introduction to Logic Software

· Exploring the peferences & settings menu
· Setting up Various types of tracks
· Track laying & editing
· MIDI Programming and Logic Instruments
· Working with Flex time & Flex Pitch
· Exploring Automation techniques

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 3>Native Instruments Maschine Introduction and Training :

Students will be Extensively Trained on Native instruments Maschine with Ableton Live. Module Length
: 6 Lectures

Contents :
· Introduction to Ableton Live
· Introduction to Native Instruments Maschine
· Exploring Sounds & Menus
· Exploring the Synthesizer
· Sequencing in Maschine

4>Recording Arts , Mixing and Mastering:

This Module will Focus on the Some of the Well Known Micing Techniques where students will get a
practical demonstration of how to Mic various Instruments.
They will Then Learn How to put this together in an Arrangement and Detailed Mixing and Mastering
techniques.
Module Length : 18 Lectures

Contents :

· Understanding the recording Chain

· Setting up Mics, Auxes and Priamps for recording
· Setting up for recording
· Editing sorting and Colouring tracks
· Setting up the Auxiliaries
· Applying various processors Optimized for Mixing & Mastering
· Various Automation Modes
· Mixing & Mastering a complete Project

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 Disc Jockeying
A Disc Jockey(DJ) is a person who mixes recorded music for an audience. Originally, "disc" referred to
phonograph records, not the later compact. Today, the term includes all forms of music playback, no
matter the medium.
The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms as a title
to denote their profession and the music they play.

Module 1:
· Introduction to Equipments (Pioneer CDJ 850, CDJ100s, DENON )
· Identification of Beats & Cueing
· Knowledge on different mixers

Module 2:
· Identification of Genres
· Structure of Music
· Beat matching of two different tracks

Module 3:
· Adding of Effects & Loops
· Various styles of mixing
· Various scratching techniques using Vinyl mode

Module 4:
· Thoroughly monitored practice sessions
· Live recording of 1hour set (Portfolio)
· Understanding of Marketing & Promotion

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 EXAMINATION DETAILS

PROJECTS
Projects are designed to encourage the spirit of collaboration and also harness individuals talent. The
students are encouraged to use all facilities available and come up with their own materials in terms of
complete mixed and mastered arrangements.This focuses on real time experience for students which
can prepare them for the professional environment.
Assignments are carefully laid out in semesters so that the student's progress is monitored and analyzed
for further scope of improvement.
Project completed by the students are served as show reels for the students which can be really helpful
from a job perspective.

Group project which includes video song which is composed & produced by students.

EXAMS
Examination procedure is an Exhaustive preparation module for the students to monitor their progress
throughout the length of the course.
It consists of internal exams aimed at preparing the students thoroughly for the University Exams as well
as ensuring that their progress is analyzed with careful attention.
The Final University exams are held in an approved center consisting of two papers 100 marks each
across two days.
1.Sound Theory & Studio Studies
2.Digital Audio & Live Sound

Topics :
Theory
· Sound Theory & acoustics
· Computer Fundamentals, Cables & connector
· Analogue & Digital Audio technology
· Signal Processing , Microphones
· Speaker ,Amplifier & Live Sound
· Music theory , Mixing & Mastering
Practicals
· Assignments on Song Editing
· Signal Processing
· Song Programming
· Mix Analysis
· Song Mixing
· Final Project which includes a vocal & live instruments which will be recorded, mixed & mastered
by student.

SOUNDMUSIC
Final Theory Exam on Recording Arts & Music Technology
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 PERFORMANCES, COMMUNICATION & EVENTS
Opportunities for students from audio life
Audiolife constantly engages itself in outdoor and indoor activities like live shows, live theatrical
performances, Music Performances & DJ Front/Club events.
This exercise gives students an opportunity to communicate Tete-a-Tete with the artists & understand
the rigorous of real time sound setups.
Topics from Systems Engineering, Speaker calibration, Mic setups, Crossovers, FOH & MOH Mixing
and artist Coordination are Covered by this routine.

Our Achievements:
· Our students were the part of entire sound setup at the AMC College Annual Fest.
· Our Students are working as Product Specialists in reputed Audio Distribution Stores across
India.
· Our Students are working as Sound Engineers/ Sound Designers in various Audio Studios all
over Bangalore and India
· Our Students have performed as Sound Engineers/DJs &Musicians in reputed Clubs like The
Humming Tree, City Bar, Jcubez, ITC Royal Gardenia, Pebbles and The Leela Palace to name a
few.

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 CAREER OPURTUNITIES
After completing this course, students are exposed to various streams of oppurtunities that Sound
Engineering has to offer in Professional Studios, Radio Stations, TV Channels, Media Houses, Live
Events and Places of Worship.

Recording studio
Recording Engineer
Mixing Engineer
Mastering Engineer

Radio Broadcasting
Sound designer
Programmer
Executive Producer
Recording Engineer

Television Broadcasting
Live Broadcasting Engineer
Editing & Mixing Engineer
Programmer

Acoustics & Pro Sounds

Music business/Music Marketing Executive
Studio Designer
Sound Engineer
Pro Audio Consultants& Product Specialists

Career in Film Industry

Sync Sound Engineer
Post Production Engineer
Folley Engineer
SFX Engineer
5.1 DTS Eng
Music Director
Music Programmer /arranger

Gaming/Animation/Mobile

SOUNDMUSIC ELECTRONIC
Sound Designer

Live Sound
FOH Engineer
Audio Installations
Systems Engineer

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 Khussh Pran Mehta
Designation: H.O.D.

Started of an Assistant in 2002 . worked for 3 yrs on an SSL console

2005-2008 Joined Amethyst Reckords ( Bandra) as the Chief Recordist in 2004 Having Recorded ,
Mixed and Mastered various TVC's Documentaries for the Likes of Discovery , DD etc…

2008- 2010
Joined aditya infotech as a Tech. Product Specialist and was responsible for Demo ,Systems
Engineering and Training of the UMX 96 console and the Ux 8800 digital crossover from EAW.
Was also heading the installation Q and A and FAQ for Mackie DXB Mixer.
Have Tutored Logic 8 and 9 to the likes of RSG infotech and Unicorn.

2010-2014
Joined RayNBrotherhood as head Mixing/Mastering engineer and Sound designer.
Have Mixed and mastered over 150 TVcs from the likes of Amul, tata, Mahindra Bolero, Bajaj , Gili
Diamonds, Birla, Force Automobiles, atlas Cyles etc…
Have done the Sound Design ,Film Mix for the Short films, The gift, Kadvi Dava,City Tweetles,
ChillinNBenaulim, IISC Documentaries, Spices of India etc
Have the the Sound Design for the Film sec 498a
Have done the Sound Design, 2.1 Film Mix and Master, 5.1 Film Mix and Master and Entire
Soundtrack Mastering for the Film Rise of the Zombie ( Hindi)

Witihn this period have also toured as an FOH Engineer with Neeraj Shridhar , Mika, Daler Mehndi
and RayNBrotherhood.

2014 - Present
Serving as HOD in Audio LIfe School of Sound Engineering covering Various Advanced concepts of
Sound Engineering. Also a Mastering Engineer having Mastered Projects and Tracks from the Likes
of THE BURNING DECK , LOW RHYDERZ , KEY'd , YASH GOWDA ,RAYNBROTHERHOOD, TAO
DIENASTY , YOUND DIRRT amongst others.

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 OVERJOY
Designation:
Deputy HOD
Electronic Music Producer

Overjoy Shimrah has come a long way. In his tender age of thirteen, he had started his guitar
education with stave notation.

Dedicated and passionate about music he pursue on taking music as his career. After mastering
his guitar and completing music theory (Trinity, Music school of England standard), in 2001 at
mumbai he co-founder the rock band called "Channel Rose," being the lead guitarist and the
Music Producer; taking care of all the music composition of the band. Performed in college festival,
clubs and in concerts. In that period he self taught himself and mastered the Digital Audio Work
Station (DAWs) software like Nuendo, Cubase, Reason etc for recording and mixing to express
out his creativity in all front.
In the course of time gradually he venture into music Production, Film Background Scores and in
Film Special Sound Effects. Consequently earned him respect from the people in the Industry and
positive media review in the local entertainment scene. Taking note of the industry demand and to
better equipped himself apart from his solid music background, he did the Diploma of Audio Sound
Engineering.
Being in the local music scene, film background scores and film special effects business he had
also work outstandingly in online outsourcing of international clients in a projects of jingles, short
film background scores, special sound effects, advertisements, mixing, mastering etc.
To sharpen and enhance his skills and creativity as well as to update himself with the international
music trend, he did his Electronic Music Production (EMP) in SAE Bangkok.

Having evolved and mature both in music technical and theory he is now all set for international
music scene in performing and in producing his Music, all ready to unleashed his immense dose of
creativity...

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21
 YASHWANTH SHIVAPRAKASH
Designation:
Electronic music artist / DJ

2011-Present Senior Faculty for EDM & Disc Jockeying

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 AMIT TAYLOR
Designation:
Faculty/Admin

After completing his Masters in Electronics in the Year 2012,

Started developing his career as a physics lecturer in 2012/2013 at St.Joseph College.
By having keen interest towards Audio field , he started assisting senior sound engineers at his college
church for live sound stage setups , micking , handling Analogue & digital consoles
By then, handling the complete show had become a practice with his great interest in his passion
towards audio engineering.

Later looking forward to master in the same field, he chooses to teach concepts of Physics &
Electronics for aspiring sound engineers.

2014 – Present
Serving as a faculty in Audio Life School of Sound Engineering Covering various concepts of
Sound Theory, Acoustics & Basic Electronics. Also assisting senior sound engineers for live
recordings, mixing & mastering for artists XTASCY SASH, KING JASIM , BIG DEAL , ELLI.

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 ARJUN ACHAR
Designation: DJ Instructor

ARJUN ACHAR who has discovered his big love for music and later he started to mix his first
vinyls in 2012, He was inspired by all kinds of music. He showcased his talent behind the turntable
in a local clubs around Bangalore.

In recent months, He has continued his fevered pace that has made him the hardest working guy
in dance music & he is into all kind of Music genres like Progressive, Tech , Techno, Electro,
Trance, Bollywood amongst other.

In a short period he played in most of the place in Bangalore like DUGOUT SPORTS BAR,
CHAIRMANs CLUB ,BLACK JACK, NO LIMMITS ,PLAN B ,XTREME SPORTS BAR , E ZONE ,
TRADERS VICs , MAI-TAI , ITC GARDENIA , SUTRA(THE LALIT ASHOK),SHIMMER( TAJ
VIVANTA ),ECLIPSE ( LEELA PALACE) , MOVENPICK , PEBBLES, etc.,

2014 - Present

And currently he is managing his music & DJ Profile in CITY BAR ( UB CITY ) as a resident DJ!
Nowadays Arjun is well-known as one of Bangalore's finest upcoming talents. He has already
been making huge waves in the club scene, And there is more to come...!!

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 OUR STUDENTS

Sl No. Name Batch No. Designation Organization

1 Siddu C M 4 Asst Sound Engineer Audio Plus

2 Mandeep Ekka
3 Kiran S
4 Hitansu Patnaik
5 Vishnuvardhan
6 Cyril Varghese Prince 2
4 Music Teacher Free Lancing
4 Senior Sound Engineer Started Own Studio
4 Vocalist, Music Programmer Free Lancing
5 Product Specialist, Sound glitz
Studio installation &
Music Marketing
Chief Producer Octavium

7 Brinda Srinivas 3 Sound Engineer Humming Tree

8 Sumedh Srivatsa 1 Live Sound ETV
9 Aravind D 1 Sound Engineer Decibel Studio
10 Chinmay B Nadig 1 Vocalist Free Lancing
11 Shashi Kumar B K 1 Senior sound Engineer Maruthi Sounds & Lights.
12 Suhas 5 Sound Engineer & Recordist Public Tv
13 Alangkar 5 Music Composer Free Lancing
14 Sai Keshav 5 Vocalist, Sound Engineer Waveform Studio
15 Alpharaz Khan 5 Sound Engineer Free Lancing
16 James 5 Music Teacher Free Lancing
17 Ramanuja Prasad 3 Asst Sound Engineer Gurukul Studio

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 ENGINEERING
DISC
JOCKEY
SOUND
ELECTRONIC
MUSIC
PRODUCTION
ELECTRONIC

ENGINEERING
SOUND
MUSIC
PRODUCTION

www.audiolife.in

DISC
JOCKEY
# 375 , 8th Main, Jp Nagar 3rd Phase,
Bangalore -78
www.audiolife.in
9901534596