ANALYSIS ON MAXIM OF COOPERATIVE

PRINCIPLE VIOLATION BY DODIT

MULYANTO IN STAND UP COMEDY
INDONESIA SEASON 4
A Graduating Paper

Submitted to the Board of Examiner as a Partial

Fulfillment of the Requirements for the Degree of
Sarjana Pendidikan Islam (S.Pd.I) English Education
Department of Teacher Training and Education Faculty
State Institute for Islamic Studies (IAIN) Salatiga

By:
AHMAD ULLIYADHI SATRIA RAHARJA
NIM 11310123

ENGLISH EDUCATION DEPARTMENT

TEACHER TRAINING AND EDUCATION FACULTY
STATE INSTITUTE FOR ISLAMIC STUDIES (IAIN)
SALATIGA
2015
 MOTTO

“Do not be too burdensome the soul with all the seriousness of life. Refresh
yourself with the light and funny things. Because, if the soul continues to be
forced to bear the heavy burdens, it will be gloomy. "(Reported by Ibn
Majah)”
 DEDICATION

This graduating paper is dedicated to:

1. My God the Almighty.

2. My beloved parents (Drs. Bahroni, M.Pd.I and Dra. Hanik Murtafi’ah), who

always pray for me and give their endless love for me.
 ACKNOWLEDGMENT

In the name of Allah, The Most Gracious and The Most Merciful, The

Lord of Universe. Because of Him, the writer could finish this thesis as one of the

requirement for Sarjana Pendidikan in English Department of Educational Faculty

of Salatiga State Institute for Islamic Studies (STAIN) Salatiga in 2015. Secondly,

peace and salutation always be given to our prophet Muhammad SAW who has

guided us from the darkness to the lightness.

However, this success would not be achieved without those supports,

guidance, advice, help, and encouragement from individual and institution, and

the researcher somehow realize that an appropriate moment for me to deepest

gratitude for:

1. Dr. Rahmat Hariyadi, M.Pd. as the Rector of State Institute for Islamic Studies

Salatiga.

2. Suwardi, M.Pd. as the Dean of Teacher Training and Education Faculty.

3. Noor Malihah, Ph.D as the Head of English Education Department.

4. Setia Rini, M.Pd. as the first writer’s counselor who has educated, supported,

directed and given the writer advices, suggestions, and recommendations for

this thesis from beginning until the end.

5. Rr. Dewi Wahyu Mustikasari, M.Pd. as the second writer’s counselor who has

educated, supported, directed and given the writer advices, motivation,

suggestions, and recommendations for this thesis from beginning until the end.

6. My dearest parents and my big family, thanks for everything.

 7. All the lecturers of English Education Department.

8. All the lecturers of International Class Program.

9. All staffs that have helped the writer in processing of thesis administration.

Thanks for the supports, advices, suggestions, and other helps that you all gives. The

writer hopes this research will be useful for everyone.

Salatiga, March 6th, 2015

The Writer

Ahmad Ulliyadhi Satria Raharja

113 10 123
 ABSTRACT
Raharja, Ahmad Ulliyadhi Satria 2015. ANALYSIS ON MAXIM OF
COOPERATIVE PRINCIPLE VIOLATION BY DODIT MULYANTO IN
STAND UP COMEDY INDONESIA SEASON 4. Graduating paper. English
Department of Educational Faculty, Salatiga State Institute for Islamic
Studies (STAIN) Salatiga. Advisor: Setia Rini,M.Pd, Rr. Dewi Wahyu
Mustikasari,M.Pd.
Keywords : Cooperative Principle,Violation, Stand Up Comedy.
This study focuses on cooperative principle violation done by Dodit
Mulyanto in Stand Up Comedy Indonesia Season 4 using Grice’s theory. Grice
expressed cooperative principle to suggest that in conversational interaction
people work on the assumption that a certain set of rules is in operation, unless
they receive indications to the contrary. The maxims of cooperative principle are
maxim of quantity, maxim of quality, maxim of relation and maxim of manner.
This research aims to answer the following questions: (1) What are the maxims of
cooperative principle which are violated by Dodit Mulyanto in Stand Up Comedy
Indonesia season 4 in order to raise humor; and (2) How Dodit violates maims of
cooperative principle to raise humor in Stand Up Comedy Indonesia season 4.
This research is conducted using qualitative method. The data source of this
research are the 17 videos of Dodit Mulyanto’s speech during his performance in
Stand Up Comedy Indonesia Season 4 which has been transcribed by the
researcher. The data are the utterances of Dodit Mulyanto which considered
contain the violation of cooperative principles. The data are collected using the
check list instrument and then analyzed based on the violation on each maxim. At
the end, the researcher draws the conclusion which is in accordance with the
research finding. The results of the study show that there are four maxims of the
cooperative principle violated by Dodit Mulyanto during Stand Up Comedy
Indonesia season four. These maxims are: (1) maxim of quantity (2) maxim of
quality, (3) maxim of relation, and (4) maxim of manner. The dominant maxim
that is violated is maxim of relation which occurred 22 times, whereas the other
maxim such as maxim of quantity occurred 12 times, maxim of quality 13 times
and maxim of manner only occurred 2 times.
 TABLE OF CONTENT

TITLE ............................................................................................................ i

DECLARATION ......................................................................................... ii

ATTENTIVE COUNSELOR NOTES ............................................................. iii

CERTIFICATION PAGE ........................................................................... v

MOTTO ........................................................................................................ vi

DEDICATION ............................................................................................. vii

ACKNOWLEDGMENT ............................................................................. viii

ABSTRACT ............................................................................................. x

TABLE OF CONTENT .......................................................................... xi

CHAPTER I INTRODUCTION

A. Background of the study ......................................................... 1

B. Statement of the problem ......................................................... 7

C. Objectives of the study ................................................................... 7

D. Significance of the Study ............................................................... 8

1. For the Lecturer ........................................................................ 8

2. For the Studemts ....................................................................... 8

E. Limitation of study ............................................................... 8

F. Review of the Related Literature ................................................... 9

G. Clarification of the Key Terms Used ............................................ 12

1. Analysis ........................................................................ 12

2. Maxim Violation ...................................................................... 12

3. Stand Up Comedy Indonesia Season 4 .................................... 13

 H. Organization of the Graduating Paper ....................................... 13

CHAPTER II LITERATURE REVIEW

A. Pragmatics .............................................................................. 15

B. Cooperative Principle (CP) ............................................................ 17

1. Maxim of Quantity ............................................... 17

2. Maxim of Quality ........................................................ 18

3. Maxim of Relation ........................................................ 18

4. Maxim of Manner .............................................................. 19

C. Maxim Violation ...................................................... 20

1. Maxim of Quantity Violation ................................................. 20

2. Maxim of Quality Violation ................................................... 20

3. Maxim of Relation Violation .................................................. 21

4. Maxim of Manner Violation ................................................... 21

D. Humor .............................................................. 21

E. Stand Up Comedy ..................................................... 22

F. Stand Up Comic ..................................................... 22

G. A Brief History of Stand Up Comedy and Stand up Indo.............. 23

1. Warkop …………………………………………………. .... 23

2. Taufik Savalas …………………………………………... .... 24

3. Ramon …………………………………………………… .... 25

4. Iwel Wel …………………………………………………. ... 25

5. Indra Yudistira …………………………………………… ... 26

6. Agus Mulyadi ……………………………………………. ... 26

 7. Raditya Dika ……………………………………………......27

H. Stand Up Comedy Indonesia (SUCI) Kompas TV ……………… 31

I. Biography of Dodit Mulyanto ………………………………….. 33

1. Characteristic ……………………………………………….. 33

2. Early Carrier ………………………………………………… 34

3. Facts About Dodit ………………………………………….. 35

CHAPTER III RESEARCH METHODOLOGY

A. Type of the Research ..................................................... 37

B. Data Sources and Data Research ................................................... 38

C. Unit of Analysis .............................................................. 38

D. Method of collecting data .............................................................. 39

1. Sadap Technique ……………………………………………. 39

2. Simak, bebas libat, cakap Technique ……………………….. 40

3. Transcribing ………………………………………………... 40

E. Technique of Analyzing Data ........................................................ 42

F. Triangulation ......................................................... 42

CHAPTER IV RESEARCH FINDINGS AND DISCUSSION

A. Research Findings ................................................ 44

1. Audition …………………….. ............................................... 45

2. Preshow …………………………………………………….. 50

3. Show 1 ……………………………………………………… 55

4. Show 2 ……………………………………………………… 57

5. Show 3 ……………………………………………………… 58
 6. Show 4 ……………………………………………………… 59

7. Show 5 ……………………………………………………… 64

8. Show 6 ……………………………………………………… 66

9. Show 7 UTS ……………………………………………….. . 70

10. Show 7 UAS ……………………………………………….. . 73

11. Show 8 ……………………………………………………… 75

12. Show 9 Stage 1 ……………………………………………... 80

13. Show 9 Stage 2 ……………………………………………... 82

14. Show 10 Stage 1 ……………………………………………. 84

15. Show 10 Stage 2 ……………………………………………. 86

16. Show 11 …………………………………………………….. 87

17. Show 13 …………………………………………………….. 89

B. Data Analysis ……………………………………………………. 94

CHAPTER V CLOSURE

A. Conclusion .............................................................................. 98

B. Suggestion ..................................................................... 99

REFERENCES

APPENDICES
 CHAPTER I
INTRODUCTION

A. Background of the Study

The language used in daily life is a unique, arbitrary, and

conventional sign system / emblem / speech sound which is used by the

public in order to communicate each other. According to Longman

Advanced American Dictionary (2007, p. 895), Language is a system of

communication by written or spoken words which is used by the people of

a particular country or area. The language built from the habits and the

geographical area where the speakers are living. Good language developed

based on a certain system and a set of rules were observed by the speakers.

Originally, the function of language is as a communication tool (

Bühler (1934) in Diessel, 2014, p. 3) Hence, the language has more

specialized function that is for establishing relationships, solidarity, and

cooperation within the community, the language had been used to express

mind with the feeling so that the listener will able to sense what is

discussed about. As a communication tool, the language is used to convey

the ideas, feeling, whether real or imagination. The imagination function is

usually in the form of art works, including poetry, stories, fairy tales, and

jokes. In the jokes, language is used as a communication tool by violating

maxims of communication, they are cooperative principle and politeness

principle maxim.
 The linguistics which examines the violations of maxims in

communication is pragmatic. Pragmatics is the study of language from the

point of view of users, especially of the choices they make, the constrain

they encounter in using language in social interaction and the effect their

use of language has on other participant in the act of communication

(Crystal 1985 in Kasper 1997). On the other hand, Leech (1983, p.11)

explained that general pragmatics is abstraction between the study of

language in total abstraction from situation, and the study of more socially

specialized uses of language. Hence, it is clear that pragmatics is the study

about relation between language and context that are used in community.

Judging from the language variations, the humor in Stand Up

Comedy can be viewed from the speakers, the usage, the formality, and the

facilities. Based on speaker aspects, the language users (comics) are the

intellects who use allegro. In the terms of usage, there are various themes

are used according to the specified theme. Based on the formality, the

comics are using a wide variety of casual and familiar languages. And

based on facility aspects, the humorous language in Stand Up Comedy

using spoken language.

The violation of cooperative maxims commonly used in creating

humor. The utterances that made by Stand Up comedian (comic) in Stand

Up Comedy Indonesia (SUCI) event on Kompas TV –in this case Dodit

Mulyanto- shaping a discourse based on a predetermined theme. The

discourse is about the problems in society and attractively packaged in

humor and tends to give the information in the form of persuasive

discourse to the viewers of Stand Up Comedy to provide a solution to

these problems.

It was discovered while the researcher watch the show of Dodit

Mulyanto in Kompas TV Stand Up Comedy Indonesia on you tube

Thursday, 23 January 2014. The researcher looked directly the

phenomenon at the event. The Phenomenon which raised by Dodit in

Stand Up Comedy humor was himself, the village boy who adheres to

European culture. According to Dodit, even though he was born in village,

he has the taste and lifestyle like a European aristocrat. This contradictory

phenomenon is packed with humor language by Dodit Mulyanto.

Example:

1. “Nama saya Dodit Mulyanto, Walaupun saya Jawa, keluarga

saya itu memegang erat budaya Eropa. Makanya saya diajari

main biola dari kecil. Cara menidurkan saya pun beda sama

bayi bayi biasa, kalo bayi biasa itu kalau orang Jawa itu

dinyanyikan tak lelo lelo lelo ledung cup menengo anakku cah

bagus. Kalo saya tu beda, saya tu minimal twinkle-twinkle

little star, twinkle-twinkle little star penekno blimbing kui”

(“My name is Dodit Mulyanto, even though I am Javanese but

my family adhere the European culture. Therefore, I had been

trained to play the violin since my childhood. My parent has

the different way to put me to sleep. Usually the ordinary

 Javanese people put their baby to sleep by singing Tak lelo lelo

ledung (Javanese lullaby), but I am different, I usually sung

twinkle-twinkle little star : twinkle-twinkle little star penekno

blimbing kui…

2. “Dan orang Indonesia itu, terutama di desa itu selalu salah

memahami sound track atau backsound, misalkan backsound

lagu seperti ini (playing pink panther with violin) orang

didesa pasti ngomongnya itu lagunya Dono Kasino, padahal

itu lagunya Indro”. (And also the Indonesian people, especially

those who are living in the village, they always misunderstood

to the soundtrack or back sound, for example (playing pink

panther with violin). People in the village must think that the

song belongs to Dono and Kasino, whereas it is Indro’s Song.

If it is viewed in terms of the context of the speech, the purpose of

the discourse is that Dodit tries to boast about himself, that he comes from

the upper class in his village, and his manner was totally different with any

other villagers even in the way to make the small Dodit fall asleep. He had

to be sung an English song, but in fact he cannot avoid the Javanese song,

it is proved by a stanza of the Javanese song in the end of his twinkle-

twinkle little star. Furthermore, the researcher found in Dodit Mulyanto

second speech that he blamed the villagers who have mistaken in naming

the tittle of the soundtrack, here he tries to straighten something wrong,

but it turns out that he still wrong in mentioning the name of the

soundtrack.

Based on these utterances, there is the violation of maxim in

conversations principles, namely: violation of the maxim of relation. This

is evidenced by the sentence: “….“My name is Dodit Mulyanto, even

though I am Javanese my family adhere the European culture…… My

parent has the different way to put me to sleep. Usually the ordinary

Javanese people put their baby to sleep by singing Tak lelo lelo ledung

(Javanese lullaby), but I am different, I usually sung twinkle-twinkle little

star: twinkle-twinkle little star penekno blimbing kui… If we hear

twinkle-twinkle star, the people talk about an English children’s song, a

full English language song. But according to Dodit, twinkle-twinkle star

ended by a stanza of Javanese children’s song –in this case Lir Ilir song-.

On the other hand, the second statement violates maxim of Quality,

here he tries to inform the truth about a legendary soundtrack in Warkop

DKI show that most of Indonesian people do not know the name of this

song, but in fact he still wrong in giving the information and not telling the

truth. It is proved by his statement “People in the village must think that

the song belongs to Dono and Kasino, whereas it is Indro’s Song. Thus,

His utterances violating the maxim of Quality.

Stand Up Comedy is the art of humor delivered in person in front

of a live audience (Nugroho, 2012, p.1). Simply put, Stand Up Comedy is

a humor that the comic usually stand alone on the stage and speak directly
in front of the audience to perform humor. Hence, the comedian himself

should be able to make the audience laugh.

Stand Up Comedy as a genre of verbal humor is very interesting to

be studied, it is due to the rarity of this kind of humor. However, it

becomes famous in Indonesia lastly, especially after repopularized by

Raditya Dika as a founding father of Stand Up Comedy Indonesia (SUCI).

SUCI gives a new atmosphere in the world of Indonesian comedy which

has been dominated by group comedy such as: Warkop, Extravaganza,

Opera Van Java (OVJ), and Pesbuker.

When it is compared with the other events, SUCI has a sense of

humor which is different from other comedy event. Extravaganza for

example, the humor here generated through the plot. Meanwhile, in Stand

Up Comedy Indonesia, the humor emerged from the thoughts and

creations of the comic, which most of the comics have a higher

educational background. Therefore, the humors were presented in the form

of smart humor that concerns about our society today.

Dodit Mulyanto is the one of famous comic who graduated from

Stand Up Comedy Indonesia Kompas TV Season 4, his popularity is

proved by the great number of his twitter followers which reach the

number up to 150.000 followers. He made his own unique persona by

combining a Javanese village people who grasp the culture of European

 aristocrat and it becomes a new taste in stand up comedy world. His ability

in playing the violin supports his comedy delivery on the stage.

Based on these phenomena, reasons and the examples of speech

above, the researcher is interested in knowing more about the language of

humor used by Dodit Mulyanto in Stand Up Comedy Indonesia season 4

through pragmatic study and to find out how Dodit uses the language to

raise the humor on his show at Stand Up Comedy Indonesia Kompas TV,

with a research entitled “ANALYSIS ON MAXIM OF COOPERATIVE

PRINCIPLE VIOLATION BY DODIT MULYANTO IN STAND UP

COMEDY INDONESIA SEASON 4”.

B. Statement of the Problems

Based on the research background, the writer formulates some

problem statements as follows:

1. What are the maxims of cooperative principle which are violated by

Dodit Mulyanto in Stand Up Comedy Indonesia season 4 in order to

raise humor?

2. How does Dodit violate cooperative principle to raise humor in Stand

Up Comedy Indonesia season 4?

C. Objectives of the Study

Dealing with the problems above, this study is intended for several

objectives as follows:
 1. To classify the maxims of cooperative principle which are

violated by Dodit in Stand Up Comedy Indonesia season 4.

2. To explain how Dodit violates cooperative principle to raise

humor in Stand Up Comedy Indonesia season 4.

D. Significance of the Study

1. For the lecturer

The findings of this study are hoped to enrich the scientific

knowledge on pragmatic study, especially in the area of cooperative

principle. Therefore, the lecturer will comprehend more about the

violation in maxims.

2. For the students

This finding is expected to be useful for the readers, especially

English students of Salatiga State Institute for Islamic Studies when

they are interested in doing similar research in future. Generally, the

others who read this research hopefully know what the maxim

violation is, and how it is used to raise humor.

E. Limitation of Study

This research is merely focuses on the types of cooperative

principle violations made by Dodit Mulyanto in Stand Up Comedy

Indonesia session 4. Besides, the researcher only uses Grice’s cooperative

principle theory in analyzing the data.

F. Review of the Related Literature

The study of Maxim violation was done by some researchers; some

of them are as follows:

The first study is done by Noviana (Universitas Negeri

Yogyakarta, 2011) with her bachelor thesis entitled “The violation of

politeness principle in using conversation language for interaction in

Bahasa Indonesia teaching and learning activity and its application in

teaching speaking skill on XI grade student 1st Seyegan vocational

school”. In this research, the writer focused on analyzing the purpose of

the violation which is done by the speaker, and it was divided into ten

purposes, such as: to explain, to make humor, to tease, to reject, to quip, to

steer the conversation, to express anger or upset, to argue, to insult, and to

praise. Furthermore, there are three patterns of interaction on the violation

of cooperative principle occurred; teacher to student, student to teacher,

and student to student.

The other previous study is conducted by Purwanti (Universitas

Gadjah Mada, 2006) who focused on the flouting of politeness maxims in

humorous discourse of “Extravaganza” comedy. She used the qualitative

research design in his analysis. The humor in Extravaganza comedy is

created interpersonal by flouting the maxims of politeness. The

participants in Extravaganza comedy violated the maxim of politeness by

minimizing benefit to another to make comic effect. In addition, they

ignored agreement and sympathy to their interlocutor. The humors in

Extravaganza, as a matter of fact, are not only created from the flouting of

politeness maxims but also deviated from nonverbal aspect, the presence

of television as the visual medium. Meanwhile, my research focused on

maxims violation done by the comics in Stand Up Comedy Indonesia in

which, the comics are the single speaker.

The research in similar object came from Rini (2010, p.10), on her

journal article entitled “Violating the Maxim of Quality and Quantity on

the ‘Demo Sabun’ Sketch of Extravaganza Situation Comedy TV” the

researcher tried to reveal the violation of maxim quality and quantity that

can create humorous situation in verbal interaction. After choosing one of

the sketches in one series of extravaganza TV sitcom, transcribing, and

analyzing the expression which considered violating the Gricean maxim,

the researcher found that the content of the humor is dealing with the

trademark of a kind of famous product of detergent called “Sunlight”

which is very popular among the housewives, this detergent has the best

quality and very useful to clean up many things around the house, such as:

kitchen utensils, clothes, even fruits and vegetables. Here, the comedian

imitates this detergent by calling “Sanjay” and doing pragmatic

manipulation by misleading the usefulness of this detergent, and those

manipulations made humorous situation for the audience.

The other research is conducted by Čapková (Masaryk University,

2012) who focused on Pragmatic Principles and Humor in "The IT

Crowd". The writer aimed this thesis to explore verbal humor used in
the British sitcom "The IT Crowd" from a pragmatic point of view. It

focused on humorous instances created by non-observance of the

Gricean Cooperative Principle and the Politeness Principle proposed by

Geoffrey Leech. All the maxims of these principles are taken into

consideration in the analysis of the humorous instances in "The IT

Crowd". This research became the supporting reference to reveal the use

of politeness principle to raise humor as well as in this research.

Damayanti (Universitas Negeri Semarang, 2011) did similar

research on flouting maxims found in Kung Fu Panda Movie script written

by Jonathan Aibel and Glenn Berger. In her research she supposed to find

out the types and the frequencies of maxim flouted. At the end of the

research she revealed that all kinds of Grice’s maxim are flouted and the

most often is maxim of quantity which is flouted twelve times.

Lastly, the similar research on maxim violation was come from

Darojat (STAIN Salatiga, 2011) with the research entitled: “An Analysis

on the Violations of Politeness Principles Used in English Conversation in

“Son of Ranbo” Movie”. From his study, the researcher found many

violations of politeness principle occurred during the conversation in this

movie, such as: to lie, to curse, saying bad words, talking about other

people, excessive argument, calling people roughly, and speaking of which

brings no benefits. The results of the research tended to the negative

behavior it is due to the genre of the movie and in this case action movie.
 In contrast, this research only focused on maxim violation which rise

humor.

Essentially, this research is different from the other, because the

researcher tries to reveal the maxims violation found in Dodit Speech in

Stand Up Comedy Indonesia season 4 which is very new in the term of

comedy style, the comedy content, the comedy sense and the way the

comic violate cooperative principle in order to rise a humor.

G. Clarification of the Key Terms Used

In order to avoid misunderstanding and misinterpretation of words

in this study, the researcher defines the meaning of the following essential

terms as follows:

1. Analysis

The word analysis derived from New Latin, from

Greek, from the word analyein which means to break up or to

loosen (Derrida, 2002, p.7). Hence, analysis is an integral part

of the research, because it describes the activity that separates

something into a smaller part of the entity by identifying,

comparing, and finding a relationship based on certain

parameters as an effort to test or to prove the truth (Siswantoro,

2010, p.10).
2. Maxim Violation

According to Grice (1975) in Khosravizadehv and

Sadehvandi (2011, p.1), a violation takes place when speakers

intentionally refrain to apply certain maxims in their

conversation to cause misunderstanding on their participants’

part or to achieve some other purposes.

3. Stand Up Comedy Indonesia season 4

Stand Up Comedy Indonesia session 4 is the fourth

edition from Stand Up Comedy Indonesia (SUCI) in Kompas

TV). Stand Up comedy is a single comedian show by doing a

monolog performance. This agenda firstly broadcasted in

Indonesia by Metro TV, while Kompas TV presents the similar

show with the same theme but with different format of the

competition.

Nowadays, Stand Up Comedy has become very

popular in the Indonesian entertainment, especially among the

young people. In fact, Stand Up Comedy known since the 18th

century in Europe and the United States. In Indonesia Stand Up

Comedy rooted in culture for a long time, but it is widely

known in recent years. The talent hunting event “Stand Up

Comedy Indonesia KompasTV” can be called as a pioneer of

Stand Up Comedy in Indonesia.

H. Organization of the Graduating Paper

Systematics in writing is very important because it can give a clear

picture of the research steps and the issues in the study. And according to

Saerozi et.al (2009), the organization of the paper is as follows:

1. Chapter I: Introduction

This chapter contains the background of the problem,

formulation of the problem, research objectives, and benefits of the

research, definition of key terms, and writing systematics.

2. Chapter II: Literature review

This chapter consists of the literature review, theoretical

foundation, history of stand up comedy, and biography of Dodit

Mulyanto.

3. Chapter III: Research Methodology

This chapter consists of the research design, data source and

data research, unit of analysis, data collection technique, data

analysis, triangulation, and data result presentation.

4. Chapter IV: Research findings and data analysis.

This chapter consists of the finding of the violation of

politeness principle and cooperative principle and discussion about

the using of maxims violation done by Dodit in order to rise humor.

5. Chapter V: Closure

The chapter contains the conclusions of the study and suggestions.

 CHAPTER II

LITERATURE REVIEW

This chapter discusses some related literature that consists of the definition

of pragmatics, the theory of cooperative principle, the theory of politeness

principle, and the definition of maxim violation.

A. Pragmatics

There are some definitions about pragmatics that can help us to

understand it deeply. Grundy (2000, p.3) states: “Pragmatics is about

explaining how we produce and understand such every day, but apparently

rather peculiar uses of language.” It means that pragmatics, the study

explains us how to produce utterances and comprehend what people say in

daily conversation although maybe they use unfamiliar language.

Levinson (1983, p.9) gives a definition that pragmatics is the study

of those relations between language and context that are grammaticalized ,

or encoded in the structure of a language. This means pragmatics has

relation with grammar because what we will say must grammatically

correct. Thus, this study cause us learn how to make utterances that are

right in grammar and the hearer can interpret the meaning. Besides,

pragmatics is a systematic way of explaining the language use in context.

It seeks to explain aspects of meaning which cannot be found in the plain

sense of words or structures, as explained by semantics. (Moore, 2003).

 Crystal (1987, p.120) states that pragmatics studies the factors that

govern our choice of language in social interaction and the effects of our

choice on others. In theory, we can say anything we like. In practice, we

follow a large number of social rules (most of them unconsciously) that

constrain the way we speak. It means when we speak something to others,

there are other factors, such as thinking effect of what we will utter to

them. Thus, we can arrange what we will say to be understandable for the

hearer.

In addition, Leech (1983, p.11) explains that general pragmatics is

abstraction between the study of language in total abstraction from the

situation, and the study of more socially specialized uses of language.

Hence, it is clear that pragmatics is the study about the relation between

language and context that are used in the community.

From the definitions above, it can be concluded that pragmatics is a

field linguistics study which does not only explain about language but also

explain how to produce and understand the language use in our real life

following the factors that influence the language choice. It teaches us how

to apply it in our daily life.

Pragmatics is relevant with politeness because politeness is a

strategy (or series of strategies) employed by a speaker to achieve a variety

of goals, such as promoting or maintaining harmonious relations (Thomas,

1995, p.157). The politeness principle including its maxims is one kind of

the strategies.
B. Cooperative Principle (CP)

The Cooperative Principle (CP) is proposed by H. P. Grice.

Grice expressed CP to suggest that in conversational interaction

people work on the assumption that a certain set of rules is in

operation, unless they receive indications to the contrary (Thomas,

1995, p.62). CP consist of a limited set of conversational maxims to

which Grice maintains interacts in a conversational exchange should

but frequently do not adhere (Watts, 2003, p.57). When speakers

violate any of the maxims lead the addressee or hearer to make what

Grice calls implicature. Those maxims will be explained as follows.

1. Maxim of Quantity

In this maxim we must (a) Make the contribution as

informative as is required for the current purpose of the

exchange, (b) Do not make our contribution more informative

than is required (Leech, 1983, p.8). Those rules mean that the

number of utterances used to deliver message must be

informative as what is required and does not more or less than

it; so that, the information does not boring or disappointing,

for example:

A: “what is your job?”

B: “I am teacher.”
 In these utterances, what B says is informative for

what A asks. When A asks about B’s job, B answers, teacher,

is enough because the message is delivered.

2. Maxim of Quality

There are two rules in this maxim, they are: (a) Do not

say what you believe to be false and (b) Do not say that for

which you lack adequate evidence (Leech, 1983, p.8). The

meaning of these rules is clear that the delivered message must

be truthful and does not lack suitable evidence, For example:

A: “Where is my coat?”

B: “It is in the wardrobe.”

In this case, B put the coat in the wardrobe. So that,

when A asks where his coat is, B can answer it truthfully

because he can prove it.

3. Maxim of Relation

In this maxim, the rule is being relevant (Leech, 1983,

p. 8). The meaning of “relevant” is the connection between

what the speaker says and the addressee hears is related each

other, for example:

A: “Where is my box of chocolates?”

B: “It is in your room.”

 In these utterances, what the hearer answers is

connected with what the speaker asks about place of his box of

chocolates.

4. Maxim of Manner

The rules are: (a) Avoid obscurity of expression, (b)

Avoid ambiguity, (c) Be brief (avoid unnecessary prolixity),

and (d) Be orderly (Leech, 1983, p.8). It means utterance that

is conveyed must be clear. There are two kinds of clarity, clear

text and clear message. Cleat text is constructed by syntax and

phonology of the language. Then, the clear message is when

the sense of illocutionary goal conveyed is understandable, for

example:

A: “Where is the car key?”

B: “It is on the table in my bedroom.”

In these utterances, B’s answer is constructed by clear

syntax and the message that is conveyed does not make

ambiguous. So that the utterance is clear text and message.

The cooperative principle and the politeness principle

have a close relationship because they study about the use of

language in communication using a set of principles or

maxims to manage it. Besides, the politeness principle appears

to argue the cooperative principle. The politeness principle

 says that not all people are being cooperative in a conversation

to be polite.

C. Maxim Violation

According to Grice (1975) in Khosravizadeh & Sadehvandi (2011,

p.1), a violation takes place when speakers intentionally refrain to apply

certain maxims in their conversation to cause misunderstanding on their

participants’ part or to achieve some other purposes.

Grice (1975, p.45) in Tupan & Natalia (2008, p.68) gives the

criteria of violation of maxims used as distinguished guidelines. Here are

the guidelines:

1. Maxim of Quantity Violation:

a. If the speaker does circumlocution or not to the point

b. If the speaker is uninformative

c. If the speaker talks too short

d. If the speaker talks too much

e. If the speaker repeats certain words

2. Maxim of Quality Violation:

a. If the speaker lies or says something that is believed to be false

b. If the speaker does irony or makes ironic and sarcastic statement

c. If the speaker denies something

d. If the speaker distorts information.

 3. Maxim of Relation Violation

a. If the speaker makes the conversation unmatched with the topic

b. If the speaker changes conversation topic abruptly

c. If the speaker avoids talking about something

d. If the speaker hides something or hides a fact

e. If the speaker does the wrong causality

4. Maxim of Manner Violation

a. If the speaker uses ambiguous language

b. If the speaker exaggerates thing

c. If the speaker uses slang in front of people who do not understand

it.

d. If the speaker’s voice is not loud enough.

D. Humor

Ross (1998, p.1) discusses the definition of humour as "something

that makes a person laugh or smile". Neutral to these conceptualizations

of humor is Raskin's script-based semantic theory of humor (1985), which

was the first linguistic-based theory of humor. Raskin's theory posits that

the text of a joke is always fully or in part compatible with two distinct

scripts and that the two scripts are opposed to each other in a special way.

... The punchline triggers the switch from the one script to the other by

making the hearer backtrack and realize that a different interpretation [of
 the joke] was possible from the very beginning (Attardo & Raskin, 1991,

p.308).

Although the definitions and points of view on the humor-laughter

relationship may vary, the researchers usually agree on the fact that one

function of humor is to cause amusement, which is also closely associated

with the genre of situational comedy.

E. Stand Up Comedy

According to Nugroho (2012, p.1) Stand-up Comedy is one kind of

comedy art which is delivered through the monologue to the audience.

Usually, this kind of comedy performed live and the comedian will

perform a one man show. Although this form of comedy so-called stand-

up comedy, the stand up comedian do not always stand in conveying a

comedy. There are some comedian who do the stand up comedy by sitting,

like the person who do a story telling.

F. Stand Up Comic

The Stand-up Comedy performer is commonly called the "Stand up

Comic" or in short called "Comic" (Nugroho, 2012, p.4). The Comic

provides a variety of humorous stories, short jokes or criticisms in the

form of satire to the common things with various movements and style.

Some Comic was even using props to enhance their performance on stage.

Furthermore, it's not impossible if there is a racy, racist and vulgar jokes in
 Stand-up Comedy. They usually make a script and little notes in order to

facilitate them during performance.

G. A Brief History of Stand up Comedy and Stand up Indo

Stand-up Comedy is one kind of logic humor that is popular in

Europe and America in the 18th century or the 19th, the show originally

performed in music hall performances. In 1979 in England, Peter

Rosengard established the first Stand-up Comedy group with American

style. Along with the establishment of this group there are many groups

stood with similar Comedy style in various parts of the world and then

getting bigger.

Since that time, many communities and Stand-up Comedy

performances spread throughout the world, including Indonesia. In Asian

region, there are many of the famous stand up artist that emerged from this

Stand-up Comedy, for example Akmal Saleh of Malaysia, Paul Ogata from

Singapore, Johny Lever from India, Dany Cho of South Korea.

There are a few names, which cannot be separated from the culture

of Stand-up Comedy in Indonesia According banner Pragiwaksono in his

book Freedom In Joking there are 7 names were not released from Stand-

up Comedy in Indonesia (Nugroho, 2012, p.8) Here are 7 that name:

1. Warkop

Indeed, this was not a Stand-up Comedy, but the evolution of

Stand up Comedy in Indonesia came from 3 people: Dono, Kasino,

 Indro, who introduced to Indonesia. The comedies that rely on speech.

Not the gesture and slapstick. For the younger generation, who knows

Warkop from movies and TV show would be confused. Because their

original format and idealism was in radio show and stage.

2. Tauvik Savalas

He has the similarity with Warkop in the term of comedy

concept, Warkop makes a comedy that introduced the concept of

passing remarks, or creating a comedy through the late greeting and

alone on stage. On the other hand, Tauvik introduce a comedy style

that called Joke Telling, unlike with Stand Up, Joke Telling tells the

anecdote, the common joke, ask and guess. Such as: "There are

Americans, Japanese and Indonesian people go to the bar", or "cow,

what kind of cow that can be stuck in the wall? Cow-dermaaaan ".

“Ada orang Amerika, Jepang dan orang Indonesia masuk ke bar”,

Atau “Sapi, sapi apa yang bisa nempel di temboooook? Sapi-

dermaaaan”.

Whereas, Stand up Comedy was a hilarious monologue that

recounts the social phenomena which exist in the community. The

comic takes a sample from the real life and re-told to the audience.

Hence, at the launch of KompasTV, Indro said: “Stand up comedy is a

serious comedy, just like Thesis. With analysis, with deep thinking ".
3. Ramon

Ramon is the founder and owner of the Comedy Café, since

1997 he has been providing a place for openmic. This was the proof of

his consistency and firmness in the comedy world. Moreover, Ramon

himself likes performing openmic and also one of the most

appropriate people to be the master in stand up comedy. Without his

presence, Stand-up Comedy will never have a home.

4. Iwel Wel

Since 1998 Iwel had been paying attention to the world of

stand up comedy. Finally, he has the chance to perform Stand Up on

national TV in 2005 for the show Bincang Bintang on RCTI. Firstly,

on March 6, 2004 Iwel, performing Stand Up in GKJ. In May he was

asked by TV7 (Now: Trans7) to perform stand up in the show Jayus

Plis Dong Ah, firstly broadcasted on May, 21 2004. In that program,

Iwel featuring Stand Up Comedy as a comedy option which are

offered.

Equipped with the tape for the program, Iwel came to RCTI

looking for Indra Yudhishthira to offer himself as a Comic. After that,

the rest is history. Iwel, was the first man who really brings Stand-up

Comedy and penetrative to the Indonesian pop culture.

5. Indra Yudistira

During his career in RCTI, Mas Indra who was formerly then

head of the production division spawned RCTI TV program called

"Star Talk" with Dicky Setiawan as the producer, who for the first

time designed the event collaborated with Stand-up Comedy and

involved Iwel as the comic.

Today, he leaves his position in RCTI and joined “Kompas” as

the Director of Production and compass TV programmer. He

encouraged the idea to create a TV show that tells all about the real

Stand up Comedy. Continuing his goals when in Bincang Bintang.

Finally, This TV show was ultimately made Stand up Comedy famous

in Indonesia.

6. Agus Mulyadi

The contribution of Agus Mulyadi in Stand-up Comedy will be

felt when the audience watch the TV show Stand Up Show by Metro

TV every Thursday at 22:30. If Kompas TV focused on talent search,

whereas, Metro TV gives a real show. Such as "Def Comedy Jam" in

which some Comic has appeared for several minutes, alternating each

other. Agus Mulyadi, who is the Production Manager and Creative

division in Metro TV has dreamed to make a stand up comedy TV

show.
7. Raditya Dika

Currently, Raditya Dika is the name with the biggest

influences in Stand-up Comedy in Indonesia. Some people say, there

are many comics who have the similar style with Radit, Therefore,

there was a special genre of comedy called Raditism. Radit and his

influence on the Internet was quickly spread through youtube videos

and his own website. For today, Radit is the people who ever truly

learn about Stand-up Comedy. During his study in Australia, he had

followed such short courses of Stand-up Comedy. Those materials and

knowledge make him a primary source to learn stand up comedy.

Now, he's the biggest name owned by Stand-up Comedy Indonesia.

Those are 7 names that cannot be separated from the Stand-up

Comedy in Indonesia. In the past, Stand Up Comedy didn’t get a good

response from the public, maybe at that time, the people were more prefer

to a slapstick or "physical comedy" rather than Stand up Comedy. But

now, Stand up Comedy comes back to provide alternative entertainment

among the splendor of comedy entertainment that seems monotone.

Since the emergence of Stand-up Comedy in Indonesia, Stand up

Comedy lovers took part by establishing a community of Stand-up

Comedy lovers called Stand up indo. This community founded by some

people who are interested in the world of Stand-up Comedy such as Ryan

Adriandhy and Ernest Prakasa, they met each other in the audition of
Stand up Comedy Indonesia which organized by Kompas TV. Those who

later became a finalist of this event thinking that they need a place to

prepare and practice stand up comedy. Starting from some friends in social

networks, they involve Panji Pragiwaksono and Raditya Dika and the

humor writer Isman H. Suryaman to establish this community. For

additional information, before establishing this community Panji and

Raditya Dika had already known by their Stand-up Comedy actions from

their own videos in youtube channel.

Equipped with their twitter followers, they ventured to hold an

event that they named Standupnite. The first Standupnite was held on July

13, 2011 in Comedy Cafe, Jakarta. Although they only make a promotion

through twitter, the people are enthusiast with this new entertainment

alternative. Arief Budiman, Intan AP, Asep Suaji who also the finalists of

Standup Comedy in Kompas TV, Isman HS, Ernest, Ryan,Panji and

Raditya Dika, took the huge attention from the audience. The night was

incredible, many real celebrities and who the celebrity who only famous

on twitter or #selebtwit are attending the agenda.

The second Standupnite held on August 2, 2011 at Bober Cafe

Bandung. This time, there are a lot of names that adorn the line up, such

as: Mo Sidik Zamzami, Dwika Putra, Tomy Malewa, Jonathan End,

Reggy Hasibuan, Acho and two names who have been performed in the

first Standupnite: Asep Suaji and Raditya Dika. The Bober Cafe was full

of people, the audience exploded beyond the capacity of the cafe. Most of
the audience must be willing to watch even by standing or sitting on the

floor during the event.

Moreover, on August 17, 2011 at the Rolling Stones Cafe

Indonesia - Jl. Ampera Raya, Jakarta, Indo Stand up held a charity event

titled # laugh4love. This event is intended to raise funds for triplets’ baby -

Adeela, Adeena and Adeeva – who are abandoned by their mother who

died during the birthing process. This event set a minimum donation of

IDR 50,000.00 and succeed to collect about 700 visitors with a donation

value reached IDR 24 million. Some social network activist such as Aulia

Masna and Rahne Putri helped to enliven this event.

The new comics who were fully experienced with open mic event

also came to this event, such as: Luqman Baehaqi, Sammy DP, and Shani

Budi. Also Asmara Letizia and Farhan who had first known as a radio

announcer, came to this event. A career coach like Rene Suhardono and a

hilarious journalist Saleh Solihun also included in the line up. This event

was closed by the final appearance from Panji.

The third standupnite was the first paid event conducted by Indo

Stand up. Still in the Rolling Stones Cafe Indonesia, on August 24, 2011,

this event succeeded in bringing more than 900 visitors. The solid line-up

does not stop in churning the stomach of visitors who thronged the RS

Cafe that night. Most of them watched by standing but remain in place

until the event is over. The event was opened by Indro Warkop and
featured: Pandji, Ryan, Miund, Isman HS, Ernest Prakasa, Asep Suaji,

Mosidik and Raditya Dika.

After this event, Stand up Indo staged many performances:

1. Standupnite2BDG in Bandung Food Festival, Jl. Sumatra,

Bandung, on the 10th of September 2011, this event succeeded

and estimated for about 1,000 spectators packed the venue.

The line up of this event are: Ernest, Ryan, Mongols, Isman

HS, Luqman, Sammy DP, Dedy Dahlan, Intan AP, Budi

Kusuma and closed by Panji.

2. Standupnite1BGR in Bogor, O'Lounge Cafe, on 18th

September 2011 This event is also forced a standup enthusiast

in Bogor to overcrowding in O'Lounge Cafe. Seven Comics of

standupindo like: Luqman, Arief Budiman, Reggy Hasibuan,

Asep Suaji, Acho, Sammy DP and Mosidik fill the event,

along with local comics in Bogor. The local comic who was

stealing the attention that day include: Jui and Kuat.

Those all the viruses of Stand up Comedy enthusiasm continue to

infect the other cities. The openmic independently performed in various

cities. The media certainly capture this phenomenon. Metro TV then

creates a special program titled Standup Comedy Show and some comics

from stand up Indo have ever performed in this event.

H. Stand Up Comedy Indonesia (SUCI) Kompas TV

Began in 2011 and broadcasted every Thursday at 22:00 pm, while

the show is repeated every Sunday at 15:00 pm. Stand Up Comedy

Indonesia (SUCI) has entered its 4th season. The format of the competition

consists of 13 comics (except the 3rd season which consist of 18 comics)

who have chosen through auditions in Bandung, Jakarta, Yogyakarta,

Surabaya, and Medan (in the 4th season the audition opened in Padang and

Denpasar) those who are selected will struggle in the last Stand Up Show

with different themes and challenges in each week.

The time allowed for comedy is 5 minutes and when it reaches the

big 5, there is “Call Back stage”, where the participants who had been a

close-mic competed back to earn 1 point into best 6. The assessment

process carried out by three judges and which gets accumulated the lowest

score will be eliminated. In the 4th session, there is a stage named UTS

(Stand Up team test) in the 7th week, the big 8 contestants were divided

into 2 groups and each group will play in the school that has been

specified, the system of assessment is conducted by the school students by

voting, for the losing team must follow the UAS (Final Test of Stand Up)

with the same format as the previous UTS round. And at the end of season

4, SUCI held an event called Play Ground, where the event was titled

reunion between SUCI participants (Wikipedia 2015).

 Table 3.1

List of the Winners of Stand Up Comedy Indonesia

Year Season 1st Winner 2nd Winner 3rd Winner

Ryan Insan Nur Ernest

2011 1st
Adriyandhi Akbar Prakasa

Ge Gilang
2012 2nd Kemal Palevi
Pamungkas Bhaskara

2013 3rd Babe Cabita Fico Fachriza Arie Kriting

David Abdurrahim Dzawin Nur

2014 4th
Nurbianto Arsyad Ikram

Table 3.2

List of the Judges of SUCI

Year Season 1st Judge 2nd Judge 3rd Judge 4th Judge

Butet
2011 1st Indro Warkop Astrid Tiar -
Kertaradjasa

2012 2nd Indro Warkop Raditya Dika Guest Judge -

2013 3rd Indro Warkop Raditya Dika Guest Judge -

2014 4th Indro Warkop Raditya Dika Fenny Rose Guest Judge
 Beside the main judges, there are also a guest Judges who were

invited alternately, and always different in each week, they are: Wulan

Guritno, Virnie Ismail, Pevita Pearce, Tora Sudiro, Feni Rose (on 2nd and

3rd season of SUCI), Fitri Tropica, Prisia Nasution, Jono Gugun Blues

Shelter, Fanny Fabriana, Alexandra Asmasoebrata, Pongki Barata, Tyson

James Lynch, Bedu, and Rico Ceper.

Moreover, in Stand Up Comedy Indonesia season 4 there are many

of talented stand up comedians who compete each other in this season. By

bringing their own personas, their social backgrounds, and their special

tastes of comedy, they try to win this season, but there was one comic who

really takes the attention of the audience, he was Dodit Mulyanto, the new

comer comic from Surabaya who brought the unique persona namely

Javanese aristocrat who really embrace the European culture. Even though

he was eliminated in his 13rd performance but his uniqueness made him

different from the other comics.

I. Biography of Dodit Mulyanto

Dodit Wahyudi Mulyanto was born in Blitar east Java on June, 30,

1985 (29 years), Religion: Catholic, twitter account: @dodit_mulyanto, is

an Indonesian single comedian and musician. His name skyrocketed after

following a stand-up comedy contest on one of the private television

station in Indonesia (Jawa Pos, 2014 edition)

1. Characteristic
 As a comedian, he always brings his typical character as so-

called “Java man who embrace European Culture”. In addition, in

many of his performances he always carried a violin to support his

show. He also has the other features such as a unique greeting by

saying “Hi guys.., Good night fans, masyarakat (society), penduduk

(inhabitants), Khalayak ramai (general public), and throws a seduction

to one of the female audience such as: “it’s a love arrow for you, yes

you….”

This youngest of five siblings has always been identified as

someone who had a happy childhood by playing in the rice field, and

sometimes he included that to his comedy material. Besides, he has a

unique habit before the show. Ten minutes before performance he

took a deep breath moved with tai chi movement, then he screamed,

five minutes later he drank a lot of water and sat quietly without

wanting to be disturbed. According to his own admission, he never

took a bath before the show. In addition, he also has a tattoo on his

right arm with a picture of a mic and violin.

2. Early Carrier

Before becoming a comedian, Dodit worked as a music teacher

in Santa Clara elementary school Surabaya. This alumni of Sebelas

Maret University was firstly performed in stand up comedy show in a

café in Surabaya in 2012. At that time he stood onstage without any

preparation, because his friends are forced him to try.

 After that, he followed the stand up comedy Indonesia season

4 at Kompas TV, together with the other comics (stand up comedian)

such as Abdurrahim Arsyad, Yudha Keling, and many others, but

unfortunately he eliminated in his 13rd show.

3. Facts about Dodit

There are several unique facts about Dodit Mulyanto:

a. Dodit describes his childhood as the black skin children, dull,

and loves to play in the rice field.

b. His favorite food is pecel (vegetable salad with peanut sauce)

and grilled chicken.

c. Dodit has five violins, some of which are named; A red electric

violin named Jet, while the violin that most often carried

anywhere named “Si Dia”. In addition, he has a cello named

Syrus, three guitars and a mandolin.

d. Dodit like hiking (mountain climbing), but because it requires

a considerable physical preparation, he prefers to do what so-

called beautiful camp or having fun with friends on the beach,

playing guitar, barbeque party, and take pictures. His favorite

place is Pundak beach in south Blitar.

e. Dodit assumed that all the comics are his idol and inspiration.

f. If the schedule of stand-up began to lose, he has chosen to go

back to teach music.

g. Dodit is the last child of five siblings and the only man among

his sisters.

h. His idol is Taylor Swift

i. Dodit is the finalist of SUCI 4 who has the biggest number of

twitter followers and youtube viewers.

j. Dodit appearance was successfully tickled the senior musicians

like Armand Maulana, the politicians like Pramono Agung,

and the famous composer Eka Gustiwa.

 CHAPTER III

RESEARCH METHODOLOGY

The word research comes from the verb researching which means

investigate or examine. Whereas, the term methodology is derived from

the word metodos and logos. Metodos means: way to go to achieve a goal,

whereas logos means: science (Arikunto, 1990, p.16), so methodology

means a science that discuss about the ways of achieving a truth. Based on

the understanding above, the methodology is a way to search for truths

that can be justified scientifically.

This chapter consists of type of the research design, data source

and data research, unit of analysis, data collection technique, data analysis,

and triangulation, and data result presentation.

A. Type of the Research

According to Arikunto (1990, p.5) a qualitative research must be

reported descriptively, in other word the result of data analysis must be

delivered in the form of phenomenon descriptive, neither reported by

numerical data or the coefficient of relationship between parallel. And the

result is reported in the form of word and pictures instead of numbers.

 Based on the description above, the right approach for studying

Dodit Mulyanto’s utterances in Stand Up Comedy Indonesia is a

descriptive qualitative method. Because, a qualitative approach is a

research procedure that produces the descriptive data in the form of written

words.

B. Data Sources and Data Research.

According to Arikunto (1997, p.7) the research data are the subjects

from which the data were obtained. Furthermore, the data sources in this

study are the utterances of Dodit Mulyanto in Stand Up Comedy Indonesia

Kompas TV season 4. The total amount of the video is seventeen from the

audition until the 13rd show, which the duration of each video is for about

3 minutes. The researcher got the videos by downloading it from You tube

site.

C. Unit of Analysis

Crossman (2014) as quoted in About.com (17 May 2014) a unit of

analysis is the most basic element of a scientific research project. That is,

it is the subject (who or what) of study about which a researcher may

generalize.

Therefore, the unit of analysis in this research was Dodit’s utterances

in Stand Up Comedy Indonesia season 4.

D. Method of collecting data

Data collection is an important part of the research process. In this

activity, the researcher has devoted all abilities, especially the mastery of

theory or concept structure, to retrieve the required data in accordance with

the structural parameters in order to obtain accurate results.

This is in accordance with the statement of Miles and Huberman in

Siswantoro (2010, p.74):

During the analysis in the time span of data collection,

the researcher moves back and forth between assessing the
data that have been obtained and the previous data or finding a
new data with higher quality (1984, p.49)

The way of collecting data in this research is by conducting data

reduction or data collection. In other word, the researcher focuses only on

the data needed according to the type or parameter that have been decided

on the statement of the problem.

Siswantoro (2010, p.74) suggested that the data of the literature

research are collected by doing the following steps such as: Preparing data

collector sheet, selecting the data, giving the description, drawing

conclusion, and data verification.

Therefore, the method of collecting data in this paper is below:

1. “Sadap” Technique

Kesuma (2007,p.43) states that the data in language

research can be collected through “simak” (observation) method,

this method is realized through basic and advanced techniques,

 the basic technique called “sadap” (tapping) technique. Tapping

(sadap) technique is the implementation of the observation

method by tapping the use of language of person or some people,

the use of language can be tapped in the form of oral and writing.

2. “Simak, bebas libat, cakap” Technique.

There are two advanced technique of collecting the data,

they are: “simak, libat, cakap” (observation, involvement,

conversation) and “simak, bebas libat, cakap” (observation, free

involvement, conversation) technique (Kesuma, 2007, p.44).

Hence, the appropriate method to collect the data in this research

is “simak, bebas libat, cakap” (observation, free involvement,

conversation) technique. Here, the researcher collected the data

by listening to the use of language without any involvement in the

process of conversation.

3. Transcribing

Kesuma (2007, p.45) proposed the technique of note taking

technique, according to him the data can be recorded on a data

card by using one of three types of transcribing namely: phonetic,

phonological, and orthographic transcribing. Meanwhile, the

appropriate method for this research was orthographic

transcribing, orthographic transcribing is the transcribing process

which uses spells and this type is used to record non-phonetic and

non-phonemic data.
 According to Eggins and Slade convention (1997, p.2-5) as

quoted in Mustikasari (2010, p.43-44) the technique of

transcribing are as follows:

a. Full stops (.), these mark termination (whether

grammatically complete or not).

b. Commas (,), these signal speakers parceling of non-

final talk.

c. Questions marks (?), these are used to indicate

questions or to mark uncertainty.

d. Exclamation marks (!), these mark the expression of

counter expectation (e.g. surprise, command,

amazement,ec).

e. 1, 2, 3, …… these show turn number.

f. ( ), words or phrases with parentheses indicate the

speakers’ nonverbal action.

g. (…..), shows untranscribable words or sentences.

h. Some word written in italic to indicate non-English

language.

i. […] is used to indicate audiences’ action.

Based on the statement above and by taking consideration that the

object of the research is in the form of video, therefore the researcher

collected the data by doing some steps as follows:

 1. Selecting, watching and observing the video of Dodit Mulyanto

during his performance in SUCI 4 Kompas TV. The other Dodit’s

show outside SUCI 4 was not included.

2. Taking notes related with the important issues which relevant to

this research in the observation form.

3. Transcribing the video.

4. Classifying the data which contains maxim violation.

E. Technique of Analyzing Data

After collecting the data, the next activity is data analysis. The data

analysis is done by giving the descriptive information about the data

functionally and relationally. In this session the data are displayed through

conceptually clustered display or the data are analyzed based on each

topic, theme, feature, concept or type of the data (Siswantoro, 2010, p.81).

Furthermore, the data in this study are analyzed according to the type of

the maxim.

F. Triangulation

Triangulation is a technique which is applied to check the validity of

the data by employing the elements outside the data and the function is as

the checker and the evaluator of that data (Siswantoro, 2010, p.79).

According to Dezin (1970, p.472) as mentioned by Cohen et.al (2007,

p.143) in Mustikasari (Universitas Negeri Semarang, 2010, p.44-45), the

triangulation methods that are used commonly in education are: time

triangulation, space triangulation, investigator triangulation, and

methodological triangulation. Furthermore, the researcher felt that the

appropriate triangulation to be used in this paper is methodological

triangulation. Methodological triangulation refers to the need of different

instruments in gaining the data. In this case, the researcher conducted

observation and transcript analysis.

 CHAPTER IV

RESEARCH FINDINGS AND DATA ANALYSIS

This chapter consists of finding the violation of politeness

principle and cooperative principle and discussion about the using of

maxims violation done by Dodit in order to rise humor. Besides, the

analysis is used to discuss the answer to the research questions.

A. Research Findings

This part explains the analysis of the data using Leech’s and

Grice’s theory. The data are the utterances of Dodit Mulyanto during his

performance in Stand Up Comedy Indonesia (SUCI) session 4. The data of

this research presented in the form of descriptive by using informal

presentation. The data presented sequentially according to its edition, from

audition until the last show (13rd show), each analysis completed with the

translation in English, then finished with the analysis in each sentence.

The code after each sentence refers to the script sources in the appendices.

For example: A. Audition; (Paragraph 1 line 5-6) it means that the

utterances found in the audition show, 1st paragraph and 5-7th line.
1. Audition (No theme and genre, the participants of audition are free to

express their stand up comedy skill)

First Sentence:

Cara menidurkan saya pun beda sama bayi bayi biasa, kalo

bayi biasa itu kalau orang jawa itu dinyanyikan: tak lelo lelo lelo

ledung cup menengo anakku cah bagus. Kalo saya tu beda, saya tu

minimal twinkle-twinkle little star: [juri takjub] twinkle-twinkle

little star penekno blimbing kui. [Penonton tertawa] (P.1 L.3-6)

Translation:

(My parent has the different way to euthanize me. Usually

the ordinary Javanese people put their baby to sleep by singing

Tak lelo lelo ledung (Javanese lullaby), but I am different, I

usually sung twinkle-twinkle little star: [the judges were amazed]

twinkle-twinkle little star penekno blimbing kui…) [the audience

laugh]

Analysis

Based on these utterances, there is the violation of maxim

in conversations principles, namely: violation of the maxim of

relation. This is evidenced by the sentence: “My parent has the

different way to put me to sleep. Usually the ordinary Javanese

people put their baby to sleep by singing Tak lelo lelo ledung

(Javanese lullaby), but I am different, I usually sung twinkle-

twinkle little star: twinkle-twinkle little star penekno blimbing

kui…” If we hear twinkle-twinkle star, the people talk about an

English children song, a full English language song. But Dodit

didn’t sing twinkle-twinkle star completely, but ended by a stanza

of Javanese children’s song –in this case Lir Ilir song-.and it is

violated maxim of relation because the context is different. The

Javanese people think that only the European expatriate who lives

in the city who sings twinkle-twinkle little star, meanwhile Lir-ilir

is the original Javanese song which usually be sung by the

Javanese in landers.

Second Sentence

Dan orang Indonesia itu, terutama di desa itu selalu salah

memahami sound track atau backsound misalkan backsound lagu

seperti ini (playing pink panther) [Radit tertawa], orang didesa

pasti ngomongnya itu lagunya dono kasino, padahal itu lagunya

Indro. [Penonton tertawa] (P.2 L.1-3).

Translation

(And also the Indonesian people, especially those who are

living in the village, they always misunderstood to the soundtrack

or backsound, for example (playing pink panther with violin)

[Radit laughs]. People in the village must think that the song

belongs to Dono and Kasino, whereas it is Indro’s song [the

audiences laugh].
Analysis

The second sentence violates the maxim of Quality, here

Dodit tries to inform the truth about a legendary soundtrack in

Warkop DKI show that most of Indonesian people do not know the

name of this song, but in fact he still wrong in giving the

information and not telling the truth. It is proved by his statement

“People in the village must think that the song belongs to Dono and

Kasino, whereas it is Indro’s Song. In this case, Dodit takes the

context of Javanese villagers who live in the rural area who didn’t

recognize the western song and tended to ignore any information,

they only know that the song was belong to Dono Kasino, and

Dodit tried to correct this paradigm but he still wrong. Moreover,

Dodit has the other purpose by saying these sentence, it is due to

Indro-the last member of Warkop DKI who still alive- who became

the judge in the audition, and Dodit tries to mock him. Thus, His

utterances violating the maxim of Quality.

Third Sentence

Saya itu dilahirkan istimewa, saya dilahirkan secara

otodidak, [Penonton tertawa] saya lahir bidannya baru datang,

jadi saya keluar sendiri [Penonton tertawa]. (P.3 L.1-2).

Translation

I was born specially, I was born autodidactly [the audiences

laugh], and when I was born the midwife came late, so I go out

alone [the audience laugh].

Analysis

According to Dodit, his born was very special, even he can

go out from his mother’s womb by himself. This utterance violated

maxim of Quality, because he said something that he believe to be

false. Moreover, no body belief that the baby could go out by

himself without any helping from nurse.

Fourth Sentence

“……itu menurut saya karna kesalahan pemerintah yang

tidak serius merancang palang pintu kereta api, turunnya pelan

tiluut tiluut, coba kalo itu dibuat cepat dan tajam; mobilnya lewat,

ngeng-jleng [Penonton tertawa dan tepuk tangan], pasti gak ada

yang mau melanggar (P.4 L.1-5).

Translation

According to me, these accidents are occurring because of

the government which is not serious on designing the train

doorstop, it downs very slow tiluut tiluut, it will be better if it’s

made in quick and sharp; every car that passed, ngeng-jleng [the

audiences laugh and applause], of course no-one wants to violate.

Analysis

Dodit tries to give the solution concerned with the accident

in train doorstop, He blames the design of train doorstop which

exist today, according to him the doorstop should be designed in

fast and sharp form, then every car that breaks the doorstop will be

broken immediately. These utterances violated maxim of Quality,

because, making such kind of doorstop is impossible and will not

be approved by the people. The context of his speech is that Dodit

want to be care with public condition and try to give a solution, but

his idea was not applicable.

Fifth Sentence

Kalo pacaran sama pemain biola tu enak, bisa main

titanic-titanican -musiknya langsung pakai biola-………… tapi

pacar saya biar dipeluk orang lain, lha gmana saya bermain -

kalau saya harus meluk pacar saya-?[Penonton tertawa] (P.5 L.1-

7).

Translation

It is good to go out with a violinist, we can play like in the

titanic scene -The music is immediately from the violin-............ but

someone will embrace my girlfriend, so how can I play -If I

embrace my girlfriend-? [the audiences laugh] (P.5 L.1-7).

 Analysis

The fifth sentence violated maxim of relation, it is proved

with the first sentence “It is good to go out with a violinist, we can

play like in the titanic scene” has no relation to the last sentence

“but someone will embrace my girlfriend, so how can I play?”

Firstly Dodit was proud to be a violinist because he can play like in

the titanic best scene -when Leonardo De Caprio hugs his girl from

behind- and accompanied by his own live music, but in the last he

realized that he cannot embrace his girlfriend if he must play

violin.

2. Preshow (Free Theme, preshow conducted as a warming up for

the participants before the real competition).

First Sentence

Saya ndak boleh ngejar ngejar layangan sama bapak saya,

saya tu bolehnya ngejar ngejar kamu…[Penonton tertawa] I love

u! [Penonton tertawa] (P.1 L.3-4).

Translation

My father does not let me chase a kite, I was only allowed

to chase you...[the audiences laugh] I love you! [the audiences

laugh].
Analysis

This sentence violated maxim of relation, it is approved

with the first sentence: “My father do not let me chase a kite”

which has no relation with the second sentence: “I was only

allowed to chase you... I love you”. In this case, the audience was

thinking that Dodit’s father didn’t allow him to chase a kite

because he afraid Dodit will be dirty, tired and looks plebeian. But

in fact, Dodit answered it because he only allowed to chase a

beautiful woman. If the sentence is changed like: My father does

not let me chase a kite, because he afraid I will be tired. The

sentence doesn’t rise humor effect. The context here is that Dodit is

trying to be a romantic man like a classic European man who really

adhere women by using his own words to flirt the girl.

The Second Sentence

Saya makan itu table manner, peralatannya harus lengkap

ada sendok, garpu, silet [Penonton tertawa] (P.2 L.2-3).

Translation

I used to eat with table manner, the equipment must be

complete: spoon, fork, and blade [the audiences laugh].

Analysis

This second sentence violated maxim of quantity, the word

“blade” in the last of the sentence should not be mentioned or may

be replaced with the word “knife”, because a blade is not included

in the table manner equipment or not used as tableware, but this

kind of violation has raises humor among the audience

successfully. The context of his speech is that Dodit want to

explain about his breakfast. As the Javanese family that embrace

European culture the breakfast in his family conducted in table

manner, but in fact he has mistaken in mentioning the table manner

stuffs.

The Third Sentence

Kalau orang jawa biasa itu makannya nasi pecel, es the

sudah. Saya tidak begitu, ada hidangan pembuka, hidangan utama

dan hidangan penutup, hidangan penutup isinya pudding dan

diakhiri dengan minum wine [penonton kagum]. Air putih muntah

saya! [Penonton tertawa] (P.2 L.3-6).

Translation

The ordinary Javanese people are accustomed to eat pecel

and iced tea, that’s it. But I am different, there is an appetizer, main

dish and dessert, the dessert consists of a pudding and topped off
with drinking wine [the audiences amaze]. Drinking a pure water

makes me gag [the audiences laugh].

Analysis

The last sentence “Drinking a pure water makes me gag”

has violated maxim of Quality. It is in accordance with maxim of

quality rule: a. do not say what you believe to be false and b. do

not say for which you lack adequate evidence. The information that

Dodit does not want to drink a pure water is something that

believed to be false, or in other word, he lies to the audience.

Because all human in this world are drinking a pure water. The

context still connected with the context above in table manner, here

Dodit explain about the order of the dishes during table manner,

because he feels that he is very superior and tends to be different

from the other Javanese people, he said that he don’t want to drink

a pure water.

Fourth Sentence

Mamah saya tu anu, bartender [penonton kagum]. Iya,

punya minibar dibangun depan rumah ada terpalnya, [penonton

tertawa] warung [penonton tertawa]. Isinya tu ya: beras kencur,

temu lawak [penonton tertawa], beras kencur campur temu lawak.

(P.3 L.1-3).

Translation
 My mother is anu, the bartender [the audiences amazed].

Yeah, she had a minibar built in front of the home, roofed with a

tarp...[the audiences laugh] a tavern [the audiences laugh], She

sells: rice and Kaempferia Galanga, curcuma [the audiences

laugh], rice and Kaempferia Galanga mixed with curcuma.

Analysis

The sentences in this paragraph are not related each other, it

is evidenced with the first sentence “My mother is anu, the

bartender. Yeah, she had a minibar built in front of the home” from

this sentence the audience will think that Dodit’s mother is a

bartender and has a minibar that provides a beer and the other

alcoholic beverages. But their assumption immediately broken by

the second sentence “roofed with a tarp... a tavern, she sells: rice

and Kaempferia Galanga, curcuma, rice and Kaempferia Galanga

mixed with curcuma.” That has the meaning that Dodit’s mother

minibar is not like the bar in general, but it sells various kinds of

herbs or in other word an herbal tavern. Therefore this paragraph

violated maxim of relation. The context here is that Dodit want to

boast his mother, because his family embrace European culture he

didn’t said that his mother has an herbal tavern but the minibar.

Whereas, an herbal tavern was totally different with a minibar.

Fifth Sentence
 ………koruptor jahat! (P.7 L.4)

Translation

The corruptor are criminals!

Analysis

In the last of his speech, Dodit said the sentence above

without any reason and without any foreword and makes the

audience confused. At the end, the audience laugh at this

ambiguity. Because this sentence is unclear, so it has violated

maxim of manner. The context is when Dodit delivers a speech that

he was confused with the condition of this nation, then he plays a

fast rhythm by his violin and in the last he said the sentence, of

course the audiences amazed with his ambiguity.

3. Show 1 (Annoyed with ex-girlfriend)

First Sentence

Saya mau maen lagi buat kamu, sebel saya! (bermain lagu

tema susu murni nasional).[penonton tertawa] itu lagu susu buat

kamu [penonton tertawa], biar sehat (P.1 L.3-4).

Translation
 I want to play –violin- again for you, I was annoyed!

(Playing the theme song of “nasional” pure milk) [the audiences

laugh]. It is a song of milk for you [the audiences laugh], so that

you will be healthy.

Analysis

This first sentence in the 1st show edition has violated

maxim of relation, it is due to the song that played by Dodit is not

appropriate to his condition. He was annoyed with his ex-

girlfriend, he felt angry, disappointed and desperate, but he plays a

milk song instead. Of course, a sad feeling should be represented

with a sad or a love song. But Dodit didn’t do that, instead he

played a milk song and wished his ex-girlfriend will be healthy.

The context of this show is that Dodit feels annoyed because there

was one of female audience who has the similar face with Dodit’s

ex-girlfriend, then Dodit plays one song with his violin. Not a love

song or romantic song he play but the milk song instead.

Second Sentence

Saat saya pertama kali stand up, saya tu sangat takut

menatap mata penonton, saking takutnya saya menatap mata saya

sendiri [penonton tertawa] (P.3 L.1-2).

Translation
 When I performed stand up for the first time, I was so

scared to look at the audience's eyes, because of fear I looked at my

own eyes [the audiences laugh].

Analysis

The second sentence has violated maxim of Quality, it is

proofed with the last sentence: “because of fear I looked at my own

eyes”. As we know that looking at our own eyes is something

impossible. In this case, Dodit told the audience something that

believed to be false. This was happened when Dodit’s perform his

second speech and told his experiences during the first

performance, he said that he was nervous and feared to look at the

audience’s eyes.

4. Show 2 (Party Coalition)

First Sentence

Exit light jangan exit light [penonton tertawa]. Kalo tiada

enter night [penonton tertawa], enter night boleh saja kalo ada exit

light… [penonton tertawa] (P.1 L.7-9).

Translation
 Exit light should not exit light [the audiences laugh]. If

there is no enter night [the audiences laugh]. Enter night is allowed

if there is a exit light ... [the audiences laugh]

Analysis

In this edition, Dodit presented the politic theme about

party coalition, in his speech he imagines if the presidential

candidate who loves Metallica music (Jokowi) coalesced with

another candidate who makes sonata music (Rhoma Irama). In his

imagination, they will be united and sing their most favorite song

Jokowi will sing exit light by Metallica and Rhoma will sing

begadang song. And the song will be like the song stanzas above.

Dodit used his imagination to inform the audience about this

possibility. Of course, this is not in accordance with maxim of

quality rule, and violated it.

5. Show 3, music and food theme

First sentence

Pecel.. kalo saya memiliki warung pecel saya akan

membuai pelanggan saya yang datang biar krasan dengan alunan

biola klasik (bermain lingsir wengi dengan biola) lingsir wengi..

[penonton tertawa] sliramu tumeking.. sirno… (P.1 L.1-3).

Translation
 Pecel .. if I have pecel shop, I will lull my customers with

the strains of classical violin so that they feel at home (play Lingsir

Wengi with violin) Lingsir wengi.. [the audiences laugh] sliramu

tumeking,. sirno ....

Analysis

The first sentence of the third show violates the maxim of

relation. It is due to the last sentence which not related with the

sentences before. The stanza of Javanese song: Lingsir sliramu

tumeking Wengi .. .. sirno .... is not related with the utterances of

dodit before, in this case Dodit told that he will lull his customer

with a classical song, then he didn’t sing a classical song but he

sings a Javanese song instead. The context of his speech is that

Dodit wants to combine Javanese culture (in this case pecel stall)

with European culture (classical music), but in fact, the classical

music he had plaid was not European classical music but a

Javanese song.

6. Show 4 (Broadcast Message)

First sentence

Kentongan itu ada artinya, Kalo dipukul sekali “tuk” “

tuk” “ tuk” sedang terjadi peristiwa pembunuhan. Ya, serius di

desa tu seperti itu. Kemudian kalo ada bunyi dua kali “tuk tuk”
“tuk tuk” sedang terjadi pencurian, kemudian kalu dipukul

bunyinya gini (memukul seperti penjual mie ayam) maaf

kentongannya dibajak. [Penonton tertawa dan tepuk tangan]. (P.3

L.3-7).

Translation

Kentongan has a variety of meanings, if it is hit once "tuk"

"tuk" "tuk". it means there is a murder. Yes, seriously. That what

happen in the village. Then, if it is hit twice "tuk tuk" "tuk tuk" it

means the event of theft, then if it is hit like this (knocking such as

chicken noodle seller) sorry, the kentongan has been hijacked [the

audiences laugh and applause].

Analysis

This sentence was violated maxim of quantity, the

researcher found an unnecessary sentence in the last of the

paragraph, the sentence is: “then if it is hit like this (such as

chicken noodle seller) sorry, the kentongan has been hijacked”, this

information is not required by the audience, but Dodit adds this in

order to raise humor.

Second sentence

Follower-follower saya , saya dikatain mirip Yudha Keling

[Penonton tertawa], ya saya…. terima lah [Penonton tertawa]. (P.1

L.3-4).
Translation

My followers, I have been considered similar to Yudha

Keling [the audiences laugh], so I……… I accept it.

Analysis

Usually the people do not want to be equalized with other

people, moreover, if the person who is being equalized feels better

than the people who is being equalized with. But Dodit did a

different thing, he accepted his follower perception that he is

similar to Yudha keeling. Hence, this sentence was violated maxim

of Quality. The audiences know that Yudha Keling was also SUCI

4 participant who brings small, black skinned, and pathetic boy

persona.

Third sentence

Di hatiku ini ada kentongan buat kamu, kalo dipukul ada

nadanya “tuk” tau nggak itu nada apa? Itu namanya nada “tuk”,

untuk mengetuk hatimu…. [Penonton tertawa] (P.4 L.4-6).

Translation

There is a kentongan in my heart for you. It will produce a

tone when it is struck. "knock". do you know, what kind of tone is

that? It's called "knock" tone, to knock your heart .... [the audiences

laugh].
Analysis

The third sentence violated maxim of quality it is caused by

the first sentence in the first paragraph;” There is a kentongan in

my heart for you” this statement was not the truth, and cannot be

believed. It is impossible for the people having the gong inside

their heart. The context is that Dodit still want to show his

romanticism by arranging the words from his stand up materials

into seduction sentence.

Fourth sentence

Karna saya suka pamer, pacar saya tu marah sama saya.

Dia nagis saya diamkan, “aku nangis kok kamu diemin?” biar

semua orang tau kalo aku punya pacar [penonton tertawa]. (P.2

L.3-5).

Translation

Because I like to show off, my girlfriend became angry

with me. She cried and I didn’t do anything, "I am crying, and you

don’t do anything?" Let everyone know if I have a girlfriend [the

audiences laugh].

Analysis

This sentence was violated maxim of relation, it is

evidenced with the first sentence which has no relation to the next
sentence. Here, Dodit said: “Because I like to show off, my

girlfriend became angry with me. She cried and I didn’t do

anything”. Then his girlfriend asked why Dodit doesn’t care about

her. In order to be related each other, Dodit should answer”:

because I am angry or because I am bored because you always cry.

But Dodit answers: Let everyone know if I have a girlfriend

instead.

Fifth sentence

Jadi menyampaikan pesan apapun karna itu kentongan

sangat penting di desa dan takkan tergantikan. Kaya kamuu..

[penonton tertawa] (menunjuk penonton wanita) iya kamu.. (P.4

L.1-3).

Translation

So it delivers any message. Therefore, kentongan is very

important in the village and would not be replaced. Like you.. [the

audiences laugh] (Pointing female audience) yes, you.

Analysis

In this case, Dodit equalize Kentongan with the female

audience, he said that Kentongan is unchangeable like her. Of

course, those two things are different, and Dodit has violated

maxim of relation. In this case the context is still related with

Dodit’s persona it was a Javanese man who embraces European

 culture, in order to be similar with a European aristocrat man he

must be as romantic as possible, therefore, here he shows his

romanticism by saying seduction sentence.

7. Show 5 (the maid role)

First sentence

Kalau saya nanti ditawari main film Malem Minggu

Miko… mas… [penonoton tertawa] saya nggak akan mau jadi

pembantu saya pemain biola kok. Lagian saya kenal mas Radit

minimal kami jadi partner, partnernya mas Anca [penonoton

tertawa]. (P.1 L.2-4).

Translation

If I would be offered to play the “Malam Minggu Miko

movie later. ... Mas ... [the audiences laugh] I would not want to be

a maid. I am a violinist. Anyway, I know mas Radit well. At least,

we become a partner, Mas Anca’s partner [the audiences laugh] -

Mas Anca is the maid in “Malam Minggu Miko” movie-.

Analysis

Dodit Has violated maxim of relation again in this sentence,

at first he said that he doesn’t want to be a maid if he plays in

Malam Minggu MIko movie, because he feels superior, a violinist

and he knows Raditya -The director- well, but in the last of the
sentence he violates his own words: At least, we become a partner,

mas Anca’s partner -Mas Anca is the maid in “Malam Minggu

Miko” movie-. The audiences have known that Mas Ancha was the

name of the maid in Malam Minggu Miko, but in the first of the

sentence, Dodit wants to show his superiority: even though he is

Javanese -Javanese people are stereotyped with the maid- but he

was different from the other Javanese people because he was

embracing European culture and his family is respected in his

village, hence he doesn’t want to be a maid, he wants to be a

partner at least, but surprisingly he said: “a partner of Mas

Ancha”.

Second Sentence

Kalau saya disuruh acting jadi pembantu saya gak usah

belajar akting ya udah gini aja, kalau dipanggil “Dodit” “inggih

ndoro”, beres [penonoton tertawa] selesai masalah saya akan

mencoba akting saya coba kamu panggil aku, iya kamu, iya kamu,

coba panggil namaku. Dodit!! “Inggih sayang” [penonoton

tertawa]. (P.2 L.4-7).

Translation

If I am asked to act as a maid. I do not have to study acting.

I just need to be myself, when I am called. "Dodit" "yes master",

the problem is finished [the audiences laugh]. I will try my acting.

 You try to call me, yes you are, yes you are, try to call my name.

Dodit !! "Yes, dear". [the audiences laugh] (P.2 L.4-7).

Analysis

This second sentence violated maxim of relation, it is

happening because dodit violated his own sentence:” If I am asked

to act as a maid. I do not have to study acting. I just need to be

myself, when I am called. "Dodit" "yes master", the problem is

finished” with the statement in the last: I will try my acting. You

try to call me, yes you are, yes you are, try to call my name. Dodit

!! "Yes dear". Dodit should answer like his statement before: “yes

master” in order to be relevant. The case is that Dodit wants to

show to the audience that he was a Javanese romantic boy which

pretty similar with classical European man. He tried to flirt one of

guest judge-in this case Raline Shah- by using the sentence which

related with his stand up material.

8. Show 6, electorate theme song

First Sentence

Tau kan Presiden kita sukanya baris-berbaris? Piye

kabare? [penonoton tertawa] Iseh penak jamanku tho? [penonoton

tertawa] #aku rapopo (P.1 L.2-4)

Translation

Do you know our former president who loves marching?

How are you? [the audiences laugh] Is my decade still the best?

[the audiences laugh] #I am okay.

Analysis

This sentence made some audience do not understand about

who is the president that being told by Dodit. Hence, this sentence

violated maxim of manner. This sentence was found after Dodit

singing the mars of general election, after singing he explained that

the song was created by the president at that time. Because the

president was a former general of armed forces so the song beat

was very fast like a marching soldiers, furthermore he tried to ask

the audience who the president was by giving a code sentence.

Second sentence

“Pemilihan umum telah memangil kita, kita? loe aja keles”

[Penonton tertawa] (P.1 L.5-6).

Translation

“The general election has called us”, we? Just you yourself [the

audiences laugh].
Analysis

The first sentence of the 6th edition was violated maxim of

Quantity, it is evidenced with the last sentence: “we? Just you

yourself”, this sentence should not be said, because the stanza of

the song is only: “The general election has called us” no additional

word. The context is that when Dodit sings the new song of general

election which created by Kompas TV.

Third Sentence

Rakyat golput bukan solusi, jangan lupa anda

harus…(menunjukan jari kelingking yang terkena noda tinta)

[penonton tepuk tangan] servis printer [Penonton tertawa] (P.1

L.9-10).

Translation

People, abstention is not a solution, do not forget, you have

to ... (showing stained little finger) [the audiences give applause]

printer service [the audiences laugh].

Analysis

In this case, Dodit tried to suggest the audience to involve

in the general election and don’t do abstention by showing his little

finger that stained with the ink -the symbol that the person has

already elected-,the audiences understand that Dodit call the people

to be involved in the general election. But the fact, when the

audiences achieve this moment, Dodit immediately opened his

hand, and his hand was full of tint, then said to the audience that he

just serviced the printer and all the audience laugh immediately. In

this section Dodit has violated maxim of relation, because the

involvement in the general election has no relation with printer

service.

Fourth Sentence

Sayangnya di desa itu banyak caleg yang melakukan black

campaign, kampanye gelap, listrik belum masuk [Penonton

tertawa]. (P.2 L.3-4).

Translation

Unfortunately, in the village, many candidates do the black

campaign, a dark campaign, the electricity has not been entered

[the audiences laugh].

Analysis

This third sentence was violated maxim of quality, it is

because of Dodit who wrong to give the information. According to

him, black campaign is the dark campaign which caused by the

condition of the rural area with no electricity. Instead, this is not

the true definition of black campaign. Here, Dodit still maintain his
 persona as a naïve village boy who try to be exist, but he doesn’t

aware with his naivety.

9. Show 7 UTS (meeting with ex-girlfriend)

First sentence

Biasanya murid-murid mencontek menggunakan kode,

misalnya mengelus telinga kalau mengelus telinga itu C, kemudian

megang dagu itu berarti D, ada yang garuk garuk hidung itu

memang hidungnya gatel [Penonton tertawa] (P.4 L.1-4).

Translation

Usually, the students cheat by using a code, for example:

stroking the ear, if the ear is stroked, it means: C. Then, holding the

chin which means D. Then, if there is a student who scratched his

nose, it means that his nose is itchy [the audiences laugh].

Analysis

This sentence was violated maxim of Quantity, it is proofed

with an unnecessary sentence in the last: “Then, if there is a student

who scratched his nose, it means that his nose is itchy”. Dodit

could talk about the situation of school examination because he

was a secondary school teacher and in this edition he informed the

cheating tricks to the audience.

Second Sentence

Kalau saya jadi caleg. Konsentrasi pertama saya yaitu

pada pendidikan dari anak SD sampai sma nggak ada yang boleh

bayar biaya pendidikan [Penonton tepuk tangan]. Anak-anak

nggak boleh ada yang bayar, biar orang tuanya yang bayar

[Penonton tertawa]. (P.2 L.2-4).

Translation

If I were a candidate, my first concentration is on

education. The elementary school student to high school students

should not pay for the cost of education [the audiences give

applause]. Children should not pay anyone, let the parents pay [the

audiences laugh].

Analysis

The utterance should related from the beginning of the

speech till the end, in order to make the hearer understand. but in

this case, Dodit did the opposite. Here, he violated his own

promise, that if he became the legislative candidate, he will

prohibit the school students to pay the tuition fee, from this

sentence the audience understand that he will make the free

education program. But in the last of the paragraph, Dodit said that

the students don’t have to pay the tuition, but let their parents pay.

This statement broke the audience understanding about free

education and they realize that Dodit violates audience

understanding with his last sentence. Hence, this sentence was

violated maxim of relation. The context is that Dodit wants to show

that he was really care about the education till he imagine if he

were a policy maker and could make a new policy which related

with school fee.

Third Sentence

Waktu SD tu saya sudah mulai mencintai, saya itu punya

gebetan, tapi gebetan saya itu membuat saya ilfil karena kaos

kakinya kendor [penonton tertawa], terus dikareti [penonton

tertawa], kalau karetnya satu itu nggak papa. Itu karetnya dua,

kayak nasi bungkus, itu artinya rasa kakinya pedas [penonton

tertawa]. Waktu dia merapikan bajunya ternyata ikat pingganya

itu korpri [penonton tertawa], punya bapaknya, saya gak mau

punya pacar yang memakai fasilitas Negara [penonton tertawa].

(P.3 L.1-5).

Translation

When I was in elementary school, I have started to love, I

have a close friend, but my friend made me uncomfortable,

because her socks are loose [the audiences laugh] and kept tied

with the rubber [the audiences laugh], I will not be worried if the

rubber is only one, but the rubbers are two, like rice packets, it
 means that her legs are spicy [the audiences laugh]. When she

smoothed her dress, I saw her belt, a KORPI’s belt [the audiences

laugh], his father’s belt, I do not want to have a girlfriend who

wears the State facilities [the audiences laugh].

Analysis

This third sentence was violated maxim of relation, it is

approved that Dodit equalized his girlfriend’s leg with rice packet.

And his second statement, Dodit doesn’t want to have a girlfriend

who used the state facilities only because of his girlfriend wearing

a KORPRI’s -civil servant corps- belt. Leg and rice packet are two

different things and also wearing KORPRI’s belt cannot be

equalized with using the facility of the state. The context is that

Dodit want to show that he was a woman lover, but he has

disappointed because he loved a typically Javanese village girl who

has such kind of condition.

10. Show 7 UAS (a teacher story)

First sentence

Sebagai guru saya itu dikatakan kalau saya mengajar itu

ngomongnya medok itu bukan salah saya soalnya saya memang

lahir di desa, jangankan saya, biola aja kalau kelamaan di desa itu

medok [penonton tertawa] (P.1 L.2-4).

Translation

As a teacher. My students said that my accent is very bad

when I am teaching. It was not my fault, because I was born in the

village. It’s not only me, the violin will has a bad accent if it stays

in the village [the audiences laugh].

Analysis

This sentence contains the maxim of quality violation. It is

proved with the sentence: “It’s not only me, the violin will has a

bad accent if it stays in the village”. Here, Dodit told something

that believed to be false, how come the violin will have the bad

accent, as the audience know that violin is a music tool that don’t

have accent and it is only producing the sound, the same sound.

Here Dodit show his original persona which combine Javanese and

European culture, Dodit shows that he know the violin well

because he tries to be similar with the European. According to

Dodit, violin is the identity of European culture. Moreover, he said

that the violin would be changed if it stay in Javanese village, the

violin’s accent will be similar with Javanese people’s accent.

 Second Sentence

“Takkan sanggup menghadapi semua [penonton tertawa],

hanya bersamamu ku akan bisa [penonton tertawa]…. Yen ing

tawang ono lintang” [penonton tertawa]. (P.1 L.6-7)

Translation

"I will not be able to face it all [the audiences laugh], only

with you I will be able to .... [the audiences laugh] if there is a star

in Tawang " [the audiences laugh].

Analysis

The second sentence was violated maxim of Quantity, it is

due to unnecessary additional song in the last of the stanza. The

first stanza is a song entitled “Sempurna” by Andra and the

Backbone and ended with a song entitled “Cidro” a campursari

song which is not necessary to be sung. The context is that Dodit

give an evidence that the violin would be changed if stay in

Javanese village for a long time. Here, he sing the Indonesian song

together with his violin but the song and the tone turn into a

Javanese song immediately.

11. Show 8 (woman theme)

First sentence
 Saya jadi ingat perempuan2 yang mengubah hidup saya.

Saya jadi ingat pengemis [penonton tertawa] (P.1 L.1-2).

Translation

I remember the women who changed my life. I remember a beggar

[the audiences laugh].

Analysis

In this edition Dodit tried to remember the women who

have been deserved in his life, but in the last of the sentence he said

something which has no relation with the sentence before. Here, he

said: “a beggar”. All the audience laugh at him because the

audience think that the woman is his mother, his sister or his

girlfriend. But Dodit answered that the woman is the beggar

instead. Therefore, this sentence was violated maxim of relation.

The theme of the show was woman because the day was the born

of R.A Kartini -an Indonesian woman emancipation hero-. Here,

Dodit mentioned the memorable woman in his life.

Second Sentence

Pengemis itu disimbolkan tangannya di bawah (diulang)

soalnya kalau tangan di atas itu konser [penonton tertawa] (P.1

L.2-3).

Translation
 The beggar was symbolized by the hand below, because if

the hand is on top, it is a concert [the audiences laugh].

Analysis

This first sentence was violated maxim of Quantity, it is

due to the additional sentence in the last of the paragraph which is

not necessary, and the sentence is: because if the hand is on top, it

is a concert.

Third Sentence

Saya itu memiliki kelembutan hati seperti ibu saya kalau

saya melihat pengemis, itu saya, dia itu kasihan naik turun angkot

susah, saya pengen nganu… mbarengi. Saya pengen membonceng

dia, saya Kan naik motor ayo bu saya bonceng mbonceng naik

motor saya. Ngeeeng… [penonton tertawa] “Siahkan turun bu kita

sudah sampai. Dimana ini?” “Kantor satpol PP” [penonton

tertawa].(P.1 L.5-9).

Translation

I have a soft heart, like my mother, if I saw a beggar, I feel

sorry for, heaving on a public transportation, it looks difficult, I

want to give her a ride, come on ma’am, I gave a ride with my

bike. Ngeeeng ... [the audiences laugh] Please come down ma’am,

we've arrived. Where is it? "" Office of the civil service police

force [the audiences laugh].

Analysis

The third sentence was violated maxim relation, it is proved

by the last sentence which is not in accordance with the statements

before. At first, Dodit said that he has the soft heart he always

wants to help the beggar, but in the last of the sentence he took that

beggar to the civil service police force head quarter. The context is

that Dodit still talking about the woman who changed his life -in

this case a beggar-. Here Dodit felt sorry if he saw a beggar in the

street and he tried to help her.

Fourth sentence

Ada yang lucu dari lagu Kartini. (bermain musik Kartini)

Nunggu lucunya? [penonton tertawa] Lagu pahlawan tidak pantas

untuk dilucukan keles... [penonton tertawa] (P.2 L.1-3)

Translation

There is something funny from Kartini song. (Playing

Kartini song) you are waiting for humor? [the audiences laugh]

Hero theme Song, does not deserve to be made a joke.. [the

audiences laugh].

Analysis

This fourth sentence has also violated maxim of relation, it

is due to the first sentence of Dodit speech: “There is something

funny from Kartini song”. Here, he tried to inform the audience

that there was something funny in Kartini song. But he didn’t

support his statement by showing that funniness and told the

audience that a hero song is not appropriate to be made a joke. The

context is still in Kartini or woman theme.

Fifth Sentence

Kartini itu punya gelar bangsawan, gelar bangsawan jawa

untuk perempuan jawa ada banyak yang pertama itu RA, raden

ajeng untuk perempuan jawa yang belum menikah, raden ayu

untuk perempuan bangsawan jawa yang sudah menikah, RA-ditya,

Raditya [penonton tertawa]. Itu orang biasa yang belum menikah

[penonton tertawa]. (P.2 L.3-6).

Translation

Kartini has an aristocratic title, there are plenty of Javanese

nobility titles for Javanese women. First: RA, Raden ajeng. For

Javanese aristocrat women who didn’t marry, Raden Ayu for

Javanese aristocrat women who are married, RA-Ditya, Raditya

[the audiences laugh]. It was an ordinary person who has not been

married [the audiences laugh].

Analysis

This sentence has violated maxim of quantity, it is proved

by the last sentence which is not important, and not the information
 that required by the audience, the sentence is: RA-Ditya, Raditya.

It was an ordinary person who has not been married. The context is

that Dodit humiliated Raditya Dika -the main judge- because Radit

is often humiliated him and in this edition he took a revenge.

12. Show 9 Stage 1 (sport theme)

First sentence

Sebenarnya penerima olimpiade, medali olimpiade yang

pertama itu adalah panahan tapi orang tahunya adalah bulu

tangkis. Makannya kita harus memasyarakatkan panahan dan

memanah masyarakat [penonton tertawa] (P.1 L.2-4).

Translation

Actually, the recipient of the first Olympic medal was from

archery. But, many people know that it is from badminton. Hence,

we have to promote archery and shoot the people with archery [the

audiences laugh].

Analysis

In this stage, Dodit informed the audience about Olympic

history that the first recipient of Indonesian athlete in that event has

come from archery, but unfortunately he added an unnecessary

statement in the last of the paragraph by saying: and shoot the

people with archery. Therefore, this sentence violated maxim of

quantity. The context is that Dodit wants to inform the audience

about the truth of Indonesian sport history. Indonesia got it first

gold medal in Olympic in archery, hence he wants to socialize

archery.

Second sentence

Kemudian bedanya basket sama bola, kalo basket itu ada

sound tracknya, ada back soundnya (bermain lagu tema basket)

[penonton tepuk tangan] Three point by Raditya Dika, emang mas

Radit bisa basket? [penonton tertawa] (P.1 L.7-9).

Translation

Then, the difference between basketball and football, the

basketball has a sound track, (playing basketball theme song) [the

audiences give applause]. Three points by Raditya Dika, can Mas

Radit play basketball?. [the audiences laugh].

Analysis

There was violation on the maxim of relation in this

sentence, it can be evidenced by the statement that basketball has a

theme song and illustrated that Raditya Dika is a basketball star

who made a three points, but in the last he said something different

from his illustration with the sentence: “can Mas Radit plays

basketball?”. In this edition, Dodit still takes a revenge to Radit -

the main judge- by humiliating him. In his speech, Dodit said that
 he is not sure that Radit could play basketball because Radit has a

short body.

13. Show 9 stage 2 Free theme

First sentence

Sekarang ini saya from nothing to something, [penonton

tertawa] orang yang dekat saya tu jadi ramah, bu kost yang dulu

biasanya jutek, sekarang pagi-pagi menyapa saya, “mas Dodit

kemarin tampil di kompas TV ya?” Iya buk kompas TV inspirasi

Indonesia raya, [penonton tertawa] “bagus tampilanya, sudah

mbayar kost?” [penonton tertawa] (P.1 L.1-4).

Translation

Right now, I am from nothing to something [the audiences

laugh], the people who close to me turned into friendly, my

boarding mother who usually curt, now greets me in the morning,

"mas Dodit, you appeared in Kompas TV yesterday, did you? Yes

ma’am, compass TV, the inspiration for great Indonesia [the

audiences laugh], what a good performance! Have you paid the

instalment? " [the audiences laugh].

Analysis

The violation on the maxim of relation happened in this

part, here Dodit told the audience about himself that he faced a
great change in his life after following stand up comedy Indonesia.

He said that the people surround him turns into friendly, and this

condition is not in accordance with his last statement that his

boarding owner still asking about monthly payment and didn’t

show a behavior change to Dodit. The context is that Dodit told his

daily life to the audience, he said that his life changed since he

competed in Stand Up Comedy and became famous. The people

surround him turn into friendly.

Second Sentence

Selain itu sekarang saya berinteraksi, sering berinteraksi

dengan orang banyak, jadi saya harus mengendalikan bau badan,

bau mulut, bau badan yang mirip bau mulut [penonton

tertawa].(P.2 L.1-2).

Translation

Besides, now I often interact with many people. so I had to

control my body odor, mouth odor, body odor which similar to

mouth odor [the audiences laugh].

Analysis

In this sentence, Dodit has violated maxim of quality, it can

be proved by the finding of an unnecessary sentence in the last of

the paragraph, the sentence is: “body odor which similar to mouth

odor”. He researcher feels that these sentences is not necessary do

 not need to be mentioned. The context is still same with the context

above, because he was famous and the people turn into friendly he

interacts with the other people more often than before, hence, he

must be able to control the smell of his body.

14. Show 10 Stage 1 (employment)

First Sentence

Saya, nama saya Dodit Mulyanto, saya tu dari desa, tapi

ibuk saya tu wanita karir, berkarir di sawah [penonton tertawa

dan tepuk tangan], (P.1 L.1).

Translation

My name is Dodit Mulyanto, I come from the village, but

my mother was a career woman, working in the paddy field [the

audiences laugh and give applause].

Analysis

Dodit’s statements in this chapter are about his mother’s

occupation, he said that his mother is a career woman, but then he

gave the different perception about a career woman by his

sentence: “working in the paddy field”. In Indonesia, working in a

paddy field is not a career woman but a farmer. Therefore, those

two sentences have no any relation and has violated maxim of

relation. Dodit still maintain his persona of Javanese aristocrat, it is

shown in his sentence that his mother an career woman. Dodit said

so in order to show his superioriy among the villagers who are

usually work in the rice field.

Second Sentence

Di pekerjaan itu selalu ada teman-teman yang,,, rekan-

rekan yang sukanya nggosip, pasti ada [penonton berbisik], yay a

sekamu itu, sukanya nggosip, menggosipkan atasan, menggosipkan

bawahan, menggosipkan atasan yang nggak pakek bawahan

[penonton tertawa dan tepuk tangan] (P.1 L.3-6).

Translation

In the workplace. There are friends who always,,, fellows

who like gossiping, certainly there [one female audience

whispering her friend]. Yes you are, you like to gossip, gossiping

the boss, gossiping the petty officials, gossip the boss who does not

wear under wear [the audiences laugh and give applause].

Analysis

The second sentence of the 10th episode 1st stage has

violated maxim of quantity, it is proved with the last sentence:

“gossiping the boss who does not wear under wear”. This sentence

should not be said, because it gave more information than required.

This edition was conducted in one company, and Dodit performed

 stand up in front of the employees, in this edition Dodit talk about

the bad habit of the employee who are used to gossip each other.

15. Show 10 Stage 2 (Transportation)

First Sentence

Mengendarai kuda itu caranya, di andong kalo talinya itu

ditarik kencang kudanya itu berhenti, kalo kudanya eh talinya

dikendorkan kudanya itu tak bergerak, kalo ditarik kenceng kendor

kenceng kendor itu sopirnya ngajak berantem. [penonton tertawa]

(P.2 L.4-6).

Translation

There are many ways to ride a horse, in the carriage, when

the rope is pulled tight, the horse will stop, if a horse, eh… the rope

loosened, the horse will not move, if pulled tight-loose, the driver

asks to fight [the audiences laugh].

Analysis

The violation of quantity occurred again in this episode,

here Dodit tried to inform the audience about how to ride a horse,

but he gave the information more than required. It is evidenced

with the last sentence: if pulled tight-loose, the driver asks to fight.

The theme is transportation, because Dodit comes from the village

 so he talk about horse. Here, Dodit informed the audience the way

to ride a horse.

Second sentence

Kalo kudanya bisa ngomong pasti ngomong, apa sih mau

kamu? [penonton tertawa] kurang nurut apa sih aku sama kamu?

(P.2 L.7-8).

Translation

If the horse can talk, he would say, what do you want

exactly? [the audiences laugh] Don’t I obey you already?

Analysis

The second sentence contains the violation on maxim of

quality. Here, Dodit told to the audience something that difficult to

be believed, Dodit said that if the horse could talk like human. The

context is still same with the sentence before –a horse-. In this

case, Dodit equalized the horse with the boy who talks to his girl

fiend.

16. Show 11 (Environment, a battle show)

First sentence
 Walaupun saya guru music tetapi gelar sarjana saya itu

pendidikan geografi [penonton tepuk tangan], saya lulus dengan

predikat sangat memuaskan empat belas semester [penonton

tertawa].(P.1 L.3-4).

Translation

Although I am a music teacher, but my undergraduate

degree is a bachelor of geography education [the audiences give

applause], I graduated with honors, fourteen semesters [the

audiences laugh].

Analysis

Dodit has violated maxim of quality in his utterance by

giving a statement that he graduated with honors because he

finished his undergraduate study in fourteen semesters. Of course,

his statement is not acceptable and not in accordance with the

audience thought. The context is that Dodit shown the fact about

himself, he said that he is an old university student who is difficult

to be graduated. At the last he said that he has satisfied to be

graduated after 14 semesters.

Second Sentence

Lingkungan hidup, ada dua unsur lingkungan hi… hidup

ada biotik dan abiotik, lingkungan abiotik adalah lingkungan fisik

 yang tidak hidup terdiri dari air tanah udara tapi semua berubah

sejak Negara api menyerang [penonton tertawa] (P.2 L.2-3).

Translation

Environment, there are two elements of the environment:

biotic and abiotic, biotic environment is non-living physical

environment, consist of: water, soil, air, but these all are changed,

since the fire nation attacking [the audiences laugh].

Analysis

This sentence contains the violation on Maxim of quantity,

it can be proved by the finding of the last sentence which is not

necessary to be said and the sentence is: “but these all are changed,

since the fire nation attacking”. The sentence is not necessary to be

said because it is not the part of environment definition, but the

popular sentence from avatar movie instead. The context is that

Dodit wants to show his majority in environment because he was a

bachelor of geography. He show to the audience about his mastery

and deep knowledge about environment by saying the scientific

definition o environment, but in the last, his explanation turns into

the sentences in avatar cartoon movie.

17. Show 13 (Fashion Theme)

First Sentence
 Saya sekarang sudah gaul [Penonton tertawa], harusnya

cara bicara saya juga beda , eh eh gue Dodit [Penonton tertawa],

gue model, bintang iklan pupuk kandang [Penonton tertawa], jadi

kandangnya. (P.1 L.1-2).

Translation

I'm cool right now [the audience laugh], and I should talk in

a different way, uh uh, I am Dodit [the audience laugh], I'm a

model, the star of the ad, advertisements of manure [the audience

laugh], became it’s cage.

Analysis

Those utterances were violated maxim of relation, it is due

to Dodit statement that not related between the first sentence: “I'm

cool right now, and I should talk in a different way, uh uh, I am

Dodit, I'm a model, the star of the ad” with the second sentence:

advertisements of manure, became it’s cage. Here Dodit do not

give the right definition about a cool model, but he said the worst

thing instead. The context is that Dodit wants to inform the

audience that he was famous after competing in SUCI until 13rd

edition, and he changed to be fashionable and cool guy. In his

speech he said if he became a model some time, but not a clothes

model who is handsome as usual. He wants to become an animal

cage model.
Second Sentence

Harusnya waktu upacara bendera tu memakai sepatu hitam

tapi untuk menunjukkan eksistensinya remaja itu ada yang

menggunakan sepatu futsal, biar keliatan pemain futsal, pakek

sepatu basket biar keliatan pemain basket, ada yang nggak pake

sepatu kalo ditanya kamu anak pencak silat? (geleng-geleng)

kepala kamu anak judo? (geleng-geleng kepala), maaf pak kemarin

kebanjiran [penonton tertawa]. (P.1 L.6-10).

Translation

During the flag ceremony, the students are required to wear

black shoes, but to demonstrate their existence, there are some

students who use indoor soccer shoes, so they will look like a

Futsal player, wearing a basketball shoe, so they look like a

basketball player, but there was also the student who does not wear

a shoe, if they are asked, are you a member of Pencak Silat?

(Shaking his head). Are you member of Judo? (Shaking his head).

Sorry sir, yesterday I was flooded [the audience laugh].

Analysis

The second sentence of this edition contains violation on

relation maxim, here Dodit gave the story about his student who

use variations of shoes to show their own existence. But in the last,

he said that there was a student who wear a shoe not because to
show his existence but because he was flooded. The flood victim is

absolutely different with the student who wants to show their

existence. Therefore, those utterances were violated maxim of

relation. Here, Dodit inform the audience about his experinces of

bein a teacher, one of them is during the flag ceremony. He told

that his students have their own ways to express their existence.

Third Sentence

Tau susunannya pake tuxedo? Kemeja putih lengan

panjang pakek dasi biasanya saya pakek merah ada tulisannya

tutwurihandayani [penonton tertawa], pakek vest, pakek jas singlet

diluar [penonton tertawa], biar gokil [penonton tertawa] (P.3 L.3-

5)

Translation

Do you know the composition to wear a tuxedo? Long-

sleeved white shirt, a tie, usually I wear red, there is the words

tutwuri handayani on it [the audiences laugh], wearing vest,

wearing a jacket, the undershirt worn outside [the audiences laugh],

in order to be cool [the audiences laugh].

Analysis

Dodit Mulyanto gave the information about how to wear a

tuxedo to the audience, but he gave the information that cannot be

believed, it is evidenced with his statement a red tie with Tut Wuri
handayani writing on it and wearing an undershirt outside. Because

his information cannot be believed and lack adequate evidence,

then this sentence has violated maxim of Quality. Because Dodit is

a Javanese who embraces European culture he knows well how to

wear a tuxedo and the order of it. But, in fact he was wrong in

telling how to wear tuxedo he said that wearing tuxedo must be

combined with the red tie with tut wuri handayani letter on it, the

audiences know that that model of tie was not for tuxedo but the

uniform of the elementary students.

Fourth Sentence

Didesa itu ya banyak orang yang memegang erat budaya

Eropa, jadi kalau nikah itu nyewa, nyewa gaun yang ada ekornya,

trus ada lagunya (bermain musick pernikahan) orangnya sampai

disini gaunnya masih ditempat sewa [penonton tertawa], lupa

belum disewa, yang pria juga’ gitu pakek jas, jas laboratorium

[penonton tertawa], nggak-nggak saya bercanda, pakek jas pakek

dasi ada tulisannya tutwuri handayani [penonton tertawa],

gitu.(P.5 L.1-5)

Translation

In the village, there are a lot of people who hold tight the

European culture, so, if they get married, they rented a dress with

the tail, accompanied with a song, (playing a wedding music). The

bride is already up here, but her dress was still in the rental [the

audience laugh], she forgot to hire, the groom is same. He wears

the coat, a lab coat [the audience laugh], no no, I am kidding,

wearing a coat, tie, with the writing tutwuri handayani on it [the

audience laugh].

Analysis

This last finding was on maxim of quality violation, it can

be proofed with the finding of the facts from Dodit’s statement that

cannot be believed by the audience and those things would never

happen in the real life, those sentences are: “The bride is already up

here, but her dress was still in the rental, she forgot to hire”, “the

groom is same, he wears the coat, a lab coat” and wearing a coat, a

tie, with the writing tutwuri handayani on it. The context is same

with the sentence above, because Dodit is a Javanese who

embraces European culture he knows well how to wear a tuxedo

and the order of it. But, in fact he was wrong in telling how to wear

tuxedo he said that wearing tuxedo must be combined with the red

tie with tut wuri handayani letter on it, the audience know that that

model of tie was not for tuxedo but the uniform of the elementary

students.
B. Data Analysis

1. After analyzing the data, the researcher found the violation of all

cooperative principles maxims in Dodit speech during Stand Up

Comedy Indonesia season 4. In order to make it clear, the researcher

draws the result in the form of table below:

 Table 4.1

Data Findings on Cooperative Principle Violation

No Type of Cooperative Principle maxim

Edition
Quantity Quality Relation Manner
1. Audition - 3 2 -
2. Preshow 1 1 2 1
3. Show 1 - 1 1 -
4. Show 2 - 1 - -
5. Show 3 - - 1 -
6. Show 4 1 2 2 -
7. Show 5 - - 1 -
8. Show 6 1 1 1 1
9. Show 7 UTS 1 - 2 -
10. Show 7 UAS 1 1 - -
11. Show 8 2 - 3 -
12. Show 9 Stage 1 1 - 1 -
13. Show 9 Stage 2 1 - 1 -
14. Show 10 Stage 1 1 - 1 -
15. Show 10 Stage 2 1 1 1 -
16. Show Stage 11 1 - 1 -
17. Show 13 - 2 2 -
Sub total 12 13 22 2

2. In order to raise humor, Dodit has violated the maxims of cooperative

principle by doing several violations as formulated by Grice (1975,

p.45) in Tupan and Natalia (2008, p.68), but not all of violation models

are done by Dodit, only some of them such as:

a) Violating maxim of quantity

f. Dodit was uninformative, it is shown in Preshow, Show 4, show

8 point 6, show 8 point 7, show 10 stage 2, and show 11.

g. Dodit talked too much in show 6, 7 uts, show 7 uas , show 9

stage 1, show 9 stage 2, and show 10 stage 1.

b) Violating maxim of quality

e. Dodit lie or said something that is believed to be false it was

found in audition point 1&2, show 1, show 4 point 8, show 7

UAS, and show 10 stage 2.

f. Dodit did irony or made ironic and sarcastic statement in show 4

point 7.

g. Dodit denied something was found in audition point 3 and

preshow.

h. Dodit distorted information, it is in Show 2, show 6, and show

13 point 12&13.

c) Violating Maxim of Relation

1) Dodit made the conversation unmatched with the topic, it was

found in audition point 1, preshow point 3&4, show 1, show 3,

show 5 point 9&10, show 6, show 7 UTS point 13, Show 8 point

14&15, show 9 stage 2, show 10 stage 1, show 11, and show 13

point 21.
 2) Dodit changed conversation topic abruptly in show 4 point 8,

Show 8 point 16, show 9 stage 1, and show 13 point 22.

3) Dodit did the wrong causality, it was found in audition point 2,

show 4 point 7, and show 7 UTS point 12.

d) Violating Maxim of Manner

1) Dodit used ambiguous language in preshow.

2) Dodit used slang in front of people who do not understand it in

show 6.
 CHAPTER V

CLOSURE

This chapter discusses the conclusion and suggestion. The

conclusion is drawn after getting research finding. Then, suggestion leads

further researchers who are interested in doing similar research.

A. Conclusion

1. After conducting research and analyzing the research problems about

cooperative principle, it is concluded that Dodit Mulyanto violates all

of the four maxims of cooperative principle: maxim of Quantity,

maxim of quality, maxim of relation, and maxim of manner. There

was found twelve data on the maxim of quantity violation, whereas

the maxim of quality violated in thirteen data, maxim of relation is the

most frequent maxim to be violated, it is proved by the research

finding that it was violated twenty two times. Hence, the fewest

violation occurred on the maxim of manner which only occurred two

times.

2. Dodit has violated maxims of cooperative principle in various ways in

order to raise humor of the audience. Maxim of quantity has violated

by Dodit Mulyanto by adding an unnecessary sentence to his

information and those unnecessary additional information succeeds to

raise humor. Dodit violated maxim of quality by telling lies and

saying something that is believed to be false by the audience. Whereas

 maxim of relation violated by Dodit by making the speech which is

unmatched with the topic or his own statement before. Moreover,

Dodit violated maxim of manner by using ambiguous language. In

addition, Dodit is doing all of these violations only to raise humor

among the audience and not for the other purpose.

B. Suggestion

According the result of the research, there are some suggestions for

the next researchers who are interested in doing similar research. This

research will gives contribution to comprehend the violation of

cooperative principles. Hopefully, the research gives inspiration and

guidance for the further researchers to be more careful in doing research,

so that, the result is being better than this. For the next researchers, this

new comedy style “Stand Up Comedy” can be a good reference if they

want to look for the examples of the maxim of cooperative principle

violation.

The violation of cooperative principle not always become a bad

thing in communication. On the contrary, it and may be applied in daily

life in order to make a joke, to perform stand up comedy or public

speaking, to make teaching method more interesting for the teacher or

lecturer and of course, it may be researched again in depth in order to

enrich the knowledge about humor based on linguistic approach.

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Appendices
 LIST OF APPENDICES

Appendix 1: Data Findings

Appendix 2: Dodit Mulyanto’s Speech Script

Appendix 3: The Photo of Dodit Mulyanto

Appendix 4: Curriculum Vitae of the Researcher

Appendix 1

Data Findings on Cooperative Principle Violation

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner
1. Audition 1. Dan orang Indonesia 1. Cara menidurkan
itu, terutama di desa itu saya pun beda sama
selalu salah memahami bayi bayi biasa, kalo
sound track atau bayi biasa itu kalau
backsound misalkan orang jawa itu
backsound lagu seperti inidinyanyikan: tak lelo
(playing pink panther), lelo lelo ledung cup
orang didesa pasti menengo anakku cah
ngomongnya itu lagunya bagus. Kalo saya tu
dono kasino, padahal itu beda, saya tu minimal
lagunya Indro. (P.2 L.1-3)twinkle twinkle little
star: twinkle twinkle
little star penekno
2. Saya itu dilahirkan blimbing kui. (P.1 L.3-
istimewa, saya dilahirkan 6)
secara otodidak, saya
lahir bidannya baru
datang, jadi saya keluar 2. Kalo pacaran sama
sendiri. (P.3 L.1-2) pemain biola tu
enak………… tapi
pacar saya biar dipeluk
 orang lain, lha gmana
saya bermain? (P.5
3. itu menurut saya karna
L.1-7)
kesalahan pemerintyah
yang tidak serius

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

merancang palang pintu
kereta api, turunnya
pelan,..tiluut tiluut, coba
kalo itu dibuat cepat dan
tajam; mobilnya lewat,
ngeng-jleng, pasti gak ada
yang mau melanggar. (P.4
L.1-5)
2. Preshow 1. saya makan itu table 4. Kalau orang jawa biasa 3. saya ndak boleh 1………koruptor jahat!
manner, peralatannya itu makannya nasi pecel, ngejar ngejar layangan (P.7 L.4)
harus lengkap ada es the sudah. Saya tidak sama bapak saya, saya
cendok , garpu, silet. begitu, ada hidangan tu bolehnya ngejar
(P.2 L.2-3) pembuka, hidangan utama ngejar kamu… I love u!
dan hidangan penutup, (P.1 L.3-4)
hidangan penutup isinya
pudding dan diakhiri
dengan minum wine. air 4. Mamah saya tu anu,
putih muntah saya! (P.2 bartender. Iya, punya
L.3-6) minibar dibangun
depan rumah ada
terpalnya.. warung.
isinya tu ya: beras
kencur, temu lawak,
beras kencur campur
temu lawak. (P.3 L.1-3)

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

3 Show I 5. Saat saya pertama kali 5. Saya mau maen lagi
stand up, saya tu sangat buat kamu, sebel saya!
 takut menatap mata (bermain lagu tema
penonton, saking takutnya susu murni nasional).
saya menatap mata saya itu lagu susu buat
sendiri (P.3 L.1-2) kamu, biar sehat. (P.1
L.3-4)

4. Show II 6. exit light jangan exit

light. Kalo tiada enter
night enter night boleh
saja kalo ada exit light…
(P.1 L.7-9)

5. Show III 6. Pecel.. kalo saya

memiliki warung pecel
saya akan membuai
pelanggan saya yang
datang biar krasan
dengan alunan biola
klasik (bermain lingsir
wengi dengan biola)
lingsir wengi.. sliramu
tumeking.. sirno… (P.1
L.1-3)
No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner
6. Show IV 2. Kentongan itu ada 7. Karna saya suka
7. Follower-follower saya ,
artinya, Kalo dipukul saya dikatain mirip Yudha pamer, pacar saya tu
sekali “tuk” “ tuk” “ Keling, ya saya…. terima marah sama saya. Dia
tuk” sedang terjadi lah. (P.1 L.3-4) nagis saya diamkan,
peristiwa pembunuhan. “aku nangis kok kamu
Ya, serius di desa tu diemin?” biar semua
seperti itu. Kemudian 8. di hatiku ini ada orang tau kalo aku
kalo ada bunyi dua kali kentongan buat kamu, kalo punya pacar. (P.2 L.3-
“tuk tuk” “tuk tuk” dipukul ada nadanya 5)
sedang terjadi pencurian, “tuk” tau nggak itu nada
kemudian kalu dipukul apa? Itu namanya nada
bunyinya gini (seperti “tuk”, untuk mengetuk 8. Jadi menyampaikan
penjual mie ayam) maaf hatimu…. (P.4 L.4-6) pesan apapun karna itu
kentongannya dibajak. kentongan sangat
(P.3 L.3-7) penting di desa dan
takkan tergantikan.
Kaya kamuu..
(menunjuk penonton
wanita) iya kamu.. (P.4
L.1-3)
7. Show V 9. kalau saya nanti
ditawari main film
Malem Minggu Miko…
mas… saya nggak akan
mau jadi pembantu
saya pemain biola kok.

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

Lagian saya kenal mas
Radit minimal kami jadi
partner, partnernya
mas Ancha. (P.1 L.2-4)

10. Kalau saya disuruh

acting jadi pembantu
saya gak usah belajar
akting ya udah gini aja,
kalau dipanggil
“Dodit” “inggih
ndoro”, beres selesai
masalah saya akan
 mencoba akting saya
coba kamu panggil aku,
iya kamu, iya kamu,
coba panggil! Dodiiit!
Injih Sayang.

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

8 Show VI 3. “Pemilihan umum 9. sayangnya di desa itu
telah memangil kita, kita banyak caleg yang
loe aja keles (P.1 L.5-6) melakukan black
campaign, kampanye
gelap, listrik belum masuk.
(P.2 L.3-4)
11. Rakyat golput bukan 2. Taukan Presiden kita
solusi, jangan lupa suka baris berbaris? Piye
anda kabare? Iseh penak
harus…(menunjukan jamanku to? (P.1 L.2-4)
jari) servis printer (P.1
L.9-10)
9 Show VII 4. biasanya murid-murid 12. kalau saya jadi
UTS mencontek menggunakan caleg. Konsentrasi
kode, misalnya mengelus pertama saya yaitu
telinga kalau mengelus pada pendidikan dari
telinga itu C, kemudian anak SD sampai sma
megang dagu itu berarti nggak ada yang boleh
D, ada yang garuk garuk bayar biaya
hidung itu memang pendidikan. Anak-anak
hidungnya gatel. (P.4 nggak boleh ada yang
L.1-4) bayar, biar orang
tuanya yang bayar. (P.2
L.2-4)

13. Waktu SD tu saya

sudah mulai mencintai,
saya itu punya gebetan,
tapi gebetan saya itu
membuat saya ilfil
karena kaos kakinya

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

10 Show VII 5. “Takkan sanggup 10. sebagai guru saya itu kendor, terus dikareti,
UAS menghadapi semua, dikatakan kalau saya kalau karetnya satu itu
hanya bersamamu ku mengajar itu ngomongnya nggak papa. Itu
akan bisa…. Yen ing medok itu bukan salah karetnya dua, kayak
tawang ono lintang”. saya soalnya saya nasi bungkus, itu
(P.1 L.6-7) memang lahir di desa, artinya rasa kakinya
jangankan saya, biola aja pedas. Waktu dia
kalau kelamaan di desa itu merapikan bajunya
medok. (P.1 L.2-4) ternyata ikat pingganya
itu korpri, punya
baapaknya, saya gak
mau punya pacar yang
memakai fasilitas
Negara. (P.3 L.1-5)
No Show Maxim of Quantity
11 Show VIII 6. pengemis itu
disimbolkan tangannya
di bawah (diulang)
soalnya kalau tangan di
atas itu konser (P.1 L.2-
3)
7. Kartini itu punya gelar
bangsawan, gelar
bangsawan jawa untuk
perempuan jawa ada
banyak yang pertama itu
RA, raden ajeng untuk
perempuan jawa yang
belum menikah, raden
ayu untuk perempuan
Maxim of Quality Maxim of Relation Maxim of Manner
14. Saya jadi ingat
perempuan2 yang
mengubah hidup saya.
Saya jadi ingat
pengemis (P.1 L.1-2)
15. Saya itu memiliki
kelembutan hati seperti
ibu saya kalau saya
melihat pengemis, itu
saya, dia itu kasihan
naik turun angkot
susah, saya pengen
nganu… mbarengi.
 bangsawan jawa yang Saya pengen
sudah menikah, RA- membonceng dia, saya
ditya, Raditya. Itu orang Kan naik motor ayo bu
biasa yang belum saya bonceng
menikah. (P.2 L.3-6) mbonceng naik motor
saya. Ngeeeng…

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

“Siahkan turun bu kita
 sudah sampai. Dimana
ini?” “Kantor satpol
PP”.(P.1 L.5-9)

16. ada yang lucu dari

lagu Kartini. (Musik)
Nunggu lucunya? Lagu
pahlawan tidak pantas
untuk dilucukan keles...
(P.2 L.1-3)

12 Show 9 8. sebenarnya penerima 17. Kemudian bedanya

Stage 1 olimpiade, medali basket sama bola, kalo
olimpiade yang pertama basket itu ada sound
itu adalah panahan tapi tracknya, ada back
orang tahunya adalah soundnya (bermain
bulu tangkis. Makannya lagu tema basket) Three
kita harus point by Raditya Dika,
memasyarakatkan
emang mas Radit bisa
panahan dan memanah
basket? (P.1 L.7-9)
masyarakat.(P.1 L.2-4)
No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner
13 Show 9 9. Selain itu sekarang 18. Sekarang ini saya
stage 2 saya berinteraksi, sering from nothing to
berinteraksi dengan something, orang yang
orang banyak, jadi saya dekat saya tu jadi
harus mengendalikan ramah, bu kost yang
bau badan, bau mulut, dulu biasanya jutek,
bau badan yang mirip sekarang pagi-pagi
bau mulut.(P.2 L.1-2)
menyapa saya, “mas
Dodit kemarin tampil di
kompas TV ya?” Iya
buk kompas TV
inspirasi Indonesia
raya, “bagus
tampilanya, sudah
mbayar kost?” (P.1
L.1-4)
No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner
14 Show X 10. di pekerjaan itu 19. Saya, nama saya
Stage 1 selalu ada teman-teman Dodit Mulyanto, saya tu
yang,,, rekan-rekan yang dari desa, tapi ibuk
sukanya nggosip, pasti saya tu wanita karir,
ada (berbisik), yay a berkarir di sawah (P.1
sekamu itu, sukanya L.1)
nggosip, menggosipkan
atasan, menggosipkan
bawahan, menggosipkan
atasan yang nggak pakek
bawahan (P.1 L.3-6)

15 Show X 11. mengendarai kuda itu 11. kalo kudanya bisa

Stage II caranya, di andong kalo ngomong pasti ngomong,
talinya itu ditarik apa sih mau kamu?
 kencang kudanya itu kurang nurut apa sih aku
berhenti, kalo kudanya sama kamu? (P.2 L.7-8)
eh talinya dikendorkan
kudanya itu tak bergerak,
kalo ditarik kenceng
kendor kenceng kendor
itu sopirnya ngajak
berantem.(P.2 L.4-6)

No Show Maxim of Quantity Maxim of Quality Maxim of Relation Maxim of Manner

16 Show XI 12. Lingkungan hidup, 20. walaupun saya guru
ada dua unsur music tetapi gelar
lingkungan hi… hidup sarjana saya itu
ada biotik dan abiotic, pendidikan geografi,
lingkungan abiotik saya lulus dengan
adalah lingkungan fisik predikat sangat
yang tidak hidup terdiri
 dari air tanah udara tapi
semua berubah sejak
Negara api menyerang
(P.2 L.2-3)
17 Show XIII 12. tau susunannya pake
tuxedo? Kemeja putih
lengan panjang pakek dasi
biasanya saya pakek
merah ada tulisannya
tutwurihandayani, pakek
fest pakek jas singlet
diluar, biar gokil (P.3 L.3-
5)
13. Didesa itu ya banyak
orang yang memegang
erat budaya Eropa, jadi
memuaskan empat
belas semester.(P.1 L.3-
4)
21. Saya sekarang
sudah gaul, harusnya
cara bicara saya juga
beda , eh eh gue Dodit,
gue model, bintang
iklan pupuk kandang,
jadi kandangnya. (P.1
L.1-2)
22. harusnya waktu
upacara bendera tu
memakai sepatu hitam
tapi untuk menunjukkan
eksistensinya remaja itu
ada yang menggunakan
sepatu futsal, biar
kalau nikah itu nyewa, keliatan pemain futsal,
nyewa gaun yang ada pakek sepatu basket
ekornya, trus ada lagunya biar keliatan pemain
(maen music) orangnya basket, ada yang nggak
sampai disini gaunnya pake sepatu kalo
masih ditempat sewa, lupa ditanya kamu anak
belum disewa, yang pria pencak silat? (geleng-
juga’ gitu pakek jas, jas
geleng kepala) kamu
laboratorium, nggak-
anak judo? (geleng-
nggak saya bercanda,
geleng kepala) maaf
pakek jas pakek dasi ada
tulisannya tutwuri pak kemarin
handayani, gitu.(P.5 L.1- kebanjiran. (P.1 L.6-
5) 10)
 Appendix 2

DODIT MULYANTO SPEECH SCRIPT

A. Audisi (Tema Bebas)

Selamat sore dewan juri, Selamat sore kawula muda,[Radit tertawa] Nama

saya dodit mulyanto, Walaupun saya jawa keluarga saya itu memegang erat

budaya eropa, makanya saya diajari main biola dari kecil. Cara menidurkan saya

pun beda sama bayi bayi biasa, kalo bayi biasa itu kalau orang jawa itu

dinyanyikan: tak lelo lelo lelo ledung cup menengo anakku cah bagus. Kalo saya

tu beda, saya tu minimal twinkle twinkle little star [juri: (takjub) uweehehe… go

kill..]: twinkle twinkle little star penekno blimbing kui.[penonton tertawa]

Dan orang Indonesia itu, terutama di desa itu selalu salah memahami

sound track atau backsound misalkan backsoud lagu seperti ini (playing pink

panther) [Radit tertawa], orang didesa pasti ngomongnya itu lagunya dono kasino,

padahal itu lagunya Indro. [Penonton tertawa]

Saya itu dilahirkan istimewa, saya dilahirkan secara otodidak [Penonton

tertawa], saya lahir bidannya baru datang, jadi saya keluar sendiri.[Penonton

tertawa]

Saya itu gusar ya,[Penonton tertawa] sama pengguna jalan, yang,

pengguna jalan yang menerobos palang pintu kereta api, itu menurut saya karna

kesalahan pemerintah yang tidak serius merancang palang pintu kereta api,

turunnya pelan, tiluut tiluut, coba kalo itu dibuat cepat dan tajam; mobilnya lewat,
 ngeng-jleng, [Penonton tertawa dan tepuk tangan] pasti gak ada yang mau

melanggar.

Kalo pacaran sama pemain biola tu enak, kalo pacaran sama orang biasa

itu: sayang maenan titanic-titanican yuk? Ayuk. Kemudian, ayok kamu tangannya

rentang sayang! sreeeet, kemudian cowoknya memeluk dari belakang, set.

Kemudian, tetetet…. (menyanyikan instrumental lagu titanic menggunakan mulut)

musiknya pake mulut![Penonton tertawa] kalo sama saya beda! sayang maen

titanic-titanican yuk? ayuk.. (main instrument lagu titanic dengan biola), tapi

pacar saya biar dipeluk orang lain, lha gmana saya bermain? [Penonton tertawa]

B. Preshow (Sosial Media)

Slamat malam masyarakat. [Penonton tertawa]

Nama saya dodit mulyanto, Walaupun saya jawa keluarga saya itu

memegang erat budaya eropa.[Penonton tertawa] kehidupan saya beda dengan

anak anak desa yang lain, anak desa yang lain tu maenannya di sawah ngejar

ngejar layangan, saya ndak boleh ngejar ngejar layangan sama bapak saya, saya tu

bolehnya ngejar ngejar kamu… [Penonton tertawa]I love u! [Penonton tertawa].

Cara makan saya pun beda dengan anak orang orang desa, orang desa itu

makanya biasanya… saya makan itu table manner, peralatannya harus lengkap

ada sendok , garpu, silet. [Penonton tertawa]. Kalau orang jawa biasa itu

makannya nasi pecel, es the sudah. Saya tidak begitu, ada hidangan pembuka,

hidangan utama dan hidangan penutup, hidangan penutup isinya pudding dan
diakhiri dengan minum wine.[Penonton bersorak kagum] air putih muntah saya!

[Penonton tertawa] pizza aja saya gatel gatel.

Mamah saya tu anu, bartender [Penonton bersorak kagum] Iya, punya

minibar dibangun depan rumah ada terpalnya.. [Penonton tertawa] warung

[Penonton tertawa]. isinya tu ya: beras kencur, temu lawak, [Penonton tertawa]

beras kencur campur temu lawak. Selain punya warung keluarga kami tu punya

sawah, dan punya sawah itu, makanya kemampuan bahasa inggris saya tu jelek.

Makanya sama guru saya tu saya dikasih tahu, “Dodit, kalo kamu mau

pinter bahasa Inggris, kamu harus ngobrol dirumah dengan orang tuamu

menggunakan bahasa Inggris”, masak bapak ibu saya disawah saya harus ngobrol

pake bahasa inggris? Pas angin berhembus… wuuus…, “mommy, the sky is grey,

I want to go home now”, ibu saya pasti ngomong ke bapak saya : “pak anak kita

kesurupan pak”. [Penonton tertawa].

Saya tu setuju sosial media itu….. [Penonton tertawa] sosial media tu

untuk semua orang untuk memudahkan komunikasi, saya berencana mau buatkan

mbah saya twitter. Jadi mbah saya kalo butuh apa-apa enak, “le dit, mbah butuh

kerokan cek dm, [Penonton tertawa] #uhuk uhuk”. [Penonton tertawa]

Saya ini pemain biola ya, jadi pemain biola itu, saya sangat menyayangkan

lhow, kalo biola diluar negri itu benar benar dimanfaatkan dengan baik misalnya

film superman backsoundnya seperti ini: (bermain musik superman)

,supermannya terbang. Kalo di Indonesia backsoundnya jadi seperti ini (bermain

 biola menyerupai lolongan serigala)…. “bang bokiir [Penonton tertawa], cireng

bang”,terimakasih…

Saya ini , saya ini gusar ya.. ya kadang saya main biola ini terbawa emosi

akibat situasi dan kondisi di negri ini , ya saya tu main biola tu sampe terbawa

emosi lhow….(bermain biola dengan irama cepat kemudian membuang gagang

biola) koruptor jahat!

Trimakasih… saya Dodit Mulyanto.

C. Show 1 (Pengalaman Stand Up)

Selamat malam penduduk. [Penonton tertawa]

Saya pernah mengalami kendala saat open mic, yaitu mantan saya

membawa cowok barunya, mantan saya tu mirip kamu… (menunjuk penonton

wanita) [Penonton tertawa] bukan kamu, belakang kamu tu lho! [Penonton

tertawa] Saya mau maen lagi buat kamu, sebel saya! (bermain lagu tema susu

murni nasional) [Penonton tertawa dan tepuk tangan] . itu lagu susu buat kamu,

[Penonton tertawa] biar sehat.

Pertama kali saya stand up, saya tu digangguin bapak-bapak, kerjaannya

itu mencibir dan komentar saya terus…. Pakde… [Penonton tertawa] (sambil

memandang ke Om Indro). Saat saya mulai stand up, perkenalkan Nama saya

dodit mulyanto, “ya…” Walaupun saya jawa, keluarga saya itu memegang erat
 budaya Eropa, “bodo amat.. “[Penonton tertawa], kalo pagi saya makan breakfast

“hemfffmfmf mana lucunya?” Saya jawab: “bodo amat”. [Penonton tertawa]

Saat saya pertama kali stand up, saya tu sangat takut menatap mata

penonton, saking takutnya saya menatap mata saya sendiri….. [Penonton tertawa]

Saya Dodit Mulyanto, trimakasih. [penonton tepuk tangan].

D. Show 2 (Tema Musik)

Selamat malam kerabat [Penonton tertawa]

Saya dodit mulyanto, Walaupun saya jawa, keluarga saya itu memegang

erat budaya eropa (menjulurkan lidah) [Penonton tertawa]. Tentu saja saya akrab

dengan musik,tema hari ini musik? (hemh, tersenyum sinis). Saya akan

mengetengahkan musik. Ada musik yang disukai para pemimpin, itu music

metallica. Ada capres yang sukanya music sonata, bukan suka sih dia yang bikin..

[Penonton tertawa] suatu saat, kalo dia nanti koalisi, mereka koalisi ingin meraup

masa, mereka akan : “ayo bro, kita nyanyikan lagu kita! “ok” (memainkan lagu

exit light dengan biola).[Penonton tepuk tangan] “Exit light enter night eee

eoooo… [Penonton tertawa] exit light jangan exit light. [Penonton tertawa] Kalo

tiada enter night [Penonton tertawa] enter night boleh saja kalo ada exit

light…[Penonton tertawa] pokoknya lagunya jadi gitu.

Saya ini pemain biola ya, jadi kesehatan saya tu dijaga benar-benar dengan

keluarga saya.. woos gitu lhow ..[penonton: woos] trimakasih maaf

merepotkan…, [Penonton tertawa] menurut penelitian, musik klasik itu

mencerdaskan anak ketika diperdengarkan ketika anak itu masih didalam rahim.
 Ini musik klasik (bermain musik klasik dengan biola) [penonton tepuk tangan]

saya rendah hati kok.. [Penonton tertawa].

Kamu yakin bisa membuat anak cerdas? Kamu mau sama masnya itu?

Tidak berubah pikiran? Trimakasih saya Dodit Mulyanto.

E. Show 3 (Tema Makanan)

Slamat malam para kolega. [Penonton tertawa] I love u guys.. [Penonton tertawa]

Pecel.. kalo saya memiliki warung pecel saya akan membuai pelanggan

saya yang datang biar krasan dengan alunan biola klasik (bermain lingsir wengi

dengan biola) lingsir wengi.. [Penonton tertawa] sliramu tumeking.. sirno…

Gimana sudah ada yang kesurupan? [Penonton tertawa] Tu kalo terjadi di warung

saya, tiba tiba bapak bapak dipojokan “hemmmmm” [Penonton tertawa]

kesurupan pak? “Seret, mana air?” [Penonton tertawa].

Iringan musik saat makan itu menunjukkan anda makan dimana dan

sedang makan apa. Di restoran Indonesia yg bergaya barat itu iringan musiknya

seperti ini….(bermain musik barat dengan biola) [Penonton tepuk tanagn] Salah

kan? [Penonton tertawa] Gitu… kalo warung pecel di pinggir jalan, iringanya jadi

gini ………… (Menggunakan biola menjadi ukulele dan bernyanyi lagu

pengamen “kutunggu” karya Tegar). [Penonton tertawa]. Joss.. [Penonton

tertawa].
 Pecel itu masakan sehat terdiri dari berbagai sayuran. Didesa saya pecel itu

yang jual mbah-mbah, sayang penyajiannya tidak higienis karena menggunakan

tangan kosong. Lha jadi begini: “ini lalapnya uhuk-uhuk.. [Penonton tertawa] Ini

togenya, uhuk-uhuk… gak papa mbah cuma TBC” [Penonton tertawa].

Saya Dodit Mulyanto terimakasih. [Penonton tertawa dan tepuk tangan].

F. Show 4 (Tema Gadget)

Slamat malam khalayak ramai, [Penonton tertawa] saya bangga disini untuk anda.

Gara-gara gadget, gara gata tema gadget, saya membeli gadget lhow. ini

gadget baru saya, lha gmana? hp saya yang lama itu hang hang terus soalnya gak

bisa nerima banyak mention [Penonton tertawa]. Trus di mention-mention itu ya

aneh-aneh. Follower-follower saya , saya dikatain mirip Yudha Keling, [Penonton

tertawa] ya saya…. terima lah [Penonton tertawa].

Pertama saya punya telepon genggam, itu saya ringtone volumenya tu

saya besarkan; (memainkan ringtone nokia menggunakan biola yang difungsikan

seperti ukulele) [Penonton tertawa], gak saya angkat-angkat, [Penonton tertawa]

Biar orang tau saya punya hand phone [Penonton tertawa]. Karna saya suka

pamer, pacar saya tu marah sama saya. Dia nagis saya diamkan, “aku nangis kok

kamu diemin?” biar semua orang tau kalo aku punya pacar [Penonton tertawa].
 Salah satu fungsi gadget adalah menyampaikan pesan jarak jauh. Di desa

ya ada gadget dari dulu, namanya kenthongan [Penonton tertawa]. Iya sayangnya

gak bias private, sifatnya broadcast massage [Penonton tertawa]. Sekali pukul:

“Tuk” semua orang kampung berkumpul. Kentongan itu ada artinya, Kalo dipukul

sekali “tuk” “ tuk” “ tuk” sedang terjadi peristiwa pembunuhan. Ya, serius di desa

tu seperti itu. Kemudian kalo ada bunyi dua kali “tuk tuk” “tuk tuk” sedang

terjadi pencurian, kemudian kalu dipukul bunyinya gini (seperti penjual mie

ayam) maaf kentongannya dibajak. [Penonton tertawa dan tepuk tangan].

Kentongan itu secara utilitas (penonton: whueee), merupakan pusat

broadcasting di desa. Jadi menyampaikan pesan apapun karna itu kentongan

sangat penting di desa dan takkan tergantikan. Kaya kamuu.. [Penonton tertawa]

(menunjuk penonton wanita) iya kamu.. kamu mau nggak maenan kentongan

sama aku? [Penonton tertawa] di hatiku ini ada kentongan buat kamu, kalo

dipukul ada nadanya “tuk” tau nggak itu nada apa? Itu namanya nada “tuk”,

untuk mengetuk hatimu…. [Penonton tertawa].

Trimakasih saya Dodit Mulyanto.

G. Show 5 (Tema Pembantu)

Selamat malam muda mudi masa kini [Penonton tertawa].

Saya itu berang ya… dengan film yang tidak adil, orang jawa itu selalu

mendapatkan peran sebagai pembantu [Penonton tertawa], kalau saya nanti

ditawari main film Malem Minggu Miko… mas… [Penonton tertawa] saya
nggak akan mau jadi pembantu saya pemain biola kok. Lagian saya kenal mas

Radit minimal kami jadi partner, partnernya mas Ancha [Penonton tertawa].

Saya menemui di Jakarta ini banyak pembantu yang berasal dari Jawa, itu

yang membuat dia dibikin di film di film padahal di jawa itu orangnya mandiri

semua dikerjakan sendiri, tidak ada orang di desa yang butuh pembantu, lha wong

semuanya pembantu [Penonton tertawa]. Kalau saya disuruh acting jadi pembantu

saya gak usah belajar akting ya udah gini aja, kalau dipanggil “Dodit” “inggih

ndoro”, beres [Penonton tertawa] selesai masalah saya akan mencoba akting saya

coba kamu panggil aku, iya kamu, iya kamu, coba panggil namaku. Dodit!!

“Inggih sayang”. [Penonton tertawa].

Film ftv juga seperti itu, mengisahkan remaja putri dari Jakarta kabur ke

Jawa, sampai di desa ketemu pemuda yang ngomongnya medok, “iya ndak papa

silahkan” terus kemudian pake blangkon. keseharian saya sebagai pemuda nggak

gitu gitu amat, saya pake topi gaul yang ada tulisannya itu lho, tulisannya

blankon, [Penonton tertawa]. kemudian singkat cerita mereka jatuh cinta itu

membuat asumsi yang menurut saya salah buktinya saya itu dari desa ke Jakarta

nggak ada tuh cewek kota yang nyari saya [Penonton tertawa]. Mana buktinya…

[Penonton tertawa] terus saya berharap tiba-tiba cewek desa mendatangi saya

“Dodit kamu medok banget aku suka, aroma tubuhmu mmmmpphh, apek

[Penonton tertawa] kayak gabah kering [Penonton tertawa].

Tapi referensi film saya itu banyak ya. Saya nggak bawa biola soalnya

saya salah tidur, buat noleh aja susah. Referensi film saya itu banyak, saya yang
 takut dari film konjuring itu hantunya keluar dari kotak musik, kemudian diikuti

dengan suara aneh, Radiit…follback kaka… terima kasih saya Dodit.

H. Show 6 (Koalisi Partai)

Selamat malam sanak family [Penonton tertawa]. Sudah mandi? [Penonton

tertawa] Nanti bau loh.. [Penonton tertawa]

Lagu pemilu itu menunjukan profesi presiden kita yang terdahulu.

(Bermain lagu pemilu) [Penonton tertawa] Biola saya jarang saya minyaki, lagu

itu iramanya mars, temponya itu secepat orang berbaris, tau kan presiden kita

sukanya baris berbaris. Piye kabare? [Penonton tertawa] Iseh penak jamanku tho?

[Penonton tertawa] Hastag aku ra popo [Penonton tertawa]. Saya tunjukan tempo

baris-berbaris dengan biola. Duh ini ngrepoti (dibuang). Gak papa kalau rusak

nanti minta dibelikan papah [Penonton tertawa]. “Pemilihan umum telah

memangil kita, kita? loe aja keles [Penonton tertawa], nah lagu itu kalau

dimainkan saat ini sudah tidak relevan… gaes [Penonton tertawa]. Makanya

Kompas TV membuat lagu yang lebih fresh untuk mengajak rakyat mencoblos

dan itu progress yang baik dari Kompas TV, cie kompas… [Penonton tertawa]

“Datang dan memilih datang pilih coblos celup, amati prosesnya untuk Indonesia

satu.” Rakyat golput bukan solusi, jangan lupa anda harus…(menunjukan jari)

[Penonton tepuk tangan] servis printer [Penonton tertawa].

Pemilu di desa, kalau pemilu di desa itu berbeda dengan di kota. Pemilu di

kota itu hingar binger pergi ke pasar, kalau di desa itu tenteram, damai, sepi nggak

ada yang dating [Penonton tertawa]. Kalau pagi itu banyak yang ke ladang,
 sayangnya di desa itu banyak caleg yang melakukan black campaign, kampanye

gelap, listrik belum masuk [Penonton tertawa]. Mas tau black campaign? Heh!

[Penonton tertawa] Hari gini gak tau black campaign… Tanya sama yang tau..

[Penonton tertawa].

Terimakasih saya Dodit Mulyanto.

I. Show 7 UTS (Tema Pendidikan)

Selamat sore remaja masa kini. Di sini terus terang saya ndledek, kebelet

pipis [Penonton tertawa]. Soalnya saya liat cewek yang mirip mantan saya, kamu,

iya kamu, Ilove you [Penonton tertawa]. Kamu di sini adalah orang yang memiliki

intelegensi tingkat tinggi. Buktinya setiap ada teman yang kentut Bess…. “Hei

siapa yang kentut!! Gitu kan..” gak pernah kan kamu langsung “Bau apa ya ini..?

kayak pernah tau deh, oh ini pasti bau masakan… yang mirip kentut”.

Kalau saya itu sangat memperhatikan masalah pendidikan, kalau saya jadi

caleg. Konsentrasi pertama saya yaitu pada pendidikan dari anak SD sampai sma

nggak ada yang boleh bayar biaya pendidikan [penonton tepuk tangan]. Anak-

anak nggak boleh ada yang bayar, biar orang tuanya yang bayar [Penonton

tertawa].

Waktu SD tu saya sudah mulai mencintai, saya itu punya gebetan, tapi

gebetan saya itu membuat saya ilfil karena kaos kakinya kendor [Penonton

tertawa], terus dikareti [Penonton tertawa], kalau karetnya satu itu nggak papa. Itu

karetnya dua, kayak nasi bungkus, itu artinya rasa kakinya pedas [Penonton

tertawa]. Waktu dia merapikan bajunya ternyata ikat pingganya itu korpri
 [Penonton tertawa], punya baapaknya, saya gak mau punya pacar yang memakai

fasilitas Negara [Penonton tertawa].

Selihai lihainya murid mencontek guru itu tau kalau muridnya mencontek,

biasanya murid-murid mencontek menggunakan kode, misalnya mengelus telinga

kalau mengelus telinga itu C, kemudian megang dagu itu berarti D, ada yang

garuk garuk hidung itu memang hidungnya gatel [Penonton tertawa].

Belajar biola itu ada tekniknya, teknik ini namanya vibrasi, biar bisa

begini saya sama bapak saya tiap hari disuruh begini terus [Penonton tertawa].

Terima kasih saya Dodit Mulyanto.

J. Show 7 (UAS) (Curhat Seorang Guru)

Selamat malam para penggemar. [Penonton tertawa]

Saya adalah guru, semoga murid saya tidak malu [Penonton tertawa],

sebagai guru saya itu dikatakan kalau saya mengajar itu ngomongnya medok. Itu

bukan salah saya soalnya saya memang lahir di desa, jangankan saya, biola aja

kalau kelamaan di desa itu medok [Penonton tertawa]. Ini lagu populer bahasa

Indonesia. “Takkan sanggup menghadapi semua, hanya bersamamu ku akan bisa,

kau adalah darahku… (mengedipkan satu mata) [Penonton tertawa]” biola kalau

kelamaan di desa itu ya medok, “Takkan sanggup menghadapi semua, hanya

[Penonton tertawa] bersamamu ku akan bisa…. [Penonton tertawa] Yen ing

tawang ono lintang” [Penonton tertawa].

 Banyak di skolah itu banyak remaja yang sebenarnya belum siap pacaran,

kekhawatiran saya itu terjadi karena kalau itu terjadi pertengkaran dengan

pacarnya di kelas itu jadi melamun, jadi kalau gurunya memberi pertanyaan,

memberi soal, siapakah presiden Republik Indonesia yang pertama? Dia lagi

nglamun. Iya kamu yang njawab. Jawab soal ini.. “Haahh aku? Kamu yang bikin

persoalan aku yang harus njawab?” [Penonton tertawa].

Indonesia saat ini menjalankan kurikulum pendidikan karakter, ada 18

karakter, salah satunya karakter rendah hati, jadi setiap pembelajaran harus

disisipi karakter tersebut. Pertanyaan di sekolah jadi seperti ini “Sebutkan

presiden Republik Indonesia yang pertama! ya kamu jawab.” “Soekarno bu” “ya

pintar tadi malam kamu pasti belajar” “tidak bu tadi saya salah bicara” [Penonton

tertawa] “kamu itu benar, kamu itu pintar, kamu itu benar” “tidak bu kebenaran

hanya milk tuhan semata”. [Penonton tertawa].

Ada lagu yang tidak cocok diperdengarkan anak-anak. Lagunya “Kau

bidadari jatuh dari surga di hadapanku, eaa…” [Penonton tertawa] tetangga saya

masih kecil itu sudah hapal lagu itu, kekawatiran saya kalau dia masuk sekolah

kemudian diajari gurunya membaca. “Ini Budi, ini Wati. Budi dan Wati berangkat

sekolah bersama-sama” “Cieee….” [Penonton tertawa] “Heh Budi dan Wati itu

adek kakak loh” “Oh Budi ditolak Wati jadi adek kakak-an… cieee” [Penonton

tertawa] saya Dodit Mulyanto terima kasih.

K. Show 8 (Tema Perempuan)

Selamat malam para fans [Penonton tertawa]

Maaf saya tidak, belum sempat membalasi mention satu-satu karena sibuk

syuting.

Tema perempuan. Saya jadi ingat perempuan2 yang mengubah hidup saya.

Saya jadi ingat pengemis [Penonton tertawa]. Pengemis itu disimbolkan

tangannya di bawah (diulang) soalnya kalau tangan di atas itu konser [Penonton

tertawa], konser sambil ngemis “minta mas, minta mas…” [Penonton tertawa].

Saya itu memiliki kelembutan hati seperti ibu saya kalau saya melihat pengemis,

itu saya, dia itu kasihan naik turun angkot susah, saya pengen nganu… mbarengi.

Saya pengen membonceng dia, saya kan naik motor ayo bu saya bonceng

mbonceng naik motor saya. Ngeeeng… [Penonton tertawa] “Siahkan turun bu kita

sudah sampai. Dimana ini?” “Kantor satpol PP” [Penonton tertawa].

Kartni membuat emansipasi tidak mengajarkan wanita untuk mengemis,

asyik. [Penonton tepuk tangan] ada yang lucu dari lagu Kartini. (Musik) Nunggu

lucunya? [Penonton tertawa] Lagu pahlawan tidak pantas untuk dilucukan fellas...

[Penonton tepuk tangan]. Kartini itu punya gelar bangsawan, gelar bangsawan

jawa untuk perempuan jawa ada banyak yang pertama itu RA, raden ajeng untuk

perempuan jawa yang belum menikah, raden ayu untuk perempuan bangsawan

jawa yang sudah menikah, RA-ditya, Raditya. Itu orang biasa yang belum

menikah [Penonton tertawa]. Mas Radit senyum aja nggak usah ditahan-tahan

[Penonton tertawa], bulu hidungmu itu loh mas [Penonton tertawa] goyang-

goyang [Penonton tertawa], lepaskan Radit-lepaskan Radit [Penonton tertawa dan

tepuk tangan] Sudah? [Penonton tertawa].

 Jaman sekarang itu perempuan dan laki-aki kalau pacaran itu enak,

padahal jaman dulu itu ada banyak perempuan yang mengangkat senjata untuk

berjuang, sekarang itu enak tinggal duduk makan pancake selebriti. Ini

pancakenya tinggal satu nih buat kamu aja, buat kamu, kamu, kamu, gitu

[Penonton tertawa]. Kalau pacaran jaman perjuangan itu pas gerilya itu

belandanya tinggal satu [Penonton tertawa], sayang ini pin granatnya udah aku

buka sudah kamu aja yang ngelempar, kamu, kamu, kamu aja, kamu… duaar!!!.

[Penonton tertawa].

Terima kasih saya Dodit Mulyanto.

L. Show 9 Babak 1 (Tema Olahraga)

Tepuk tangan

Selamat malam sport mania, [Penonton tertawa]

Ada banyak hal yang tidak matching yang saya amati di olah raga, hal itu

adalah: guys-guys! anda tahu nggak? kalo sebenarnya penerima olimpiade, medali

olimpiade yang pertama itu adalah panahan tapi orang tahunya adalah bulu

tangkis. Makannya kita harus memasyarakatkan panahan dan memanah

masyarakat [Penonton tertawa]. Dikira saya bercanda, saya mau memanah kamu

[Penonton tertawa], ciuuuu, itu panah cinta buat kamu [Penonton tertawa].

Masnya ketawa? [Penonton tertawa] Saya panah lagi [Penonton tertawa], ciuuu,

itu panah beracun mas [Penonton tertawa], reaksinya besok. (memanah dewan

juri) nggak jadi nanti nilainya dikurangi [Penonton tertawa]. Kemudian bedanya

basket sama bola, kalo basket itu ada sound tracknya, ada back soundnya
 (bermain lagu tema basket) [Penonton tepuk tangan] Three point by Raditya Dika,

emang mas Radit bisa basket? [Penonton tertawa] byo, kalo bola itu ada sound

tracknya tapi nggak ada back soundnya, kalo ada back soundnya jadi seperti ini,

(music) Beckham berlari, oper ke Rooney, dan tendang, [tepuk tangan]…….

melebar, pertandingan kembali dilanjutkan, Beckham berlari kembali, oper ke

Rooney, Rooney dicegat bek, apa yang terjadi? (memainkan biola dengan sirine

ambulance).. [Penonton tertawa]…

Terimakasih saya Dodit Mulyanto.

M. Show 9 Babak 2 (Tema Bebas)

Selamat malam Dodit fans club [Penonton tertawa].

Sekarang ini saya from nothing to something, [Penonton tertawa] orang

yang dekat saya tu jadi ramah, bu kost yang dulu biasanya jutek, sekarang pagi-

pagi menyapa saya, “mas Dodit kemarin tampil di kompas TV ya?” Iya buk

kompas TV inspirasi Indonesia raya, [Penonton tertawa] “bagus tampilanya,

sudah mbayar kost?” [Penonton tertawa].

Selain itu sekarang saya berinteraksi, sering berinteraksi dengan orang

banyak, jadi saya harus mengendalikan bau badan, bau mulut, bau badan yang

mirip bau mulut [Penonton tertawa]. Selain itu tempat main saya sekarang beda,

dulunya saya main di warung, sekarang saya, heh syuting [Penonton tertawa dan

tepuk tangan].

Huft (sambil pegang dada) saya pernah ditinggalkan pasangan. Di sini

yang pernah ditinggalkan pasangan tolong kedipkan mata! [Penonton tertawa]

 semua saya rasa, mantan saya tu sekarang mulai DM-DM saya, heh hem mencoba

minta pin BB saya, ya saya (hehm) mau lah! [Penonton tertawa]. Berani-

beraninya dia minta pin BB, padahal ketika dia meninggalkan saya, kan dia yang

bawa BB [Penonton tertawa], (main music) terimakasih kalian barisan para

mantan [Penonton tertawa] selamat malam mantan kamu menyesalkan sekarang?

[Penonton tertawa].

Terimakasih saya Dodit Mulyanto…

N. Show 10 Babak 1 (Tema Pekerjaan)

Selamat malam rekan sejawat [Penonton tertawa].

Saya, nama saya Dodit Mulyanto, saya tu dari desa, tapi ibuk saya tu

wanita karir, berkarir di sawah, [Penonton tertawa dan tepuk tangan] tapi yang

sebenarnya ayah saya itu PNS, panas, berpanas-panasan disawah sama ibuk saya,

di pekerjaan itu selalu ada teman-teman yang,,, rekan-rekan yang sukanya

nggosip, pasti ada yay a sekamu itu, sukanya nggosip, menggosipkan atasan,

menggosipkan bawahan, menggosipkan atasan yang nggak pakek bawahan

[Penonton tertawa dan tepuk tangan].

Tapi saya berterima kasih di beri kesempatan oleh “Zact”, saya tampil di

sini [tepuk tangan] bersyukur anda semua yang mendapatkan pekerjaan,

mendapatkan pekerjaan itu susah lho, iya kan? Kalau ditolak kerja itu bisa galau

sampai ada lagunya (main music) hati yang bingung lamaran kerja ditolak enggak

tau kenapa kurang syaratnya, mikir-mikir dari pada kumelamar kerja, lebih baik

ku melamar kamu, iya kamu [Penonton tertawa].

 Pertama saya masuk kerja itu dimarahin security, saya itu ngajar di

sekolah swasta, murid saya itu seperti Lian Lin semua pokoknya, yang tampil ya

itu, iya, kemudian itu saya dimarahin security, hey kamu motornya dimatikan!

Mana STNKnya, saya laporkan supervisornya dipecat kamu, saya diam aja, bapak

kerja apa di sini? Saya guru di sini, maaf pak saya kira cleaning service [penonton

tertawa, tepuk tangan].

Terimakasih saya dodit mulyanto.

O. Show 10 Babak 2 (Tema Transportasi)

Jreng…. Selamat malam penumpang [Penonton tertawa dan tepuk tangan].

Selamat malam pak kusir, hari ini saya mau mengetengahkan elemen

trasportasi, saya itu paling salting kalo naik bis disamping saya itu ibuk-ibuk, mau

saya ajak ngobrol, dikira saya tukang hipnotis [Penonton tertawa], kalo ibuknya

ngobrol duluan trus asyik, takutnya kondekturnya yang sok asyik, trus ngomong

cieee PDKT ni yee [Penonton tertawa], sudah mas tembak aja [Penonton tertawa],

trus ngajakin penumpang tembak, tembak, tembak [Penonton tertawa], trus apa

pedagang asongan ikut-ikutan, tembak, tembak……..[Penonton tertawa]

Pengamennya juga ikut-ikutan, aku yang dulu tidak sempat menembak door…

sopirnya yang kepo juga noleh dan ikut-ikutan, tembak, tembak, tembak, akhirnya

seisi bis bilang nabrak, nabrak, nabrak [Penonton tertawa].

Saya ini cocok jadi kusir kuda, soalnya kuda itu butuh penanganan yang

lembut, ya penanganan, coba kalo sopir kudanya itu Abdur, hey kuda! [Penonton

tertawa] Cepat kau jalan! [Penonton tertawa] Aiih aduh mama sayange, [Penonton
 tertawa] kuda jalan! Stop tipu-tipu! [Penonton tertawa] Guys nggak bias kembali

guys.. [Penonton tertawa] mengendarai kuda itu caranya, di andong kalo talinya

itu ditarik kencang kudanya itu berhenti, kalo kudanya eh talinya dikendorkan

kudanya itu tak bergerak, kalo ditarik kenceng kendor kenceng kendor itu

sopirnya ngajak berantem [Penonton tertawa], kalo kudanya bisa ngomong pasti

ngomong, apa sih mau kamu? [Penonton tertawa] kurang nurut apa sih aku sama

kamu?

Terimakasih saya Dodit Mulyanto…

P. Show 11 (Tema Lingkungan)

(Bermain lagu gugur bunga dengan biola)

Idris Sardi, engkau hanya satu dan satu-satunya

Selamat malam para omnivore [Penonton tertawa], sudah makan apa hari ini?

Dari sekian comic, guys, saya merasa saya adalah comic yang paling

berkompeten untuk membahas lingkungan hidup, walaupun saya guru musik

tetapi gelar sarjana saya itu pendidikan geografi [Penonton tepuk tangan] saya

lulus dengan predikat sangat memuaskan empat belas semester [Penonton

tertawa], tujuh tahun puas saya [Penonton tertawa], tujuh tahun itu kalo di jadikan

anak itu sudah TK kelas 0 besar yang tidak naik satu kali [Penonton tertawa].

Lingkungan hidup, ada dua unsur lingkungan hi… hidup ada biotik dan

abiotic, lingkungan abiotik adalah lingkungan fisik yang tidak hidup terdiri dari

air tanah udara tapi semua berubah sejak Negara api menyerang [Penonton

tertawa]. Unsur biotik adalah unsur hidup dari makhluk kecil tidak kasat mata
hingga makhluk besar kasat mata artinya dari makhluk hidup mikroskopis hingga

makhluk hidup makroskopis gokil [Penonton tertawa].

Lingkungan hidup mempengaruhi seluruh aspek kehidupan manusia dari

seniman dipengaruhi karya-karya seniman dipengaruhi oleh linghkungan

hidupnya, Gesang tinggal di lingkungan Bengawan Solo, lagu yang dihasilkan

(nyanyi Bengawan Solo) [Penonton tertawa] sudah, [Penonton tertawa] Gombloh,

lahir di Jombang, Jombang itu lingkungan sawah pesantren, lagu yang dihasilkan,

lestari alamku lestari desaku dimana tuhanku menitipkanku, religius sekali, tapi

yang jadi pertanyaan adalah pencipta lagu ini dimana da nada di lingkungan apa?

Cinta satu malam betapa indahnya [Penonton tertawa], cinta satu malam buat ku

melayang [Penonton tepuk tangan], kira-kira lingkungan apa yang memberikan

cinta dalam tempo satu malam, cieee pesan moral [Penonton tertawa].

Hifzi Khoir, hi saya itu tidak punya keresahan sama Hifdzi nanti saya

dikira antagonis [Penonton tertawa], saya tu cocok lho sama Hifdzi, kami tu

punyak banyak kesamaan, sama-sama bau [Penonton tertawa], terus terang

kakinya Hifdzi tu bau [Penonton tertawa], tapi kaki saya lebih bau [Penonton

tertawa], Hifdzi tu kami sekamar, dia tu pintar menyembunyikan bau sepatu,

caranya sepatunya Hifdzi dimasukkan sepatu saya [Penonton tertawa], saking

baunya kalo sepatu kami tu di taruh diluar itu orang mbuang sampah disitu

[Penonton tertawa], saya itu sering diejek Hifdzi saya itu jarang mandi, memang

saya kan orang jawa yang memgang erat budaya Eropa Hif, mandi dua kali sehari

kampungan [Penonton tertawa], he hef heeeem noraak, saya itu jangankan show
 gini ya, saya tu berangkat kerja aja saya nggak mandi ok, saya mandinya di pom

bensin airnya lebih bersih [Penonton tertawa].

Hifdzi tu tidak cocok mejadi presiden, maaf lo Hif bukannya saya

antagonis, emang battle tu ya gini [Penonton tertawa], masak saya nggak boleh

marah [Penonton tertawa], battle men ngeh, Hifdzi tu bicaranya aneh, kalo dia jadi

presiden itu nggak cocok, selamat malam masyarakat, dari Sabang sampai

Merauke, saya prihatin akan korupsi, kalian prihatin nggak siih? [Penonton

tertawa] Iya kalian, I love U [Penonton tertawa], Hifdzi tu ngatain saya ngondek,

padahal saya kan hyu huu,, Hifdzi tu saya tu lebih tua dari Hifdzi saya masuk

kuliah, Hifdzi masih kelas dua SMP, hahaha [Penonton tertawa], tapi dia tu nggak

ada itu hormat-hormatnya sama saya sama sekali, dia tu manggil saya dit Dodit dit

Dodit [Penonton tertawa], nggak pernah manggil saya mas atau kakang, kalau

kamu hif main ketoprak sama saya main wayang orang kamu tu manggil saya

kakang prabu [Penonton tertawa], trutuktuktuk kakang prabu, iyo anoman

[Penonton tertawa].

Terimakasih saya dodit mulyanto.

Q. Show 13 (Tema Fashion)

Selamat malam fashionista [Penonton tertawa].

Order yuk sist! Bisa juga COD, cash of delivery,

Saya sekarang sudah gaul [Penonton tertawa], harusnya cara bicara saya

juga beda, eh eh gue Dodit [Penonton tertawa], gue model, bintang iklan pupuk

kandang [Penonton tertawa], jadi kandangnya. Saya guru, saya tu mengamati

fashion murid-murd saya, menurut saya kalo anak-anak itu dandanan aneh-aneh tu

tidak nakal, tetapi hanya cari perhatian pada lawan jenisnya, ada model rambut

panjang terus dikepang, ada bajunya dikeluarkan trus di kepang [Penonton

tertawa], murid itu tidak nakal hanya menarik perhatian saja, harusnya waktu

upacara bendera tu memakai sepatu hitam tapi untuk menunjukkan eksistensinya

remaja itu ada yang menggunakan sepatu futsal, biar keliatan pemain futsal, pakek

sepatu basket biar keliatan pemain basket, ada yang nggak pake sepatu kalo

ditanya kamu anak pencak silat? (geleng-geleng kepala) kamu anak judo?

(geleng-geleng kepala) maaf pak kemarin kebanjiran [Penonton tertawa].

Kenapa sih kayak rambut gondrong? menurut saya, kalo anak-anak itu

rambutnya gondrong itu selalu dipotong oleh gurunya biar rapi, apa hubungannya

rapi dengan kebaikan hati? Se semua pelaku korupsi rambutnya rapi guys

[Penonton tepuk tangan].

Walaupun saya jawa keluarga saya itu memegang erat budaya eropa

[Penonton tertawa], tentu saja saya memperhatikan fashion, kalo saya ke hajatan

wedding [Penonton tertawa], saya tu minimal pake tuxedo, kemeja biasa panuan

saya [Penonton tertawa], tau susunannya pake tuxedo? Kemeja putih lengan

panjang pakek dasi biasanya saya pakek merah ada tulisannya tutwurihandayani

[Penonton tertawa], pakek fest pakek jas singlet diluar [Penonton tertawa], biar

gokil [Penonton tertawa], kalo sudah gitu ya minimal saya naek mobil, heh naek

motor kampungan [Penonton tertawa], aturannya pun ya beda, kalo naek angkot

naek mobil, ya duduknya miring, ada supirnya, ngi lagi ngitung duit angkot,

turunnya pun ya beda tek tek driver left [Penonton tertawa].

 Saya sering lihat di model catwalk itu apa yang bawa’ biola itu hanya

model bawa biola itu hanya untuk properti, kalo saya tu beda saya pasti akan

memainkannya (main musik) [Penonton tertawa dan tepuk tangan] keren kan?

[Penonton tertawa] Mas Radit ayo ajak saya maen film! [Penonton tertawa].

Didesa itu ya banyak orang yang memegang erat budaya Eropa, jadi kalau

nikah itu nyewa, nyewa gaun yang ada ekornya, trus ada lagunya (bermain music

nikah) orangnya sampai disini gaunnya masih ditempat sewa [Penonton tertawa],

lupa belum disewa, yang pria juga’ gitu pakek jas, jas laboratorium [Penonton

tertawa], nggak-nggak saya bercanda, pakek jas pakek dasi ada tulisannya tutwuri

handayani [Penonton tertawa], gitu.

Trus saya itu ya, sekarang itu sudah gaul, sama mbak Feni Rose itu saya

disuruh kembali seperti dulu, saya nggak mau mbak, saya dulu kampungan

[Penonton tertawa], saya nggak saya juga nggak mau mbak Feni Rose kembali

seperti yang dulu, jual apartemen yang lagunya, bukit dong mediterenian

[Penonton tertawa] pantai bikin kapok [Penonton tertawa], apartement dengan

cicilan hanya delapan juta rupiah perbulan bikin pingsan [Penonton tertawa],

delapan juta itu tidak hanya mbak Feni Rose, itu banyak.

Semenjak itu saya dengan ba follower saya itu saya itu digodain ya, saya

beli bensin, pak beli bensin, kamu Dodit ya? Siapa pak? Iya kamuu [Penonton

tertawa], bapak bias aja pak pak, pak saya mau beli bensin, bensin? Iya bensin,,,

[Penonton tertawa] ayo pak pak saya pengen segera berangkat tolong bensinnya

segera di isi, kamu yang beli bensin aku yang harus ngisi [Penonton tertawa].
Terimakasih saya Dodit Mulyanto
Appendix 3: The Photo of Dodit Mulyanto

IG
dodit_wahyudi_mulyanto

@Dodit_Mulyanto
Appendix 4

CURICULUM VITAE

Nama : Ahmad Ulliyadhi Satria Raharja

Tempat, Tanggal Lahir : Kab. Kendal, 15 November 1990
Jenis Kelamin : Laki-laki
Agama : Islam
Alamat : Dsn. Dukuh Barat, Ds. Plumbon RT 19 RW 05
Kec. Suruh, Kab. Semarang
Pendidian Terakhir : S1 Pendidikan
IPK : 3.64
Status : Belum Kawin
Telp/Hp : 085735699616

RIWAYAT PENDIDIKAN

1. SDN Plulmbon 2 Kec. Suruh, Kab. Semarang (LULUS TH 2002)

2. KMI Pondok Modern Darussalam Gontor (LULUS TH 2009)
3. Progdi Tadris Bahasa Inggris STAIN Salatiga (LULUS TH 2015)