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Aria From Bachianas Brasileiras

Cantilena No. 5
Music by Heitor Villa-Lobos
Arranged by B. Marx

Adagio q = 57 rall.

  


                                        
           
mp stacc. sempre p

                                        
           
legato

mf a tempo q = 57

3
         
  
 
Vocalize on “ah”
Vocalizzando con “ah”

                                     

      
                    
        
 


      
5

    


               
                      
 

             
               
 
© Copyright 1947 Associated Music Publishers, Inc.
This arrangement © Copyright Associated Music Publishers Inc.
All Rights Reserved. International Copyright Secured.

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  
7
          
  

                           
                  
     

                
        

9 dim.

           


                            
         

   
  
 
dim.
              

11
3
           
    

                          
3

            
        
       
       
a tempo q = 57
rall. f
13
    
         
3 3

     


                  

 

                
mf

                 


 
 

    
 
    

2

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         
15

 

                 
     
             

   
  
    
 
 


17

          

        3

              


        
  
    
 
  
 

a tempo q = 57

19 rall.

       


3 3

              
     
 
  p
        
cresc.
        
                
 

  
21 rall.

      
  
       

                               
      
3

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a tempo q = 57

    
23

  
           
 
  
    


p
  
                        
  
  
    

 
25
                    
                   
        
       
           
                
      

27
   

              
                
             

   

   

           
        
     

29

                             
       
     

              

31

                      
3

        
       
          
   

 
         
  
4

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Più
mosso
a tempo q = 57

rall.

   
33

 
mf
  
Lo, at


Tar de,

               
3 3

       
     
mf
   
   
         
      
      
  
  
 

a tempo q = 68 a tempo q = 68
 
rit.

                 
35 3
    
ten.

3 3 3
mid - night clouds are slow - ly pass - ing, ros - y and lus - trous o’er the spa cious heav’n with love - li - ness
u - ma nu - vem ro - sea len - ta e trans-pa - ren - te, so - bre_o es - pa - ço so - nha - do - ra e


 
       
  
      
    
   ten.   
     
         3        3
   

a tempo q = 57
 
rall.
37

            
ten. ten.
           
la - den. From the bound-less deep the moon a - ris - es won - drous, glo - ri - fy -ing the eve - ning like a beau-teous
be - la! Sur - ge no_in - fi - ni - to_a lu - a do - ce - men - te, En - fei - tan - do_a dar - de, qual mei - ga don -


       
    

         
   
ten.
        ten.        
                  

 
5

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 
rit. rit. a tempo q = 68
39 ten. ten.

                         
maid - en. Now she a-dorns her - self in half un - con-scious du - ty,. ea - ger, anx-ious that we rec - og-nize her
ze - la que se_a - pre - sta_e_a - lin - da so - nha - do - ra - men - te, Em an - sei - os d’al - ma pa - ra fi - car

      

                   
     
          
          ten.
      
ten.
 
  
 

    
a tempo q = 68

poco rall.
        
41

  
    
beau - ty, while sky and earth, yea, all na - ture with ap - plause sa - lute her.
be - la, Gri - ta ao céo e a ter - ra, to - da_a N - tu - re - za!

      


    
    
       
          
 
ten.
   
 


    
  

           
  
a tempo q = 68
  
Grandioso
  
rall.
     
43


3 3
All the birds have ceased their sad and mourn - ful com - plain - ing;now ap pears on the sea in a sil ver re -
Ca - la_a pas - sa - ra - da aos seus tris - tes quei - xu - mes, E re - fle - te o mar to - da_a su - a ri -
 
     
        
                   
             
     3
            
3


             

3      
 
 
   
     
3 3  
6

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a tempo q = 68 rall. a tempo q = 68

      
            
45

      
3 3
flec - tion moon - light soft - ly wak - ing the soul and con strain ing hearts to cru - el tears and bit - ter de -
que - za... Sua - ve_a luz da lu - a des - per - ta a - go - ra, A cru - el sau - da de que ri e -

 
   
       
   
                  
  
       3
   
3

     
             
 
   


47
rall.
 f
a tempo q = 68
3

             
3
        
jec - tion. Lo, at mid - night clouds are slow - ly pass - ing ros - y and lus - trous o’er 3 the spa - cious
cho - ra! Tar - de u - ma nu - vem ro - sea len - ta e trans - pa - ren - te. So bre_o es - pa - ço

  

 
              
      
   
 f
         
                3   
            
  
Liberamente


pp
49 3

         
heav - ens dream - i - ly won - - - drous (Humming)
so - nha - do - ra e be - - - la! (bocca chiusa)
    
    



 
pp pp

    3  

       
   
7

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q = 57

51

  

       
      
      
       

       

52
           
  

   
                    
  
          
   

                
          
  

54
        

  


          
           
 


            
         
  

 
55

        
 

                   


  
             
      
     
8

SheetMusicDirect.com Order 4055524 | 1 copy purchased by James Strauss (james.strauss@gmail.com) on 02/01/2018


56

           


                        
      
               
 
      
 

58

          

                  
               

 
           
         

q = 47
60 3 3
  
3

                 

                   
3

          

           
 

             


62 q = 57 q = 47 
pp

   
 
        
      
ppp
    

          

9

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