Month to Month

Dir: Wes Hopper

DP: Gus Sacks
September, 2009 Note: In script order
Shot List HH: Hand held; ST: Sticks; FG: foreground; BG: background; RV: Roving; LL: Long Lens; Three: Three Shot, Two: Two Shot
CU: Close up; MCU: Medium Close up; MS: Medium Shot; MWS: Medium Wide; WS: Wide Shot
Scene
Shot Type Notes

1 EXT. BROOKLYN AVENUE - DAY

1 WS Tracking left-right, HH, with them down street
2 WS Similar along another street
3 MS Punch-in on sequence, tracking HH
4 WS At a corner, they walk into it, across street - LL WS
5 TWO Two shot, LL Punch-In of 1.4
2 EXT. APARTMENT BUILDING - DUSK
1 MS Nate paces towards/away from frame, slightly low-angle
2 MWS Seth on stoop, slightly off-center frontal
3 INT. APARTMENT BUILDING STAIRWELL - DAY
1 MS Angle on doorway, slightly frontal/more off-angle
4 INT. APARTMENT - DAY
1 MS HH follow, from ext. apartment, track in through hallway, they move within frame in/out
5 INT. APARTMENT BEDROOM - DAY
1 MS Emile in doorway, S/N slightly dirty till they go to window
2 MWS To window of Seth and Nate
3 MS Punch-in on window, slightly off-angle
6/7 INT. APARTMENT HALLWAY/KITCHEN - DAY
1 MS - THREE Follow Seth HH down hallway - end up in kitchen in three shot stacked with Nate in bg - S and Emile in fg
8 INT. APARTMENT - SECOND BEDROOM - DAY
1 THREE Mostly frontal three shot, squeezed into space
9 INT. APARTMENT HALLWAY - DAY
1 MS Static HH, down hallway, LL two shot of S and N on opposite sides of hall
2 MCU Single on Seth - off-angle dirty
3 MCU Single on Nate - off-angle dirty
10 EXT. APARTMENT BUILDING - DAY
1 MCU Insert on handle, tilt up to CU of Nate
11 INT. APARTMENT BUILDING STAIRWELL - DAY
 1 MWS Above banister, high-angle of stairwell
12 INT. APARTMENT BUILDING STAIRWELL OUTSIDE APT - DAY
1 MS Low-angle, Seth in fg, Nate in bg, higher up on steps, HH tracking up with them, all the way up
2 MS Inside apartment, looking to door as they reach top of steps and check out damage
13 INT. APARTMENT HALLWAY - DUSK
1 MS Follow Nate/beers through frame to living room
14 INT. APARTMENT LIVING ROOM - DUSK
1 WS Frontal, Nate walks in and plops down to frame
2 MCU Dirty Single
3 MCU Dirty Single
15 INT. DIVE BAR - NIGHT
1 MS Objective HH static, Nate and bartender in bg, fg obstructed
16 INT. DIVE BAR - NIGHT
1 MS Profile LL on Seth
2 CU Insert on phone, OTElbow
3 ECU On Finger, 1/4 profile
4 MS - CU Start on girl, move/pan to CU on Seth reaction facing away
17 INT. APARTMENT BUILDING STAIRWELL - NIGHT
1 MCU Moving insert on bag of beer cans
2 MS Single following Seth up steps
3 MS Single leading Nate up steps
18 EXT. APARTMENT BUILDING ROOFTOP - NIGHT
1 MS Two shot OTS towards skyline
2 TWO Reverse as they come to a stop
19 EXT. NEIGHBOR'S BACKYARD - DAY
1 CU High-angle CU of Old Lady from the ground - Seth's POV
20 INT. APARTMENT KITCHEN - DAY
1 MWS OTS Seth of Old Lady, high-angle
2 MCU On Seth, 3/4 profile at window
21 EXT. BROOKLYN AVENUE - DAY
1 MWS At intersection, across the street - wide on Seth, HH
22 EXT. PARK - DAY
1 MCU Frontal, HH leading Seth through park
2 MWS 3/4 profile static on park bench
3 WS Seth in field, high-angle, wide HH static
23 INT. NATE'S BAR - DAY
1 MS Nate at bar, 3/4 profile towards bar, turns into frontal as he points to Seth
 2 MS Towards door, fg obstructed, rack to Seth who appears in bg
24 INT. NATE'S BAR - DAY
1 MS Seth in fg, left justified, Nate walks up and down bar in fg/bg behind bar - in one
25 INT. NATE'S BAR - NIGHT
1 MS Low-ish angle on Seth at game, frontal - hands in fg
2 CU Insert on screen of bowling game?
3 MS Jared enters
4 MS Seth turns from game and greets Jared
5 TWO Jared and Seth hug, turn the line towards the bar - they sit down
6 MCU Single on Nate, over bar, clean
7 MCU Single on Jared, from behind bar dirty
8 MCU Single on Seth, from behind bar dirty
26 INT. NATE'S BAR
1 CU Jared, 3/4 profile, dirty
2 CU Seth, same
3 MS Waitress, looks to Nate, from behind bar
4 MS Reverse on Nate, he's called over - turns
5 MS From Nate's perspective, longish shot down bar of Jared and Seth
6 TWO Seth and Jared, from behind bar
7 MCU Reverse on Nate
27 EXT. NATE'S BAR - NIGHT
1 MWS Towards bar exterior in a 3 shot
28/29 INT. CLUB - NIGHT
1 MCU HH - follow S, N, J into/through club - pan/move around to see space/tilt up at end to see thrusting man if possible
2 WS Of club floor - S, N, J Where's Waldo'd in frame
30 INT. CLUB
1 MS Stacked three shot, Nate in fg, Seth in middle
2 MS On Nate, through S and J as he walks onto dance floor
31 INT. CLUB - LATER
1 MCU On Jared - he walks into dirty single
2 MCU On Seth, reverse
32 INT. CLUB
1 MS Low-angle on Nate walking down stares, he walks into MCU
2 MS Reverse on Brie, from highish angle, Nate's POV, moving down steps
3 TWO Tight two of Brie and Nate walking into dancing
33 INT. CLUB
1 MCU High-angle look down on Jared - looks up to DJ
 2 MCU Low-angle reverse on DJ
34 INT. CLUB
1 MS Start on bar - Seth grabs beer, follow hand around models to him, turn OTS as he walks into crowd
35 INT. CLUB
1 CU Nate and Brie dance, pan/tilt around them - insert shots
2 MS Leading Seth through crowd
3 MWS On Penny from 8 ft from floor, CONTINUE for Jacques coverage in wide
4 MS Cutaways on Penny's legs at mic, scenery
5 MCU Cutaways on the crowd
6 CU On Penny from eye-level frontal from crowd, CONTINUE for Jacques coverage in tighter
7 MS Reaction of Brie/Nate from stage, PU for second reaction
8 MS Jared, from stage
9 WS Low-angle wide from off-angle ground level of performance
10 CU Inserts of Jacques
11 CU Punch-in on Jared from stage, mesmerized
12 MCU Seth walks away from stage through crowd
13 CU On Jared from the ground - 3/4 profile as penis smacks him, stunned, lead him away from stage later
14 MS On side of stage, Penny walks out to microphone in fg
15 MCU High-angle, SAME SETUP AS 33.1
16 MCU Low-angle, SAME SETUP AS 33.2
36/38 EXT. CLUB - NIGHT
1 MCU 3/4 profile, tight
37 INT. CLUB - NIGHT
1 MWS Tight two on booth, them making out
39 INT. APARTMENT - SETH'S BEDROOM - NIGHT
1 MS Wandering MS that moves into MCU as he sits on phone
40 INT. JARED'S BEDROOM - NIGHT
1 CU On Jared, off-angle frontal
41 EXT. BACKYARD - DAY
1 MS Of toddler from yard, some fg elements
2 MS Reverse on grandma, some kind of movement forward as kid runs to her
42 INT. APARTMENT KITCHEN - DAY
1 MS Same as 20.2
43 INT. APARTMENT LIVING ROOM - DAY --- REALLY, NATE'S ROOM?
1 MWS In Nate's room looking to door, see empty space, Seth enter and exit
44 INT. APARTMENT KITCHEN - DAY
1 MWS Seth at kitchen table through door frame
45 INT. APARTMENT LIVING ROOM - DAY
1 MWS Seth on ground again, from hallway - see Nate enter
2 MS High angle on Seth
3 MS Low angle on Nate, eye level as he starts moving around
4 MS Seth sits on couch - pick him up as he gets up
46 EXT. CLUB - NIGHT
1 MS Shot down the line outside club, Nate and Seth in middle ground, walk up to Bouncer, continue TWO shot all the way
2 MCU Reverse on Bouncer
3 MCU Single reverse on Nate
4 MWS Brie and friend exiting club, walks into MS
5 TWO Profilish, Brie and Nate at ropes
6 TWO Tight two of Brie and friend exiting
7 MCU Reverse on Seth, reaction to Brie/friend
8 MS Re-establish Seth and Nate's TWO
9 MCU Reverse on Bouncer at the end
47 INT. DIVE BAR - NIGHT
1 CU Insert beer, coaster, phone
2 MCU Single on Seth
3 MCU Single on Nate
48 INT. APARTMENT KITCHEN - NIGHT
1 MS Roving MS, pickup Seth as he enters - keep on him at table
2 CU Insert phone/text
49 INT. KITCHEN - DAY
1 MCU Dishes, spoon, possibly tilt up for reaction
50 INT. APARTMENT - LIVING ROOM - DAY
1 MS Frontal on Seth, Brie crosses, continue shot
2 MS POV towards Nate's room, and Brie enters and closes
3 MS Seth's POV of Brie's butt, her walking back - tilt up in POV for her line
51 INT. APARTMENT - KITCHEN - DAY
1 MS On Seth at computer
2 MS Reverse on Nate
3 CU PI on Seth "What is it?"
52 INT. OFFICE - DAY
1 MS Lead Beth through scene, end on frontal MS in wide angle
2 TWO On Sephora and Seth
3 MS Single on Seth
4 MS ON ROOM with files in it, HH move forward, have Beth fly into frame
53 INT. OFFICE - DAY
1 MWS Seth and Sephora span left-right of frame - static HH
54 EXT. STREETS - DAY
1 MCU Walk/talk tight close-up
55 INT. NATE'S BAR - DAY
1 MCU Reverse on Nate
2 MS LL medium of Waitress
56 EXT. ROOFTOP - NIGHT
1 MS Start on hands placing bottles into frame, Seth lies down behind them
2 CU Tighter/higher angle on Seth
3 MWS Nate's POV of Seth/skyline
4 MS Nate frontal coverage
5 MS Seth leans up, coverage
57 INT. APARTMENT - LIVING ROOM - NIGHT
1 TWO Two shot Nate and Seth, frontal
58 EXT. CAB ON MANHATAN STREETS - NIGHT (FLASHBACK)
1 TWO Facing back of cab from front
59 INT. CLUB - (FLASHBACK)
1 ... SAME AS SCENE 33.1, 33.2
60 INT. CLUB - (FLASHBACK)
1 MS Move with Brie and Nate, rack/pan off them to Jared in FG
61 INT. AFTER HOURS PLACE - NIGHT (FLASHBACK)
1 MS Of table - Manny and Jared stacked
2 MCU Single on Manny
3 MCU Reverse on Jared, Manny steps into his shot to crowd it
62 INT. AFTER HOURS BATHROOM - NIGHT (FLASHBACK)
1 CU Dirty single on Jared
2 CU Dirty single on Manny
3 CU Insert on coke - - - Manny and Jared both dip into it
4 MCU Manny on his knees, high-angle
5 MCU Reverse on Jared, through boots, low-angle
6 CU Profile insert on boot, licking
7 CU Insert buckle, as boot comes into frame
8 MS On Manny as he masturbates, above the waist
9 MWS After the climax
63 INT. CAB ON MANHATTAN STREETS - NIGHT (FLASHBACK)
1 TWO Similar frontal two shot in cab
 2 CU Above insert on boots, from Nate's POV
64 INT. AFTER HOURS PLACE - NIGHT (FLASHBACK)
1 MS On Nate, frontal
2 CU On Jared, reactions
3 CU On Manny, tight
4 MS Of Manny and Jared as they enter bathroom, LL - Nate's POV
65 INT. APARTMENT - LIVING ROOM - NIGHT (DAWN) (PRESENT DAY)
1 MS 57.1 book-end
66 EXT. PARK - DAY
1 CU Insert hand/tilt up to Jared's face, etc
2 WS Of Jared playing guitar - small in frame
3 MS LL, on Infected when stuck in trees, Jack in fg briefly
4 MS Seth steps up into frame
5 TWO Shot on bench
6 MCU On Seth, dirty
7 MCU On Jared, dirty
8 MS Cutaway of black man
67 INT. FILING ROM - DAY
1 MS On Seth, 3/4 profile
2 MS On Sephora, slightly below eye-level
3 MCU Low-angle, Seth walks into frame
4 MCU Sephora on ground, Seth's feet steps in
5 TWO Sephora and Seth when they sit down
6 CU On Sephora, dirty
7 CU On Seth, dirty
68 INT. NATE'S BAR - NIGHT
1 MCU Tight on Bar Patron 1
2 MCU Tight on Bar Patron 2, off-angle
3 MS Seth and Nate look down bar towards Patrons, run MASTER, Nate walks towards camera to Brie
4 MCU Single on Nate
5 MCU Single on Seth
6 MS Brie enters, walks into two shot with Nate
69 INT. NATE'S BAR - NIGHT
1 CU Sloppy single on Brie
2 CU Sloppy single on Seth
3 MCU Reverse on Nate as he walks in
70 EXT. CAB ON MANHATTAN STREETS - NIGHT
 1 MS Through windshield, see action in middle ground
71 EXT. CAB ON WILLIAMSBURG BRIDGE - NIGHT
1 TWO In car, looking back, on Brie/Nate, move over to Seth
2 CU On calf touch
3 MCU On Seth's reaction
4 MCU Out window of scenery
72 INT. APARTMENT - KITCHEN - DAY
1 CU Inserts on kitchen stuff - vase, curtains
2 CU Insert, chore wheel
3 MS Seth and peel, low-angle into ceiling
4 CU Insert hands, shotgun shells, feet - shells fall and he trips
5 CU Banana peel on top of pile, slightly high level
73 INT. APARTMENT - LIVING ROOM - DAY
1 MS On cat, slightly above chair-height, Seth walks in and turns open to camera - tilt/move up
74 INT. FILING ROOM - DAY
1 CU Insert along letters, following
2 MS Follow along the wall, end in Medium
3 CU Insert on his hand frontal as he scans after he stops
4 MCU Off-angle on Sephora
75 INT. FILING ROOM - LATER
1 TWO Tight two shot
2 MCU Dirty on Sephora
3 MCU Dirty on Seth
4 CU On hands filing
76 INT. NATE'S BAR - NIGHT
1 THREE Three shot, Nate center - Seth 1/4 profile - Brie open
2 MS 3/4 on Seth
3 MS On Brie as she heads to door
4 MS Reverse on Seth from Brie's hitting door
5 CU On clinking shot glasses, tilt up to Nate's line
77 EXT. STREETS - NIGHT
1 MS Seth walks up to camera, pivots toward building
77A EXT. FRONT STEPS - NIGHT
1 MS Profile on Seth/phone, gets up and yells
2 MWS Above alley wall, looking up and over
77B EXT. BEHIND APARTMENT BUILDING - NIGHT
1 MS Pick him up when he falls to ground from alley wall
 2 MS He gets up - follow him around building, he stops, rack to chairs in bg for reveal, tilt up to ladder with eyeline
3 CU Insert of his hands, chairs, feet - action of him getting up on mountain of chairs
4 MCU He pulls himself up into frame, hangs
5 MS Looking down fire escape as him walking himself up
6 MS ON ROOF - from behind him over side of building **if possible** lift up with him to roof/cityscape
78 INT. APARTMENT BUILDING STAIRWELL - NIGHT
1 MCU Low-angle on Seth at door
2 MCU Reverse on Seth, LL OTS
3 CU On Brie, LL OTS
79 EXT. PARK - DAY
1 TWO Walk/talk with Seth and Jared frontal, lead them to park bench for two MED, PICK UP when Caroline starts
2 MS On Jared
3 MS On Seth
4 CU START CU on Jared from after cigarettes, get his hands
5 MCU SAME on Seth
80 INT. THEATER WAREHOUSE - NIGHT
1 WS On stage from audience, some audience in fg
2 MS Reverse through audience on Sephora and Seth
3 MS On action on stage, roving
4 MCU PI on Seth/Sephora from Medium?
81 EXT. THEATER - NIGHT
1 TWO Profile on Seth/Sephora
2 MS Single, OTB
3 MS Single, OTB
82 INT. APARTMENT - LIVING ROOM - NIGHT
1 MWS Towards television, Nate stands, runs away
2 MS On Seth in doorway
83 INT. APARTMENT - KITCHEN - NIGHT
1 MS Nate in fridge, turns to sit, continue coverage
2 MS Seth in doorway,
83A INT. APARTMENT - HALLWAY - NIGHT
1 MS Pickup Seth in hallway, lead him towards living room, sits down on couch
83B INT. APARTMENT - LIVING ROOM - NIGHT
1 MS Continue 83A.1
2 MS Pickup Nate as he steps into living room, continue
3 WS or CUs Either do close coverage or a wide shot
84 INT. SETH'S ROOM - NIGHT
 1 MS Seth in bed, getting up and going to door, frontal to profile out
2 MCU High-angle POV on cat
3 MS Low-angle reverse on Seth
85 INT. KITCHEN - NIGHT
1 CU Insert on food/dish
86 INT. SETH'S ROOM - NIGHT
1 MCU Seth in room, try some foreground
86A INT. JARED'S APARTMENT - NIGHT
1 WS Of Jared in space
3 MCU On Jared on phone
4 CU On Infected as it turns
5 MS Infected POV as it runs towards girls
6 MS Mrs., Brewer, LL
7 CU Inserts of girls being eaten - running past frame, blood spraying
87 EXT. STREETS - DAY
1 MS From up on stoop, Jared and Seth walk towards and up
88 INT. APARTMENT - LIVING ROOM - DAY
1 MS Towards couch on legs
89 INT. APARTMENT - KITCHEN - DAY
1 CU On lasagna
2 TWO Of Nate and Brie over oven
3 MS On Emile, high-angle
4 TWO On Seth and Jared
5 CU Roving single on Brie and Nate
90 INT. APARTMENT - BATHROOM - NIGHT
1 MCU OTE, 45d down on Jared/coke
91 INT. KITCHEN - NIGHT
1 WS Establishing from doorway on Brie/Nate
2 MS Tighter on the table of Brie/Nate, Seth dirty in frame
3 MS Reverse on Seth, Brie and Nate in fg
4 CU Seth
5 CU Nate
6 CU Brie
92 INT. LIVING ROOM - NIGHT
1 MS Jared and Seth, Jared in fg, Seth in bg standing next to him
2 CU Cutaway on Pumpkin, low, cat-level, continue as Jared goes towards it
3 MCU Single on Seth from lower-angle
 4 MCU Single on Jared from couch, lead him on the ground over to Pumpkin
5 MCU Pickup on Jared with Pumpkin in fg?
93 INT. INTERVIEWER'S OFFICE - DAY
1 CU Inserts of possibly interesting cutaways
2 MS Clean on Seth
3 MS Clean on Interviewer
94 EXT. SEPHORA'S APARTMENT BUILDING - DAY
1 MS Towards apartment stoop
95 INT. SEPHORA'S APARTMENT - LIVING ROOM - DAY
1 MS Celine hoola-hooping in fg, Seth favored in bg
2 MCU Low-ish angle on Celine, Sephora walks in, pick her up
3 WS Maybe we pop out to a wide at the end after Sephora enters?
96 INT. RESTAURANT - NIGHT
1 MCU Single Sephora, dirty
2 MCU Single Seth, dirty
3 MS Establishing of table, through some fg
97 EXT. MANHATTAN STREET - NIGHT
1 MS Tight two on Sephora and Seth near bottom of stoop
2 MCUs Single coverage?
98/100 INT. APARTMENT - KITCHEN - DAY
1 WS Brie and trash can in frame, mise-en-scene
99/101 INT. APARTMENT - SETH'S ROOM - DAY
1 MS Seth towards window, turns open to doorway
2 MS Reverse, Brie in doorway
102 INT. NATE'S BAR - NIGHT
1 CU Insert on dollars bills, beer
2 MCU Single on Seth
3 MCU Single on Nate
4 MS Seth from behind bar, Jared walks from background
103
1 MCU On Jared, OTB of Seth
2 MCU On Seth, OTB of Jared
3 MCU On Nate, OTS Seth
4 MCU On Nate, OTS Jared
5 MCU On Seth, past Nate dirty
6 MCU On Jared, past Nate dirty
104 EXT. BROOKLYN STREETS - NIGHT
 1 MS Mailbox in fg, Seth, Nate and Jared run towards frame
105 INT. APARTMENT - LIVING ROOM - NIGHT
1 THREE Towards couch
2 MS Of cat coming in doorway, the guys entering frame
3 MCU Roving coverage on three guys from lower angle
4 MS Brie's POV of wrestling
5 MS To doorway of Brie, Nate walks in
106 INT. APARTMENT - BATHROOM - DAY
1 CU Insert on rim, slightly above bowl height
107 INT. APARTMENT BUILDING STAIRWELL - NIGHT
1 MS Angle down on staircase - oner
108 INT. APARTMENT - LIVING ROOM - NIGHT
1 WS Three shot towards Jared/Seth and Sephora
2 MS Down on Jared
3 MS Tight two on Seth and Sephora
109 INT. APARTMENT - SETH'S BEDROOM - NIGHT
1 MS From behind bookshelf; Sephora in fg, Seth in bg
2 MS Two shot, high-angle as she sits in
3 CU Insert on Bible
4 CU On Seth, dirty
5 CU On Sephora, dirty
110 INT. APARTMENT - SETH'S BEDROOM - LATER
1 MS Two shot frontal, off-center on wall
111 INT. APARTMENT - SETH'S BEDROOM - LATER
1 MCU Tight two of them kissing, 3/4 profile on action - when Seth leaves, Sephora is left
2 MS On door - Seth enters
112/113 INT. APARTMENT - HALLWAY/LIVING ROOM/NATE'S ROOM - NIGHT
1 MS Follow Seth down hallway, through living room, and over to Nate's door, knocks, it opens to reveal Brie and Nate
2 MS On Nate OTS, Brie steps in to two shot
3 MS Seth's reverse, through Brie/Nate, Jared steps into bg
4 CU Insert on condom hand off
5 MS Pickup on Seth walking away - lead him back to room
114 INT. APARTMENT - SETH'S ROOM - NIGHT
1 MS Sephora in bed angle-on from doorway
2 MS On Seth entering, Sephora in fg, they kiss, run scene
3 CU Pickup CU on buckle undoing, pan over as his feet come onto bed
115 INT. APARTMENT - SETH'S ROOM - DAY
 1 MCU On Seth from bed-height, Sephora leans into frame
2 MS On her, over Seth's perspective
116 INT. APARTMENT - KITCHEN - DAY
1 MS On Seth with laptop
2 MWS To doorway on Sephora, Seth in fg
117 EXT. STREETS - DAY
1 MS 1/4 profile of Seth walking, tilt down to feet/shadow
117A EXT. PARKING LOT - DAY
1 MS Follow him walking, he turns to look
117B EXT. EAST RIVER - DAY
1 MCU 3/4 profile on him, grab sewage if possible
118 INT. APARTMENT - LIVING ROOM - DAY
1 MWS On couch, door in frame, Brie enters and exits
2 MS Towards doorway on Seth, Brie walks through
119 INT. SETH'S ROOM - DAY
1 MS On Seth, slight low-angle from doorway side
2 MS On Nate in doorway,
120 EXT. APARTMENT BUILDING ROOFTOP - DAY
1 WS Jared and Seth establishing, behind?
2 MCU On Seth, frontal
3 MCU On Jared, frontal
121 INT. APARTMENT - LIVING ROOM - DAY
1 MS Seth on couch, Jared walks into middle ground from camera left with vibe
122 INT. NATE'S BAR - NIGHT
1 MWS Long shot down bar at Nate and Waitress, turns into Nate's medium
2 MS On Seth, start with the look, Nate walks in
3 CU Insert on phone
4 MCU On Seth
5 MCU On Nate
123 INT. APARTMENT - LIVING ROOM - DAY
1 WS Jared's horizontal through frame, Seth walks in - MASTER
2 MCU High-angle on Jared, cup in frame
3 MCU Low-angle on Seth
4 CU Insert water cup
5 MS Long shot on cat
6 MCU Tighter on cat
7 MS Reverse on Seth/Jared when they get up to see cat
124 INT. APARTMENT - KITCHEN - DAY
1 MS - MCU Lead Jared running in, lead him out tighter
125 INT. APARTMENT - LIVING ROOM - DAY
1 MS On Jared, reverse of him pawing at Pumpkin
2 MCU On Cat/mitts, tight MCU
126 INT. APARTMENT - KITCHEN - DAY
1 MCU On cat, as it runs under table, move up to two shot of Jared/Seth
2 MS Of table from doorway
3 MCU Start on cat again as it runs away, move up to Seth
127 INT. APARTMENT - HALLWAY - DAY
1 MS Profile on door, Seth stands there, Jared runs through, end on Seth and doorslam
2 MCU Cutaway on cat running out of bathroom
127A INT. APARTMENT - BATHROOM - DAY
1 MS Seth in door, Jared in fg
2 MS Single on Jared from doorway
128 INT. APARTMENT - KITCHEN - DAY
1 MS Jared frontal at tale, Seth in bg at fridge
2 MS On Seth, 3/4 with bag of ice
3 CU Insert of ice hitting ground, high angle
4 MCU On Cat as establishing, widen out for Brie's POV
5 TWO In doorway, Brie and Nate walk in
129 INT. APARTMENT BUILDING - STAIRWELL - DAY
1 MS Down stairwell to door of Brie throwing items down
130 INT. APARTMENT - LIVING ROOM - DAY
1 MS Tight two in doorway on Nate and Seth
131 EXT. BROOKLYN AVENUE - DAY
1 TWO Leading two shot, start on feet, end on faces
132 INT. APARTMENT - KITCHEN - DAY
1 MS Full shot of Brie in window
2 MS - MCU Reverse on Seth, steps into MCU - Brie steps in at end for kiss/pass
3 MCU Reverse on Brie
133 INT. APARTMENT - LIVING ROOM - DAY
1 MS On floor, bags/roller bags go through frame, hands/feet
134 INT. APARTMENT - KITCHEN - DAY
1 MWS At table on Nate, Seth sits in
135 INT. NEIGHBORHOOD BAR - NIGHT
1 TWO Two shot frontal on Seth and Nate
 2 MS Cutaway down the bar of the Bartender looking
136 EXT. STREETS - NIGHT
1 MS Two shot on stoop
137 INT. APARTMENT - LIVING ROOM - DUSK
1 MS Nate single with Jared and Seth dirty on frame side
2 CU Jared single, PU from vibrator
3 MCU Seth/Jared two
4 CU Insert shot glasses
5 CU PU punch-in on vibrator
138 EXT. APARTMENT BUILDING - DUSK
1 MWS Towards front stoop, pan with them down the block
139 EXT. STREETS - DUSK
1 MS Tracking shot backwards, HH - car?, stay with them, let each individually wipe frame
140 EXT. PLAYGROUND - DUSK
1 WS On playground as they run into frame, PU at the end one Nate stops
2 MS On Jared, run a roving
3 MS On Nate, run a roving
4 CU Insert Jared's leg
5 CU On Jared
6 CU On Nate
7 MS On Seth, reactions
141 INT. APARTMENT - LIVING ROOM - DAY
1 MWS Towards front door from kitchen
2 MS Same idea, on ground of suitcases
142 EXT. STREETS - DAY
1 MS Tight two shot, Jared and Seth
1 MCU On Seth as truck drives away
143 INT. APARTMENT - KITCHEN - DAY
1 MS Into kitchen from fire escape or so on Seth
2 MS POV down to backyard
144 INT. APARTMENT - HALLWAY - DAY
1 MS Leading MS
2 MS Following MS
145 INT. APARTMENT - NATE'S ROOM - DAY
1 MS OTS into bedroom
2 MCU From inside room on Seth to hallway
146 INT. APARTMENT - LIVING ROOM - DAY
 1 MS Static on Seth
147 EXT. SEPHORA'S APARTMENT BUILDING - DAY
1 MWS Looking up to stoop
148 INT. SEPHORA'S KITCHEN - DAY
1 MWS Celine, Seth steps into frame, maybe just midsection down
2 MS On Seth, below eye-level, he leaves, Sephora takes his place
3 WS Sephora walks in
149 EXT. STREETS - DAY
1 MWS Low profile following Seth
150 INT. APARTMENT - KITCHEN - NIGHT
1 MS Seth in window, 3/4 profile
2 MS POV down
3 MCU Punch-in on party
151 INT. APARTMENT - LIVING ROOM - DAY
1 WS Static on Seth
152 INT. APARTMENT - LIVING ROOM - DAY
1 MS Follow down hallway, Young Man steps into frame, as they did in beginning
153 INT. APARTMENT - KITCHEN - DAY
1 CU Insert, litter box
2 MS On Seth, clean
3 MS On Young Man, clean
4 CU Punch-in on Seth?
154 EXT. ROOFTOP - DUSK
1 MS Start on Young Man, track with him, pan/catch the city, come back around to frontal on Seth

END.