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Book Reviews
115
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The Journal of Religion
becamea aMontanist."
became Montanist." I am
I am not not contending
contending that Grant
that Grant is demonstrably
is demonstrably wrong wrong
in his
in histwo-edition
two-edition theory,
theory, onlyonly
that that onehave
one can can (should
have (should have?) justifiable
have?) justifiable
reservations.
The real value of this volume, however, has little to do with its advertised
purpose. Well over 140 of its pages are far more broadly historiographical.
Grant provides valuable observations on Eusebius's compositional methods as
well as perceptive analyses of his preface and, especially, of the six themes he
promises will be treated (plus the theme of the "canon of Scripture"). No
Eusebius scholar has ever set out with such critical care the Historia's treatment
of its themes: apostolic succession, the outstanding events and persons of the
pre-Constantinian church, Christianity's "heretics," the fate of the Jews, the
persecutions and martyrdoms of Christians before A.D. 313, the canon of
Scripture, and the church's final deliverance in the Constantinian era. Nor has
anyone ever used so astutely pagan historians to illuminate the details of
Eusebius's historiography. (Grant's volume therefore is an excellent compan-
ion to Glen F. Chesnut's discussion of Eusebius's general theory of history [The
First Christian Histories: Eusebius, Socrates, Sozomen, Theodoret and Evagrius (Paris,
1977), pp. 30-166], for Chesnut also sets Eusebius against the backdrop of
Greco-Roman historiography.) Grant characteristically operates as a source
and redaction critic, isolating the historical sources Eusebius employed and
showing the way he understood and misunderstood, used and misused, them.
Students of early Christianity who use Eusebius's Historia ecclesiastica would be
ill-advised to ignore Grant's analyses.
THOMAS A. KOPECEK, Central College.
CLARK, ELIZABETH A., and HATCH, DIANE F. The Golden Bough, the Oaken
Cross. The Virgilian Cento of Faltonia Betitia Proba. Edited by JAMES A.
MASSEY. American Academy of Religion Texts and Translation Series 5.
Chico, Calif.: Scholars Press, 1981. 249 pp. $16.00.
In the last ten years, the study of women in early Christianity has progressed
from concern over the attitudes toward and images of women in the early
churches to an interest in what we know about actual Christian women in
antiquity. While we possess very few works known to have been authored by
women, recent research has shown that we have paid insignificant attention to
those texts we do have. Elizabeth Clark and Diane Hatch have attempted to
remedy that neglect somewhat with their new edition, translation, notes, and
discussion of a work believed to be the earliest Christian document known
with certainty to have been written by a woman.
Faltonia Betitia Proba's Cento has, as early as Jerome, traditionally been
regarded as a minor work, both in form and content. Clark and Hatch main-
tain that the poetic deficiencies of Proba's Cento lie in the form itself (in which
phrases from classical epic are used, out of context, to form new works) and
not specifically in Proba's execution of the genre. The authors also view
Proba's task as reflecting a serious concern of fourth-century Roman Chris-
tians, namely, "merging the value systems of two different worlds: that which
upheld the classical Roman virtues of filial devotion, domestic harmony and
family reputation, and that of her newly adopted religion, which counseled
116
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