Lennie Groove Mark Turner

     
  
Intro
B¨m(,7) 1-7. 8.
    

 
 
         
  
   
Bass       
*continue bass rhythm on A sections (2.3 clave in 5/8)
            

    
lead    
     
A Bm(,7)

   
      
   3   3 

 
Harm     
        

    
 3 3

    
                     
   
 
B¨m(,7)
lead   
           

                 


Harm           
     


A Bm(,7)
                       
      
lead
 
      

Harm         
                


   
        
    
B¨m(,7)


lead   

  
           

       

Harm    
   
            
                          
Bm(,7)
        
A


lead 

                            

     

Harm   
  


 
B¨m(,7)
              
              

lead            
    
                               

Harm      

                        
B Falt B¨m(,7) A¨m(,7) G, Em(,7)
Dm


lead   


                
      
 

Harm    

*half time bass rhythm (3.2 'clave' in 5/4)
 Amin7 

2
       Balt  F©(7#9) 
C7#11

      
   
Galt
   B¨alt
   
G©min
  
D¨,7
  

lead 


  
  
     
               
    

Harm  
A 
Bm(,7)

                         
 
lead            

               
3 3

   

Harm             

       
3 3

    

B¨m(,7)
          
     

lead   
 
          

                        

Harm               

4  
After solos (AAABA form) play head, take Coda
    
          
G©

E

F©

       


B D
lead   

            


Harm         
 
A¨maj7#11
8
   

*Freely
lead    

  

Harm          