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BETTY BLUE EYES

a musical based on the screenplay


'A Private Function' by Alan Bennett

Book by Ron Cowen and Daniel Lipman


Music by George Stiles
Lyrics by Anthony Drewe

PIANO VOCAL SCORE


18.5.11
No.1 - Overture
Lyrics by Anthony Drewe Music by George Stiles


Far from Austere h = 110


 
Solo Drums

            
f
Piano
    


       
3
 
         
          
    
     
f
        
Pno.
                 


  
7

             
    

     
         
         
Pno.
       
     
    


11
   
   
                  
        
   

 
Pno. mf  
       
   
   



 
   
15

        


      
       
       
Pno.  
       
   
   




19
  
          

  
 
  
   
    
      
    
Pno.

           
   
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 5.5.11

No.1 - Overture 2

   
        
  
23

             
    
  
   
      
 
Pno.
 
    
       
      


  
               
27

    

Pno.
       
   
   



  
              
  
31

      
Pno.
       
   
   




35
  
          

  
 
  
       
f
       
    
Pno.

          
   



39

   
         
             
 
 
Pno.

  
 
     
  
 


  
legato

 

      

43
  
              
Pno. mp      
                 

5.5.11 Betty Blue Eyes



No.1 - Overture
   
3

  
   
47

        
     
          
   
Pno.   
 
      
  

  



  
 
 
      
51

     
    
         
   


Pno.      
         
       


  
 
   
    
55

 
        
   
   
   
Pno. f
    
      
   
     




        


   
59

        
       
      
Pno.
f  
       
   
   



  
         
 
63

    
    
     
Pno.

       
   
   




67
  
 
  
        

  
   
    
Pno.
      
          
     
   
   

Betty Blue Eyes 5.5.11



No.1 - Overture 4


      
  
       
71

          



 
mp
  
Pno.
        



75

   
 
  

 


 


   

    
 
Pno. f
        
       
     



         

      
79

     
  
Pno.
     
         

    
     

5.5.11 Betty Blue Eyes


No.2 - Fair Shares For All
Lyrics by Anthony Drewe Music by George Stiles

CUE - AS THE NEWSREEL FOOTAGE REACHES "It's Fair Shares for All"

 
Martial q = 150

 
40 ALL


Voice         
  


 
f Fair shares Fair shares for all That's what the P M

            


 
           

          
           
 
      
 
3

 
Piano f

             
            
3         


  
44

       
Voice  
     



said No cares let's have a ball Soon we'll have ho - ney on our

           


 
 
      
   
  
           
  

            
Pno.
 

   
 












     
       

      
48
   

Voice  
         


bread mp That Mist - er Att - lee He told us flat - ly We could look for- ward to a

    
                            
           
           
    mp
  
Pno.
          

           
       
   
This score is the property of and should be returned to: 5.5.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No.2 - Fair Shares For All 2


52


Voice                       


spread Ev - er since Hit - ler Por - tions are litt - ler Now we don't ev - en have the

    
                     
                 
  
 
  
Pno.   
  
          
                
    



 
56 mf f


Voice  
        


    
blood - y bread Fair shares Fair shares for all Brit - ain is stand - ing

                       


                  
               
       

Pno.
mf f
        
            
               
  

 
60


Voice        


 

tall With fair shares Fair shares for
 
      
                    
 

       
      
 

Pno.
         
          
     
  


63 Scurrying JOYCE: Hurry up, Mother. MRS ALLARDYCE: 'Scuse me!

 
Voice    
all


                      
                         
      
Strings

ff mp

                        
    

                   
Pno.       mp 
   

ff

  

      

        
             
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 3

JOYCE: Give it back. MOTHER DEAR: She had two!


JOYCE: Give it back! JOYCE: She's eighty-four.
66a 66b 66c 66d

    
                                                   
Strings

            
                  
 
 

                   
Pno.
       
   


      

  

     

  
     
       

 JOYCE

67


Voice  
   
     
f Fair shares Fair shares for all That's all we ev - er


            
                         
    
Strings

        
   
               
Pno.
        
      
mf

             
           

 

70


Voice        
 
seek If there's meat on the stall


                        

             
  
Strings

    
    
         
        
Pno.      
           

  
            
         
Betty Blue Eyes 5.5.11
No.2 - Fair Shares For All 4


73
  
JOYCE


MOTHER DEAR

Voice  
    
      
She'll make it stretch in - to next week mp
It's all the fash - ion


                      
     
Strings

     
 
  
    
                
   
         mp

Pno.

                      
     


 


76 MOTHER DEAR

  

Voice             
Eke out your ra - tion Pop some - thing tast - y in the pot

    


      
 
Strings       

     


     
      
    
          
   
        
Pno.
   
                 
 
      


JOYCE


79 MOTHER DEAR


Voice                  
Cash in a coup - on I'll put the soup on Boiled bones and cab -bage is the


 
                    
Strings

        


 
            
  


              
      

 

Pno.
       
              

 
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 5



82 ALL

         
best we've got f Fair shares Fair shares for all
Voice


ALL


      
 f
Fair shares Fair shares for all


  
          
                         
Strings

                  


                  
Pno.

f
    
                 
            

   
85

       

 

We're up a - gainst the wall With fair shares


Voice

    
 
  


  
 We're up a - gainst the wall With fair shares


        


            
            
Strings

    
                    
     
Pno.        
  
                
            
  
Betty Blue Eyes 5.5.11
No.2 - Fair Shares For All 6

  
88

  

  
 
Fair shares for all
Voice


MRS METCALF


mp

 
     
   


Fair shares for all Ev - en

      


     
                      
Strings


         
                
Pno.       
    
 
   

 

  
       
    
 

 
91

  

Voice               
    


though Ger - ry's bombs have stoppeddrop - ping We still have to bat - tle for our -


                           
             
mp sotto voce
       
Pno. sim.
                  
                  

 
94

   
MRS TURNBULL

               
Eve - ry time that we need to go shop - ping And
Voice

  
   
  


selves

                 
                
            
Pno.
                      
                       

5.5.11 Betty Blue Eyes


No.2 - Fair Shares For All 7

  
97 MRS ROACH


Voice           


     
     
find there is noth- ing on the shelves And of late we've suc - cumbed to this

  
                  
         
    
Pno.

                   
                    
   

 
100


MRS LESTER


    


Voice             
p
feel - ing We don't think the sys - tem real - ly works While be -


  
                       
Pno.

                           
                  

 
103


ALLARDYCE

Voice                     
  


  
pp
hind cert - ain doors dodg - y deal - ing Guar- an - tees cert - ain peo - ple cert - ain perks A lit-tle

     
  
                   
  
    
     
p

  
Pno.
                            
  
          
 

 
107 SWABY METCALF


LOCKWOOD

Voice               
             
give A lit - tle take A pound or two of stew - ing steak A lit - tle

   



Strings              
  
    
  
    
 
 
pp     

        
     
 

            
pp
  
    
    
    
 
     
           
 
Pno.
         
     


Betty Blue Eyes 5.5.11


No.2 - Fair Shares For All 8

 
poco rall.
111 ALLARDYCE METCALF ALLARDYCE ALL


Voice                
        
wink A lit - tle nudge A doz - en eggs A bag of fudge Fudge!

 
              


           
Strings
  

            
                          

      
Pno.
              
  

Pompous q = 130


115 SWABY:"Will you hurry along, Henry? If we don’t get these invitations out, there'll be no banquet!"




Voice      


  
    


   
    
 
      
Pno. mp

  
                       
p       
       

 
119

ALL
  
    
    
Voice f Fair shares Fair shares for all Now that the fu - ture's

    
     
     


Fair shares Fair shares for all Now that the fut - ure's

             
  
       
 
Pno. mf
  
     
   
 


  
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All

9

  
122 bright 
  
          

 
bright bright Who dares chall - enge White - hall?
Voice

   
    
     

 


bright Who dares chall - enge White - hall?

      
         
    
 
Pno.

     
  
   
    
  

 
125

         

 
Voice Our pol - i - tic - ians must be right

  
         

      


Our pol - i - tic - ians must be right

    
      
 
 
Pno.   
       
    


 
   
f

NOBLE: "I can assure you, Mr. Wormold, you’ll find no butchers on the fiddle here in Shepardsford."

 
127 Offaly slow h = 74


Voice       


        
         
     
Pno. p
 

                       
   
Betty Blue Eyes 5.5.11
No.2 - Fair Shares For All 10

 
131 WORMOLD: "Nevertheless, Sergeant, it is my duty as Meat Inspector for the Ministry of Food to ensure ..."


Voice      


      
    
  


     
Pno.
 
     


    

       

WORMOLD (cont.): "...that every citizen receives his fair ration, and that anyone dealing in unlicensed meat be punished to..."

 
134


Voice       


        
 
           
Pno.
 
 

           
    
    
    
                

 
WORMOLD (cont.) "...the full and severest extent of the law." NOBLE: "I hear you did a bang-up job in Bootle."
138

 
   



Voice

    
      
        
   
Pno. 
 
      
     


     

WORMOLD: "Every butcher shop’s been closed and every butcher’s behind bars." NOBLE: "Good Lord. How do people eat?"

 
141


Voice       


        
         

Pno.
 

                     
                     
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 11
WORMOLD: "That is not a matter which falls under the jurisdiction of my department."
Swooning q = 122

 
145 SAFETY


Voice       


SAFETY

             
   
  
          
Pno.    
     
  
         
   

  
148

                 


War - time is o - ver Those cliffs of Do - ver Seem ev - en whit - er there's no
Voice ALL
mp
    

        
(falsetto)


Mmm o - ver Mmm Do - ver Seem ev - en whit - er there's no

 
                        
       
Pno. mp
             


   
JOYCE
151

           

doubt mf But there are few words A - bout the blue birds
Voice

  
     


doubt

              


     
                             
Pno.        
            
    

Betty Blue Eyes 5.5.11


No.2 - Fair Shares For All 12


154


Voice            



That they made such a song and dance a - bout

                


       
          
Pno.    
      
      
 

Scurrying q = 150

 

156 ALL

      


Voice f Fair shares Fair shares for all We're rid -ing for a


   
ALL


   
 
  
 
Fair shares Fair shares for all We're rid -ing for a


     
                       
         
Strings

      
         
                   
          
Pno. f 
      
 
    
  
   

  
159

        
 
Voice fall With Fair shares Fair shares for
 

       

 
fall With Fair shares Fair shares for

      


                    
Strings                                
   

 
   
  
   
  
             
            
Pno.    
            
        
     
     
5.5.11 Betty Blue Eyes
No.2 - Fair Shares For All 13

        
162
  
   



all fair shares Fair shares for


Voice

     

      

 
all fair shares Fair shares for

 
                       


               
  
 
    
Strings
    

 
                             
                 
Pno.
 
                     
   
         

 




166 subito mf
   ff     
    
Fair shares for all!
Voice all

      
    
  
 Fair shares for all!
all

  


         
Strings 


    
         
                            
                               
Pno.
    ff
f

        
                          
                                     
Betty Blue Eyes
    5.5.11
No.3 - A Place On The Parade
Lyrics by Anthony Drewe Music by George Stiles

CUE: GILBERT: "New shop "To Let"?"


REG BOWEN: "That's right. Thinking of renting it?"

GILBERT: "Me?
No, no, I could never --"

  
Freely q = 110 GILBERT


Gilbert           
            
    


p A place on the pa - rade I - mag - ine it A place on the pa - rade


  
     
  




pp colla voce 


 
Piano

   
  
con pedale   

REG BOWEN:"Could be just the opportunity GILBERT:

 
for a get-ahead young man!" "Gilbert Chilvers - Chiropodist"
5


Gilbert            
           



A place on the pa - rade My name a - bove the door A

    
   
      
      






Pno. 
   bell-like
  
   


 

 
A Tempo q = 110
 
10 poco rit.


Gilbert   
              
      


place on the pa - rade It's what I've been wait - ing for It's per - fect - ly pos - i - tioned Both

   
    


  



Pno.
    
   
   
   

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.3 - A Place On The Parade

   
13

 

Gilbert                       




prom - in - ent yet quaint An ad - e-quate shop win - dow A lick or two of paint


  
   
    
  
Pno.
             
         
    


 

  
16 poco rall.
 

Gilbert                      


Ev' ry-thing I dreamed of for set -ting up in trade my own place My place on the pa -

  
     
  
          
 
       

    
Pno.
    
     
   
 
  

   

  
20 Steady Pulse q. = 60


Gilbert       


rade

               


           
          

     
Pno. mp
   
  
       

 
23


Gilbert           
      


mp
Ham- mer - toes and bun - ions Cal- lous - es and corns

 
           

       
Pno.
   



             
  

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 3

 
26


Gilbert                  
     


Clip - pers for the toe - nails Tweez - ers for the thorns Fear of fal - len arch - es?

              



     
    
Pno.
                  
   

 
  
29


Gilbert          
  


Eas - i - ly al - layed In my place on the pa - rade


            
        


Pno.
                     
  

 
32


Gilbert                  
     


Ti - ne - al in - fec - tion Fet - id fun - gal growth Step in - to my parl - our

     
        

     
    
Pno.
                  
     


  
35


Gilbert           
          
   


I can cure you both Vi - ru-lent ver - ruc - cas Fall be - neath the bladeIn my place on the pa

     
     
                 

         
  
   

   
      

  
mf

Pno.
  
       
     
   

Betty Blue Eyes 22.4.11


4 No.3 - A Place On The Parade

 

Poco più mosso
     
39


Gilbert          


rade mf Think of the good I could a -

               
                  
     
     

    
mf
     
Pno.

3

  
    
 
    
      
     

 
    
43


Gilbert          

 


chieve Think of the pain I could re -

                
  

              


                   
Pno.
 
      

 

   
 
47


cresc poco a poco
Gilbert            


lieve mp While wise men Make Brit - ain

    
 
  
                 

  

   
 
 
         
Pno. smp

    
         

   
 


    

51


Gilbert               


 great a - gain Play- ing their roles mf I'm sav - ing

   
                      
       
 
Pno.

                    
    
   

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 5

     
Steady again q. = 60


55

   
  
       
  


Gilbert

soles f Rem - e - dies and oint- ments It's the stuffof dreams

    

 
 
                       
  

   
       
mf
     

Pno.

              
       
     
  
con pedale

 
59


Gilbert                       
  
 Ev - ryem bro-ca tion Lin-i-ments and creams
 


Pum - ice stones and scal- pels Lov - ing - ly dis- played In my

    
    
  
                

      
    
                
  
Pno.

         
       

             

63 GILBERT: "Joyce! Joyce!"


Gilbert   
 place


on the pa - rade On the Pa - rade

  

                           
       
    
 
Pno.
  
f
             
  
      

  
 
    
 
JOYCE: "Gilbert -- propriety. Shouting down the Parade. What will people think?" GILBERT: "Read that!"

 
JOYCE: “Shop to Let. Contact Mr. Francis Lockwood, solicitor.”

67


Gilbert       

  
  
       
                
     
      
   
    
     

 
     
mp
  
Pno.
      


    
 
     
    
  

Betty Blue Eyes 22.4.11


6 No.3 - A Place On The Parade


GILBERT: "Haven’t we always talked of one day having my own surgery on the Parade?"


73


JOYCE: "That was a dream -- once. But it’s hard to dream on an empty stomach."
Gilbert     

 
    
 
 

  
Pno.
  
 
p




 



GILBERT: "All that's about to change. I can feel it. Could be just the opportunity for a get-ahead young man."


77


   

Gilbert

 
     
        
Pno.



  


MOTHER DEAR: "Get-ahead young men don’t wait for opportunities -- they make them."


GILBERT: "Is there any way of silencing her? Permanently?


81


Gilbert     

   
               
 
   

  
Pno.




JOYCE: "Go and buy us another tin of Spam, Mother." MOTHER DEAR: "What do we say?"
JOYCE: "Please." MOTHER DEAR: "That's Better."


VAMP UNTIL...

  


85 (MOTHER DEAR exits)


Gilbert     

    
    
  
     
     
  

      
Pno.
 

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 7

 
Picking Up q. = 66


89 GILBERT: "Joyce, I know things haven't progressed as quickly as you -- we -- would've liked.


Gilbert     

 

         
 
  
  







 mp
                  
Pno.
         



"But settling in a new place, finding your way -- it takes time. Now, finally, there's an open door!"
JOYCE: "It's true. everyone knows you're really someone when you're on the Parade --"

   
93


SAFETY


96A
Gilbert       

          
    
    

   
        





                    
mf
Pno.
        
          

  
97

Gilbert             
 mf   
 
mf "Good day Mis- sus Chil - vers" "How may we as - sist?"

  
Joyce        
       


Ev' ry - one will not - ice How could they res- ist?

             
        




       
                              
Pno.


   

  


101

Gilbert              
 f on the pa - rade
  
They will quick - ly fade With ourplace


Joyce                  
    


f
As for dirt- y glan - ces They will quick - ly fade With ourplace on the pa - rade We'll be the

         
        
   

               
      


Pno.
     
    
 

             
    

Betty Blue Eyes 22.4.11


8 No.3 - A Place On The Parade

        
105 Più mosso q. = 70

Gilbert      


Think of the good I could ach - ieve


Joyce 
     
  


new peop - le to know We will break

    
 
                
        

       
f

          
Pno.
 
      
 
 

            
109

Gilbert  



Think of the pain I could re - lieve

  
Joyce  
  


through then watch us grow

            
      
               
   
                    
Pno.

   
 
 

 

  
 
113 cresc poco a poco


Gilbert      
 mp One

small shop! f Dreams can be

 

 


Joyce      
 
Who knows where things may stop f Dreams can be

    
mf
 
      

 
 

      
     
Pno. smp mf
   
             
      
 

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 9

    
 
117 rall.

Gilbert     
 made On the par - ade

    



 

ff


Joyce    
made On the par - ade

 
              
 
             
       

      
Pno. f

                       


     

Broader q. = 60

 
121 GILBERT

Gilbert                  
  
Ham- mer - toes and bun - ions Cal- lous - es and corns Clip - pers for
  
the toe - nails
f

  

Joyce        
JOYCE

      



mf When this town gets to see There is

                         

             
f
                
Pno.

                
        
   

  
  
   
  
  
   
124 poco accel.

Gilbert            
 
 Tweez- ers for the thorns As
 
for dirt - yglan - ces They will quick - ly fade With our

 
            
Joyce
   


far more to me No more dirt- y glance - es With our

    
     
      
  
      
       

      
              
Pno.

         
      
  

Betty Blue Eyes 22.4.11
10 No.3 - A Place On The Parade

    
mf
127

       

Gilbert

place On the pa - rade at

  
mf


Joyce
      
place on the pa - rade at

    
                             
     

   
Pno. mf

    
    
   

    

   
        
130

Gilbert   
 last Set - ting up in


  
  
Joyce  
last

   
   
      
     
             
       
Pno.

               
             
 
    
      

22.4.11 Betty Blue Eyes


No.3 - A Place On The Parade 11

   
133 f rit. ff
Gilbert           
 trade When we'reon the pa -


ff


Joyce                


f Due re- spect will be paid When we'reon the pa -

       
       
   
  
   
      
  
 
 




        
      
f
           

 
      
Pno.

     

                
                
      
 


   
Faster q. = 70


137
  
 

Gilbert

rade

  
Joyce
     


rade

 

  
  
                        
    
                   
   
  


ff
      
                    
Pno.

      
        
      
     

  

Betty Blue Eyes 22.4.11


No.4 - Magic Fingers
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "Of course he said yes. You were very convincing!"


MRS. ROACH: "Oh, Mr. Chilvers --!" MRS. LESTER: "Mr. Chilvers -- !

  
Brightly h = 66 MRS. TURNBULL: "Are you coming, Mr. Chilvers --?"

 
MRS R    
 
     
      
p

                  

Piano      
p
          
                  
   


GILBERT: "My patients are expecting me!"

 
5 JOYCE: "Don't be late for supper. And afterwards, I believe sexual intercourse will be in order." poco rit.


MRS R    

   
         
    

    
      
             
Pno.      

      
                      
       
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No. 4 - Magic Fingers
2

 
9 Magical h = 60
      
MRS R 
   
mp He has mag - ic fing - ers

 
 
MRS L   
  
  


mp He has mag - ic hands


 
     
MRS T
 
mp And I
  
   
   

  
   
               
  
Pno. 

 
mp

     

  
  

 simile

 
12

MRS R         
   
     

That he un - der - stands And his touch is ten - der When he

  

  
            
MRS L

That he un - der - stands And his touch is ten - der When he



      
MRS T
            


just know some - how That he un - der - stands And his touch is ten - der When he

     
  
      
         
  


Pno.



  

22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
3

  
15

MRS R              
         
hits the spot And he talks a -bout con - di - tions That I nev -er knew I'd got

 
            
          
MRS L

hits the spot And he talks a -bout con - di - tions That I nev -er knew I'd got
 

         
           
MRS T


hits the spot And he talks a -bout con - di - tions That I nev -er knew I'd got

    
   
    
             
    
    


f
 
mp

   
Pno.
       
        

MRS ROACH

 
"There you are Mr Chilvers."
Faster h = 86 rall.


18


MRS R      

         
         
 
 
   

       
Pno.

          


  
     
   

MRS. ROACH (cont.): "I was beginning to think you weren’t coming. "
Flowing h = 70 GILBERT "Why, Mrs Roach, would I ever miss an appointment with you?"

 
22


MRS R     


          
               

 
mp
   
Pno.

               
   

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
4
GILBERT (cont.): "Now let’s see how that in-grown toenail is coming along. Why, I believe we’ve turned the corner."

 
26


MRS R     


             

            

          
 
     
Pno.
        

 
30 GILBERT "I touch her feet and what a moment ago was an expression as worn and grey as an old wool cardigan...."


MRS R     


                
         
   
   
                
Pno.

   

 
GILBERT (cont.) "... is suddenly as bright as..." MRS. ROACH: "-- marsh marigolds growing beside a stream where..."
34


MRS R   


                  
  
   
 
          
Pno.
   
  

MRS. ROACH (cont.): "...I used to play as a little girl, the mud squishing between my toes."

 
MRS. ROACH
37 poco rit.




    
MRS R
  

 
mp
He has



 
      
    
   
    
   
 

   
Pno.

        
    

  

22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
5

  
Con moto h = 60


41


MRS R          
        


mag - ic fin - gers He has mag - ic hands And I just know some - how That he

 
      
 
    
    
  
mp
           
Pno.
   
        

 
44 p

   
MRS R 
         
  


   
mf


un - der - stands And he shows such kind - ness That I long for more He re-

    
            
  
    
   
  
    
mf



           
Pno.

        
   
  
    


 
47

     
MRS R   
         


minds me of my hus - band As he was be - fore the war

      
      
   
  
mp
  
Pno.


   
  
     
  

MRS ROACH: "My husband had magic fingers. Before he lost his arms. Macaroon?"

 
He accepts it, gratefully, and moves on to Mrs Lester.
49


MRS R    


 
 
 
 
           
  

     
mf

p
Pno.
 
     
 

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
6
GILBERT
"Good afternoon, Mrs Lester.

 
How's that corn?"
51 Faster h = 86 rall.


MRS R      


     
                 
    
     

 
Pno.
    

         

      
 

MRS. LESTER "High as an elephant’s eye, as the saying goes." He kneels before her, takes her foot gently in his hand.

 
Flowing h = 70


55


MRS R     
   
   

  
     
 
    
mp

                    
Pno.

          
   

GILBERT "All day on her feet she stands, shoulders hunched, ankles swollen,

 
washing other women’s husband’s shirts, other women’s children’s frocks, ..."
59



MRS R     
   
   

   
  
     

  
    
mp
Pno.

               
      

 
GILBERT (cont.): "...other couple’s sheets. But when I take her foot in my hand, the sheets drying in the backyard become --"
63


   


MRS R

       


             
    
    
     
       
       
Pno.
       
   
     
 
22.4.11 Betty Blue Eyes
No. 4 - Magic Fingers
7

 
MRS. LESTER: " -- little sails on little boats floating on the sea, while my Harry and I..."
67


MRS R     

                 
    
          
 
Pno.
 
                   
   
   

 
MRS. LESTER (cont.): ".... raced down the beach, the sand burning our feet."

 
71 poco rall. MRS. ROACH

    
MRS R 
  
mp
He has




MRS. LESTER

      
MRS L
 


mp
He has

 
 
     
  
        
  
mf mf p

Pno.
  


  


  
  


  
74 Con Moto h = 60

MRS R      
            
ma - gic fin - gers He has ma - gic hands And I just know some - how That he
 
          
MRS L
       


ma - gic fin - gers He has ma - gic hands And I just know some - how That he

 
      
 
    
    
mp

      
Pno.

   
        

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
8

 
77

MRS R      
        
un - der-stands He is mild in man - ner Ah


            
MRS L
     


mp
un - der-stands He is mild in man - ner He is strong yet shy And for


 
     
  
                 
   
      

  
Pno.
      
mf
   
        


    
      

 
80

MRS R   


MRS L
       

        


sev' - ral pre - cious mo - ments All my troub - les pass me by

      
      
   
  
mp

  
Pno.


   
  
     
   

MRS. LESTER:

 
"I received another letter from the Home Office telling me not to give up hope.
82 They’ll keep searching for my Harry until they find him. Must remember to buy more starch."


  


MRS R 

 
       
              


p mf

Pno.

   
 
    
 

22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
9
GILBERT: "Lovely day, Mrs Turnbull.
How’s the circulation?"She doesn’t answer.
He kneels, takes her foot gently in his hand.

 
Faster h = 86

rall.


84


G       

       
 
        
     
     
       


Pno. G.P.

            
      
     


GILBERT: "All that was left when the "...What can one say "But when I take her
"She sits there silent as a bomb fell and All Saints Church when God’s roof caves in? " foot in my palm - "

 
stone in a pile of rubble." came crashing down around her."
89



G     

 
 



 


  
 
pp
Pno. 
  
 
     

 
MRS. TURNBULL: "The glass is stained with light, not blood. The chapel bursts with song, not bombs."


93 Con rubato


G  

           
       


Pno. p
  
   

 
Magical h = 60
95 MRS. ROACH


MRS R      
           


mp Marsh Mar - i - golds down by the stream where the wa - ter was swirl - ing a - round

              
                             

   
mp

                             
Pno.

      

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
10

  MRS. LESTER
99

MRS L      
           
Sails bil - low - ing out from the masts of the yachts as they bobbed in the sound

  
MRS TURNBULL

     


MRS T
mf
And

              
                          
 

    
Pno.
 
                      
    


 
103 Piu Mosso

       
MRS T                


on ev' ry sur - face a bowl - ful of daffs So the al - ter was look - ing a treat mf And

                                


    
       
                   
p                   
             
     
Pno.    

  
mf
   
                
   
mf      


 
107


MRS T                     
I sang the des - cant for "Ride on inMaj -es - ty" Ev' - ry one up on their feet


                             
 
                        
            
        
             
Pno.     
 
 
 


 

 
                    
   
   
 
 
22.4.11 Betty Blue Eyes
No. 4 - Magic Fingers
11

 
111 rall.
      
MRS R     
p Ah
Hmm
 



        
MRS L
 
p Ah

 
Hmm
  
       
MRS T
 
mp p
On their feet Hmm

  
 
   
  
  
     
Pno.   
      
f mp p
    
  



   
   


  
Magical h = 60
114

           
MRS R
       
Hmm Hmm


         
    
MRS L
  
Hmm Hmm

 
     
MRS T
       


    
Hmm Hmm


    
Pno.
     

Betty Blue Eyes 22.4.11


No. 4 - Magic Fingers
12

 
117 mf f

MRS R 
        
       
Mm Oh, He has ma - gic fin - gers and I feel no pain I look
mf
 f
MRS L       
 
      

Mm Oh, He has ma - gic fin - gers and I feel no pain I look


mf
 f

     
MRS T
        


 
Oh, He has mag - gic fin - gers and I feel no pain I look
Mm

     
               
            
 
f



mf
     
Pno.

   

    
     
     

 
MRS ROACH: "Don't forget your coupon!"
120

             
 
 
MRS R

for- ward to each vis - it In a way I can't ex - plain


              
 
 
MRS L

for- ward to each vis - it In a way I can't ex - plain




mp
                

    
 
  


MRS T

for- ward to each vis - it In a way I can't ex - plain Hmm



             
      
mf mp
 
Pno. Piano solo

      
 
 
    



22.4.11 Betty Blue Eyes


No. 4 - Magic Fingers
13

MRS LESTER: "Are you sure this is all you want?"

  
GILBERT: "That'll do just fine."
123

         
MRS R 
     
mf
I look for - ward to each vis - it In a

  
    
  
MRS L
        
mf I look for - ward to each vis - it In a

  

         
MRS T          


mf I look for - ward to each vis - it In a

      
              
    
mf f

      
Pno. Orch

      
 
  
    
 
   
mf

     
125

MRS R       
way I can't f ex - plain


MRS L           
way I can't f ex - plain

    
MRS T
     


way I can't f ex - plain

       
 
     
   



  
  
  


 
mf
  mf

   
Pno.
  
    
    

 
Applause Segue
No.4a Another Day, Another Queue
Betty Blue Eyes 22.4.11
No. 4a - Another Day, Another Queue
Lyrics by Anthony Drewe Music by George Stiles

CUE: Applause from No.4 - MAGIC FINGERS

 
3 Very Lively q = 160


Company      


 
                          
               
Piano mf
 
             

  

  
   

MOTHER DEAR: "Another day, another queue. It's as if I never went to bed."


6


Co.     

          
                      
 mp
Pno.

           
          
  


9 Suddenly slower rit.



Co.    

         
        
      
  p

Pno.

            

  

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No. 4b - Mrs. Metcalf's Treatment
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "Don't forget your lesson, Veronica! Five o'clock sharp!"

In 2 h = 80

 
JOYCE (cont'd): "A private function Mother! We must start thinking of what to wear."


Gilbert         



          
          
          
mp
         
Piano
 
           

 
JOYCE: "And I have no intention to 'make do and mend'."
5

 
  


    

Gilbert

       
      

 
     
 
 

           
         
Pno.

    
mf
  
  

     

 
MRS. METCALF: "My last little man was so old he could barely see."
9

 
  



Gilbert


   
   

    


mp

  
Pno.
     

 


Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No. 4c - Magic Fingers - Reprise
Lyrics by Anthony Drewe Music by George Stiles

CUE: MRS. METCALF: "He who eats the fastest eats the most.
That's the law of the jungle and it's no different here. (GILBERT hits the spot) Ooh!"

   
Freely h = 66

   
MRS METCALF

Metcalf  
Mrs.    
       


mp He has mag - ic fin - gers He has force - ful thumbs And I

         
       
  
   
 
  

 
Piano p mp
         


 
5

Metcalf    
      
    
Mrs.
   


have hot flush -es ev' ry time he comes How I wish my Met - calf Could be

 

 
  
  
  
      
  
 
Pno.
   
   
 
      

 
8
 
 
Metcalf               
           
Mrs.


half as sweet When you're mar- ried to a butch-er You're just a - noth- er cut of meat

   


       

 
    
  
 
   

  
mf mp
 
Pno.
     
 
      
      

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No.4c - Magic Fingers - Reprise

  
11 Seductively MRS. METCALF: "Are you sure there isn't anything I can offer you?"

 
   


Mrs.
Metcalf

                  
   
 
    
 
p
 
                
Pno.
   
    

 
GILBERT: "Just a ration coupon -- if you can spare it."


15 SHE pulls one from her bosom, hands it to him...when...

Metcalf 
Mrs.    

                   
  
 
      
 
Pno.
  
                
   
 

MUSIC CUT ON CUE

 
NOBLE: "Open up. This is the police!"


19


Mrs.   
Metcalf

 

     
   
  
   

Pno.
    
  
   


METCALF: "Gestapo! Gestapo! MRS. METCALF: Bloody hell!"

22.4.11 Betty Blue Eyes


No. 5 - Painting By Heart
Lyrics by Anthony Drewe Music by George Stiles
CUE: WORMOLD: "Any unlicensed meat is to be confiscated
and painted regulation green, making it, "Unfit for Human Consumption"."
Stony q = 130

 
WORMOLD


Wormold     
        


 mp 
 
 
No stone will go un - turned It's time these peo - ple learned


     

 
 
 

Piano mp
    
    
   


5 Meno mosso
    

Wormold          

     


If meat is deemed un - fit They won't be eat - ing it

    
 

  
 
 

 

Pno.
   

   

 


9


Wormold      
    

  


  
For fresh - ly butch - ered roast or raw I will up - hold the

     
   
          
 
 

 
 

Pno.
     
 
    
  
 
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No. 5 - Painting By Heart 2

Rhythmically q = 150 WORMOLD: "Bring me the paint!"


13


Wormold    
 law
 


     
          
 
Pno.
       
   
                         
                         
 

 
17 MRS METCALF

          
mp No he can't it's ob - scene
Co.
METCALF

   
     


mp Noth - ing wrong with that


  

 
 
 
Pno.
 


                  
 


 
20 MR & MRS METCALF

             

mf They'd rath - er eat They don't care where it's
Co.

   
   
 side o' meat


         
  


    
 
  

Pno.


                  
 
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 3


23 CONSTABLE NOBLE: "Why don’t you let me do that, sir? You’ve done enough for one day."


Co.      



been

   

       
Pno.    


                         
 
 


27 WORMOLD


Wormold    
    


   
 mf 
 
 
I'll keep il - leg - al pork From each im - mor - al fork


     
        
    

      
                     
   
Pno. mf        
                    
      
                         


31
    

Wormold         

      



In lit - tle towns like this To find such av - - ar - ice

              
                  
                
                 
Pno.

                 
                 
         


35


Wormold      
    

   


Is some - thing I won't tol - er - ate Stand back while

   

            
           

    
Pno.

             
               

Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 4


38
 

Wormold        

 


I cre - ate Watch me I'm
mp

           
    
Pno.  f
        
  


Tainted waltz - in 1 h. = 70

 

43

 
   
 paint
Wormold


- - ing paint - ing by

   
  

          
           
Pno. subito mp        
        
 
mf    

 
47


Wormold      
 heart
 


Some think it
  

       
   
 
            
Pno.
       
   
   

 
51


Wormold           
 waste


  
- - ful But I con - sid - er it

  

          
           
Pno.        
        
 
   
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 5

 
55


Wormold       
 art
  


The sweep of the

  

       
    
           
 
Pno.
         
   
 

59


Wormold  

 

  



should - - er A brush of the




          
       
Pno.        
         
   
 

 
 

 
63


Wormold      
 breast


 
mp The

 
     
         
   
Pno.       mp
 
        
 
   

 
67


Wormold        
 ten
     


- der young rump So pleas - ing - ly plump The

    
  
   
 
  
 
Pno.
       
        

  



 
Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 6

 
71


Wormold     



 part
   
I love best mf Yes when I'm



         
     
  

  
Pno.
  
          
 

 
 
75


Wormold      
 paint


- - ing Struc - ture and

   
            
            
Pno. mf        
        

   

  

 
79


Wormold      
 form
 


I get a
  
       
        
    
    

   


Pno.
    
 
 
   


 

 
83


Wormold          
 feel


- - ing in - side that's fuz - zy and




      
     
      
   
 
Pno.
       


    
  

  
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 7

 
87


Wormold      
 warm
 


Though my vo -
  
       
   
         
         
Pno.
      
  
 
 

 
Wormold    
91

  
 ca



- - tion may strike

            
          
Pno.
       
  
    
 
     
 
  

  

95 f
 

Wormold      
 some


as odd When I am

 

   

     
         
  
 
Pno. f

   

   
    

 


  
99


Wormold      
 paint
 



mp

  
- - ing Then I feel

     
   
         
  
Pno. mp


    
   



Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 8

    
103


Wormold  
 
 close


 
to

 
   
  
        

  
   
 
     

Pno.     

    
   
   

  
 
107


Wormold    
 God


 
   
 
  
      
     
 

 
 
Pno. mp

  
  

 
111 WORMOLD: "I always wanted to be an artist."


Wormold      



 
          
           
 
       
 
   
Pno.

 
115 WORMOLD: (cont.) "But my father -- "The Vicar" -- forbade me."


Wormold      



  
         
          
  
     
 
   
Pno.

22.4.11 Betty Blue Eyes


No. 5 - Painting By Heart 9

 
119 WORMOLD: (cont.) "He said that only God had the right to create."


Wormold      


   
    
  
 
  



         
     
 
   
Pno.

 
123 WORMOLD: (cont.) "But my father was wrong! Now I have the right."



Wormold       

  


mp

     
Be - cause when I'm


        

           

     
 
   
Pno.

  

 

127


Wormold     
 



paint - - ing, paint - - ing
  
    
         
     
         

   
  
Pno. mf
       
    
   

   
 
   
 

 
131
 

Wormold     
      



mp It's an art in it - self

  
 
   
        
 mp        
           
  
Pno.
           
            
   

Betty Blue Eyes 22.4.11


No. 5 - Painting By Heart 10

 
135


Wormold           




My cal - ling in life
    
       
     
        
            
  
Pno. mf
       
    
        
 
   
 

 
139
 

Wormold     
    



Keep - ing meat off the shelf

   
   
         
 mp        
           
  
Pno.
     

   

 
          
  

 
143


Wormold           


 
Paint - ing it Taint - ing it

    
  
          
       
   
mf
Pno.
    
 

     
          
   

 

147


Wormold        


Seiz - ing their spoils

    
     
    
 



 




 



Pno.
        
               


22.4.11 Betty Blue Eyes


No. 5 - Painting By Heart 11

    
Wormold      
151

  


Ev - - 'ry joint a

 
    
      
      
   
     
Pno.    
               


     
155

Wormold    
    
 stu - dy in oils
POLICEMEN

 
       
mf
 
Co. Watch him he's

 
     


mf  
Watch him he's

         


   
  
  
  

  

Pno.

          
     
   

 

159

        
paint - - ing Paint - ing by


Co.

  
      


paint - - ing Paint - ing by

        
                
Pno.
       
f
             
  
  
 
Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 12

    
163 mp
Wormold                  
 With a lit - tle dab With a lit - tle daub With a lit - tle flair


        

 
Co. heart Some think it

  
    
   




heart Some think it

chromatics stet
  
             
 
       

        
 p       
Pno.       mf  
            
  
     

 
167

           
Co. waste - - ful but he con - sid - ers it

 
      

 


waste - - ful but he con - sid - ers it

        
               
Pno.
       
           
  
   
    
171

Wormold                  
 With a lit - tle brush With a lit - tle stroke With a lit - tle care


         
Co. art

 
      



art
chromatics stet

              
       
   
     
 p      mf
Pno.         
          
    
 
  
 
22.4.11 Betty Blue Eyes
    
175 No. 5 - Painting By Heart 13

   
 

Wormold

Peo - ple think



          
Co. Peo - - ple think he

 
    


 
Peo - - ple think he

 


     

Pno.
 
            
           

 

179

Wormold         
 I ride rough shod mp But



     
 



 
rides rough shod


Co.

    
   


 

rides rough shod

   
       
  
Pno. f mp
 
 
    
  
  



 


183


Wormold        

     


I've had this tal - ent since I was a kid

        


             


  
Pno.

           
           

Betty Blue Eyes 22.4.11


 
No. 5 - Painting By Heart 14

 

187

        

Wormold
    


Now I use it where - ev - er I'm bid

       
         
  
  

Pno.
             

           


   
191
   
f
       

Wormold
 
In a way Mi - chel An - ge - lo did Just the


f
 
       
 
 
Co. Just the

  
f

  
     


 
 

Just the

         
              

Pno.
             

         


     
195 rit.
Wormold        
 same ff Dad - dy I'm

       

  
  
Co. same


 




   
 

 
same
  

     
         
 
     
       
 
f
      
    
Pno.

    

  
 
  
 
22.4.11 Betty Blue Eyes
No. 5 - Painting By Heart 15

     
 
199 Broadly in 1 h. = 70

Wormold    
  
 paint - - ing Paint - ing and
 
     
         
Co. La la la la la la la la la la la la

 

f
 


         
 La la la la la la la la la la la la

          
   
         
     
 
Pno. ff         
         
  
 
   
     
203

Wormold          
 proud Think of my

        

   

   
  
Co. With a lit - tle dab With a lit - tle daub With a lit - tle flare

 
      
           


With a lit - tle dab With a lit - tle daub With a lit - tle flare
     
 
   
           
            
       
Pno. chromatics stet
          
   
    
     
207
    
Wormold      
 bo - - dy of work if I'd been al -


     
         
Co. La la la la la la la la la la la la

  
   
          


 La la la la la la la la la la la la

       
   
          
     
Pno.
            
         
    
 
  
 
Betty Blue Eyes 22.4.11
    
211 No. 5 - Painting By Heart 16

         

Wormold

lowed! Though my vo -

             

   
  
Co.  With a lit - tle brush With a lit - tle stroke With a lit - tle care

 
      
           


With a lit - tle brush With a lit - tle stroke With a lit - tle care
     
 
   
           
           
        
Pno. chromatics stet


         
 
  
 
    

215

Wormold      

      
mp ca - - tion may strike
 
 

          
Co. mp Ah ah

  


 Ah ah


               


                  
Pno. mp
         
      
          
        
 
     


219
 
Wormold    
 some as odd ff When I am
 
       

        
Co. Ah ah

    


Ah

ah

   
  
 
      

 
     

Pno.  f 
 
  
       

    

     

22.4.11 Betty Blue Eyes
    
No. 5 - Painting By Heart 17
223

       

Wormold

paint - - ing Then I feel


 
     

  


Co. When he is paint - - ing

  
     




f When he is paint - - ing

    
 
 
   
 
  
 
       
   
Pno. 
     
 
  
     
  
        
Piu mosso
227

  

Wormold

close

        

     
Co. Close

  
  


    
Close


 
    



  


 

Pno.

   
 
      
       

    
231
  
Wormold    
 to

  

   

     
Co. to

  
  


 
to

 
     
     
         

 
Pno.

   
   
      

       
Betty Blue Eyes 22.4.11
No. 5 - Painting By Heart 18

        
Faster
235

 

Wormold

God


    
   


Co.

 
Ah

  
  
 


Ah

 
     

              
   
Pno.
 
 

   
     
 

        
239

Wormold     

   
     

     
God

     
Co.

  


God



 
 
 
 
 
  
   
  


     
 

  
APPLAUSE
Pno.
SEGUE


    
 


 
  

22.4.11 Betty Blue Eyes
No. 5a - Painting By Heart - Wipe

Lyrics by Anthony Drewe Music by George Stiles

CUE: APPLAUSE SEGUE

 
Fast Waltz - in 1 h. = 75

    

Noble

FEMALE CONSTABLES


     


f Oom


 
MALE CONSTABLES
     

       
f Oom pah pah


     
ff


           


Piano

  
ff 




       
   


 NOBLE 
5
   
Noble 
 Oh, what a crime mf
f

         
  


Oom Oom Oom Pah

            
 Oom pah pah Oom pah pah Oom pah pah pah

    


     

         
  
           
Pno.


    
           
  
 
 
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.5a - Painting By Heart - Wipe

 

9

    
 He
Noble

must be mad

      


Oom

      
 Oom pah pah

  
   
  
  

      

     

Pno.
         
      
        
  
   
    


13

Noble       
 I thought

         
  
Oom Oom Oom Pah


            
 Oom pah pah Oom pah pah Oom pah pah Pah

     

 
    
  

         
  
           
Pno.


    
         
  
 
 
22.4.11 Betty Blue Eyes
 
No.5a - Painting By Heart - Wipe 3


17

    
 Hit
Noble

- ler was bad



    


Oom
 

   

 
pah pah

       

     

     

Pno.
         
 
  

         



    
  

 
 
21 poco rit.
    


Oom Oom pah pah

 

    

  

 
pah pah Oom pah pah

 
 

  
 
   


 
Pno.  
    


 
 mf

         
         

 
Half Time Feel

Noble  
26 Poco moto (q = 116) VERONICA's PIANO - AS NEEDED (and as butchered)


   



 
               
    
  

 
PIANO SOLO

       
Pno.
    
  

Betty Blue Eyes 22.4.11



4 No.5a - Painting By Heart - Wipe

    
30
     
1.

          
  


Pno.
             
  



2.
  
34

           
     

   
Pno.
            
   


38 
                           
 

Pno.

                   
   

22.4.11 Betty Blue Eyes


No. 6 - Nobody - Part One
Lyrics by Anthony Drewe Music by George Stiles

CUE: MOTHER DEAR:


"That’s a fine way to talk. You’d think I taught her no manners."

    
JOYCE: "Playing matinees at the Arcadia
Freely Theatre. No one even seeing my face."

   
   


Joyce

        
      
         
     
p
   

Piano

   
      
   

JOYCE: (cont.) "Giving lessons to privileged brats! If that’s what it’s like to have
children it's just as well we didn't have any."

 
5


Joyce        


           
      
             

    
  
Pno.

     
 
     

JOYCE: (cont’d) "Striving to keep a gracious home, set a lovely table,

 
prepare a meal from the meagerest of means --"
9


Joyce        


               
   
  

      
   
Pno.

      

       
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No. 6 - Nobody - Part One
2

 
13 JOYCE: "I could have been somebody. I should have been somebody. Everyone said I had a lovely voice --"

  
    


Joyce


       
 
  

  
        
  

    

Pno.
  
          
 

   
MOTHER DEAR: "What did I tell you about your posture, Joyce! Nobody wants to grow a hump!"
17

  
    


Joyce

      
                  
    
f
     
  
Pno.
     
 
    
Steady h = 70

 
21 JOYCE


Joyce                    
   


       
mf
No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


banging her hands on the keys...

    
           
     
   
Pno.    
   
f 
             
    

   

  
25


Joyce           
   


         
I'm some - bo - dy They ought to be Hob - nob - bing with yet they put me


             
    
   
Pno.   
 
            
   

   
22.4.11 Betty Blue Eyes
No. 6 - Nobody - Part One
3
Piu mosso

 
29

       

Joyce     
         


down mp I see the way peo - ple smirk May - be their jibes would - n't

 

   
           
   
                            
Pno. mp
       
       
          

 
33


Joyce         
      


work If I could move in high cir - - cles

 
      
                           
             
Pno.  
      
          
   

 
piu mosso
37

  
               
   


       
Joyce

No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


      
 
         
       
     
Pno.       

 
mf
     
             
      
 

   

 
 
41


Joyce        
     


mf
    
If on - ly they'd take the time they'd see That

      
     
  

 
 
     
 
Pno.  
   
   
   
 

Betty Blue Eyes 22.4.11
No. 6 - Nobody - Part One
4

  
45


Joyce                



those who call me a no - bo - dy don't know

 

 
  


   
 
  

 
   
Pno.
   
  
   
  

Quicker h = 100

 
49

   
   


Joyce

me


    
  
   
    
    
           
        

Pno. f   
   
3
    
      
 
       

   
53


Joyce                       


mf I'm a wo - man of sub - stance A wo - man with stand - ards

       
    
          
                
          
 
Pno. mf
 
            
   
   

  
57


Joyce     

         


A wo - man of ma - ny ex - tremes


            
         
               
 

Pno.
                  

         

22.4.11 Betty Blue Eyes


No. 6 - Nobody - Part One
5

 
61


Joyce                       


A wo - man with hopes A wo - man who copes De -

       
             
                
          
Pno.

 
            
      


  
65


Joyce             
 



spite so ma - ny un - ful - filled dreams I'm well -

     
  
           
   

Pno.
      
 
 



    


 

69


Joyce     
  
 
    
    


bred e - nough Well - read e - nough with wit - ty rep - ar - tee I'm


      
  
 
   



      
Pno.

          
     
 

 
73


Joyce              
  


good e - nough I've stood e - nough of peop - le talk - ing

   
     
  
 

 

     
Pno.

  
 

  

Betty Blue Eyes 22.4.11


No. 6 - Nobody - Part One
6

 
poco rall.
76

   
  


Joyce

down to me


      


 

  
Pno.
      
    

 
Steady Swing h = 90
79

  
               
   


       
Joyce

f
 No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


                  
      
    
   
         
Pno. f
 
            
   

 
83


Joyce         
 
    


         
I'm some - bo - dy Who's born to be The cen - tre of eve - ry - thing in

              
       
      
        
Pno.
 
             
  

 
87

   

Joyce               
   


town I'll be the creme de la creme I'll show I'm bet - ter than

  
                   
       
  
Pno.
   

             

22.4.11 Betty Blue Eyes


No. 6 - Nobody - Part One
7

 
91


Joyce         
       


them Though they're so quick to con - demn me

      
            
        
       
 
Pno.  
 
    
       
   
 

 
95


Joyce                   
           


No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy

                
      
   
   
Pno.          
   
            
   

 
99


Joyce        
         


I'm sure giv - en time they'll all a - gree That

             
          
 
  
        
Pno.   
 
   



   
    

  
103


Joyce               


 
those who call me a no - bo - dy


 
          
 
    
                    
           
Pno.
   
     
  
     

Betty Blue Eyes 22.4.11


No. 6 - Nobody - Part One
8

 
rall.

106


Joyce      


f don't know...

      
  
     
            

       
  

 
 

Pno.
     
    
    
   
  
 
   

 
109 Slightly Broader h = 85

              
Joyce
            
No, No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy

  
GIRLS

 
     
No - - bo - - dy No - bo - dy
Company mf BOYS
      
    
 No


- - bo - - dy No - bo - dy

        
   
     
          
       
Pno. f
  
      
   
      
   

 
113

Joyce       
              
I'm some - bo - dy They're gon - na see Rise up to be som - one of re -


 
  
Company Some - - bo - - - dy

 
    
 Some


- - bo - - - dy


        
 
        

     
  

Pno.        
  
    
  

    

    
 
22.4.11 Betty Blue Eyes
No. 6 - Nobody - Part One
 
117 9

Joyce       
            
nown I'll make them eat ev - ery word I'm not just one of the

  
    
G
B
       
B
Ooh Ooh

 

Company

     
       


G
B
B
Ooh Ooh


    

         

        
 
Pno.
  
        
    


 
121

Joyce        
       
herd Time that the whole town was stirred up

 
 
            
   
Ooh Do do bi do Do do bi do
Company
  
                  


Ooh Do do bi do Do do bi do

           
                 
            
  
Pno. 

   
      

   
 

Betty Blue Eyes 22.4.11


No. 6 - Nobody - Part One

 
10

    
125 Più mosso h = 90

Joyce 
     
No - - bo - - dy calls me no - bo - dy


         
    
        
Company No - bo - dy No - bo - dy No - bo - dy Ooh
 
                   


No - bo - dy No - bo - dy No - bo - dy Ooh

          
     
     

    
 
Pno.        
  
      
   
      
   

 
 
129

Joyce     
        
I'll climb to the top of an - y tree


    

Company Ah

  
     


Ah

         
         
              
Pno.  

  






 


    
  
22.4.11 Betty Blue Eyes
No. 6 - Nobody - Part One
11

  
133

Joyce         

Those who call me a no - bo - dy Don't know

   
          

     
Company f No - bo - dy Don't know

   


   


Don't know
 
No - bo - dy
   

      
         
                
 

       
Pno.
    
     
       
   
 

 
138


Joyce     


me!

   

  

   
                   
      

    
Pno. ff

   
    
       
           

 
142 APPLAUSE SEGUE

Joyce     


    
ff
f Ah

Company
   
    
 Ah


       
  


 
 

    
  
 

   

       
Pno.
 



 
 
 
    
      
Betty Blue Eyes 22.4.11
No. 6a - Nobody - Part 2
Lyrics by Anthony Drewe Music by George Stiles

CUE: UNDER THE APPLAUSE FROM PART ONE

 
Bright h = 100
A1 A2 A3 A4



Company      

   
       
 
      
     
      
       

mf
Piano 
  
3
   
        
3

  
MRS ALLARDYCE, MRS LOCKWOOD, VERONICA

          
 
1 mf

            
  


Company

What a pre - poste - rous wom - an

            

            
    
       
      
  
   
Pno. f mf

       
3

        


 
    
5

      
    
    
Company Who does shes think she is


     
SWABY, ALLARDYCE, LOCKWOOD


  


mf
I'm on - ly thank - ful

          

             
   
     

Pno.
 
3
   
     

This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 5.5.11
2 No. 6a - Nobody - Part 2

 
8

   
Company
  
      

     
    

  


my wife Is - n't as de - ranged as his

   
  
     
 
     
  
Pno.
 
             
3

     
     

   
11


               
            
   
mp

   
       
 
Company The wom - an's an up - start The wo - man's a no - one
          
     
       

 


The wom - an's an up - start The wo - man's a no - one

           


           
       
          
   
Pno.
            
   
   

 
15

            
           
Company Her place is the back of the queue
          
            


Her place is the back of the queue

     
               
 
      
       
Pno.

               
        
  

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 3

 
MRS ALLARDYCE
19


                   
A lit - tle more beef?

 
Company She beg - gars be - lief

     
     
SWABY

        


Well
She beg - gars be - lief

           


                  
          
   
Pno.
            
   
   

 
23
ALL

    
 
We're well

Company ALL

        

  


thank you I don't mind if I do We're well

   
   
        
 
Pno.

   
 
 



    

 
27

      
           
Company fed e - nough We've said e - nough the wo - man is no good De -

   
   
  
   
 fed e-nough
   


We've said e - nough the wo - man is no good De -


      
        


    
Pno.
         
     

Betty Blue Eyes 5.5.11


4 No. 6a - Nobody - Part 2
 
31

  



  
void of charm SWABY
Company

 
Oh twist my arm per - haps just one more
 
         

     


void of charm
  
  
  
 

 

  
Pno.
  
    

 
rall.
34

    
 
One more York - shire
Company


York - shire pud
  
   


 


One more York - shire


    


 

  
Pno.
         

Slightly quicker h = 90

 
37 JOYCE

Joyce                
f            
No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


 
       
  
No - - bo - - de - - li - cious!
Company mp
 
 
 
         
  
  



No - - bo - - de - - li - cious!
      
              
    
       
Pno. f

  

   

   

   
 
   

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 5

 
41

Joyce      
               

 
I'm some - bo - dy They're gon - na see Rise up to be some - one of re -
 
       
  
No - - - bo - - - de - - li - cious!
Company
  
   
 
     
 
   


No - - - bo - - - de - - li - cious!
     
               
          
Pno.
   
            
      

 
45

      

Joyce  
          


nown I'll make them eat ev - ery word I'm not just one of the

    

         

        
 
Pno.
  
          
  

 
49

Joyce        
       
herd Time that the whole town was stirred up


             

The hoi pol - loi Will not en - joy
Company mf


            


The hoi pol - loi Will not en - joy

             


              
             
   
Pno. 

    
       
   

Betty Blue Eyes 5.5.11


6 No. 6a - Nobody - Part 2

 
53

Joyce                
           
f
No - bo - dy No - bo - dy No - bo - dy calls me no - bo - dy


 
       
  
Yum! Yum! Yum! Sir - loin!
Company
mp
 
 
     
  
  
  
  


Yum! Yum! Yum! Sir - loin!

       
             
  
            
Pno.
   
           
       


 
 
57

Joyce     
        
I'll climb to the top of an - y tree

 
            
  
Yum! Yum! Rid - ic - u - lous nin - com - poop
Company mp mf

                
 
 


Yum! Yum! Rid - ic - u - lous nin - com - poop

 
 
        
  
 
     
         
Pno.
        
     
    
 

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 7

  
61

Joyce            
Those who call me a no - bo - dy

  
   
     
And she is

   
Company f
 

   


And she is

    
 

 
               
                
Pno.

      
     
  

 
64

Joyce    

 

 
  

 


   
 
 
 

    
Company rub - bish at teach - ing pi - a - no as


         


       


rub - bish at teach - ing pi - a - no as

     
        
  
        
 
       
                  
  
Pno.

      
     
  

Betty Blue Eyes 5.5.11


8 No. 6a - Nobody - Part 2

 
67

  
Joyce    
Don't know

  
     
Company well
 
 

   


well

     
  
    
  


 
mp
  
Pno.
   
   

 

In 4 q = 100

  
71

 
           
Joyce
           


p
May - be they're right May - be it's true May - be I'm just a no - bo - dy

 
 



  

 
 
p

Pno.
   
 

 

75

Joyce     
3

 
    
Is this my lot? My des - ti - ny?
 GILBERT


      

Gilbert


mp To

 
      
 
 


 
  
     
  
Pno.

    
   

5.5.11 Betty Blue Eyes


No. 6a - Nobody - Part 2 9

JOYCE: "Your dinner’s getting cold."

 
79 rall.

Joyce     

 
             
 me
Gilbert


you'll al - ways be some - bo - dy

 
   
 
 








   

Pno.
     
 

  
83


Joyce      


p They don't know me

 
    
 
Pno. mp 
  
    


APPLAUSE SEGUE
No.6b Sutcliffe's Farm

 
86 a tempo


She sits
Joyce    


    
   
 
   

 
     


Pno. mf p
    



Betty Blue Eyes 5.5.11


No. 6b - Sutcliffe's Farm
The Chicken Chase


Lyrics by Anthony Drewe Music by George Stiles

Fast h = 100

41
 
      
f

 
Piano                   

      
 
  
  
mf 

  
     
            



           

  
     
45

         
    


                                 
    
Pno.
          
f
 
    
          



49


   
      
 

  
       
                       
  
Pno.
   
   
   
     
          

 
Betty Blue Eyes This score is the property of and should be returned to: 5.5.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.

2 No.6b - Sutcliffe's Farm - The Chicken Chase


(bars 53 - 81 CUT)

  
     
82
     
       
f


                                 
    
Pno.
        
f
 
    
          


     
86

     

 
              
            
   

  
Pno.

    
    
       
 




[CUT ON CUE]
  
    
94
     
      
 
    
f



      


  
    
        
Pno.

 
f
  

        
   

      
   
5.5.11 Betty Blue Eyes

No.6b - Sutcliffe's Farm - The Chicken Chase 3

 
97
 
  
 
 
                  
3
      
3
          

3


     
Pno.
        
 

   
    
      
     



    
 

   
  
  
100

     
ff

    
       
      
   
  
Pno.
   
         
       
           
ff
      
              
       
  


   
103




   
 
Pno.



        
       
           

         
   
     
 
Betty Blue Eyes 5.5.11
No.7 - A Private Function

Lyrics by Anthony Drewe Music by George Stiles

CUE - SWABY: And a damn fine dinner -- the likes of which have not been
seen since before the War. And all in honour of that pure, unspoiled couple..."

  
Andante q = 80

   
Swaby    


SWABY: "...who stand for everything we fought for. And died for. This isn't just dinner, gentlemen."

                              
  
                        
  
            
Piano

    

SWABY: "This is our moment!"

  
     
SWABY

    
4
 
 
mp
       
Swaby


A pri - vate func- tion A bles - sed treat A grand oc - cai- sion as be

          


   
       
 
       
     
Pno.
  

      

   
  
   
8
  
  
Swaby           


fits this town's e - lite The roy - al coup - le will that day be joined Let us


       
   
    
      
Pno.
   
 

                                   
  
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.7 - A Private Function

             
mf

11
      
 
 
Swaby
 


share their rap - ture with the pork that we've pur - loined I'll pro - pose the loy - al


            
    
         
   
    
       
Pno. mf
  
                       
    


BETTY Snorts

   
        
mp
14
  
 
Swaby  


toast To the Prince and to his Princ - ess And our fine pork

    
       
  
       
    
       
Pno.

  
      
  
mp
   
   



 
Più mosso q = 86

17 ALLARDYCE: "Betty!" mf
   
ALLARDYCE

Allardyce        


A

 
LOCKWOOD mf

           

Lockwood
A

mf
      
 
  
Swaby


roast A

                                    
   
                               
Pno.
  

mf
 
         
 
      


22.4.11 Betty Blue Eyes
No.7 - A Private Function 3

 
 
 
21

Allardyce          

 
pri - vate func- tion as Eng - land strives

  
 
        

Lockwood
   
pri - vate func- tion as Eng - land strives and their

      
        

Swaby    


pri - vate func- tion as Eng - land strives For men of sub- stance

 
 


      
  
    
 
 
     

Pno. mf

   
              
  

 
 mp
  

24

Allardyce            


For hope for glor - y for a land that's free

 mp
 
          
 

Lockwood
        
ev - er charm - ing wives For hope for glor - y for a land that's free


 mp  
    

          
Swaby
 


For hope for glor - y for a land that's free And yet

            
   
                   

Pno. mp

                 
         
 

Betty Blue Eyes 22.4.11


4 No.7 - A Private Function

  
27  f

Allardyce         

 It's our priv - i - lege to


 
 
  
mf
     

Lockwood

It's our priv - i - lege to

             mf
     
Swaby
   


not for peo - ple who are not our cup of tea It's our priv - i - lege to


  
   
              
               
   
    
Pno. mf
   
         
      
  


  

poco rit.

30
             
Allardyce 
 host Such a feast fit for a mon- arch Our fine pork

 
               
 

Lockwood

host Such a feast fit for a mon- arch Our fine pork

 

              

Swaby 


host Such a feast fit for a mon- arch Of our fine pork

    
         
               
       


           
  
f

Pno.
 
             
       
       

22.4.11 Betty Blue Eyes


No.7 - A Private Function 5
Pompous and circumstantial q = 90

 
f

33

Allardyce    
 roast


f mf


      

Lockwood

roast For

f
  
 
mf


Swaby    


roast For


                                
 
          
 
                
   
    
    
  
ff
Pno.
   
 
 

 

 
   

    

        
37
         
Allardyce        
 mf For gen - er - a-tions Look back and say Re - mem - ber clear - ly where we


    
   
            
 gen
Lockwood

- er - a - tions we'll look back and say We re - mem - ber clear - ly where we

      

            
Swaby
   


gen - er - a - tions we'll look back and say We re - mem - ber clear - ly where we


    
                    
     
Pno. mf


                             
                             

Betty Blue Eyes 22.4.11


6 No.7 - A Private Function


 f
    

      
40

Allardyce     
 were that sa-cred day And great men will proud - ly boast Of the


 
f
      
      
 
 were that sa-cred day And great men
Lockwood

will proud - ly boast Of the

      f      
    

Swaby 


were that sa-cred day And great men will proud - ly boast Of the

    

            
                    
     
 
  
Pno. f

    
  

 
     
            

         
 

43

    
Allardyce 
 func-tion the were pri - vy to Our fine pork


           
    
 func-tion the were pri - vy to
Lockwood

Our fine

 
    
 

Swaby
 
     


func- tion the were pri - vy to Our fine pork


       

         

             

         




                    
Pno.
    
 
        
     
22.4.11 Betty Blue Eyes
No.7 - A Private Function 7

    
47 rit. Meno mosso

Allardyce    
 roast

  
   

Lockwood

 mp
roast

 p
  
     

Swaby
       


roast A pri - vate func- tion they were pri - vy to Our

 
                
         


     
p
 
Pno.

   
 
 
  


   
50
    
Allardyce       
 p Our fine pork roast with ap - ple sauce


   
      

 p
Lockwood
   
Our fine pork roast with ap - ple sauce

  

 
Swaby
 


fine pork roast


   


       

  
  





 
Pno.
      
  


Betty Blue Eyes 22.4.11


No.8 - Betty Blue Eyes
Lyrics by Anthony Drewe Music by George Stiles

CUE: GILBERT: "I don't..."


ALLARDYCE: "She won't bite. She's every so gentle."

Freely h = 90


ALLARDYCE


Allardyce       
 
          
 mp If you think if farm yard crea-tures


And their most dist - inct - ive fea - tures

 
 
  




 





   
Piano mp
    
  
 
 


   
5
 

Allardyce    
    
 
 Pret - ty soon you'll have


a comp - re - hen - sive list When

  

  
 
 
    
 

 
 
 

Pno.
    


  
9


Allardyce                      
 peo - ple stop and


think A - bout a pig they just think pink Per - haps a


  


     



 
 

Pno. 
    
        

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.8 - Betty Blue Eyes

 
colla voce h = 60 A Tempo h = 90
13

    
  
            
 snout
Allardyce


a cur-ly tail And yet there'ssome-thing that they've missed For


 
   
 
     
 
   

        
   


  
 

Pno.
 

       




 

 
 
18
 

Allardyce     


       
 when you get up clos - er Then you're in for a sur - prise
L.H.
     
  
 
              
       
Pno.


     
   



poco rall.
  
22


    
Allardyce           
 Have you seen the col - our Of this lit - tle pig - gy's eyes?
mf
 

    
 

                 

   
Pno.


mf

  
  

 
26 Romantically


Allardyce              
 Bet


- ty blue eyes Bet - ty blue eyes When I look in - to your

   

   
     
  

Pno. mp
               
  

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 3


30

 
Allardyce        
 two
 


  
eyes I see the heart and soul of God's cre - a - tion

      
       
  
        
 
       
Pno.
 
           
   


34


Allardyce  
               


Bet - ty blue eyes Bet - ty blue eyes There were nev - er two more

     

 
   
     
  
 
   
Pno.
            
 
  



38
 

Allardyce  
         
 true


eyes How I love this per - fect pig - men - ta - tion

      
 

    
  
 
 
 
   
 


    
Pno.
      
 
  
 


42
Gentle fox-trot h = 76


        


  

Allardyce
    
They're blu - er than the sky a - bove They're deep - er than the

     
          
    
Pno.
      
    
   

Betty Blue Eyes 22.4.11


4 No.8 - Betty Blue Eyes

 
46


              


Allardyce 
 sea I al - most think they're smil - ing When she turns and fa - ces

         
        
        
Pno.
        
    
  


50 poco rit. A tempo h = 76


Allardyce                  
 me mf Bet - ty


blue eyes Bet - ty blue eyes Some folk tend to mis - con -

                  


        
   
Pno. mf       
            
           
 

  
54
  

Allardyce       


 strue eyes

But I'm proud to say this here and now

      
            
  
     
 
Pno.
       
        
         
   

  
58 poco rit. molto rit.
       

Allardyce    


I will nev - er have eyes for an - y oth - er

 
 
 

         


   

     
       
Pno.
    
     
   

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 5

 
61 A tempo h = 80
GILBERT: "Does Mrs Allardyce know about this?"


  


 sow
Allardyce

            
     
          
 
  
Pno.
               

             
 


65 ALLARDYCE: "She wouldn't understand." GILBERT: "No...no I don't suppose she would."



   



Allardyce

  

  
   
             
         
  

Pno.
    
            
      
 


 
69


Allardyce              
 mp Would you


say they're corn - flower or hya - cinth?

 

 

  
 





       
mp
   
   
Pno.
    


 
71


Allardyce             
 Would you


call them wedge- wood or az - ure?

 
 
 
  
 





           
     
Pno.
   


Betty Blue Eyes 22.4.11


 
6 No.8 - Betty Blue Eyes rit.

73


Allardyce                   
  

  


Do you think they're sapph - ire or ba - by blue? All I know is you havegot this strange al -

     
    
      
  
  
   
 
mf

  
Pno.
 
       
  

 
76 Picking up h = 90


Allardyce          
 lure
  
Oh, Bet - ty

 
  
         
          
                   

Pno.


       
     
    

 
rall.

 
80




Allardyce         
 Bet
        
 f
- ty Bet - ty Bet - ty

   

 
             
         

          


Pno. f
   
     
      
   


84 Foxtrot h = 76

Allardyce      
 blue eyes
GILBERT


            

  



Gilbert
f
Bet - ty blue eyes If an art - ist ev - er drew eyes I

                 
        
        

   
    
Pno.
          
            
  

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 7

  

88 ALLARDYCE

Allardyce        
 
 You know you're right Bet - ty

    
       
 doubt he'd ev
Gilbert
 


- er catch that sweet ex - pres - sion Bet - ty

         
           
 
    
  

Pno.
       
    
   

    
92

Allardyce               
 blue eyes

Bet - ty blue eyes Blink - ing in the morn - ing dew eyes She's the

            
 blue eyes
Gilbert
 


Blink - ing in the morn - ing dew eyes

                    


          
  
   
 
Pno.
          
        
  

  
   

96


Allardyce       
 per - fect cure
 


for my de - pres - sion And

   
      
 
    
   
      
 
  
Pno.
      
         

100
  
  
Allardyce            
 each time I


come vis - it - ing Her eyes just seem to say "I

               
        
              
Pno.
       
   
    

Betty Blue Eyes 22.4.11


8 No.8 - Betty Blue Eyes

  
poco rall.

104

Allardyce                
 
 hope per - haps you've brought "A few more gin - ger snaps to - day" Bet - ty



    
        

Gilbert


"A few more gin - ger snaps to - day" Bet - ty

       
          
          
Pno.
       
    
  


108 A tempo h = 80

Allardyce              
   
 blue eyes

bet - ty blue eyes Sad - ly there are all too few eyes That

       
 blue eyes
Gilbert


                  
        
 
Pno.       
            
 


          
  

  
112
     
Allardyce 
 
 meet mine and leave me all a - gog


       

Gilbert


I'm all a - gog

      
           
   
 
         
      
    
Pno.
 
       
 
   

  
 

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 9
Dictated h = 40

  
116
          
Allardyce 
 Now


I'll nev - er have eyes for an - y oth - er


           
 Now
Gilbert


I'll nev - er have eyes for an - y oth - er

 
    
  


  
   

Pno.
 
  
   

 
A Tempo h = 80 ALLARDYCE: "She likes you. She doesn't just take to anyone, you know."
123

     
 hog
Allardyce


     
 hog
Gilbert


            
     
          
 
Pno.
   
        
mp
      
             
 

GILBERT: "She's quite -- a lady, as you say."


127 ALLARDYCE: "I knew you'd see it. I could just tell."

      

Allardyce
f
Bet ty
 

   


Gilbert
f
Bet ty

              
                 
      

Pno.
  
mf
      
       
   
 

Betty Blue Eyes 22.4.11


10 No.8 - Betty Blue Eyes

           
131
   
Allardyce       
 blue eyes Bet ty blue eyes With your sweet "How do you do eyes" Folk

      
          

Gilbert


blue eyes With your sweet "How do you do eyes"

    

                      
 
         

         
f
Pno.

              
   
    

      

    
135

Allardyce         

 mock me but I don't care a fig

  
  
  


Gilbert

Don't

     
     


      
   
     
      
Pno.
         
             
  
 

     
rall.

138
gliss.
Allardyce     


   
  
 gliss. 


Gilbert

care a fig

  
        
       
    
  
    
    

  
Pno.
       
         
  

22.4.11 Betty Blue Eyes


No.8 - Betty Blue Eyes 11
rall.

  

         
141

Allardyce    
  


I will nev - er have eyes for an - y oth - er

             
 

Gilbert


I will nev - er have eyes for an - y oth - er

 
       

  


        
     
   
Pno.
   
    
  

 
A Tempo h = 86
144

      

Allardyce



Gilbert        


 
           
3
 
3

           
3 3

 
        

Pno. mf
      
             
             
  

APPLAUSE SEGUE:

 
No.8a First In Line At Last

148

Allardyce          
 pig
  

Gilbert        


 3  
pig

     


    
3
        
   
   
           
       
       

f
            
 ff

       
Pno.
    
  

         
  


Betty Blue Eyes 22.4.11
No. 8a - First In Line At Last
Lyrics by Anthony Drewe Music by George Stiles

CUE - APPLAUSE SEGUE FROM No 8


  
Allego ma non tripo q = 160


Gilbert     

              

f

            
Piano                   
mf        
     
      


      
  
f


4
        
   

 
           
Pno.
              
       
   
         


    
  f
mf


     
6

      

 
                 
          
                  

  
 
Pno.
       
  
     
     
              
      
     
mf f mf
Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.

2 No. 8a - First In Line At Last

    
  
10

        

       

             
           
  
    
  
    
         
    
  
Pno.

   
             
        
      
        
       

   
 


     
14
   
      

                     

          
         

Pno.

                 
      
       
   


 
16 poco rit.


Gilbert      

MOTHER
JABS WITH
HER BROLLY

       
   

 
          
     


   
  
Pno.
f

 
            
 gliss   
    
 
.


22.4.11 Betty Blue Eyes
No. 8b - Barraclough Reveals All

Lyrics by Anthony Drewe Music by George Stiles

WARNING: - JOYCE: "First come, first served, Veronica.


That's the fair and equitable way. Isn't that so, Mrs Allardyce?"
MRS ALLARDYCE: "Yes, that's right."
CUE: VERONICA: "Ow!"

Tensely h = 96 BARRACLOUGH: "Good morning, ladies."



   

Gilbert


  

   
  
 
   

mf mp
                       
Piano

 


3 poco rit.


  

Gilbert

 
      
       
Pno.
            
    

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No. 9 - The Riot
Lyrics by Anthony Drewe Music by George Stiles

MOTHER DEAR: "Where did it finish?" WORMOLD: "Dead last."


MOTHER DEAR: "With horseradish it'll be a winner."

Conspiritorially q = 140

  
WORMOLD: "Touch that, madam, and you're an accessory." JOYCE: "She's 84!" WORMOLD: "Then she should know by..."

  


Company     

 
      
  
Piano mp
          

       

"...now to respect the law and the hand that enforces it. This shop is officially closed."

 
5

 
  


Company

 
   
 

Pno.
       

    

CROWD (ad. lib.): "You can’t do that! How will we eat?! There’ll be no butchers left!"
NOBLE: "Everyone kindly disperse. I said everyone leave the premises!"

With movement q = 160

 
7

 
    


Company

         
   
     
     
Pno. f mf

 
       
 
 


 
 


 
 

           
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No. 9 - The Riot

 
11 CROWD FREEZE - NUTTALL: "What did I tell you? Thievery and chicanery everywhere you look."


Company       


  
     
    
  
         
mp
Pno.
                      
    

 
15 WORMOLD: "Your tips have proven invaluable, Mr. Nutall -- especially to you.


Company       


  
           
      
    
 
Pno.
                      
    

 
"Seems now you're the only butcher left in town." NUTALL: "Just goes to prove -- honesty's the best policy." CROWD UNFREEZE
19


Company       


  
  
 
     
   

  
Pno.
                      
    

WORMOLD: "Take him away!" BARRACLOUGH : "Bastard!" NOBLE: "Sorry about this, Thomas."

 
(bars 26 & 27 cut)
23 28


Company       


 
                

   
  

Pno.
                      
    

22.4.11 Betty Blue Eyes


No. 9 - The Riot 3

BARRACLOUGH: "You damn well ought to be. NOBLE: "This isn't France This is England.
They eat horse in France -- " And these used to be ordinary, decent people."

 
29 (bar 30 cut) 31


SAFETY


Company      


   

 

     
     
 
Pno. mf f
  
         
   
    
       

 
33

     
CROWD

          
mf Blood - y hell what a waste All that meat go - ing
Company
  

     


f What a waste!


                    
             
Pno. mf

 
            
  

   
36

               
     
up the spout While we have nowt It leaves a na - sty
Company
    
   
        


Up the spout! We have nowt! Leaves a na - sty

           
    
  
              
     
Pno.
f
  
             
  

Betty Blue Eyes 22.4.11


4 No. 9 - The Riot

  
Waltz in 1 h. = 80

 
39

 
WORMOLD

Wormold    
 
 
 mf Time

to start
 
        
taste

Company

 
      


taste

   
       

   
Pno.
   
   
 
           
           

 
   
43

Wormold      
 paint - - ing Paint - ing by




p f

 


Company   
Arrrrgh

                
   
Pno. mf            
        
   
 
  
 
  
 

 
47

Wormold      

 
heart Some think it
 
         
mf No he can't it's ob - scene


Company



       
 mf No he can't it's ob - scene
 
  
   
   
   
  
           
Pno.            
     
        
       
       
22.4.11 Betty Blue Eyes
No. 9 - The Riot 5

 
51

Wormold          
 waste - - ful But I con - si - der it


 

p f

   


Company 


Arrrrgh

         
           
Pno.      
   
        
       
   

 
55 cresc. poco a poco

Wormold      


art

            

Noth - ing wrong with that piece of meat We'd
Company

cresc. poco a poco

             


Noth - ing wrong with that piece of meat We'd
cresc. poco a poco

 
   
   
   











Pno. cresc. poco a poco
 
  
   
 
 
59

Wormold      

       
            
Company ra - ther eat We don't care where it's
      
        

    


ra - ther eat We don't care where it's

 
    


  








  



Pno.
 
        
       
 
Betty Blue Eyes 22.4.11
6 No. 9 - The Riot
  
63

    

Wormold

    
   

   
Company been!


    



been!

     
     
 

Pno. ff
   
   
  

 
65 In 2 h = 100 NOBLE: "All right, that's enough! Move along or I'll chuck the lot of you in jail! Go on!"




Company      

 
 
       
       
   
Pno. mf    
        
 
               
               
               

 
CROWD: (ad lib) "Get out of my way! I’ve had enough! I’m starving! It’s disgusting!
69 How am I supposed to feed the children? I want my fair share and I want it NOW!"


  


Company

THE CROWD BURST THROUGH

   
  
Pno. ff
    
        
       
       
22.4.11 Betty Blue Eyes
No. 9 - The Riot 7


  
71 SLOW MOTION JOYCE: "Mother --!"


Company      
+ swooping Vln/Cello  
f   
 
harmonics + accordion
   
      
    
            

   

  
mf
 
    

    
Pno.        

   
 
                


f Timp pulse

 
75 JOYCE: "Gilbert!"


Company      
     
               
             
               

  
  
  
 
  

Pno.        

   
 
          

 
GILBERT SAVES MOTHER
79 "The Hero arrives!" - Still Slow Mo

 
   


Company

 
     
 
          
         
Pno. f
 
   

   

 
83


    


Company 

     
      
      
     


 
Pno.
 
   
   
Betty Blue Eyes 22.4.11
8 No. 9 - The Riot


 
87 h. = w


Company       

       
           
        
        

 
ff

 

            
   
      
   

Pno.
     

ff
 
 

  
       
  
  

SEGUE: No.9a
The Grand Hotel Waltz

22.4.11 Betty Blue Eyes


No. 9a - The Nobody Waltz

Lyrics by Anthony Drewe Music by George Stiles

CUE: SEGUE AS ONE fron No.9 - The Riot


JOYCE: "Look at me -- I'm rattled as a teacup."

 
With Movement h. = 70 MOTHER DEAR: "You're always rattled about something."

 
   



Gilbert

 
 
PALM COURT TRIO
 
          
      
 
Piano p
     
 

 
JOYCE: "With good reason! If it weren't for Gilbert risking life and limb, you might've been trampled to death."
5


   



Gilbert

   
 
   
     
          
Pno.
 
      

MOTHER DEAR: "It wasn't for me -- it was for my ration book."

 
9 GILBERT: "I don't need you bloody ration book. Look what I've got!"


Gilbert     


   
  
       
        

 
Pno.
    
 

 
HE unwraps a small brown-paper parcel, revealing: JOYCE: "A bone with a scrap of gristle?"
13


   



Gilbert

 
 
     
    
        
Pno.
  
   

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No. 9a - The Nobody Waltz

 
17 GILBERT: "It's a pork shank! ..."


Gilbert     



       
      
         

  
Pno.
    


 
21 GILBERT (cont.): "Almost. Farmer Sutcliffe gave it to me. In appreciation."


Gilbert     



         
        
    
 
 

Pno.
    
 

 
JOYCE: "Aren't we the lucky ones! Who knows what gifts will be bestowed on us next? ..."
25


   



Gilbert

      
   
    


 
 
 
 
Pno.
     
 

 
JOYCE (cont.): "Perhaps a calf's tail or a pig's ear? ..."
29


   



Gilbert

      
        
         
 
 
Pno.
       
  

22.4.11 Betty Blue Eyes


No. 9a - The Nobody Waltz 3

 
JOYCE (cont.): "Yes, the Chilvers are certainly moving up in the world!"
33 MOTHER DEAR: "It's still got some tasty bits on it, Joyce."


   



Gilbert

    
  
       
       

 
Pno.
    
 

JOYCE: "She used to be such a grand woman." HOTEL MANAGER: "Pardon me, madam. ..."

 
37


Gilbert     



  
    
         
        
Pno.
 
      

HE attempts to take the bone


HOTEL MANAGER (cont.): "Only food purchased on the premises is permitted." away from her. SHE attempts

 
to sink her teeth into his wrist.
41


Gilbert     


 
   
        
     

 
Pno.
       

HE leaps back.
JOYCE: "She's 84." GILBERT: "It's nearly three o'clock. Mustn't be late for my appointment with Mr.Lockwood."

 
45


Gilbert     



            
           

Pno.
  
     

Betty Blue Eyes 22.4.11


4 No. 9a - The Nobody Waltz

 
49 JOYCE: "Gilbert's leasing premises on the Parade!"


Gilbert     



 
          
       
Pno.
            
3

 
53 MOTHER DEAR: "It's about time you made something of yourself."


Gilbert     




     
  
         
 

Pno.
       

 
57 JOYCE: "Couldn't you give him a word of encouragement - just once?"


Gilbert     



       
   
      
 

  
Pno.

 
  

MOTHER DEAR: "Straighten your hat." JOYCE: "You've never approved of Gilbert. You've always underestimated him."

 
61


Gilbert     



    
       
   
    

Pno.

   
    

22.4.11 Betty Blue Eyes


No. 9a - The Nobody Waltz 5

 
MOTHER DEAR: "You could've had a dozen suitors if you'd only waited --"
65


   



Gilbert

   
          
         

Pno.
      
 

JOYCE: "There were no other suitors! And there was no time to wait! One had to seize the moment --"

 
69 rall.


Gilbert     

 

 
 
  
 
 
    
 
  
 
Pno.
 
 
 
 

pp

Betty Blue Eyes 22.4.11


No.10 - Lionheart
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "That's right! That night back home in Leeds, at the Primrose Ballroom... "

 
JOYCE: (cont.) "-- Billy Carroll’s band was playing."
Jitterbug h = 130

 


Joyce      

            
  
PIANO SOLO
       

  
      
Piano
   
     
mf


JOYCE (cont’d): "I didn't want to go but my friend Kitt insisted. She said, "You'll have the time of your life"."
6


      


Joyce



                      
             
Pno. f DRUM FILL
 gliss
.
      
  


   
12
        
                
         
Pno. ff
 
     
  
     



      
16
    
               
              
Pno.
 

     
  
     

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.10 - Lionheart
 JOYCE
20


Joyce        


    
mf  
Cut - ting the rug in the Prim - rose ball - room
          
      
           
  
Pno.
 
mf
    
       


24


Joyce        


  
Hop - ing the night would - n't end
     
              
Pno.
     
   

       

28


Joyce   

   


    

Kitt dressed to kill in her brand new ny - lons

          
     
        
  
  
Pno.
 
    
       


32




Joyce         


   
Me just her dowd - y best
      
friend There were
 

 

   

   
Pno.
     
   

 
       

36

    
     


Joyce
      
     
plen - ty of lads there For las - ses to choose from So

      


 
          
 
  
 
 
   
            
  
Pno.

      
          
   
22.4.11 Betty Blue Eyes
No.10 - Lionheart 3

  
40


Joyce              


may - be it's un - fair to gripe Those


             
  
      
     
 
         
Pno.
 
   
    


Joyce        
44

         
     


charm - ing young sold - iers Who we loved to dance with But

       


   
 
          
   
Pno.
      

      
    

Swung 4 q = 100


Suddenly slower
 
48


Joyce             
none of them real - ly my type

 
GIRL 1

      
mp She

GIRL 2
Girl
Trio       
mp She

GIRL 3


      


mp
She

    
     
 
   
       
        
Pno.    mp 3 3

 3
   
    

Betty Blue Eyes 22.4.11


4 No.10 - Lionheart

 
51


Joyce         
mp A

  
                   
dreamed she'd meet her li - on - heart Like all girls did back then
 
Girl
      
          
Trio  
dreamed she'd meet her li - on - heart Like all girls did back then


        
             


dreamed she'd meet her li - on - heart Like all girls did back then

     3 3
                  
  
3 3

      
3

              
3 3
Pno.
        
              
 
   
  
Con Ped.


55

       

Joyce          
     
gal - lant knight A dash - ing Prince A gi - ant a - mongst men A

  
                 
  
Oh Oh Oh mp Ah
 
Girl
    


         
Trio    mp
Oh Oh Oh Ah

 
     
  
           


mp
Oh Oh Oh Ah


           
         
3

     
              
 
         
3 3
  
Pno.
      
 
   
  

22.4.11 Betty Blue Eyes


No.10 - Lionheart 5


59

  

Joyce          
3
      

  
he - ro who would res - cue me And set my heart a - flame

        
 
Oh Oh She

Girl
Trio                 

Oh Oh She



   
     
     


Oh Oh She

        


    
3
   
3
      
3 3

      
       
     
   

     
3
   
Pno. 3 3

            

   
  


63

              
 
dreamed she'd meet her li - on - heart But her li - on - heart ne - ver

             
Girl
Trio   
dreamed she'd meet her li - on - heart But her li - on - heart ne - ver


       


       
dreamed she'd meet her li - on - heart But her li - on - heart ne - ver

  
     
              
     
     
3

   
3
 
Pno.
    
       
  
   

Betty Blue Eyes 22.4.11


6 No.10 - Lionheart

 
67 Straight Jitterbug h = 130

     
came
Girl
Trio      
came

 
   


came

            


                
          
Pno. ff
 

        

  
  



           
71
    
       
                
Pno.
 

     
  
     


75 JOYCE


Joyce   

     
    
 


mf Cut - ting the rug in the Prim - rose Ball - room

          
      
         
  
  
Pno.
 
mf
    
        


79




Joyce         


 
They turned the pace up a notch

        
    
   
   
Pno.
   
   

       

22.4.11 Betty Blue Eyes


No.10 - Lionheart 7


83


Joyce       


     

Kitt real - ly shone when she took the dance floor

                
          
  
Pno.
 
    
       
 


87



Joyce         
 



Me, I was hap - py to watch


 

        gliss
. 
    
    

Pno.  ff

  
       
 
 


91
     
              
Pno.
ff  
 
   
     


           
      
95
     
          

   
   
Pno. 
   
 
     


   
99

       
   
  



  


    
Pno.
 
   
     

Betty Blue Eyes 22.4.11



8 No.10 - Lionheart
103
    
      
3
 
     
  
    
    
     
Pno.
  
   
   


                      
107 DRUMS - Floor tom "sing-sing-sing"
    
Pno. f
       



           
113
      
 
 
 
Pno.
       

 


119    
  
                        

  

Pno.
 
 
    
  


123 Boogie - Woogie 
           
                  
         
Pno. ff  

    
  

 
     
  
 
  
 
 


  
127

            


    
    
        
Pno. Cartwheel


           
         





 

22.4.11 Betty Blue Eyes



No.10 - Lionheart 9
131

                         
                  
Pno.

  
             
              


   
135
          
           
        
Pno.

        
  
            
  

 
   
 
  

139

  
Dancers   
  
  
   
  
  
f

 
Liv - ing! Breath - ing! Sen - ses height - ened! Pul - ses rac - ing!

         
  

Dancers   
        
 f Liv - ing!
     


Breath - ing! Sen - ses height - ened! Pul - ses rac - ing!

        


     
      
     
          
      
  
 
       
  
   
                 
Pno. mf
             


               


   
  
145

Dancers   
  
   



  

     
No - one fright - ened! Liv - ing! Breath - ing! Jump - ing! Jiv - ing!
       


Dancers   
                

    


No - one fright - ened! Liv - ing! Breath - ing! Jump - ing! Jiv - ing!

     
      
 
     
   

     
       


 

 

          
          

f

       
Pno.
 
           
      

Betty Blue Eyes 22.4.11


    
10 No.10 - Lionheart
151
 
    
        
 
Dancers

   
Lov - ing! Laugh - ing! We're sur - vi - ving here

       


   
  

Dancers


Lov - ing! Laugh - ing! We're sur - vi - ving here

                   
                    
  
                 
Pno. f
     
     
           
      
  
156

Dancers   
    
and now
 

Dancers   
    



        
and now
          



            
     
        

          

ff

       
   
Pno.
               
 
       
  

 
161 GIRL TRIO - unison

Trio 
Girl           



ff Cut - ting the rug in the Prim - rose Ball - room

 DRUMS ONLY CONTINUE RHYTHM 
 
         
  
Pno.  
    
    

 
 


        
      
165

  
BAND SOLOS

    
         

Pno.
      

   
  

22.4.11 Betty Blue Eyes


No.10 - Lionheart 11

    
169
 
   
  
Trio 
     


Girl
    
 Caught

in the mo - ment our fears es - caped us

 
            
       
Pno.  
    
    

 
 


173

BAND SOLOS

                 
         
Pno.
   
   
    


 
          
 
177
 
       
  
 
  
       
Pno.
  
                    
    
  
               



  


           
     
181
  
      
         

  
  
Pno.
   
     
      


 
  

     
    
185

        
     
   
 
Pno.  
   
      
  
  

Betty Blue Eyes 22.4.11



12 No.10 - Lionheart

   
 
     
   
 
F/X SIREN

      


 
  
    
 
    
      

   
189
        
     
           
Pno.

                
      

     
           


 
An EXPLOSION! Intense white light as the bomb finds its target.

   
    
       
  
   
  
            
195

 
 

  
     
Pno. ff
 
  

 
 
  
   
   
    


   
   

 
 205  
  
      
201
 
       




    
   
  
Pno.  
  

    
  


 
  
 


208 Swung 4 q = 80
 
(The smoke clears, the ghosts of the THREE SINGERS from the band appear)

                      
3


p She dreamed she'd meet her li - on - heart Like all girls did back then
3
       
Girl
               
Trio
p
 
She dreamed she'd meet her li - on - heart Like all girls did back then

  

      
3
        
      


p
She dreamed she'd meet her li - on - heart Like all girls did back then

     
p ghostly
     
   
3 3
Pno. 3

    

22.4.11 Betty Blue Eyes



No.10 - Lionheart 13

212

                         
A gal - lant knight A dash - ing Prince A gi - ant a - mongst men And
mp

 
              
             
Girl
Trio
A gal - lant knight A dash - ing Prince A gi - ant a - mongst men And
mp

  
 
   
                   mp

A gal - lant knight A dash - ing Prince A gi - ant a - mongst men And


       
           
Pno. PIANO CREEPS IN pp

           



 

 
217
          
           

on that fate- ful Aug - ust night When all the dust had cleared When

 
Girl
                   
Trio   
on that fate- ful Aug - ust night When all the dust had cleared When

    
          
        


on that fate- ful Aug - ust night When all the dust had cleared When

 
3
                  
   
3

   
     
3 3

     
      
       
p
  
3
  
3 3
   
Pno.
            
 
     

Betty Blue Eyes 22.4.11


14 No.10 - Lionheart


poco rall.



221

  
            
  
she was least ex - pect - ing it A li - on heart ap - peared

 
Girl
                 
Trio 
she was least ex - pect - ing it A li - on heart ap - peared

       
   


  
      


she was least ex - pect - ing it A li - on heart ap - peared
  
 
         
                

  


  3
 
Vln solo -

 
3 harmonics
   
Pno.
   
           




   
   

GILBERT: "All’s well, miss. I’m here now." GILBERT touches JOYCE’s cheek.
JOYCE: "Poor Kitt....How can I ever thank you?" GILBERT: "I'm only doing my duty."
GILBERT: "Come on, let's get you a nice cup of tea."

 
Straight and Freely q = 120
226



Joyce      

        
 
And

       

Girl
Trio
And


 
     



And


                   
Arte Shaw

         Clarinet solo
 
       
p
 
Pno.

     


  
    


    

22.4.11 Betty Blue Eyes


No.10 - Lionheart 15

  
Swung 4 q = 90
  
230

                    
  
on that fate - ful Au - gust night When all a - round was grim She
   
Girl
                  
Trio
     
on that fate - ful Au - gust night When all a - round was grim She

 
             
        
    


on that fate - ful Au - gust night When all a - round was grim She

             
         
Accordion -


Pno.

        
basoon stop


   
Bass

 
234 Straight 4 q = 90

             
        
dreamed she'd meet her li - on - heart But nev - er dreamed her li - on - heart was
    
Girl
    
          


Trio

dreamed she'd meet her li - on - heart But nev - er dreamed her li - on - heart was

    
    
  
        



dreamed she'd meet her li - on - heart But nev - er dreamed her li - on - heart was

 
    
        
             
   

     
 
3
Pno.
      
         


3

  

Betty Blue Eyes 22.4.11


16 No.10 - Lionheart

 
238

      


him
Girl
Trio       
him

 
 
 




him


Pno solo in reverb

  
       
      
    
p pp

Pno. mp

Vibes + motor
   
 

  
 

SEGUE AS ONE - 10a
THERE'LL BE NO LEASE

22.4.11 Betty Blue Eyes


No. 10a - There'll Be No Lease
Lyrics by Anthony Drewe Music by George Stiles

CUE: DEAD SEGUE FROM No.10


Freely q. = 80
GILBERT

     
                    
 Ham-mer-toesand bun-ions Cal-lous es and corns Clip-persfor the toe-nails
Gilbert

mf Tweez- ersfor the thorns

 
GILBERT: "Mr. Lockwood, I've come to sign my lease." LOCKWOOD: "There'll be no lease."

5


  



Gilbert

  
  
Pno.
  
  
GILBERT: "But -- but we agreed that -- " LOCKWOOD: "I said there'll be no lease! There's been a breach."
GILBERT: "A breach?" LOCKWOOD: "Failure to disclose a change of use."

 
6 Predatory q = 80


Gilbert      


ppp an echo only
     
       
 
 


    
Pno. mp

 
 
  
    

darkly

GILBERT: "But I told you -- it's for my surgery." LOCKWOOD: "In order to do that,

 
9 you'd first need to obtain approval from the Head of the Planning Committee." GILBERT: "Who's that?"


Gilbert     




   

   
 

Pno. mp

 
  
   
    

Betty Blue Eyes This score is the property of and should be returned to: 5.5.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No. 10a - There'll Be No Lease

GILBERT: "Very well, then. I would like to obtain approval from the --"
SWABY: "Save your breath. The Planning Commission has no time to deal with
a toe-nail clipping sod like you."
SWABY: "Me." GILBERT: "I have the right to apply, same as everyone else."

 
12



Più mosso q = 90
Gilbert        
  
          
   

       
     
Pno.
mf 
 mp  p pizz strings + banjo

 
3
 
3
   
            
 

slithering

SWABY: "Of course you do. You also have the right to be refused." GILBERT: "But I was told it was mine!"

 
SWABY: "There was no such commitment made to my knowledge. Was there yours, gentlemen?"
17



Gilbert      
  
         
    
     

Pno.

 3 3 3

       
        
    
           

 


21 SWABY: "That settles that. Now move along. I said, move along!"


Gilbert      


    
   
  
  
     

Pno. 
   
mp

      
3 3

    
3

               
     
     3

5.5.11 Betty Blue Eyes


No. 10a - There'll Be No Lease 3

HE grabs the porcelain foot from GILBERT, hurls it


to the ground, smashing it to pieces..
SWABY: "Sorry, slipped. Come gentlemen, we have a banquet to prepare. Henry!."

 
25



Gilbert     

          

          
   
5 5 5
sfz  mp

Pno.

  

    
  



FADE AFTER JOYCE:

 
"Gilbert! Good heavens! What's happened?"
28


Gilbert     



         
       
    
5 5 5
Pno.

   

     
        

Betty Blue Eyes 5.5.11


No.11 - Steal The Pig
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "Those were your very words. When's it going to start, Gilbert?"

 
Darkly q = 150
JOYCE (cont'd): "When's it going to start?"


GILBERT

Gilbert        
  


mp
             
Lis - ten up

                       
          
      
p

        
Piano
 
               
   

   

  

 
  
6

  

Gilbert        
 Joyce
    


It's eat or be eat - en They leave us no

        


    

         
  
  
 
 
 
  
 
 
 
  
Pno.
     
              
       

 
  
10


Gilbert          
 choice
  


I re- fuse to be beat - en We'll

        


    

         
    
         
        
Pno.
     
              
       
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 5.5.11
No.11 - Steal The Pig
2

 
14

 
JOYCE: "A what?"
 

Gilbert             
 just
  


steal a pig And I know a smash - er


               
                  
Pno.        
                                 

 

   
rall.



18

 
           
 These


Gilbert

are rash times So we need to think rash - er

 
  
          

    

                   

Pno.   
     mf

                      
           
     

MOTHER DEAR: "He’s off his crumpet!"


JOYCE: "Pay no attention to him, Mother."
Steady 4 q = 106

 

22 GILBERT


Gilbert          


mp You'll have pork You'll have tripe You'll have

   
     
           
      
          
        
mp    
  
Pno.
          

    




  

25

      

Gilbert          
 chit
 


- ter - lings and of - fal You'll have crack - ling that's the crunch - i - est and then You'll have

  
     



        
  
      






      
   mf 
                
 
Pno.
    
        
 

5.5.11 Betty Blue Eyes


No.11 - Steal The Pig
3

 
                 
28


Gilbert     
 hocks


You'll have lard But I can't stand here andwaf-fle There's a ban - quet out there walk- ing round it's

 
      
          
           
   
  
       
      
               
Pno. mp

        
    

JOYCE: "You’re right, Mother. Starvation

 
has loosed his moorings."


31
   
GILBERT


Gilbert       
 pen


You'll have leg You'll have loin You'll have

    

      

      
   
    
      
        
  
mp
Pno. p      
                
          
         

 
34
   

Gilbert             
 liv - er
 


  
Where's the sher - ry? I might need a swig Just to

           
        
           

Pno.  
           
          

 
    
37

             

Gilbert     
 give me the strength As I go to this length I'll do the deedto - night


And stealthe

       
    
          
 
              
 
     
  
    
    
   
 
Pno. mf

   
         
   
   
Betty Blue Eyes 5.5.11
No.11 - Steal The Pig
4

JOYCE: "What pig?" GILBERT: "There’s a pig. At Sutcliffe Farm. Belongs to Swaby and the rest - but it could be ours!"

 
41 GILBERT


Gilbert          
 pig


mf It takes

                     


       
      


  
 
p 
                 
                 mf
         
Pno. f

                
  


 
   
45

      

Gilbert           
 heart


It takes nerve It takes guts if we're to fight'em For they think they are the rul - ers of the

 
      
                    
    

    

     
          
Pno.
            
             
                 

 
  
48

      

Gilbert        
 land


They have wealth They have power And they will ad in - fi - ni - tum Un - less

      



     
                
  

   
             
 
  

         
Pno.
        
   
      
  
 
   

    


 

  
51
   

Gilbert               
 sim


- ple folk rise up and take a stand It takes gall It takes grit It takes

   

  
       
                  
        
  
     
Pno.
       
        

 
       
        

5.5.11 Betty Blue Eyes
No.11 - Steal The Pig

 
5
54
   

          
 gump-tion
Gilbert
 


All it means is I have to think big In the

          
                      
              
  
Pno.     

 
  
      
        

 
   
57

              

Gilbert       
 still of the night When there's no - one in sight I'll creep up to the farm


      
And steal the

      
    


 
          
       
  

                
mp f


Pno.
    
 
   

 
Con Moto q = 120
61

      
 pig
Gilbert


    

LOCKWOOD

  
   

Company

mf All our pre - - - par -


 
  


 

  
         
             

     
f          mp    
     
Pno.

         

Betty Blue Eyes 5.5.11


No.11 - Steal The Pig

  LOCKWOOD
6 64

     
     
Company at - ions will soon be com - plete

 
SWABY

 
   


With our

     

      
  
   
                                   
Pno.

                         

  SWABY    
67
    
 


Company

sto - - machs rum - bling at the thought of fresh cooked

     
           
     
   
         
           
Pno.

        
                 

  
70
   
ALLARDYCE

   
 mf

 
And great men will proud - - ly

LOCKWOOD

Company         
 mf And great men will proud - - ly
 
SWABY
     
 


 
meat And great men will proud - - ly


  
 

     
             
                             
 
Pno. mf

                
            

5.5.11 Betty Blue Eyes


No.11 - Steal The Pig

 
7
 
73
       
   
 will proud - ly boast Of the func- tion they were
smp
          
   

Company

will proud - ly boast Of the func- tion they were


smp
     
   
 


boast Of the func- tion they were
smp

    
 
   
 
        
               
 

smp

     
Pno. f
   
              
    

      
76
  
   
 priv - y to Our fine pork

      
    
 priv-vy to
Company

Our fine pork

      

  


priv - y to Our fine pork

        
 
                    
 
    
mf
                 
           
Pno.

          
  

Betty Blue Eyes 5.5.11


No.11 - Steal The Pig
8

 
Angry q = q
79 WORMOLD

Wormold         

 
mf There'll be no fur- tive feasts

  
WOMEN
     
  

  
   
f
Fair shares fair shares for all
 MEN
    
     
  
f Fair shares Fair shares for all
 
   
 roast
Company

 
   
 roast
 
    


roast
           
          
                              

  
 
              
Pno.   

               
          
  

 
83

Wormold      


For those

      
 
  
 
 
   
Company Fair shares fair shares for all
 
    
 

MEN

    



 
Fair shares Fair shares for all
     
     
                  
                  
Pno.    

              
        

5.5.11 Betty Blue Eyes
No.11 - Steal The Pig

 
86 9
    
        


Wormold


who act like beasts mp Our count - ry paid the cost

 

    
    
    


          
     
     
Pno. mp

           
 
 

   
89

   

Wormold             


Think of the men we lost The rumb - ling stom- ach cuts no

     



   
       
                               
  
Pno. 

         


 
rall.

92


Wormold      

  


ice This is our sac - ri - -

       
  
 
           
 
   
 
          
 

Pno. mf

     

    

Betty Blue Eyes 5.5.11


No.11 - Steal The Pig
10

 
95 Steady 4 q = 110
Joyce                

f
We'll have pies And pa - té We'll have ba - con We will

              


Gilbert

f We'll have pies And pa - té We'll have ba - con

 
  

Wormold

fice
 
TOWNSPEOPLE


           


Company
f Pies! Pa - té! Ba - con!

                        
    
             
                 
                    
   
f
  
Pno.


    
    
  
     
  
      
    
       

 

   
99

         
Joyce       
show them each and eve - ry prig Though they may rule this town They will


           

Gilbert

Though they may rule this town They will



          


Company

Though they may rule this town They will

   
    

        




     
         
               
  
     
Pno.
 
  
     

 
 
 
 

5.5.11 Betty Blue Eyes


No.11 - Steal The Pig

  
11

         
102

Joyce       
not keep us down It's time to prove our worth So steal the

 
            

Gilbert

not keep us down It's time to prove our worth

     
     
          
  


Company

not keep us down It's time to prove our worth

    
    
   

    

   
       
      
      
  

f
Pno.
 

    


  
      
        
   
 
105 In 2 h = 100

Joyce     
pig

GILBERT


      

Gilbert


ff At a girl
       
           
                        
   
  
  
 
Pno. 
   
     

    
 
sfz

  
 
109

   
3
Joyce 
   
They leave us no
       

3
      

Gilbert


 Joyce! It's eat or be eat - en They leave us no

       
        
        
    
      
   
Pno.
       
ff

   
   

 
  
5.5.11
Betty Blue Eyes
No.11 - Steal The Pig
12

 
113 rit.

         
Joyce
  
choice I re- fuse to be bea - ten ff More than
    
       

Gilbert

choice I re- fuse to be bea - ten ff More than


 
            
    
f ff
Company
      
We re- fuse to be bea - ten More than
 

   


f ff More than
We re- fuse to be bea - ten
    
      
 
       
     

   
    
   
     
    

       
  
Pno.
   
      
            
 
     


 
Battle March q = 100

                
119

Joyce      
pork More than meat It's for ven - geance that we're yearn- ing We will scup - per thisfinesup- per that they

           

          
 pork
Gilbert

More than meat It's for ven - geance that we're yearn- ing We will scup - per thisfinesup- per that they

  

           

  
Company pork More than meat It's for ven - geance that we're yearn- ing

     

    


pork More than meat It's for ven - geance that we're yearn- ing

    
                    
                     
           
Pno. ff
          
              
   
  
  

5.5.11 Betty Blue Eyes


No.11 - Steal The Pig
13

 
  
122

Joyce               

planned We'll re - gain self - re- spect For at last the worm is turn - ing For the

  
         
      

Gilbert

planned We'll re - gain self - re- spect For at last the worm is turn - ing For the

  
       
Fair shares

Company
 
f

  
   


   
Fair shares


 
   
          
                       
           

       
Pno.
    
                 
        
     

  
Più mosso
     
125

Joyce             
first time we will havethe up - per hand We'll have strength We'll have might We'll have

 
                  
 first time
Gilbert

we will havethe up - per hand We'll have strength We'll have might We'll have

  
       
Company Fair shares mp Ah
 

       


Fair shares
   
  
        
                      
              
  
 

  
Pno. mf
    
         

  

 
  

Betty Blue Eyes 5.5.11


No.11 - Steal The Pig
14

 

Più piu q = 114
 
128
  
Joyce  

            
just - ice And the joy is no - bod - y will twig No - bo - dy No - bo - dy



mf
    
               
 just - ice
Gilbert

And the joy is no - bod - y will twig No - bo - dy No - bo - dy

  
   
   
f

  
Joy
Company
  
       


            
   
              
      
  
   
Pno.
      f

                  
     
 

  
132

Joyce                     

No - bo - dy Come the day come the hour It's not pork This is

 
f
                   

Gilbert

No - bo - dy Come the day come the hour It's not pork This is

 
 

            

Company f Come the day come the hour Its not pork This is
            

     


         
                   
            
    
  
  
mf f
Pno.
      
       
            
  
    

5.5.11 Betty Blue Eyes
No.11 - Steal The Pig
15

 
     
136

Joyce              
power We must dothedeed to - night And steal the pig!


mf

            
 power
Gilbert

We must dothedeed to - night


     

Wormold

  
      
ff power!
  
Company

 
   




 
      
  
         
  
         

     
         
          

ff
Pno.    
    
subito mp

  
        
    
  

     
    
 

 
140 JOYCE: "And when you return -- sexual intercourse will be in order!"

Wormold            
 f
Ev - er on - ward we'll fight There is
      
+TOWN COUNCIL

     
 f
Ev - er on - ward we'll fight There is
Company

            


f


Ev - er on - ward we'll fight There is

 
f
      
               
  


  
              
 
   
mf

Pno.
   
     
 
     

Betty Blue Eyes 5.5.11


No.11 - Steal The Pig
16

 
143
         
Joyce       
So just you wait and see ff We'll dig for vic - to -
      
          

Gilbert
ff
So just you wait and see We'll dig for vic - to -
         
        
 glo - ry in sight
Wormold

So just you wait and see ff We'll dig for vic - to -


         
      
SOP

 
glo - ry in sight f So just you wait and see We'll dig for vic - to -
          
   
ALTO

   
glo - ry in sight f So just you wait and see ff We'll dig for vic - to -

Company
   
    
TENOR

        
 glo - ry in sight f
So just you wait and see ff We'll dig for vic - to -
    

BASS

             
 glo - ry in sight


f ff
So just you wait and see We'll dig for vic - to -

 


     
       

          
  
      
         
      
 
       
Pno. f
    
            
   

  
       
 
   


5.5.11 Betty Blue Eyes


No.11 - Steal The Pig
17

 
poco rit.
147

Joyce      
ry

    


Gilbert

ry


     
 ry
Wormold

   
 
ry

   

    
ry
Company

   

 
 ry

   

     
 ry



               
                           
        
                 
                     
    
ff            
        
  
    
fff
Pno.
   
                         
                      
            
                 
    

Betty Blue Eyes 5.5.11


No. 11a - Entr'Acte

Lyrics by Anthony Drewe Music by George Stiles


   
Grandly in 2 h = 110
  
     
      
 
   

      
     
Piano    
   
ff


  
   
 
   



6 poco rall.
  
   
 
  




  
Pno. fp
    


    
  

10 A Little Broader h = 90
  
       
   

         
   
          
   
f
           

    
Pno.




        


f
  
            
      
   

14

   
    

         
    
          
               
           
    
Pno.

  
             
       
 
This score is the property of and should be returned to:
Betty Blue Eyes Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB. 22.4.11
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.

2 No.11a - Entr'Acte

  
18
     
              
   
       

       
Pno.       


       
    


     

22
 
            
 

          
 


       

      
           
  
Pno.


     
       


 
   


26
  
       
   

         
   
          
    

           
             
  
Pno.

  
            


    
    
 

30
   
     
     
 
          
                 
    
     
Pno.

        
     
   
    
22.4.11 Betty Blue Eyes

No.11a - Entr'Acte 3


34

         
   

 
 

    
       
         
 
Pno.


    
      
        
   
   
38

  
  
 
    
    
  

  
 

Pno.

  
 
    
  
  
  


41 Più mosso h = 96  
 


Tbn.     

f

 
                
   
    
    
 

Pno. mf
      

            

           

   
45

Tpt.            

         
      
 
   


Tbn.

                                 
           
Pno. f
 
         
     

Betty Blue Eyes 22.4.11


4 No.11a - Entr'Acte

   
49

Tpt.   
               
 
            



Tbn.

  
 
     
            
               
    
    
 
Pno.
    
      
  
       
   

 
82
     
Tpt.  
        

f
      
 
 
     


    
Tbn.  

                                
 
Pno. f
 
         
     

  
86

Tpt.              

  

     


Tbn.
  

   

   
                  
           
   
     
Pno.
 
           
  


22.4.11 Betty Blue Eyes
 
No.11a - Entr'Acte 5
           
94

Tpt.    

    
 


        
Tbn.
     
 
    
        


     
        
Pno. f 

 
         
   

      
   


   
97

Tpt.   

Tbn.
     
   

 
     
ff
 
         
   
 
3
        
        
3 3
         
Pno.                     
    
   
  
 
    
ff
  
               
       
  
  


 
101

Tpt.      

 

Tbn.     


     

 

    
    
Pno.

         
        
        
       
                       

                      
           
   
Betty Blue Eyes 22.4.11
No.12 - Another Little Victory
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "Mustn't let the neigbours get wind!"


Military Swing q = 144

   GILBERT: "You look ravishing!" JOYCE: "And you have never looked more dashing."


Gilbert      

 
           
               
               
p
Piano
    
             
 

 
GILBERT: "Why, if I didn't know better, I'd swear you were the Duchess of Pork!" (Swung quavers)
5 JOYCE: "And you must be Sir Francis Bacon!"
Joyce       
 

It's a -


    


Gilbert  
  
It's a -
 
      
    
             
      
Pno.
       
  
            
 

   
9

Joyce               
            
 
noth- er lit - tle vic - tor - y for lit - tle Eng - land An - oth - er lit - tle feath- er in our cap You


Gilbert              
            



noth- er lit - tle vic - tor - y for lit - tle Eng - land An - oth - er lit - tle feath- er in our cap You


3
 
      
 
     
   
        
       

Pno.
   
   
             
 
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No.12 - Another Little Victory
2

 
13

Joyce  
         
           
wake up fear - ing what an - oth - er day may bring and Look at what just fell in - to our lap


                       

Gilbert


wake up fear - ing what an - oth - er day may bring and Look at what just fell in - to our lap

 
   
   
       
         
   
Pno.
         
   
            
  

  
17

Joyce                 
 
Though thehoi - ty toi - ty willbe deep ly sha - ken When they see that we are bring - ing home the ba - con

 

Gilbert                 
  


Though thehoi - ty toi - ty willbe deep ly sha - ken When they see that we are bring - ing home the ba - con


               
               
Pno.       
                 
          

 
21

              
3
Joyce  
  
Let them sit and stew in it 'cos they'll be hav - ing none It's a -



  
3
             

Gilbert
  


Let them sit and stew in it 'cos they'll be hav - ing none It's a -

 
          
         
      
       
Pno.
 
       
           
       

22.4.11 Betty Blue Eyes


No.12 - Another Little Victory
3

  
25

Joyce               
          
noth - er lit - tle vic - to - ry for lit - tle Eng - land And this time It real - ly feels as if we

 
    
                    


Gilbert

noth - er lit - tle vic - to - ry for lit - tle Eng - land And this time It real - ly feels as if we

      
       




 
     
   
Pno.    
     
      
   

 
29 JOYCE: "Gilbert! It's doing it's business!" GILBERT: "I can see that."

Joyce      
won

 
     

Gilbert


won

 
   

         
           
Pno. mp                

    
            
 

 
33 JOYCE: "I can't bear it. Do something!" GILBERT: "What do you want me to do - get a cork?"

Joyce       
 
mf It's a-


       
  
Gilbert


mf It's a-

    


     

 
               
      
Pno.        
      
        
 

Betty Blue Eyes 22.4.11


No.12 - Another Little Victory

 
4 37 
Joyce             
           

noth- er lit - tle vic to - ry for lit - tle Eng - land An - oth - er lit - tle ar- row in our bow



Gilbert              
            


 noth- er lit - tle vic to - ry for lit - tle Eng - land An - oth - er lit - tle ar- row in our bow

It's

 
3
 
  
  

        
        
Pno. mf
           
 
                 
    

 
41

         
Gilbert     
         


fun - ny how it on - ly takes the slight - est thing and Sud- den ly we're peop - le they should know

 
       



    
       
       
       
            
Pno.

               
 

  
45 JOYCE


Joyce         

          


Though you often seem to be a cow - ard - y cust-ard This time Gil - bert you have real - ly cut the must-ard

     
             
             
mp                
Pno.              
     
  

 
49

    
3
Joyce            
  

Now get on and fin - ish it This job that you've be - gun mf It's a -

 


      

Gilbert

    mf It's a -

        
     
        
      
        
 
  
  
Pno.

         
    
   

22.4.11 Betty Blue Eyes


No.12 - Another Little Victory

 
5

53

Joyce              
           
noth- er lit - tle vic - to - ry for lit - tle Eng - land And this time It real-ly feels as if we

  
f
                   
    

Gilbert


noth- er lit - tle vic - to - ry for lit - tle Eng - land and this time It real-ly feels as if we

    


 
 
             
        
    
Pno.

mf f
 
     

          
    
 
  

   
57 SWABY: "Gone? What do you mean, gone?" SUTCLIFFE: "As in no longer there!" LOCKWOOD: "Where did it go?"

Joyce      


won

 
Gilbert      




won

                 
     
      
Pno. mp          
        
 
  
 
 
61 SWABY: "How do I know where a pig goes in the middle of the night? The local pub?" ALLARDYCE: "Oh dear, oh dear..."


Company      



            
                 
               
Pno.
 
        
  
 

 
ALLARDYCE: "What if she was pig-napped?" SWABY: "Would you calm yourself? LOCKWOOD: "This was your responsibility."
65


Company      



                 
                 
   
               
 
Pno.

    
   
 
Betty Blue Eyes 22.4.11
No.12 - Another Little Victory

 
6 SUTCLIFFE: "I'm a farmer, not a night watchman." ALLARDYCE: "Was there a ransom note?
69 Should we offer a reward?" SWABY: "For an unlicensed pig?" LOCKWOOD: "We'd all be arrested."

 


   

Company

                


       
Pno.
         
    
 
  
 

 
73 SUTCLIFFE: "That thing should've been ground into sausagemeat."ALLARDYCE: "Oh, my Betty! My poor, dear Betty!"


Company     

    
    
       
       
Pno.   
  
mf
      
         
           
Più mosso  
 
76 ALLARDYCE + LOCKWOOD

                    
      
Company Gone! The pig has gone! The pig has gone! And knocked us off our perch

                  
SWABY + SUTCLIFFE

  
     


Gone! The pig has gone! The pig has gone! And knocked us off our perch

       
    
       
              
f               
 
Pno.

         

 
    
           
   
      
Gone! Gone! Gone! in the lurch
  
80 A

              
 L
Gone! Gone! Gone! in the lurch
Company

     
SWABY & SUTCLIFFE
           
    


Gone! The pig has gone! The pig has gone And left us in the lurch

 
       
    
      
              
Pno.             mf
 
            
 


          
  
22.4.11 Betty Blue Eyes
No.12 - Another Little Victory

 
poco rall. 7

84

Joyce        
mf
It's a -
 
Gilbert        
 Be - gin the search
mf
It's a -

       

   


Be - gin the search
Company
  
     
  
 


Be - gin the search


3

          
     

 

   

 
  

Pno.
   
3 f

          
   

     
3

          
87 Military Swing q = 144

Joyce                 
noth- er lit - tle vic - to - ry for lit - tle Eng - land An - oth- er lit - tle chance for us to shine I-

  

         
Gilbert             
 noth-er lit - tle vic-to - ry for lit - tle Eng-land An - oth-er lit - tle chance for us to shine



3

  
         

 
      
    
           
mf      
 
Pno. 3
 
3
         
       
         


 
91
         


Joyce           


mag - ine we could meet the daught - er of our King and Have her and the Prince come round to dine


    
           


      
   
Pno.           
        
          
          

Betty Blue Eyes 22.4.11


No.12 - Another Little Victory

 
8

95 Regal


   


Company  
The Prince and Princess enter

       
3
  
      
3
          




  
      
mf           
      
      
Pno.
      

 

  
99 PRINCESS ELIZABETH


Company           


mp How do you do Charm - ing charm - ing

              
   
                
              
   
          
Pno.
   

  
103 PRINCE PHILIP


Company  
  
  
      


How ve - - ry nice to meet you Thank you Thank you

      
          
 
    
           
 
         
     
         
Pno.
        

 
Swing
108 JOYCE 

Joyce           

       


Just be - tween our - selves Ithink we'llsoon be head - ing South tojoin her fam- ily at the Roy - al wed - ding
mp
3
  3
   
   
         
     
             
       
Pno.
      
           
  

22.4.11 Betty Blue Eyes


No.12 - Another Little Victory

 
9
112

Joyce                
Peo - ple look- ing up to us our mo - ment in the sun


         

  


Gilbert

Our mo - ment in the sun It's a -


              
                 
mf
Pno. mf

     
           

  
    
   

  
116

Joyce        
          
It's a - noth- er lit -tle vic to - ry And this time It real - ly feels as if we

  
     


       

    


Gilbert

noth- er lit -tle vic to - ry for lit - tle Eng - land And this time It real - ly feels as if we

     
 
 
 
         
 
      
 
     
   
Pno.   f

     
 
     

     
          

Betty Blue Eyes 22.4.11


No.12 - Another Little Victory
10 q = h Straight feel

 
120 Rapturously in 2 h = 80

    

Joyce


won

    

Gilbert
won
TOWNSPEOPLE

 S
   
        
f Look! It's Joyce and Gil - bert And look who's

  
A
         
f
Company Look! It's Joyce and Gil - bert And look who's
        
   
T

 f Look! It's Joyce and Gil - bert And look who's

          


B


f Look! It's Joyce and Gil - bert And look who's
    
     
  
  




 
 
 


   

Pno. f
   
         
 
3

      

  
 3

    
124

       
    
with them The Prin - cess They are quite clear - ly

   
mp
    
       
with them The Prin - cess They are quite clear - ly
 
Company
   mp

        
 with
   
them The Prin - cess They are quite clear - ly

  
mp

  

     


with them 
The
 
Prin - cess They are quite clear - ly

       
       
  
        
   mp cresc. poco a poco
Pno.
     
      
    
  

22.4.11 Betty Blue Eyes
No.12 - Another Little Victory
11

   
molto rall.

  
128

 
     
peop - le we real - ly ought to know It's a -
f ff


 
  

  
   

   
peop - le we real - ly ought to know It's a -
Company
  
f ff

  
 peop
     

- le we real - ly ought to know ff It's a -
  
 

f
      


peop - le we real - ly ought to know It's a -


 

           
       

f
Pno.
     
       
          
      
 3   

RADIO BROADCASTER: "It’s another little victory for little England. Another little jewel in the crown."



Military Swing q = 144


132

                      



noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew - el in the crown We

                       


Company noth - er lit - tle vic - to - ry

for lit - tle Eng - land A - noth- er lit - tle jew - el in the crown We

                       
 noth-er lit - tle vic - to - ry for lit - tle Eng - land A - noth-er

    
lit - tle jew - el in the crown We
                  

 


noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew - el in the crown We

      
       
              
          
           
Pno.
 ff      
              
       
         

Betty Blue Eyes 22.4.11


No.12 - Another Little Victory
12

  
136

          
           
nev - er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town

 
          
           

        
nev - er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town

Company

          
 
 nev-er thought we'd ev - er get

the chance to sing and Hang the flags and bunt- ing in the town
         
     

     


nev - er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town


   



       
            
   
       
      
Pno.
       

   
       
           
    

  
140 mf

Joyce          
            
 
See the way that eve - ry - one is look - ing at you May - be giv - en time they will e - rect a sta - tue
mf  
                      
 See the way that eve - ry -one is look - ing  
Gilbert

at you May - be giv - en time they will e - rect a sta - tue

  
    
 
p Ah Ah

   
    

p Ah

Company Ah
  
     
 Ah

Ah
  


 


p
Ah
           
   
            

mf
      
  
Pno.
         
   

22.4.11 Betty Blue Eyes


No.12 - Another Little Victory


144 13
   
3
Joyce               
 
Some - thing to com - mem- or - ate the good that we have done It's a
 
               
3

 Some-thing to com-mem-or-ate the good that we have done  
Gilbert

It's a

       
 
Ah It's a -

      
Ah
Company
  
    
 Ah
 
It's a -
       
 


Ah All the good they've done
       
      
            
  
    
Pno.
        
     
  

3

  Più 
 
148 mosso
   
Joyce  
        
 
    
noth - er lit - tle vic - to - ry for lit - tle Eng - land And this time this time

 
       
 noth-er lit - tle vic - to - ry for lit
Gilbert
 

  
- tle Eng - land And this time this time

            
  
noth - er lit - tle vic - to - ry for lit - tle Eng - land And this time this time

        
       
 
f
Company It's a - noth - er lit - tle vic - to - ry And this time this time

            
 noth-er lit - tle vic - to - ry for lit
 
  
- tle Eng - land And this time this time
     

        


It's a - noth - er lit - tle vic - to - ry And this time this time

        


 


           
Pno.      

 
 
      
   
   
  

Betty Blue Eyes 22.4.11


No.12 - Another Little Victory


14

 
152 rall.

Joyce     
  
 
ff It's

   
this time a -

   
  
 this time
Gilbert
 
ff It's

 
a -
 
PRINCESS ELIZABETH
    
  

 
ff One more time!

 
this time
 
SOP + ALTO

       
  
  
Company this time ff It's a -

   
  
 this time
 

ff It's a -
   

      


 
this time
 
It's a -
   
 
  
 


   
 
   



  
    
   
  
ff 3

Pno.


     
   
3
   

 
       
156 
  
Joyce         
         
         
noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew- el in the crown We

Gilbert                        


   
 
noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew- el in the crown We
      
     
ff How do you  do Charm - ing charm - ing
        
                     
Company 
noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew- el in the crown We
        
                    


           
noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew- el in the crown We
            
 
 


noth- er lit - tle vic - to - ry for lit - tle Eng - land A - noth- er lit - tle jew- el in the crown We

      
        
  
           
       

              
Pno.      
     
            
           
   
22.4.11 Betty Blue Eyes
No.12 - Another Little Victory

  
160 15

Joyce          
           
nev er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town
           
Gilbert             

   
nev er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town
     
 
 

How ve - - ry
 nice to meet you Thank you


           
           
Company 
nev er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town
            
             
 
        
nev er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town
           
 



nev er thought we'd ev - er get the chance to sing and Hang the flags and bunt- ing in the town
   
 
           

      

         
          
     
    
Pno.

         
   
          
   
   
164 mf

Joyce        
              
 
 
See the way that eve- ry - one is look ing at you May - be giv - en time they will e - rect a sta - tue
mf
      
                

Gilbert
 
See the way that eve- ry - one is look ing at you May - be giv - en time they will e - rect a sta - tue
     
       
SOP p Ah Ah
 
      
   


ALTO p Ah

Ah

Company
   
     


p Ah
 
TEN

Ah

  


 
p Ah
   
BASS

           
            
  
mf        
     
Pno.
        
    

Betty Blue Eyes 22.4.11


No.12 - Another Little Victory

 
16 168
       
3

Joyce             

Some - thing tocom - mem- or - ate the good that we have done It's a
        
3

            

Gilbert

Some - thing tocom - mem- or - ate the good that we have done It's a
    
     

Ah It's a -
  
       
Ah
Company
   
      


Ah It's a -

       
  
 


Ah All the good they've done
       
           
      

  
      

 
 
Pno.
         
      
   

  
3

    
172

Joyce         
           
noth- er lit - tle vic - to-ry for lit - tle

Eng - land And this time it real - ly feels as if we
      
     
             

Gilbert

noth- er lit - tle vic - to-ry for lit - tle



Eng - land And this time it real - ly feels as if we

      
    
             
noth- er lit - tle vic - to-ry for lit - tle Eng - land And this time it real - ly feels as if we
  
              
       
f It's a - noth- er lit - tle vic - to-ry And this time

it real - ly feels as if
we
   
Company
    
                 

     
noth- er lit - tle vic - to-ry for lit - tle 
Eng - land And this time it

real - ly feels as if we


              
 


  
   
It's a - noth- er lit - tle vic - to-ry And this time it real - ly feels as if we
  
         
            
 
        
      
   
  
       
Pno.
 
    
  
       
     


      
  
22.4.11 Betty Blue Eyes
No.12 - Another Little Victory

  
17
177 Uproarious Swing q = 180
    
Joyce   
won

        

Gilbert
won
   
     
    
won

        
won
Company
 
 
 
 
    
 won
   

        


won
 
 
     
      
          
       
        
         
         
fff

   
Pno.
 




 
      
       
  
 
APPLAUSE SEGUE
No.12a - ALV - Play Off

Betty Blue Eyes 22.4.11


No. 12a - Another Little Victory - Play Off
Lyrics by Anthony Drewe Music by George Stiles

CUE: APPLAUSE SEGUE: No 12



Military Swing q = 144
 
      
 
         

         
   
ff  
  
  
Piano
       
3

3
 
   

  
 


JOYCE: "Now kill it! Slit it's throat!"

 
 
molto rall. Meno Mosso
 
5
     
  

  

 

mp l.r.
  
Pno. dim. a niente
    

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
Full Score

No.12b - Steal The Pig - Reprise


Lyrics by Anthony Drewe Music by George Stiles
CUE: JOYCE: "Surely you can dispatch one pig so that we may eat.
It's doing it's business again!"

Steady 4 q = 110

  GILBERT: "With that?"


JOYCE: "Screw your courage to the sticking place and kill it. Now!"
Joyce        



    

 

 

 

       
Piano p    
                          
     
   

 

JOYCE: "It's not the instrument, Gilbert. It's the will." JOYCE
5


Joyce        


   
mf You want pork You want tripe You want



             



    
mf    
        
Pno.

 
             
  

 

 
Joyce             
8

       


   
saus - a - ges and trot- ters You want ham un - til it comes out of your ears You want

     
     
    
     

   
           
   
           
     

           
Pno.
  
     
         
     
Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No.12b - Steal The Pig - Reprise

 
          
11


Joyce    
          


ribs go - ing spare Then you have to show thoserot - ters We are not a pair of no - bod - ies we're

           
   
          
         
     
             
               
Pno.
     
       
     
   

 
Piu mosso
14

                 



Joyce

peers mp You want pies And pa - té You want ba - con We will

       
             

               
        
              
  
 
       
Pno.
 mp
        
       


 
17


Joyce              
     


show them each and eve - ry prig Though they may rule this town They will

    

          




   
     
          
                  
 
  
mf

   
  
Pno.

       
   
 


 
20

   
Joyce              
   


not keep us down It's time to prove our worth And kill the

      
    
   
      
         
            

      
 
 
f
 
Pno.

    
             
       
   
22.4.11 Betty Blue Eyes
No.12b - Steal The Pig - Reprise 3
JOYCE:
"And until you do,

 
sexual intercourse will
Grandly q = 120

    
23 not be in order."
f


Joyce   
 

  




pig kill the pig kill the pig

                           


   
  
 
      
             
fp

  
 
Pno.
  
 
  
 
      
     
   


  
 
 

             
27

     
3 3 3
     
3
f
Pno.
         

 
3 3 3 3

SEGUE AS ONE
No 13 ILL WIND

Betty Blue Eyes 22.4.11


Full Score

No.13 - It's An Ill Wind


Lyrics by Anthony Drewe Music by George Stiles

CUE: SEGUE AS ONE FROM No 12b

 
Prowling q. = 80

Joyce        


LADIES

Company
         


Sniff sniff sniff

                          
          
                  
                        
Piano 

                
 
  

 
  
5 MRS TILLBROOK


Company            
 


mp
Sniff sniff sniff sniff It's an


                              
                           
Pno.          mp               

        
      

    

 
     
9


Company   
  
   


 
ill wind that blows No - bo - dy an - y good

  

         
                 
                         
Pno.                   


                     
   
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.13 - It's An Ill Wind

 
   
13

  

Company          


   
Some - thing real - ly stinks Here in the neigh - bour hood I

  

         
      
        
                       
Pno.                     

                 

  
   

     
17
  
  
Company    
               


don't know where it's com - ing from I find it an af - front - 'ry

               
      
     
                         
                       
            
 
    

Pno.

  

 


21
 


Company              
 

      

Count - ry smells are al - ways bet - ter left In the

              


     
          
 
                  
  

     

Pno.


         

 
25

Joyce       


Company
       
 
  


            
count - ry

                 
                         
                      
Pno. mf  

                

   
 

22.4.11 Betty Blue Eyes


No.13 - It's An Ill Wind 3

 
29 MOTHER DEAR: "I can smell something, Joyce. Can you smell it?"


Joyce       


                   
                   
                
                   
p
Pno.
  


 

33 JOYCE: "I don’t smell a thing." MOTHER DEAR sniffs herself. LADIES


Joyce         


   
                
   
Sniff sniff sniff

             


               
Pno.
                     



 
37 MOTHER DEAR: "Is it me?" JOYCE: "It’s not you. Now, eat your breakfast."

Joyce       

   
LADIES


Company            


 
Sniff sniff sniff sniff mf
It's an


           
      
     
   

 
   
    
 
   
      

  
   
   
Pno. f

   
    
   
   
  
 
    
41

   
      
  
Company ill wind that blows What is that aw - ful pong?


 
        



Aw - ful pong!
  

         
                 
                         
mf                   
         
Pno.

   
    
         
 
       
  

Betty Blue Eyes 22.4.11


4 No.13 - It's An Ill Wind

 
    
45

  
   
    
  
Company Some - one should get help Some - thing is clear-ly wrong One's


        


Clear- ly wrong

  

         
      
           
                      



                  
 
Pno.
            
   

      
  
    
    

     
49
  
  
Company    
               


 
morn - ing con - st - tu - tion - al And some - one has to spoil it

            
      
     
                         
                       
 
             
Pno.

 
   
           

  
53
 
 
          

   

 


Company
 
Eve - ry - where we turn we catch a whiff Of a

 
       



Catch a whiff Of a

                




           








                  
   
      
Pno.

           
     

22.4.11 Betty Blue Eyes


No.13 - It's An Ill Wind 5

 
57

              
    
  p
Company toi - let Just sup - pose it's some - thing dan - ger - ous


          
         


p
toi - let Just sup - pose it's some - thing dan - ger - ous

      

                    
  
          

Pno.
   p
                
   
   

 

61

         
      
    


Company Dropped here by the hun? Once it's got you by the nost - rils you're

 
 
    
           


Dropped here by the hun? Once it's got you by the nost - rils you're

         



                       
       
Pno. mf p
                        
       

 
   
65

               

in a co - ma mp It's our du - ty to in - ves - ti - gate
Company

            
             


in a co - ma mp It's our du - ty to in - ves - ti - gate

               
    
 
    
        
      


mp
                   
Pno.

                  
   
mf

Betty Blue Eyes 22.4.11


6 No.13 - It's An Ill Wind

  

69
                
   


Some - thing must be done We will sniff out what is caus- ing the


Company

    
  
              
      


Some - thing must be done We will sniff out what is caus- ing the

               
       
       

          
    
    
mf mp

          
Pno.

                         

 
       
73

   

 
foul a - ro - ma

  
Company f Then

  
           
 


foul a - ro - ma Then

   
         
     

             
         
mf      
   
     
 
Pno.


       
                  
     

  

f


  
77
 
  
mp

 
Then Sniff We'll breath ea - sy a -


Company

           


Sniff mp We'll breath ea - sy a -





      
            
      



Pno.
 
f
     
     
   

22.4.11 Betty Blue Eyes
  
No.13 - It's An Ill Wind 7



80

    
gain

   
Company

 
   


gain

       

              

     
          
                   
                     
   
Pno. mf
 
                




    
  
           

      
84
     
        

        

   

    

ff

  

     

Pno.

   
            
         


    
   
   
  
           
           
88

              
     

         
    
 
     
Pno.

     
            
  


         
     
       
                    
92

          
                       
      

            
Pno.


       
   


        


 
   

 

      
 
  
                       
96

             
                  

 
Pno. mp p

     
sfz

 
      
  
 
   

s.


glis


Betty Blue Eyes 22.4.11
8 No.13 - It's An Ill Wind

 
100


Joyce     


                 
                     
          
Pno. ff

 

   
     
  
        
  
  

 
104 JOYCE: "Why, Mrs. Tillbrook, what a pleasant surprise!"



   


Joyce


     

           
p
Pno.
       



 
MRS. TILLBROOK: "There’s a distinctly un-pleasant odour emanating from your premises."

108

 
   


Joyce

                 


                    
                
Pno.
                    
 


 
112 JOYCE: "It’s Mother Dear. Ate something she’s not getting along with, I’m afraid. Keeps bringing it up. And up. And up."


   


Company 

                 


                     
          
Pno.
                    


22.4.11 Betty Blue Eyes


No.13 - It's An Ill Wind 9

 
Ill wind that


116
 
  

Company   
   
 
 


f

            
It's an ill wind that blows no - bo - dy

               


                 
            
           
 

f

      
Pno.


 

  
 
  
 
   
   
f   
 

    
blows Stinks in the

   
120

    
  



  
    
Company


an - y good Some - thing real - ly stinks Here in the

    
                      
     
                         
Pno.                   

  
 
     
          
   
   
          
  

    
neigh - bour - hood

      
124


Company                  
        
   


 
 
mf
neigh - bour -hood We find it so mal - od - or - ous We

               
               
          
Pno.          mf           
 
   
    
  
 
   

        


   

 

128
    
        

Company  

 

  
   
      


hope it quick - ly pas - ses Clear - ly there ap - pears to be a
  
      
                   
                      
                       
         
Pno.

     
       

           
Betty Blue Eyes 22.4.11
10 No.13 - It's An Ill Wind

     
132

     


  
Company  
        
   
 With the source of the
 


link stink Which is mak - ing us
   
  
     
   






        
      
  


Pno.
    
    


    

 

136

 

Company   
 



think think think

    


   







         
      
     



Pno. mp
    
        

  

139


Company       


  
  
p


Low - er clas - ses

    
    
 
  
        
      
p     

ff

 
Pno.


  
 
   
      

    
 


ILL - WIND PLAYOFF


  
        
               
     
143

  
        
         fff
 
     
.

Pno.
gliss

ff
 
mf

        
  

  
      
sfz  
    
 
           
  
   
22.4.11 Betty Blue Eyes
No.14 - Pig, No Pig!

Lyrics by Anthony Drewe Music by George Stiles


CUE: JOYCE: "Look, I'll make it easier for you. Remember the little ditties we used
to sing together when I was a child? Well, here's a new one."

 
Perky q = 170 JOYCE

  
        
Joyce
      


mp Some lit - tle pig - gies go to mark - et Some lit - tle pig - gies stay at home

  
  
Piano solo
          
  
mp

Piano
    

    
   
  

 
MOTHER DEAR:
6

  
"Roast beef!"
               
Joyce
        


Some lit - tle pig - gies have roast beef While oth - er lit - tle pig - gies have none But

  
sneak orch in
        
   


 
 
Pno.
      


 

  

 
Freely poco rall.
10

 
                              
Joyce 


there's a lit - tle pig - gie that I'm tel- ling you a - bout It's a sec - ret lit - tle pig - gie don't let an - y - one find out


only orch, no piano
  
   

 






 
 







Pno.
     
  

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.14 - Pig, No Pig!

 
Steady 2 q = 100
14

Joyce           
       
mp
There's a pig in the house

 
  
    


Mother
Dear  
mp In this
     
            
                  
       
   
 
mp
 
Pno.
             
 


 
18

Joyce           
    
Here with us But we

   
          
   
Mother
 


Dear
house There's a pig in the house?
        
            
                  
               
         
   
Pno.
  
            

 
22
 

Joyce                    
  


don't want an - y fuss With a pig in the house Best we

               
        
             
               
  
Pno.
 

       
        
 

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 3

   

26
 

Joyce   
    


        
keep it to our - selves It's im - port - ant you re - mem - ber In case

         


       







   
Pno.
   
      
     

 
MOTHER DEAR: "But I thought..." "...you said..."
30

  
 
 
        
 


   
  
Joyce

an - y - bo - dy delves There's no pig in the house If you


    
    
        
               
        
 

Pno.  
        
       
  
 

 
34





Joyce           
          
         
think a - bout it thus There's no pig in the house If it's

    
       
                  
                
  

   
       
Pno.
    
      
      
     

 
38

Joyce            
 
an - y - one but us There's just

 
 
         


Mother
Dear  
mf
There's no pig in the house
        
            



                 
               
Pno.
            
     
   

Betty Blue Eyes 22.4.11


4 No.14 - Pig, No Pig!

 
42


Joyce    
  


      

Gil - bert Joyce and you But when no - one else is

          
            
             


     
             
  
 
Pno.

          
         
   

  
46


Joyce                
    


look - ing There's a lit - tle pig - gy too
         
            
                  

 
         

  
Pno.
          
     

Swung in 4 q = 134
 
50 mf

Dear 


         
        
Mother
 
Pig, no pig Pig, no pig You think I've gone loop - y loo

         
                   
             
3
Pno.
mf
       
  
 


 
53

Dear 
         


   
Mother

Pig, no pig Pig, no pig

 
   
               
   
   
         
       
Pno.
        
 
  

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 5

 
56

Dear 
   
       
Mother
  


   
I know what you're trying to do Fill my head with non - sense Then

      
  
                     
        
   
Pno.
  
  
 

 
59

Dear 
            
3

           
Mother


3
sayI've gonebe - serk, Lock me in the nut - house Well that's nev -er going to work There's

   
3 3
  
3 3
         
    




        
    
        
      
Pno.
  


 
62

          
Dear 
 
3
  
         
Mother


no way you are shut - ting me In - side a loon- y bin No not by the hairs on my chin - ny chin

 
    
     

                

   
    
 
Pno.

       
3

      
 

 
MOTHER DEAR: "You want to put me away, don't you?" JOYCE: "No one wants to put you away!"
66 GILBERT is about to correct that statement, but before he can speak: JOYCE: "Shut up, Gilbert."

  
Mother      


Dear
chin

   
                                                 

 3            
   
Pno.

mp
    
  
           
     
    
Betty Blue Eyes 22.4.11
6 No.14 - Pig, No Pig!

MOTHER DEAR: "Dr. Swaby put Mrs. Beevers away when she didn't know her times tables or who the P.M. was." JOYCE: "This
isn't like Mrs. Beevers, love. We're just trying to tell you there's a pig, so in case you see it, you know you're not going bananas."

 
70

Dear 
    


Mother

     
       
      
         
         

 
Pno.   3

     
               
                  

 
GILBERT: "Although she is going bananas."
74 MOTHER DEAR: "I could eat a banana." JOYCE: "There are no bananas!..." (straight)
Joyce         
 
mf

There's a
    

Gilbert       



     
There's a

       
mf

     
         

      

 

Pno.  
     
                
                 

  
78
Quicker 2 q = 110

Joyce       
        
 
pig in the house There's a
MOTHER DEAR:
   
         
"In the attic?"

Mother
Dear
  
There's a pig in the house

         
   
      
 


  
Gilbert

pig in the house It is un - der our roof There's a

                 
                   
mf
       
Pno.

              
    
 
 

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 7

  
82

  
Joyce      
             
pig in the house Take a sniff and there's your proof There's a
   
Mother
   
     
Dear
  
There's a pig in the house
  

Gilbert             


 
 pig

                
in the house There's a

                  

             
Pno.

           
  

   

86
       
Joyce             
 
pig in the house That we must not give a - way So if
    
Mother
Dear          
There's a pig in the house


   


   

Gilbert               
 pig
 
        
in the house That we must not give a - way So if

        


                
        
    
         
Pno.
    
 
   
 
     
        
     
  

 
90

Joyce             
       
an - y - one should vis - it It's im - por - tant that you say There's no

 
   
   


  
 an
Gilbert
       
- y - one should vis - it It's im - por - tant that you say There's no

 
 
  
               
            
        
  
Pno.
 

          
       
   
 
Betty Blue Eyes 22.4.11
No.14 - Pig, No Pig!

  
8
94
 
    
    
         
 
Joyce

pig in the house In - case an - y - one com - plains There's no


 
Mother
           
Dear 
No pig in the house

 
  


    
 pig
Gilbert

     


    
       
        
  
Pno.
  
            
  
 


  
98

Joyce      
       
pig in the house
   
Mother
   
       
Dear
  
There's no pig in the house There's no
  

Gilbert   


         
     

               
in the house It's a prob - lem with the drains
    
         
    
   
Pno.
  

      
   



 
102

Joyce          
 
There's just Gil - bert Joyce and you
 
Mother
Dear               
pig in the house There's just me and


Gilbert          



There's just Gil - bert Joyce and you

          


               





      
Pno.
        
      
     

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 9

  
106

Joyce            
  
But when no - one else is look - ing
 
Mother
             

Dear
 
both of you There's a lit - tle pig - gy

 
        




Gilbert
  
But when no - one else is look - ing

        


                 
 
   
  

 mp
   

Pno.

             
      
  


  
110 JOYCE: "Isn’t that simple? Now, let's suppose that nosey Mrs Tillbrook were to come around again."

Dear 
       


Mother

too?
 
         
             
       
            
Pno.                 
    




BETTY’S HEAD pops out from the cupboard

 
JOYCE (cont.): " What do we say?"
116 under the stairs -but is only seen by MOTHER DEAR.

 
     


Mother
Dear

 
without pause
 

       
  


         
    
Pno.
               
 
 

Betty Blue Eyes 22.4.11


10 No.14 - Pig, No Pig!

Swung In 4 q = 136

 
120

Joyce       
 
  
 
f No pig! No pig!

        
    
Mother
Dear
 
Pig! Pig! Can it do me an - y harm?


Gilbert         

     


f No pig! No pig!

        
              
             
Pno. f 3

       
     
       
     


 
123

Joyce        
     
No pig! No pig!

Mother
        
Dear 
Pig! Pig!


 
    

     


Gilbert

No pig! No pig!

         
          
          
             
Pno.
        
            


    

 
126

Dear 
  
3

            
Mother
  


Shoud- n't it be on a farm? Can't be that hy - gen - ic There's dis-

 
              





                  mf
Pno.

            
           

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig!
 
11
129

Joyce        
It

Dear 
           
3 3 3 3
Mother            


3
eas - es you can get What wrong witha bud - gie Or a lit - tle fur- ry pet?

   
3 3
 
3 3
         
            
         
Pno.    
    
        
            

 
132


Joyce                     
3

      


won't be stop - ping long SoI've beenprom - ised by my spouse So let's justpre - tend there's nopig in our

  

  
                 
 
    
     
Pno.

       
3

       
 

 
136

Joyce             
       
house. There's no pig in our house. there's no pig in our
 mf
Mother
Dear           
there's no pig in our

          
mf

 
     


Gilbert

There's no pig in our house. there's no pig in our


mf
     
       
                 
   
                 
Pno.            
    
   
     

   
    

Betty Blue Eyes 22.4.11


12 No.14 - Pig, No Pig!

 
140 JOYCE: "There! I believe we’re all of one mind." GILBERT: (agreeing) "Bonkers."

Joyce       
house.

Mother
Dear       
house.


Gilbert       
 house.


   
3
        
3
3 
       
3 3
            
        
    
    
           
mp
Pno.



 
143 JOYCE: "Now show her the creature."


Gilbert         


There's no

 
      
  

       
   
        
3

  
Pno.
   
 

 
Faster in 2 q = 120 JOYCE: "How?"
    
147
    

Gilbert                


  
pig in the house She es - caped! From her sty! There's no
    
            
   
      
     
          
Pno. mf
            
    
         

22.4.11 Betty Blue Eyes
No.14 - Pig, No Pig! 13

   
151

Joyce        
mf But it
 
Mother
    
      
Dear  
mf Well they
 
say that pigs might fly

  
  
     
 pig


Gilbert

  
in the

house
     
        
 
   
         
       
 
   
Pno.
                
 
          

    
155
 

Joyce             
   


can't just es - cape She'll be dirt - y - ing my floor 
        
         
           



    
 
DOORBELL

    
Pno.
     
  

 
159


Joyce             
      


  
And of course with per - fect tim - ing Now there's some - one at the
   
       
      



   
Pno.
  
            
   
 

  
GILBERT: "Who is it?" JOYCE: (peering through the curtain) "Veronica Allardyce. It’s time for her lesson."
163

  


Joyce      

door

 
                
 mp 
Pno.
 
    


Betty Blue Eyes 22.4.11


14 No.14 - Pig, No Pig!

 
GILBERT: "Send her away!" JOYCE: "That might arouse suspicion. I’ll see to Veronica, you see to that pig."
167

 


Joyce     

        
                 
        
Pno.
   



SHE sends him off, regains her composure, opens the door JOYCE: "Good morning Veronica.".

 
VERONICA stands there with her customary scowl.
171

Dear 


MOTHER
Mother        
mp
 

     
There's a

         


          
           





 
        
mp

        
Pno.
   
f
          
UKE INTRO

 
                  

 
177

Dear 


  
                       
Mother

pig in the house In this house here with usThere's a pig in the housebut we don't want an - y fuss With a

                  
               

               
Pno.

  


   
181

              
Dear 

           
Mother


pig in the house Best we keep it to our - selves It's im - por - tant you re- mem - ber in case an - y - bo - dy
         
         
                      
         
         
         
   
Pno.

  

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 15

 
JOYCE: "That’s enough, Mother Dear." (to VERONICA, covering)
185

Dear 
Mother        



delves


             
      
 
     
Pno.

   

 
189 JOYCE: "Ours is a very musical family. We sing all the time." VERONICA: "Your house smells."

Dear 
    


Mother


         
       
  
Pno.
    
 

 
193 VERONICA: (cont.) "Our house doesn’t smell. My mother says poor people’s houses smell."

Dear 
    


Mother

       
         
       
   

  
  
  
 
           
Pno.                
            
   

 
197 JOYCE: "Your mother is a font of wisdom and compassion."

Dear 
    


Mother

       
         
       
   

  
  
  
 
           
Pno.                
            
   

 
VERONICA: "My coat --" JOYCE: "Best to leave it on. Poor people’s houses are also cold."


201

Dear 
Mother      

                         
       
         
      

    
Pno. mf
               
   
   

Betty Blue Eyes 22.4.11


16 No.14 - Pig, No Pig!

JOYCE: Terrified, VERONICA begins to

 
205 (ordering her) "Now play." (then, ferociously) "Play!" butcher Für Elise, presto.
  
Dear 
Mother         


   
               
         
             
    
            
     

  
             
      
Pno.
    
     

    
209
   

Gilbert              


f Found the pig in the house She's in

 
              

          
        
   
    
Pno. f

 
 
 

 
213

Joyce            
       

Ve - ry good Here's a knife Go and

    
  
     
 there!
Gilbert


In the loo

       
          
          
Pno.
         


   
   

 
217 JOYCE: "Da Capo, Veronica! Mezzo Forte!"
 

Joyce         


     
do what you must do f We'll have

    

                 



    
    
       
             
   
  
   
 
Pno.
 
       
f
  
  
   
   
22.4.11 Betty Blue Eyes
No.14 - Pig, No Pig! 17

 
221


Joyce              
  


ham we'll have chops We'll have tripe and so much more
 
 


     

        
                     
             
Pno.                
  
         
      
      

  
225
 

Joyce                 
    




And a - gain with per - fect tim - ing som - one else is at the



DOORBELL


    
 
      
          
 
         
        
     
Pno.     
     
     
  

  
GILBERT: "Gestapo! Gestapo! Minister of Meat!" JOYCE: "What’s he doing here?"
229

   
         


Joyce

door

                          
     

         
Pno. mf
      
  

Swung In 4 q = 138 MOTHER DEAR: "Is it Dr. Swaby, come to take me away!"

 
GILBERT: "It’s not you they’ll be taking away."
235 f

   
     
   
Mother


Dear
Pig, no pig. Pig, no pig.

 3 
                                           
         
Pno. f
   
   
3
  
3
            
  

Betty Blue Eyes 22.4.11


18 No.14 - Pig, No Pig!

 
239 JOYCE: "That's enough, Mother. We have no choice but to answer it."

Dear 
       
   
Mother


Pig, no pig. Pig, no pig.

 3     
               
                            
   
Pno.
   
     3    3         
       
  

 
Straight GILBERT: "M-- M--Mr. Wormold." WORMOLD: "Chilvers."
243

  
Mother     


Dear

     
 
    
  
   
 
    
Pno.

                
       

 
GILBERT: "Won’t you come in? This is my wife and her mother --"
247

 
Mother     


Dear
f
 
There's no

 
UKE INTRO
 
   
            
  



f 
    
Pno.
     

         
             

 
251

Dear 
       
               
Mother
   


pig in the house If you think a-bout it thus There's no pig in the house If it's an - y - one but us There's no

                       
                          
          
          
     
Pno.            
          

  
 
 
22.4.11 Betty Blue Eyes
No.14 - Pig, No Pig! 19

 
255

Joyce       
 
But there

 
Dear 
            
     
Mother
 


pig in the house There's just me and all of you But when no - one else is look - ing

         
           
       
       
      
         

   
Pno.
   
   
 

 
Suddenly slower
258

Joyce           
is some - bo - dy look- ing

 
       
 
    
Mother
Dear    


But when no - one else is look- ing there's a lit - tle pig - gy too

      
           
  
    
  

    
    
 

Pno. ff
      
      
 
    
 

 
261 A Tempo JOYCE: "That’s lovely, dear, now it’s time for your nap."

Dear 
    


Mother

        
                 

Pno. mp

   
 

Betty Blue Eyes 22.4.11


20 No.14 - Pig, No Pig!

 
WORMOLD: "I believe you and I have some business to attend to --"
265

 


Mother     
Dear

        
                 

Pno.
 

    
 

 


269 JOYCE: "I beesech you, Inspector! He's a good man!" WORMOLD: " -- regarding my feet."

Dear 
Mother     

 
       
           
        
Pno. mf

 
             
      

 
273 JOYCE: "Your feet?" WORMOLD: "I have an appointment."

Dear 
    


Mother

  
 

      

Pno. 
        
  
 
 

   
277 GILBERT: "That's right! Your appointment!" JOYCE: "His appointment!"

Dear 


Mother      

  
legiero
   
       

      
   

         
Pno. mp
    
  


22.4.11 Betty Blue Eyes
No.14 - Pig, No Pig! 21

  
281 GILBERT: "Have a chair!"

Dear 


Mother     

         
                
    

                  
Pno.

  
285 JOYCE: "Gilbert is the finest chiropodist in all the North. They say he has magic fingers."

Dear 


Mother     

         


  
            
    
         
Pno.
    
    

  
289 WORMOLD: "That's what Mrs. Metcalf, the butcher's wife, said -- "

Dear 


Mother     

      
                 
  
   
 
Pno.
          
        

  


293 WORMOLD (cont.): " -- just before they locked her away."

 
Mother    
Dear

        
                
 
     
Pno.
   

         
      
  
    

  
297 JOYCE: "You'll have to forgive us. Mother Dear had a little accident this morning."

Dear 
   


Mother 

         
                 
Pno.    
  

Betty Blue Eyes 22.4.11


22 No.14 - Pig, No Pig!

  
301 JOYCE (cont.): "She's 84 -- and getting a bit careless" WORMOLD: "I can't smell anything."

Dear 
    


Mother

   
              
          
Pno.
         
  
Piano

 

  
305 WORMOLD (cont.): "But then, I can't smell anything. "

 
   


Mother
Dear

       
                  
 
    
     
Pno.
   
  

"Haven't since I was eight years old. German measles." Just then, VERONICA jumps up from the piano, starts to cross the room.

  
309

Dear 
    


Mother

       
                 
 
       
cut piano motif on "german measles"

 
Pno.

     
 

JOYCE: "No --!"


VERNOICA: "A pig! There's a pig!
JOYCE: "Veronica, where are you going?" VERONICA: "The toilet."

  
WORMOLD: "Aaargh!"


313

 
SAFETY

Dear 
Mother      
         
     
    
    
    
    

   

           
Pno.

     
  

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 23
Swung In 4 q = 134

 
318 f

Dear 
     
          
Mother
 


Pig, no pig Pig, no pig You think I've gone loop - y loo
 
  
                                   


      
Pno. f

  
 
  
 

 
321 VERONICA:"There's a pig!"

Dear 
     
     
Mother


 
Pig, no pig Pig, no pig
   
                               
  
 
 
       
Pno.

 
 
  
 

 
324
JOYCE: "A pig in the house-- what an absurd notion!"

  
  
 
Mother
Dear     


I know whatyou're trying to do

                


   

                      

mp
  
Pno.

      
 

 
"The very idea. That's enough practice for today, dear! And don't think I won't report this incident to your mother."
327

 
    


Joyce

     
    
   

 
         
        
               
     
       

Pno.
    
        

Betty Blue Eyes 22.4.11


24 No.14 - Pig, No Pig!
JOYCE (cont.): "As I'm sure she's told you, only poor people lie!"SHE shoves VERNICA out with a SLAM!
Then, spinning around to WORMOLD with a gracious smile: JOYCE: "Children have such overactive imaginations."

 
331



Joyce       

   
                   
        
   
Pno.
   
       
3
      

GILBERT: "Sorry about your foot, Mr. Wormold. I promise to be more careful with the other one."
WORMOLD: "No, no -- that won't be necessary! I've an appointment with an undertaker. JOYCE: "Oh! Please accept my sympathes."

 
335


Gilbert       



     
        
              
                 

            
  
Pno.

         
    
    

WORMOLD: "Save them for him, I received a tip that he and his wife are breeding unregistered chickens in their coffins."

 
339


Gilbert       




 
(not swung)

  

 

 
   

Pno.

                
   

JOYCE: "Can you imagine anything so unpatriotic? Breaks your heart." WORMOLD: "Magic fingers, indeed!"

 
343 SAFETY


Joyce        


 
There's a
f

  
   
   
   

 
 
 
Pno.
  
                  
   

22.4.11 Betty Blue Eyes


No.14 - Pig, No Pig! 25

  Losing
348 It q = 130


Joyce   
  
     
     

  


    
pig in the house But it is - n't going to stay There's a

         
   
            
   
     
Pno.
 
f
         
      
   
352 


Joyce          
     


 
 
pig in the house which you have to put a - way

     

            

fp
 
 
Pno.
       
    
   
  
 
356
  
Joyce              
 No pig! f There's a pig in the house, There's a

Mother
Dear         
f Pig

no pig!


Gilbert           


No pig! There's a

            
         
        


Pno.
          


         
 
  
360
   
Joyce            
pig in the house There's a pig in the house Leav - ing
  
Mother
Dear          
There's a pig in the house Leav - ing

  
 
           
 pig


Gilbert

in the house There's a pig in the house Leav - ing

                
                 
               
 

Pno.

   


 
    

Betty Blue Eyes 22.4.11


No.14 - Pig, No Pig!
 
26
364
  
     
  

 
Joyce

cha - os in it's wake f I thought by


   
Mother
Dear        
cha - os in it's wake
 

Gilbert         

 cha


- os in it's wake

     


        




  







  
            

Pno. ff

    
  
   
   
  
  


  
  
368

Joyce            
  
now you might have learned, ff Be - cause as

  
 
           
Mother
 


Dear
f I think that rot - ten smell's re - turned

   
                 
       
Pno. mf

                 
           


        

 
372 poco rit.

Joyce        
     
    
far as I'm con - cerned I've had as much as I can take
 
          

Mother
Dear
  
ff
I've had as much as I can take


 
        

Gilbert
   


ff I've had as
 
much as I can take

    
           
      
        
       

 
f
  
Pno.

ff
 
     
          

        
    
  
22.4.11 Betty Blue Eyes
No.15 - The Kind Of Man I Am
Lyrics by Anthony Drewe Music by George Stiles

CUE: JOYCE: "What kind of man are you, Gilbert Chilvers? I ask you -- what kind of man?"
With Movement q = 160
  

   
GILBERT

Gilbert   

                


mf You make it sound so ea - sy to per - form one sim - ple task But

  
       
      
 

mf
Piano
        

  

 
6


Gilbert            

     
what I find far hard - er is the fact you have to ask what kind of

        
  
     
Pno.

             
    
  

 
poco rit.

10


Gilbert      
           


man am I As if there's an - y doubt mp What kind of

   
   
 


 
 
 
 

Pno.

      
   

 
14 Meno Mosso poco rit.


Gilbert   
             


 man am I? It's not some - thing I've real - ly thought a - bout

  
        
 
  
      
Pno. mf mp


  

This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.15 - The Kind Of Man I Am

 
With Movement q = 160
18 GILBERT: "What kind of man?"


Gilbert     



 

 



               

Pno. mp
  
 
  
  





Con Ped.

 
22



Gilbert       
 mp

The
   
  

 
  
            


Pno.

  
 
  
  



  
26
 

Gilbert          



         
kind of man she mar- ried Who walked her down the aisle The

 
  

   
 
 

      

 
Pno.

  
  
  





  
30
   

Gilbert         

   


   
kind she could de - pend u - pon The kind who made her smile The

 
    
             


Pno.
    
     
  


22.4.11 Betty Blue Eyes


No.15 - The Kind Of Man I Am 3

 

34
 

Gilbert         

   


kind who still pro - tects her when ev - er things get rough

 
 
      
      
Pno.
         
    

   

38
 

Gilbert             
     


The kind of man who once be - lieved that he was good e -

 
 

    

 


Pno.
   


 

 
42 Lilting q = 160

 
Gilbert     


nough What kind of

  
     
 
 
   
Pno.
     
  
 

  

46


Gilbert     


man Am I? If not Sir




   
     
       
 
      

Pno.
      
 
 

Betty Blue Eyes 22.4.11


4 No.15 - The Kind Of Man I Am

    
50
   

Gilbert        



Gal - a - had at least I know I try Your Li - on -

 
 
 
    
 

 
  

  
 

Pno.
             
 
  

   
54
 

Gilbert 
  


 heart who's gen - tle as a

 
       
       


Pno.
   
         
 


 
57

 
Gilbert       

 


lamb That's the kind of man I

 
 
    
  
 
 
 
mp
    
Pno.

  

 
60

 
Gilbert    


 am

   
  

 
  
            


Pno. mf

  
 
  
  






Con Ped.

22.4.11 Betty Blue Eyes


No.15 - The Kind Of Man I Am 5

 
64


Gilbert        


 mp

The
   
  

 
  
            

Pno.
  
 
  
  



  
68
 

Gilbert          

        


kind of man you turn to who's there in times of need The

 
      

   

   

 
mp

    
Pno.
 
 




  

  
72
   

Gilbert         

     


 
kind who tries his lev - el best but won't al - ways suc - ceed The

    
             

 
   
  

Pno.





 
76
  

Gilbert          

 



kind of man who's stead - fast A man of mod - est dreams


  
       

    

      
   

Pno.
  

Betty Blue Eyes 22.4.11


6 No.15 - The Kind Of Man I Am

 
80


Gilbert             
    


 
A man who dis - ap - points you all to of - ten so it

 
     
  
 

   

Pno.


 

 
Lilting q = 160
84

  
  


Gilbert

seems mf What kind of

  
  

     
    

 
Pno. mf
 

 
   

  

88


    


Gilbert 
 
 man Am I? The kind who

 

 
      
       
 
Pno.
  
   
  
    
 
 

    
92
  

Gilbert        


knows his mind and yet I still fight shy When you con -

 

 
       
       
   
       
Pno.

  
    
 
 

22.4.11 Betty Blue Eyes


No.15 - The Kind Of Man I Am 7

  
96
      

Gilbert   


front me I close up like a clam

  
 
 
           
   
 

 
Pno.
    
     
  


 
100

  
 


Gilbert 
   


That's the kind of man I am

 
  
    
  
  
   
mp

 
Pno.

   

 
 
 

 
104 GILBERT: "It's no good, Joyce, I can't do it."


Gilbert     


      
      
     
      
Pno.
  

 
poco accel.
108


Gilbert      

 
   
 
   
     
       
Pno.

           
 
   
  
 

Betty Blue Eyes 22.4.11


8 No.15 - The Kind Of Man I Am


Animated q = 170
111A 111B 111C 111D



Gilbert      
  
  
        
           

  
f 

   
Pno.


    
     


111E 111F 111G 111H

 



Gilbert       
 f The

         
             
     
  
Pno.


  
     

 


112
 

Gilbert            
 
 kind
      


who would like child - ren but does - n't press the point Who

 
        
            
    
Pno. mf
 
 


  


 
116
 

Gilbert             
 

   


 
mp
let's you make de - ci - sions Then says that they were joint The

    
             

   
Pno.


  
   




22.4.11 Betty Blue Eyes


No.15 - The Kind Of Man I Am 9


120


Gilbert                
 kind


who some how wish - es he po - sessed your ir - on will

      
 
    


mp
  
  
Pno.
 


124
    

Gilbert           
 

   


p The kind of man who hopes that in your heart you love him


      
 
   


Pno.
 p
 
 
    


129


Gilbert      
 
 still


What kind of

 
pp 
 
 

      
Pno.
 
  




 
   

 
133


Gilbert  
   
 
 man


am I? The kind who

  
 

   
 



Pno.
     
  

 
     

Betty Blue Eyes 22.4.11


10 No.15 - The Kind Of Man I Am

 
137
       

Gilbert  
   
 
 lets


you down But does - n't know quite why f The kind who's


       


  
  
Pno. mf

     
    
 

  


  
141
    

Gilbert    
 kind


and al - ways gives a damn

     

 
    
   
 


f
     
Pno.
 
  
     




145


Gilbert       
 
 That's


the kind of man I am

       
  
 

 
mf


Pno.

    
 

 
148 rall.


Gilbert      


  
 mp That's the kind of man I

 
  
     

 


Pno. mp
  
  
  



22.4.11 Betty Blue Eyes


No.15 - The Kind Of Man I Am 11


151 With Movement q = 170

 
   
 am


Gilbert

       
           

    
Pno. mf


  


   




155


Gilbert      


      
            

   
Pno.
    
 


  



159 BARMAN: "'ere you go, Gilbert. Pint of mild." rall.



    

Gilbert

   
              


  
  

Pno.
 
 
 






163 Slower q = 90
   

Gilbert         


mp That's the kind of man I am


  

       
  
  
 
Pno.  mp
mf

   
        
  
  

Betty Blue Eyes 22.4.11
No.16 - A Piss-Stained Piss-Poor Country
Lyrics by Anthony Drewe Music by George Stiles

CUE: SWABY: "I swear I don’t know what this country’s


coming to. By God, we used to stand for something."

 
Lyrically h = 80

    

Noble
Lockwood


SWABY

Swaby  
3
Allardyce     

 


mp I re - mem - ber a

  
               
 
Piano mp 3 3 3

           
 
Con Ped.


N 4


L 3
       
A 


S time when Eng - land stood proud

  


     

3 3
Pno. 3

    

  




7 LOCKWOOD 3

N        

L  
mp Peo - ple knew their po - si - tion
ALLARDYCE



3
      
A
 

S
3


mp
Now we're just part of a crowd

  


       

3
Pno. 3 3

    

 

 

This score is the property of and should be returned to:


Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
2 No.16 - A Piss-Stained Piss-Poor Country


10

N    
L

SWABY 3


A
          


S

Class dis - tinc - tion has got no hope


 
  



  
    

3 3 3 3


Pno. 3
3
    
3
      



   
 


13 poco rall. Slower h = 68

N    
L

 
3
 
3
     
A

 So
    


S

- cial climb - ers are thrown a rope What was sac - ro - sanct

   
         
3

        
  
  
3

3
Pno.
     
   


16 rall.

N    
L

 
  
3

A

 Now
 


S
    
seems vul - gar and loud mp It's a

 
         

     
 
 
Pno.

    


   

22.4.11 Betty Blue Eyes


No.16 - A Piss-Stained Piss-Poor Country 3


Steady q = 100


19 LOCKWOOD
N    

L  
   
Where's our

             

A
      


S

piss - stained piss - poor piss - pot of a count - ry That we'velived in since the war

            
         
          


    
          
Pno. p 


      
     

      
     
    
  


   
23


NOBLE

N  
       

L
 LOCKWOOD
  

   
sense of pride? Where's the good our boys fought for?

 
ALLARDYCE

  
A
        


S


Where's the de - cen- cy and or - der?Where's the good our boys fought for?

    
          
                  
Pno.
     
              
        
    

     


27 N

N        
L
 L
SWABY In this


A
A
         

         



S
S
Eve - ry bug - ger just looks out for him- self And it shocks me to the core In this

                           
      

   
   

           
Pno. mp
     

     

      
      
                 
     
Betty Blue Eyes 22.4.11
4 No.16 - A Piss-Stained Piss-Poor Country


31

     
N        

L
 


piss - stained piss - poor piss - pot of a count - ry that we've

        
 
A
  
 

S
  


piss - stained piss - poor piss - pot of a count - ry that we've

          
  
     
   
     
mp
 
Pno.
  
   
   
poco rall. Astringently h = 80

  
33 39 N
  
3
             

N   
L 3
lived in since the war L When you're scra - ping the

     
A A


3
    
     
S


   


3
lived in since the war S When you're scra - ping the

 
3

            
          
    

 mf
Pno.

3
     
         

     
    
 
40

 
3
       
N
L
 3
bar - rel it's no sur - prise


A


3
S
       


3
bar - rel it's no sur - prise

 
3
    
                   
    
3 3
Pno.

      
3
  
   
    
   
22.4.11 Betty Blue Eyes
No.16 - A Piss-Stained Piss-Poor Country 5

 
43
    
3 3

N          

 
L
3 3
Eve - ry - one wants a hand - out Just watch the scum start to rise

   


A 3 3
             



S

3 3
Eve - ry - one wants a hand - out Just watch the scum start to rise

 
3
 
3
    
                        

         

3
 
3


Pno.
 
             
3 3

    

    
 

 
47

N      
L


SWABY 3

S 
A                 
 Now they talk of the nat - ional health Com - mon hands on the com - mon - wealth


 3 3
  
   
3 3
    
                  
                   
 
Pno. mp  
       
     

 

       
51

3
 
       
N
L  3
Us that's what we de - spise

  
     
3
 
A SWABY



3
S
          
      


 mf
3
And who pays for it? Us that's what we de - spise Is


 3
    
    
3
  
       
 
     
    
Pno.

   
       
   

Betty Blue Eyes 22.4.11


6 No.16 - A Piss-Stained Piss-Poor Country
Più mosso
mp

  
   
A
71
    
 
N 
L  N Aah Ah
SWABY SPOKEN OVER THIS
mp
L        
        
A
   

S

S this what brave men died for De - fend - ing our great na - tion? So

 
ENS MEN - Gutural cries!
    
cresc. poco a poco
     

Bar.      


p
Wuh! Wuh wuh wuh wuh wuh wuh wuh

             
        
       
    
               
Pno.
 
mf
                
  
               

       


75
    
N 
L  Ah Ah


            
  
A
    

S
 
hoy pol - loy and riff raff Get i - deas a - bove their sta - tion

    
             


Bar.

wuh wuh wuh wuh wuh wuh wuh wuh

              
                
               
Pno.
       
          
             

22.4.11 Betty Blue Eyes


No.16 - A Piss-Stained Piss-Poor Country 7

  
79
              

 f Eve
N
L
- ry thing once pri - vate Is fast be - com - ing nat - ional

       
SWABY

           
A

 f Eve
S

- ry thing once pri - vate Is fast be - com - ing nat - ional To

            

   


Bar.  
f Eve - ry thing once pri - vate Is fast be - com - ing nat - ional

 
                  

     
               
Pno. f                  
                 
      
       
          
    
         
         
      
83

           


N

N 
 

L L  

f
But the count - ry's gone ir - ra - tional
  
         
A
    
A
   

S
   
S

    
ra - tion us is one thing But the count - ry's gone ir - ra - tional
   
 


Bar.        
  
f
But the count - ry's gone ir - ra - tional
  
  
    

          
           
     
      
  f 
Pno.
mf
                
             
  
MRS. ALLARDYCE: "Henry!" ALLARDYCE: "Y-yes, dear?"

 
N 87 MRS. ALLARDYCE: "Tell your father what you just told me." VERONICA: "I saw a pig!"
q = 110

  
L
    
A 


S

        
       

               
             
  


           
Pno. mp
         
     
   
           
 
Betty Blue Eyes 22.4.11
8 No.16 - A Piss-Stained Piss-Poor Country

ALLARDYCE: "Don’t tell tales, Veronica, or you’ll get a big nose."

  
N 91 VERONICA: "But I did see a pig! With blue eyes!" SHE points to GILBERT. VERONICA: (cont’d) "At his house!"

  
L
   
A 


S

          


           
              
          
    
Pno.

  
             
   
 

   

SWABY indicates for the other THREE MEN to follow him into the toilets.
The FOUR MEN take up positions at the adjacent urinals. A group unbutton, then....

 
N 94A 94B 95

  
L
     
A 


 
S
 
drips
 
 
  
       


  


  
      
     
  


     


   
Pno. etc. f
 
LH

 
 
                
                
    

    
    
97
    
A

       
 Piss
N
L
    
L piss piss Piss piss piss
    
p

  
 
   
A A
        
 

S

 


 

S


Piss piss piss Piss piss piss

       


  
  

      
          
   
     
mp
Pno.
 
            

     

22.4.11 Betty Blue Eyes
  
No.16 - A Piss-Stained Piss-Poor Country
 9

      
 
101

N 
     
L  Piss

piss
 
piss Piss piss
   
    

S        
A
  
 
 
  



 
Piss piss piss Pi - ss piss

          


       
            

  
      

Pno.
           
 



NOBLE: "You smell a bit rustic. Pig, I’d say." LOCKWOOD: "Alright--How much do you want?" GILBERT: "Beg pardon?"
N 105


L
    
A 


S
tersely
      
      
 
    
mp    
Pno.

          
           


SWABY: "You’ve got something that belongs to us. Something with
N 109 four legs and a curly tail." ALLARDYCE: "Answers to the name of Betty."


L
    
A 


S
   
               
    
      
 
           
Pno.     

            
         
   

Betty Blue Eyes 22.4.11


10 No.16 - A Piss-Stained Piss-Poor Country
ALLARD


113 LOCK/NOBLE core

N        
L
 SWABY core


A         

S           


ff
Eve - ry bug-ger justlooks out for him-self Andit shocksme to the core Inthis

  
   

             
  
                            
      
         
Pno. mf
   
 
           
                    
 
           
 

         
 

   
poco rit.
118 A
 
                 
 N
N   
L

  
piss piss piss-pot of a count - ry that we'velivedin since the war

              
L piss piss
  
     
A
    
 
S

 S



piss - stained piss-poor piss-pot of a count - ry that we'velivedin since the war

        


  
             
              

 
  


ff
  
Pno.

         
       
   
            
 
    
NOBLE: "Shall
we go for Once THEY’RE gone, we hear a toilet
a little stroll? flush and a familiar figure in trenchcoat
The night air will and gloves appears. It’s WORMOLD.

 
do us good."

123


Wormold      

  
     


Pno.
   
 

22.4.11 Betty Blue Eyes


   
No.16 - A Piss-Stained Piss-Poor Country 11
124 Relieved q = 200

   
       

Wormold
p


The set - ting's un -



 
      
  
 
mp
          
Pno.
  
      


  

 
128


Wormold       

     


couth but I flushed out the truth There's the

   


        

 
 
Pno.
 
  

  

 
131


Wormold            


rub It's



              
       

   
         
Pno.
        
       

 
135


Wormold          

     


  
  
strange what you glean when you're in the lat - rine at the

    
           
Pno.
 
   

   
Betty Blue Eyes 22.4.11
12 No.16 - A Piss-Stained Piss-Poor Country

 
139


Wormold         
   


 
pub Their cur - ly

   
               
      
    
Pno.
 
    
              

 
143 Faster in 1 q = 210


Wormold    
 



 mf tail will land

them

     
      

  

  
mf  
Pno.
           
 
            
             

 
Wormold       
147

 
 



 
all in jail You'd


        
  
     
Pno.
 
  

     
        

 


151


Wormold     


  

     
think the town coun - cil would have far more sense

         
     
  
Pno.    
 


        
         
22.4.11 Betty Blue Eyes
No.16 - A Piss-Stained Piss-Poor Country 13

    
155


Wormold        



      
They'll pay dear - ly for such an off - ense

            
   
Pno.
        
 


        
         

   
159


Wormold         


   

 

         
They re - vea - led them - selves in the gents! Now it's

    
  
   

Pno.
   

         
         


      
poco rit.

163
    
  
  



Wormold

    
time That they paid for their

     
      
         
      
     
Pno.

         
 

     
 

  
Pork Pursuit h = 120
167


  



Wormold


crime!
 
         
  
      
               
   
      
f
       
Pno.

 
             
    
               
               
Betty Blue Eyes 22.4.11

14
  No.16 - A Piss-Stained Piss-Poor Country

     

    
      
     
171

                              
 
Pno. 
                
                
            


  
     

     
     
  
175
 
                 
Pno. 
                 

               
          


   
rit.
  
179

         

 
 

    
  

Pno. p
                      

    

22.4.11 Betty Blue Eyes


No.17 - Betty Blue Eyes / Steal The Pig - Reprise
Lyrics by Anthony Drewe Music by George Stiles
CUE: ALLARDYCE: "A -- hammer?"
NUTTALL: "To bash its skull in."
JOYCE: "Why didn’t we think of that? Gilbert, get Mr. Nuttall a hammer."
GILBERT: "No."
JOYCE: "What?"
GILBERT: "I said no!"
(Bar 2 CUT) LOCKWOOD:

 
Freely Con moto h = 76
3 "What?"
GILBERT

  
Gilbert           


 Bet - ty Blue Eyes Bet - ty Blue Eyes When I



  
 
          
mp            



Piano
mf
        

 

 
5


Gilbert       

   


 
look in - to your two eyes I see the heart and

    
        
              
    
 
Pno.
        
  
  

SWABY: "What's he on about?"


GILBERT: "Gentlemen, ..."

 
8 poco rall.


Gilbert       

  


soul of God's cre - a - tion

         
          
   

 
    
       
Pno.
   
  

This score is the property of and should be returned to:


Betty Blue Eyes Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB. 22.4.11
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No.17 - Betty Blue Eyes / Steal The Pig Reprise
GILBERT: (cont.) "... what good is a pig? Other animals offer far more. A horse, for instance, can take you riding. Or run a race. "

 
11 Slower = h = 64


Gilbert      


 
   
pp
    
               

 
p
     
Pno.
       
  

GILBERT: (cont.) " A cow can give you milk and butter and cheese. A lamb can give you wool. A chicken -- eggs!"

 
15

 


   

Gilbert

          
 
      
  
 
Pno.
   
           
   
 

 
GILBERT: (cont.) "But a pig. A pig has only one purpose, save the occasional football. To be eaten."
19


Gilbert      


 
          
        
Pno.
         
    
   

 
GILBERT: (cont.) "... Its flesh is all it has to give. To die for us -- so that we may live. "
23

 
   



Gilbert

  

       
        

Pno. mp
     
   

22.4.11 Betty Blue Eyes


No.17 - Betty Blue Eyes / Steal The Pig Reprise 3

 
27 Animated = h = 76


Gilbert               


mf Bet - ty blue eyes Bet - ty blue eyes When a

     

    
         
 
mf
              
Pno.
 
          
 
 

 
31
 
         


Gilbert  
   


creat - ure such as you dies It's self - less to say the ver - y

   
      
              

 
    
Pno.
   
               
   

 
rall.





35 mp

Allardyce              
 The ver - y least And spare this sim - ple


mf
  
mp
            

Gilbert   


least Let us look to our - selves And spare this sim - ple

 
 
 
   
 
      
  
f mp

Pno.

            
  
 

Betty Blue Eyes 22.4.11


4 No.17 - Betty Blue Eyes / Steal The Pig Reprise

 
39 Steady 4 q = 120 SWABY: "This is preposterous! Get on with it! Kill that pig!"

Allardyce     
 beast


Gilbert     


beast

   



     

    
       
  
Pno. mf         
           
  




 

NUTTALL: "Silly twat!" NUTALL
41


Nuttall    


f With one

 
       
           
  
     
       
     
Pno. f
         




 
          
43


Nuttall         
 blow


            
To the head It's all o - ver in a twink - ling Then I'll joint her up all read - y for the
      
    
                
   
                
f
         
Pno.
               
          
  

 
ALLERDYCE:

  
46 "Oh dear."
      
 
        
 meal
Nuttall


There'll be blood There'll be noise Be - cause pig's have got this ink ling That they're
            
     
   
    
    
      
       
mf 
                
f

      
Pno.
        
       

 
  
22.4.11 Betty Blue Eyes
No.17 - Betty Blue Eyes / Steal The Pig Reprise 5

 
Just then, the doorbell rings.


   
49 We can see that it's WORMOLD.


       
 gon-na die
Nuttall


which makes the bug - gerssqueal

         

 
  
  

           
 
Pno.
         
                 
   
   
 
   

 


52 NOBLE: "It's Wormold!" ALL: "GESTAPO!"


Nuttall     


    
cresc. poco a poco
Pno. p
        
           
           

JOYCE: "Get the creature into the bathroom -- quick! And move the bucket!"

 
56 CUT on Wormold's entry through door


Nuttall     


   

    
 
f

Pno. mf
        
           
           

Betty Blue Eyes 22.4.11


No.17a, b, c & d - Rehearsing
Lyrics by Anthony Drewe Music by George Stiles


17a
CUE: JOYCE: "Right, gentlemen?"

  PLAY  
   

   


17b
PIANO TACET A
2
 
GUIDE ONLY
 
    
N

  
     
L
A pri - vate func- tion

 
S

 


17c
 
4 CUE: JOYCE: "deep manly baritone, Inspector"

 

   
  

17d


CUE: As Joyce leans on piano




PLACE BOTH ARMS
 

5

ON KEYBOARD

 



mf


  







This score is the property of and should be returned to:
Betty Blue Eyes Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB. 22.4.11
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
No.18 - Fair Shares / A Private Function Reprise

Lyrics by Anthony Drewe Music by George Stiles

CUE: NUTALL: "Better put the wireless on and turn up


the volume. It won't be pretty."
JOYCE: "We don't need the wireless."

 
q = 150

 
JOYCE


Joyce        


f

Fair shares Fair shares for all
 
            

   
     
    

       
    
Piano f
    
               
         


  
4

Joyce         
   
That's all we ev - er seek If there's meat on the stall


         



Lockwood
Swaby

mf If there's meat on the stall

   
 
   
                   
                 
      

 

Pno.


     



 
    
   
 
 

     


JOYCE: "Will we be sitting at your table, Dr. Swaby?"
8 (11 & 12 CUT) 13

     
Joyce
   
We'll make it stretch in - to next week

        
   


 We'll make it stretch in - to next week
Lockwood
Swaby


            
   
          
                             
Pno.         mp
   
  


 
 
 
  
            
       
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11
No.18 - Fair Shares / A Private Function Reprise
2

 
f

 
14 (17 & 18 CUT) 19

Joyce        
    
Fair shares Fair shares for all We're up a-gainst the wall With

   
f

          
  
 

Lockwood
Swaby  

     
Fair shares Fair shares for all We're up a-gainst the wall With

   

f
Allardyce  
    

 
     
   
Fair shares Fair shares for all We're up a-gainst the wall With

   
  
                
            
  
  


Vln. 1

      
          
                    

        
   
Pno. f  
       
    
     
      
  

 
20 poco rall.

Joyce      
 
fair shares Fair shares for

     
 fair

Lockwood
Swaby 
shares Fair shares for
  

  
 fair
Allardyce

shares Fair shares for
  
    
 
        
 
 
       
Vln. 1


  
 
poco rall.
   
            
   
   ff 
   
Pno.
  
           
 
  
 
22.4.11 Betty Blue Eyes
No.18 - Fair Shares / A Private Function Reprise

 
Andante 3
22

Joyce     
all

     
 all
Lockwood
Swaby



Allardyce      
 all


                                     
WEDDING BELLS from film soundtrack begin
  

              
Pno. f
  
  
          
      
VOICE OF MOVIETONE NEWS:

 
26 "Today, the people of Britain and the Commonwealth join together to watch and pause and listen as a new era dawns."


Company        


  
Westminster Abbey Organ to bar 44
 
         
   
     
           
 

Pno. mp
          
   
   
    
 
 
30 "Leaving a long dark night behind us, we step bravely into a new day bright with hope."


Company       


              
  
 
   
      
             
  
Pno.
      
 

 
33 "History is being made. Diverse as we may be, we are all united by a common humanity."


Company       


       
       
           

           
 
               
  
 
Pno.

              
    

Betty Blue Eyes 22.4.11


No.18 - Fair Shares / A Private Function Reprise
4

 
36 "Together we share the joy in this shining moment --"


Company       


   
    
         

        

   mf
                  
Pno.

         
   
 

" -- this moment that comes once in a lifetime, and which..."

 
39

     
Company




   
 
              
         
            
       
       
      
Pno.
       

     
    

 
 

 
"...we shall carry with us for the rest of our lives."

42

         

ff A

Company

   


     


    A
 
             
           


  
       
               
       
Pno.

f

         
 
ff

 
    

 
 
22.4.11 Betty Blue Eyes
No.18 - Fair Shares / A Private Function Reprise
5

 

Broadly



45

           
    

   
pri - vate func- tion A bles - sed treat A grand oc - cai - sion as be -
  
Company
      


    

 


pri - vate func- tion A bles - sed treat A grand oc - cai - sion as be -


          
    
            
                       
 

   

Pno. ff
      
    
  
    
   
   
 
    

 
48 TEN / SOP

  
       
ALTO / BAR
 
          
p For

      
Company fits this town's el - ite gen - er - a - tions we'll lookback and say We re

                    


fits this town's el - ite For gen - er - at -ions Look back and say
p


                
                            
      
Pno. mf
 
                        
                       

  
S

  
51 A
        
        T 
mem - ber clear - ly where we were that sac - red day B And great men will proud - ly

 
Company mf
                  

    
 


Re - mem - ber clear - ly where we were that sac - red day And great men will proud - ly
mf

   
             
                  
       
Pno. f
 
              

               
     

Betty Blue Eyes 22.4.11


No.18 - Fair Shares / A Private Function Reprise
6

  
54
                
 
boast Of the func- tion they were priv - y to Our fine Our
Company
            
       


boast Of the func- tion they were priv - y to Our fine Our


              
    
 
 
        



      
  
  
  
Pno.

   
 

       


    
  
57
   
  
 
Our fine pork roast
Company


    
ff

 

     


 Our fine pork roast

        



     
    
         
     
       
  
      
       
 

Pno.
   
ff
 
   
     
        
      


22.4.11 Betty Blue Eyes


No.19 - Finale Ultimo - Confessions

Lyrics by Anthony Drewe Music by George Stiles

CUE: WORMOLD: "I would like to hear what he has to say."


(to GILBERT) "Go on -- speak!"
Freely h = 70

 
GILBERT

Gilbert            
           


mf I think per - haps I should con - fess I think per - haps it would be

      
     
Company Con - fess

      
    


Con - fess
 
   
   
  
         
mf
 
  

Piano

      
   

 
rall.

5

Gilbert                         
 wise I think it's time to tell the truth There will be no more pork - y

 
               
 
Be wise The truth
Company

             
 
  


Be wise The truth
   
  
  
  
   
       
   
           
 
  
   
  
 
 
Pno
  
    
     
        

This score is the property of and should be returned to:


Betty Blue Eyes Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB. 22.4.11
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No.19 - Finale Ultimo - Confessions

 
Deeply Dotted Swing q = 140
9

               
 pies


Gilbert

Yes it's true there was an an - i - mal that



 
       
                    
    
         
Pno
      mp sottovoce  
mf

      
        
 
 

 
12


Gilbert              
 match -es that de-scrip
      


- tion It's true it used to live up at the farm Yes it's


   
          
                          
           
Pno            
 
            



 
15


Gilbert  

            
 true
      


I went and stole it in the mid - dle of the night But I did - n't do it an - y

       
       
                
      
                
Pno           
             
  
 
22.4.11 Betty Blue Eyes
No.19 - Finale Ultimo - Confessions 3

 
18

 
JOYCE

Joyce     
The
 
 
                
 harm
Gilbert


Yes it's true I drove it home And that was real - ly quite a task

      
    
                
               
           
 
Pno

        
      
 

Straight - slower

  
21

Joyce                
smell was o - ver - power - ing so I had to wear a mask

         

  



Gilbert

 
It's true I could - n't kill it once I'd

          
                  





         mf
 
Pno
  
            
 
 

Swing q = 140

 
24
       
Joyce   
      

So it spent a pleas - ant eve - ning play - ing hav - oc with my floors
     

  


Gilbert



got the pig in - doors

   
     
      
     
 p      

Pno   
        
 

Betty Blue Eyes 22.4.11
4 No.19 - Finale Ultimo - Confessions
Straight - recit = q = 120

 
27

 

Gilbert           


I stood there in the kitch- en

     
   
         
   

    

mf
     
  

Pno mp
    

      
 

 
rall.
30
   
                 
 brand-ish - ing a knife
Gilbert


But I knew there was no way I could take that creat - ures life


     
 
 
   
  
Pno
   
 
  

Deeply Dotted Swing q = 140

 
33
       
ALL

          
 
f
The pig's a - live The pig's a - live He stole it from the farm and
Company
 ALL
           

     
 f The pig's a - live


 
The pig's a - live He stole it from the farm and

  
                   

 
                   
         
f      

3

     
Pno

  
           
 
 
 
22.4.11 Betty Blue Eyes
No.19 - Finale Ultimo - Confessions 5

       
36

               
 
sp
Company took it for a drive The creat - ure lives The creat - ure lives And
     
                  
 took it for a drive
  


The creat - ure lives The creat - ure lives sp And

  
             
                    
   
     sp
     
Pno
      
          
      
 
 
 
39
         
         
judg- ing from her face that is - n't some - thing she for- gives

Company
 

         

      



 
judg- ing from her face that is - n't some - thing she for- gives
   
         
          
        
        
  

       
  
    
f

3
Pno
  
       
 
    
  
  

 
 
43 JOYCE: "He didn’t put any paper down. It was a shambles, let me tell you!"


Nuttall    


  
    
     

          
      
Pno 

mp
     
 
mf
   
   


 
GILBERT: NUTTALL
45 "Then when they all came ‘round to claim it, they brought Nuttall with them, to kill the poor creature."


Nuttall        


 mf Yes it's

       
                    
            
               
   mf      
   
mp

Pno
            
  
 

Betty Blue Eyes 22.4.11
6 No.19 - Finale Ultimo - Confessions

 
49


Nuttall     
           
 true I had been sum-moned To per - form a cer -tain du
      


- ty It's true her floors were filth - y from the
 
   

          
                        
          
 mp           
     
Pno

         
 
 

JOYCE gasps

 
at the public
52 humiliation.
Nuttall             
 mud
      
Yes it's true I said to Chilv - er's that he ought to fetch a pail


GILBERT


     


Gilbert


A re -

   
        
                          
  
   
           
   
Pno
         
 

 
55

NUTTALL

Nuttall             
 Yes it's true I had my ham - mer raised For


Gilbert      
    
 cep - ta - cle to catch


the blood

    
    
  
                    
       
       
          

Pno
       
       

 

22.4.11 Betty Blue Eyes
No.19 - Finale Ultimo - Confessions 7

 
58

Nuttall                      
 bash-ing in it's brain When sud - den - ly I felt the most ex - cru - ci - a - ting pain

 
GILBERT


Gilbert     


It's

 
          
       
       
           
      
        

Pno
  
      
        ss.
  gli


Swing q = 140
  
Straight - slower
61
        
        
 true I could-n't bear to see that sim - ple creat-ure dead So I
      


Gilbert


took that me - tal buck - et and I

  
  
 
      


   
 p   

mf
      

Pno

 
    
 



 
64

 
NUTTALL

Nuttall     
 I
 

Gilbert        
 whacked him on the head


 
      
        
         
   
   f

Pno
            

          

Betty Blue Eyes 22.4.11


8 No.19 - Finale Ultimo - Confessions

 
Straight - recit q = 120
67 rall.
   

Nuttall                      
 squealed like a ban-shee


still my head is sore While Chil - vers and that pork - er made their ex - it out the door


     
 
 
 
  

   

 
Pno mp
   


    

Deeply Dotted Swing q = 140

 
71
       
ALL

          
 
Company The pig's a - live The pig's a - live It had a close es - cape and

           

    
ALL

 

  


The pig's a - live The pig's a - live It had a close es - cape and

  
              

        
    
                
         
f      

3
     
 
Pno

 
           
 
 
 

           
74

         
 
sp sf He
    
Company man - aged to sur - vive It is - n't dead It is - n't dead

     
           
 man-aged to sur - vive
 


sp It is - n't dead It is - n't dead sf He

  
                
                    
   
sp      sf
     
Pno
          
         
   
22.4.11 Betty Blue Eyes
No.19 - Finale Ultimo - Confessions 9

 
77
         
         
Company took the met-al buck - et and he whacked him on the head
  

         

      



  
took the met-al buck - et and he whacked him on the head
    
         
                 
           

            
  f
    
3


Pno
 
   
     

    
  
   
 

 
81 GILBERT: "I drove around for ages, wondering what to do."


Allardyce    


  
    
     

          
      
Pno  mp
     
 

     



 
ALLARDYCE
83 "Then it came to me in a flash." "The one place where I knew Betty would be safe."


      


Allardyce

  Yes it's

  
        
 
                     
          
       mf       
      
Pno
    
mp
            
  
 

 
87


Allardyce          
 true he came to
             


my place Seek- ing sanc- tuar - y for Bet - ty It's true that I was hap - py to pro -

 

                 
     


          
 mp   
     
Pno
       
     
 
 
Betty Blue Eyes 22.4.11
10 No.19 - Finale Ultimo - Confessions

 
MRS ALLARDYCE: "Sit down!"
90


Allardyce              
 vide
      


Yes it's true to say my wife was not as eas - y to con - vince But by

         


     
   
       
      
    

   

Pno
 
      
  

 
93

MRS ALLARDYCE
    
Allardyce        
Mrs.

 Yes it's true I had my doubts But then what


        


Allardyce

then we'd got the pig in - side 



           
              
       
       
  

Pno
  
   
      
  


 
96

           
Allardyce  
Mrs.            


real - ly made me fume The bast -ard went up - stairs and start - ed clear - ing out my room It's

           


            
          
 
  
Pno
       
      
 


 
Straight - slower Swing q = 140
    
99
  
Mrs.
Allardyce        
true I'm on the so - fa while he's sleep - ing with a sow
  

    

Allardyce
      


But I don't think that is some - thing that we
 

       

   
   


  
mf

mp
Pno

 
 
 

 
 


22.4.11 Betty Blue Eyes


No.19 - Finale Ultimo - Confessions 11

  
102

Allardyce        
 need go in - to now
  
GILBERT


Gilbert     



I'm

      
mf
  
               
   


      3
Pno mf

    
       
       

    

 
Straight - recit q = 120 rit.
105
   

Gilbert                    
 sor ry for thisup-set


I know I'm to blame But if you knew that pig I bet that you'd have done the same


    
    

   
Pno

   
 
   
       

 
Deeply Dotted Swing q = 140
ff 
  
109

Allardyce           


The pig's a - live The pig's a - live!
         
ALL

         
 
f sp
Company The pig's a - live The pig's a - live Al - though it's true to say their
 ALL
           

     
 f The pig's a - live
  


The pig's a - live sp Al - though it's true to say their

    
                     
               
      
f      
  sp
3

   
Pno

       
           
 
 
Betty Blue Eyes 22.4.11
12 No.19 - Finale Ultimo - Confessions

 
WORMOLD: "Yes
112
   thank you!"
      

Mrs.
Allardyce
f Our marr - iage took a dive
      
                 
ff
     
Company

marr - iage took a dive The pig sur - vived The pig sur - vived

                 
 marr-iage took a dive


ff The pig sur - vived The pig sur - vived

   
                  
          
  
             
  
ff 
     
   
Pno
     
               
 
JOYCE: "I have a
confession of my

 
WORMOLD (cont.): "If what you say is true and the creature is still alive -- then what is that?"
own to make."
 
115



Joyce        



 JOYCE Yes it's


                
                       
             
     
  
Pno
    
sp
         
 
 

 
120
Straight - recit q = 140

         
 


Joyce
             
true the pig es - cap - ing Left us all in quite a pick - le It's true they need - ed some - bo - dy with

    

 

 

Pno mp
   


 
123


Joyce        
         


      
flair Yes it's true I have a tal - ent when I im - pro - vise a meal And the

    
     
 


  


Pno
  
 

22.4.11 Betty Blue Eyes


No.19 - Finale Ultimo - Confessions 13

 
126 A Tempo


Joyce                         


where - with - all is all so rare Yesit's true like oth er wom - en here I'm forced to make ends meet We


  
           
                
 
Pno

  
   


 
130 rit.


Joyce    
    
                   


have to be in-vent - ive when we're sit- ting down to eat And ev - en Margue - rite Pat - ten had no

 
3

   
   
                  
  

Pno mf
      
 

       
133

Joyce              

      
rec - i - pe to suit So I just de - vised my own It's called mock porc roy - ale en croute
WORMOLD
 

 
    


Wormold

It's

   
                
   
   
Pno  
mp
 
    
          


 
Straight - recit q = 120

136


Wormold          
  
   
 not my place to quest-ion
        


cul - in - ary re - pute But what makes up the pork bit of mock


    



 
  

mf 
  
Pno

   


   

Betty Blue Eyes 22.4.11


14 No.19 - Finale Ultimo - Confessions
JOYCE: "It’s Spam. In a pastry shell topped
with seasonal mushrooms and a lot of sherry."
WORMOLD: "And just where would you find

 
rall. enough Span to feed one hundred and fifty people?"

139


MOTHER DEAR

   
Dear 
Mother
 

There's no

 
    

   


Wormold

porc roy - ale en croute?




 
     
 
 
  
Pno

   

 
141 Straight and Freely q = 220

Dear 

 
      
     
Mother
    


pig in the house But there was a lot of Spam There's no

    
             
Pno    
        


 
145

Dear 
          
      


Mother
 

   

pig in the house See I'd got this lit - tle scam I'd been

     
         
   

Pno   
        

   
149

Dear 
          

Mother
 


sav - ing up tins Just to make sure I got fed And I
        
         
         
  
       
   
Pno
 
   

22.4.11 Betty Blue Eyes


No.19 - Finale Ultimo - Confessions 15

 
153

Dear 
Mother              


 
kept them all in sec - ret They were stashed un - der my bed

   
    
            
 
     
  
3
Pno
       
      



CUNLIFFE: "Spam, Swaby? Is this how you honour our Princess? Nobody would dare to get away with a stunt like this"

  
G.P.

157

Dear 


Mother  

  
  


Pno
   


 
Confident h = 76
158 JOYCE


Joyce             
          


mf
   
No - bo - dy No - bo - dy No - bo - dy knows the dif - fer - ence


             
      
   
Pno mf    
  
          
    

   

 
162


Joyce       
         


    
Don't waste it but First taste it and then tell me it's not the real mc -


          
     
   
Pno   
  
         

  

   
Betty Blue Eyes 22.4.11
16 No.19 - Finale Ultimo - Confessions

 
WORMOLD: "Wouldn’t matter to me if I did try it. No tastebuds. You see, as a child I had --"
166

 
    


Joyce

coy


3
3
              
 
 
  
Pno p
    

 
JOYCE: "German measles. I know." To CUNLIFFE "Well?" CUNLIFFE: "You know, it’s not half bad."
170


   


Joyce

brightening
3
        
 
    

 
Pno  
    

 
Picking Up
174

         
JOYCE

         
       
Joyce
f
No - bo - dy No - bo - dy No - bo - dy knows the dif - fer - ence


ALL
    
  
       
Yum! Yum! De - - - li - cious
Company mf
       
       

 Yum!


Yum! De - - - li - cious
       
             
  
   
       
Pno mf

  

   

   

   
 
   

22.4.11 Betty Blue Eyes


No.19 - Finale Ultimo - Confessions 17

 
  
178

Joyce    
         
I'm some - one who knows gas - tron o - my
   
              

f
  
Yum! Yum! Can we have the rec - i - pe?
 
Company

                
 Yum!


Yum! f Can we have the rec - i - pe?

        
                 
        
Pno f

            
    
    

 
rall.

182

Joyce       
      

those who call me a no - bo - dy don't know

 
WORMOLD

       

Wormold
f Your

 
 
       
No - bo - dy

Company
  

    


No - bo - dy

      

                    



         
Pno

  
   
   
 
   

 
186 Straight - recit

         
      
 pet - ty house-hold squab-bles Hold ve - ry lit - tle sway
         


Wormold

A crime has been com - mit - ed And the


   

 






Pno mf 
  
                
               
   
Betty Blue Eyes 22.4.11
18 No.19 - Finale Ultimo - Confessions

 
rall. Tenderly q = 110

189

Wormold     
 cul-prits have to pay
   
 
ALLARDYCE


Allardyce           
  


p The pig's my

friend The pig's my friend

   

  

          

 
                
Pno  p
 
fp
  


MRS ALLARDYCE:

 
"Dear God!"

192
    

Allardyce              
 


And she will live with me un - til the bit - ter end She is a pet

  
          
                  
Pno
 
    
 

 
rit.
 
195

               

Allardyce 
  


She is a pet mp I guar - an - tee this pig is one no slaugh - ter house will

        
       
  
 
   
       
  
mp   
 
   
Pno
         
  

  
SWABY: (to WORMOLD) "Since the animal in question is not to be butchered, ....."
198


 



Allardyce

get

 
      
      

 

  
p

            
Pno


 
  


22.4.11 Betty Blue Eyes


No.19 - Finale Ultimo - Confessions 19
SWABY: (cont.) ".... whether it be licensed or not appears to be irrelevant. Now if you don’t mind,
we’d like to continue with our dinner -- such as it is. Unless it’s now illegal to eat Spam?"

 
201 poco rall.


   


Allardyce 

     
    
  
    
   
        
Pno
    

JOYCE: "It appears your work here is done, Inspector."

  
WORMOLD: "Madam, as long as the beast in Man exists..."

205

 
 


Wormold

 
 
   




Pno
 



  
Evangelical q = 140

    
206
     
 
Wormold      


mp My work is ne - ver done The mis - cre- ants may run

         


      
Pno mp
 
     
     

           
210

  
 
    


Wormold

But they can ne - ver hide I have God on my side


mf
    
     
          
Pno mf
 
          


         mf
 

Betty Blue Eyes 22.4.11
20 No.19 - Finale Ultimo - Confessions

     
214

          

Wormold     


 My paint-brush
  
I'll drive this e - vil from our land in my hand

      
         
           
  
 f    
 

Pno mf
 
Timp roll

         
        


Deeply Dotted Swing q = 154

  ALL 
219

    
                   
 
We've eat -en spam We've eat -en spam It seems the porc roy - al en croute is just a sham
Company
ff
 ALL     
            
           
 ff We've eat-en spam
   


We've eat -en spam It seems the porc roy - al en - croute is just a sham

      
         
               
   
          
    
     
Pno f     
  
 
          
      
    
  
 

  
mf

223

             
       
   
We've allbeen had We've all been had But luck - i - ly for them her dish is real - ly not that
Company
mf
  

                

        


We've allbeen had We've all been had But luck - i - ly for them her dish is real - ly not that

            

     
     

  
           
        
    mf 

Pno
         
       
    

22.4.11 Betty Blue Eyes
No.19 - Finale Ultimo - Confessions 21

 
227 mp sotto voce

   
           
bad Part of the en - joy - ment is the fact we get to taste
Company
mp sotto voce
 

 
           


bad Part of the en - joy - ment is the fact we get to taste

   
      
         



            
Pno f smp
                

 


 
231

    
              
Vict' - ry o - ver Worm - old for the meat that went to waste Plus the plea - sure we de -
Company
   
   


           


Vict' - ry o - ver Worm - old for the meat that went to waste Plus the plea - sure we de -

       


               
         
Pno

           
    
  

  
poco rit.
235 f

ff
 
that
     
 
Company rive Know - ing know - ing that
   
f
  
ff


   


rive Know - ing that


       
        

Pno
f
 
       
 
   

Betty Blue Eyes 22.4.11
22 No.19 - Finale Ultimo - Confessions

 
Swing q = 175
239

          

 
 
      

The pig's a - live The pig's a - live The pig's a - live The pig's a - live
Company

    
The Pig's a - live, the pig's a - live The pig's a - live, the pig's a -
             
   
   

     



The pig's a - live the pig's a - live The pig's a - live the pig's a - live
        
                
              
       
ff
           
 
Pno
        
     

  
 

  
molto rall. A Tempo q = 175
   
243

         
 


The pig's a - live The pig's a - live
Company

        


live The pig's a - live,
  
   
   



The pig's a - live The pig's a - live
    
            
         
 


         
  
         

       
    
Pno f
    
      
               
             
     

   
247

    

  
Company

     


    

 
   



   
           

 
Pno
 ff fff
              
   
      
    

22.4.11 Betty Blue Eyes
No. 19a - Happy Ever After
Lyrics by Anthony Drewe Music by George Stiles

CUE: WAITER: "Telegram for a Mr Gilbert Chilvers?" JOYCE: "I'm his wife - - I'll take it."

 
Freely q = 120

   
     



Gilbert


             
    
mp
3 3

       
Piano

          
   


 
6 JOYCE LEAVES THE BANQUET TO FIND GILBERT STANDING ALONE JOYCE: "Gilbert -- "


Gilbert        



                  
     
 

                 
      

     
Pno.    
   
 
    
pp
Timp roll + cello and bass trem


 
10 GILBERT: "You needn't say it. This is the final indignity. I've disappointed you for the last time...."


Gilbert        


               
  
       

        
            
       
 
Pno.
   

 
   

This score is the property of and should be returned to: 22.4.11
Betty Blue Eyes Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No. 19a - Happy Ever After


GILBERT (cont.): JOYCE:
"I don't blame you if you can no longer stand the sight of me -- " "This came for you. Perhaps you should read it."

 
14 rall.


Gilbert       
 

upbeat

       to No 20

      
   
p


 
       

   



  

Pno.

   
 
SEGUE AS ONE:
No.20 - Magic Fingers - Reprise

22.4.11
Betty Blue Eyes
No.20 - Magic Fingers - Reprise

Lyrics by Anthony Drewe Music by George Stiles

CUE: "SEGUE AS ONE FROM No 19a

PRINCESS ELIZABETH:
"Dear Mr. Chilvers, My husband and I should like to thank you for your exceedingly generous and most gracious gift..."

 
Regal q = 120


Gilbert       


          

      
        
Piano
 
p
     
  
PRINCESS ELIZABETH: (cont.):

 
"... on behalf of yourself and the kind citizens of Shepardsford. The ration coupons you sent helped provide for our wedding banquet."
5


Gilbert      



        
             
   
Pno.
  
    

 
PRINCESS ELIZABETH: (cont.):
9 "Along with every other family in Britain, we too must make do with our fair share."


    



Gilbert

          
      
 
 
  
 
Pno.
   

 

 
PRINCESS ELIZABETH: (cont.):
13 "Your noble sacrifice sets an example to the entire country."




    

Gilbert

 
    
        
  

   

Pno. mp
    
 

Betty Blue Eyes This score is the property of and should be returned to: 22.4.11
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved.
2 No.20 - Magic Fingers - Reprise

 
PRINCESS ELIZABETH: (cont.):
17 "Together we shall survive our ordeal with honour and dignity. Most sincerely yours, Elizabeth Windsor."



    

Gilbert

       
          
     

  
Pno.
   
       

CUE: JOYCE: "You never told me about any coupons." GILBERT: "Just doing my fair share -- putting coupons aside
each week for the past year or so."

 
poco rall. 23 Magically h = 60
 
21


Gilbert     




        
   



  
     
p
Pno.
   
 

    
 

GILBERT: (cont.) "Asking my patients to contribute whatever they could spare.But I never took a single
coupon from your mother -- on my life!"
JOYCE: "You've gone up quite a bit in my estimation. Oh Gilbert, how can I ever -- what can I possibly say,..."

   
25 29



Gilbert      

                   
    
  
  
      
pp

  
Pno.
       
  
     

  
  
 


JOYCE: (cont.) "....except how foolish I was to have ever doubted you -- and that you are still my Lionheart"

 
31

                   


  
  
Pno.
        

22.4.11 Betty Blue Eyes


No.20 - Magic Fingers - Reprise 3
GILBERT

 

35 GILBERT: "I’m not. I never was. I was only doing my duty."


SAFETY
    


Gilbert 
 mp For

  
                 

 last time only?
 cello 
Pno.

            
    

     
      

39
     

Gilbert     


there in the rub - ble I spot - ted an an - gel Her face was so frag - ile and sweet I

           
                                    
                               
Pno. p
     
       

  
43
     
   
Gilbert         
 knew


in that mo - ment that I'd give my life Just to help her get back on her

             
                          
  
              
           
Pno. mp
 
              
  
  

 


46


    


Gilbert 
 feet On her feet

           

           
  
     
      
Pno. p

         
  

Betty Blue Eyes 22.4.11
4 No.20 - Magic Fingers - Reprise

 
rit.
 
49 JOYCE mp


Joyce       
  
Oh my Gil - - - bert You have

 
      
     

    
   


Pno.
   
      

  
 

GILBERT: "I’m a simple man, Joyce. Are you sure

  
Magical h = 60 that’s the kind of man you can be content with?"

52


Joyce          
      


mag - ic fing - ers You have mag - ic hands mp Though I love

  
        
colla voce
         

 
      
      

mp
   
Pno.
       
      
 

 
55

        
Joyce 
  
roast pork, I'm quite con - tent with spam


     
 
   



Gilbert

p That's the kind of man I

 
    


  
p mp p    
 
Pno.

             
     

22.4.11 Betty Blue Eyes


No.20 - Magic Fingers - Reprise 5

  
59 Quicker q = 166 GILBERT: "Shall we go back in?"



Gilbert    



 
am

      
               

   
p

      
Pno.

  




 
63


JOYCE: "I’d prefer it if you would see me home."


Gilbert      


       
   
      
 
   
  
   

   
mp
   
Pno.

      
     
   
 



 
   
       
   
67

     
   
    

Pno.
    
     
  
   
   
 


71

           
 
    
  
Pno.  
  
f
  

 


Betty Blue Eyes 22.4.11

6 No.20 - Magic Fingers - Reprise

 
rall.
 
   

74
 
       


 
 
Pno.
   
     

 
 


  



   
Grandly q = 130
       
            
 
77
         
 

                                     
Pno.              

    
  
    

 
     
       




APPLAUSE SEGUE:
      No.21 - Bows
               
80

  
fp sfz


 
       
 

           
Pno.    
fp sfz

 

   
  
    
 
22.4.11 Betty Blue Eyes
No. 21 - Bows & Playout
Lyrics by Anthony Drewe Music by George Stiles


CUE: APPLAUSE SEGUE FROM No. 20

Far From Austere h = 120


  
    

    
Piano DRUMS
    
 
f


(bars 3 - 10 CUT)

    
11
  
                            
             
f


Pno.
             
    

 
15

     

   
 
                          
              
      
Pno.

 


          
       

 
19

               

     

  
     
  
            
 
Pno.

     
 
  
 
  
 

  
  
This score is the property of and should be returned to:
Cameron Mackintosh Ltd, 1 Bedford Square, London, WC1B 3RB.
Betty Blue Eyes Unauthorised use or reproduction of any part is an infringement of copyright. All rights reserved. 22.4.11

2 No. 21 - Bows & Playout

   
23

        
  

     
       
Pno.  
  

           
  
 
       
    
   



 
 
27 COMPANY


Company              
  
f Good - bye good - bye good - bye au - ste - ri - ty
 
     


     
  
      
   
Pno.
        
    
     
       
 
   
   
   


 
31


Company      
Bri - tain
 
     

        
    
     
                     
 
       
Pno.
  
    


  
      
    
    

 
35

               
  
    
  
     
  
           
 
Pno.

     
 
  
 
  
 

  
  

22.4.11 Betty Blue Eyes



No. 21 - Bows & Playout 3

    
39

           
 
    
        
Pno.  
  

            
 
       
    
     

 
 
43 COMPANY


Company              


  
f Good - bye good - bye good - bye au - ste - ri - ty
    
         
  
  
       
    
f         
       
Pno.

       
    


 
47

     
   


Company Bri - tain
 BOYS  
    
    
      
 f
Good - bye good - bye good - bye good - bye good - bye

  
      

 
       
  

 
  

       
     
Pno.
  


  
     
     
    

     
51

        
  
         
legato

    



           
  
Pno.
     
mf      
                
 

Betty Blue Eyes 22.4.11



4 No. 21 - Bows & Playout

 
55

      
   
   
   
         
     
     
Pno.
    
     
 


      

      


    
 
59
       
  


  
   
    
      

   
   
Pno.
  
     
       
        


 

 
    
63
   
  
      
     
         
   
 
Pno.
 
    
   
f
    
         
        
 

 
67 FULL COMPANY (not Gilbert and Joyce)

         
Company         


f The skies are all blue And the good times are near - er

     
        
                  
  
Pno.
f
     
 
  
 
  
 

  
  

22.4.11 Betty Blue Eyes


No. 21 - Bows & Playout 5

 
71
 

Company          
   


Wom - en wear stock - ings A lit - tle bit sheer - er

      
        

 

      
       
Pno.  
       
    
     

  
  
75

               
    
f


Good - bye good - bye good - bye au - ste - ri - ty

     


Company
  
          
         

 


f
Good - bye good - bye good - bye au - ste - ri - ty

  

                   
         
  
f
Pno.
  
DIXIE ENDING
 
      
 
     
     


79
Big Swing q = 180
 DRUMS
          
    
  

        
                
Pno.
ff   


   
3

         
         
         

83 JOYCE + GILBERT BOW



        
   
  
         
   
  f
         
 

  
                  

       
  
Pno.

f
   
   
   
      
 
  
   

Betty Blue Eyes 22.4.11



6 No. 21 - Bows & Playout
87

   
    

         
    
        
   

          

         
     
Pno.


  
             
     
   

  
91
    
                
   
       
   

        
Pno.    
 


   
            
 
95
 
           
 

             


     
                      
Pno.
   



 
             
   

99
   
     
     
 
          
               
      
     


Pno.

 
    





 


  
      

 
103

          
  

  
 
 
   
    
 
 
       


  
    

      
Pno.

   
  
   
   
      
       

22.4.11 Betty Blue Eyes

No. 21 - Bows & Playout 7

108
 
      


   
    
  
   
 
 
    

         
 
 
  
Pno.
  
 
  
 

fff
 
 
 
ff

       
   
   


  
 
      

Big-Band Foxtrot q = 160

  
113

              
   

ff BAND BOW

                  

         

Pno.


ff    
               
    
         


117


  
     
      

             
               
  
Pno.
   
         
       
     

 
121 GIRLS

       
        
f Bet - ty blue eyes There were nev - er two more
Company

 
BOYS
     


      
 f Bet ty blue eyes There were nev - er two more

            
      
             
  
f
 
Pno.
 
           
 
    
      

Betty Blue Eyes 22.4.11


8 No. 21 - Bows & Playout

  
125
 

       
       
Company true eyes How I love their per - fect pig - men - ta - tion

         
   

  


true eyes How I love their per - fect pig - men - ta - tion

        
          
  
  

              
Pno.
          
     
 

  
129 mf
     
               
Company They're blu - er than the sky a - bove They're deep - er than the

  
   
   


 p Ooh

            
             
            
Pno. mf
 
    

  

    
 

  
133
            
        
 
Company sea I find them so be - guil - ing when they're smi - ling back at
mf

               
   
  


I find them so be - guil - ing when they're smi - ling back at

            
          
         
Pno.
         
     
  

22.4.11 Betty Blue Eyes


No. 21 - Bows & Playout 9

  
f
137
     
         
Company me Bet - ty blue eyes Some folk tend to mis - con -

          
       


me f Bet - ty blue eyes Some folk tend to mis - con -

 
                       
          
  
      
 
Pno. f
           
      
       

  
 
 
141
      
            

   
Company strue eyes But I took just one look and I knew
    
     
  


strue eyes But I took just one look and I knew

          
        
       
      
 
  
Pno.
               
           
  

    
rit.
    
145
       
   

          
Company We will nev - er have eyes for a - ny - one but you

 
             
 
 
   

      


We will nev - er have eyes for a - ny - one but you


             
   
      
       
      


Pno.
     
     
    
 

Betty Blue Eyes 22.4.11


10 No. 21 - Bows & Playout

  
149 Slowly BETTY

Betty    

   
         

I will nev - er have eyes for an - y - one but
 
      

 
Company
 
    


     
      
 


   

Pno.
   
 

 
153 Swung Più mosso q = 180

Betty    
   

you

      
Company You
You
    
  
  


 You

  
3
    3
    
            

 
3 3
    
  
 
 
  
mp

Pno.
                
             
  

 
157

Betty       

You
  
      


Company You

   
      


 3 

   
              
3
       
  
            
       

        
f
Pno.           
  
            
      

22.4.11 Betty Blue Eyes


No. 21 - Bows & Playout 11

  
G.P. for applause Jitterbug h = 130

161

          
You!

Company

     
    


 
You!


  
    
             
ff f

Pno. DRUM FILL


         




165

BAND SOLOS
  
       
f

               
Pno.             
f


      
        
 

169
   
       

                 
Pno.        


 
     
      

173
   
       

               
Pno.             

        
         

Betty Blue Eyes 22.4.11



12 No. 21 - Bows & Playout
177
   
         
          
       
Pno.         



     
      

   

181
          
     

        


 
       
   
   

              
Pno.


          
     

 
185
            
 

    
      
       
 
     
         
 
Pno.


     
        
 

     
189
            
   

        



Pno.     

 
 
 
   


     
      
   

 
193
          
  

  
    
      
     
.
    gliss
 
Pno.


gliss.


 
     
        

22.4.11 Betty Blue Eyes



No. 21 - Bows & Playout 13
 
      
197
  
                
          
Pno. ff
 

     
   
    



               
201


 
   
                 


Pno.
 
     
   
      

205
   
MORE BAND SOLOS
     
     
f
 
   
                  
               
Pno.



         
   
        

209      
 
       
        
         
    
    
 
     

Pno.

 


     

   
  

213      
   
     

 
                  
               
Pno.


         
      
   

Betty Blue Eyes 22.4.11



14 No. 21 - Bows & Playout
217      
   
       

 
       
            
       
Pno.


        
  
   

      
221

       
    





 

          


  
           
   
        
Pno.
  


          

     

     
 
   


             

225          
  
       

  

   
              
              
            
 
Pno.


     
    
   

    
              
229


     

       



       
  
   
 
    
    
 
Pno.
  
  
cresc. poco a poco
   
        
     
   


 
    
     
      
 
   
     
 
233


        
     
       
  
  
Pno. ff
   
         
           

22.4.11 Betty Blue Eyes



No. 21 - Bows & Playout 15

 

237
  
 
 



    
 


  
fff

Pno.
     
 
    
  
   
 


Betty Blue Eyes 22.4.11

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