Commissioned by the Mooresville “Spotlighters”” ‘Mooresville, Indiana... Director, Flaine Moebius And So It Goes Foc sage Seppe Saw ot Performance Notes: In general, a little quicker with phrase beginnings (2 DJJ) and alte slower at phrase endings. The chythms Fh, 3. and F. should always sound relaxed and unhusried. If in doubt, always et the Iyice be your guide. Unhurried, with much rubato (4 = 60) 1 2 Soprano = ‘Ato 2 ey inci SaaS Sat nf Tenor Tass sanc - tu-ar-y safe and strong. To heal the wounds from lovers ‘one_comes a ~ long. Copyright © 1983 JOBL SONGS ‘This arrangement Copyright © 1990 JOEL SONGS All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. AIL Rights Reserved International Copyright Secured _ Used by PermissionTr in cau - tious tones; you an - swered me with Si-lence is my_self de - fense. And ev-'ry time _— a SL seems I on-ly felt the thorns. AND SO IT GOES — SATBgoes, and so it goes, and so will you soon I sup- mt So I that would be my worst mis - take. will share this room with ie tempo unis. (opt. solo)* % And you can have this.heart to break. Hm a tempo| tunis. (opt. solo} Seg * options: s single voice, a dustin octaves, oral voices AND 50 IT GOES ~ SAT.knows. So ‘AND 0 IT Goes — sare just as well I would choose (ay All for all I've And this is you're the on - ly one why__ my eyes are whoif the choice_were mine to make. But you can make. de - ci -sions — azempo unis, (opt. solo) 33 And you can have this-heart to break. = Him > atempo |—~ unis. (opt. soto) is) het And sojit All goes, and so it goes, and you're the on - ly_one who knows. ite dima, P fay [AND 50 IT GOES — SATB