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Kingsoft Office}{\info {\title Ellipsis is both a narrative device and the most
basic idea in film editing. Ellipsis concerns the omission of a section of the}
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and the most basic idea in film editing. Ellipsis concerns the omission of a
section of the story that is either obvious enough for the public to fill in or
concealed for a narrative purpose, such as suspense or mystery.}{\b0 \i0 \fs21
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superfluous or able to be understood from contextual clues.}{\b0 \i0 \fs21
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Filmmaking is the representation of life but with the boring parts eliminated. With
the goal to enlighten, move, and excite a demanding crowd, films must be stripped
from all the \uc1 \u8220 ?dull bits\uc1 \u8221 ? that could annoy the spectator.}
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\cgrid1 \chcbpat18 \cf1 Screenwriters, with the }{\b0 \i0 \fs21 \kerning2 \dbch
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maxim, are always pressed to pen scripts that don\uc1 \u8217 ?t include minutia. If
a scene opens with a college professor writing on the whiteboard, the audience will
assume that earlier that the day, the instructor got up, had breakfast, brushed his
teeth, drove to work, parked the car, greeted his colleagues, went to his
classroom, greeted the students, rummaged through his briefcase, and grabbed a
marker\uc1 \u8230 ? There is no need to show the obvious and the tedious. And
unless the professor is going to write something important on the whiteboard,
starting the scene later in his office during a fit with one the students would be
a better, more exciting opening.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3
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\loch \f9 \cgrid1 \chcbpat13 \cf1 The Film Critic's Insight}{\b1 \i0 \fs24
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\dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3
\loch \f9 \cgrid1 \chcbpat13 \cf1 One of the most used and boring clich\uc1 \u233 ?
s in cinema is to start a movie with the main character waking up. This has been
done in many movies and even books. It might seem natural to show the early moments
of a character's routine, but this is actually a deal breaker for the audience.
Eyes shut, an strident alarm, a lazy character late for work have all been done too
often.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
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classic, try hooking the audience with a more exciting, relevant moment of the
character's day. What if you open your film with a mean boss shouting, \uc1
\u8220 ?Damn you, Charlie. You are fired!\uc1 \u8221 ?? This might even be a
clich\uc1 \u233 ? as well, but it's definitely less boring. Most viewers don't know
what the concept of an ellipsis is, but they sure appreciate them. Use ellipses to
your advantage.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
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\cgrid1 \chcbpat18 \cf1 The Purple Rose of Cairo}{\b0 \i0 \fs21 \kerning2 \dbch
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protagonist, Cecilia (Mia Farrow), admiring a movie poster. Her morning routine is
completely excluded from the narrative. Breakfast and hygiene are habits
practically shared by every character in the movie. But stopping to appreciate a
movie poster is pertinent only to Cecilia.}{\b0 \i0 \fs21 \kerning2 \dbch \af3
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may be instances in which writers and directors overlook the norm. The editor,
then, will have to exert final judgment and decide if a potentially boring scene
works or doesn\uc1 \u8217 ?t.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3
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