~'
of 1t~11g11age
IIS:~.::~S :LS generally c u ~ x r ~: tL, ~ O I ~ I ~) o e l: .i l~
ld
PI-osr:n~.itctrs.I t i s d i v i t l t ~ d i n l o s i x p u ~ ~ f s :
1 ". 'I'rai~letLrclatiing with clrie rt)gai.tl 1-0 L'ro::c~cly.:~
2". 43s~)~ariatio11 awoldif~gt o poclic'al iigurcs.
:!'. H.ratly ;.;tatt ~ r n e l l to f cli;~!ecli;*;tl~ w c i ii:ii,itit~si
l : ~tlct;11
l I L S ~ O I ~( ISm o l r ~ i n r ) .
4". 1)isc:ovei.yof fi; t,yrriologv.
-
.Io . A i l :~vcuratc;~cc~ount of :~n;ilogic:s.:j:
" I'rohiod~ ( T / I O C ~ . ~ ~ I I ~in) . the Greck ic~;.c, i n c l ~ i d ~c:r i crything (1tesi::n:ltcd h,v
diacriti<.al mil:-ks-aipir:i:io~i, a c r e n t r ~ : i t i ~ i ni11i:intity. , :inst m~-rirtin~c.: p:~rl-c<.
\.id. l<cl<kcr. Anrrdof(z ( ; i . / ~ u , 1>1). 679) w j q . : I<. I<;.A. S c i ~ n ~ i i l /t i, , i t ~ j i c r:I(>.
. . . I/ /' r h / @r / r ~( ~ ~ a ~ ~ z m 131).
(;/.\( z ~ ;I L
? I ~ vl(i.
, ! ' t , ) : ~ o k i \ -!I:L!I IICI~II~!:,L: \ ~ ! ; ~ t ~ t ~ : ; vto
c i( 1 0
with vt.~-sc-m:iking,although it I~-:I. 1-1 l:!ii si 1 0 mu\ic.
f \-id. IVaitz, Lli,isfofeLi.c G Y ~ ~ I ~C1 1Z1 . i.
, ~ ) L I .:2,$ :-(I.
4 Grammar o f Dionysios Tlzrax.
6". Criticism" of poetical productions, which is the no-
blest p a r t of grammatic art.
2. O N READING
(civdyvoal;).
Reading i s the rendering of poetic or prose productions with-
out stumbling or hesitancy. I t must b e done with due regard
to expression, prosody, a n d pauses. Through the expression+
we learn the merit (ripar7j') of tlie piece ; from the prosody, tlie
art of the reader; a n d from the pauses, the meaning intended
to be conveyed. I n this way we read tragedy heroically,
comedy c~onversationally,elegiacs thrillingly, epics sustain-
edly, lyric poetry musically, itnd dirges softly a n d plain-
tively. A n y reading done without due observance of these
rules degrades the merits of the poets a n d makes the habits
of readers ridiculous.
3. ON TONE (rcivo;).
Tone* i s the resonance of a voice endowed with harmony.
It, i s heightened in the acute, balanced in the grave, a n d
broken i n the ciraumflex.
4. ON PUNCTUATION
(arylr$).$
There are three punctuation marks: the full stop, the semi-
c d o n , and the cornma.// The full stop denotes t h a t the sense
i s complete ; the semicoloii i s a sign of where to take breath ;
the comma shows that the sense i s riot yet complete, b u t that
something further i r ~ u s be
t added.
ii,~<,im~v.)
t Expression (iah~piiii!.)i s defined a s being equivalent to / I ~ / I W T I <o r Imitation.
$ T o n e is w h a t w e usually call accent. T h e L a t i n nccentus, however, formed
in imitation of the Greek ~ / ~ m . ) r bwas
o , undonbtedly intended to 11:lve t h e satne
width of meaning a s the latter. Vid. Schmidt, Beitriiyc, pp. 190 sqq.
On this whole question. vid. Schmidt, Beitriige, pp. 506-550.
11 These t r r m s are hardly accurate; the sequel explains their meaning.
T It will be seen t h a t in practice Dionysios distinguishes only two pur~ctug.
tion marks, the riii:!ilj mi (semicolon) being really not one at all.
A Rhapsody is a part, of a poem including a certain (defi-
nite) argument. I t is called a rhapsody, that is, rhabdody,
because those who recited the Homeric poems were girt with
a laurel branch (jdWrio;).*
7. ON ELEXIF:NTS
(cs~oc~-cTu).
f
There are twenty-four letters from n to w . They are called
letters (y,od/q~mu)from being folwed of lines and scratches.
For to write (~,od$(~c), among the ancients, meant to scratch
(ibaae), a s in Ilorner :
I I u 1 Y 11' 1 - 1 ) ~ i i l l ~ l i l ~
-ll,Jfil~! -1 ,\Of >,\ t i l l 11, -1 I < .
They are also called elements ( r r ~ o r ~ Gfl*om ~ ) being in a cer-
tain series (oroc~6~) or arrangement.
Of these letters, seven are V o ~ o c l s :(1, E, 7, c O, 11, and (0.
They are called vowels ((FWY+YT(J) I ) ~ c ' ; L ItIhs ~y form ;I com-
plete sound (ywvj) by themselves. OF the vowels, two are
ZO~UJ, 7 and ( 1 , ; two are short, E arid o ; arid t h r e ~are d01~7)t-
f u l , a, r, v . They are called donbtfi~l].because they may
be either lengthened or shortened. F i r e of the vowels are
prepositiw, a, E , 7, o, o. They are called prepositive be-
cause, when plared before r or o , t1lc.y form a syllable, a s ar,
au. Two are subj,j'7~?/rtiae, r : ~ n du. 1' is sometimes yreposi-
tive to c, as in p&n, (jlpmu, u l k , and the like. There are six
diphthongs, ac, uv, Er, E U , oc, ou.
The remaining seventeen letters are Cvontsn~~a?~ts, P, 7, 6, 6,
79, X , A, p, v , i, x, p, a, .r, (F, X, $11. They are called consonants
because b y thenlselves they have no sound, but produce a
sound only when they are combined with vowels.$ Of the
* Cf. Grote, Hist. of Greece, vol. ii. p. 141, note; Wolf. Proleg., pp. $3 sqq.
(Edit. Calvary); I<. 0. Miiller, zz?:~t. oj'Lit. uf'rlacied Greece,, pp. 33 sqq.
t On S r ~ i i y t i ~ i i : ,vid. Aristotle, MctnpA. I. I (1026, b. 1 2 ) ; Bonitz, Ari.stoLcZt:F
MeLaYA. pp. 225 sq. ; Schmidt. Bez'trG'yc, 1'1). SO sqq., 126. Aristotle's definition
of rr:oi,yriov, as meaning a sound, is : " A n elclncnt is a n indivisible sound, not
applicable, how-ever, to every such s o ~ ~ n th11t l , only to those which are capable
of entering into the formation of intelligible spcec11."-Poet. cap. s x . Cf. Stein-
ttial, Gesci. rEEr S$~acfiz~l. Bei den Gr. n ~ t d R ~ mpp.
. , 248 sq.
: A ~ X ~ I V=O Iof twofold timc. Cf. Rosshach und Westpllai, Mcfrik n ' c ~Griech.,
vol. ii. pp. 66 sqq.
$ Aristotle, Poetics, cap. ss.,makes three divisions of S O I I I ~ ~- S 6 :t Q L ~ I ' @ I )
elt:t;ic>nis or x t w : ~ ! i j : ~~ ;~ o ~ I in . ~ j ~ o 1 ~ 1 i n ; ~ : (b:)us~A,
~ I 1:!!I> i v ~ ~ si11g11-
12r l l l l n h 2 t ~ , :l?o ?~:o] P ? ;~ y, <?, +,
:is - ! : ~ l l v , C%x:, l\'\<ml){l,
//I$)(:, /.!,420+ ; (I[ [ ' L , ; ) l i : : i ~ ~;t i* ~ ; !ri;;, e i l,??~ , i i i ,IL, 3, o ) , U , t, [ I , G . +,
a
~ . ., . \ .
;)tq;,:
I . -
. : ) , I , 5 { :.,q,!" ~ t j ( z . , : i r c.':~:.i
f / i f l o 4 r : . r . :;,/I. / I z, , ;., qi ~, ,<i c~c pbE ( )I?LOZ,~-
~ : i l l . . ~ ; ~ ~ y ~ ~ (( ~
l l i > ~::,<> ~ j , \ . 17;tx
,<';('* ; ?l\il',,:. j 7 , , c . t ! : , r < .~ < i >., 1 , c ~ t .111.
cl.. l\ri,\tlitlc. ,?!d!r15h. .\ i, ( y j !51, ' 6 ( : c j ~ , { ' ~ :o) ; K L I ~ , I I < ,,111.!fiih~. ,F.
712. I?/ F GI,. st,,.. 111. i , ;,, j,<.
C>,ff ,
? Cf'. L ' r i k t o t l c ) J ' , I P ! . ' ~ . ~r:111.
. \.x, ?.mi<Il.h'r,:/t
: :i, ,!,r,,~ pi). 126. 120. S L C::,tl1:11,
. ~ $ ~ n r h xh r. ; d r / i ( ; I , . u t ~ dZ < i i ; ~ / , , ~j,l.
$ O r ~ l i p l i l l ~ o : :c~> \ ; i~l,:;itl~-.
~
1%. ON TIIE WORD( X r ; ) .
A M T o d is the smallest part of a n ordered sentence."
13. ON '1'11~SE:NTE:NCE (26j'o;).t
d Sentence is cornbi~iat~ion of words, either in prose or
ill verse, rnaking conlplt~tesense. There are eight parts of
speech : Noun, Verb, Participle, Article, Pronoun, Preposi-
tion, Adverb, a n d Conjunction. The proper noun, a s a spe.
cies, is subordinate to the noun.:
* Aristotle ( D e Inter$., cap. iil.) s a y s . "A Verb I S that which adds a time-
specification, of which n n p a l t separntrly signifies a n ) thing, and which is always
asserted of something else." Cf. Schmidt, B e i t r a g e , pp. 344 sqcl ; IIarris, Her-
mes, Book I. cap. 6.
12 Grammar of Dionysios Thrax.
and number, and showing activity or passivity. The verb
has eight accidents : Moods, Dispositions (voices !), Species,
Forms, Numbers, Tenses, Persons, Contjixgstions. There are
five M o o d s : Indicative, Imperative. Optative, Subjunctive,
and Infinitive. There are three Dispositions:': Activity, Pas-
sivity, and Mediality -Activity, as r h i - o (I strike); Passivity,
as r4mol~nc(I am struck); Metliality, nlalking partly activity
and partly passivity, ZLS ad;ro!c?u (I trust), GrCg8o,na (I waste),
~ ~ T o c @ ~ (I~ Ybecame), 2j;ou$d,qv (i registered). There are
two Species : Primitive and Deiivative -Primitive, as & , o h ;
Delivative, as apGe;co. There are three Perms : Simple, Com-
pound, and Snper-Coinl)o1;llid-Si1ri1)If~,a s ypovc;; Compound,
a s xaray,.povc; ; Super-Compound, as bi-~jmi((r)( I h t i g o n i z e ) ,
yri,ciriri[c~) (I Philippize). There art! three &um,Ders : Singu-
lar, Dual, and Plural-Singular, as i-lki-w ; Dual, as T I ~ E T O L ;
Plnral, :is rbjsropav. There ale three Pes-sons: First, Second,
and Third. The First is the person f r o m whom the assertion
is ; the Second, the o m to whom i t is ; and t,he Third, the one
concerning whom it is. There are three Tenses: Present,
Past, Future. Of these, the Past has four suh-syecies- Im-
perfect, Perfect, Pluperfect, and Aorist--whjch stand in three
respective relations : the Present is related to the Imperfect,
the Perfect to the Pluperfect, and the Aorist t o the Future.
16. ON CONJUG~TIO~Y (ciu@yicx).
Conjugation is the consecutive inflection of Verbs. Of Ba-
rytone Verbs there are six conjugations, of which the First
is characterized b y 6, y, T, or nr, :is ki6w, ypdya, rdpnw,
x b m w ; the Second by r, x, x, or XT, as R+w, ;r,?dxo,rpE~ro,rbrco;
the Third b y 8, 8,or r, as $&o, jsi.$i9m, drvfhw; the Fourth
by or tru, as ypdC(w, vbuo~,dpbomo; the Fifth by the four
unchangeables, R , p, v, p, a s ndA'Rw, d p ; and the Sixth by
a pure, a s i m ~ b c id&,
~, P a d a b w , R x o ~ Some
. also introd~lce
a Seventh Co~i.jugation,characterized by i and $, a s dRdt~~,,
q (0.
17. ON CIRCUME'LEXED VJCRI;I (7;y,ra;rc~,uevo.).
Of Circurnflexed Verbs there are three Conjngations, of
which the First is cllaracterized i n tlrc second and third per-
sons by the diphthong EC, a s YO&, voalc, ~ 0 ~ the 2 ; Second b y
* L S , word which Roman stupidity rendered by VON(yoice).
A L ~ S C Othe
-
* I t was not su6scyibed till the twelfth century of our era. Vid. Kiihner, A m -
ficfiu. G r a m . d e r G r . S p . , vol. i. p. 59, note (zd edit.) Chceroboskos ( B e k k e r ,
Anec. G r e c u , vol. p. 1186) says : . ' I t must be understood that grammarians,
whose attention is directed to pronunciatiotl, say that the 1 is unpronounced
when it is found with (follows) n long, ~ior , r.i, * * * * ; but musicians,
who stickle for accuracy. say that it is, pronounced, but is not disti~lctlyheard on
account of the length of the [preceding] long vowels."
1. T h e ancient iqn'iwii, included both the article and the relative pronoun. Cf.
Lersch, S$rtrcL$WiZ(,.~ojAir., 13. 11. pp. 132 sqcl.; Steitlthal, S j r a c h z o . 6 e i den
G r . u n d R i i m . , pp. 660 sqq. ; Harris, Hermes, Bk. II., cap. 1.
: Lersch, Pt. 11. pnssi?n; Steinthal, pp. 663 sqq.; IIarris. ITermes, Bli. I.
cap. v.
A Preposition i s a word placed before a n y of the parts of
speech, both i n Composition and in Syntax. The number of
Prepositions i s eighteen, wliereof six are monosyllabic, 2u.
EL'<, EF, ;r,oti, ;r,oci;, oh-which are incapable of anastrophb-
a n d twelve are dissyllabic, uvd, xard, ded, p ~ d zapn',
, duri, 2ni, I
1
* Aristottc, Poct., cap. xx. ; I,cr.,ch, fnssiur ; Steinthnl, pp. 673 ~ l i l;. 1I:irris.
f l e r m e s , Bli. IT. cap. ii.