C A P U T O
Villanova University
B E I N G , G R O U N D A N D P L A Y IN H E I D E G G E R
I. F I N I T E F O U N D I N G
The context in which Heidegger conducts his thinking is the age of nihilism.
In nihilism, Being has become a vapor, a cloudy abstraction signifying
nothing.1 There is ample testimony to this for Heidegger in Nineteenth
Century philosophy. For Nietzsche the question of Being was a mistake,
a fleshless residue of the Christian-Platonic tradition. 2 In Hegel Being was
the "highest genus", the most abstract and indeterminate concept. 8 The
task of philosophy as Heidegger saw it was to rebuild the edifice of"meta-
physics''4 which had thus deteriorated. Hence he set himself the problem
of"laying the ground of metaphysics".5 To lay the ground of metaphysics
meant to go back to where metaphysics originates (entspringt), to its
"origin-al" (urspriinglich) source. Then the very essence and possibility of
metaphysics would be laid bare and the question of Being would be
retrieved in its pristine vitality.
Heidegger lays the ground of metaphysics in man conceived of as
"Da-sein" (there-being). 6 Man is the being who must "be" his own "there",
that is, must actively bring about the manifestness of the beings with which
he has commerce. The Dasein "in" man - the ability of man to disclose
the world in which he lives - arises from the fact that man is endowed with
a "comprehension of Being" (Seinsverstdndnis). An individual being
(ein Seiendes) comes to be manifest as a being because it is understood in
its Being (Sein), i.e., as having Being. The comprehension of Being is the
hidden ground of all of Dasein's relationships with other beings and of its
ability to question its own existence. Dasein comprehends (versteht)
Being but does not explicitly conceive (begreift) it. 7 Hence the question of
Being, "what does Being mean?" arises. Dasein wills to make what is
hidden and "pre-ontological" explicit and "ontological". In so laying the
ground of metaphysics in man taken as Dasein Heidegger's approach is
phenomenological in the sense of a "genetic" phenomenology: it traces
26
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JOHN. DCAPUTO
To be a ground [for Dasein] means accordingly never to have power over its
Being from the ground up.
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BEING, G R O U N D AND PLAY IN H E I D E G G E R
"Pure Being and pure Nothingness are thus the same." This sentence of Hegel
is right. Being and Nothingness belong together, but not because they conform
to one another in their indeterminateness and immediacy, as in Hegel's idea of
thinking, but rather because Being itself is, in its essence, finite and is revealed
only in the transcendence of Dasein stretched out into the Nothing.
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II. T H E A B Y S S A L G R O U N D
The ground that is sought after is sought for as the ground for the decision for
being rather than for nothingness.
Being is the inner power of the being by which it is. Being is the perduring
power which remains whatever fluctuations may occur within beings.
Being is the emergent power, stepping forth into the light of itself. Being
as ground therefore is physis: the emergent-enduring-power (aufgehend-
verweilend- Walten).~a
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But the being may also "not-be"; it may collapse back into the abyss of
Nothingness. This possibility is elicited by the being itself:z4
The possibility to not-be originates out of the finitude of the Being of the
being (its Nothingness). Being "is" (das Sein "west") and the Nothing
"nothings" (das Nichts "nichtet") together in the essence of the being.
Being and Nothing belong together, co-constituting the finite ground of the
being. Insofar as Being is ground and belongs together with the Nothing,
Being is abyssal. The ground of beings is an abyss.
The essence of ground has "shifted" as it were from the finite founding
process within Dasein to finite Being itself. It is important to be clear
about the manner of this "shift". Being has priority over Dasein but uses
it as the place of its manifestness. "Da-sein" (there-being) is no longer
taken as the being which must "be" its own "there", but rather as the
"there" of Being. Being is ground; Dasein "founds" now in the sense of
being the place where Being as ground- and as abyss- is manifest. It
assists in the founding of beings by providing the range in which the
grounding process is disclosed. Dasein continues to found but in a reflect-
ing, participatory sense. Dasein lets the ground be. As thrown, Dasein is
itself swept up in the grounding process. But is it uniquely grounded, for
it is the place where the very grounding process is revealed. Being (as
ground) and Dasein (as founding) are not two different things (Being is
not a "thing" at all), nor accordingly two different grounds. They are
rather origin-al ground itself and the place of its revelation, z~ Heidegger
does not pass from an effect to its cause, which is a purely ontic connection,
but from the "there" of ground to origin-al ground itself. The early view
of founding is derivative not illusory.
Being "needs" (braucht) Dasein no less than Dasein needs Being because
it (Being) needs a place of self-disclosure. 26 But why does Being need
disclosure? Because it is truth (aletheia) and discloses itself by its essence.
That is a circular answer of course, for it says only "because Being is
(west)", "because Being is Being (das Sein ist Sein)." That is what Heid-
egger means by its "abyssal" character. Being is the final explanation, the
final "because". Being as "because" (Weil) is all we know on Heidegger's
earth but precisely what we need to know.
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Being as the abyssal ground is powerful over Dasein but transfixed with
negativity. This is developed in Heidegger's later philosophy in two forms:
Being as mission (Geschick) and Being as the world or the foursome
(das Geviert). Both mission and world are understood by Heidegger in
terms of "play" (Spiel). It is in the connection of the "play" of Being and
the abyssal ground that the impact of Heidegger's concept of ground is
most striking.
Heidegger gives the following account of the "mission" of Being: ~7
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BEING, G R O U N D IN PLAY AND H E I D E G G E R
as the ground of beings, it seeks out God as the "highest being", the first
cause and ground of beings. The history of metaphysics, for which Being
itself is responsible, is the history of a lost or forgotten ground, z0
In Plato the ground is the highest and most perfect being, the idea of
the Good. 31 Ground for Aristotle meant logos in the sense of a "logical"
or rational explanation which delivered up an account of things in terms
of their four "causes" (aitia). Cicero translated logos as ratio and defined
it as the account of how a thing is brought forth or produced. Descartes,
asserting the independence of reason from faith, replaced the "unshak-
able ground" (fundamentum inconcussum) of divine revelation with the
unshakable ground of self-conscious subjectivity. In Leibniz ground be-
came a "principle" (Grund-Satz), the principium reddendae rationis suf-
ficientis: the principle which demands that the thinking subject present
itself with a reason for the Being of the object. "Nothing is without
ground." That means: no permit to be will be granted without a rational
justification over which the thinking subject presides. 8z It is but a short
step to Kant's view of ground as the condition of possibility of the ap-
pearance of the being. Modern science, the latest stage of this forgetful-
ness, is the most advanced form of giving a rational account of the
being, za
Each of these understandings of ground is to be viewed as an epochal
disguise, a derivative form of the origin-al ground. What then is the au-
thentic ground as far as Heidegger is concerned9. Such a ground lies
"before" rational metaphysics in the words of the presocratics. In the
antique beginnings of philosophy ground is not seen as something which
human reason has to "deliver" (reddere). Rather the being stands forth
in its ground of itself. The ground itself, and not man, founds (der Grund
begriindet). Ground thus is the self-emergent power of Being (physis).
But Being belongs together with logos, according to both Parmenides and
Heraclitus, as the collective unity of what-is. Ground furthermore is that
out of which the being first comes to be (arche), of which the later notion
of a "first principle" is but a fallen and derivative form. And finally ground
is the reason why (aition) the being is rather than is not, of which the
later notion of an ontic "first cause" is a corruption. In short, the origin-al
ground was experienced, but not conceptualized, by the early Greeks in
their view of the primordial unity of physis, logos, arche and aition. Being-
as ground is the first supportive power out of which all beings emerge, into
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which they return and by which they are held together in the unity of a
single world. 34
Being advancing and withdrawing constitutes the mission and history
of Being. But why does it withdraw? Why does it not remain in luminous
self-giving? When will it come again? Goethe answers for Heidegger: 85
How? When?Why? The gods remain silent! Hold yourself in because and do not
ask why?
Being is the ultimate "because" (weil) for every question; it is the perdur-
ing (ver-weilen), inexorable hand of time (das "dieweil").. Beings is the
ground of beings, but it is itself without ground. Leibniz's "Principle of
Sufficient Reason" is true of beings, not of Being. The reason is itself
without reason.
It is this character of Being and its mission as "abyssal" which leads
Heidegger to describe it as a "play". 86 The historical movement of Being
is a play. Its missionary sendings and withdrawals are a toying of Being
with man. As Heraclitus testifies:z7
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BEING, G R O U N D AND PLAY IN H E I D E G G E R
world is "the gods". 39 Dasein too belongs to the world and, just as in the
earlier position, is not opposed to the world as a subject to an object. No
longer however is the process of world grounded by Dasein as world-
building. Dasein must be understood as belonging to a totality that origi-
nates of itself. 40 Swept up by the processes of this totality, Dasein is
referred to as "the mortal".
Add to the gods and mortals their "places", as it were, and the rather
spatially oriented concept of the foursome which constitutes the world is
complete: gods and mortals, the heavens and the earth.
The world is not a static structure but a process, the process of the four
together. The four depend upon one another in order to be themselves;
a change in one is "reflected" in a change in the other. Let us illustrate
this. In the idea of the "gods" Heidegger overcomes the concept of G o d
as first cause; the gods are the messengers of the divine, guiding and ad-
vising human activity. The view of man as a "mortal" exceeds any socio-
logical or biological understanding of man and takes him as a being who
sees ahead into his death and takes over that possibility in his life. In the
foursome, the "heavens" are viewed not astronomically but as that which
charts the course of time and bestows light upon men. The "earth" is
taken not in its molecular make-up but as what sustains and supports men.
Should we change one of the four we disrupt the rest. Take man as the
"rational animal" and G o d becomes a first cause and the heavens and
earth his "temporal effects". Or take the heavens astronomically and the
earth becomes one of many planets, man one of many species, and G o d
an impersonal cosmic force.
The four reflect one another. The process of the world is the playing of
of the reflections of the foursome. In this play each of the four is appropri-
ated (er-eignet) into its own essence. As the author summarizes this discus-
sion: 41
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its "cause". But once again the totality itself, the whole system of beings,
is without any ground. The process of the world as a totality- which is
the foursome - exceeds any rational grasp and so is a play.
The groundless play of Being is thus presented by Heidegger in two
complementary ways: Being as mission and Being as world. In the former
the orientation is temporal (Zeit), in the latter spatial (Raum). But time
and space, mission and world, belong together. They are the same but
not alike. Together they constitute the "space of play of time" (Zeit-
Spiel-Raum). 4~ The world is the "shape" that Being takes. Being has a
look (Bliek), a view, a meaning in any given epoch. 45 In modern times the
worldhas thelook of a stock-pile of energy awaiting man's mastering use;
the heavens have the look of a challenge to aeronautical engineering; the
gods have the look of a phantasy. In the "play of the foursome" Heidegger
sees himself as retrieving the authentic look of the world experienced by
the early Greeks and by H/51derlin's poetry. The coming to pass of an
"authentic" world (the world as foursome) is dependent upon the mis-
sionary advance of Being. The successive worlds that western man has
known are but successive missions of Being. The world is Being at some
time. Being is the time (mission) of the world. Mission and world belong
together in the event of Being. The processes of the world, mission and
Being are the same. Heidegger's point is that the movements of that single
process represent a groundless play that does not yield itself up to rational
interpretation.
But what is a groundless play?
I I I . T H E P L A Y OF B E I N G
The way back into the ground leads through finite founding into the
abyssal ground. The abyssal ground is a play. Let us examine each of
these expressions. The view of Being as a groundless ground strikes out at
the metaphysical doctrine of the intelligibility of being as such (omne ens
qua ens est verum). 46 The ideal of the perfect intelligibility of being in
general (ens in communi) and in particular of the highest being (summun
ens, ens realissimum) is always presupposed by western metaphysics.
Kant's penetrating exposition of the limits of human reason left the in-
telligibility of being in itself untouched and ascribed the impossibility of
metaphysics to the limits of human reason.47 Kant still operates within
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J O H N D. C A P U T O
rather than a lawful pattern, then Being as play resists rational analysis.
Being plays the game of a child according to the fragment from Heraclitus
that Heidegger cites. Heidegger takes that to mean that Being plays with-
out reason, groundlessly: 5a
It plays because it plays. "Because" sinks into play. The play is without "why".
It plays while it plays. There remains only play: the highest and the deepest.
Being does not have anything like to itself alongside of it. It does not have an
effect produced upon it by another, nor does it produce an effect itself. Being
does not, indeed it never runs its course as a causal connection of events.
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BEING, G R O U N D AND PLAY IN HEIDEGGER
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J O H N D. C A P U T O
the playful "turns" and "toyings" of Being, by which they are cast forth
(thrown) and against which they shatter in death (Being-unto-death).
(4) The play of Being however is not one-sided. Rather it is necessary
for man to "play along with" (mitspielen) the play. Being needs man's
attentive co-operation, although it retains the upper hand. Man depends
upon Being's "favor" (Gunst, Huld), but is not excused from the exercise
of attentive openness. Being and man are inseparable in Heidegger. Man
is not so much a being as a relationship of openness towards Being. Being
and man "cor-respond"; they are a dialogue, an interchange. Their play
thus is an inter-play. Here Heidegger draws certain musical associations
of the word "play" into service. Man must stay at-tuned to the playing of
Being: 65
Man remains at-tuned to that by which his essence is called [determined].
Even Leibniz's "Principle of Sufficient Reason" is viewed in these terms.
We must hear the playing of the music (Satz) of the ground in a new
intonation and join in the playing :66
Nothing is without ground. Being and ground: the same. Being as grounding has
no ground; it plays as abyss that playing which, as mission, plays up to us Being
and ground.
The question remains as to whether and how, hearing the passages in that
playing, we play along with and join in the playing.
Being and man are conceived rather as members of a "duet", as the play-
ing of the foursome can be taken as a "quartet".
(5) The play of Being is not frivolous or inconsequential. 67 It is the
mistake of tough-minded rationality to underestimate the gravity of play.
On the contrary, Heidegger asserts, the play of Being is the "highest" and
the "deepest" because it concerns the most important matter: the truth of
Being. In this play the stakes are exceedingly high, for there is a question
of the truth and untruth of Being itself, upon which man stakes the out-
come of his historical existence. There is no problem of "historical relativ-
ism" in Heidegger's position about the historicity of Being, as has been
suggested, 6s but very nearly the opposite: an historical " c o n t e s t " - o r
play - for the truth of Being. Huizinga has illustrated at length the role of
play as a "contest" (agon), which he describes as its "agonistic" character,
in the formation of culture. He tells us of contests which were "fought" or
"played" to the death. In Heidegger Being and man play such a deadly
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B E I N G , G R O U N D A N D P L A Y IN H E I D E G G E R
game. Being under the illusion of "technology" is the "danger", the power
that can destroy man and things even if the bomb is never set off. Man is
the violent one, the venturer (Wagender) who dares to grapple with the
groundless ground, to peer into the abyss of Being, risking vertigo, to win
the high stakes of the truth of Being. 70 The inter-play of Being and man
is a strife. The play of Being and man is "ant-agonistic" not "quietistic".
The groundless play of Being represents Heidegger's attempt to express,
as the presocratics were unable to do, his experience of the sense of Being.
Like the early Wittgenstein, Heidegger was convinced of the inadequacy
of rational, representational language to express the truth of Being. Unlike
Wittgenstein he resorts not to silence but to another language, beyond
metaphysics and wedded to poetry, to speak out what there is to say.7'
It is true that, in expressing the sense of Being as a play, Heidegger has
chosen a phenomenon which we meet for the first time on a purely ontic
level, that is, as an everyday activity of man. This is not to say however that
it does not have an ontological dimension. Heidegger's position is "meth-
odologically" sound, for he regards man as the "there" of Being and so
as the reflection and unique place of disclosure for the overpowering.
Language and poetry are, in our first acquaintance with them (zundchst
und zumeist), "ontic" realities in which essential thinking discovers an
ontological meaning. Human speaking incarnates the origin-al "say"
(die Sage) of Being itself. Human mortality enshrines the Nothingness of
Being. ~2 Human strife and tension reflect the strife within Being itself. 7a
By the same account human play reflects a more primordial ontological
play. This is the premiss of Eugen Fink's conception of play as a symbol of
the world. 74 The wanton, inscrutable freedom of a child at play signifies
and originates in the origin-al free play of Being. 75
IV. CONCLUSION
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43
JOHN D. CAPUTO
ENDNOTES
1 Martin Heidegger,Nietzsche (Pfullingen: Verlag Giinther Neske, 1961),Zwei Bfinde,
B. I, P. 338 (hereafter N I and N ID.
2 Martin Heidegger, Einfiihrung in die Metaphysik, 2. Auflage (Tiibingen: Max
Niemeyer, 1958), p. 29 (hereafter EM).
s Martin Heidegger, Was ist Metaphysik? 9. Auflage (Frankfurt am Main: Vittorio
Klosterrnann, 1965), pp. 39-40 (hereafter WM). Martin Heidegger, Sein und Zeit,
10 Auflage (Tiibingen: Max Niemeyer, 1963), w1, pp. 2-5 (hereafter SZ).
4 The view that "metaphysics" is the "forgetfulness of Being" is a later terminological
variation which is doctrinally consonant with the earlier position. Heidegger always con-
siders the tradition from Plato to Nietzsche fallen from the truth of Being. In the earlier
works the original truth concealed by and within that tradition is still called "meta-
physical", whereas later the word "metaphysics" is restricted, indeed relegated, to the
44
BEING, G R O U N D AND P L A Y IN H E I D E G G E R
fallen tradition. The early use proves to be interesting because eventually Heidegger
criticizes his earlier stand as still somewhat caught up in the metaphysical tradition it
seeks to overcome. Compare: Martin Heidegger, Kant und dasProblem der Metaphysik,
3. Auflage (Frankfurt arn Main: Vittorio Klostermann, 1965), pp. 13,15-9, 207-8 (here-
after KM) and WM, pp. 38-43 with WM, "Einleitung", especially pp. 7-9.
5 The first use of this phrase (KM, pp. 13-4) stresses the architectural sense of "Grund"
("foundation") which, as the English translator, James Churchill, points out, is not
carried over in the English "ground". Cf. Martin Heidegger, Kant and the Problem of
Metaphysics, trans. James Churchill (Bloomington, Ind.: Indiana University Press,
1962), p. 3, n. 1.
As has become customary we leave this by now technical term untranslated; we will
accordingly treat it in the neuter gender.
7 SZ, w 2, p. 5.
s EM, pp. 3 - 5 .
9 Martin t-Ieidegger, Vom Wesen des Grundes, 5. Auflage (Frankfurt am Main: Vittorio
Klostermann, 1965), pp. 47-50 (hereafter WG).
lo Arthur Schopenhauer, Ober die vierfache Wurzel des Siitzes yore zureichenden Grunde
in l'Verke, eds. J. Frauenstadt and A. Hubscher, 6 B~inde (Leipzig: 1937-41), Band I,
p. 5. One finds many uses of the English "ground" in this sense, e.g., "On what grounds
do you hold your position?" (i.e., " F o r what reasons...?")
11 Martin Heidegger, Die Frage nach dem Ding (TiJbingen: Max Niemeyer, 1962), pp.
42ff.
12 "...durch den Satz cogito, sum wird erst eine neue Bestimmung des Wesens yon
'Grund' und 'principium' gegeben." N I I , p. 167.
13 "Grundsein besagt denmach, des eigensten Seins yon Grund auf nie miichtig sein."
SZ w58, p. 284.
14 "Es ist hie existent vor seinen Grunde, sondern je nur aus ihm und als dieser." SZ,
w58, p. 284.
12 The English "abyss" does not capture the symmetrical contriety that the German
"Ab-grund" bears to "Grund". Heidegger means hereby a ground that also contains a
void, that is, a finite ground.
le WG, pp. 45-50, 15.
xv ,,,Das reine Sein trod das reine Nichts ist also dasselbe.' Dieser Satz Hegels (Wissen-
schaft der Logik I. Buch, WW III, S. 74) besteht zu recht. Sein und Nichts geh/Sren zu-
sammen, abet nicht weil sie beide - vom Hegelschen Begriff des Denkens aus gesehen-
in ihrer Unbestimmtheit und Unmittelbarkeit iibereinkommen, sondern weil das Sein
selbst im Wesen endlich ist und sich nur in der Transzendenz des in das Nichts hinans-
gehalten Daseins offenbart." WM, pp. 39-40.
i s ,,... "Grund' nur als Siun zug/inglich wird, und sei er selbst der Abgrund der Sinnlosig-
keit." SZ, w 32, p. 152.
19 Cf. Werner Brock's discussion of WM in Existence and Being, ed. Werner Brock
(London: Vision Press, 1949), pp. 211 iT.
s0 CL Walter Schulz, "Ober die philosophiegeschichtlichen Oft Martin Heideggers",
Philosophisehe Rundschau I (1954), pp. 83-4.
zl "Warum ist i~berhaupt Seiendes und nicht vielmehr Nichts?" EM, p. 1. "Grundfrage"
ordinarily means of course "fundamental question"; Heidegger however wishes to take
the word literally. Cf. EM, p. 2; N I, p. 80.
2~ "Der gefragte Grund ist jetzt gefragt als Grund der Entscheidung for das Seiende
gegen das Nichts..." EM, p. 22.
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J O H N D. C A P U T O
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BEING, G R O U N D AND P L A Y IN H E I D E G G E R
43 V A , p. 178.
44 SG, pp. 129-30
45 Martin Heidegger, "Die Kehre", Die Technik und die Kehre (Pfullingen: Verlag
Giinther Neske, 1962), p. 45 (hereafter K). This view resembles the "meaning" (Bedeu-
tung) of the world in SZ, w 18, pp. 83-9.
46 Marx, pp. 46-51,148-55.
47 KM, pp. 28-41.
4s Marin Heidegger, Erlliuterungen zu H~lderlins Dichtung, 3. Auflage (Frankfurt am
Main: Vittorio Klostermann, 1963), pp. 88, 126, 138 (hereinafter HD).
49 Martin Heidegger, Vom Wesen der Wahrheit, 4. Auflage (Frankfurt am Main:
Vittorio Klostermann, 1961), pp. 19-20 (hereafter WW).
50 Johan Huizinga, Homo Ludens: A Study of the Play Element in Culture (Boston:
Beacon Press, 1950), p. 37.
51 Plato, Laws, II, 653.
52 Jean Piaget, Play, Dreams and Imitation in Childhood, trans. C. Gattegno and
F. M. Hodgson (New York: W. W. Norton, 1962), pp. 142-6.
5a "Es spieler, well es spieler.
Das 'well' versinkt im Spiel. Das Spiel ist ohne 'Warum'. Es spielt, dieweil es spielt.
Es bleibt nur Spiel: das H/Schste und Tiefste." SG, p. 188.
54 "Denn das Sein hat nicht seinesgleichen neben sich. Es wird nicht yon anderem
bewirkt, noch wirkt es selbst. Sein verl/iuft nicht und rile in einem kausalen Wirkungs-
zusammenhang." K. pp. 42-3.
55 HW, pp. 301-2. Heidegger compares his position with Hegel in ID, pp. 31 ft.
5e WW, pp. 19-23.
57 Huizinga, p. 11. Alan Watts finds that the best way to describe the relationship
between the universal self and the individual in Vedanta philosophy is to describe it as a
"game" in which God (the player) "hides" in the particular self. Cf. Alan Watts,
The Book On the Taboo Against Knowing Who You Are (New York: Collier, 1966),
pp. l l f f .
58 K, pp. 37 ft. The lecture "Die Kehre" was delivered as a part of a series originally
entitled "Das Einblick in das, was ist."
59 One seems to find reverberations of Heidegger's position in the recent discussions
of the "theology of Hope" among Christian theologians. In a recent article entitled
"Eschatology Rediscovered?" (Continuum, VI (Autumn, 1968), 429-33), Kurt Rein-
hardt says: "The basic illusion of modern man and the source of many idolatries which
surround us is the attempt to ground one's ultimate hope or one's "eschatology"
(whether of the Marxist-Leninist, Fascist or 'Christian' variety) in man rather than the
ground itself in which man is rooted and with him all reality" (p. 431).
e0 Plato, Laws, VII, 803--4.
el P/Sggeler, pp. 36 ft.
6~ I Thess. 5:1-3 (The Jerusalem Bible translation).
ea Heidegger discusses this "other beginning" in N I, p. 480, HD, pp. 73-4.
84 "Die Kehre der Gefahr ereignet sich jtth. In der Kehre lichtet sich jtih die Lichtung
des Wesens des Seins. Das j/the Sichtlichen ist das Blitzen." K, p. 43.
6a "Nichts ist ohne Grund. Sein und Grund: das Selbe. Sein als grtindendes hat keinen
Grund, spielt als der Ab-Grund jenes Spiel, das als Geschick uns Sein und Grund
zuspielt. Die Frage bleibt, ob wit und wie wir, die Stitzes dieses Spiel hSrend, mitspielen
und uns in der Spiel ftigen." SG, p. 188. Heidegger is punning on the phrase "der Satz
yore Grund'" as the German "Satz" can mean a musical phrase or passage or movement.
47
J O H N D. C A P U T O
48