a Act I. An anti-chamber in the dueal palace; two side-doors, and large folding doors at the back, which are shut, On exch side of the folding doors hangs a large porirait; on the left, that of the Duke, on the right, that Of his Duchess. ‘There is an armchair beside a table covered with velvet, and other furniture, NO il. “Parmi veder le lagrime.,, Recitative and Aria. Agitato assai. (d= 100) (Bater the Duke, in great agitation) . Allegro. Recit. E quandoo ciel? 7 j-stanti, prima cheilmiopre - rwnose ¢Ssign? My heart Slogure te Too aed My! 00a af ter ur too sud-den115 torte sul-Torma corsa ancora mi spin ges-sel parting; back tober doorway I bent my anxious foot Ja ‘magion de-ser ‘The mansion seen dese Adagio, (J= Andante.(J - —_= S#«_ > = ag sien entable. | E do-veo-ra sa - ra quel-Iangiol ca-ro?.. ¢o-lei che pri-ma po-t in que: Anywhithrhavethey borne my fairest angel? , ShewhohathKindled the flame of love de- ? eo = «re de-star la i Go-stam-ti af - fet - ti. co-lei si voted That in my waywardheart neer yet burnt un - tarnish! Where is that ——— = Se Sa u-rajl cui mo-de - sto ar si spin - a vir- fond and tim-id glance that Where that voice, that to ‘aite ti taslor micre =" = do! El-lamifu ra- pi - tat constant love had warm'd me? Ah.can I then have fost ker? Sf Ma ne a - Ven - gence shall E chi Par- di - va? Who dar'd as ne Adagio. dolce vro,ma re a-vro ven—det- lo chie - djl pian-to light 'up-on the base of -fend-er, ‘Though now she’s weep-ing, ==. = la mia di - let shall be_ her. per Adagio. - 50)a7 dabile Par-mi ve-der le Ia~ grime scor-ren- ti da _quel Art thou weeping in lone-li-ness, De-spair-ing and un = crese = o = i - glio, wan-do fra ildub-bige Pan-sia del su - bi-to pe - friend- ed, all-ing on him whose life-blood Hac thine__with joy de - === >. # ri- glio, del-amor nostro me-mo-re, delamornostre me - mo-re, il suoGualtier chia fend ~ ed?Fondly recalling mem-o-ries, fondly recalling mem - 0-riesofblissthatfled too c 7 legato Ned ei po-tea soc-cor- rer-ti, ‘Would that my arm could res- cue thee, 1089———S>=—_ —_+~ shy ma - ta; el ria del-fa-ni-ma____—far - tiquaggiti be- stored thee Un - to thy lover's longing arms: © Heav - enthat joy af- ate = a Van- ge-li, el_che le sfe-rea - me! Rob Son Gr bliss, rob me of ev -¥y this_on’ = Miygrantthis on-ly | ne this or on-ly! >=, = > =~ gan - ge-li per te non in vi. did, ‘oth - er bliss,Grant me this on ly boon, m Sr sfe - re, le sfo-1 Pan-ge- li te, per te, le sfe~re, ford__ me, rob tae te vga oer ih, eh_ome of ors oynon. rant, glan-ge - 11, te ___non in-vi- did, thor bliss, tut grant— this on-ly boon, 7 Allegro vivo. cd 90> Du - ca, Bora, Cwith Tenor L> ess our rane, Cwith Bass II.) To Ta - pi - tl = Duke, _we' =tured the jest - ex's fu ra-[pi- te a Ri ge | Duke, we've |cap-tured the jest - er's ft Fe -. pi - te Duke, we've eap-tured the jest ~ SeCo- me? e don-de? Ah, Bh! Have you? where is she? Ha, hal suo tet - to, se-cured her, suo ltet = to. se=cured her. let ~ to! sweet - heart! (seats himyelf} co-me fu? te, di - te, where.and how? Tell me quickly, whe co. me fu? and how? BB Allegro assai moderato, _____— Scor# ren Un-to @ lone — S 6r- Fen- dau - im Un-to a — lone r- Fen- dau - ni Un-to a lone Seorfren-dgut ni - Crt eT Tone~ a, bre ra = ed When shades of 15089 eonme pre i ee ing i di, eo-me pre- rect = = ed When shades of ev'n - ing were fall « fast, By dark’ning 5 — et vi - a breWo - ra | do - po ca-du toil | di, co me, pre | ed When shades of | ev'n = ing were fall mig | fast, By dark’ning} vi,» ~ & bre-¥o - ra do - po ca-du-tgl di, co-me_pre - rect > = ed When shades of ev'n = ‘ng were fall-ing asi, By dark’ning - oS . — vi - sto shadows = > se rajnpri- a we were pro-tect - ed ben s'o- rain pri- @ ‘we were protect « ed ben ste - rajn pri- a, Wwe were pie tet =e = #e-rain] pri- a, wre were pro-fiect ~ ed ben s'e-rain pri - a, we were pro -iect - ed fel ta ch si sco-p ‘our game wespied.at last; cl si s00~ we spied at- bel - ti our game el si scO- we spied at ri. bel = th our gameE."ra Ya man-te di Ri- go - ‘With timid _she foot nigh let nigh. toy ale, Hata We'were pre- ‘wavea jl jerten Shier thon fame pe-ma, si di-le - par-ing our prey tofon ver noi spuntd, brow and ill at case. fon brow ‘ver noi spun-t6; and ill at fon ver noi spun-t0; and ill at fe itd, brow andill ak ease, fon ver noi spun 135 brow and ill at ease. les stol-to,0r6-d85 dite shold oa Prey, Tes-si-mo, stb1- fo, bred’, rand’ wife should be our prey, >~—_. ease, lasca-la quin-di Wexthen desir him to lasca- la quin-di We then de-sir him che'li Ce-pra- no And thatthe i .-pra= 00 Andenathe fon ight be all the madder, WesaidCe~ che di Co-pra-no noilacontes.sa _rdpir vo- ‘Andthat the joke tight be all the madder, WeeaidCe- i Ce! pra. no. noi la con-tes.sa _ra-pir vo> Andthat the joke might be all jmadder, WesaidCe+ edi Ce pra no, nol Incon-tes-sa pir Joke lsh _———_ alPuo. » ber " dE i, BEgete all’u0- po mes.sa, ben-da-tapt the ladders e Hiseyes we ‘alPuo- po mes-sa, tohold the ladder; Ja scala quin- di We then de-sird him —_—$—_——_ stes- %' fer mia te- nd, Ia sea- la quindiel stes-soei stes. so fer-ma, fer-ma ban. dag’, he did_o hey, he was desird Yo hold the lad - der, and id stesso fer-ma te- ne, 14 sca- Ia quindjel stes-cqei stes- so fer-ma, fer-ma ban-dag', he did_o-bey, he-was desird to hold the lad - der, andhe, he did stes- 50 ferma te- ne, la sea- la quindibl stes-sher stes - so fér-ma, fér-ma ban dagid, he did o- bey, he-was desir to hold the id = der,_and he, is stes~ 0. fer-mate-[n3, Ia sca~ Ia quindiei stes-soel ses — so fer- ma, fer-ma ban- dag, he did o- he was desird “to hold lad - der, and he, he did 7 ——————— EO diey, MeEoimg We iBS) dv soa = fa Goinai Pi Thee afsel tes — 30 fers a, ferme ban | way When he iss cov - er towwe quind, a spor Quand ei s’ac-eor del=la we bore a ——_— When he dis - cov - er’ how we t—— : Te- st) “scor- na - toad im - pre-car, ad im pre- No doubt, no doubt he curs’d us till’ the break of Tst) scor- na - t im - pre-car, ad im - pre- No doubt, no doubt ecard as til? the break of seor{na - toad im - pre-car, ad im ~ 1 Mo Houbt cursid Tas til!’ the break’ ‘oF *-st) seor- na — toad im - pre-car, ad im. pre = No doubt, mo doubt fe cursid ‘us till’ the break ‘ofPp wt, car, re-si. scor-na- tag day, no doubt. no dont > 2 day, no doubt, =a) soor- na. (ead > bt, 8 = na - to no doubt he curs'd us >, re-st soor {na - to no doubt he cursd us 19988 Te-st) scor-na. tqad im - pl = no doubt, m0 doubt, Ho doubt “he cursd us till the break, the break of dim = Pre- car, Yo~ , HO doubt he cure'd us till ‘ar, Fe-std scor-na- toad im - Bre - car, no doubt, no doubt re -Jcar, ressty scor-na~tqad im - so doubt, no doubt, “wo doubt” cd re-ot) scor-na- {gad im - no dott, “ho. doubh Ppp soita foe = car, re-st) scor.na. igad im. pre ~ sotto voce ‘scor-na= = Bre - ft the break, the break of PP Te-st0 SCOT-na - im - pre - The curs ue till + the break, the break of i Sotto, voce ursid us till the break, sotto he the break “of pre-car, re-st) scor-ua-toad im — pre - ‘he curs'd us till the break, the break ‘of 5 PP ad_im-; Te-st0 scar-na-toad im- pFe - till break of day: no doubt hecurei till break of >y ad_im-pre-car, re-sto scor-na-tond im- pre - reat "of till break of day, ne doubt hecursd tin. Pre-car, re-std scor-na.tqad im-pre - till break of day, no doobt hecurs’ tillbreak of PP, ad im-pre-far, re-std. scor-na im - pre till break of Hay,no doubt hears’ till break of > {m-fre-oar, re-std_scor-na-tqad Im pre - doubt he curs'd till break ofp00e ear, Fes1@ scorna -tond im-pro - ca, - dim pre ; uodoabt, nodoubl, codoabt he cured ust ti brea of ‘s0fto voce = " rey ‘ad im-pre - car, na | ~ pre = ca, = days, ty dosh Ge doubt Fe cured nodoubt he cursid us till break of car, re-sid, scor-na -tged im-pre - da. re, 16-80 stor. - al fm -| day, nodoubt, nodoubt, nodoubt “he curs’d nodoubt he cursid til preaié of cat, Teast} scor-na-toad im-pre-|ca - re, _reastd scor{na.- to ad_im-pre gf, ne doubt, no doubt, odoubt “he cursti us, nodoubt he carsid us ull break of e ear, na t = 5 2 e-st0 sdor=na ~ to id tm. pre day, nodoubt, nedoubl, nodoubl he curs'd nodoubt he curs us, tiilbrealtof ” iia vivo. ‘ad im - pre-car, till break of day, ; re-st0 scor- 1a = no doubt he curs im = iil break of Fe- st) SCO na — no doubt he cursid ad im - pre- car, id im = pre = till break of day, ll break of re-st) scor-ia- tend fm - pl day, ad_im - pre-car, no doubt he curs! till break of re-std =na = no doubt he cursid car, im. - im - pre day, till break “of fill break “of ear, Poco pit vivo.cd = 1003 re-st scor- na - tod Im - pl no-doubt he cursd tllbreak “of ff128. ad im - pre-car, rest) scor-na- tad im - pre - no doubt he curs, eee he curs'{ till break of P ad im pre-car, re-sto scor-na- {gad im - pre - no doubt he curs’d, no doubt he cure’d till break of Teast} scor-na- ignd im - pre no doubt hecurs’d tillbreak of hg cups’ id im ~ pre-|car, re-std svor-na toad im = pre no doubt "he sursd, no doubt he curs’ till break Mt re-st) scor-na.~ tad im - pre - doubt “he custl “till break ‘of gar, ad jim pro-car, ad. im ~ pre - car, ad im - pre ear, ad im — pre~ day’ no doubt he curs till break of day, no doubt he curs'd till break of Ase Sees ee ee eee car, ad im pre-car, im pre car ad im - pre-car, ad im — pre- day, mp doubt “he curs till break of day, no doubt heecursd till break of © car, ad Im. pfe-car, afl im pre. car dd im- pfe-car, dd im - pre- day, no doubt he curs'd till break of day, no doubt he cursd till break of * car, 4 Im ~ phe-car, ad Im - pre-lear, 2d tm - car, Tm - gre day, nodoubt “he cursd till break ‘of |day, no doubt he curs till break ‘of Fe ea, im - phe-car, 44 fm - pfe-car, Mee sd till break nr day, mo doubt Me cursid anas9fa, doTeor tro yo. e - hat fas WS - come of here where Have you ret - ta? Jeft her? Brought Rer_ here, ad dot = taor[qui. _ we brought Rér [Here Md dot- thor a we brought her here.Allegro.cds120> wma FE a3 > — = ¢ my deg- gio a le - heart ver flow - + ing, il ser - to mio da My throne and crown I'ds38 con- so - lar—— quel cor, give To call thee mine once more. My forsa 4 aOR. s Fe ser-to mio da - rei per_ con-so = lar_quel_ cor. throne anderown Td give to_eall thee mine. once_ more. =, sep-pigal-fin chi Ya = - ma, co-no-scqal-fin chi so - now shalt know who loves___thee While joy su-preme u . nites = > — ea et > — pren-da ch'ap-cqin tro- - noha de-gli schis less sweet love de — lights. us, A king him - self__were _ poor, > > ——,pren-da clfan-coin tro no, clan-coin tro - nohade-gli schiavi, less__ love_de - lights us, un - less love, unlessfove de-1 oT 15959 Pit _mosso. ha_ degli schia-vi A - mor. cena king were poor. yyy Marullo and qual pensier or a. gi-ta, ‘Why doth he te from us, fm seh ei BS Chorus. (amongst themsetvyp) Oh qual pensier "ny doth be turn Oh qual pensier ‘Wiydoth he turn a Pil mosso.<¢ =132) (PP €o- me cangid d'u-mor,co-me can-gio d'u- mor! ch qualpensier or He ne'er was thus be- fore, he ne'er was thus be - fore! dofh he turn a Go me can-eid du-fmor,co- me can-gi@ @a-|por! _ ob qual pensier or He near was thus before: be ater way thus ‘be ~lore! Why. turn a. co. me can-gid @u-morjco-me —ean-gle du morl ch qual pensier or He neler was thuy be- fore,he ne'er was thus be- fore! Why doth he turn aVa- gi-te? co- me can-gid @a-mor! oh qualpensier or Va-gi-ta, quale pensier or way fom us? he ne'er was thus be fore! Why doth be fura a-wayffon usy why doin turn @ = way from us? he ne'er was thus be -fore! Why: Pa-gi-ta? comtire can-gid Gu-foor! oh qualpensier or [Fa-pi - ta, qua-le_pensier or doth be ortae ‘turn a~ way fromus, why doth he turn a Pa - gi-ta? co-me can-gid Pu-mort oh qualpensier or Va-gi -ta, quale pet way fom us? he neler was hus be fore! Way doth he turn a -way fromusywthy doa Duke. we wt gi-ta?come angio Pu-mor! co-me can-gid, co-me can-gid! wwayiromus?he aeterwas this before! he aster wns thus, was thus be - forel %s-fi-fa2eo-me cangid Putmor! co-me cantgid, co-me cand iol way from us?heneer wasthus be fore! he ncer-was|thus, was thus be -|Yorel, Pa-gi- tae co-me sey tm abe ae Tempo Icd = 1209 vobe ts: ==. —Pos-senteamor mi chia - ma,vo-lar io deg-gfo a le - 1; il —Now hope renew'd is glow - ingWithin my heart o'er - flow - ing, My 4.ser-to mig da - rei_____per_ con- so - lar__. quel cor, throne anderown I'd give to_ call thee mine— once ore, ser. to mio da |_______ per. con- so - lar quel_ cor. throne and crown 14 to_eall thee . mine once more, b> 7 ‘sap- pigal-fin chi - = Ma, co- no-sopal-fin chi so - now shalt know who loves thee Whilebliss su-preme u - nites > > con fore He pren-da ch'an-cgjn tro - - no hade- gli schiavi © A - mor, less sweet love de - lights us A king him self___ were poor, wee ge - Hehe — pren-da ch’an.co in tro - no, eh’an-co in tro - no liadegli schiayi, Tess love de - lights us, un - 1e8s love, __unlesslove delights us,ha degli schiavi A - mor, gen & king. were poor, — Marullo, fnqual pen-sie-ro Ta-gi-ta,oh qual pen-sie . ro Why doth he turn a - wayfrom us, why doth _he turn a Ohqual pen-sie-ro V'a-gi-ta, oh qual pen-sie - ro Why doth he turn a - wayfrom us, why doth he turn a Borsa. (with Tenor 1) wp ‘Oh qual penssie~ro | fi - te, oh Chorus. ‘Whydoth he turn_a from us, wi ‘Oh qua! pensie~ro Ta-gi-ta,oh qual pen-sie- ro Why doth’he turn a - way from us, why doth he turn a ‘Pil. mosso.ca #4) pp eo ha. yes, ty Pa-gi-ta?co-me cangid Pa-mor, way from us? he néer wasthusbe- fore, Pa-gi-ta?co-me cangid Pu-mor, way from us} he geerwas thus before, Pa- fi -fapo-me cangid Pu-lmor, ‘way from us? he neler wasthus be (fore, Ta—gi —ta?eo-me eangid d'u-mor, ‘way from us? he neler wasthus be - fore, wo * * ome = 2c198 de - gli schia- vi A-mor, king fim-self’ were poor gid @o - mor! Oh qual sie-ro l'a-gi- ta, oh qual pen-sie-ro thus be _ fore! Why doth he turn a - way from us, whydoth he turn_a = id fu mor! Oh qual pen-sie-ro gi-ta, oh qual pen-sie-ro thus be fore! Why doth he turn a - way from us, why doth he tura_a - = = = ge cu ‘Oh qual pen-sie- ro |PM- Ei- ta, ch qual pen-aie - hus. bee ‘Why doth he turn a - from_us, why doth he zi = = a id du ‘Oh qual per ro DPa- gi-ta, oh qual pen-sie - ro us be = 1 Why doth he turn a - way from us,why doth he turn a - erese Va-gi-ta? co-me cangid du - mor, way from ug?he ne'er was thus be- fore, Pa-gi-ta? co-me canglo du-mor, ‘way from us? he ne'er was thas be fore, ‘pha Gi- fa? dome cangid du-lmor,— way from us? he ne'er was thus be -|fore, oreve Pa-gi-ta? co-me cangid @u- mar, way from us?he ne'er wasthus be - fore, 939eee, Bu Sehia-viA- mor, self were poor, ea - be = mo) fore,he} come ae, hi Oh love, co-me cane fore,he néer was thus, mdrlco.me eangid. Toreheneer washes, Ae once. = mor, hen once more, can seer @u-mor! co- me ci thusbe-fore, he ne'er wi can - gi) du-mor! co neerwas thus be-fore, he me can > dudmor! reer So ore, us be fore, co = he me ne'er nese! @u-mor! 1s be fore, €0 he Manto. Po- ve-ro Ri-go- Poor stricken Ri-go- Conters,affecting Rigoletto (behind the scenes). Tet- to! Lara, Ja ra, la la, Iara, lara, la ra, ara, Ia ra,la let = tol Lima) Ia ra lala, lara, lara, la ra, Ia ra, la_ra, la, Ri vie! = Si i He comes! i Nien! SI = He comes! . keep ft indifference ) taside) Han tutti fatto] Chey allwere jinttio Mnbuon giorno, Ri Pleasant morning Ri. Ihbuon giorno, Ri-go - let-to. Pleasant forming Ricgo = let=10. -flet=to. 0 1] let= 0. i Hi-go - let-t0. Pleasant morning, Ringo - Jello,Gmitating himy Civhai di nuovo, buffon? Che del - Pu - sa -to pii_no-io-80 vol ‘Whats thenewsnow,buffoon? That youre this morningmorethanw. sual-ly @ piacere Civhai di nuo-v0, buffon? What's thenewsnow;butfoon? wandering about the stage? depying about everywhere) Lara, la ra, lala, la ra, lara, la ra, lara. (O-ve Pavran na- Lara) Ia ra, Ia la, ta ra, lara, Ia ra, ta ra(Wherecantheyhavecon- Abtah! ah! ‘Ani ahiaht Hanghing hatha! ah! abt Ha! ha! hal Tah! abl Hal hal hal s8089‘sc0-sta?) Lara, la ra, Jar, Ja ra, [a ealld her?) | (amongst themselves) La ra, la ra, la ra; la ra, lara, La (Gdarda-te come inghie for spies in ev'ry quarter.) ‘ Look, look, he spies in evry quarter.) «Sil guar-da - te com? é uieto!> (Look, took; he spies in ev-y" uarter > 3H jukt-da te oda {Jn-quietol> ook “he ny Quartera4 wus Ta- ria di que-sta not - te. Si.Oh fail bel Ahy the ght ir so oft is fia tal. — Marull Que-sta not - t ‘What your mean-i prt ee i z—{8008 to the back, Ah voi dor-mi- ste A-yrd dun-que s0- You nevrslept bet- ter! Then'twas I who wits Sho dor-mi- to sem-pre. Neer did T sleep bet-ter. = t port tyr} + a handkerchief, takes it up and hides it) La ra, la ra, la ra, la ra, la ra, la ra, la. Ea ray da ory Ee fay da ray da pay In ay TTR geegy ve, Marullo. 1n9Ro“a (ooking at the handkerehiet) (Non eil su - 0) ORS Boe ers tut-tos-ser - fat) here €8- capes bim,) tute = Sat) here €3- capes him.) tht=t9 08-ser = val) here €s= capes him) bt | A Page (caters). Dormejl Du - ca tut-tor? Al suo Ix the Duke still a- sleep? By thea fr-lar viol la Du- ches sa. au dience. Dor He sleeps144 (Rigoletio,who haslistening atteatively tothe foregoing, Allegro: vivo. (d= #89) here bursts between and Interrupts them)” RIGO. R Ah, el-lad we!.. El-lgScol Du-cal.. La An) she net be here beni Ey ah gol Dances ik 7a _ye-do-re non pudal - cu-ho? Chi? that he can-mot be dis - turbdnow? Who? Ta yve-de=re non pudal - cu-no?. Chi? that he cin-not be Mais turbnaw? Who? Allegro vive. (d= 138) at ff TT rp gio - vin che sta- not - —- ‘teal — milo maid whom you ast night from “my = roof_____ car(eich terrible emaphasisy 148 a... Io vo” min Dake Borsa, Give me my Se Pa-man T= de - fa _ri-cér-caal-tfo-ve. Maranel! & greet eit Jouve fost, vhere-else fo seek her. alles Se Ta-man - te per - de la ri-cer-caal tro- ve. If a sweet -beart youve somewhere else f0 seek her. Geprano. Se Va-man - per - de - la_ri-cer-caal-tro- ve. a aneet Cheat Pode fest, go” somewhrreel-e to seek Ber. Se Ta-man = la ri- ctr- ed al-tfo - ve, If a gweet — heart youve lost,” some-whereebe to [sek her. ssenau-ila tal vit'- to ~ ria. You have bid = your tri- umpl (Rushes towards the dogr, but the Courtiers bar his passage) che?. a= des-so non ri - de-te?. El- What,” ns jest“ing lost. its flavor? She lag Ia. "S tueccl stand back, 1 o Rigoletto, Andante mosso agitato.d£s0) Cor = ti- gia- ni, vil raz- za Race of cour- ti vile rab - ble sn939ia7 yen - de = atejl whose peace = gliadim - pa- the ay net at Beaghi ma, aloes mibagh 15959148 ra pli Puo me ‘to fren Quelle por- ta, as- sas: ni, time en-ter, Je _as~ sas sind, ES - oe (Ge strgggler with the Courtiersis mS india orercome with micey : : ; ST htement the fron or the vag) Pri- te, Ta por-ta Ta por- cktet me"enter, as-sas = =Rigoletto, 6) Meno mosso.cd tu ch hal Oth - ers = Io. ral -rul - lo, 33150 eee a a ae oe ‘mi tu do-ve Vhan-no na-seos-ta? OE la? Non & __ Say the word wheremydanghter is hid-den? Ist there? say in — = = é non é ve-ro? 8 la? non & ve-r02. tu ist there? say in pit- y_ is't there? say: in pit- y! thou'rt = = — = SS SS wt Le PP (in_tears) a = — ta cit ohi- ma! Bi - si = lent! a 2 las! Oh, my > gno - ri. per-do lords! will 15989ra a ae os <=> — R gliar - do la fi - glia ri - da - - te Ri - do- fa - thers despairing in-ter - ces - - sion? Give me —— nar = Iga vwiml - lao- ra co = sta, ‘a vol mul-lno-ra back my _be-lovit, on = ly daugh - tex, my belovil, on-ly [= OE 4 tut=to,tut-to al mon - dop tal fi Dear-er’ fur than my life! Give _ her bucl —. SS if. Y ‘col cantoJe fi= glia;tut-to almondo§ tal fi-giia per my child! en pit-y, in pit-y oh bearme im- ri-da - tea me_ la fi- glia; tut-tegl mon - do Oh give me buck_ my child! “In pit- y hear me, = el-1%___per_ me! Pio- ta, pie-ta, si-gno - ri, pie- ta, si-gno-ri, pie- have pit =~ y on me’ My child, my child re-store me! My lordsoh hear me im >NOBéH “Tutte le feste al tempio.,, iss Resitative, Chorus and Duet. (Gilda rashes from the room, at the left hard and throws herself into her father s arms. assai vivo ed ap Piano. Si ‘si- My iim in sa... @ tut- ta lamia femi-glia... stone mytrea- sure my lords, she is all I cher-sshs (to the Courtivrs) mul-la, an - - geo mi-o... fu scherzo!... “non & noth-ingg; un = > gel, Reftundthee! Cometell me, *twasbut To che pur piany si or ti- do. 4 who was Weep-ing, f8-jolce now.154 Rigoletto. Gilda. x, a pian-gi. Ah! l'on - ta, pa-dre mi-o! Cie - lol che di= ci? werp-ng? —-Dis-hon - or oh my fu- ther! Hor - ror! what seyktthou? om imperiously _ wane outers, Ar - ros-sir vo-glio—_ in-nan = zia vol sol T= te di Fu - thes, ob hide me from ev - Ory eye but Hence, TI com- vo. tut du-ca vo~ stro d’ap-pres-sar = si o- and leave se ‘the worth-less! ‘ye serve dures ap= 2 be a5 prouch ole fo eer S————_ ———____— (throws himself into the arm-chair) eis - | T charge _yei P’Maruile (and Courticrs amongst themselves), (Coi fan-ciul- co de-men = ti $0 gio-va jl si-mu-lar. (With Gliseane'NS ecu Jest” ing, “tie fe Gureow pans to” tans. Borsa. (with tst_Tenors). ——.. i fan-clul-lte co? de = > - i) si-mu-lar, (Go fin chul-He Go de> men i spes = 90 glowajl si-muclar. (With th'in-sane ‘lis e- vil | jest. ‘He cur Ceprane, Goith Bases), | ss Soreee pas Chorus. ——<——_ TTT _(exeunt) Par-tiam pume-quel etfel ten = tf non la-scia~mo dios-ser- var.) T am tirtlof his pro-test - ing, Let wswatchhim from # = fur.) —_—_—SE_ ‘ar-tiam pur, ma quel ch’ei ten = ti non la-soia- mo: d’os-ser var.) Tam leaf “hs prov test = ing, Let uswatch hum‘rom a + fa} wes eV 3 NO 14“Tutte le feste al tempio.,, Recitative and Duet. Rigolatto. Gi oe Par- la, slam so (Ciel! darm-mi Co = rag = gio! Speakychild,theyvelett us. (Oh heavbygiveme ~ strength Sow) ‘ Wind Piano. cotta parte| gyGilda, >=—~ =a Tut-te Ie fe-steal tem-pio men-tre pre= ga-vaJd-di- 0, On ev-'ry fes- tal morn ing, © meur to the ho- ly al - tar, bel Ige fa-ta-leungio- va-ne of-fria-sialguardo mi-o.. — sej—labbri no-stri T saw a youth ob-serv-ing me, beneath whose gave I falter; ‘Though not a word he tac = que- ro, da-gloe chi il cor, il cor par- 10. sid to me My heart his mean-ing well did know, NS Fur-ti-vo fra le te-ne-bre sol ie-ria_me giun -ge-va When twi-lightshades weredarken- ing, lastnight He stood be- fore me, inane157 —a —_— So- ho stu-den-te, po - ro, com mos- so mi di- ce- va, Spoke of his love and pov - er-ty, a dream of joy came oer me. =<; a ERA con ar-den-te pal - pi-to_ a - mor__m_— pro [e- ly he vowll to — love. me, and I gave him__ vow for a poco a poco string: ¢ eresc im-prov-Wi- si'ap- par = te = To > aed fer Ps Pan” me tell. “The <“‘poco @ ocd string. €_eresehan ra - pi - tay who hither brought mé, Pitt mosso des) ——~ (So - lo perme Vin - fa = - mia (That thou "be spard my in = - fa-my, < = 16989-_ 159 ene =? — EE rE | a te chie-de = vao Di = O.. T've wea - ried heav’n ‘with pray = 2 ing, : chil - In po-tes - saa That "ev — Hy pood “may quan - to ca-du the world’s fromma tut-to O- Te scom-pa-re. « and angutsh here I must find thee, NE Pit lento, deo) Re —_==~ Pe S. ——S (Se = seid!) Ah! Pian gl, pim = gifan-ciul- - la,fan-clal-la, ‘woe,)Ah! Daugh ter, come, Tet me com - — fortthee in thy a Ce 7 re i -=___ PP eA161 a tor. Padrein vol par - a stow, ah, dearest fa - ~—sther, an SE R Pian = - gi, pian - - gi, fans Daugh = - tex, come, Tet me a la, fan-clul-la, pia fort thee in thy sor162 pa-dre,in vol par yes, dear-est fa _ Pa - in = [Rte te, in ian - gi, scor- rer fa! - to — Cf - - ea jl plan - to sul. mio— cor plan here on my: ‘thy—tears may—flow, weep a Some Be on = os f P aapar - ia un an doth un an gel— con- so - la_ — thee. - gel— com - fort be ~to__sul_mi- 0 thy_—tears my Pian - gi, weep, my > plan = gly cor-rer mgh-ter, here on by Sybat pp din. = = =P =P tor, an - gel_con-so-la-tor, an = gel con - so-la-ton, ah!_____con- $0-In- stows yes, yes, comefort be-stow,yes, Ses, com-fort be-stow, abl, my fi-ther = Pp — Pp se oy cor, fajl_ pian-to_ sul mio-cor, fajl pian-to_ sul mio cor, ah! flow,weep, weep here on myheurt,weep, Weep here on my heart, > sul mi-o0 ‘up- on my > a = _—— dre, in vo-i un an-gel, un an- ~ther, in thee an an-gel, an an989ie Recit. Rigelette, ‘Compiu-to pur quan-te a fa- T think what remains yet for me Nas) tte (aside). Gilda. tre-mo que-sCau ra fa - nc-sta: bode wemustleave on the 1. (B tutte un sol qu gior no can-gia - re po- instant.Yes. (Oh how all our ie hath been chang’d in” 4 (Count Monterone passes across An Usher (to the guards), Moderato.(d= 100) “the stage, guarded by halberdiers) ex 11) Schiu -de day!) ‘Un-close — Ere? tare i - real car - ce-re Mon - “Ye. to ne,pass Monterane (stopping before the Duke's portrait), ra u, dee. Poi-ch® fe cell. “twas ia rit : - s 3 a 8 p 1w059Soo = va- no da me ma-le- det - vain in my an- ger I cured mineoun fer - ro col-pi-vajl tuo der from heavinyethathburstdown to ce pur an - co, 0 Du - cay - ure tri- um” phant thy days "yet (exit guarded) Rigoletto, —~ Vai. No, vee-chio, fin- gan. mi... un vin- di-ce p-vrai. crowtia. But ‘twill not’ be Tong thus, thiaven-ger iS nigh. of. 1989168 Allegro vivo. (d = #38) (impetuously) te the portrait) ‘si, ven- det ta;tre-men daven-det - ta Yes, my_ven- vance fierce hath doom’ atl : ae — que-sta__- alma so Tess fiend, ‘tis my sole less fiend is my sole. ———4 — be col - pi, thou i 167 vel buf-fo ne sa-pra. cross the jest - - ers. path. —~ © ire,qual gio - thera joy,Ya,pur a there's naught fo_ ti chie - ness th'unkind re ilbuf-fo the jest ines_—~ pu = rejl per - do oe Sh atene 1 pi- re tefl buf - fo - ne, vengeance dark I — doom thee, SF poco pitt (dad > > a a might 1, oh, might re sa = col pi- re tefl buf - _— fa - ther’s what, to vengeance dark I do =" no dal ciel 1 + vert the wrath fo-ne, te col- pi - doomthee, thoushalt feel a.ra, ah per- do - ma- te, per- do - heavi,might I a - vert, a - vert the pi-re, te col - pi- re il buf - vengeance dark I doom thee, thon shalt = tel of —hheav'a! (exeunt through centre door.) sa - pra - ther's wrath! End of Act H.