CONTACT:
Instructor: John Shimon, Associate Professor of Art
Email: shimonj@lawrence.edu (best way to reach me outside of class)
Office: Wriston Art Center 109, 920.832.6534
Office Hours: Tuesdays 10-12 AM or by appointment.
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3. Projects (60%): Complete 3 projects, worth 10% each with the final project being worth 30%
reflecting your creative, in-depth investigation of the digital medium and related debates, and the
development of your digital skills. The three initial projects can be can be progress updates
on a single final project. Projects must be finished and presented at the beginning of the class on due
date along with a 150-word blog post reflecting on your process (including hyperlinks, visuals,
video clips illustrating your text are mandatory), including comments posted on 2 classmates blogs. Late
Projects receive a lowered grade for each class meeting they are late (e.g. an A gets lowered to a
B if 1 class late, to a C if 2 classes late, etc.). NOTE: ART 540 students must exhibit more savvy and
sophistication in their projects and must “raise the bar” for discussions and critiques to demonstrate
growing knowledge of both historic and contemporary art.
4. Reflection Blog Posts (10%): Write 2 REFLECTION POSTS on 2 assigned/required ARTIST
LECTURES worth 5% each. Posts will be graded √+ (A), √ (B), √- (C). Jot down notes to remind you of
the points you found most compelling. Engage the artist in individual conversation if possible. Analyze how
the artist presents issues related to their work and how their work relates to issues covered in this
course. Posts should be finished and presented at the beginning of the class immediately following the
lecture. Late posts receive a lowered grade (see above).
5. Honor Code: Please reaffirm the LU Honor Code in writing.
MATERIALS REQUIRED:
1. Book (required): Simulations by Jean Baudrillard (Semiotext(e), 1983, ISBN978-0936756028, $12.95),
Available at the campus bookstore (or online).
2. Mobile Hard Drive (required): LaCie or Seagate work well with Macs. Check Target, Best Buy,
amazon.com, LaCie.com etc. for best prices.
3. Headphones with 1/8” mini-plug (required): Conventional light-duty or noise-canceling closed-type
for high intensity listening (from $25). Available online or at Target, etc.
4. Smart Phone projects encouraged.
INFO/RESOURCES:
1. Hardware/Software Educational Discounts: (10% off Macs and 50% or more off software)
http://www.lawrence.edu/dept/ITS/services/purchases.shtml
2. Supplies Locally: MURRAY PHOTO for cameras, media (10 College, 920-733-5885,
murrayphoto.com), OFFICEMAX for cameras, DVDs, storage sleeves (4693W. College, 920-830-9300,
officemax.com), TARGET for cameras, external drives, media (target.com, 4301 W. Wisconsin, 920-731-
5566)
3. Supplies Online: http://www.bhphotovideo.com/ for cameras, media, drives, eBay for used
equipment, props (ebay.com), APPLE STORE for Mac accessories, drives (800-692-7753 apple.com),
FREESTYLE for cameras, media (800-292-6137 freestylecamera.com).
4. Services Online: GOTPRINT.COM for post cards, BLURB.COM for print on demand books,
FLICKR.COM for sharing images, YOUTUBE.COM for sharing videos, ZAZZLE.COM and
CAFEPRESS.COM for cards, posters, and merch, SHUTTERFLY.COM for color prints.
5. Art/Tech Info Online: wired.com, luminous-landscape.com, kenstone.net, Lynda.com, codeacademy.com,
mediacollege.com, webofstories.com (see class blog for more suggestions)
6. Mudd Library Periodicals (Level A): Art Calendar, Art in America, Art Forum, Art News, Bust, Flash Art.
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7. Academic Accommodations for Students with Disabilities: Students who have a disability
covered by the Americans with Disabilities Act are entitled to academic accommodations. Students must
initiate all requests. Please contact the Office of Student Academic Services (ext. 6530) for info and advice.
Makerspace and 3D Printing The main purpose of the Makerspace is for Lawrence students to gain hands-
on learning experiences and have the opportunity to develop a concept from an idea to a physical object.
http://guides.lib.lawrence.edu/content.php?pid=676795&sid=5609996
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ART 340/540–INTERMEDIATE & ADVANCED NEW MEDIA
COURSE CALENDAR + PROJECTS
MAR 28 (W) DISCUSS BAUDRILLARD p. 1-13 & TERMS: Be prepared to present your term from Baudrillard and
discuss the meaning in the context of the entirety of the book and post/present culture.
A LITTLE HISTORY OF COLOR IMAGING PPTX:
Everyday “reality” is now represented and idealized in supersaturated color. Review the technological evolution
of color imaging from the earliest Autochromes (1907-1935) to Technicolor (1934-1955) and
Kodachrome/Kodacolor to current inkjet prints. Discuss how artists such as William Eggleston, Stephen Shore,
Jeff Wall and Andreas Gurksy subverted commercial uses of dye transfer, light boxes, color negative film,
PhotoShop manipulations and cinematic scale prints to make artistic statements. View examples of color prints
made with various techniques and technologies.
READ Simulations p. 13-23 for next time
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PROJECT No. 1 – THE DIVINE IRREFERENCE OF IMAGES
We
will
explore
the
idea
of
realness
and
the
hyperreal
as
described
by
Jean
Baudrillard
by
making
an
artwork
which
exemplifies
or
subverts
this
idea.
The
term
“unmasked”
to
Baudrillard
signified
realness.
This
also
means
the
collapse
of
reality
into
hyperrealism
in
a
minute
duplication
of
the
real.
Wrote
Baudrillard,
“Whereas
representation
tries
to
absorb
simulation
by
interpreting
it
as
false
representation,
simulation
envelops
the
whole
edifice
of
representation
as
itself
a
simulacrum.
This
would
be
the
successive
phases
of
the
image:
it
is
a
reflection
of
a
basic
reality,
it
masks
and
perverts
a
basic
reality,
it
masks
the
absence
of
a
basic
reality,
it
bears
no
relation
to
any
reality”
(p.
11).
Use
iconic-‐ness,
scale,
subject
matter,
flatness,
focus,
form,
etc.
to
emphasize
the
notion
of
simulation.
RE-READ: Simulations by Jean Baudillard p. 5-13. Respond to the issues covered in relation to your solutions for this project
in your blog post, including quotes from the text.
REQUIREMENTS CHECKLIST:
1. Contemplate a range of ideas for the project based on theories put forth in Simulations by Jean Baudrillard.
2. Consider working with subject matter you can re-visit with subsequent assignments or work on an ongoing project.
3. Post a 150-word reflection on your blog with links to your project and an analysis of your creative process along with
detailed reflections on how your treatment relates to the assigned reading including quotations. Post 2 comments responding
to classmate posts.
DUE: APR 4 (W)
MAR 29 (R) Artist lecture by Anna Campbell, Associate Professor of Art & Design, Grand Valley State University
6:00 PM Wriston Auditorium/Galleries – Attendance Required! Reflection Blog Post No. 1 due APR 2 (M)
WEEK 2
APR 4 (W) PROJECT No. 1 Due– Presentations in class with blog post and 2 comments (by midnight)
WATERGATE PPTX: Political moment w/presidential lies disguised as truth & Johnny Cash thrown in.
READ Simulations p. 23-37 for next time
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PROJECT No. 2 – ROSE-COLOURED RESURRECTION
Create
an
artwork
that
is
experimental
and
reflective
of
the
ideas
in
Baudrillard.
“We
all
become
living
specimens
under
the
spectral
light
of
ethnology,
or
of
anti-‐ethnology
which
is
only
the
pure
form
of
triumphal
ethnology,
under
the
sign
of
dead
differences,
and
of
the
resurrection
of
difference”
Baudrillard
(p.
16)
READ AND RE-READ: Simulations by Jean Baudillard p. 13-23. Respond to the issues covered in relation to your solutions
for this project in your blog post.
LEARNING OUTCOMES (students should be able to):
1. Deploy techniques such as brainstorming, improvising or old-fashioned planning.
2. Build skills in creating meaning and communicating ideas through sight and/or sound.
3. Experience presenting a project that transcends typical artistic conventions.
REQUIREMENTS CHECKLIST:
1. Plan, strategize, or anti-plan.
2. Produce and present your artwork along with a 150-word reflection on your blog. Embed your project and
reflect on the assigned readings, with quotations. Post 2 comments responding to classmate posts.
WEEK 3
APR 10 (T) Jordan Fund for the Arts Visiting Speaker Joan Rothfuss, independent writer and curator based
4:45 PM in Minneapolis. Wriston Auditorium.
– Attendance Required! Reflection Blog Post No. 2 due APR 18 (W)
JAN APR 11 (W) Paul Shambroom visit Paul Shambroom is a photographer who explores American power and
culture. For over twenty years he has documented subjects ranging from industrial and office
environments, the U.S. nuclear arsenal, small town council meetings, and post-9/11 "Homeland Security"
preparations. His recent work expands his practice beyond straight documentary practice, involving found
images, text and performance. Paul's work is in the collections of the Whitney Museum of American Art,
the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Art Institute of
Chicago, the Walker Art Center, and many others. His photographs were included in the 1997 Whitney
Biennial and he has had solo exhibitions at many institutions including the Walker Art Center, the Museum
of Contemporary Photography in Chicago, and galleries in NY, Chicago, San Francisco and London. His
work has been published in three monographs: “Paul Shambroom: Picturing Power“(2008),
“Meetings“ (2004), and “Face to Face with the Bomb: Nuclear Reality After the Cold War“(2003). Paul has
received fellowships from the Guggenheim Foundation and the Creative Capital Foundation, and the Bush
Foundation, among others. He was born in Teaneck, NJ and lives in Minneapolis. Paul is currently on the
faculty of the Department of Art, University of Minnesota, Minneapolis.
READ Simulations p. 38-49 for next time
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WEEK 4
APR 16 (M) PROJECT No. 2 – ROSE-COLOURED RESURRECTION Due. Presentations in class with blog post and
2 comments (by midnight)
DISCUSS Simulations p. 38-49
LOUD FAMILY BACKGROUND PPTX – Brief overview of the American Family doc and aftermath.
READ Simulations p. 49-58 for next time
WEEK 5
APR 25 (W) RESEARCH METHODS: Review project requirements, run through artists, review PPTX design issues.
1:30 PM – VISUAL RESOURCES/MUDD LIBRARY WORKSHOP: VRL librarian Colette Lunday Brautigam will
2:00 PM instruction on finding high-quality digital images. Reference librarian Gretchen Revie will provide information on
library resources (online journals, videos, and books).
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PROJECT No. 3 – MORE REAL THAN THE REAL THING RESEARCH REPORT
Produce an illustrated 8-minute report on one of the artists listed who came of age during mass media's first years and whose
work reflected divergent experiments with Pop, minimal and conceptual art with a common concern with social commentary,
including race relations, sexuality, feminism and consumerism put in the context of Jean Baudrillard’s Simulations. Before our
meeting, get familiar with the following artists: Vito Acconci, John Baldessari, Barbara Bloom, Chris Burden, Jack
Goldstein, Robert Gober, Mike Kelley, Louise Lawler, Liberace, McDermott & McGough, Dolly Parton, Ru
Paul, Norman Rockwell, Laurie Simmons.
LEARNING OUTCOMES (students should be able to):
1. Conduct research on an artist using an academic library and online resources.
2. Present an illustrated talk on an artist with a clear, focused thesis and appropriate images.
3. Think critically about how art practice, art history, pop culture, and contemporary theory intersect.
REQUIREMENTS:
1. DEVELOP A THESIS & CONDUCT RESEARCH: Conduct research online and at the library to gather enough
material to develop a thesis or argument about the nature of your artist’s practice, ideas, and work in relation to
Baudrillard’s Simulations. Check out books from the Mudd Library (some are shelved in oversize area [q]). Search the
Internet and periodicals for recent articles and critical essays. Present a brief overview then present your argument helping
viewers understand how your artist relates to Simluations. Include how your artist used “new media”.
2. FIND IMAGES: Select digital images or videos using ARTstor or other credible online image sources (small .jpgs about 1000
pixels work best). Use about 10 examples to illustrate points. “READ” each image you show, have a talking point for each.
3. DESIGN SLIDE SHOW: Use PowerPoint to design your 8-minute slide show. The background should be neutral (black,
white or gray) with basic, non-distracting fonts. Start by stating your title and thesis and end with your bibliographic sources.
Include title, size and medium of artworks. Key bullet points or quotes are okay, but avoid reading off the screen. When
including .mov files, .pptx and .mov files must be kept together in a folder. Embed inks to videos and web sites.
4. PREPARE OUTLINE: Write a 2 pg. outline including your thesis and key points for use during presentation with a
1 pg. bibliography listing all your sources to include: 1 book, 3 print periodicals, 5 online journals/websites (to be handed in
to instructors after presentation). Post a 150-word reflection on your artist with pertinent links and images. Post 2
comments responding to classmate posts on this project. Present PPTX from external drive, email to self.
DUE: FEB 10 (W) NOTE: Late presentations will not be accepted and will receive an F.
WEEK 6
APR 30 (M) CONTEMPORARY NEW MEDIA PROJECTS PPTX – Consider the range of possibilities based on
contemporary art practice ranging from the manipulation of authority by Ai Weiwei to kitschy installations by
Lise Haller Baggesen to post-history critique of Iris Haussler.
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PROJECT No. 4 – SELF-DESIGNED NEW MEDIA WORK
Develop a new media project that works as art based on a new or previously developed idea. Possibilities include: a video (either
a 4-5 minute piece or a cohesive series of two or three shorts, soundscape, internet site, photo book, portfolio of inkjet prints,
drag show, music group, altruistic cooperative, group meal/radical hospitality, video/performance/installation piece, etc.
Collaboration among students in the class is encouraged. Projects should be more AMBITIOUS for ART 540
students.
READ: Simulations by Jean Baudillard p. 83-92, 92-102, 103-115, 115-152. Respond to the issues covered in relation to your
solutions for this project in your blog post.
LEARNING OUTCOMES (students should be able to):
1. Conceptualize, research, and plan then cultivate the skills necessary to work independently on a self-designed project.
2. Use a computer and readily available software and free online platforms to produce a digital object as art.
3. Understand digital media and how they can be used in your art practice.
REQUIREMENTS CHECKLIST:
1. Write a 2-page typed project proposal (with workflow/timeline and bibliography) then create a PPTX
presentation explaining your idea and approach (include 2 alternate ideas if uncertain). Describe your concept then
quantify it (e.g. stating exactly how many and what kind of art you’ll make). Address how project builds on prior skills,
interests, and work. List weekly goals with individual action steps in a timeline. Be as specific and realistic as possible. List
theory/history, articles/books, and one contemporary artist related to your work to research and examine. DUE: MAY 7 .
2. Meet individually with instructor at your workstation to discuss your progress. DUE: MAY 14.
3. Present your work-in-progress project to the group for critique in a form appropriate to your project (e.g. PowerPoint
overview, rough cut video, draft layout, etc.). DUE: MAY 21.
4. Post a 150-word reflection on your blog with links to your project (in appropriate form) and visuals along with your self-
evaluation and discussion of your working process. Post two (2) comments responding to classmate projects. Present
your work in the Warch Campus Cinema. Be prepared to introduce yourself and your project and conduct a discussion
afterward.
DUE: JUN 4 (M) @ 9:00-11:30 PM @ Warch Campus Center Cinema
MAY 1 (T) Visiting Artist Lecture Zina Mussmann, artist; co-director, Greymatter Gallery; faculty, MIAD;
4:30 PM and curator, 365 Artists 365 Days. Wriston Auditorium.
– Attendance Optional! Reflection Blog Post Makeup
MAY 2 (W) PROJECT No. 3 – Research Presentations Due. Presentations will take the entire class period. Prepare to
listen and ask relevant questions. Required hard copy materials in class. Post a 150-word reflection on
your artist with pertinent links and images. Post 2 comments responding to classmate posts by midnight.
WEEK 7
MAY 7 (M) PROJECT No. 4 – PPTX Presentations and Proposal Due along with Required hard copy materials.
MAY 9 (W) DAVID LYNCH DAY! – The painter turned filmmaker whose vision transcends specificity of media.
WEEK 8
MAY 14 (M) DISCUSS Simulations p. 83-92: Be prepared to present your term from Baudrillard and discuss the
meaning in the context of the entirety of the book and post/present culture.
FRED SMITH and JUDITH SCOTT PPTX: Discuss the profound output of these two self-taught,
isolated artists who created surrogate beings.
PROJECT No. 4 – Work Progress Meetings with instructor
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READ Simulations p. 92-102 for next time
WEEK 9
WEEK 10
WEEK 11
JUN 4 (M) PROJECT No. 4 – SELF-DESIGNED NEW MEDIA WORK DUE/FINAL CRITIQUE @
9:00-11:30 WARCH CAMPUS CENTER CINEMA: Present your piece with a polished, practiced verbal
introduction. Your presentation should last no more than 8 minutes total! Plan to stay for all presentations!
Independent Study students to join us. Public welcome. © JS 3.16.2018
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