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Romare Bearden

Spring Way
1964

photomontage
Oscar Gustave Rejlander
Two Ways of Life
1857
Raoul Hausmann Raoul Hausmann
Dada Self-portrait Tatlin at Home
1920 1920
“Even if the Cubist painters initially left the
pictorial surface untouched, they replaced
the ‘plastic’ and comprehensible space of
the now traditional painting with the hetero-
geneous and discontinuous space of mon-
tage.”
- Klaus Honnef
found

Nils-Ole Lund
The Town in the Landscape
1980

Enric Miralles
Prado Museum Extension
1995

constructed
Romare Bearden
The Dove
1964

Max Ernst
Une Semaine de Bonte
1934

photo fragments : found


“The first type of photomontage was the
shattering of the surface by the multiplica-
tion of points of view and by the whirling
interpenetration of many surfaces of imag-
es…”
- Raoul Hausmann

Raoul Hausmann
Elasticum
1920
Hannah Höch Hannah Höch
Pretty Maiden High Finance
1920 1923
Romare Bearden
Evening Meal of the Prophet Peterson
1964
Romare Bearden
Mysteries
1964
John Heartfield John Heartfield
Hurray, the Butter is Gone! Oh Joyful, Oh Blessed, Miracle-Bringing Time
1934 1934
Max Ernst
Volcanic Women
1929
Max Ernst
Une Semaine de Bonté
1934
Max Ernst Joseph Cornell
Pleiades Albrecht Dürer Self-Portrait
1920 1971
Joseph Cornell
Untitled [Soap Bubble Set]
1930
Joseph Cornell Joseph Cornell
Untitled Mozart
1967 1960s
Nils-OIe Lund
The Town Inside the Walls
1980

David Wild
Concrete Socialism
1995

photo fragments : found


Nils-Ole Lund
First the Building and Then the Site
1982

Nils-Ole Lund
Nils-Ole Lund
The Best of Architecture
1984
Nils-Ole Lund
The Mountain
1986
Nils-Ole Lund
The Town Inside the Walls
1980
David Wild
ARse
1969

David Wild
David Wild
Christmas Card
1992
David Wild David Wild
Domesticity in the Model Republic De Stijl
1995 1995
David Wild David Wild
Modern Times Heroes of Labour
1997 1998
David Wild David Wild
Great Minds Naked Graffiti
1995 1997
David Wild David Wild
Engels The Age of Steam: Portrait of Marx
2002 2011
El Lissitzky
Birth Announcement of the Artist’s Son
1930

“By its oppositions between the rough


and the smooth, between the aerial view
and the cinematic close-up, between per-
spective and the flat surface, photomon-
tage offers the greatest technical variety-
that is, the most compelling elaboration of
the dialectic of forms.”

- Raoul Hausmann

photo fragments : constructed


El Lissitzky
The Constructor [Self Portrait]
1924
El Lissitzky El Lissitzky
Wolkenbugel Cover for Roget Ginzburger’s Frankreich [France]
1925 1929
David Hockney
Place Furstenburg, Paris
1985

David Hockney
Pearblossom Highway
1986
David Hockney
The Desk
1984

David Hockney
Chair, Jardin de Luxembourg, Paris
1985
Gordon Matta-Clark Mary Miss
Conical Intersect Untitled #90
1975 [Vermont Fire Tower]
1996

EMBT
Prado Museum
Extension
1995
Teddy Cruz
Border Postcards
2002

FELD Studio
Untitled
2010

photo fragments : constructed


Gordon Matta-Clark
Splitting
1973
Gordon Matta-Clark
Splitting
1973
Mary Miss
Untitled #90 (Vermont Fire Tower) | Collapsed Pier
1996
Mary Miss
Pool Complex: Orchard Valley
1982-85
Miralles Tagliabue
Rosenmuseum | Prado Museum Extension
1994 | 1995
Miralles Tagliabue
Igualada Cemetery
1990
Teddy Cruz
Border Postcards
2000
Teddy Cruz
Border Postcards | 60 Linear Miles of Trans-Border Conflict
2000 | 2012
FELD Studio FELD Studio
Extracts of Local Distance - process Extracts of Local Distance - Libeskind’s Jewish Museum
2010 2010
FELD Studio
Extracts of Local Distance - Meier’s Arp Museum
2010

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