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Arabian Dances © ROLAND BARRETT (ASCAP) N INSTRUMENTATION 1 Conductor 4 Trombone Wort pars 8 Flute 2 Barttone tanec ten 2 Oboe 2 Baritone Treble Cief baetaasdacertatetecealal > bassoon 4 Tuba om ins 4 1st Bb Clarinet 2 Mallet Percussion Trombone in B: Bass Clef 4 2nd B: Clarinet (Xylophone/Bells) Trombone in 8 Treble Clef 2 B>Bass Clarinet 1 Timpani Baritone in Bs Bass Clef 5 B.Alto Saxophone (Tune: ¢,6,F) ‘Tuba in Et Bass Clef 2. Bi Tenor Saxophone 4 darheasalinh 1 ee + Tuba in Es Treble Clef 2 BantoneSocrhee ieee pam Tisino bn 4 1stB Trumpet ie eels Tuan Tele Cle 4. dnd 8: Trumpet Saal mbovinn Suspended a Flom SaiaSuet PROGRAM NOTES After a long day's journey, the nomads set up camp for the evening. As the sun casts its final searing rays on the desert landscape, a campfire roars to life and the celebration beains. As the sky darkens, the festivities grow wilder and wilder until eventually, three groups of revelers take turns dancing at the edge of the fire, each trying to outdo the other, Finally, the entire tribe joins, dancing wildly for hours until the campfire dims and morning grows near. NOTES TO THE CONDUCTOR The opening measures (1-14) set the stage in a dramatic way and should be played in a very expressive, rubato style. The clarinet soloist (who “calls” the dancers to the fire) should be encouraged to play very freely, and may even take some liberties with the tempo. In measure 15, the four quarter notes should be very, very short. Infact, they may be treated as four eighth notes, each followed by an eighth rest. A similar treatment should be applied to measures 27, 43, 84 and 95. In the bassoon and bass clarinet parts in measure 16 (et. al), the eighth note on the ‘and’ of the second beat is accented, even though it is within a slurred grouping. The players should work to emphasize this note, even though it is not tongued. At measure 28, although the style abruptly changes to that of a more flowing and legato nature, the ensemble must concentrate on maintaining the established tempo—in other words, don't slow down! Measures 52-84 represent the peak of the festivities and should have a wild, almost raucous character, Finally, the last section of the piece (from measure 85 to the end) should drive forward with an almost relentless energy {a5 the dancing roars to a furious close. Arabian Dances 5 Roland Bart ‘LL SCORE By Roland Bi (ASCAP) ‘prox Duration -2:45 Dramatically = 76 rm te Clarinets Bass Clarinet Alo xophone Tenor xophone Baritone xophone ‘Trumpets Hom, ‘ombone sha {allet Pereussion looney impani ereussion 1 erga Wodbec! rien in Stra stun" ereussion 2 ‘Se mbouin, ‘sumed Comal (© 2008 BELWIN-AAILLS PUBLISHING CORP (ASCAP), aaa FL. ob. Bsn. ce. BCL T.Sax. Bar. Sax. Tots. Hn. ‘Tha. ‘Tuba Mit, Pere, Timp. Pere. 1 Pore. 2 Fi. Ob, Ba. TSax. Bar. Sax. f Tpts. Toa. Bar Tuba Mit, Pere, Perc. I FL ob. Bon, . aa. A.Sax. T.Sax, Bar. Sax. ‘pts. Ton. ‘Tuba Mt. Pere, Perc. 1 Pere. 2 FL. ob, Bsn. Cs. Ba. A.Sax, Sax. Bar Sax, Tots. Tuba Mit Pere. Timp. Pere. Pere, ob, BCL. T.Sax. Bar Sas. Tpts, Ton. Toba Mit. Pere. Timp. Pere. 1 [mp Sop. ym. on ees) EEE Pere.2 FL Ob, Bsn, cls. Bch. A.Sax, Sax. Bar. Sax. pts. Ton. Bar Tuba Mt, Pere. ‘Timp. Pere. 1 FL ob. Bsn, Cs. B.C A.Sax. Tots. Hn. Ton, Bar, ‘Tuba Mit. Pere. Timp. Peres 1 Pere.2 On. Bsn, hs. B.C. A.Sax. ‘Ton. Bar, Tuba Ut. Pere, Timp. Peres Pere. 2 F. 0b, Ben. Cs. Ba. ASax. T.Sax. Bar Sax. Tpts. ‘Ton. Bar, Tuba Mit. Pere. Timp, Pere. Pere. 2 A.Sax. T.Sax. Bar. Sax. Wildly festive! Tpts. Hn. ‘Thn. Bar. ‘Tuba Mit, Pere, Timp. Pere. 1 Pere.2 Gane |p nd cape ea He cep inf ar Had ans ey [a cas of ad lp dig ne sit ab clap adie the ie Tay oem yen Reet ey mbes and | ob, Bsn, Cs. Bch. A.Sax. TSax. Bar. Sax. Tots. Ain, Tha, Bar Tuba Mitt Pere. Timp. Pere. 1 Pere. 2 ob. BO. A.Sax. T.Sax. Bar. Sax. Tuba Mit. Pere. Timp. Pere. 1 Pere. 2 en clpe nf Horde nf [mf ad clos ve Ob. as. 8c. A.Sax, TSax. Bar. Sax. Tpts. ain, Pon, Bar, Kuba Mii. Pere. Fimp. Pere. 2 a a 6 » n FL ob, as. Ba. T.Sax. Bar. Sax. ‘Tpts. Ton. Bar, Tuba Mit. Pere. ‘Timp. Pere. 1 Pere. 2 n B " 8 6 Ob, Bsn. Cs, Ba. ASax. Sax. Bar. Sax. Tpts, Ha. Tha. Tuba Mit. Pere. Timp. Pere. 1 Pere. 2 ” % ” » a on. Ba. A.Sax. Sax. Bar. Sax. Tos. penal wer ota Ton. Tuba Mt Pere. Timp. Ba, Susp. Cyanlon ces) 7 ob, Os. BL ASas. £.Sas, 3ar. Sax. pts. ta "bn. “wha Mt, Pere. imp. 0b. Bsn, Ba. ALSax. TSax, Bar. Sax. Tpts. Pere,2

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