Zac Puckett
Professor Goosey
ENG 200
27 April 2015
Daredevil, a Marvel Television series that aired exclusively on Netflix, centers on a pair
of lawyers living in the town of “Hell’s Kitchen”. When Matt Murdock, one of the two lawyers,
was a child, he was blinded by a chemical spill. His blindness caused him to develop amazing
superpowers because of the extra brainpower not being used by sight. Once Matt realizes that he
is now able to “see” by hearing better than he was able to see before he was blinded, he decides
to use his power for good; he assumes the name Daredevil and proceeds to overthrow the
oppressive ruler of Hell’s Kitchen (“Into the Ring”). Likewise, Marx’s The Communist
Manifesto describes a society in which there are the proletariat, the working-class oppressed, and
the bourgeoisie, the oppressive ruling-class. Marx also calls for a revolution led by the proletariat
to overthrow the bourgeois class (373-82). There are many similarities between Daredevil’s
Hell’s Kitchen and the capitalist society that Marx describes in The Communist Manifesto: the
bourgeoisie, the proletariat, and the societal bias towards the ruling class in Daredevil cause
exploitation of the proletariat by the bourgeoisie, and a revolution between the classes occurs.
most of the businesses and factories in Hell’s Kitchen. In The Communist Manifesto, Marx
describes the bourgeoisie as “the leaders of modern industrial army”; put simply, the bourgeoisie
is the class that, like Wilson Fisk, owns the means of production in a modern capitalist society
(364). Not only does Wilson Fisk own most of the businesses and factories that operate in Hell’s
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Kitchen, but he is also a crime lord (“World on Fire”). He is in cooperation with many different
drug lords whom he protects and helps to make deals, and the viewers are led to assume that he
claims large amounts of money by helping the drug lords (“World on Fire”). In the season finale,
when he gets arrested, viewers learn that he has also been participating in fraudulent business
deals and insurance fraud as a way to claim more capital (“Daredevil”). It is evident that
acquiring wealth motivates Frisk more than anything else does; this is evident when he attempts
to kicks out all of his tenants, including an elderly lady with nowhere to go, in one of the
apartment buildings he owns so that he can sell it to make more money (“World on Fire”).
Similarly, Marx argues that everything the bourgeoisie does is to acquire more wealth (377).
Wilson Fisk is comparable to Marx’s bourgeois class because, like the bourgeois, he owns most
of the businesses, and also, like the bourgeois, he is completely extrinsically motivated by the
Daredevil’s father Jack Murdock those who package drugs for the crime leaders represent
the working class proletarians that Marx discusses. Jack Murdock made a living by being a boxer
while Daredevil was growing up; he would make his money by either winning or losing a match
based on what the leaders of the clubs he fought for told him to do (“Into the Ring”). He often
came home almost dead due to how dangerous his work was (“Into the Ring”). This is because
the ruling class teaches people that they are socially obliged to do work even if it is extremely
dangerous (Graebner 31). Also, Jack Murdock was paid a small wage with no chance of escaping
the poverty in which he was forced to live (“Into the Ring”). This is similar to the proletariat in
the capitalist society described by Marx; one characteristic of the proletariat, Marx says, is that
they are paid the bare minimum that will keep them alive, but only alive enough to still work for
the bourgeoisie (375). Also comparable to the proletariat are those whom Wilson Fisk pays to
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help him obtain more money. Those people work for him because they have no other option. For
example, there is a scene in Daredevil that depicts a group of people with their eyes completely
cut out working robotically to package a drug for Fisk; their work is almost trancelike and when
Daredevil attempts to free them from the supposed trance, their overseer commands them to
attack Daredevil and they do, even though he is trying to help (“The Ones we Leave Behind”). It
is as if that group of workers is enslaved by the bourgeois leader, and more importantly to their
machines. This is similar to the proletarians in The Communist Manifesto that Marx says
“[become] an appendage of the machine[s]” that they work with. The working people in
Daredevil are proletarians who are given little wages with which they are expected to live, and
By using his wealth, Wilson Frisk manipulates society in Hell’s Kitchen similarly to how
the bourgeoisie manipulates the proletariat in The Communist Manifesto. In Hell’s kitchen, Frisk
has many different people working for him; even the police and the government are filled with
men whom he pays. The police take part in many different illegal activities in order to help Frisk,
and it is also revealed that he pays a senator to do his biddings in the government (“Daredevil”).
In an address to the University of Nairobi, Obama states that he believes that corruption and
bribery is a huge problem (“Barack Obama’s”). He said, “the struggle against corruption is one
of the great struggles of our time” (“Barack Obama’s”). Similar to this influence in Hell’s
Kitchen, Marx says that the bourgeoisie has “exclusive political sway” that the proletariat
doesn’t have (364). Also by using his wealth, Frisk is able to manipulate situations so greatly that
he even has the media wrapped around his finger; even while he is committing murder and other
various crimes, the media portrays him as a hero (“Speak of the Devil”). Marx would say that
this is because the bourgeois has substituted interaction with cash payment meaning even the
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media can be paid to do as the bourgeoisie wants (364). In Daredevil, as well as The Communist
Manifesto, the bourgeoisie is able to manipulate the capitalist societies in which they live.
In Daredevil, there are many forms of exploitation comparable to the exploitation of the
proletariat by the bourgeois described in The Communist Manifesto. As stated before, Jack
Murdock often manipulates the way that he boxes in order to either purposefully win or lose so
that he can acquire money for the bourgeois owners of the clubs where he boxes (“Into the
Ring”). At one point, the club owners pay Jack to lose a boxing match that he could easily win so
that they could profit greatly off of all the lost bets due to the huge upset (“Into the Ring”). This
is very similar to the exploitation described in The Communist Manifesto because Marx shows
that the bourgeoisie constantly exploits the proletariat to get what they want; he says there is
“exploitation of the many by the few” as a way to acquire more capital and property at any cost,
no matter how it affects the proletarians (374). The fight that Jack is supposed to lose is going to
be broadcast on T.V. where his son will be able to watch, or rather hear, him fight; therefore,
Jack decides that having his son be proud of him is more important than keeping his job, so he
wins the match instead of losing it and the club owners then murder him because he is no longer
able to fulfill his purpose of making money for the bourgeois owners (“Into the Ring”). Matt’s
father’s body is also commodified as a way to make money. Marx explains that the bourgeoisie
causes that commodification; he says that “[the bourgeoisie] has resolved personal worth into
exchange value,” which means that the body is now just a way to make more money (Cite). Jack
Murdock commodifies, or sells, his body by boxing and making money from it. Also, Jack’s
family life is exploited by using the fact that he has a son against him to make him work; the
bourgeoisie in Hell’s Kitchen has made it so that Jack cannot both work and be involved with his
son while also keeping them alive. Marx recognizes that the bourgeoisie has changed the
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relationship of families into “mere money relation” like what has happened to the Murdock
family. Some people may disagree that Jack is exploited; they may assert that he has free will
and that it is completely his choice. However, Anthony Ilegbinosa says that just because
someone has a choice doesn’t mean they can’t be exploited. He states that “exploitation occurs
even if the exploited consents, since the definition of exploitation is independent of consent”
(Ilegbinosa 4) Therefore, Jack Murdock is exploited as Marx says the proletarians are exploited
Due to Hell’s Kitchen being a capitalistic society, a revolution occurs in Daredevil with
the same goals as Marx’s ideal communist revolution. Marx describes a way for the proletariat to
be equal to the bourgeoisie in every way; they would have the same wealth, the same health, the
same work hours, and the same property; he explains that it is possible for all children to be born
without any advantages over one another resulting in an even playing field for everyone; all that
it would take is revolution (Marx 373-82). Daredevil thinks that he is capable of a revolution. His
first move is to attack a man who beats his daughter every night before bed; he makes sure that
that family will never have that problem again (“Nelson v. Murdock”). This is a reform of
family; something that Marx says must happen in order to have equality (377). After this first
occurrence, Daredevil begins to focus on overthrowing bourgeois Fisk. He fights his way up the
chain of command until he eventually finds him. Daredevil then fights him and attempts to
overthrow him by means of revolution; he is successful and even though the bourgeoisie is not
overthrown, the proletarians in Hell’s Kitchen are now more equal to the bourgeoisie and safe
from Fisk (“Daredevil”). Marx talks about how the bourgeoisie turns the proletariat against them,
like how Daredevil was affected by his father’s death due to the bourgeoisie, and that by doing
this, the bourgeoisie is turning the proletarians into “grave diggers” by giving them the shovels
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and motivation to overthrow their oppressive rulers (373). Daredevil also realizes that he is not
able to complete his revolution by himself, so he gets other proletarians to assist him. Marx also
recognizes that it is impossible for just himself or any other one person to successfully complete
a communist revolution and overthrow the bourgeoisie by his or herself; he states in The
Communist Manifesto that it is imperative that the proletarians come together to accomplish their
revolution (382). Daredevil and his proletarian friends had an important job to complete:
overthrow the bourgeois Fisk. He was pushed to do it by the oppressiveness of the bourgeoisie
and he created greater equality, which is what Marx describes would happen.
The society and the revolution that happen in Daredevil’s Hell’s Kitchen are extremely
similar to the capitalist society and communist revolution that described in The Communist
Manifesto. Marx describes how terrible the class separation of the proletariat and bourgeoisie is
and says that something must change in order for everyone to be able to enjoy his or her life
equally. Daredevil knows and responds to this by completing a revolution that resulted in safety,
greater equality, and less exploitation. Marx said that “[t]he proletarians have nothing to lose but
their chains. They have a world to win” (382). Daredevil and his friends came out on top and
Works Cited
“Daredevil.” Daredevil. Writ. Steven s. DeKnight. Dir. Steven S. DeKnight. Marvel, 2015.
Netflix.
Graebner, William. Doing the World’s Unhealthy Work: The Fiction of Free Choice.” The
Hastings Center Report 14.4 (1984): 28-37. Academic Search Premier. Web. 26 April
2015.
Ilegbinosa, Anthony I. “An Analysis of Karl Marx’s Theory of Value on the Contemporary
“Into The Ring.” Daredevil. Writ. Drew Goddard. Dir. Phil Abraham. Marvel, 2015. Netflix.
Marx, Karl. “The Communist Manifesto.” A World of Ideas: Essential Readings for College
Writers. Ed. Lee A. Jacobus. 9th ed. Boston: Bedford/St. Martin’s. 2013. 362-82. Print.
“Nelson v. Murdock.” Daredevil. Writ. Luke Kalteux. Dir. Farren Blackburn. Marvel, 2015.
Netflix.
“Speak of the Devil.” Daredevil. Writ. Christos Gage and Ruth Fletcher Gage. Dir. Nelson
“The Ones We Leave Behind.” Daredevil. Writ. Douglas Petrie. Dir. Euros Lyn. Marvel, 2015.
Netflix.
“World on Fire.” Daredevil. Writ. Luke Kalteux. Dir. Farren Blackburn. Marvel, 2015. Netflix.