Lesson Topic: Surface areas of rectangular prisms and cylinder Duration: 60 minutes
Prior knowledge/skills required Resources (Attach classroom ready resources/worksheets students will be using, including
relevant pages from textbooks)
Ruler, Aboriginal rain sticks, rectangular prism box, assessment paper
MA5.2-11MG calculates the surface areas of right prisms, cylinders and related composite solids
AISTL graduate standards and evidence that this lesson achieves this standard.
AITSL Standard Evidence within this lesson
1.4 Aboriginal and Torres islander students supported with in class activities to establish
links to their cultural values and identities.
Excursion the Museum of Sydney shows respect and acceptance for Aboriginal and
2.4 Torres Islander students’ cultural beliefs and values.
WHS considerations
- Teacher gets students in two lines and at the end of the class when they all quietly waiting behind seats dismisses them
orderly stressing the importance of safety for their classmates and for others.
- Establishment of respect between student-student and students-teacher
- All students are expected to be seated during the class.
References
Edge of The Trees Rain Sticks
LESSON PLAN: Sumeyra Aydogdu, 17560522 Page 5
Casual teacher Notes: Print out of the detailed lesson plan will be provided. Ruler, rain sticks and the box will be provided with
detailed lesson plan. Background information about the Edge of the Trees is below. Reading it before the lesson would be
helpful.
Edge of the Trees is a site-specific piece commissioned for the forecourt of the Museum of Sydney at its
opening in 1995. The installation was created by artists Fiona Foley and Janet Laurence.
Their award-winning public art installation evokes the cultural and physical history of the site, before and
after 1788: a pivotal turning point in our history, when contact and invasion / colonisation took place.
The name of the sculpture comes from an essay by historian Rhys Jones, 'Ordering the Landscape' in I & T
Donaldson's Seeing the First Australians, Sydney 1985:
…the 'discoverers' struggling through the surf were met on the beaches by other people looking at them
from the edge of the trees. Thus the same landscape perceived by the newcomers as alien, hostile, or having
no coherent form, was to the indigenous people their home, a familiar place, the inspiration of dreams.
A 'forest' of 29 massive pillars – sandstone, wood and steel – cluster near the museum entrance. Wooden
pillars from trees once grown in the area have been recycled from lost industrial buildings of Sydney. The
names of 29 Aboriginal clans from around Sydney correspond to the 29 vertical poles. Walking between the
pillars you hear a soundscape of Koori voices reciting the names of places in the Sydney region that have
today been swallowed up by the metropolis.
Organic materials such as human hair, shell, bone, feathers, ash and honey, are embedded in windows
within the elements, evoking prior ways of life. Natural and cultural histories are evoked by the names of
botanical species carved or burnt into wooden columns in both Latin and Aboriginal languages, along with
the signatures of First Fleeters. Place names are engraved on the sandstone pillars in English and Aboriginal
languages.
3) State the meaning and value of the writing, drawing or art work on the chosen shape:
LESSON PLAN: Sumeyra Aydogdu, 17560522 Page 7