mA
SELECTIONS FROM “LUSH LIFE” & “SO NEAR, SO FAR”
JOE
HENDERSON
pe enn
Eee BnSELECTIONS FROM “LUSH LIFE” & “SO NEAR, SO FAR”
GlNTENTS
GIEGRAP IY wires» x8 2 cree ene eee 4 eae sane
EDITOR'S NOTE... 0.2.0.0. 020000e cee
RO COI 5 aes caine nh + tas 5 cine Utlasn 9
IIR sens cases tae 4 tos ek nes a 12
Lotus Blossom .......... esse eeeee eres 20
AFlower Is ALovesome Thing.......... - 22
Take The “A” Train . - 26
Doshi: xe 7 aes a aes seas aes ess om 98!
(Milos Afioad) aici nan sins ator tats eet wots 38
Domne aga «orgs «syne vince sane cenps ime otsans FAD
Pfrancing (No Blues) . Soe ao tated oes A)
Flamenco Sketches .. . . 55
Milestones ......... 000.00 ce reece ones 59
So Near, SOFA... ssc eee eee sees eeee 64
SELECTED DISCOGRAPHY............. 70oe Henderson is the most celebrated
jazz artist of the past 25 years, and is
considered one of the most articulate,
engaging musicians ever. As the #1 Jazz
Artist of 1993, he swept his Grammy
categories, winning both Best Jazz
Instrumental Solo and Best Jazz
Instrumental Performance. In addition, he
‘was honored as no other artist in the history
of Downbeat by being named, in two
consecutive years, the #1 Jazz Artist, #1
Tenor Saxophone and for the #1 Jazz
Recording from the readers and music
critics of the magazine.
Born in Lima, Ohio on April 27, 1937,
Henderson grew up listening to his
brother's jazz records and was finally given
a tenor saxophone at age nine. As he told
Downbeat: “| listened to Lester Young, Flip
Phillips, Stan Getz, Charlie Parker, all the
people associated with Jazz At The
Philharmonic. This stuff went into my oare
early on, so when | started to play the
saxophone | had in my mind an idea of how
that instrument was supposed to sound.”
Upon being discharged from military service
in 1962, Joe settled in New York and
quickly hooked up with trumpeter Kenny
Dorham, one of the most important creators
‘on the scene at that time. Joe's first record
date came with Dorham in April of 1963
(Una Mas, Blue Note). Two months later,
he was given his own Blue Note debut as a
leader, Page One, with Dorham, McCoy
Tyner, Butch Warren and Pete La Rocha.
He soon became an in-demand player in
the Blue Note stable, appearing on
important records that same year by