Percussion

AL SEÑOR DE LOS MILAGROS 2004

marcha regular luis vargas guevara

            
              
3

    
   
   



  
 
            
  
    
    


         
               


     cresc.

   cresc.         
11

 
19                           
                

                     cresc.        
25                       
    

 
 
 
                 
  

                                     
       
cresc.

                  
31

                 
   
  

         
           
3
     

        3        
      
37

           
   
  
                                
      
  
44

    
   
            
   
  
      1.       2.
                             
3

 
           

 
     
   
 
  
49



        
 
  
2.                 
3

           
  
                          
54 1.

 
                      
 
 
                
     
60

          
   

                             
    
                         
67

    

                         3

     
     
 
    
          
73

   
    
3

                                
         
 
              
 
78

                           
      
         
               
  
 
        
83 1. 2.





harold garcia de la cruz

Clarinet in B  1
AL SEÑOR DE LOS MILAGROS 2004
marcha regular luis vargas guevara

                     

         
                          
3 3 3 3 3

    
   
9

                  
  
3 3

         
 
14


        
        
            
18

 
    
                  
     
24

          
     
                      
  
27

                              
               

30

       
34
 
                      


   
               

                 
39


         
                

            
42


         
             
   
47

 
      

           2.        
       
 
49 1.

 3 3

harold garcia de la cruz

            1.
2 AL SEÑOR DE LOS MILAGROS 2004

       
               
52 2.


         
     
3

            

56


 

7

          
    
60

  
  
                                  
63
    

  

 

          
          
      
7

  
65


            
           
      
70


     

                    
   
    
73


                   

               
  
76

   
                    
  
79


        
                 
   
 
 
    
82



  2.           
     
85 1.

 
 
Alto Sax. 1
AL SEÑOR DE LOS MILAGROS 2004
marcha regular luis vargas guevara

                    
[Arranger]

     
       
   
                   
3 3 3 3 3

                

9

                   
3 3

         
       
14

 
        
                 

        
   
18


             
              
   
24

  
           
   
        
28


           
32


      
               

33


  
   
36

      

                             
 
40


 
                      
             
45

 
  
  
                               
 
        
48 1. 2.

  3 3

harold garcia de la cruz

2 AL SEÑOR DE LOS MILAGROS 2004


        1.      
    
52 2.

 

             
3

                    
  
57

 
  
                                     
        
63

  
   
                
 
 
    
        
68

   
                           


74

 

                       
  
 
78

           
                    
83 1. 2.

  

Alto Sax. 2
AL SEÑOR DE LOS MILAGROS 2004
marcha regular luis vargas guevara

                    
     
       
   
                   
3 3 3 3 3

                

9

                   
3 3

             
14

     
              

            

     
18


     
                            
  
24

   

                 

28

  

           
32


 

                    
33


  
  
36

      

                          
  
40

   
 
                      
             
45

 
  
  
                                
       
 
48 1. 2.

  3 3

harold garcia de la cruz

2 AL SEÑOR DE LOS MILAGROS 2004


        1.  
      
        
52 2.



             

3

                 
  
57

  
 
                                    
           
63

   
             

               
  
68

   
 
        
                        

74

  

                          
      
78

      

         
                       
83 1. 2.

  

Trumpet in B  1
AL SEÑOR DE LOS MILAGROS 2004
marcha regular luis vargas guevara

                            
    

 
3 3 3 3

                              
        
8



          
3 3

                     

solo expresivo

           
17 3

  
  
                 
3

           
23

 
              
                   
       
27



3

    
                                

3
 
32


      solo
3 3

               
                


37 3

 
 

3

                            

 
44 1. 2.


              1. 
3

                           
3
3 solo
         
       

51 2.


  
3

   
  
  
                       
55 tuty


 
                                 
solo


60

   
   
        
     
65

 


  3

                               
   
77


    
           
                    
81 1. 2.




  
harold garcia de la cruz
Trumpet in B  2
AL SEÑOR DE LOS MILAGROS 2004
marcha egular luis vargas guevara

                       

  

3 3 3

                           
  
7


         
3 3 3

   
         
13

  

                 
  
18

 
                 
         
     
40

 

                                
45

 
 
  
                          
   
           
48 1. 2.


 
3

                           

52 1. 2.

 
  

3

       
               
60


     
           
            
66


   

                               
 
3

    
78

        
               
82 1. 2.

 


 
  garcia de la cruz
harold 
Trumpet in B  3
AL SEÑOR DE LOS MILAGROS 2004
marcha egular luis vargas guevara

                            
 
3

   


3 3

  
3

 
                      
8 3 3



   
         
15

     
   
        
    
18

 
      
   
                        
     
40

 

                       

45

 
 

                                      
 
48 1. 2.


 
                  
3

         
52 1. 2.


  
     
      
3

  

60

       
    3 
    
                  
66




   
                            
 
78

   

       
       
      
82 1. 2.

      


 
harold garcia de la cruz 
 Trombone 1
AL SEÑOR DE LOS MILAGROS 2004
macha regular luis vargas guevara

                
            
   
          3 
              
  
10


                  
      
                         
17


          
                    
     
22


                          
 
          
27


               
        
                     
                         
33



 
 
  
                 
    
    
40


                        

          
         
3 3 3

  
43


   
            2. 
              
          
47 1.


              1. 
     
3

           
             
51


   

                            
  
6

                        
54 2.


  

                  
      
 
60

 
 
harold garcia de la cruz
3
                       
2 AL SEÑOR DE LOS MILAGROS 2004

    solo
       
      


 
65

 
  
          
  
3

     
     

70


                    
             
     


 
73


           
              
3

                 
78


       
         
solo

         


           
 
82 1. 2.

  
3
 Trombone 2
AL SEÑOR DE LOS MILAGROS 2004
macha regular luis vargas guevara

                          
       

     
              
3

      
10


              
                                    
17


  
                         

           
22


                               
                   
27


  
        
    
                          
                   
33


      
 
              
     
     
                

40


      3
       
       
     1.  

3 3

                
45


   
2.
            
3

                                  
      
50 1.



2.  
                            
6

 
                                     
54


               

  
         
3

               
 
62

   
  
      
   
 
 

   

70


                    
           
73


            
        
3

                
78

                   
     
                           
82 1. 2.

  
harold garcia de la cruz