Artemisia Gentileschi or Artemisia Lomi (Italian pronunciation: [arteˈmizja dʒentiˈleski]; July 8, 1593 – c.

1656) was an
Italian Baroque painter, today considered one of the most accomplished painters in the generation following that
of Caravaggio. In an era when female painters were not easily accepted by the artistic community or patrons, she was
the first woman to become a member of the Accademia di Arte del Disegno in Florence and had international clientele.[1][2]
She specialized in painting pictures of strong and suffering women from myths, allegories, and the Bible - victims,
suicides, warriors.[3] Some of her best known themes are Susanna and the Elders (particularly the 1610 in
Pommersfelden) and Judith Slaying Holofernes (most famous is her 1614-20 in Galleria degli Uffizi) and Judith and Her
Maidservant (her version of 1625 at the Detroit Institute of Arts).

She was known for being able to convincingly depict the female figure, anywhere between nude and fully clothed. [4]
[5]
Artemisia was also famous for her skill and talent in handling color, both overall in the composition but also in building
depth.[6][7]
That she was a woman painting in the seventeenth century and that she was raped as a young woman by Agostino
Tassi and participated in the prosecution of her rapist long overshadowed her achievements as an artist. [8] For many
years she was regarded as a curiosity. Today she is regarded as one of the most progressive and expressive painters of
her generation.

Source: wikipedia