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Unit 1 - Applied Professional Practice & Unit 2 - Specialist Performance Practice

Are you an actor, director,


practitioner looking for your next
creative adventure? Do you have

JOIN OUR CAST


what it takes to join a
professional production company
and work across a broad range of
performance genres? Do you
understand the reality of a high
CALLING ALL ACTORS, DIRECTORS, PRACTITIONERS ON THE UAL LEVEL pressured working environment?
4 DIPLOMA IN PERFORMANCE COURSE TO AUDITION FOR A PLACE IN Are you practical, analytical,
OUR 2019 PRODUCTION COMPANY! reflective,  creative, receptive to
ideas? Are you a professional in
your craft? We are looking for
artists from all corners of the
industry to join our professional
team and create art with us. So if
you’re ready for the industry and
can meet the demands of
performance, get in touch!

Our audition process runs from


September to April with
applicants engaging in a range of
performance projects, workshops
and interviews. This rigorous
process allows our panel of
directors to assess individual
approaches to rehearsals,
professional etiquette and
performance technique. All the
“PEOPLE WHO ARE ARTISTS PROFESSIONALLY ARE NOT ARTISTS panel need to see is you, at your
BECAUSE THEY WANT TO BE.THEY HAVE TO BE. THEY’RE COMPELLED best, working professionally as
TO GET THAT CREATIVITY OUT AND SHARE IT.” an artist and proving that you
BRIAN STOKES MITCHELL understand what is required of
To help you showcase Media: TV, film, theatre, Analysis/Self- you in this industry.
yourself throughout the radio, visual art, still Reflection: podcasts,
audition process and within
your website, the panel have imagery, writing, music. interview, how to guides,
comprised a list of useful videos, diaries, blogs,
tips and suggestions that you Practices: voice, vlogs, audio descriptions,
may wish to consider. classical text, dance, discussion, debate,
s i n g i n g, a c t i n g fo r presentation of material,
Professionalism: camera, devising, performance, research.
etiquette, audition movement, script,
t e ch n i q u e, i n t e r v i e w directing, writing. A p p ro a c h e s : p l ay s,
technique, collaboration, drama schools,
self analysis, critical Styles/Genres: applications, auditions,
reflection, reliability, contemporary, classical, material, songs,
attitude, punctuality, musical, audio, physical, workshops, interviews, By the end of the audition
preparation, body children’s performance, skills, technical practices, process you will have collated
language, first and last a personal website advertising
touring, comedy, drama, strengths, weaknesses,
a diverse collection of your
impressions, passion. sensory, verbatim. castings, briefs. best performance work.

PANEL OF DIRECTORS (STAFF)


APPLICATION PUBLISHED CARLEIGH-ANN PORTELLI, WILL COWELL, LAURA HOLLAND
(BRIEFING DATE)
PANEL VERIFIER (IV)
17TH SEPTEMBER 2018 LUCY FLACK

Additional handouts will be provided with specific


instructions on what is required throughout the
audition process.
AUDITION DEADLINE (SUBMISSION DEADLINE) 28th March 2019
Unit 1 - Applied Professional Practice & Unit 2 - Specialist Performance Practice

THREE ROUND
AUDITION PROCESS
ROUND 1: PANEL ROUND 2: SKILLS ROUND 3: PRESENTATION

The PANEL round runs for five The SKILLS round runs for The PRESENTATION round
weeks from September to seven weeks from October to runs for twelve weeks from
October. Actors/Directors/ December. Actors/Directors/ January to April. Actors/
Practitioners will participate in Practitioners will participate in Directors/Practitioners will
a series of audition based a series of intense skills based contribute to a major project
scenarios. The panel will look projects called Priority Weeks. culminating in public
at individual and group Priority Week will focus solely performances. Participants will
participation across a range of on one performance practice, be expected to fulfil the
areas. The following will be culminating in a final requirements of the project and
explored: presentation. Participants will adapt to the nature of the
- Interview Technique be assessed on their individual subject/genre/style.
- Audition Prep and group participation. The Participants will be assessed on
- Personal Presentation following may be explored: their individual and group
- Professionalism - Theatre Directing participation within the
- Etiquette - Classical Performance following:
- Material Selection - Aerial Arts - Rehearsals
- Material Studies - Stage Combat - Production
- Applications - Voice - Performance
- UCAS - Contact Improvisation - Evaluation

EXTRA STUFF THAT YOU’LL FIND HELPFUL

THEATRE ONLINE
* www.talawa.com * www.digitaltheatre.com
* www.greaea.org * www.thestage.co.uk
* www.geckotheatre.com * www.actorlifehack.com
* www.kneehigh.co.uk * www.backstage.com
* www.actinginlondon.co.uk
FILM
* www.madcowfilms.co.uk BOOKS
* www.roguefilms.co.uk * Networking 101, Author:
* www.edgepicture.com GoLearningBus
* www.76ltd.com * Happiness By Design, Author:
Julia Wilson
ARTISTS * Social Media Know-How,
* www.hai-le.com Author: Jermaine A. Higgins
* www.benwatsonactor.com * The Nature Of Expertise In
* www.staceylghent.com Professional Acting, Author:
* www.elanamartin.com Helga Noice
* www.alanparker.com * The Real Life Actor, Author:
* www.kareemfahmy.com Jeff Seymour

AUDITION DEADLINE (SUBMISSION DEADLINE) 28th March 2019