BSBA- HRDM
Juan Luna
Title of Painting Elements/Principles Meaning/Message
1. Spolarium Oil on canvas was used. The Formal His Spoliarium was all about the
Elements used in this art are first, lines bloodied bodies of gladiators, who
making up the different images you see were drawn as slaves; and dragged
in the painting. Second would be the away from the wide and powerful arena
shape which is geometric with the as they attempted to fight their Roman
different objects present and also oppressors, with their own precious
Organic with the shape of the people in and God given lives
the painting plus volume, because of the
mass you get from the present figures in
the painting. Third is the light and value
how it shows some sort of manipulated
light. Fourth, the colors he used were
kind of mournful, serious and it gives off
the tone and emotion of the painting.
Lastly would be the visual texture he
used giving off a certain illusion texture
to make the characters in the painting
seem real.
2.The Parisian of Life The oil on canvass painting, 22 inches The painting can be interpreted in
long ~ and 31 inches in width three ways, by literal and popular
Dimensions: 57 cm × 79 cm (22 in × 31 interpretation where the lady sitting in
in) the sofa was identified as a flirt and
prostitute, by tragic and biographical
interpretation which discusses the
personal experience of Luna with his
wife who had an affair with another
man, and that the woman in the
painting has a “geographical likeness”
to the mirror-image of the archipelago
of the Philippines.
Fernando Amorsolo
Title of Painting Elements/Principles Meaning/Message
1. Planting of Rice Oil in canvas was used. Sunlight is This painting falls under the
a consistent element in Amorsolo’s classification of painting as Genre
works. Brush strokes were smooth painting as it is painted in the
which emphasizes the serene feel contemporary life of the Filipino
intended by the artist. farmers in 195. Rice planting is among
those that depicts the real Filipino
tradition that is still applicable until the
present time.
2.Making of the Philippine Flag Oil in canvas was used. The artist shows The painting shows three women namely
rough texture in some parts of the Marcella Marino de Agoncillo (on the right
painting namely the dresses as well as side) refer as the mother of the Philippine
flag, with the help of Lorenza and Delfina
in the backgrounds. The artist uses a
Herbosa de Natividad which is actually the
different color values for the dresses. daughter of Marcela. They was tasked by
Gen. Emilio Aguinaldo to sew the first flag
for the new republic. The clothes that the
women are wearing are an older style, more
vintage and really depict the traditional
styles. The skirts the women’s are wearing
are long and their tops were like a traditional
“kimona”. The three women are sewing
passionately which demonstrates elegance.
Lopez, Loraine T.
BSBA-HRDM
JUAN LUNA
TITLE OF PAINTING ELEMENTS/ PRINCIPLE MEANING/MESSAGE
FERNANDO AMORSOLO
TITLES OF ELEMENTS/PRINCIPLE MEANING/MESSAGES
PAINTING
Oil in canvas was used. • To show the citizen of the Philippines of how the
MAKING OF THE Sunlight is a consistent Philippine flag was made by the three woman which is
PHILIPPINE FLAG element in Amorsolo’s works. Marcella Marino de Agoncill Lorenza and Delfina Herbosa
Brush strokes were smooth
which emphasizes the serene de Natividad which is actually the daughter of Marcela
feel intended by the artist. and to remind them the traditions and custom
THE FRUIT PICKERS *Oil Canvas This artwork shows the values and characteristics of a
UNDER THE *25 ¼ x 37 ¼ Inches Filipinos, it is being a hardworking worker yet they are
MANGO TREE happy on what they are doing, doing it with all our hearts.