ALEXEY SOMOV
VITALY VOINOV
Institute for Bible Translation
P.O. Box 360, 101000 Moscow, Russia
Abstract: This article investigates the function of the metaphor “Abraham’s bosom”
(κόλπος Αβραάμ) in Luke 16:2223 ־using tools borrowed from cognitive linguistics,
specifically Cognitive Metaphor Theory and Conceptual Blending Theory. We argue
that the semantic components of “being in the place of honor at a feast” are essential
to a proper understanding of this metaphor in the context of the parable and should be
reflected in translations of this passage.
Key words: parable · Luke · rich man and Lazarus · Abraham’s bosom ·
cognitive linguistics · Cognitive Metaphor Theory · Conceptual Blending
Theory · image schema
A preliminary version of this paper was presented at the Bible Translation 2015 conference
in Dallas in October 2015. We are grateful to everyone who gave feedback on that presentation, and
also to Roy Ciampa and the two anonymous CBQ reviewers for their helpful comments.
1 In lines 16-33 of the early Christian text De universo, which is often ascribed to Hippolytus
of Rome (third century c.e.), Abraham’s bosom is regarded as the abode of the righteous in Hades
as they await the final judgment. See also Tertullian An. 7.3; Marc. 4.34.1114־. A. J. Mattill Jr. (Luke
and the Last Things: A Perspective for the Understanding of Lukan Thought [Dillsboro: Western
615
616 THE CATHOLIC BIBLICAL QUARTERLY | 79,2017
special abode of the righteous as they await their resurrection.2 In this article, we
bypass questions of geography and concentrate on the meaning of “Abraham’s
bosom,” its function in the context of the Lucan parable of the rich man and
Lazarus, and different approaches to translating it.
“Abraham’s bosom” is a unique expression that does not occur elsewhere in
the Bible or in Jewish writings of the period, with the exception of a few later ones
(see section III). In this article, we suggest that being in Abraham s bosom is a
metaphor that plays a key role in the composition of Luke 16:1931־. Applying
Conceptual Metaphor Theory and Conceptual Blending Theory to our analysis, we
argue that it represents a complex concept involving fellowship at a banquet/feast.
Luke makes an opposition between two banquets: although there is no place for
Lazarus at the earthly banquet at which the inhospitable rich man feasted, he is
granted the most honored position at the heavenly banquet hosted by Abraham,
who is known from the Genesis narrative for his hospitality. This parallelism is
highlighted by the key metaphor of Abraham’s bosom, which unfortunately is not
well understood by most Bible translators. In English translations, for example, it
is typically rendered either literally or without any connection to the idea of a
banquet. We close the article by examining various approaches to this metaphor
in Bible translations in various languages and make recommendations about the
semantic components that should be included in future translations to convey
Luke’s intended sense.
Before getting to the analysis of this specific Lucan metaphor, we briefly
present some basic features of Conceptual Metaphor Theory and Conceptual
Blending Theory.
North Carolina Press, 1979] 31-32) and J. Osei-Bonsu (“The Intermediate State in Luke-Acts,” IBS
9 [1987] 115-30, here 121-22) also consider it to be a blessed part of Hades.
2 Joachim Jeremias, The Parables ofJesus (2nd rev. ed.; New York: Scribner, 1972) 184. Adolf
Jülicher associates Abraham’s bosom with paradise: “Für einen Juden jener Zeit schliesst ‘in
Abraham’s Schlosssein’ das ‘im Garten Eden sein’ als Bezeichnung der Seligkeit ein” {Die Gleich-
nisreden Jesu [2 vols.; Freiburg: Mohr Siebeck, 1899] 2:623) Richard Bauckham also supports this
view (“Hades, HellfABD 3:15).
3 George Lakoff and Mark Johnson, Metaphors We Live By (Chicago: University of Chicago
Press, 1980); George Lakoff and Mark Turner, More than Cool Reason: A Field Guide to Poetic
Metaphor (Chicago: University of Chicago Press, 1989).
“ABRAHAM’S BOSOM” (LUKE 16:22-23) 617
Generic Space
Cross-space Mapping
Input Space 1 Input Space 2
Selective Projection
Blended Space
9This figure is adapted from Gilles Fauconnier and Mark Turner, “Conceptual Blending,
Form and Meaning,” Recherches en communication 19 (2003) 57-86, here 59.
10Fauconnier and Turner, Way We Think, 119-35.
11Ibid., 154.
12Ibid., 126. By “frame,” they mean a schematic organization of experiential knowledge,
represented at the conceptual level and held in long-term memory (e.g., car frame, buying gasoline
frame, calling by phone frame); see Vyvyan Evans, A Glossary ofCognitive Linguistics (Edinburgh:
Edinburgh University Press, 2007) 87.
13 Fauconnier and Turner, Way We Think, 127.
“ABRAHAM’S BOSOM” (LUKE 16:22619 (23־
metaphorical mapping that Lakoff and Johnson call a basic metaphor.14 In this
example, it is the basic metaphor competition is combat.
The combined use of CMT and CBT can be very productive for exploring
biblical literature.15 Like other religious texts, the Bible uses religious language in
which abstract, divine, and supernatural concepts are represented by metaphori-
cal expressions that are based on regular, finite human experience.16 In the fol-
lowing sections, we apply aspects of both approaches to analyze the metaphor
of Abraham’s bosom in Luke 16:1931־.
the dead, they will repent.” 31He said to him, “If they do not listen to Moses and the
prophets, neither will they be convinced even if someone rises from the dead.”
In terms of CMT this difference between Lazarus and the rich man is indicated
by the use of four basic image schemas: Up-Down, Inside-Outside, Center-
Periphery, and Container. We will take a close look at only the first one (Up-Down)
here. In ancient Eastern Mediterranean culture, as well as in many other cultures
around the world, orientational metaphors expressing personal well-being (good
fortune, honor, happiness, prosperity, health, purity, life, etc.) are often represented
by up of the Up-Down image schema (e.g., “she will rise to the top”; “his spirits
are high today”). The physical basis for personal misfortune, misery, distress,
humiliation, disease, uncleanness, and death is, on the contrary, seen in terms of
down (e.g., “he’s at the bottom of the social hierarchy”; “things are at an all-time
low”).18 This image schema plays an important role in Luke’s telling of the parable
as well. In Luke 16:19-21 Lazarus lies at the rich man’s gate (occupying a lower
position), while the latter feasts in his house (being in a higher position). The poor
man longs to eat what falls (the lower position) from the rich man’s table (the
higher position). Then, in 16:22-23, their fates are reversed after they die: the rich
man is buried (the lower position), while the angels come from heaven on high and
carry Lazarus away to Abraham’s bosom (presumably the higher position, far away
from where the rich man finds himself). In v. 23, Luke uses the spatial difference
between the postmortem positions of the rich man and Lazarus to mark the differ-
ence in their afterlife status: the lower position the rich man occupies in Hades
corresponds to his worse fate and humiliated condition, while the higher position
of Lazarus (as well as Abraham) marks his honorable and exalted state. The ori-
entational metaphor used for the wicked rich man—down—confirms that he is
condemned; the orientational metaphor used for the righteous Lazarus—up—
stands for the blessed reality reserved for him.19
In terms of CBT, this distinction can be formulated as a single-scope network
(see Blend A in fig. 2 on p. 621), with the earthly life experience (Input 1) serving
as the organizational frame onto which the values of the afterlife (Input 2) are
projected.
Besides this metaphorical spatial distinction, the reversal of fates is also sup-
ported by the parable’s use of banquet imagery. In the first part of the parable, the
rich man hosted great feasts every day during his earthly life, but Lazarus was never
invited there as his guest and always lacked food: “he longed to satisfy his hunger
with what fell from the rich man’s table” (v. 21 NRSV). In the hereafter, their fates
are changed and now it is the rich man who is suffering from thirst due to the flames
in Hades (vv. 23-24). This point should be taken not only as an indication of the
18 Somov, “He Lifted Up His Eyes,” 303-4. The examples are taken from Lakoff and Johnson,
Metaphors We Live By, 16, 18.
19 Somov, “He Lifted Up His Eyes,” 302, 304.
“ABRAHAM’S BOSOM” (LUKE 16:22-23) 621
rich man’s postmortem suffering but also as pointing to the fact that Lazarus does
not hunger in the afterlife (cf. v. 21).20 In other words, the opposition of hunger
and satiation plays an additional role in the reversal of fates in this story. The
reversal of fates is prominent not only in this parable but also in some other pas-
sages in Luke, with the beatitudes and woes of 6:2026 ־as a prime example.21
Generic Space:
Image Schema
/UP\1
/downXT
t \ Blended Space: / ψ
The lower position of me wicked/Hades/the worse Me and humiliated state/
the higher position of the righteous/heaven/the honorable and exalted state
Blend A: The righteous are higher than the wicked in the afterlife
Figure 2. Conceptual Blend A—The righteous are higher than the wicked in the
afterlife.
Moreover, meal imagery in this story accesses the idea of a heavenly ban-
quet in the abode ofjhe righteous in the hereafter, a metaphor mentioned several
times in the Gospel of Luke.22 Earlier in the Gospel (13:28-29) Jesus describes
20 Peter-Ben Smit, Fellowship and Food in the Kingdom: Eschatological Meals and Scenes
of Utopian Abundance in the New Testament (WUNT 2/234; Tübingen: Mohr Siebeck, 2008) 177.
21 See the more detailed exploration of the reversal of fates in Luke in Outi Lehtipuu, The
Afterlife Imagery in Luke s Story ofthe Rich Man and Lazarus (NovTSup 123; Leiden: Brill, 2007)
28 n. 87; 171-73.
22 Luke’s use of banquet imagery is discussed in Lehtipuu, Afterlife Imagery in Luke’s Story,
216.
622 THE CATHOLIC BIBLICAL QUARTERLY | 79,2017
the kingdom that God has prepared for believers as an eschatological banquet
attended by heroes of the faith such as Abraham, Isaac, and Jacob :
28There will be weeping and gnashing of teeth when you see Abraham and Isaac and
Jacob and all the prophets in the kingdom of God, and you yourselves thrown out.
29Then people will come from east and west, from north and south, and will eat in the
kingdom of God. (NRSV)23
Next, the parable of the Great Supper (14:1524 )־starts with an exclamation regard-
ing the bliss of those who eat bread in the kingdom of God (14:15). In addition,
Jesus promises his disciples that they will eat and drink at his table in this kingdom
(22:29־30).
In Jewish literature of the period and in the NT, the imagery of eating and
drinking is also connected with the idea that the righteous will be granted to eat
from the Tree of Life at the end of time (4 Ezra 2:12; 8:52; Rev 2:7)24 and to have
food similar to manna (Rev 2:17; cf. John 6:3158)־. The righteous will enjoy a
heavenly meal in paradise in the company of Adam and the patriarchs (2 Enoch
42:5) and will never be hungry (2 Apoc. Bar. 29:56 ;־Apoc. El. 1:10; 3:61; cf. Deut
28:11 ; Isa 33:1525.(49:10 ;16 ־There are several conceptual blends behind this idea
that can be retrieved. First, we can explore a single-scope network that produces
the following blend: receiving eternal life is a heavenly meal. In other words, for
Luke some features of receiving eternal life in heaven are similar to (or structured
by) some features of having a meal. The elements of the frame receiving eternal
life are used as values for the roles of the frame meal that are projected onto this
blend (see Blend B in fig. 3 on p. 623).
The next important blend can be expressed as follows: the blessed afterlife
prepared for the righteous is a heavenly banquet. Here, some features of the
blessed fate of the righteous are similar to those of the banquet in heaven. The main
idea of this blend is union between God and the righteous, who will receive eternal
life. The blend is shown in figure 4 (p. 624).
23 Matthew 8:11, the parallel verse to Luke 13:29, directly states that believers will recline to
eat (άνακλιθήσονται) with Abraham, Isaac, and Jacob in the kingdom of God.
24 According to 1 Enoch 25:45־, the risen righteous will receive the fruit of the fragrant tree
that will give them a blessed, but not eternal, life (as Enoch’s ancestors had) without torments,
plagues, or suffering (cf. 1 Enoch 10:1617)־. The nature of this fragrant tree and its relation to the
Tree of Life are matters of debate among scholars. For instance, as Veronika Bachmann argues, the
metaphor of this tree represents the concept of wisdom (cf. Prov. 3:18; 11:30; 13:2; 15:4; Sir 24:12־
17) granted to all the chosen ones (1 Enoch 5:89“( )־Rooted in Paradise? The Meaning of the ‘Tree
of Life’ in 1 Enoch 24-25 Reconsidered,” JSP 19 [2009] 83-107, esp. 99-104)..
25 Lehtipuu, Afterlife Imagery in Luke ’s Story, 217-18.
“ABRAHAM’S BOSOM” (LUKE 16:22-23) 623
Generic Space:
־Supplies vital energy
- Provides life
Blended Space:
- Food and drink /eternal life
■No hunger, no thirst/no death
The conceptual blend in figure 4 uses two image schemas for the concept of
union with God—Inside-Outside and Near-Far—and recruits Blend B {receiving
eternal life is a heavenly meal) as part of Input 2.26 In this single-scope network
the scenario of Input Space 1, earthly banquet יis projected onto the blend. At the
same time, the elements of Input Space 2, the blessed state of the righteous, serve
as values for the roles of the earthly banquet frame in the blend.
26 As Frederick Tappenden shows, the concept of union consists of the interplay of two image
schemas: containment (Inside-Outside) and proximity (Near-Far) (“Luke and Paul in Dialogue,”
212). The Near-Far schema is based on our understanding of proximity in social relations: we are
intimate with those who are close to us, while we keep at a distance from those with whom we do
not want to associate. The Inside-Outside schema is based on our sense that our skin defines the
extent of our bodies so that there are things inside and outside of it. This helps us to build the
opposition Inclusiveness/Exclusiveness, which is also important for how we perceive the relations
of unity and separation in social groups. For instance, this opposition can be used for constructing
boundaries that shape the group’s self-identification and separate it from outsiders.
624 THE CATHOLIC BIBLICAL QUARTERLY | 79,2017
Generic Space:
Images Schemas
Inside-Outside, Near-Far
- Hospitality
- Selectivity
- Proximity
- Fellowship
Input Space 1: Earthly Banquet Input Space 2: The Blessed State of the
- The host receives guests Righteous
- The invited people are specially - God or God’s agent (e.g., Messiah) is the
selected heavenly host receiving the righteous
- The most honored guests are closest - The place is reserved only for those regarded as
to the host righteous
- The host and his guests enjoy - The most exalted righteous are closest to the
fellowship and unity heavenly host (cf. Matt 20:23; Luke 22:30)
- They share physical food - The heavenly host and the righteous enjoy
fellowship and unity
- The righteous share heavenly food (are given
eternal life)
Blended Space:
- The host receives guests/the heavenly host
receives the righteous
- Selected people/the chosen righteous
- The most honored guests are closest to the
host/ the most exalted righteous are closest to the
heavenly host
- Fellowship and unity/ heavenly fellowship and
unity
- Sharing food / receiving eternal life
7:19 and 16:25, in relation to God they did not die but live (ζώσιν τψ θεψ; cf. Luke
20:3738)־. In 4 Macc 13:17, they are ready to receive the souls of martyrs. As
Lehtipuu shows, this idea may represent a development of the image of sleeping
with one’s ancestors found in the Hebrew Bible and cognate Jewish literature (see
Gen 15:15; 1 Kgs 1:21; 2:10; 11:21; 4 Macc 13:17).27 At first this notion meant
only a shadowy existence in Sheol, but it later developed into the idea that the
patriarchs are active in the afterlife, “ready to receive the righteous dead and asso-
cíate with them in the blissful life.”28 Some scholars even argue that the metaphor
of Abraham’s bosom may represent a development of this idea.29 As mentioned in
the introduction, this metaphor is not found elsewhere in the Bible but does appear
in a few later Jewish texts, where it indeed refers to the afterlife. First, the Testa-
ment ofAbraham (first-second centuries c.e.) describes Abraham as having been
taken into paradise to his own bosom (έν τψ κόλπψ αύτου) (T Abr. A. 20:14). Since
many Christian elements were incorporated into the Testament ofAbraham, it is
possible that this expression was derived from Luke 16:22. The same motif is
found in rabbinic literature, where Hebrew “( חיקbosom”) is used in the context of
carrying the dead to Abraham’s bosom: ( בחיקו של אברהםb. Qid. 72a-b; Pesiq.
Rabbati 180b). The meaning of this Hebrew expression is “by no means certain,”
as C. H. Cave states.30 Moreover, these examples are rather late and do not provide
sufficient evidence that “Abraham’s bosom” was a special and widespread techni-
cal term for the abode of the righteous at the time Luke wrote his Gospel. In addi-
tion, as Ronald F. Hock demonstrates, κόλπος was often used in Hellenistic
epitaphs.31 According to Lehtipuu, however, the use of κόλπος in epitaphs usually
represents the idea of the earth covering the dead.32
Furthermore, among the three patriarchs Abraham is the most prominent fig-
ure. According to Genesis, he was blessed in a special way and his name became
great (12:2); God made a covenant with him (17:2, 7-8); righteousness is imputed
to him for his faith (15:6); and he is granted a promise to inherit Canaan (17:8).
Abraham was considered to be the father of the Jewish people and, moreover, of
many nations (17:4-6).
All this becomes important for Luke, who without doubt regarded Abraham
as a very significant figure. As Lehtipuu points out, seven of the twelve passages
in Luke-Acts that mention Abraham (Luke 1:4617־55,67־79; 3:
2840־29; 16:19־31; 19:1־10; 20:27 ;־Acts 3:134
patriarch as the father of Israel (Luke 1:55; 3:8; 13:16; 16:2219:9 ;31 ;־Acts 3:25;
13:26).33 Moreover, Abraham is active in the afterlife (Luke 16:1938־31; 20:37)־.
In exploring the question of how Abraham’s bosom relates to the idea of the
blessed afterlife of the righteous, it is also useful to analyze the concept of being
in someone s bosom in biblical and cognate literature. In addition to the meaning
of being gathered with the righteous ancestors as discussed above, this concept
may also reflect at least two other images—a child lying in its parent’s embrace
and proximity of a guest to the host at a banquet. Let us look at each of these images
in some detail.
In the NT, this meaning of κόλπος is attested in John 1:18, where it is used in
the metaphor of the Son of God being close to the Father: “The only Son, who is
in the bosom of the Father [εις τον κόλπον τού πατρός]” (John 1:18 RSV). Some
translations render the meaning of intimacy in this expression as “close to the
Father’s heart” (NRSV, NJB) or “in closest relationship with the Father” (NIV),
which is conveyed by the metaphor of a child (the Son) in the embrace of his par־
ent (the Father).
33 Ibid., 210.
“ABRAHAM’S BOSOM” (LUKE 16:22-23) 627
34 Michael W. Holmes, ed. and trans., The Apostolic Fathers: Greek Texts and English Trans־
lation (3rd ed.; Grand Rapids: Baker Academic, 2007) 143.
35 Paul Haupt, “Abraham’s Bosom,” AJP 42 (1921) 162-67, here 162. Haupt is correct, of
course, in that it is very doubtful that the phrase κόλπος Αβραάμ in Luke 16:22 projected the image
of Abraham on his dining couch eating in a recumbent posture when Lazarus was brought to him by
the angels. “Abraham’s bosom” should not be taken as a metaphorical representation of a literal feast.
36 Haupt claims that the beloved disciple leaned back toward Jesus just to ask him a question
(“Abraham’s Bosom,” 163-64). Nevertheless, he admits that if the Last Supper was organized in
the same manner as Roman feasts, there were three couches (the triclinium) on three sides of a square
table and Jesus occupied the couch on the left side, sharing it with his closest disciples John, James,
and Peter.
37 Pliny the Younger, Complete Letters (trans. P. G. Walsh; Oxford World’s Classics; Oxford:
Oxford University Press, 2006) 101. See also Jeremias, Parables of Jesus, 184; and Fitzmyer,
Gospel according to Luke, 2:1132.
38 Cf. Matt 8:11: λέγω δέ ύμίν οτι πολλοί άπό άνατολών και δυσμών ήξουσιν καί άνακλιθή-
σονται μετά Αβραάμ κα'ιΊσαάκ κα'ιΙακώβ έν τή βασιλεία τών ούρανών (“I tell you, many will come
from east and west and will eat with Abraham and Isaac and Jacob in the kingdom of heaven”
[AftSF]).
39 Philip F. Esler, Community and Gospel in Luke-Acts: The Social and Political Motivations
628 THE CATHOLIC BIBLICAL QUARTERLY | 79,2017
Messiah does not explicitly appear together with Abraham and Lazarus in this
parable, it is disputable whether in the strict sense of the term this banquet is mes-
sianic and completely identical to the feast in Luke 13:2830־. Nonetheless, it is
safe to speak about a heavenly banquet in 16:2223־. Furthermore, as I. Howard
Marshall and Lehtipuu indicate, these two images are not mutually exclusive and
may be combined in 16:22, suggesting both Lazarus’s honored position at a heav-
enly banquet and his close communion with Abraham.40 Thus, it is fully reasonable
to see Lazarus in this parable as being in close fellowship with Abraham at a
banquet.
Άξιον δέ κάκεΐνο ζητήσαι, τί δήποτε ούχι παρ’ έτέρω δικαίω τον Λάζαρον όρά, άλλ’ εν
τοίς κόλποις είδε του Αβραάμ. Φιλόξενος ήν ό Αβραάμ· ϊν’ ούν και ούτος έλεγχος αύτω
γένηται τής μισοξενίας, διά τούτο αυτόν μετ’ έκείνου βλέπει. Εκείνος γάρ καί τούς
παριόντας έθήρευε, καί εις τήν οικίαν είλκεν εϊσω τήν εαυτού· ούτος δέ κα'ι τον έσω
κείμενον παρεώρα, καί θησαυρόν τοσούτον εχων καί σωτηρίας ύπόθεσιν, παρέτρεχε
καθ’ έκάστην ή μέραν, καί ούκ έχρήσατο εις δέον τή τού πένητος προστασία.
It is worthy of investigating why he [the rich man] sees Lazarus not with any other
righteous person, but in Abraham’s bosom. Abraham was hospitable; this is why he
[the rich man] sees him with the other [Lazarus], so that he [Abraham] would be a
reproach of his inhospitality. For he [Abraham] searched for those who passed by and
brought them into his house, while that one [the rich man] disregarded even the one
who lay inside his house. He had such a great treasure and the foundation of salvation,
but overlooked this every single day and did not support the poor as he should have.
{De Lazaro 2.5 [PG 48:988.4857 ;]־our translation).42
ofLucan Theology (SNTSMS 57; Cambridge: Cambridge University Press, 1987) 193. Esler refers
to R. Meyer’s entry on κόλπος in TDNT 3:825. Meyer mentions the messianic banquet as one
possible intepretation: “In the first instance we are to think in terms of the feast of the blessed at
which Lazarus takes the place of honour.”
401. Howard Marshall, The Gospel ofLuke: A Commentary on the Greek Text (NIGTC; Grand
Rapids: Eerdmans, 1978) 636; Lehtipuu, Afterlife Imagery in Lukes Story, 215. Contra Haupt,
“Abraham’s Bosom”; and Smit, Fellowship and Food, 168-69.
41 Luke may also be pointing to the intertextual connection between Luke 16:23 and Gen 18:2
with the phrase “He lifted up his eyes.” Note, however, that two different verbs (έπαίρω and
άναβλέπω) are used in these verses. See the cognitive analysis of “he lifted up his eyes” in Luke
16:23 in Somov, “He Lifted Up His Eyes,” 291-309.
42 A similar idea appears in Chrysostom’s Homiliae in Acta apostolorum {Horn. Act. 45 [PG
60:318־20]).
‘ABRAHAM’S BOSOM” (LUKE 16:22629 (23־
This story from Genesis 18 provides an important input to the blend close fellow-
ship with Abraham at the heavenly banquet is being in Abraham s bosom. Two
other inputs to this blend are one who takes someone in his/her bosom, including
all features of being at someone’s bosom (a child lying in its parent’s embrace; the
proximity of a guest to the host at a banquet; being gathered with the righteous
ancestors) and the host ofthe heavenly banquet, which is partly structured by Blend
C above.
In Conceptual Blend D (see fig. 5) some features of the frames and concepts
in the three input spaces are cross-space mapped, while the generic space that uses
the concept of union (consisting of the image schemas of proximity and contain-
ment) maps to each of these inputs. The roles of the frame one who takes someone
in his/her bosom are projected into the blend; the elements from the concept of
Abraham and the frame the host of the heavenly banquet are projected as the
values of these roles. In the emergent structure of this blend, Abraham appears as
God’s agent who acts as the host at such a banquet. This blending results in the
metaphor closefellowship with Abraham at the heavenly banquet is being in Abra-
ham s bosom. In this source-target metaphor, Input Space 1 is a framing input that
projects its source features onto this blend. The features of Input Space 2 and Input
Space 3 are used in its target domain.
Generic Space:
- Close fellowship
- Hospitality
Input Space 1: One Who Takes Input Space 3: The Host of the
Someone in His/Her Bosom Input Space 2: Abraham Heavenly Banquet
־A parent who has a close relationship - The father of Israel who is close - The heavenly host (God or God’s
with his/her child to his descendants agent) receives the righteous
- A host at a banquet who gives the most - A hospitable host (Gen 18) ־He takes the most exalted righteous
honored guest the place closest to him - Active in the afterlife receiving the closest to him
- A righteous ancestor who receives the souls of the righteous - The heavenly host and the righteous
soul of his relative enjoy fellowship and unity
Thus, there are two significant features of the expression “Abraham’s bosom”
that cannot be separated: it simultaneously refers both to close fellowship and to
a banquet. This plays a key role in the overall composition of the parable of the
rich man and Lazarus. The features of the banquet concept work in this story as
follows: in the earthly reality it is the rich man who is feasting and hosting the
banquet. However, his hospitality extends only to his friends, and he never even
invites Lazarus into his house. In contrast, Abraham, who invited three strangers
(not his close friends) for a feast in Gen 18:18־, gives Lazarus the beggar the most
honored and exalted place at the heavenly banquet in the afterlife, the place closest
to Abraham himself.43 This compositional opposition is presented in the table
below:
Table i. Oppositions between the Rich Man’s Earthly Banquet
and Abraham’s Heavenly Banquet
We can see that if the banqueting component were to be removed from the meta-
phor of Abraham’s bosom, this metaphor would lose a significant part of its mean-
ing. Moreover, as shown in table 1, this metaphor plays an important part in the
overall composition of the parable. Its structure is symmetrical. This makes the
reversal of the fates of the rich man and Lazarus more salient. If the banqueting
component of this metaphor were left out, the symmetry in Luke’s composition
would break down at least partially. Moreover, our parable can be regarded as an
extended illustration of the promises of satiation for the hungry in the kingdom of
God (6:21) and hunger for those who are full now (6:25). These promises are also
a symmetrical reversal and deal with a contrasting pair of those whose condition
will be reversed.
43 In 16:2223־, Luke probably alludes to 13:2829־, which brings together the elements of a
feast (an eschatological heavenly banquet) and being with Abraham (among the patriarchs at the
heavenly banquet). In contrast with 13:2829־, however, where Abraham participates in the eschato-
logical banquet, in 16:2223 ־Luke refers to an event not in the distant eschatological future but
immediately after Lazarus’s death.
‘ABRAHAM’S BOSOM” (LUKE 16:22-23) 631
Several of the image schemas and concepts discussed above occur bundled
together in other places in Luke’s Gospel as well, confirming that they were con-
nected with each other in Luke’s thinking. For instance, in Luke 14:711 ־we find
the schemas Up-Down and First-Last co-occurring with the concepts of feasting
and honor.
7When [Jesus] noticed how the guests chose the places of honor, he told them a par-
able. 8“When you are invited by someone to a wedding banquet, do not sit down at
the place of honor, in case someone more distinguished than you has been invited by
your host; 9and the host who invited both of you may come and say to you, ‘Give this
person your place,’ and then in disgrace you would start to take the lowest place [τον
έσχατον τόπον]. 10But when you are invited, go and sit down at the lowest [έσχατον]
place, so that when your host comes, he may say to you, ‘Friend, move up higher
[άνώτερον]’; then you will be honored in the presence of all who sit at the table with
you. 11For all who exalt [ύ\|/ών] themselves will be humbled, and those who humble
themselves will be exalted [ύψωθήσεται].” (NRSV)
The NRSV adapted the First-Last schema activated by the Greek word έσχατον,
rendering it as also part of the Up-Down schema in English (“lowest” in v. 10).
44 See, e.g., Harriet Hill, Ernest-August Gutt, Margaret Hill, Christopher Unger, and Rick
Floyd, Bible Translation Basics: Communicating Scripture in a Relevant Way (Dallas: SIL Inter-
national, 2011) 260-70. The dynamic/functional equivalence approach is given, e.g., in Eugene Nida
and Charles Russell Taber, The Theory and Practice of Translation (Helps for Translators 8; Leiden:
Brill, 1969); Katharine Barnwell, Bible Translation: An Introductory Course in Translation Prin-
ciples (3rd ed.; Dallas: Summer Institute of Linguistics, 1986).
632 THE CATHOLIC BIBLICAL QUARTERLY | 79,2017
English AUS or the Russian lono Avraamovo, with the archaic lono meaning some-
thing like “lap, breast, womb,” which is typically used to indicate a mother’s
tender care for her children. Although this is the easiest approach because it
requires a minimum of interpretation on the translator’s part, it typically results in
a translation that is unintelligible or that can be misconstrued. For the original
audience, it is unlikely that the Greek κόλπος evoked associations of femininity
or specifically maternal care in the context of the obviously male Abraham. Intro-
ducing such connotations in relation to Abraham in a translation, therefore, as the
English term “bosom” does, can be quite misleading.
A slightly less literal approach restructures the noun κόλπος as a word in the
recipient language that focuses on Lazarus’s spatial proximity to Abraham. Thus,
Lazarus is taken by the angels to “be with Abraham” in the NRSV, REB, and NLT,
and “to Abraham’s side” in the NIV and NET. A similar rendering is found in the
French La Bible en français courant, the Turkish Kutsal Kitap, and the Adyghe
and Lezgi translations from the Caucasus region of Russia. Although such a ren-
dering does convey the idea of closeness to Abraham, it misses the important
component of the special honor that Lazarus now has. It is true that if readers know
that Abraham is one of the founding patriarchs of the Jewish nation, they can
typically infer that it must be an honor for Lazarus to be near him. But even in this
case, such a rendering misses the idea that Lazarus is in the most important place
by Abraham’s side as the guest of honor.
To compensate for this gap in meaning, some translations explicitly bring out
this social component in addition to the spatial component. Thus, the CEVrenders
that Lazarus was brought to “the place of honor next to Abraham.” A similar ren-
dering is given by the Central Asian Russian Scriptures (CARS), as well as the
Chechen, Lak, Nenets, and Tuvan translations of Luke. In some languages, the
semantic component of “place of honor” may already be inherent in the spatial
term used to render κόλπος, in which case it would be redundant to add an overt
word indicating honor.
The fourth approach is the most explicit. It brings together all of the above
mentioned semantic components and adds one more, that of the specific social
setting at which this place of honor is located—a feast or banquet. The GNT/TEV
version of 1992 makes it explicit that Lazarus is brought “to sit beside Abraham
at the feast in heaven” (but misses that he sits in the place of honor). A few other
versions, such the CEV and the Spanish Dios Habla Hoy de Estudio version, put
this information in a footnote but not in the text proper. Although this type of
rendering may seem to some to be unduly free, we believe that it makes clear the
semantic components that are most relevant to this specific context. It also brings
out the structural symmetry in the parable’s composition by highlighting the con-
trast with the rich man’s earthly feast, adds discourse coherence to the parable’s
images, and connects this parable with other passages in the Bible that deal with
the eschatological banquet.
“ABRAHAM’S BOSOM” (LUKE 16:22633 (23־
VI. Conclusion
As this article demonstrates, being in Abraham s bosom should be taken as a
metaphor that plays a key role in the composition of Luke 16:1931־. In this parable
an opposition is evident between two banquets: the earthly banquet, at which the
inhospitable rich man feasts and there is no place for Lazarus, and the heavenly
banquet hosted by Abraham, who is known from the Genesis narrative for his
hospitality, where Lazarus is granted the most honored position. The metaphor
being in Abraham s bosom includes both the components “place of honor” and
“banquet.” This makes the structure of the parable symmetrical and the reversal of
the fates of the rich man and Lazarus more noticeable. These two components
should not be removed from the translation of “Abraham’s bosom,” because if they
are, the image loses a significant part of its meaning. Interpreters and translators
should do their best to maintain a semantic component related to feasting and honor
in their rendering, whether in the text or a footnote.
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