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Avenida de la Camelias Adaptación:

Banda Municipal de Bell Ville


Ernesto A. Bianchi- Argentina

    
Maestro: Gabriel Mejías

                   


q= 100 3 3 3
3

Flute    

            
3 3




        
3 3
Requinto  
     3     
3
     3    

3

Clarinet 1 in Bb    
     3           3    
  
3 3

  
Clarinet 2 in Bb 
  3 3 3 3

                     
     
Clarinet 3 in Bb

     3           3    


  
3 3

 
Soprano Saxophone  
              
      

  
3 3 3

3
Alto Saxophone  
        3           3    
3 3

Trumpet 1 in Bb    
    3           3    
   
3 3

 
Trumpet 2 in Bb  
 
      

       

Trompeta lisa in Bb

    3     
3
               
3 3 3

Horn 1 Eb           
  3       
3 3 3

       
          
3
Horn 2 Eb
        
  3         

3 3 3
Horn 3 Eb                           
3
  
       3            3   3 
3

Tenor Saxophone   
       3           3   3 
3

Baritone Bb   

       3   3   
    3   3 
Baritone Saxophone     

   3      
 
3 3 3 3

Bass Eb        
      

  


  

  3           
  
3 3


3 3
                 
   
Bass Bb

    3 3 3 3

     
       

   
   
3
      
 
Tuba
      3
  3
3
    
               
3
           
3
Tuba 
    
2

                       


8 3 3 3
3

Fl.      

       3     


3 


        
3 3

Alto Cl.   

       3   3            


3 3
 
Cl.  
     3   3            
 
3 3
 
Cl.  
 3 3 3 3

                    
      
Cl.

     3   3            


 
3 3
 
S. Sax.  
      3       
       
 
3
  
3 3
A. Sax.  
        3   3            
3 3

Tpt   
 
     3   3            
 
3 3
 
Tpt  
     
  
Tpt lisa
       
     
3 3
 
3
        
3 3
  
3
   
2nd Hn          

3
 3
 3

                  
3 3 3
2nd Hn
        

  3       3  
3


3
2nd Hn                     
3 3
   
    3   3             
     3 3

T. Sax.  

        3   3           3 


3

 
2nd Bar. 
   
    3   3            
3 3
Bar. Sax.   
    3      
 
3 3 3 3
Bass Eb         
3 3

         
3
       
       
3 3


3 3 3 3
Bass Bb                           
3 3

    
   3   3 3 3 3 3
       
3

           
3
            
 
Tba
     
   
3


3

              
3
Tba              
3 3

     
3 3

    
3

  
3

        
3
    
3

           
16

Fl.               

    


 
                      
Alto Cl.        
   
3
         
3
             

Cl.   
      
   
3
          
3
              

Cl.   
    

              
        

      

  

Cl.

   
3
         
3
              

S. Sax.          
3
                
3
 
A. Sax.
      
       
3
    
3

                     

Tpt        

             
Tpt                  


     
    
Tpt lisa      

                  
2nd Hn                  


                                
2nd Hn
  
                                
2nd Hn
   

   
       
3
     
3

T. Sax.         
 
               
3 3

2nd Bar.         
                
3 3
 
Bar. Sax.      
          
Bass Eb                 
           

                         
  
        
Bass Bb
    
      
                            
Tba
      
               
           
      
  
Tba
     
4

                                 
24 3
1.
Fl.        
                    
Alto Cl.     
      
                    
3

        
Cl.   
                    
3

        
Cl.   
       
Cl.                            
      
             
3

        
S. Sax.   
3
                             
A. Sax.
 
   
       
3

             
          
Tpt    
                           
Tpt             
     
  
Tpt lisa         

 
2nd Hn                                    


                                   
2nd Hn
     
                                   
2nd Hn
 
                 
       
3

T. Sax.       

        
3
                    
2nd Bar.     
                             
3

Bar. Sax.     
       
                          
Bass Eb
   

               
  
               
  

 
Bass Bb

   
                              
         
Tba

  

Tba      

 
                           
 
5

      2.
32 3

Fl.               

   
Alto Cl.              

      
3

Cl.          

      

3

Cl.          


Cl.         
      

   

3

          
S. Sax.


A. Sax.
 
   

 

     

      3     3     3     3       3  


3 3 3 3 3

Tpt            

 3     3     3      3          
3 3 3

3
     
3
Tpt          
 3     3     3      3          
3 3 3

3


     
3
Tpt lisa   
    
                           
3 3 3

2nd Hn            
     
                            
3 3 3
2nd Hn
          
                

3 3 3

2nd Hn                   


             
3
      
3
     
3
T. Sax.             
             
3
      
3
     
3
2nd Bar.             
            3
     3 
           
3
Bar. Sax.
      
                   3 
3 3
Bass Eb                

  
  
                 3         3   
3
Bass Bb
        
    
                3 
3 3
Tba               

   
   
                 3         3   
3
Tba
         
6

 
40

Fl.            


Alto Cl.         


Cl.          


Cl.          


Cl.          


S. Sax.          


A. Sax.
         

     3     3     3     3       3  
3 3 3 3

3 3
     
Tpt       
    3     3     3      3          
3 3 3 3
 
3 3
   
3
Tpt      
    3     3     3      3          
3 3 3 3
 
3 3


   
3
Tpt lisa      
              
3
     
3
     
3

2nd Hn              

                                   
3 3 3
2nd Hn
        
            3      3 

3
2nd Hn                   

                            
3 3 3
T. Sax.
        

                            
3 3 3
2nd Bar.
        
       3
     3      3 
Bar. Sax.                  
        3
     3      3 
Bass Eb                   
      

Bass Bb   
                  3   
3 3

           
             3
     3      3 
Tba               

        
    
                  
3 3 3
Tba
         
7

                             


48

Fl.      
   
                         
Alto Cl.       
                    
               
Cl.    

                            
Cl.    
       
                           
Cl.    

                           
S. Sax.    

 
                              
A. Sax.
     
        
3

                          
3

Tpt     
      
3

3

Tpt     
                           
       
             
3

3


Tpt lisa                  
    
                                  
2nd Hn    

                                   
2nd Hn
   
                               
2nd Hn
       
          
                 
    
T. Sax.             

          
                  
    
2nd Bar.  
         
 
              
              
Bar. Sax.          
      
Bass Eb                                  

                       
Bass Bb
                   
      
            
             
         
Tba

                    

Tba        
                
8

     1.
57

Fl.                 
                       
     
        
Alto Cl.                                
                     
           
Cl.  
                          
Cl.                    
                                      
Cl.           

                                      
S. Sax.           


                                   
A. Sax.
    
                             
Tpt           
                          
Tpt                    
 
Tpt lisa
                  

                                        
2nd Hn         


                                       
2nd Hn
     
        
2nd Hn
                                        

                             

     
T. Sax.      

                               
    
2nd Bar.     
                       
Bar. Sax.                 
 
                                 
Bass Eb
  
         

Bass Bb      
                
    
         
Tba

                 
     
   
Tba         
             
      
9

   2.

66

Fl.           


      
 Trío 
  
Alto Cl.        Trío       

   
         
Cl.   Trío  
        
Cl.          Trío  
              
Cl.    Trío  
              
S. Sax.    Trío  
        

 
A. Sax.
        Trío
             
Tpt    Trío  
        
Tpt          Trío 
              
Tpt lisa
    Trío 
               
2nd Hn   Trío 
 
2nd Hn       
 Trío       

   
2nd Hn
        Trío       
        
T. Sax.          Trío  
        
2nd Bar.          Trío  
  
Bar. Sax.        Trío 
      

  
         
      
Bass Eb

              
 
Bass Bb Trío  
   
Tba          Trío  
      

               
Tba
    Trío  
10

       
71

Fl.         
  
 

        
Alto Cl.    

 


      
Cl.        
  
 

      
Cl.        
  
 

    
Cl.        
  
   
      
S. Sax.        
  
 

       
 
               
A. Sax.

    
         
Tpt      


Tpt            

       

   
Tpt lisa
              

                                       
2nd Hn 
                                      
2nd Hn             
                                      
2nd Hn
 
          
            
T. Sax.     
           
               
2nd Bar.

                
          

Bar. Sax.

                                
Bass Eb           

                              
Bass Bb
               
      
                             
   
Tba
     
                          

Tba                   
11

    
 
      
80

Fl.         

  
Alto Cl.  
     
    
   
       
       

Cl. 
       
         

Cl.    

  
Cl.         
      
       
         

S. Sax.    

                
A. Sax.
   
 

        

        
Tpt     

  
Tpt                
 
Tpt lisa
            
                                    
2nd Hn 
                                   
2nd Hn              
                                   
2nd Hn
 

             
     
T. Sax.   
            
    
2nd Bar.    
               
     
 
Bar. Sax.

  
                                 
Bass Eb
    
                    
      
             
Bass Bb
     
    
Tba             
    
                   
  
 

                        

Tba    
           
12

            
89

Fl.         
 
   

     
           
Alto Cl.
  
           
   
Cl.         

           
   
Cl.         

    
Cl.     
    

  

           
   
S. Sax.   

    

 
 
                  
A. Sax.
   
              
 
Tpt          

    
Tpt     
    

  

  
Tpt lisa
             

                                  


2nd Hn   


                                 
2nd Hn
       
                         
2nd Hn
          
            
T. Sax.                

                  
2nd Bar.          

        
Bar. Sax.    
 

 
       
                
                   
Bass Eb
       
                      
Bass Bb
                    
     
             
                  
Tba
      
                        

Tba                       
13

  
98 1. 2.

Fl.                                 


Alto Cl.                                
    
                        
Cl.  
                               
Cl.  
                   
Cl.               

                               
S. Sax.  
                           
A. Sax.
       
                                
Tpt  
          
Tpt                        

      
    
Tpt lisa               

                                  
2nd Hn   
                            
2nd Hn        
 

  
                                 
2nd Hn
  
  
                          
T. Sax.      

                             
2nd Bar.      

                          
Bar. Sax.      
 
  

                                   
Bass Eb     
               
                      
 
Bass Bb
   
   
                      
  

     
 
Tba

                     
   

Tba
                 
14

 
106

Fl.                                       


Alto Cl.                                    
                                  

Cl.  
                           
Cl.  
            
Cl.                   
                           
S. Sax.  
                   
A. Sax.
          


 
                              
Tpt   


Tpt                                      
               
Tpt lisa
              
                            
2nd Hn 
                           
2nd Hn 

2nd Hn
                                  

                                
T. Sax.  

                                
2nd Bar.  
  
Bar. Sax.                         
 
Bass Eb                          


Bass Bb
                          
  

                       
Tba



Tba    
                        
15

 
114 1. 2.

Fl.                                        

 
Alto Cl.                                     
                               
Cl.      

                                 
Cl.      
                                    
Cl.   
                                    
S. Sax.   
    
A. Sax.
                       
                                     
Tpt   

Tpt                                       

Tpt lisa
                                      
                                     
2nd Hn  
                                    
2nd Hn  
 
2nd Hn
                                     
                 
            
T. Sax.

              
             
2nd Bar.    
    
Bar. Sax.                       
      
Bass Eb                      

 
           
             
Bass Bb

   
        
  
Tba
         


Tba    
 
     
 

          
 
Horn 1 Eb
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
                                           
3 3 3 3 3 3 3 Argentina

 
Ernesto A. Bianchi-

          
Maestro: Gabriel Mejías


10

                                              
3 3 3 3

                                  


20

             

          1.     2.  
30
                 
3 3 3

               

  
40
                        
3 3 3

                   


50
                            
                 

              
59

                        
1. 2.

   

                                       
68

  Trío

                                       
78

              

         
88

                                 

         
98 1. 2.

                                     
 


108

                                            


1.
118 2.
              
   
Horn 2 Eb
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
   3     3                
3 3 3


Ernesto
3 A. Bianchi-
3 Argentina
                     
Maestro: Gabriel Mejías

  3         3  3                  
10 3

                 
   

  
20

                                            

          1.     2.        3         3         3   
30

     
         

             3         3         3          
40


               

    
50

                                        

  
59

                     
   

 
64 1. 2.

                  
 Trío


69

                                           


79

                                          

  
89

                                            


99 1. 2.

                      
 
                  


108

                                            


1.
118 2.

                  

Alto Saxophone
Avenida de la Camelias
Adaptación:

        3   3               


q= 100 Banda Municipal de Bell Ville

          
3
  3   Ernesto A. Bianchi- 3
3 Argentina
    Maestro: Gabriel Mejías

 
3
                            
12 3

3 3

   

3
                 
22

         
1.

     


                     
32
   
2.

             

                
55

       
           
  

    
64 1. 2.

                 Trío

     
    
69

                
  

            
79

               
 

          
90

 
      
    

  
102 1. 2.

                                     


110

              
         

 
1.
118 2.

              

Baritone Bb
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3
3

Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

         3   3  


       
12 3

  
3
        

                    
      
22 3
 
1.

     

     2.  
32
                        
3 3 3

               

      3         3         3                     
42


      
        

                
         
52

           

                   2.     
60
    
1.

        Trío

    
         
68

             

         
  
     
78

     
  

              
 
89

             


                        
        
101 1. 2.


      
 

                               
109

      

  
1181. 2.

              

 
Baritone Saxophone
Avenida de la Camelias
Adaptación:

        3   3      


q= 100 Banda Municipal de Bell Ville
3 
                      
3 Argentina
3

3 Ernesto A. Bianchi-
  Maestro: Gabriel Mejías

  
                           
12 3 3

   
3 3

 

                 
22 3
     
  
1.

      

     2.     3    3    3     
32


               

   3    3    3      
42

                                  

       
                         
52

 
 

                 
60

          
1. 2.

     Trío

   
68

                    
    

 
        
78

             
     

          
89

        
      

  
101 1. 2.

                                   


109

                           
     


 
1.
118 2.

              

Bass Bb
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
  3     
                           
3 3 3 3 3 3 Argentina
    
Ernesto A. Bianchi-
        Maestro: Gabriel Mejías
       

 3           3  
10 3 3

                            
3
      
3
 
       

        
20

                                          
  

      
30
                 3         3   
1. 2.
    
3
             


40

               3                  3       
3

               

   
50
  
                          
  
    
  


59

                     
1. 2.

              
 

                              


68

            

           
78

                                
           

        
89

                       
                   

   
100 1. 2.

                                     


109

                              
    


1181. 2.

      
          
Bass Eb
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
  3    3        3     
3 3 3

                                

Ernesto A. Bianchi-
3 Argentina
Maestro: Gabriel Mejías

 3        3       
10 3 3

                                 


3
    
3



      
20

                                         
  

       2.     3    3    3 
30 1.

                 

      3    3    3    
40

                             

   
        
50

                          
  

               
59

           
1. 2.

        

 
68

  
                                 
      

   
78
                  
                                  


89
                    
               
           

                         
100 1. 2.

                


109

                           
     


  
1.
118 2.

              
Clarinet 1 in Bb
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3 3


Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

            3        


3
 
                   
3 3

12

  

                    
3
  
22
           
1.

      

32
         
3
              
             
2.

   

                     

55

                      
 

      2.       
            
64

1.

    Trío       

74
                
       

              
         
87

          

                 
                   
99 1. 2.

  

                                       

109

 

              

1181. 2.

     
Clarinet 2 in Bb
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3 3


Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

            3        


3
 
                    
3 3

12

  

                    
3
  
22
            
1.

     

32
         
3

                     
2.

          


55
               
                            

 
64
              
1. 2.

      Trío

                 

69

           


            
 
81

         

                            
92

   

                                  
102 1. 2.

    

                            


110

 

                
1181. 2.

    
Clarinet 3 in Bb
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
  3 3 3 3 3 Argentina
3

Ernesto A. Bianchi-
                                      Maestro: Gabriel Mejías
      

         
 
12 3 3
  
                        

     

                   
22

      
1.

             



                         
32

          
2.

                             
56

          

                
64 1. 2.

      Trío

              

69

              

      
81

      
           
  

         
92

                  

       
102 1. 2.

                               


110

                                     


1181. 2.

                 

 
Flute
Avenida de la Camelias
Adaptación:

                                  


q= 100 Banda Municipal de Bell Ville
33 3 3 3 3


Ernesto A. Bianchi- Argentina
   Maestro: Gabriel Mejías

3
                               
3 3 3

12

             

  

                  
3
  
22
           
1.

         

          
3

                     
32 2.

       

    
55

                                        

 
64

   
1. 2.
                
 Trío

         
69

                     

 
        
 
81

             

92
      
                          


102 1. 2.

                                      


110

                                      


118 1. 2.

                  

 
Horn 3 Eb
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
 3   3       3   3   3         3 3 Argentina

                                   

Ernesto A. Bianchi-
Maestro: Gabriel Mejías

    
10

                                              
3 3 3
3

        
20

                                          

        2.     3    3    
30 1. 3

                    

      3    3    3     
40

                   

      
50

                                        

    
59

                     

  
64 1. 2.

                   Trío


69
          
                                           

  
79
            
                                         

    
89
       
                                           

  
99 1. 2.

                                             
 


109

                                         

 
1.
118 2.

                  
Requinto
Avenida de la Camelias
Adaptación:

        3   3               


q= 100 Banda Municipal de Bell Ville

          
3
  3   Ernesto A. Bianchi- 3
3 Argentina
    Maestro: Gabriel Mejías

  
                         
12
   
3 3

          

      
       
22

                     
1.

      

  

                         
32

        
2.

      
56

                                   

  
64 1. 2.

                   Trío

      
69

               
  




82

            
       
 
 

     
92

   
                    


102 1. 2.

                                     


110

                                     

 
1.
118 2.

                  
Soprano Saxophone
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3 3


Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

            3        


3
 
                    
3 3

12

  

                    
3
  
22
            
1.

     

         
3

                     
32 2.

    

                               
55

              

                
64 1. 2.

      Trío

                 

69

           


            
 
81

         

                            
92

   

                                  
102 1. 2.

    


110

                                     

                
1181. 2.

    
Tenor Saxophone
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3
3

Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

         3   3  


       
12 3

  
3
        

                    
      
22 3
 
1.

     

     2.  
32
                        
3 3 3

               

      3         3         3                     
42


      
        

                
         
52

           

                   2.     
60
    
1.

       

    
         
68

  Trío            

         
  
     
78

     
  

              
 
89

             


                        
        
101 1. 2.


      
 

                               
109

      

  
1181. 2.

              

 
Trompeta lisa in Bb
Avenida de la Camelias
Adaptación:

 
     
q= 100 Banda Municipal de Bell Ville

       
Ernesto A. Bianchi- Argentina
            
Maestro: Gabriel Mejías

15
         
                 
1.
 

                         3        3      
32 3 3 33 3 3 3 3 3
 
2.

       

                   
3 3 3 3
               
41 3 3 3 3 3

          
3 3

49
       
               
   
    

 
64
              
1. 2.

   
  Trío

69
         
   
               

93

       
1. 2.

                              


109

                                         


1181. 2.

                 

 
Trumpet 1 in Bb
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3 3


Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

            3        


3
 
3

                    
3

12

  

                      
3
  
22
      
1.

         

    2.   3     3      3     3      3 


3 3 3 3
 
32 3

      

      

      3            
3 3 3 3 3
                
40 3 3 3 3 3

            
3 3

                             
49

                     

        
                         
59 1. 2.

      

        
          
68

   Trío        

       
         
 
80

      

                         
91

      

                                  
102 1. 2.

    


110

                                     

                
1181. 2.

    
Trumpet 2 in Bb
Avenida de la Camelias
Adaptación:

   
                                     
q= 100 Banda Municipal de Bell Ville
3 3 3 3 3 3


Ernesto A. Bianchi- Argentina
  Maestro: Gabriel Mejías

12
         3   3      
               
         

                        
22

                    
1.

 3     3     3     3      3   
3 3 3 3
      
32 3 3

                
2.

                      
3 3 3 3
               
41 3 3 3 3 3

            
3 3


50

                                         


59

                                         
1. 2.

        
68

  Trío                   

       
80

                     

       
91

                   

  
102 1. 2.

                                      


110

                                      


1181. 2.

                 

 
Tuba
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville
3
 
3
      
3 3

                                   
3 Ernesto A. Bianchi- Argentina
3

3

  
Maestro: Gabriel Mejías
       


10

                                    


3 3 3
  
3 3 3

 
        

  
20

                                           
  

      
30

1. 2.
     
               3         3   
3
              


40

                                


3 3 3

               

  
50
  
                             
   
   


59

          
1. 2.

           
           
  

                                
68

   Trío        

              
77

                                    

       

                               
88

                     

    
99 1. 2.

              
   
                 
    


108

      

                     
  
 


118 1. 2.

    
   
         
Tuba
Avenida de la Camelias
Adaptación:
q= 100 Banda Municipal de Bell Ville

   
3 3 3 3 3 3 Argentina
                         
  
3 Ernesto A. Bianchi-
        
Maestro: Gabriel Mejías
 
      
 


10
 
3 3

                                


3 3
        
3 3
 
       

                     
20

                             
     

    2.     3    3    3 
30
    
1.

                   


            3    3    3   
40

              


    
50
          
                
  
         
  

        
59
      
1. 2.

     
 
               
68
                                
 Trío         

 
77
                         
                                 

88
                            
                    

              
99 1. 2.

    
                            
108
  
                            
     
118 1. 2.
     
  
          

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