1 Come si legge la diteggiatura di una scala ____________________________________ 55
4.2.2 L’impostazione delle dita _________________________________________________ 56 4.2.3 La scala maggiore _______________________________________________________ 59 4.2.4 La scala pentatonica maggiore _____________________________________________ 64 4.2.5 La scala minore armonica _________________________________________________ 67 4.2.6 La scala minore melodica _________________________________________________ 70 4.2.7 La scala diminuita _______________________________________________________ 73 4.2.8 La scala diminuita arpeggiata ______________________________________________ 75 4.2.9 La scala di toni interi_____________________________________________________ 77 4.2.10 La scala maggiore armonica _______________________________________________ 79 4.2.11 La scala orientale________________________________________________________ 82 4.2.12 La scala ungherese maggiore ______________________________________________ 85 4.2.13 La scala enigmatica ______________________________________________________ 88 4.2.14 La scala napoletana ______________________________________________________ 90 4.2.15 La scala napoletana minore________________________________________________ 92 4.2.16 La scala cromatica_______________________________________________________ 95
4.3 Gli schemi e le diteggiature degli accordi _____________________________________ 97
4.3.1 Come si legge la diteggiatura di un accordo ___________________________________ 97 4.3.2 Diteggiature aperte: triadi ________________________________________________ 100 4.3.3 Diteggiature aperte: accordi estesi _________________________________________ 101 4.3.3.1 Accordi di Do _______________________________________________________ 101 4.3.3.2 Accordi di Re _______________________________________________________ 101 4.3.3.3 Accordi di Mi _______________________________________________________ 102 4.3.3.4 Accordi di Fa________________________________________________________ 103 4.3.3.5 Accordi di Sol _______________________________________________________ 103 4.3.3.6 Accordi di La________________________________________________________ 104 4.3.3.7 Accordi di Si ________________________________________________________ 104 4.3.4 Diteggiature trasportabili: triadi ___________________________________________ 106 4.3.4.1 Maggiori ___________________________________________________________ 106 4.3.4.2 Minori _____________________________________________________________ 106 4.3.4.3 Diminuite___________________________________________________________ 106 4.3.4.4 Aumentate __________________________________________________________ 106 4.3.5 Diteggiature trasportabili: accordi estesi_____________________________________ 107 4.3.5.1 Maggiori settima _____________________________________________________ 107 4.3.5.2 Settima di dominante__________________________________________________ 107 4.3.5.3 Minori settima _______________________________________________________ 108 4.3.5.4 Minori settima maggiore _______________________________________________ 108 4.3.5.5 Nona ______________________________________________________________ 108 4.3.5.6 Nona aumentata______________________________________________________ 109 4.3.5.7 Minori nona_________________________________________________________ 109 4.3.5.8 Undicesima _________________________________________________________ 109 4.3.5.9 Undicesima aumentata ________________________________________________ 110 4.3.5.10 Tredicesima _________________________________________________________ 110 4.3.5.11 Sesta ______________________________________________________________ 110 4.3.5.12 Minori sesta_________________________________________________________ 110 4.3.5.13 Quarta sospesa_______________________________________________________ 111 4.3.5.14 Settima quarta sospesa ________________________________________________ 111