MT

265
.K38
op. 20
1900

ft
 Digitized by the Internet Archive
in 2012 with funding from
Brigham Young University

http://archive.org/details/36etudesforvioli20kays
No. 112

•
' 'i
HAROLD B. LEE V \

1GHAM YOUNG SJTY

PROVO, UTAH
 2

PI

5
Of"

EDITION WHITE-SMITH No. 1 1

HEINRICH
ERNST KAYSER
1815- -1888
j

Op. 20

36 ETUDES
FOR VIOLIN
COMPLETE

WHITE-SMITH MUSIC PUBLISHING CO.

BOSTON NEW YORK CHICAGO
1TY
 .

:i

36 Etudes for Violin

H.E.KAYSER,Op.20,BOOK I

id s-r •
ii
* f •> •
'

r \
\p t f j t" 11 f r f _ • — . [i

ft" Lftfttij ££g#

Allegro moderato

i"'r[[frf

*TJ*>

I
decrresc.

P2 ^ 1
^" *
|P^
I
*

*-*>
i
JTOTg ^ te* -H^*
jfi rf *

j-fff- s£
ieeresc. •— — -~ '
^— *^^ -^ — "*"

er esc.
^ gjete
* P^Pg ggfc^pl
xS
y
5
#-F-*-

^ «*" *» «

C^r cctf^j i
i jH
2 %&**
I
f
Andant quasi Adagio

1SSL
-tv
* \u 6
«
r/» *i*
I £ -& 5 -»
\^ 3T

ta>*
Cn
k^_ p o
«^?
i ./*:

^^ pggP #f f"^ # ^ | f
- # {U -tfc-£

mBrendo

p
.
_fiL

¥ i j^irir ^ih fr 1 1 J)
7W. -= -
1
VOS-21
 .

Allegretto

mf Semph'ce

j-rf
^g
Lif LTLX-
'

tJ -#* * cresc/*"^
f^ dim. f mmmm *^^

% to / J
1 "

* M. +. deeres.

^ijTW l W§Ppsp 1 '

eresc.

W-Wr± mmmm
±Z+
•^ fZ p eresc. U^*^ deeres. f
4

ssgte

rr r Lf i

f^
et'esc. ^H rf« w? eresc.

^S
7ien-a dim.
^ ?* ere«c. ^ y ;J5 J|>p
1
 5
Allegro.

J l^m? m? m? M?»fTp -P \m'f\f^P -P mfof^ P -P 1

^^7 s m m « =jE=F=j

dim. pizz. avco.

7105-21
 C

ti

Allegro vivace
_n.-S_n__. r m ± .•
, iw- — .
^-i ,

fT* • m L
M *J
Ulj I
X-T

rrjij^uM'
U^ S^P 1
m
^ W
Tlfl^Cgl
^
cresc.

ar^j jjJfflffcfir Lirc^ J^

i
'
i
11

y
fci
?
aHJj im Jfl cP tXTrrr iFr^i^Tr
Sr^ i l

jTJ^H
l
*
it
r-gjegfag
af^ ^LLT [d l
feasts l
dim.

m sa 5
SrgF
a
^ *^W^W" y
W?

JBi.^nrtfrr
1
l£Q
cresc

y
y i-fflcJD'iC

*&=*
d^
i
LCrW
i

^ P r
C
crnfaj]
mm. v cresc.

^afce ri^^ i
jjffl tf/rr tCfu r
i i

m; ^^
inirr^crttr i

frttf i

tfrOTj.Jj^ IJ ^ JJJT # ** cresc.

1

PP tf rfr>» ^
f

M^ V JY^i ^
7105-21
^nrxri^jjcxri^f l I
"Ifc jj *l
wN|
 F

Allegro molto
tirez.

*=
&§3 S J^&
#* ps #3C

i
t
8± stK^ft'S
m St
my
fet
* gfeg&t
gg* I
f-resc.

CTI
fM'crrrrf fT rfl g^ l_p SiSii cresc.

P fI
I egr
ar a OTtgi- eg
V
^ 'firr
decres.
^g#»f
^CCfl^flTr iP
*
i B~7 !

dim. Hi p JteB
» JJJ l ^r
E
rrrrSfl cresc.
7
?rTr .s fefafaiCT
fciz
fag .

ar jgfljg
i i
^af;^ cresc. m
t/
gg pff
decresc.
5 ffy f [
~~
LIT
—^-J
'
Lij I
t tifff f
derr-p*
lLM lIj
'

«/*
EJ= 3p
decides.

cresc

decres

-y'"~r
" W
cresc.
* i r ips * j*
/ *x^
i
r
cresc.
-«
jijjffi?
/
=
L^t^J
m#.^ tempo
J
S
i
t
fcte #-F-i
s nnftrrn'H
P^» #--# T.' i

•J LJ-J p cresc. decresc.

m 9 m—
*?* E=K#^-#
cresc.
HP
3P7?
*J-#
2
«
s
tt
ifS >#
V g± [Tli m ftTnfr
1
$
i

i
« g Ig
'

WfjW'
l i

7ior>~2*
decresc. crest y p
 f #

II

Allegro moderato

7
£
W>=i
mf
l
m m 0-^

m
i — r^^P-

^i m
P^m S3 ^ Jt - cresc.

I
JLLLr^jJ tfP
decresc.

'
afe#
cresc.

P S ^-^ —

¥ HgP gS^ p ^ » L_ ?
E
rj i

j^%^^^ wesc.

i
Jdt
1 JT^
^V
i

fTp-Jte
^ decresc.
i gmmsi
-
m ds '
i

decresc. W

^£ 5=4
decresc.

Si
'
'
ffrr . rf . i^ ffg
¥ cfrj
cu-J 1 1
1
rj
Hfr CLLT'd-H
*„ P # i

SE sS *-=-*
90
m — ~w

I
k
F]
//
i PW rjflc/fl l iiS mm ff
decresc.

m
cresc.

3
% I* *=*

deeresc.
*L
% £
sec.

l* If ftj-i ffrfi mn * §1
IV i l ^i
r 1 1
1
m
f { ...

1105-21 r
 _

**
£ 5 ffi^E^fgf^
$ F*3 "

8 « to
Commpdo
Trf-y #-#
4 #

I
aJE*# L

^^*d * frs-o-
sa *
decresc
eresc.

i
i
8 * P C
£
^F
t
B5S3I
psi fe^a 3E
*fc
*
jf ^
* £#
i
*
I
p
^S
i
£3
*±
^5 ^
eresc.

£=i=4i # s fr ,#r frr

decresc. l 2 4 2 4 2

I g
4

ri^fTnTftfg a ȣSJE
£
•
£ « «g
eresc.

I
i
t
Pi
. ft!* f^rf^f p i*
i

m *&*
^=#
£=p; flfc
B^sg
fWft decresc.

m
eresc.

n 3 i^iof f
Sj_
1
#* ^»
##-*
«P
1 C d^ Awzzi
t E £ ¥
deresc.

P
*
[fflfrlJCT ^
/*

=?n
flf

##
dr r ^. i tffi tJL ¥+
s
3 eresc.

ffigpp

my
s -^. —»—
»*f

eresc.

^M
decresc.

^fl ftil !tfff fori fl#

$ #? *3
l

'

CEU*
'

i ps
^ran»i?i>>ni
71QS-21
J
 ' '

10

Allegro assai
Semjjre staccato.
cretc.

'

^J^JjjiJf ^M

cresc.
T?-*l+i 4
~ 4
'

|' j 8m
>
>tKr CB^ t
%) 6 tijtfi f
5^^^
i

u tf
1^^^
t
i i

dec rear.

cresc.

t^
fi
«-, *—
*if
c —n-
p^

rfe-c res p.
*-
p —
b
fl-

H ^ !=Ms
j
p* SB-^i
H
^
—J f~
n

J
—
resc
-0 ^*
—
i * 4
# '

cresc.
cresc
mf
7105-21
 11

^nJrg'rr,
i f\

Wfr* . i ,

^srt

or esc.
decresc.

cresc.

cresc
mf
w?m
UflFfl \

&i&i

cresc decresc.

y*? * * * ? s s * i ?
^1
»
/*
UOZ-21
VI

Arpeggio

fcf 4 4 4
3
4 * *
sai
s nn rT^JTn
s^3»

l 4— #- 4 0-
•4 j
• 4
"
a
-4-y
• §
fmm?
1J WW ^
4
£
4 * —r 4 4
^ j

This exercise must be practised without moving the elbow and with a proper bending of the wrist
and the following number the same and with each note distinct. Practise also staccato.

Allegro, ma non tanto. 4

10 iS
i
V
X
V
^
#-*-#
a
^-^J^
JL
» v#
1 y-^?
cresc.
±~4 g -97
^Vi

T,

cretc.

\
^H« E3E
r\
Bsggs i
r\ , fe :
?
 J .

a TCT nft jFfl

§ JIvJ ipjj fi # §v # s^ tSPyy
;

i
i i

57 r^/»»»<»«/»
cresc.

ZTF ^EJ ^ f^
4
^
P
4
,- f> r> 3
3 i

i3^: *Ar#
^g # ^V * g s *=s*
ES* 5 WX9
5
cresc.
/
mf
J iJ *

cresc cresc.

-fMir fe^p rr Pr /? r?.^ff^f f^ u*i

*
r^

^^ cresc.
i

mf
^^
i

/
1 tlKIl• 'decresc/^

m cresc decresc

£b tf fi^
decresc.

$ ^UV.'JjV m
J^ V* ?y* V* ^\ «4; 4V* J^f VJ J *IV^
ty
'
Urn J,

7100-21
 i
r<

'<-- #£ m-M.

&irM® ttf
fP

H ^ ^ f^fPfPfP ypfP^fP-'fP fPfPfP

ii %m ffi&&
Allegro energico

mf
3

i%
.

ffi]

^ rfi
j?J M foj \rftftwtiijt i

tp p
i
BE 5?
I / decresc.
«t*
1 p

t
2z? C^W ^j ffl I
/rt tf/ tfT W I [If Cjj ^IS! <i

fr
'

>
jw J?P ^ ttf eciruf
i
a jh '

jiTJ
j
uJ ^ I

^itftf'ttfflifliijii^ttf^fH cresr.

Ai..,rrr.f. e
^Sft
H05-21
^'i^^ttJ j t
 15

P dim. -
Jk
*^ cresc.
*^

¥*^& ^pp 18 jfo fflj i

ff^r^g^
p m ^ -^ J7 3 1

jy -tfs s
p wg &tf 1

p -ft^ jf

^J^btf^C^I^Utf * B 3 I BBS BBBj 1

•#!>*•-*•

p ff JT3JT3 |

t^'"
7105-21
BSiHip
^
9—P

WW ^JTjjf^
hi

Allegro, ma non tanto

12 ^3
I
W
*
brillante

i
W~4 9
4
mu
decresc.
0.0
me * crese.
"f

7t05 - 2i
 17

•alniato.
7105 -V.
 ^ "
18

3 *
Allegretto '.i

£t±i
^
13
<\m&iii\ftii0k m m
decresc.
crese.
• •
if
*
lJjUj|^J"Jj
!*«*« |^g ^P pgg^
3 * 8

P frm- SB E '
''
IM 1 *^J
p 3=»
m^m
CreSC U^ •

» ' *- . »

V
# Cf^/T^CD
8 b »
*rJj
rnf
LlT r rf LL-T r r r Clr ^rr.rD ,?f rr
i i

irriu^W i
. n> • #

a
## P > g^^ j
jijjiLLUj i
'tulL^
>
3,,
decresc.

IMPM JL

m s ggjgj
rallent.
z

i
tempo

jp JJ? c t- t i
£L r"
cj i

i
it

->»
rJ3'^i jjj3 J * ''<l- : P
^ ffi
» 1

fP
. 1 #

^— i ^ -^ ^ v
7- crese.

• •

* ff§
ISF^P / Clf^lJ J Jmn
-f: *" -:
? *— ? r
rl si
f ? * ff *
7l0o-?l
 —
1»
Allegro moderato

14 -
g^a fliWr>
&* gr^v^-?
fl a J

a i a PI S- -^ crese- g — -*• -gj > -g —^ .^ i

,
''
^ wgy ^r rri^JV^JC^p,
V'rrr^^^^i^g^i^^^ i

^ ^^j^^^JJJ^I^JJJll^^ n'fy n?jl jffijffil

^ '"
jg^^i m g jffl i
V r^ c
n gf ffrrfi jr^S^f i

m t3tt
B#

> ^irtJGsjQj&I
'.% Wrff
,nri ft f i i
J
fc^W hirffi'^r?lri

i ^m^^MtM^^sk deer esc.

WJ^ J IJ
'l
J J
jl
^ fetf
se
tares poussez Urez poussez
fil/tfO* i •

>rez poussez. •^^JL s^^r \, T

I E5S
Urez poussez
gi^M 1

#
|TD ^ W 9m *ii
V
=~
Jl

=— =
£*WM*
±
1

^J? l>*crese. mf

%%^}\ xgm t —r
-^ " '
'
at

$ <
^Vfftf!Ljjj a wft!Wj<B
I
ffiW*

# *&¥+ *W #*# ;*- ^^.^J i Lr ^^i

IMM pi. S ffFSyf
i£S?
fc.fl «t
P t^ 5 is 3^
7105-21
eresc.
Jz
P
 — .

20

15 I
Andante

fe'"/<; f
s
*-
V
fe

I
—
S ii
j a r r
'

i # y J3 r *
l b ^W S i i

«C
. fifff.,fg-
«•/

a i
STE ffB
EVA.? Ja.fi^ffn
<fi
^.t>w« %2 -©-*

tear p mm
<tfr
^ jM
fea .^r
p
mK r
$r
S3 J
rf
<* *r

Jju.w m/
M^W^ **-*"-*-
&Brf*&

marcato assai

^T7^r' irr
L'Lii' r^^
n^irr^Jj ii '

J^ j^ P i

"* 9+w cretc. * decresc. V^cresc.

==a
•Jhpy ff
a i ^ decreic
aecresc ^^ cre*c.

^'^JJJ^U^ frj^ J
decresc erese. decresc. p

±y
: ? . *
#£.

P r P m , ,
.

# —
<to.

1
i-
M
: hi
|i
1
«rs
jfij3
:
'

f H
^ H p ,

«Tm^fVl , £p- fc

ft y
rr
•#r

^ a <#r

t:r
=f^ iz*
V
^
Coda.

^
-

«C

i
<ft>^
im
<ft^

V
mw ^

7105-21
^^ ^^ ?^l^yi
W
E
3fc

dim.
E
-tf^

VB? J
/
3E > E
/
PC3
m
 21

ff l
fTffTr^
16

frWfc.gj,*- ' At

decresc. ggpiP

? «-
cresc.

vr^

#Bp •itfttu^
cresc

m/- y 771/

W ' 1 i ZIZZlt
f7105-81 J0f
 - .

22
Andante puasi Allegretto
melodioso.
s
*u
17 4^fc t±k n n
-3-
3
4Z
3
W-i
*—*-
r^
p^P mf
t
tm

$
*

I
5
»»» r W r if r^ip
P
E P3
«? * «

fz

— 3' . 3 marcato
m
I p
-a &
m
f-*-

i^ p*
s
jj^np
^
i
affi
jjj^p^
#^
dolce.

m r>St
i lMMl
p P-KT+ 3
rff'm. 3"
-6-
_ 3

P
v-£
3^^ 5
^=-7-r»
#-*

cresc.
I f
H &
m» ^.*
T±*m
dim
m t±M 4

^§ m cresc,

42

£mfr
_ .9
m
'•
~
<^4
^s, O ^--

r^r7 f JUi
—-^
dim.

«
^
_
dolce.

3
t ?a \k?\
gffn
"""""N,
^
4 3
TJEff

P? m/
t |

4 4

3 .3
£st
m=r?
i2>

Jz
Wm msm ^U
f- fz

f?\

^=^^1
f
 23

18
^ ijill
Allegretto

S TV.Jhi
#t •
"f" • '
cresc.
4

Pmmnmm^^m
fcE*
^#<b«
& ^V^- li* *
f- .

'
-f»-f

1
is
^
aE ^ 4 4 Ci/ itffri
i

1 .«. .£ £ 3
^rffffifo.^O^ mf P,-r^#<tffff
:

E:-ofi;#
H8 m r.-.
rfw m
@2
XT
s
JS £ju *£*
* ^ JT3 r r r i /Tl J"J1JT3
s «?*
T"4
4
*fe
-;jj^w n ^^s
fa^* mm=;
i*^g^ ps *3t*

T- " -IF #« i 1

m3 13
-*£-•. I o

=±7 # "•* cresc. v^J ^y"1'"*' cresc. *^ J

cresc f
**F

J ^ dim .

SSfe JV| 7 fe rnrtrfn j7 j

cri u^icr j
t
££*-
» ^#
fe§H
lJlJ^fCflcifU;^
''jJjJjj^ l

4 3 10 4 3

t± ZC3
^tfcrrcfj i
cifJnjTjjn i
mj j Jcjj gp^
HOS-Xi
 -

24
Finn, and later In this bowing
also springing. skip from -0- to -0-
B D
$u< ^^w^m^iMu^Mi^uM'^B
^B'"
Allegro
dim.
H. E.KAYSER,0p.20,BookII
r ' '
>

rf
* >jj r i r uj
cvcsc

I
1

^ j^ fr^
'

^ m##? N

faa^nrr rfffff iff ffflT-ttfg ^m n—•>— a

dim.

r-*» ™ S
if" JJJjJP ttirmj wgO 810 . 3 8

i
Emnrhn
j-
tjg^
13 8
^ *
1 8 0S
-
PP

mjjrrnuL »fr|tffrfrrr,mif
J- JJ iT ii' j
i

UJI

i
^

i»g
r- 1—4 =-4-
*-m-
^
dim.

inf9^9
#*-*-*
1000 00
1
fill
o * /T
J

^r##> r#f#
B
3

r#
Sr
""
JTlii J § § ^ ^- ^ f
2>

70 S 2-2 4
 — . 1

85

Allegretto
(At the Frog.) \ L.H.
i
20 fa-H-rt ^P E
3 j O
*=£* t

cresc
I
£=&
T5~» arco.
O
f dim. .

/JllZ.

ttt I mW
cresc.
f dim.

m 3E*
mf

$ cre*e.
m z
?
3
cresc.
ffl
mfdecresc cresc.
w \
i J

L.H.
I 4 5
4 O pizz . arco feteii
gBrfna O «-#-
fe
P cresc. f dim o
o
t
rt </£/h.

4 3 3 3
o

m
4

M
m
H.
* -.# i .* .

.&_

* I
/"
£
/ dim. pizz.
arco.

* *= :S
*f,£ £fff . . , Me
II *
»»/
/ /* rr y
8 S 3
9 _4

* M 4^

« j
i
IS r»r i

mf
f dim.
dim.

± 8gi y=
*m4 t r r~y
^ jijpi^fim¥fji
m/f

t
2
4 O n
Si ^ z«
Z.jF.

i is if
i cresc.
—9
f
izi
P
o

# N ~ -^ arco.

a
_#•
JLM ° dtm <TN °
f f -
,
•

K k ,
l , 1

z — 7
=
7 7 *

O O
p p p ff'treo.
7052-24 o o /MZC,
 .

28

Allegro

21

r m± P f iyfi*

P ffig
9 Zm * f P-

crese.
p rf r fff
deeresc
M
3 S3

m r
^c fr rflMtffgi
f

.a
fr-fr-
ma
«/

2>
t if pi
h#<# -p-

f:
&^m* $mm
±)j£ktj£k ^ft^Zf

deer esc.
f it ? f\fp wT

J
1
'

ififMfr
5fr*ffl,%*'g%
4
I *
eresc.
«f.

f
0^
eresc
 .

27

deer esc.

cresc.

frJPf g ; erese &^~ cresc. —' **LS

m melB eresc.
r
Jzz
Mr rfg i

>i

dtfc
I
5,
fs0 f f f * s \ r zfrrw
gjl' '

*^*JSJOTfrr
r l CT^
© p
3 cresc.
'^ *
/i

fggg l
EJ2T w;>,.oJ^f.gf l
r ^r^r^ h
^5#
ffi
/ cresc. J*=

ms grfgg Mrairp£gcg
•J ^=^ -
i

decresc.
'
ffff fffr
cresc.

decresc.

f~m m
*J y decresc. ^^^ ^
Jz
SS '
^~^ '
S^ '

decresc.

cresc.

lOW^'LClC
f
pizz.

^
area.

fNm ff ^ ^ * T T# 5^ 3ES3
*=±=i
i^>
3 2 ? ^ 9
^i
toja-a*
28

Allegro assai

22

if'ulJjjiLi u /nniKrCfjjjri «-
*E
^ pfiw^
S i

«&=^ a « a to
g r-Mf U L. fff tjj t
* ill S»
3! 'i i
:xje

tfffiiQ^I^7 ^ /•
•p-

=
rfrf iry-rfif^
./r
crtt&i.Krmri

M-^« 9 11 8

^pg [; ^f

J0IZZ.

j£T
f^'Ri-
<£»m. 2>
i

Allegretto
V

p poussex cresc. f

o, /fc: .p. a
VTj T*T~ Nw * s^-*

^
I^jrowu —4^4 j8if£ii
J-hj J."
^jfcg ° e ft±^ 7 4

crpsc.
70S2-24
 #

29

rrrfYrnnuuiiTr^r
8,8
•* i 8 "
? * '• •

Efe^Tliry^JS
f

i ^ ^ »z

eresc.
SflQagrcr
y
t
Cfy-trri

^a^o^ i j
^ ^^^ £
4j#*=
cresc. y
1

I yt
r — —r-#
«
a-

mr #-*- K3 .
f
S^
Piu mosso.

ere*c.

sata

7052-24
Mf fTOrj — #
•>w.
^^ m
o
E i : *i

.#•
FFf
i?p
1
30
Allegro assai
/'arioso.

cresc.

^ ^^cresc.
 H\

Allegro ? 4

s z £4i
**«* * a
s *i * p# *^.- 2 1

25 pk S *=#

1>
*^ #— :
r '

;p
crese..
-t-

i/
P=#

r*.+ i
y m
» ffl *fe±
*-*ip-
^m f f f
&
PT^

^^ B
i> eresc.

^^
*ti*-«
swj
• ^
I
CI' p '
Lljjjjrg

i
**
I
^
pes
^ Hi
^ J J
gj eresc.
» SS fti
R

mmm
tirez.
cretc.
» *
i
£
f&=?& m
i
Cl
l£
* "C7"
I± *? ±±=rf
m
^S 11

a*
tt
b
r^f r r ffif Be r ; \4ti 1 tite
*
i|p|ro^
Ste-teH

>«i
4*
f S^ _^HD frf J fle ets
if
•

i wf
» I I

eresc.
f
^r jflrft i

£p
to * 3
v>
It pzazg 7^ #
^fr
j
jezje
r fbm i #
MifH.
l

SB
'
l l i
l l

a>
. vresc. -~
v ^
r»';jj,j raii]; jr | i
tL^JtL
n t. tr
,

ff
i# +
4 3

mffP
JL 1
« 2
*£
f i#=»:
1

f=t
4-4- ,

i feft
dim. O 2 1 4 3 2 g^3
7052-21
32

#JEi=f >f LLg^

:

"
t£f ^ j ,
LQM C£f

*l
"«* •
•
i
z
TffTm , —__—
£> • • ,
1-n * :~r ffV
1
«%/*

2>

£££JL M.
tirez. :...i ^,# :z:::z:i:z

•^
p pousseis. tfij
jf^^ cresc
» s |mi
.#

Allegro assai

26 itfcS

«# fp fp fp fp
 m

mm
O l

P-9-9-+

fp j> fp fp fp fp fp fp

fl ^_ r fff ff —
& f' fi f fp fp fP fP fp
tirez.

^"mr cttm fp fp fp fP

7052-24
34

Moderato 2 •.

Jp •ft!
&

3 2
fe ±v
.

Mi
ke ^ *.
\W

fp fp fp fp
fp fp.
Ai i i. • 2

#4 # b# # -##4
: s i
:::
P-#- 2 ?#i z .=.
ft

$ i
.# ,# ^ .#

# tL-iizs

Z r
7052-24 fP JP fp jp
 35

i
:ZM
•
s
,
'
a
i
± ±+ x: ^i°i f>
£
^ >ljWf
i
I
«
-?#- i>#-

^ * J>
3H

Allegro
^-^i.?±#£ pi

V **w
dim. * V tz* arco. <vi
L M ff
 =

37

Allegro 1
• .,#

29

*
mm mm MT3. Wrffa

erent f dint. — f dint.

J dint. ticr^'J

m |awi^fri^]^ a crwc. f
f
wi& dim
\
nji t &u&&
-V
^ ^J
^p&m T~? 7
I
yo.52-24
ff
38

Allegro moderate?

dim.
7052-24
 39

PiPi
p$m fm^ mi m
i
v jaj. TJM'^Ai WF ^S 2 3 8
WB. gjggg|

'dim rail.

b tfrBffigrtff
^ tempo.

^ c%rpi at*i i±*

1 1
nr»ctr war J33j3j i
tow^ j jjj
j

70S 2-? 4
40
po ussez.
-*
»• ^. /r:

i 3: #^- #-*-

mm^
Allegro moderate 4^1>
dint.
£1dl dim.
31 SS -r^-t

dim dint.
f crest.

^a '

ere&p.
#-
, # •
,
?#•
!

ufi

* 4
#• #*•
F* ffl |g §|

dint. dint
k
££=* rifej! f gnp
1 , r . r
^ ,/
3 ~dtnt
fggFPi cr&sr. dint.
4
4 »..
If
1
4 !#•£ 1 1
**
J7#-J

Allegro molto agitato

42
To exercise the Staccato also in theDown.bow, Um das Staccato auch im Herabstrich zu ifben,
the 8th note which follows the six 16 notes must be 1 muss man das Vs welches auf die%6 folgt mit in

taken in the same stroke of the bow. demselben Botfen nehmen.

Allegro moderato

rffllQfif^

m a* $ ife $
f
= P r|f

s
i

/
~
\V P^f r . I
i

m
V
JH*2*

gp £ ?
IP $ s
F
^jj rrrf r g

ro * ? $ C B=I~S
^1
-6 m W" §1
It
70S 2-24 &
 43
Allegro
G and D string.
G.D

ZMMftrtUfe mi m mm m mw
1
34

mf
w
ffi £
D.A
i £fcwTf
G.D D - A

S? m±
?*&mmm i
3 ffl 5 ffii^riTtf^ g
i 2 ?
i!h#

* ? 5* • g 4'^..
' 2
crtfse.
dint. V
t 4
G-D G.D
D-A

£ fe £ m^
fc
1
5< 3Vw. 9
9'
P t»
^ 1 0J5E
&&
G-r
e jyj>
i
J -
J'UX 7

1 4
D.A

53:— 3E8 I
«*
g
3«
»nnr ? * *^7
7 e 1

ffl

i HT3 ~ fffl ffi i 7r.ft(t$a& g s ^ #

£ f%/m/
Jl
£ f£/ m m
3
G.D

?
2>
aa
D.A

mnmm
G.D dint.

gg /T a TO
J
3& 2
n&v £ ¥ r$? 1
f
£9
fiifti.
£7
1 4
f G.D
D-A

^tote^

70.72-2f
 ,

44
Andante poco Allegretto
s~ .1* l .?

#> a m
35 £3 iTC
kEz
1

£ 3 ^v* ^"^ 3
^*# #
**# • m m
F « V y»r=

S
i

I » P#
JOrlJJ.hJrrrf iTTrl «

1^
4
a¥^
gfig Egg
bfe 2*
f-ywfw
i Jg r rrrr rrr?
,

£
#T #s EOJ
/ dint.

tempo.
i
jj rir g frjj
crm&r
jj j j jjJWgi^
WHttl.

ftdi «(« fe^

^^ Btffja wsdtol
I F is
IgjJB

i
i
l
JPJ*
flr ytfJ
jg r'Tf
f gg h fflft gV Bgi jggfe H
4

if
s
m
f
£=*
w*m
f^'fcrif
1

IB gzifayif
™
dittt.
1 1 J ^J =£5
JfJ 3 f J-J.^
0*0 !J i.
°_i

/
*
~*F.
#»-*-

mt^{^
3dPo S
3t?'Lage.
.
0M-M0 #"*- f^ ,

^ m
*&. f,..fttff,
l yigrfCtrrrrfi £
rrmsc .
a

Qcrr i
F ftfr ffr^g s ^^
rr i
 45

D Saite.

' &3 41-8Q

i

^3
1|

fcrirfwclfrfffi * to*
I
B—
fei
JF
-*- p slf^
crese.
g dim.f
^g4¥

:J 2 # ^^+ °

psi
i i

iffi i^i
Q^fr%tg^ s

7052-ef
5*A.P«».)
------ /*
 * — —

4«

Allegro con fuoco

36 £
hi*
±
/
rtn* t=i±
+-=-0
m * m 7*k
iJ^E^»
* ±+ A
Tit

A *ffffft»j£ n . m
W , *
v •
v
m
wzzzm
^^
i*t » » . '
FF* *
i p^s^ a ft

#
fc -?~

lUr
J
J
J
J.J
J
'
rHV^f
^J^ u^ ^^ ^^rff fr r ^ i

#
i, rffft ». s.
Hi! c^ctuja *
i=^P
__«
+-=-# #-t-
T~F
Ir
l Tf f f^ r — -i jm-' W - A <*
—r— »
I »
1
4
#
<W '

>W — f +** —
: l
i 3—7^ fjgfef
*

¥0# «£
£
4
^q^ i
LLgf +i iF3 ^
9
ft* _ ert?sc.

:=£*
g . tjgfe^Af :
:
*T rf*""1*" *
h fiP ti< fflf fffj
i

4
i

705^5*
 ,

47

a tempo.

fi
w » m * # F ##j -
i *f i

* '

£ — Eg **
*
5
J

i
It
-t-r-#

w t& P gf
M ^ ^ a'
ctfl '
ff^f
L
? ,
»'
ft
43 I*

fp^S
1
»

H tt

4
ft

%
8
B » **1 » J.
!
jjjg jjTJ
JW I

Clflf CILT f£X,f

1
*
fc 1
JL
A Ik
£^ :££ ?
i /
^ :flt

V //*ZX.
70S2-2 4
f
 €bition Wtyitz
A Select Library of Standard Instruction Works, Containing Methods, Studies,
Exercises and Recreations. (Instrumental and Vocal) Send for Complete Catalog.
WHEN ORDERING, ALWAYS MENTION EDITION WHITE-SMITH and NUMBER

No. Retail No. Retail

1 BACK, J. S. Two- and Three-part Inventions Piano Solo % .60 53 KOHLER, L. Op. 249. Practical Piano
2 BEE1HOVEN,L.VAN. Sonatas, Vol. I Piano Solo 1.50 Method, Vol. V Piano Solo $ .50
3 BERTINI, H. Op. 29. Twenty-four Studies 54 KOHLER, L. Op. 249. Practical Piano
(Frantz) Piano Solo .40 Method, Vol. v£ Piano Solo .50
4 BERTINI, H. Op. 32. Twenty-four Studies 55 KOHLER, L. Op. 300. Practical Piano
(Frantz) Piano Solo .40 Method, Vol. I Piano Solo .75
5 BERTINI, H. Op. 29, 32. Forty-eight Stud- 56 KOHLER, L. Op. 300. Practical Piano
ies (Frantz) • Piano Solo .50 Method, Vol. II Piano Solo .75
6 BERTINI, H. Op. 100. Twenty-five Easy 57 KOHLER, L. Op. 300. Practical Piano
Studies Piano Solo .40 Method — Complete Piano Solo 1.50
7 KOHLER, L. Op. 50. Twenty Primary Studies Piano Solo .50 58 KOHLER, L. Op. 151. Twelve Preparatory
8 BURGMULLER, F. Op. 100. Twenty-five Lessons Piano Solo .50
Easy and Progressive Studies Piano Solo .50 59 K OHLER, L.Sonatine Album Piano Solo .75
9 BURGMULLER, F. Op. 109. Eighteen 60 KUHLAU, FR. Op. 20, 55, 59. Twelve Sona-
Characteristic Studies Piano Solo .50 tinas, Book I ( Kdhler) Piano Solo .50
10 CHOPIN, F. Nineteen Nocturnes ( Klindworth) Piano Solo .60 61 KUHLAU.FR. Op. 20, 55, 59. Seven Sonatinas,
11 CHOPIN, F. Fourteen Waltzes (Kdhler) Piano Solo .50 Book II (Roitzsch) Piano Solo .50
12 CZERNY.C. Op.500. Grand Scale Exercises Piano Solo .50 62 KUHNER, C. Album of Instructive Pieces,
13 CLEMENTI.M. Gradus ad Parnassum 29 — Vol. I Piano Solo .75
Selected Studies (Tausig) Piano Solo .75 63 KULLAK, TH. Op. 62, 81. Youthful Days Piano Solo .75
14 CLEMENTI,M. Op. 36, 37, 38. Sonatines 64 LE COUPPEY, F. Op. 17. The Alphabet. . . . Piano Solo .75
( Kdhler) Piano Solo .50 65 LE COUPPEY, F. Op. 20. L'Agilrte" Piano Solo .75
15 CZERNY, C. Op.139. One Hundred Easy Pro- 66 LEMOINE, H. Op. 37. Fifty Juvenile Studies Piano Solo .60
gressive Lessons (Frantz) Piano Solo .50 67 LOESCHHORN.A. Op. 65. Studies for Be-
16 BIEHL, E. Op. 7. Easy Melodious Studies. . Piano Solo .75 ginners, Book I Piano Solo .50
17 CZERNY.C. Op. 553. Six Octave Studies Piano Solo ,30 68 LOESCHHORN.A. Op. 65. Studies for Be-
18 BURGMULLER, F. Op. 105. Twelve Brilliant ginners, Book II Piano Solo .50
and Melodious Studies Piano Solo .50 69 LOESCHHORN.A. Op. 65. Studies for Be-
19 CZERNY.C. Op. 823. The Little Pianist, ginners, Book III Piano Solo .50
Book I Piano Solo .50 70 LOESCHHORN.A. Op. 65. Studies for Be-
20 CZERNY.C. Op. 823. The Little Pianist, ginners — Complete Piano Solo 1.00
Book II Piano Solo .50 71 LOESCHHORN, A. Op. 66. Progressive
21 CZERNY.C. Op. 823. The Little Pianist, Studies, Book I Piano Solo .50
Complete Piano Solo .90 72 LOESCHHORN, A. Op. 66. Progressive
22 CZERNY.C. Op. 849. Thirty New Studies in Studies, Book II Piano Solo .50
Technics Piano Solo .50 73 LOESCHHORN, A. Op. 66. Progressive
23 MAZAS, F. Violin School (Blumenstengel) Violin Solo 1.25 Studies, Book III Piano Solo .50
24 DIABELLI, A. Op. 125. First Twelve Lessons Piano Solo .25 74 LOESCHHORN, A. Op. 66. Progressive
25 DUVERNOY, J. B. Op. 120. School of Studies — Complete Piano Solo 1.00
Mechanism Piano Solo .50 75 LOESCHHORN, A. Technical Studies Piano Solo .75
26 GRIEG, E. Op. 46. Peer Gynt, Suite I Piano Solo .75 76 BERTINI, H. Method for the Pianoforte
27 GURLITT, C. Op. 101. Album Leaves for (Boards) Piano Solo 2.00
the Young Piano Solo .50 77 MENDELSSOHN.F. 49 Songs Without Words Piano Solo 1.00
28 GURLITT.C. Op. 107. Buds and Blossoms. Piano Solo .50 78 MOZART. W. A. 18 Sonatas Winkler) Piano Solo 1.25
29 HALLE. C. Piano Tutor —
Section I, No. 1 .
.

.
.

. Piano Solo .75 79 OESTEN, TH. Op. 61. May Flowers (25
(

30 HAYDN, J. Ten Celebrated Sonatas (Winkler) Piano Solo .60 Little Recreations) Piano Solo .30
31 HELLER,
ST. Op. 45. Twenty-five Studies . . Piano Solo 1.00
80 PLAIDY, Technical Studies
L. Piano Solo .75
32 CZERNY.C. Op. 802. Practical Finger Ex-
81 SCHMITT, A. 213 Five Finger Exercises.. . Piano Solo .25
ercises, Book I Piano Solo .50
33 CZERNY, C. Op. 802. Practical Finger Ex- 82 SCHUMANN, R. Op.15. Scenes from Child-
ercises, Book II Piano Solo .50 hood Piano Solo .25
34 HELLER.ST. Op. 46. Thirty Progressive 83 SCHUMANN.R. Op. 68, 15. Album for the
Studies Piano Solo 1.00 Young and Scenes from Childhood Piano Solo .50
35 MOSCHELESJ. Op. 70. Twenty-four Studies, 84 CESI, B.' Method for the Piano, Part I Piano Solo .75
Book I Piano Solo .60 85 ST AM
AT Y, C. Fundamental Studies, Vol. I
36 MOSCHELES.I. Op. 70. Twenty-four Studies, (Lavalee) Piano Solo 1.00
Book II Piano Solo .60 86 STAMATY, C. Fundamental Studies, Vol. II
37 HELLER, ST. Op. 47. Twenty-five Studies for (Lavallee) Piano Solo 1.00
Rhythm and Expression Piano Solo 1.00 87 DAMM, G. Piano School. (Boards) Piano Solo 2.00
38 SPINDLER, F. Op. 44. May Bells (12 Little
88 DIABELLI, A. Op. 149. Twenty-eight Me-
Songs Without Words) Piano Solo .50
lodious Pieces on Five Notes Piano (Four Hands) .50
39 BOHM,C. Op. 250a. Birthday Music Piano (Four Hands) 1.00
89 HUNTEN, F. Piano Method. (Boards). Piano Solo 1.25
40 HEPZ, H. Scales and Exercises Piano Solo .30
41 JENSEN, A. Op. 32. Twenty-five Studies Piano Solo 1.00 90 LOW, JOS. Op. 191. Tone Pictures Piano (Four Hands) .75
42 WAGNER, E. D. Op. 45. First Piano Method, 91 L OW, JOS. Teacher and Pupil, Book I Piano (Four Hands) .75
Parti (Boards $1.25) Piano Solo 1.00 92 LOW, JOS. Teacher and Pupil, Book II Piano (Four Hands) .75
43 WAGNER, E. D. Op. 45. First Piano Method, 93 WOHLFAHRT, H. Op. 87. The Children's
Part II (Boards $1.25) Piano Solo 1.00 Friend Piano (Four Hands) .50
44 KOHLER, L. Op. 157. Twelve Little Studies Piano Solo .50 94 DANCLA,CH. Op. 52. Elementary and Pro-
45 KOHLER, L. Op. 190. Very First Studies Piano Solo .50 gressive Method, Vol. I Violin Solo 1.00
46 KOHLER, L. Op. 210. Kinder Album Piano Solo .50 95 DANCLA.CH. Op. 52. Elementary and Pro-
47 KOHLER, L. Op. 218. Exercises and Melodies gressive Method, Vol. II Violin Solo 1.25
for Children Piano Solo .50 96 DE BERIOT.CH. Op. 102. Violin School,
48 KOHLER, L. Op.242. Little Schoo of Velocity 1
Piano Solo .50 Part I Violin Solo 1.00
49 KOHLER, L. Op. 249. Practical Piano 97 DE BERIOT, CH. Op. 102. Violin School,
Method, Vol. I Piano Solo .50 Part II Violin Solo 1.00
50 KOHLER, L. Op. 249. Practical Piano 98 FIORILLO, F. 36 Studies or Caprices (Byto-
Method, Vol. II Piano Solo .50 vetzski) Violin Solo .50
51 KOHLER, L. Op. 249. Practical Piano 99 HENNING, CH. Op.15. School for the Violin,
Method, Vol. Ill Piano Solo .50 Part I Violin Solo .75
52 KOHLER, L. Op. 249. Practical Piano 100 HENNING, CH. Op.15. Schooljfor the Vio-
Method, Vol. IV , Piano Sob .50 lin. Part II Violin Solo .75

J1
A Select Library of Standard Instruction Works, Containing Methods, Studies,
Exercises and Recreations. {Instrumental and Vocal) Send for Complete Catalog.
WHEN ORDERING, ALWAYS MENTION EDITION WHITESMITH and NUMBER

No. Retail No. Retail

101 HENNING, CH. Op. 15. School for the Vio- 146 LUTGEN, B. Velocity Studies, Vol. I —
lin, Part III Violin Solo $ .75 Soprano : Vocal $ .50
102 HENNING, CH. Op. 15. School for the Vio- 147 TOWER, W. C. Standard Vocal Exercises
lin — Complete (Boards) Violin Solo 1.50 and Solfeggios for Medium Voice Vocal .50
103 HERMANN, F. Violin School, Book I Violin Solo .75 148 LENZ, W. (Ait.) Classics for the Young Piano Solo .60
104 HERMANN, F. Violin School, Book II Violin Solo .75 149 STAINER, J. The Organ Organ 1.00
105 HOHMANN, C. H. Practical Violin School, 150 CZERNY, C. Op. 409. Fifty Graad Finish-
Part I Violin Solo .50 ing Studies, Book I Piano Solo 1.25
106 HOHMANN, C. H. Practical Violin School, 151 CZERNY, C. Op. 409. Fifty Grand Finish-
Part II Violin Solo .50 ing Studies, Book II Piano Solo 1.25
107 HOHMANN, C. H. Practical Violin School, 152 CZERNY, C. Op. 409. Fifty Grand Finish-
Part III Violin Solo .50 ing Studies, Book III Piano Solo 1.25
108 HOHMANN, C. H. Practical Violin School, 153 WIECK, F. Piano Studies Piano Solo .60
Part IV Violin Solo .50 154 LEBERT and STARK. Piano School, Part I
109 HOHMANN, C. H. Practical Violin School, (Boards) Piano Solo 1.00
Part V Violin Solo .50 155 LEBERT and STARK. Piano School, Part
110 KAYSER, H. E. Op. 20. 36 Etudes, II (Boards) Piano Solo 1.00
Book I Violin Solo .50 156 LEBERT and STARK. Piano School, Part
111 KAYSER, H. E. Op. 20. 36 Etudes, III. (Boards) Piano Solo 1.00
Book Violin Solo .50 157 LEBERT and STARK. Piano School, Tart
112 KAYSER,
II
H. E. Op. 20. 36 Etudes — IV (Boards) Piano Solo 3.50
Complete Violin Solo .75 158 BEYER, F. Op. 101. Elementary Method
113 URBACH, K. Prize Piano School .. (Boards) Piano Solo 2.00 ( Heartz) Boards $1.50 Piano Solo .75
114 KREUTZER.R. 42 Studies or Caprices (Kross) Violin Solo .50 159 FERRARA.B. The Study of the Violin, Book I Violin Sole 1.00
115 KREUTZER, R. 42 Studies or Caprices 160 OESTEN, TH. Op. 94. Golden Pearls Piano Sole .30
(Bytovetzski) Violin Solo .50 161 CZERNY, C. Op. 299. School of Velocity,
MAZAS, F. Op. 36. 75 Melodious and Pro- Book I Piano Solo .25
gressive Studies (Schulz) Violin Solo 162 CZERNY, C. Op. 299. School of Velocity,
1 16 MAZAS, F. Op. 36. Book 1 30 Special — Book II Piano Solo .25
Studies Violin Solo .60 163 CZERNY, C. Op. 299. School of Velocity,
117 MAZAS, F. Op. 36. Book II — 27 Brilliant Book III ! Piano Solo .25
Studies Violin Solo .60 164 CZERNY, C. Op. 299. School of Velocity,
118 MAZAS, F. Op. 36. Book III — 18 Artist Book IV Piano Solo .25
Studies Violin Solo .60 165 CZERNY, C. Op. 299. School of Velocity
119 SCHUBERT.L. Op. 50. Violin School, Vol. I Violin Solo .75 — Complete Piano Solo .60
120 SCHUBERT.L. Op. 50. Violin School, Vol. II Violin Solo .75 166 LOESCHHORN, A. Op. 136. School of Ve-
121 SCHRADIECK, H. Scale Studies Violin Solo .50 locity, Book I Piano Solo .50
122 TOURS, B. The Violin (Davenport) Violin Solo .75 167 LOESCHHORN, A. Op. 136. School of
123 WOHLFAHRT.FR. Op. 43. 258 Daily Ex- Velocity, Book II Piano Solo .50
ercises Violin Solo .50 168 LOESCHHORN, A. Op. 136. School of
124 WOHLFAHRT.FR. Op. 45. Sixty Studies, Velocity, Book III Piano Solo .50
Book I (1st Pos.) Violin Solo .50 169 LOESCHHORN.A. Op. 84. Sixty Melodious
125 WOHLFAHRT.FR. Op. 45. Sixty Studies, Studies for Beginners, Book I Piano Solo .50
Book II (3d Pos.) Violin Solo .50 170 LOESCHHORN, A. Op. 84. Sixty Melo-
126 WOHLFAHRT, FR. Op. 74. 50 Easy and dious Studies for Beginners, Book II Piano Solo .50
Melodious Studies, Book I (1st Pos.) Violin Solo .50 171 LOESCHHORN, A. Op. 84. Sixty Melo-
127 WOHLFAHRT, FR. Op. 74. 50 Easy and dious Studies for Beginners, Book III ... . Piano Solo .50
Melodious Studies, Book II (3d Pos.) Violin Solo .50 172 ALARD, D. Complete and Progressive Meth-
128 WOHLFAHRT, FR. Op. 38. Elementary od, Book I ( Kanrich) : . . Violin Solo 1.00
Method Violin Solo 1.00 173 ALARD, D. Complete and Progressive
129 SCHRADIECK, H. Chord Studies Violin Solo .50 Method, Book II (Kanrich) Violin Solo 1.00
130 PLEYEL, I. Op. 48. Six Easy and Pro- 174 MAZAS, F. Complete Violin Method and
gressive Duets Two Violins .50 Pleyel's Duets, Op. 8 (Boards) Violin Solo 1.00
131 DANCLA, CH. Op.89. Six Airs with Varia- 175 WICHTL, G. The Young Violinist
tions (6 petits airs varies) Violin and Piano .75 (Boards $1.25) Violin Solo 1.00
132 RODE, P. Concerto No. 4 (Hermann) Violin and Piano .50 176 STREABBOG, L. Op. 63. Twelve Easy
133 CRAMER, J. B. 50 Selected Studies, Part I Melodious Studies Piano Solo .75
(von Biilow) Piano Solo .50 177 STREABBOG, L. Op. 64. Twelve Easy
134 CRAMER, J. B. 50 Selected Studies, Part II Melodious Studies Piano Solo .75
(von Bulow) Piano Solo .50 178 BRANZOLL G. Method for the Mandolin . . Mandolin 1.25
135 CRAMER, J. B. 50 Selected Studies, Part 179 CHRISTOFARO, F. de. Method for the
III (von Biilow) Piano Solo .50 Mandolin, Vol. I Mandolin 1.00
136 CRAMER, J. B. 50 Selected Studies, Part 180 CHRISTOFARO, F. de. Method for the
IV (von Biilow) Piano Solo Mandolin, Vol. II Mandolin
137 CRAMER, J. B. 50
Selected Studies — .50
181 SMITH, W F. Complete Method for the
r
.
i.00

Complete (vonBiilow) (Limp Cloth or Paper) Piano Solo 1.50 Mandolin Mandolin ,50
138 BEHNKE and PEARCE. Voice Training 182 CARCASSI, M. Method for the Guitar —
Exercises for Soprano Complete (Jacobs) (Boards) Guitar 1.50
the Guitar —
Vocal .75 . .

139 BEHNKE and PEARCE. Voice Training 183 CARCASSI, M. Method for
Exercises for Mezzo Soprano Vocal .75 Abridged (Jacobs) (Boards) Guitar 1.25
140 BEHNKE and PEARCE. Voice Traiuing 184 BERBIGUIER, B. T. Method for the Flute
Exercises for Bass Vocal .75 and L.Drouet's 24 Studies in all Keys (Bds) Flute 1.25
141 BONA, P. Rhythmical Articulation (English 185 KLOSE, H. Method for the Clarinet— Com-
plete and Kuffner's 50 Progressive Duets. Clarinet 3.00
and Italian Text)
142 CONCONE, J. Op. 9. Fifty Lessons for
Vocal 1.00
186 KLOSE, H. Method for the Clarinet — .

Abridged and Kuffner's 50 Progressive Duets Clarinet 1 .50

Medium Voice, Book I (with words) Vocal .75 187 KLOSE, H. Fifteen Grand Morceaux Two Clarinets .75
143 CONCONE, J. Op. 9. Fifty Lesons for 188 KUFFNER.J. Op.80. Fifty Progressiva Duets Two Clarinets .75
Medium Voice, Book II (with words) Vocal .75 189 ARBAN, J. B. Method for the Comet.
144 CONCONE, J. Op. 12. Fifteen Vocalises Abridged Cornet 1.00
for Soprano or Mezzo Vocal .50 190 SAINT-JACOME. Grand Method foi the
145 CONCONE, J. Op. 17. 40 Lessons for Low Cornet, Part I Cornet 1.00
Voice Vocal .50 191 KUMMER, F. A. School for the Violoncello Violoncello 1.50
 DATE DUE

jOV 1 2 1987
'
-P 2^ 1987

lr ) * * »

a ,prioi9;
OCT 9 i 0i2

DEM co 38-r: )7
3 1197 00564 8966