Semester Fall
Week 3-6 Whole class book 1 (Woman Warrior) and choice reading
Week 7-10 Book Club 1 (Between Shades of Grey, Endangered, If You Could Be Mine,
Kite Runner, Falling Leaves: The Memoir of an Unwanted Chinese Daughter,
Bronx Masquerade)
Week 11-13 Whole class book 2 (The Rose That Grew From Concrete)
Week 15-18 Book Club 2 (Salt to the Sea, Across the Wire, Purple Hibiscus, All Quiet on the
Western Front, I am Malala, Education of Margot Sanchez)
Semester Spring
Week 19-22 Whole class book 3 (The Absolutely True Diary of a Part-Time Indian)
Week 25-28 Book club 3 (Like Water for Chocolate, Always Running: La Vida Loca, Gang
Days in L.A., Aristotle and Dante Discover the Universe, American Born
Chinese, Sold)
Week 34-36 Author Study - Choice of reading from any author they enjoy
Semester Fall
Week 1-2 Unit 1: Write in a genre you read and Personal intros to the teacher
Semester Spring
To begin the semester, and ignite a love for reading in students that might not call
themselves readers, we will be reading choice novels. As a teacher, I want to create lifelong
readers and beginning by allowing students to choose what they read is one way to do that
(taken from 180 Days by Kittle and Gallagher). This will also set the tone for the rest of the
semester. They are to be reading an independent reading book all year. Even when we are
reading a whole class novel.
They will also begin their writing careers for the year by choosing the genre that they
write in. I want them to write what they know. During the second week of the unit, they will also
Culminating Assignment:
The final assignment that students turn in for this unit will be a 1-2 revised and
edited piece of writing in a genre that they read the most, and therefore know the
best. This will serve as an introduction to the narrative unit and a pre-assessment
in order to gauge what students know.
Activities (3-5)
1. Book Speed Dating (adapted from 180 Days by Kittle and Gallagher)
There is a pile of books at every table. Students walk in and choose a
seat, when class starts they will be able to move around and read the
backs of books or maybe the first few pages. They will (bring or be
provided [I like to think that budgets are higher than they are…]) daily
notebooks, we will start using them on day one. They will keep a “want to
read” section or list, during the speed dating, students are encouraged to
write down titles that are interesting to them. After speed dating is over,
they will have 10 minutes to read a book that they found.
2. Track Your Thinking Worksheet (adapted from 180 Days by Kittle and Gallagher)
Even though students are working with independent reading books to
start the year, that doesn’t mean we can’t start crafting the habits of mind
we are expecting out of them as readers. The track your thinking
worksheet/sentence starters found in 180 Days is an activity that I would
like to use with my students during this first unit. Some of the questions
on the sheet are as follows:
- Track your confusion
- What techniques/moves does the writer make
- “This passage makes me think that ______”
Since I want them to remain excited about reading a choice novel, we
won’t do any activity with it until the second week.
3. “Writing Connected to Place” (Adapted from 180 Days by Kittle and Gallagher)
For this, we read poems from Many-Storied House by George Ella Lyon
and begin to write down places and items within our homes that hold
memories and stories. Once students have a decent list of places they’ve
lived and items they own, they will sketch it out. If they are still on the
place, they will draw a floorplan, but if they know they want to write about
a particular room they just focus on that room. From their sketches, they
write in narrative form a scene or description of the memories associated.
During this time, I will meet with all of the students and gauge their reading
history. Do they read on their own time? When was the last time they read a
book? How many have they read? I will also inquire about the book that they
chose to read for independent reading. Recording it and making sure to check
back in with them later. I will also let them know that if they don’t like the book
they initially chose, they can choose another one.
I will also lead the class in getting their reading rate during this first unit.
Texts/Materials
We are starting the year with our first big unit being narrative. This is the longest unit out
of the year, and that is because narrative sets us up for the whole year. It begins to develop a lot
of the skills that are needed in information and argumentative writing, but in a more digestible
format. It is important for students to be immersed in mentor texts, so we will be using our whole
class and book club books as mentors throughout. As well as other supporting mentors.
Activities
1. Seeding: “Mountains and Pebbles” (Adapted from Kelly Burns)
This activity is a great way to get students thinking about what they can
and want to write about. The way it works is students draw a T-chart in
their writers notebook and label one side “Mountain” and one side
“Pebble.” For some students it will be easier to go straight to the pebble,
the small moment, activity, memory that they can write a narrative about.
However, for most students they will need to first think of big ideas that
they can pull those smaller ones out of. This will resurface in the
information unit when we list the topics that we care enough to research
and write about. For that reason, it is important that this is done in their
writer’s notebook. For the more visual students, they have the ability to
add art into this activity by drawing a mountain and placing the big ideas
on the mountain with pebbles scattered throughout.
2. Seeding: “Scars” Activity (Adapted from 180 Days by Kittle and Gallagher)
This activity comes up in 180 Days on page 145.
To begin this, students are asked to list their memories about events that
have happened in their lives. After this initial listing activity, there will be a
handout with an outline of a person. They will be asked to make it them.
Adding their hair, eyes, clothes, whatever they feel makes them, them
(visually, of course). When they are done with that, students will mark on
their drawing where they have scars, both emotional and physical, and
how they got them. This is not only a seeding and writing exercise, but it
is also an exercise of vulnerability. Therefore, modeling this with students
is important in two ways: model the writing and model the vulnerability.
Asking students to be vulnerable with us and their peers isn’t fair if we
aren’t willing to also exhibit that vulnerability.
From their drawing of their scars, they will pick one and draft a scene
around what happened. Through the first couple of weeks, we will be
gathering many scene drafts in order for them to have a good amount to
choose from when we enter elaboration and multi-scene drafting.
3. Elaboration: “Internal and External Mountains” (Adapted from Kelly Burns)
Once students have a few rough drafts to get them started, they will
choose one to bring to publication (they can always start one in this
phase of elaboration and change their mind later, make sure to share
this). Before they are sent off to create multi-scene narrative pieces, I
want them to practice expanding, elaborating, and finding the heart. One
way to do that is by bringing back mountains, something already used in
this unit. This time it is internal and external mountains. Students will draw
a mountain in their notebook, and on the outside, they will list what is
happening on the surface of their story. On the inside, they will write what
is happening below the surface. This will lead them to finding a theme,
message, or “heart” of their story. There will be a mini-lesson surrounding
how to identify theme in your story for the class with regular follow-up
conferencing.
Texts/Materials
- Whole Class Book: Woman Warrior, memoir by Maxine Hong Kingston
- Book Club Books: [Most Books in this Book Club are YA] Between Shades of
Grey historical fiction by Ruta Sepetys, Endangered realistic fiction by Eliot
Schrefer, If You Could Be Mine coming-of-age by Sara Farizan, Kite Runner
historical fiction by Khaled Hosseini, Falling Leaves: The Memoir of an Unwanted
Chinese Daughter memoir/historical by Adeline Yen Mah, Bronx Masquerade YA
realistic fiction mix of prose and poetry by Nikki Grimes
- “Everything Will Be Okay” by James Howe
- Excerpts from The House on Mango Street, coming-of-age novel by Sandra
Cisneros
- “Funeral” short story by Ralph Fletcher
- “Last Kiss” short story by Ralph Fletcher
- The Extra Gum Ad: Extra Gum: The Story of Sarah & Juan, video
Song writing is poetry writing, and many students may not realize this. They are
surrounded by poetry every day. In this unit, we will work towards identifying the moves that
writers make in poetry and them using them in our own writing. At the end of the unit, they will
perform the song for the class (no singing necessary).
Activities
1. “What Makes You Say That” (Adapted from Making Thinking Visible by Ritchhart,
Church, and Morrison)
“What Makes You Say That” is a habit of mind more than it is an activity.
However, I have adapted it to be an activity for the poetry unit.
Students will be presented with a poem from our whole class text, The
Rose That Grew From Concrete, and they will have to figure out what is
going on in the poem. Using their skills of identifying figurative language,
theme, etc., students will come to a conclusion about what is going on in
the poem individually. They will then pair up with their shoulder partner
and practice asking open ended questions to make sure that their partner
has cited the poem as evidence for why they are making the argument
that they are. One of these starting questions will be, “what makes you
say that?” For me as their teacher, this is something I will practice
whenever students make an interpretation or argument - always asking
why.
2. “Claim-Support-Question” (Adapted from Making Thinking Visible by Ritchhart,
Church, and Morrison)
This is very similar to the previous activity; however it is a little more
structured. Students will be presented with a poem, “To The Engraver of
My Skin” without the title included. They will read the poem with a partner
and together come up with some “claim” about what they think the poem
is about. They will then have to find support for that claim. They will be
asked to annotate the poem and utilize background knowledge (explicitly,
so stating that they hold this claim because they have seen XYZ before)
in order to support their claim. The way that this one goes one step further
than the previous activity is by including the “question” part. Students will
have to make a claim, support it with evidence, and then question their
own claim. They will have to find holes in their arguments, or maybe find
evidence for another perspective they hadn’t considered. They will also
be asked for what other information they might need in order to have a
stronger argument.
The title will then be revealed and they will group up with another pair and
discuss how that, if that, changes their claim.
3. “Found Poetry” (Adapted from Jennifer Solt, Thompson Valley HS)
Found poetry is an engaging way to introduce poetry that doesn’t begin
with conventions and allows students to get up and move around.
Students will get with a partner and take pictures of words or phrases
around the classroom (maybe around the school?) and compile them into
a poem. This will be turned in at the end of the class period(s), but only
for completion grade in order to ensure that they are staying on task.
Texts/Materials
- Book Club Books: [Most Books in this Book Club are YA] Between Shades of
Grey historical fiction by Ruta Sepetys, Endangered realistic fiction by Eliot
Schrefer, If You Could Be Mine coming-of-age by Sara Farizan, Kite Runner
historical fiction by Khaled Hosseini, Falling Leaves: The Memoir of an Unwanted
Chinese Daughter memoir/historical by Adeline Yen Mah, Bronx Masquerade YA
realistic fiction mix of prose and poetry by Nikki Grimes
- Whole Class Book 2: The Rose That Grew From Concrete poetry by Tupac
Shakur
- “I Know Why the Caged Bird Sings” poem by Maya Angelou
- “3 Ways to Speak English” spoken word by Jamila Lyiscott
- “Let Her Go” song by Passenger
- “To the Engraver of My Skin” by Mark Doty
Seeing as though this class is paired with the AP World History class, preparing students
to write a “classic” information piece is important. Therefore, in this unit, there will be two big
projects turned in for grades: an information essay and a presentation of that information.
Students will need to do research into a topic that matters to them, cite sources and create an
information essay. The way that they present this to the class, however, can come in any form
that they think fits their topic. They will have the opportunity to write it in the form of a Yelp
review and share it with the class, make a YouTube video, an infographic, the list goes on. I
want for them to have the skills and foundations needed to write information, and also I want
them to be able to be creative when it comes to how they share it.
Activities
1. “Circle of Viewpoints” (Adapted from Making Thinking Visible)
When it comes to understanding informational writing, understanding the
perspectives of the writer and everyone else involved in the piece is a
very important skill for students to develop and strengthen. The Circle of
Viewpoints activity is an into to that. When we first use this strategy, it will
be with an image of a forest fire in CO a few years ago. The image
features the fire, trees, and animals (I can’t for the life of me find it, but I
know someone who has it saved, it will be uploaded soon!). The writing
activity that will follow will be students choosing a perspective and writing
about what that viewpoint would be thinking, feeling, experiencing during
the fire. It doesn’t have to be an animal, it can be the smoke, or the grass,
students get really creative here!
This activity will be introduced later in the unit, again, with an information
article. They will need to use this skill to try to understand how the varying
viewpoints would interpret the situation. It also lends the students to
understanding biases.
2. “Claim-Support-Question” (Adapted from Making Thinking Visible by Ritchhart,
Church, and Morrison)
This is making another appearance in the information unit. This time,
students will know how it works, and they will have to apply that
knowledge to multiple articles about the same topic, from different sides.
They will have to identify the author’s claim, their support, and then they
will have to question the author’s claim. Doing this repeatedly strengthens
students’ critical thinking skills, especially when applied to information
texts that, typically, have a bias leaning one way or another. Whether
students agree with one another, or me for that matter, isn’t the point
here. The point is to strengthen their questioning and evidence collecting
skills.
3. “Red Light, Yellow Light” (Adapted from Making Thinking Visible)
This is another activity to help students determine the credibility of a
source. Students will be given red/pink, yellow, and green sticky notes.
Prior to this activity, we will have a mini-lesson about how to identify
unreliable sources. When they are given the articles, their job will be to
use the green sticky notes for reasons why they believe a source is
credible, the yellow sticky notes to mark when they’re not sure and why
and the red ones for when they see something that is a red flag, nope, not
reliable. Their sticky notes will then be used to craft a class tool of “What
to Look for in Sources” in our writers notebooks and on a wall in the
classroom.
Texts/Materials
- Book Club 2 (Salt to the Sea historical fiction by Ruta Sepetys, Across the
Wire: Life and Hard Times on the Mexican Border autobiography by Luis
Alberto Urrea, Purple Hibiscus a fiction novel by Chimamanda Ngozi
Adichie, All Quiet on the Western Front historical fiction by Erich Maria
Remarque, I am Malala a memoir by Christina Lamb and Malala
Yousafzai, Education of Margot Sanchez coming-of-age YA novel by
Lilliam Rivera)
- “The Cost of Raising a Child” - USDA
- “If the World Were 100 People” - infographic
- Google Reviews
- Poems from When Thunder Comes: Poems for Civil Rights Leaders
collection of poetry written by J. Patrick Lewis
- Coming up with texts for this unit was difficult because I want my
information mentors to be relevant. But this is a good start
In this unit, students will choose a platform to tell a story, convey information, or be
autobiographical and share about their lives. We are combining all the skills that we learned in
fall semester here so that students are eased back into the semester, and are reminded of what
we were learning before break, before we start argument. This unit will have many small digital
aspects turned in for feedback.
Activities
1. “Mind Mapping” (Adapted from Dr. Pam Coke, CSU)
In order to get students to pick a topic that they haven’t written before and
that they are passionate enough to write about, students will do their own
individual mind mapping in their notebooks. I will model this in front of the
class. The middle box will say “Digital Project” or unit, ideas, drafting,
mapping? and students will draw lines out from those boxes with ideas
that they had in their narrative/information units that they didn’t write
about. This way, they already have their topics listed for them and they
can obviously add more and they can move into what about those topics
they want to talk about. This is a seeding activity when used in this way.
2. Storyboarding
Even if students aren’t creating a video, they can benefit from
storyboarding. Students who are more visual in nature can sketch out
their ideas, while students who do better with writing can do that as well.
This leaves room for everyone to be able to plan in a way that works for
them, while also keeping in mind the flow of their product.
One way this could look for someone using adobe spark could be taping
multiple pieces of paper together to make them longer (this make sense if
you have used adobe spark) and highlighting what information they want
to go where. They have the ability to draw in graphs/videos that they want
to include as well as draft out chunks of text.
This will be turned in for feedback and completion points before they get
to actually using the digital platform.
3. “KWL”
We will go through many platforms together in class. They will keep track
of them through a KWL (know, want to know, learned) chart in their
notebook. They will also be able to fill these out about their topic. KWLs
are used a lot in schools, so it should be a digestible format for students
to keep track of where they want to go with their project.
Texts/Materials
- Whole class book 3: The Absolutely True Diary of a Part-Time Indian YA
coming-of-age novel by Sherman Alexie
- Adam Ruins Everything
- “Criminal: Episode 1” podcast
- Adobe Spark Examples
- Lyric Videos
Activities
- “Chalk Talk” (Adapted from Making Thinking Visible by Ritchhart, Church, and
Morrison)
After we watch “Why I Hate School but Love Education,” there will be
prompts on the whiteboard/papers around the room. The prompts will be
position based (an example would be: Breaks is correct in his statement
that education is valuable but school is not). Students will walk around the
room and respond to the prompt directly, or to the comment of another
student. The one thing that they have to include is a why. They must back
up their position with evidence. This can be personal anecdote, evidence
from the video, or background knowledge. Each student will get a
different colored marker/sticky note and they will write down what color
they are so that it can remain mostly anonymous, but I can keep track of
participation. After the silent discussion, we will have a whole class
discussion about what positions we took and why. This prepares students
for making arguments and backing them up with support.
- “I used to think… Now I think…” (Adapted from Making Thinking Visible by
Ritchhart, Church, and Morrison)
They are reading book club books during this unit. As they get close to
finishing the books, they will write one paragraph as an exit ticket about
what they used to think about (insert topic of book here), and how their
views have changed, if they have changed, and why or why not.
- “Thoughts, Questions, Epiphanies” (Adapted from Dr. Pam Coke, CSU)
We will be reading argumentative pieces throughout the unit. For this
activity, students will record their thoughts, questions, and epiphanies
surrounding one text in particular. Their TQEs can be related to the
content or the form, as we will be focusing on how the articles convey
information as well as what that information is. After they have time to
individually annotate and record their noticings, students will pair up and
compare their thoughts, discussing the similarities and differences. They
will then report out to the class the 1-2 most important findings or
questions that they identified.
Texts/Materials
- Book club 3 (Like Water for Chocolate magical realism by Laura Esquivel,
Always Running: La Vida Loca, Gang Days in L.A. autobiographical by Luis J.
Rodriguez, Aristotle and Dante Discover the Universe YA coming-of-age by
Benjamin Alire Sáenz, American Born Chinese graphic novel by Gene Luen
Yang, Sold realistic fiction by Patricia McCormick)
- TED Talks
- “Why I Hate School but Love Education” spoken word by Suli Breaks
- “How to Live” poem by Charles Harper Webb
- “20 things we should say more often” YouTube Video by Kid President
Texts/Materials
- Whole class book 4: Hate U Give, realistic fiction/coming-of-age YA novel by
Angie Thomas
- “A Love Letter from a Toothbrush to a Bicycle Tire” by Sarah Kay
- “Serial: Season 3 Episode 1” podcast
- “How to Overcome Our Biases? We Walk Boldly Toward Them” TED Talk by
Verna Myers
- “Tupac Shakur, 25, Rap Performer Who Personified Violence, Dies” NYT Article
- Onion Articles
- Finding mentors for this one was also difficult! I found myself constantly saying,
“well, it depends on what the students are doing.” So much of teaching is in flux
and dependent on students.