Directions:
● Take the piece you are doing for VMRC and design a full
lesson sequence as indicated below, based on a fifteen-
minute rehearsal.
● Modify each class as needed from this template. Add or
delete activities and chunks as needed.
● Do not do a Direct Instruction Script for this
assignment, only outline the activities and chunking that
will complete each rehearsal thread.
● Be creative and include lots of kinesthetic and learning
experiences.
● Please spend no more than 40 minutes on this part of
the exam
● Please feel free to work with others on this exam! Share
answers,
Chunk 2: use solfege and hand signs for important tone sets in the melody and
have them repeat after me
Chunk 2: Sing the second line on solfege and they repeat on “nu.”
Chunk 4: Diction
Transition statement: Now that we have the melody for the verses, let’s move
onto the melody in the refrain.
Chunk 1: I will sing the melody with solfege. And they repeat on “nu”
Chunk 2: Depending on how they do, I will sing either on solfege or “nu” and
then they will respond using text.
Chunk 3: Diction
Transition statement: Now that we have learned the melody and diction of the
song, let’s put it the verses and refrain together.
Chunk 2: Sing the song in round for a challenge! First two groups.
Chunk 4: Sing the song in 4 part rounds. (This is meant to help each section
bond and find their own strength in their part before moving on to learning the
harmony of the piece. If it becomes too challenging, we can wind it back by
only
doing two part rounds or by having each voice part sing a particular line and
then move onto the next section to complete the line.)
Transition statement: Amazing job you all! Let’s close it off by singing through
the song in unison one more time.
Chunk 2: sing the first half of the first line on solfege and have them repeat on
“nu”
Chunk 3: sing the second half of the first line on solfege and have them repeat
on “nu”
Chunk 4: sing the entire line on “nu” and have them repeat on text (wind it back
by having them respond with “nu” and then on text)
Chunk 5: Sopranos sing the melody while everyone else pretends to be an alto.
Chunk 2: sing the first half of the first line on solfege and have them repeat on
“nu”
Chunk 3: sing the second half of the first line on solfege and have them repeat
on “nu”
Chunk 4: sing the entire line on “nu” and have them repeat on text (wind it back
by having them respond with “nu” and then on text)
Chunk 5: sopranos sing the melody, altos sing their part while tenors and basses
sing the bass part
Chunk 2: sing the first half of the first line on solfege and have them repeat on
“nu”
Chunk 3: sing the second half of the first line on solfege and have them repeat
on “nu”
Chunk 4: sing the entire line on “nu” and have them repeat on text (wind it back
by having them respond with “nu” and then on text)
Transition statement: We all officially know our own voice parts for this song.
Chunk 1: sing the A section through on separate voice parts and then go right
into Refrain on the melody
Chunk 2: sight sing Refrain on voice parts and then sing A section on
harmonies (In this order to end the rehearsal strong!)
Chunk 2: sing some tone-sets in solfege in each voice part and have them
repeat back on “nu”
Chunk 2: sing the first half of the first line on solfege and have them repeat on
“nu”
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Chunk 3: sing the second half of the first line on solfege and have them repeat
on “nu”
Chunk 4: sing the entire line on “nu” and have them repeat on text (wind it back
by having them respond with “nu” and then on text)
Chunk 5: Everyone be an alto except for sopranos on melody line and sing the
Refrain.
Chunk 2: sing the first half of the first line on solfege and have them repeat on
“nu”
Chunk 3: sing the second half of the first line on solfege and have them repeat
on “nu”
Chunk 4: sing the entire line on “nu” and have them repeat on text (wind it
back by having them respond with “nu” and then on text)
Chunk 5: Everyone be a bass except for altos and sopranos! Sing on your own
parts.
Chunk 2: sing the first half of the first line on solfege and have them repeat on
“nu”
Chunk 3: sing the first half of the first line on solfege and have them repeat on
“nu”
Chunk 4: sing the entire line on “nu” and have them repeat on text (wind it
back by having them respond with “nu” and then on text)
Chunk 1: speak the first half of the refrain correctly and have them repeat
Chunk 2: speak the second half of the refrain correctly and have them repeat
Chunk 3: add both parts of the refrain together and speak with them
Chunk 1: Verse 1: speak words incorrectly first and have them repeat it in the
incorrect way, then speak them correctly and have them repeat them in the
correct way
Chunk 1: Verse 2: speak words incorrectly first and have them repeat it in the
incorrect way, then speak them correctly and have them repeat them in the
correct way
Chunk 1: Verse 3: speak words incorrectly first and have them repeat it in the
incorrect way, then speak them correctly and have them repeat them in the
correct way
Transition statement: Let’s sing the entire song using the correct diction for both
the verses and the refrain.
Chunk 3: Take out their pencils and mark where the dynamics change.
Transition statement: Let’s sing only the verses of the piece back to back to
show the contrast between verses.
Chunk 2: sing first half at mp and crescendo at the end of the phrase
Transition statement: Beautifully done! Let’s transfer these dynamics into the
refrain.
Transition statement: Let’s put the entire song together with the correct
dynamics!
Chunk 1: The choir sings the entire song together with the correct dynamics in
mind.
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Transition statement: Let’s transfer this clear tone into our song.
Chunk 1: Verse 1: sing on the “ah” vowel to match the dynamic of mf and
bring
clarity to their blend
Chunk 2: Verse 2: sing on the “loo” vowel to match the dynamic of mp and
bring
clarity to their blend
Chunk 3: Verse 3: sing on “vv” to remind them of breath support for p and
maintain that same placement in their tone
Transition statement: Let’s transfer these ideas into the entire song!
Chunk 1: Sing the entire song with blending of vowels and dynamics and
diction!
Chunk 2: sing through the entire song with reading the music
Chunk 1: Winding it back: Have basses and altos read the music while sopranos
and tenors sing memorized for the first verse, first refrain and half of verse two,
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then switch and let sopranos and tenors read music while basses and altos sing
the rest of the piece memorized. Repeat switching sections.
Chunk 2: Sing the entire song memorized with support from the teacher if
needed!
Chunk 2: Give an example of text painting that occurs within the piece.
Chunk 3: Ask them what text painting they notice in the piece.
Transition statement: Let’s sing this song with these meanings in mind (If you
are having a hard time relating to this song, sing it through the perspective of
one of your peers’ stories!)
Chunk 3: Think back on the stories that we discussed together last lesson. What
images come to mind? Draw mini images in certain sections as a reminder of
the meaning.
Transition statement: Let’s sing the entire song with these buzzwords in mind.
Chunk 2: give each section a verse to sing with the meaning of the buzzword
and for the other sections to listen-- they come together on the refrain
Transition statement: Let’s sing the piece one more time together.
Chunk 1: Piece sung with all transfers completed and meaning to the full
potential.
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Transition statement: You all have been amazing musicians! Let’s sing the song
one last time before our final performance!
Be the Music. It’s not about the conductor. It’s about the
music. Every intention should be for the music.
Controlling the environment that in turn The teacher has the power to create a positive
controls us. learning environment for their students. A
positive learning environment is one in which
students feel comfortable enough to express
their full creativity and to ask questions and to
learn.
Creating the culture that in turn creates the
community.
Cultivate FLOW and the culture will GROW!
The Concert is the Celebration of What Has For the concert, we are showing the audience
Already Happened. what we have learned and how we have grown
as musicians. We are celebrating our education
and experiences from the music we have
learned.
What is your agenda?
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When you know better, you do better. Learn from your mistakes. Continue to educate
yourself and always strive to be better than the
day before.
Where ever you go, there you are.
You don’t know what you don’t know! Stay educated. Always strive to learn more and
more. Both the teachers and students are the
heart of the education system, which is
constantly changing as society changes. In
order to remain in alignment with our growing
world, we must continue to learn not only for
our students, but with our students.