Alma Corazon y La Vida

ALMA CORAZON Y VIDA
Trio Internacional Los Panchos
       
Arr: Jose Francisco Perdomo

         
q = 140
           
    
Trumpet in Bb 1
  
    
                        
      
Trumpet in Bb 2
 

 
q = 140
 
                          
Acoustic Guitar      
    

Bass Guitar                 
          
 

Tenor
 
    
      
        
Violin 1


         
   
      
Violin 2

 
      
11
Tpt. 1             
 
 
           
Tpt. 2
        

                          
A. Gtr.          
      
  

Bass             
                  
  

T.
 
 
    
re cuer do_a que lla vez que yo te co no ci
        
    
pizz.
Vln. 1          

        
    
pizz.
Vln. 2
            
Copyright © Mariachis Son de Mi Pueblo

318 826 3123
Teruel Huila
2
  

21
Tpt. 1           


Tpt. 2
           
                           

A. Gtr.            
     

Bass             
           

    
    
            

T.
   
   
re cuer do_a que lla tar de pe ro no re cuer do ni co mo te vi pe ro si te di re que yo me_e na mo re de_e sos tus lin dos
 
arco
Vln. 1      
    

arco
Vln. 2       
     
A
 

  
   
30
Tpt. 1                
  

 
Tpt. 2
                    
 
A
                         
A. Gtr.           
  
  

Bass               
      
            
            
 o jos y tus la bios
T.

     
pizz.   
ro jo que no_ol vi da re o ye_es ta can cion que lle va al ma co ra zon y vi da e sas tres co si tas
    
arco
Vln. 1            
                 
pizz.

arco
Vln. 2        
3
             
39
Tpt. 1   
           
              
 

Tpt. 2     
    
 
                              
A. Gtr.           
    

Bass                
                            
       
 na da mas te doy
T.
   
 
por qeu no ten go for tu na e sas tres co sas te_o fres co al ma co ra zon y vi da_y na da mas
Vln. 1           

Vln. 2
          
 
         
49 To Coda 1. 2. D.S. al Coda
Tpt. 1         
           
Tpt. 2
          
           
  
To Coda
                     
1. 2. D.S. al Coda
A. Gtr.     
      
   

Bass            
          
    
           
     

T.

 
al ma pa ra con quis tar te co ra zon pa ra que rer te
Vln. 1             
  
Vln. 2
          
4
             
59 CODA
            
   
Tpt. 1
  
  
           
        
       

Tpt. 2

 
CODA
                      
A. Gtr.           
   

Bass             

        

T.
            
            
Vln. 1





Vln. 2                    
 
    
67
Tpt. 1                                   

        
       
    
Tpt. 2
                        
A. Gtr.        
    
  

Bass           
        


T.

      
   
            
Vln. 1 
       

    
Vln. 2
       
Trumpet in Bb 1
ALMA CORAZON Y VIDA
        
q = 140
            
       
 
8
            


   
15
          
 
       
25
      
 
    
     
   
33 A
     
41
           
           
   

      
To Coda 1.
  
48 2. D.S. al Coda
  
       
CODA
             
59
     
  
66
                   
 
71
                  
318 826 3123
Teruel Huila
Trumpet in Bb 2
ALMA CORAZON Y VIDA
      

q = 140
  
       
        
 

 
8
               


 

16
          
 
25
     
            
       
33 A
          

           
41
        

         
48 To Coda 1.
  
2. D.S. al Coda
  
  
CODA
         
59
       
 

66
                   
   
318 826 3123
Teruel Huila
Acoustic Guitar ALMA CORAZON Y VIDA
q = 140
  
                    
     
                        
9
                

                    
17
 
              
25
                        

A
                    
33
   
                        
41
                
                         


To Coda
         
49
D.S. al Coda
       
  
               
57 CODA
1. 2.
             
      
64
  
                
     
70
               

318 826 3123
Teruel Huila
Bass Guitar ALMA CORAZON Y VIDA
 
q = 140
   
             

    
     
10
       
18
     
        
     

25
          
 
33 A
                 
42
   
            
    
50 To Coda
          
D.S. al Coda
     
57 CODA
            
1. 2.
    
65
     
    
70
       
318 826 3123
Teruel Huila
Tenor
ALMA CORAZON Y VIDA

       
q = 140
 
      


re cuer do_a que lla vez que yo te co no
                     
20

 ci re cuer do_a que lla tar de pe ro no re cuer do ni co mo te vi
        

      
25
           


pe ro si te di re que yo me_e na mo re de_e sos tus lin dos o jos y tus la bios
       

A
        
31
     
 ro jo que no_ol vi da re o ye_es ta can cion que lle va al ma co ra zon y
            
 
          
37

 vi da

e sas tres co si tas na da mas te doy por qeu no ten go for tu na
           
44
        
 e sas tres co sas te_o fres co
  
al ma co ra zon y vi da_y na da mas
       
             
50
   


al ma pa ra con quis tar te co ra zon pa ra que rer te
     
To Coda
 
55 1. 2. D.S. al Coda
    


59 CODA 

 Copyright © Mariachis Son de Mi Pueblo
318 826 3123
Teruel Huila
Violin 1
ALMA CORAZON Y VIDA
     
 
q = 140
  
          
      
           
9
      
         
arco
  
16 pizz.
 
             
pizz.

25
 
arco
    
 
 
33 A To Coda
    
D.S. al Coda
   
       
57 CODA
1. 2.
     
   
 
 
64
      
 

    
 
    
70
    
318 826 3123
Teruel Huila
Violin 2
ALMA CORAZON Y VIDA
   
q = 140
 
    
        
9
 
                   

 

 
    
16 pizz. arco
    
         
     
25 pizz. arco
    
 
 
33 A To Coda
    
D.S. al Coda
    
57 CODA
1. 2.
         

     
64

     
   
   


70
         
318 826 3123
Teruel Huila

Alma Corazon y La Vida

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Copyright © Mariachis Son de Mi Pueblo

                           

            

                        

                         

               

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