Technology
TTT4170 AUDIO TECHNOLOGY
Lab. Exercise 2
Room acoustics
Nicolò Antonante Jens Dankert Dmitrijs Jemeljanovs
October 17, 2010
Abstract
Contents
1 Introduction 1
2 Theory 1
2.1 Sound pressure level . . . . . . . . . . . . . . . . . . . . . . . 1
2.2 Octave bands . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
2.3 Room acoustics and reverberation . . . . . . . . . . . . . . . . 2
2.4 Room absorption and absorption coefficients . . . . . . . . . . 2
4 Results 6
4.1 Average absorption factor . . . . . . . . . . . . . . . . . . . . 7
4.2 Fixed absorption factor . . . . . . . . . . . . . . . . . . . . . . 7
4.3 Decrease of reverberation time . . . . . . . . . . . . . . . . . . 8
4.4 Direct sound level . . . . . . . . . . . . . . . . . . . . . . . . . 8
4.5 Surface materials . . . . . . . . . . . . . . . . . . . . . . . . . 10
4.6 Diffuse sound field . . . . . . . . . . . . . . . . . . . . . . . . 11
5 Conclusions 11
List of Figures
1 Illustration of an impulse response showing direct sound, early
reflections and reverberation . . . . . . . . . . . . . . . . . . . 3
2 Equipment used for measurements . . . . . . . . . . . . . . . . 4
3 Sketch of EL4 auditorium Elektroblokk B, Gløshaugen campus 5
4 Microphone positions at EL4 . . . . . . . . . . . . . . . . . . . 6
5 Relative SPL as a function of distance in the 125 Hz to 4 kHz
octave bands . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
6 Sketch of an absorber - front view and side view . . . . . . . . 10
List of Tables
1 Average absorption factor ᾱ for each octave band . . . . . . . 7
2 Average absorption factor αrs for the remaining surfaces . . . 7
3 Different positions and their distance to the loudspeaker / the
ceiling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
4 Value table generated by WinMLS for position 1 . . . . . . . . 13
5 Value table generated by WinMLS for position 2 . . . . . . . . 14
6 Value table generated by WinMLS for position 3 . . . . . . . . 14
7 Value table generated by WinMLS for position a . . . . . . . . 14
8 Value table generated by WinMLS for position b . . . . . . . . 14
9 Value table generated by WinMLS for position c . . . . . . . . 15
10 Value table generated by WinMLS for position d . . . . . . . . 15
11 Value table generated by WinMLS for position e . . . . . . . . 15
12 Value table generated by WinMLS for position f . . . . . . . . 15
13 Value table generated by WinMLS for position g . . . . . . . . 15
14 Value table generated by WinMLS for position h . . . . . . . . 16
15 Value table generated by WinMLS for position i . . . . . . . . 16
1 Introduction
Room acoustics is an area of acoustic that deals with the behavior of sound
in an enclosed space. Reverberation time is an important parameter in room
acoustic analysis. It defines sound persistence in a particular space after the
source is removed. The optimum reverberation time for a room depends on
which use it is designed for.
The reverb can in fact have negative aspects, such as the risk of mask-
ing syllables during a speech, and positive such as the reinforcement of the
sources intensity. In this paper the measurement of the reverberation time
of an auditorium and the measurement of relative sound pressure level as a
function of distance are described. A brief introduction to basic concepts of
room acoustic analysis is also presented.
2 Theory
This section gives a basic overview of the theoretical background of recording
pressure levels, frequency selective analysis and room acoustic analysis.
prms 2
prms
Lp = 10 log10 = 20 log10 dB (1)
pref 2 pref
The commonly used reference sound pressure in air is pref = 20 µPa.
SPL is measured in decibel (dB). In this paper, there is no calibration and
only relative sound pressure level is measured, as only the changes in sound
pressure are relevant.
1
2.2 Octave bands
In order to analyse the spectrum of the noise measured, Octave band filtering
can be used. This operation consists of using different filters that each have
an octave’s width and a central frequency at the corresponding octave centre.
An octave is the interval between one musical pitch and another with half or
double its frequency. The central frequencies of the different octaves are:
63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz
In this way the signal can be decomposed and analysed, for example in
order to see in which frequency band the noise has its main components.
Reverberation time measures how long the sound remains audible and there-
fore gives and indication of how it will mix with the following sound. In an
auditorium, for example, a short reverberation time is desirable in order to
avoid the masking of syllables. If the persistance of a syllable is too long,
it can mask the sound of the following one making the speech difficult to
understand.
2
Figure 1: Illustration of an impulse response showing direct sound, early
reflections and reverberation
3
an amplifier, a laptop computer and a loudspeaker. Analysis of the recordings
is performed using the WinMLS software.
3.1 Equipment
For recording, a microphone, an amplifierand a laptop computer are used.
The microphone shown in figure 2(a) is a Norsonic Type 1206 microphone,
which is connected to the amplifer. All measurements are performed with
the microphone facing upwards. Figure 2(b) shows the Norsonic Type 336
amplifer that is used to amplify the microphone’s output. All measurements
except for one are performed with a 30 dB gain in order to achieve a high
signal-to-noise ratio.
(a) Norsonic Type 1206 microphone (b) Norsonic Type 336 amplifier
4
1029A and has a built-in amplifier. The laptop computer is used to control
both microphone input and loudspeaker output with the WinMLS measure-
ment software.
3.2 WinMLS
WinMLS measures impulse or frequency responses and transfer functions
using a computer and a sound card. For this exercise, predefined settings are
loaded. The measurement type is swept sine with a duration of 20 seconds per
measurement. In addition, WinMLS is used to calculate the reverberation
time and the relative sound pressure level.
3.3 Room
The room chosen for the measurements is the EL4 auditorium Elektroblokk
B, Gløshaugen campus. It is a small auditorium with seven rows of seven
chairs each. The higher the distance from the rows to the lectern, the more
elevated the rows are, as shown in figure 3.
5
3.4 Positions
The measurements are performed at nine different microphone positions
which are shown in figure 4. At each position, one measurement was per-
formed for 20 seconds. All measurement results can be found in appendix
A.
4 Results
Preliminary to other calculations, the auditorium’s geometrical properties
have to be calculated. The dimensions are taken from figure 3.
6
4.1 Average absorption factor
Table 1 shows the average absorption factors in the room for each octave
band. WinMLS calculates only T30 values, as T60 are difficult to obtain in
praxis. Nevertheless, T60 values can be attained by a multiplication with the
factor 2. This results in a slightly altered version of Sabine’s equation:
0, 0805 ms ·V
T30 = (8)
Stot · ᾱ
0, 0805 ms ·V
ᾱ = (9)
Stot · T30
7
4.3 Decrease of reverberation time
In the 1 kHz octave band, the average reveberation time T60 is 0.96 seconds.
This reverberation time is to be lowered to 0.5 seconds using sound absorbers
with different absorption coefficients α from 0.3 to 0.9. It is assumed that the
chair surface still has an α of 0.7 and that sound absorbers are used for the
ceiling only. Everything else is assumed to have a fixed absorption value of
0.031, which is the average absorption factor of the room in the 1 kHz octave
band according to table 1.
0.161 ms ·V
T60 = (12)
Stot · ᾱ
P
Si αi
i
ᾱ = (13)
Stot
0.161 ms ·V 0.161 ms ·V
⇒ T60 = P = (14)
Si αi Schair · αchair + Srest · αrest + Sceiling · αceiling
i
s
0.161 m ·V
T60
− Schair · αchair − Srest · αrest
⇔ αceiling = (15)
Sceiling
s
·174.286 m3
0.161 m
0.5 s
− 33, 422 m2 · 0.7 − 121.325 m2 · 0.031
αceiling = = 0.452
64.12
(16)
Increasing only the ceiling’s absorption is on of the easiest solutions to in-
crease the average absorption. Of course, there are countless other solutions,
for example covering parts of surface sections or use of multiple, varying
absorber material for a single section.
8
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sed diam voluptua.
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9
Figure 6: Sketch of an absorber - front view and side view
10
Having in mind above formulae, f0 is calculated:
π π 1.5
lef f = l + ·b=3+ · = 4.1781 · 10−3 (m)
2 2 2
πd2
Shole = = 1.77 · 10−6 (m2 )
4
π · 6.52
Sperhole = = 33.183 · 10−6 (m2 )
4
r
344 1.77 · 10−6
f0 = ≈ 357.15(Hz)
2π 0.3 · 33.183 · 10−6 · 4.1781 · 10−3
5 Conclusions
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eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam
voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet
clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit
amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam
nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat,
sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum.
Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor
sit amet.Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam
nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat,
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sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum.
Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor
sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam
nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat,
sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum.
Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit
amet.
12
Position Distance to speaker gain Distance to ceiling
1 7,05 30 1,1
2 4,12 30 1,7
3 1,03 30 1,95
a 7,05 30 1,1
b 6,07 30 1,4
c 5,09 30 1,61
d 4,12 30 1,7
e 3,03 30 1,92
f 2,01 30 1,95
g 1,03 30 1,95
h 0,5 30 1,95
i 0,25 20 1,95
Table 3: Different positions and their distance to the loudspeaker / the ceiling
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F[Hz] 63 125 250 500 1000 2000 4000 8000 16000
snr[dB] 10,6 20,9 25,7 36,2 42,2 44,9 47 50 43,8
edr[dB] 23,1 34,3 42,7 51,3 59,4 60,6 64 65,7 60,2
EDT[s] 1,28 0,84 0,38 0,49 0,43 0,47 0,36 0,32 0,17
T30[s] 1,37 0,77 0,57 0,48 0,49 0,49 0,47 0,39 0,29
corr -0,99 -1 -0,99 -1 -1 -1 -1 -1 -1
T20[s] 1,37 0,78 0,53 0,46 0,47 0,48 0,46 0,39 0,27
corr -0,99 -1 -0,98 -1 -1 -1 -1 -1 -1
r[m] 4,2
14
F[Hz] 63 125 250 500 1000 2000 4000 8000 16000
snr[dB] 11,3 21,8 24,9 36,9 42,4 44,4 49,7 48,7 42,8
edr[dB] 23,5 34,3 40 53,3 58,4 60,8 64,7 65,4 59,4
G[dB] 96,1 100,8 100,3 104,9 107,1 107,3 109,3 109,1 104
r[m] 5,2
15
F[Hz] 63 125 250 500 1000 2000 4000 8000 16000
snr[dB] 20,1 32,6 38,8 50,8 55,8 56,4 59,8 63,6 60,5
edr[dB] 33,2 43,6 50,6 62,1 66,3 72,9 74,6 79,5 77,3
G[dB] 105,6 111,2 113,9 116,9 120,6 123,2 124,4 126 123,9
r[m] 0,2
16